Sony Projection Television LMT 100 User Manual

4K Digital Cinema Projectors  
SRX-R220/SRX-R210  
Media Block  
LMT-100  
Screen Management System  
LSM-100  
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rast Ratio and a Highly Secure, Self-contained  
Cinema Age.  
Sony is proud to introduce an ultra-high-resolution projector system designed specifically for  
digital cinema applications.  
This projector system consists of the SRX-R220/SRX-R210 Digital Cinema Projector, the LMT-100  
Media Block, and the LSM-100 Screen Management System, which are used with peripheral  
equipment such as RAID (Redundant Arrays of Inexpensive Disks) storage, an SMS Server, and an  
Uninterruptible Power Supply system.  
The core component of this system, the SRX-R220 and SRX-R210 projectors, are equipped with  
three Silicon X-tal Reflective Display (SXRD™) imaging devices, delivering an amazing resolution  
of 4096 x 2160 pixels (H x V) - more than four times the resolution of full HDTV (1920 x 1080,  
16:9 widescreen format). The SXRD devices also provide a SMPTE-standard brightness level:  
14 ft-L* on a 20-meter (65.6-foot) wide screen for the SRX-R220 and a 17- or 14-meter (55.8- or  
45.9-foot) wide screen for the SRX-R210**, along with a high contrast ratio of 2000:1.  
One of the major characteristics of these projectors is their enclosure design, which can  
accommodate additional necessary components into their body, such as RAID storage and a  
power management system. This self-contained design realizes a high security level that meets  
the SPB-2 anti-tamper regulation stipulated by the Digital Cinema Initiatives, LLC (DCI). It also  
provides significant space-saving benefits when installing the projectors.  
Various optional lenses are available for the SRX-R220/SRX-R210 projector, which enables it to  
be used in a wide variety of theatres with many different throw distances.  
The other important components of this projector system are the LMT-100 Media Block and  
LSM-100 Screen Management System which, in combination with the SRX projectors, establishes  
a highly secure digital cinema projection  
system. The LMT-100 Media Block is a  
digital cinema server that can play back  
DCI DCP (Digital Cinema Packages)  
files. The LSM-100 Screen Management  
System provides a variety of screen management  
operations such as show scheduling,  
communication with other theatre control  
systems like lighting and curtains, and control of  
the SRX projectors and Media Block. Moreover,  
this software also has various functions to help  
prevent illegal copying, such as the monitoring  
of cavity security sensors on the enclosure,  
security key management, and diagnostic log  
management of security events.  
With extremely high resolution, high-quality  
color tonal reproduction resembling film, and  
outstanding security, the Sony digital cinema  
projector system based on the SRX-R220/  
SRX-R210 4K projector is an ideal solution for  
digital cinema applications.  
* Measured at the screen center of a full pixel size (4096 x  
2160) projection with 100 IRE white and a screen gain  
of 1.8. A ft-L (foot-lambert) is a unit of measurement for  
luminance. One foot-lambert equals 3.4262591 candelas  
per square meter.  
**Tentative  
Display Not Included  
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System Advantage/Features  
4K Resolution  
Historically, the movie theatre experience has always  
exceeded that achieved by home entertainment systems.  
The advent of HDTV (1920 horizontal pixels) and technical  
improvements in home theatre equipment have stimulated  
the movie industry to think further ahead into the future.  
Meanwhile, the Hollywood movie studios have jointly  
agreed on standardizing 4K (4096 horizontal pixels) and 2K  
(2048 horizontal pixels) as the next-generation digital movie  
distribution and projection standards. Creating movies in 4K  
protects the future value of the content, and also provides a  
significant benefit to the theatre audience.  
CineAlta 4K™  
Experience the Difference  
With True 4K Digital Cinema  
In 1999, Sony introduced a totally new concept for  
moviemakers to provide a new higher level of picture  
quality, efficiency, and flexibility in production  
processes – digital cinema production.  
