RD-6500
AUDIO/ VIDEO RECEIVER
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SAFETY INSTRUCTIONS
1. Read Instructions - All the safety and operating instructions should
connection to grounding electrodes, and requirements for the
be read before the product is operated.
grounding electrode. See Figure 1.
2. Retain instructions - The safety and operating instructions should
be retained for future reference.
3. Heed Warnings - All warnings on the product and in the operating
instructions should be adhered to.
Figure 1
Example of antenna grounding as per
National Electrical Code, ANSI/NFPA 70
4. Follow Insturctions - All operating and use instuctions should be
followed.
5. Cleaning - Unplug this product from the wall outlet before cleaning.
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for
cleaning.
6. Attachments - Do not use attachments not recommended by the
product manufacturer as they may cause hazards.
7. Water and Moisture - Do not use this product near water - for
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in
a wet basement, or near a swimming pool; and the like.
8. Accessories - Do not place this product on an unstable cart, stand,
tripod, bracket, or table. The product may fall, causing serious injury
to a child or adult, and serious damage to the product. Use only with
a cart, stand, tripod, bracket, or table recommended by the
manufacturer, or sold with the product. Any mounting of the product
should follow the manufacturer’s insturctions, and should use a
mounting accessory recommended by the manufacturer.
9. A product and cart combinaion should be moved with care. Quick
stops, excessive force, and uneven surfaces may cause the product
and cart combination to overturn.
15. Lightning - For added protection for this product during a lightning
storm, or when it is left unattended and unused for long periods of
time, unplug it from the wall outlet and disconnect the antenna or
cable system. This will prevent damage to the product due to
lightning and power-line surges.
16. Power Lines - An outside antenna system should not be located in
the vicinity of overhead power lines or other electric light or power
circuits, or where it can fall into such power lines or circuits. When
installing an outside antenna system, extreme care should be taken
to keep from touching such power lines or circuits as contact with
them might be fatal.
10. Ventilation - Slots and openings in
the cabinet are provided for
ventilation and to ensure reliable
operation of the product and to
protect it from overheating, and
these openings must not be
blocked or covered. The openings
should never be blocked by placing
the product on a bed, sofa, rug, or other similar surface. This
product should not be placed in a built-in installation such as a
bookcase or rack unless proper ventilation is provided or the
manufacturer’s intructions have been adhered to.
17. Overloading - Do not overload wall outlets, extension cords, or
integral convenience receptacles as this can result in a risk of fire
or electric shock.
18. Object and Liquid Entry - Never push objects of any kind into this
product through openings as they may touch dangerous voltage
points or short-out parts that could result in a fire or electric shock.
Never spill liquid of any kind on the product.
19. Servicing - Do not attempt to service this product yourself as
opening or removing covers may expose you to dangerous voltage
or other hazards. Refer all servicing to qualified service personnel.
PORTABLE CART WARNING
11. Power Sources - This product should be operated only from the
type of power source indicated on the marking label. If you are not
sure of the type of power supply to your home, consult your product 20. Damage Requiring Service - Unplug this product form the wall
dealer or local power company. For porducts intended to operate
from battery power, or other sources, refer to the operating
instructions.
outlet and refer servicing to qualified service personnel under the
following conditions:
a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the
product,
c) If the product has been exposed to rain or water,
d) If the product does not operate normally by following the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper
adjustment of other controls may result in damage and will
often require extensive work by a qualified technician to
restore the product to its normal operation.
e) If the product has been dropped or damaged in any way, and
f) When the product exhibits a distinct change in performance -
this indicates a need for service.
12. Grounding or Polarization - This product may be equipped with a
polarized alternating-current line plug (a plug having one blade
wider than the other). This plug will fit into the power outlet only one
way. This is a safety feature. If you are unable to insert the plug
fully into the outlet, try reversing the plug. If the plug should still fail
to fit, contact your electrician to replae your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.
Alternate Warnings - This product is equipped with a three-wire
grounding-type plug, a plug having a third(grounding) pin. This plug
will only fit into a grounding-type power outlet. this is a safety
feature. If you are unable to insert the plug into the outlet, contact
your electrician to replace your obsolete outlet. Do not defeat the
safety purpose of the gronding-type plug.
21. Replacement Parts - When replacement parts are required, be
sure the service technician has used replacement parts specified
by the manufacturer or have the same characteristics as the
original part. Unauthorized substitutions may result in fire, electric
shock, or other hazards.
22. Safety Check - Upon completion of any service or repairs to this
product, ask the service technician to perform safety checks to
determine that the product is in proper operating condition.
23. Wall or Ceiling Mounting - The product should be mounted to a
wall or ceiling only as recommended by the manufacturer.
24. Heat - The product should be situated away from heat sources
such as radiators, heat registers, stoves, or other products
(including amplifiers) that produce heat.
13. Power-Cord Protection - Power-supply cords should be routed so
that they are not likely to be walked on or pinched by items placed
upon or against them, paying particlar attention to cords at plugs,
convenience receptacles, and the point where they exit from the
product.
14. Outdoor Antenna Grounding - If an outside antenna or cable
system is connected to the product, be sure the antenna or cable
system is grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides information with
regard to proper grounding of the mast and supporting structure,
grounding of the lead-in wire to an antenna discharge unit, size of
grounding conductors, location of antenna-discharge unit,
3
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CONTENTS
Introduction
• READ THIS BEFORE OPERATING YOUR UNIT .................................................................................... 2
SAFETY INSTRUCTIONS.......................................................................................................................... 3
System Connections........................................................................................................................................ 5
Front Panel Controls...................................................................................................................................... 7
Remote Controls.............................................................................................................................................. 8
• REMOTE CONTROL OPERATION RANGE ............................................................................................. 9
• LOADING BATTERIES ............................................................................................................................... 9
Operations
• LISTENING TO A PROGRAM SOURCE ................................................................................................. 10
• SURROUND SOUND ................................................................................................................................. 13
• ENJOYING SURROUND SOUND ............................................................................................................ 15
• LISTENING TO RADIO BROADCASTS.................................................................................................. 20
• RECORDING............................................................................................................................................... 22
• OTHER FUNCTIONS ................................................................................................................................. 23
Troubleshooting Guide ................................................................................................................................ 24
Specifications.................................................................................................................................................. 25
4
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System Connections
• Do not plug the AC input cord into the wall AC outlet until all connections are completed.
• Be sure to observe the color coding when connecting audio and video cords.
• Change the position of the FM indoor antenna until you get the best reception of your favorite FM stations.
• A 75 Ω outdoor FM antenna may be used to further improve the reception.
Disconnect the indoor antenna before replacing it with the outdoor one.
• Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a
direction for the best reception.
• If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.
• If the electricity fails or the AC input cord is left unplugged for more than 2 weeks, the memorized contents will be cleared.
Should this happen, memorize them again.
MIN
MAX
VIDEO
IN
VIDEO
OUT
CD
TAPE MON.
VIDEO
1
VIDEO
2
VIDEO 2
MONITOR
PLAY
REC
PLAY
REC
PLAY
VIDEO 1
VIDEO 1
AUX
B
A
MIN
MAX
B
A
5
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6
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Front Panel Controls
MASTER VOLUME
AUDIO/ VIDEO RECEIVER RD-6
5
0
0
MAIN POW ER
ST TUNED
DIGITAL Pro Logic
AUDIO
TAPE
M
PRESET
MEM
REMOTE
SENSOR
dB
kHz
TONE
DIRECT
MHz
ms