In recent years, stadium-type seating is becoming  
increasingly popular among modern cinema complexes.  
By sitting closer to the screen, the audience can enjoy an  
immersive visual experience. However, those sitting in the  
front rows may witness pixel artifacts when the resolution  
provided by the projection system is not sufficient to fill the  
screen size. The SRX-R220 and SRX-R210 provide true 4K  
output, which reproduces the full detail of 4K content thanks  
to the 4K SXRD panels, 4K internal signal processing, and  
4K-compatible optical system. Besides, since the  
SRX-R220/SRX-R210 provide four times the resolution of 2K  
projectors, the visual quality of 2K and HD content is also  
improved over those provided by native 2K and HD-  
resolution projectors.  
Sony’s new approach was to produce movies in a  
high-definition (HD) progressive video format at  
24 frames per second using digital video tape media.  
This concept, together with the Sony products that  
enabled it, was named CineAlta™ – and it has been  
embraced by an ever-broadening spectrum of  
producers, directors, and cinematographers all over  
the world. A large number of movies have already  
been produced digitally using CineAlta equipment,  
and this will continue into the future.  
Screen  
Cineplex  
(Stadium Seating)  
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The recent acceleration of HD has heightened the  
need for the best technologies at every point in the  
professional production workflow. As a result, Sony  
launched “CineAlta 4K” in 2006 – an extension of  
the CineAlta brand that currently comprises the  
SRX Series SXRD 4K projectors. Sony is also working  
to expand the “4K” concept to other Sony  
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Traditional theatre  
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professional equipment, with a longer-term plan to  
establish a 4K production workflow.  
With Sony CineAlta 4K technologies and equipment,  
true 4K digital cinema is a reality.  
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High 2000:1 Contrast Ratio  
The SRX-R220 and the SRX-R210 offer a high contrast ratio  
of more than 2000:1* through the use of Sony’s unique  
SXRD device. The SXRD imaging device itself achieves a  
contrast ratio of over 4000:1.  
Variety of High-quality Lenses  
Five optional zoom lenses are available for the SRX-R220  
and SRX-R210. All lenses utilize very large image circles  
that contribute to minimizing the optical vignetting that  
typically occurs on projector lenses, and to obtaining the  
highest possible values of MTF (Modulation Transfer  
Function). With these features, the optical systems of the  
SRX-R220 and SRX-R210 have the capacity to reproduce  
resolutions higher than 4K, which is necessary to project 4K  
contents exactly at 4K-resolution. In addition, these lenses  
are designed to minimize chromatic aberrations using Sony’s  
accumulated technical knowledge.  
This stunning picture quality makes the SRX-R220 and  
SRX-R210 ideal for applications in which dynamic range is  
essential.  
The high contrast ratio has been achieved through two key  
technologies - the ‘Vertically Aligned Liquid Crystal’ system  
and an extremely thin liquid crystal cell gap.  
* The contrast ratio is measured from a screen offering a gain of 1.0.  
Xenon Lamp Provides Highly Bright  
and Pure Light Source  
The SRX-R220 provides a high brightness of 14 ft-L* on a  
20-meter (65.6-foot) wide screen, and the SRX-R210 provides  
the same brightness on a 17- or 14-meter** wide screen  
using a Xenon lamp.  
LKRL-Z114C  
LKRL-Z116C  
LKRL-Z117  
A Xenon lamp, standard in all film projectors, provides pure,  
superb color tonal reproduction essential to meeting the  
stringent requirements of digital cinema. The SRX-R220  
utilizes a 4.2 kW Xenon lamp, and the SRX-R210 uses a  
3.0 kW** or 2.0 kW** Xenon lamp. These lamps satisfy the  
wide color range required for digital cinema by dispersion at  
a very flat and wide light spectrum.  
LKRL-Z119  
LKRL-Z122  
Variety of Interfaces  
* Measured at the screen center of a full pixel size (4096 x 2160) projection with 100 IRE  
white and a screen gain of 1.8. A ft-L (foot-lambert) is a unit of measurement for  
luminance. One foot-lambert equals 3.4262591 candelas per square meter.  
**Tentative  
The SRX-R220 and SRX-R210 support a wide variety of  
signal formats including the 12-bit X’Y’Z’ signal that is  
stipulated in the DCI specification. 10-bit 4:4:4 RGB and  
10-bit 4:2:2 YPbPr signal formats are also supported for  
playback of other alternative contents.  
Two channels of SRLV which are used for connection to  
the Image Media Block (for 4K projection: 4K DCP).  
• A dual-link HD/DC-SDI input that accepts any of the  
following signals: SMPTE 372M dual-link HD-SDI (4:4:4),  
SMPTE 292M HD-SDI (4:2:2), dual-link DC-SDI (RGB 4:4:4),  
DC-SDI (YPbPr 4:2:2), or 12-bit (X’Y’Z’ 4:4:4) signals (for  
2K projection: 2K ODS (Other Digital Stuff), etc).  
• A DVI interface that accepts DVI signals for up to 2048 x  
1080 at 60 Hz (for 2K projection: 2K ODS , etc).  
Resolution  
Remarks  
VESA  
VESA  
VESA  
VESA  
VESA  
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5
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1024 x 768 at 60 Hz (XGA)  
1280 x 960 at 60 Hz (SXGA1)  
1280 x 1024 at 60 Hz (SXGA2)  
1400 x 1050 at 60 Hz (SXGA+)  
1600 x 1200 at 60 Hz (UXGA)  
2048 x 1080 at 60 Hz (DC)  
1920 x 1080 at 24 Hz (HD)  
2048 x 1080 at 24 Hz (DC)  
1920 x 1200 at 59.95 Hz Reduced Blanking (WUXGA)  
VESA  
10 1920 x 1080 at 60 Hz (HD)  
11 2048 x 1080 at 48 Hz (DC)  
EIA/CEA-861B  
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Operational Features  
Color Space Conversion (CSC)  
function  
Keystone Masking  
To compensate for keystone distortion, which typically  
occurs when the projector is not installed directly in front of  
the screen, the SRX-R220 and SRX-R210 have an image-  
masking function. To determine a position of the masking,  
this allows users to set a further two points as well as four  
corner point, which is effective when projecting onto a  
curved screen.  
The SRX-R220 and SRX-R210 feature a Color Space  
Conversion (CSC) function, which helps users easily adjust  
the projector’s color space to that which is defined in the  
DCDM (Minimum D-Cinema Color Gamut) or ITU-R BT.709.  
The target color gamut parameters required to meet the  
DCDM or ITU-R BT. 709 standards can be automatically  
calculated from settings on the supplied SRX Controller  
software, and then applied to the projector. The internal test  
generator simplifies adjustment and lets the operator align the  
projector in minutes.  
Select four corner positions to mask the area outside the perimeter.  
Masked area  
12-bit LCD Driver  
The SRX-R220 and the SRX-R210 utilize a 12-bit imager  
driver for reproducing extremely natural images.  
For curved screens, select two positions at the apex of the curve,  
one at the top and one at the bottom of the screen.  
Gamma Curve Selection  
The SRX-R220 and the SRX-R210 provide three preset  
gamma curve values. Users can select an optimum value  
from 1.8, 2.2, and 2.6 according to the desired color tone.  
Zoom/Focus Memory Function  
The SRX-R220 and SRX-R210 are equipped with zoom and  
focus memory functions that make it easy to switch the  
projection between two types of aspect ratios.  
Squeeze Mode Function  
When used with the optional zoom lens LKRL-Z114C,  
LKRL-Z116C, LKRL-Z117, LKRL-Z119, or LKRL-Z122 , the  
zoom and focus positions for 1.85:1 VistaVision™ and  
2.39:1 CinemaScope™ can be stored and instantly recalled  
via the SRX Controller software. This allows for full-screen  
display regardless of the aspect ratio. An electronic vertical  
alignment feature is included in the same memory to  
compensate for vertical changes in the image should the  
projector be mounted at a downwards angle.  
The SRX-R220 and SRX-R210 allows squeezed images (16:9  
or 1.896:1) to be changed to 2.39:1 un-squeezed images.  
This can be done electrically without an anamorphic lens,  
and be activated by the SRX Controller software.  
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Ease of Setup and Maintenance  
Easy Setup on a PC Using Supplied  
Easy Maintenance  
Special consideration was given to maintenance issues in the  
development of the SRX-R220 and SRX-R210 projectors.  
No cumbersome adjustments are required after replacement.  
The supplied setup software is a convenient tool for  
maintenance. This allows operators to easily verify a lamp’s  
operating time. Automatic email alerts from the projector  
provides operators with maintenance reminders as well as  
error messages.  
Software  
The SRX-R220 and SRX-R210 come equipped with the SRX  
Controller software. This runs on a PC* connected to the  
projector via the RS-232C interface, and features intuitive  
GUIs that enable easy setup and adjustment.  
A comprehensive range of setup parameters including input  
configurations, colorimetry controls, installation adjustments,  
and maintenance settings can be controlled via this software.  
* System requirements for the setup software: Microsoft® Windows® XP Professional  
Installation Setting  
Colorimetry Setting  
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Ease of Setup and Maintenance  
Easy Maintenance of Luminance  
Level  
Key Lock System  
The SRX-R220 and SRX-R210 are designed to be highly  
secure. They do not have screw holes, and require physical  
keys to open their enclosure. This body structure meets the  
SPB-2 anti-tamper regulation stipulated by the DCI. Even if  
the enclosure is opened with the physical keys, an anti-  
tamper sensor will trigger the Media Block LMT-100 to  
immediately start recording logs for further safety. In this  
case, these projectors also delete Key Delivery Messages  
(KDM) automatically, so that DCP files cannot be played  
back.  
During long periods of usage, users commonly have to adjust  
the luminance level of their projector, as Xenon lamps  
typically get darker over time. The SRX-R220/SRX-R210 has  
a convenient function to help users know when to make  
such adjustments. The supplied SRX Controller software  
allows users to set a standard luminance level, and displays  
an alert message on the LCD screen of the projector when  
the value changes from the standard level. With this feature,  
proper and timely maintenance of the luminance level can  
be performed.  
Automatic Lamp Power Calibration  
Function  
When switching the aspect ratio of projection from  
CinemaScope to VistaVision and vice versa, the luminance  
levels happen to change. To maintain a constant luminance  
level even after making these changes, the SRX-R220 and  
SRX-R210 projectors can automatically calibrate the  
luminance level by controlling the lamp output power.  
Users can set their desired luminance level using the SRX  
Controller software for this operation.  
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SXRD Technologies  
In addition to their extreme resolution and high contrast, the  
SXRD devices used in the SRX series projectors have the  
following remarkable technological features:  
Thin Liquid Crystal Cell Gap  
Another important enabling factor of high contrast is the  
SXRD device’s ultra-thin cell gap of less than 2 micrometers.  
In conventional Vertically Aligned Liquid Crystal systems, a  
thin cell gap could not be achieved. Sony has overcome this  
difficulty through the use of Sony’s innovative planarization  
technology in the silicon backplane structure and an  
advanced Silicon wafer-based assembly process.  
The SXRD device also adopts a structure that does not use  
“spacers”. These are columns found in conventional  
reflective liquid crystal devices to maintain a constant gap  
between the liquid cell floor and the top of the device.  
Spacers tend to both scatter and reflect light, which can  
impair high-contrast pictures. In the spacer-less SXRD  
device, these artifacts are no longer seen.  
Vertically Aligned Liquid Crystal  
System  
Short Response Time  
In every type of projector system, displaying absolute black  
is a major issue in order to achieve a high contrast ratio.  
In other words, the contrast ratio of a projector depends on  
how effectively the light from the source can be blocked so it  
does not leak through the imager.  
The thin cell gap structure in SXRD devices also contributes  
to an ultra-fast response time of 5 milliseconds. The SXRD  
device reacts promptly to an instantaneous change of picture  
content, enabling it to display a smooth motion.  
Consequently, the SRX-R220 and SRX-R210 virtually  
eliminate motion blur; a particularly significant benefit for  
visual content that includes fast-moving objects.  
All Liquid Crystal Display (LCD) devices control the amount  
of light to be projected by applying an electric field to the  
liquid crystal gap. In typical LCD devices, black is produced  
when an electric field is applied across the liquid crystal cell  
gap. However, molecules near the surface of the glass  
substrate may not be accurately controlled due to the  
influence of the alignment film. This is not an issue for  
bright images. However, when displaying dark images, light  
may tend to leak from the LCD device, since the molecules  
near the surface are less accurately controlled. This results  
in a creamy black instead of a deep black.  
Reliable Imaging Device  
The SRX-R220 and the SRX-R210 use a high-power, bright  
lamp. As a result, special attention has been paid to the  
reliability of the SXRD device. The inorganic materials  
utilized for the alignment layer of the SXRD device are  
resistant to deterioration or deformities that could occur due  
to the intense heat and light generated by the powerful lamp  
system.  
The SXRD device does not exhibit these characteristics. This  
is because the Vertically Aligned Liquid Crystal system  
displays black when  
the electric field is  
not applied and  
SXRD Cross-Section view  
because all  
Thin Cell Gap (2.0 µm) Space-less  
Light  
molecules are in the  
correct alignment,  
• Short response time < 5 msec  
• High Device Contrast ratio 4000 : 1  
Inorganic  
Alignment Layer  
• High reliability  
the polarized light  
Glass Substrate  
alignment is also  
Vertically Aligned Liquid Crystal  
optimized. The  
direct result is a far  
Aluminium Pad  
Silicon Backplane  
deeper black level,  
Narrow Inter-Pixel  
Spacing (0.35 µm)  
• High fill factor 92 %  
• High reflectivity  
leading to a high  
High-Density Pixel Pitch 8.5 µm  
• 4 x Full-HDTV (4096 H x 2160 V pixels)  
contrast ratio.  
9
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Digital Cinema Server - LMT-100 Media Block  
The LMT-100 Media Block is a digital cinema server that can  
handle DCI DCP files, which is a key component in  
establishing highly secure theatre systems.  
The LMT-100 server handles DCP (Digital Cinema Packages)  
files that consist of picture, audio, and subtitle data files, and  
that are wrapped into an MXF (Material eXchange Format)  
file. It can play back the DCP file by using advanced  
processing to decrypt and decode the picture data, and then  
send it to the projector over a secure multi-pin connection  
system.  
The LMT-100 server is controlled with the optional SMS  
(Screen Management System) software.  
System Configuration Example  
SRX-R220/R210  
Theatre  
Management  
System  
Auditorium  
Projector  
DCP  
SRLV  
AES/EBU Digital Audio  
HDD, etc  
Sound Processor  
Media Block  
Auditorium  
SMS Controller  
Fiber  
Cable  
Auditorium  
Curtain  
RAID  
SMS/CSS Server  
Automation  
System  
GPI  
USB2.0  
Firewall  
Distributors’  
DCP  
Secured  
Contents  
HDD, etc  
Light  
Decryption and Unwrapping of  
Audio  
The LMT-100 transcodes audio DCP files into AES/EBU  
digital audio signals, and then outputs them to external audio  
processors. Up to 16 channels can be output from D-sub  
25-pin or BNC connectors. The timing of the audio output  
can be adjusted for complete synchronization with the  
picture, and any channel can be routed to any output to  
simplify installation.  
DCP Files  
The LMT-100 can decrypt DCP files that have been  
encrypted using the AES (Advanced Encryption Standard PSP  
197). It can also unwrap individual picture, audio, and  
subtitle data files for processing that are encoded within the  
MXF file.  
Picture and Subtitle  
Event Log Creation  
The LMT-100 can decode the JPEG 2000 picture data in real  
time for playback, regardless of whether the file was encoded  
at 2K or 4K resolution. Subtitles in Timed-Text/XML or  
PNG/XML format can be overlaid onto picture data before it  
is sent to the projector.  
The LMT-100 can generate event logs* to record certain  
information - such as the number of times a movie has been  
played - which is a DCI requirement for secure content  
control.  
* Requires the optional SMS software.  
10  
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Screen Management System - LSM-100  
The LSM-100 Screen Management System is a software  
application that controls a host of components including:  
SMS (Screen Management System) servers, SMS controllers,  
projectionist terminals, CSS (Cavity Security system) servers,  
power equipment, and status lights. For these controls, a  
variety of functions are provided. It also provides seamless  
integration with other systems in the theatre such as the  
Theatre Management System and the auditorium automation  
system. The LSM-100 satisfies the requirements of DCI  
Specifications version 1.0 for screen management and  
security.  
Security Functions:  
• Monitoring of cavity security sensors  
• Notifying Media Block LMT-100 and CSS of cavity sensor  
events  
• Responding to security queries made by Media Block  
LMT-100  
• Keeping diagnostic logs of security events  
Power Management Functions:  
• Status monitoring: monitor status of RAID during power-up  
sequence  
• IP traffic monitoring: listen for IP messages from UPS  
signaling abnormal power and UPS battery conditions  
• IO monitoring: monitor power state change requests via  
projectionist terminals  
Supported Functions  
Screen Management Functions:  
• Content ingest/registration and content management  
• KDM registration and key management  
• Show Play List (SPL) management  
• Show schedule management  
• Controls the enclosure power lamp to show current power  
status  
• Sequence power provided to component devices during  
power-up and power-down transitions, both user-  
requested and unplanned utility outages  
• Control UPS during unplanned utility outages  
• Initiate standby/shutdown sequences for SRX projector,  
Media Terminal, SMS Server, UPS  
• Playback control  
• Execution of SPLs  
• Device configuration  
• Device monitoring  
• Initiate startup/power-on sequences for UPS, RAID, Media  
Terminal, SMS Server  
• Auditorium setup  
• Status monitoring: collect status information from  
projector, Media Block, RAID, and Cavity Security  
System; report status at pre-configured intervals  
• Log retrieval: including log filtering and secondary log  
distribution  
• Provides GUIs with status indication  
Enclosure Status Light Management Functions:  
• Monitors and aggregates status of all system components  
using SMS API  
• Automation system interface  
• Sends aggregated status information to the status light of  
the enclosure  
• Interface (XML/HTTPS) to external TMS system  
11  
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Unit: mm (inches)  
Dimensions  
SRX-R220/SRX-R210  
ø199 (7 7/8)  
1,230 (48 1/2)  
166 (6 5/8)  
430 (17)  
LMT-100  
455 (18)  
424 (16 3/4)  
332 (13 1/8)  
349 (13 3/4)  
64.5 (2 5/8)  
12  
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Optional Accessories  
LKRL-Z114C Zoom Lens  
x1.35 to x1.98 zoom lens  
LKRL-Z116C Zoom Lens  
x1.50 to x2.29 zoom lens  
LKRL-Z117 Zoom Lens  
x1.72 to x2.39 zoom lens  
LKRL-Z119 Zoom Lens  
x1.81 to x2.94 zoom lens  
LKRL-Z122 Zoom Lens  
x2.23 to x4.03 zoom lens  
LKRX-2042A  
4.2 kW Xenon lamp bulb for  
replacement (for SRX-R220)  
LKRX-2030A  
3.0 kW* Xenon lamp bulb for  
replacement (for SRX-R210)  
LKRX-2020A  
2.0 kW* Xenon lamp bulb for  
replacement (for SRX-R210)  
* Tentative  
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Specifications (SRX-R220/SRX-R210)  
SXRD Device Main Specifications  
General  
Colorimetry  
Display device  
Size  
Resolution  
SXRD (Silicon X-tal Reflective Display)  
1.55-inch across Diagonal  
4096 (H) X 2160 (V) Pixels  
77%  
Xenon Color Primaries  
Encoding Primaries  
X
Y
R
G
B
0.6800  
0.2650  
0.1500  
0.3200  
0.6900  
0.0600  
Reflectivity  
Contrast  
Pixel pitch  
More than 4000:1  
8.5 μm  
White reference  
Xenon white reference  
Width (between pixels)  
Response speed  
Liquid crystal mode  
Alignment layer  
Backplane process  
Liquid crystal cell gap  
0.35 μm  
5 msec (tr + tf)  
Vertical Aligned Mode  
Inorganic Thin Film  
0.35 μm MOS Process  
Less than 2 μm  
X
Y
White reference  
Over 2000:1  
0.3140  
0.3510  
Contrast  
Input signal  
Media Block input x 2: 4096 x 2160 pixels  
HD-SDI/Dual-link HD-SDI: 1920 x 1080 pixels  
(SMPTE-372M/SMPTE-292M/ITU-R.BT709/BTA-S004)  
DC-SDI/Dual-link DC-SDI: 2048 x 1080 pixels  
12 bit/X’Y’Z’  
Optical  
Projection system  
Imaging device  
3-SXRD panel, prism color integrated system  
SXRD, 1.55-inch (diagonal),  
4096 (H) x 2160 (V) pixels on each chip  
SRX-R220: 4.2 kW Xenon lamp x 1  
SRX-R210: 3.0 kW** Xenon lamp x 1 or  
2.0 kW** Xenon lamp x 1  
SRX-R220: 4.5-meter to 20-meter screen width on  
Scope size (4.2 kW lamp)  
SRX-R210: 4.5-meter to 17-meter screen width on  
Scope size (3.0 kW lamp)**  
4.5-meter to 14-meter screen width on  
Scope size (2.0 kW lamp)**  
SRX-R220: 14ft-L on 20-meter wide screen  
(4.2 kW lamp)*  
SRX-R210: 14ft-L on 17-meter wide screen  
(3.0 kW lamp)* **  
(with Dual-link HD/DC-SDI Input Board)  
DVI-D: XGA (1024x768) / SXGA1 (1280x960) /  
SXGA2 (1280x1024) / SXGA+ (1400x1050) /  
UXGA (1600x1200) / WUXGA (1920x1200) /  
HD (1920x1080) / DC (2048x1080)  
SRX-R220: 1.2 kW (Single-phase/100-240VAC for  
main circuit) / 5.2kW (3-phase/  
200-208VAC or 380-415VAC selectable  
for lamp)  
SRX-R210: 1.2kW (Single-phase/100-240VAC for  
main circuit) / 3.4kW** (3-phase/  
200-208VAC or 380-415VAC selectable  
for lamp)  
Lamp  
Power consumption  
Power requirements  
Screen coverage  
(Approx.)  
Light output  
AC 100 to 240 V, 50/60 Hz, single-phase  
(for Main power)  
AC 200 to 208 V / AC 380 to 415 V,  
3-phase(changeable) , 50/60 Hz (for Lamp power)  
+5°C to +35°C (+41°F to +95°F)  
-20°C to +60°C (+12°F to +140°F)  
35% to 85% (without condensation)  
10% to 90%  
14ft-L on 14-meter wide screen  
(2.0 kW lamp)* **  
Operating temperature  
Storage temperature  
Operating humidity  
Storage humidity  
Dimensions  
* Measured at the screen center of a full pixel size (4096 x 2160) projection with 100 IRE  
white and a screen gain of 1.8. A ft-L (foot-lambert) is a unit of measurement for  
luminance. One foot-lambert equals 3.4262591 candelas per square meter.  
**Tentative  
740 x 1535 x 1395mm  
(W x H x D)  
(29 1/4 x 60 1/2 x 55 inches)  
Mass  
Fan noise  
300 kg (661 lb 6 oz), without lens and lamp  
65 dB or less  
14  
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Input/Output  
Input A  
Input B  
Others  
Safety regulations  
DVI-D  
Dual-link HD/DC-SDI  
[UL60950 listed], [cUL60950], [FCC Class A],  
[IC Class A], [VCCI Class A], [EN60950],  
[CE Class A], [C-tick], [GB4943], [GB9254],  
[K60950], [CISPR22], [CISPR24]  
Attachment base plate kit for Touch Panel  
Controller x 1  
Input C  
A channel  
B channel  
For Media Block INPUT-A (SRLV connection)  
For Media Block INPUT-B (SRLV connection)  
D-sub 15-pin, RS-232C (female) x 1  
Ethernet terminal, 10Base-T/100Base-TX x 1  
D-sub 15-pin (female) x 1  
Remote interface  
Supplied accessories  
Interlock  
Operation instructions x 1  
Status Light x 1  
Touch Panel Controller Attachment kit x 1  
OS: Microsoft Windows XP Professional Edition  
(English and Japanese) with Service Pack 2  
Required Memory: 256 MB or more  
Required specifications  
for control PC  
HDD Capacity:  
Equipped with:  
8 MB or more  
10Base/100Base-TX Ethernet  
Connector  
RS-232C Connector  
Display with XGA or larger  
Windows XP: Intel® Celeron®  
1 GHz or faster  
CPU:  
(recommendation)  
Specifications (Media Block LMT-100)  
General  
Audio  
Channel  
Digital audio format  
Subtitle  
Format  
Security  
Decryption format  
Key import  
Power consumption  
Power requirements  
Operating temperature  
Storage temperature  
Operating humidity  
Storage humidity  
Dimensions  
2.1 to 1.1 A  
16 channels  
24 bits Linear PCM  
AC 100 to 240 V, 50/60 Hz  
+5°C to +35°C (+41°F to +90°F)  
-20°C to +60°C (-4°F to +140°F)  
35% to 85% (without condensation)  
10% to 90%  
Timed-Text/XML or PNG/XML  
RSA 2048 bit, AES  
TLS Session from SMS server  
424 x 221 x 455 mm  
(W x H x D)  
Mass  
(16 3/4 x 8 3/4 x 18 inches)  
17.5 kg (38 lb 9 oz)  
Picture  
Compression format  
(decode)  
JPEG2000  
Bit rate (J2K)  
Resolution  
Applicable input signal  
source  
250 Mbps (Average), 500 Mbps (Max)  
4096(H) x 2160(V) pixels, 2048(H) x1080(V) pixels  
Video: HD-SDI, DC-SDI  
(External signal input)  
15  
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© 2007 Sony Corporation of Hong Kong Ltd. All rights reserved.  
Reproduction in whole or in part without permission is prohibited.  
Features and specifications are subject to change without notice.  
All non-metric weights and measures are approximate.  
Sony is a registered trademark of Sony Corporation.  
CineAlta, CineAlta 4K, SXRD, and SXRD logo are trademarks of Sony Corporation.  
Microsoft and Windows are registered trademarks of Microsoft Corporation.  
VistaVision is a registered trademark of Paramount Pictures Corporation.  
CinemaScope is a registered trademark of 20th Century Fox Film Corporation.  
Intel and Celeron are registered trademarks of Intel Corporation.  
All other trademarks are property of their respective owners.  
Distributed by  
MSD2007-623(10427V1)WEL001  
Printed in Hong Kong  
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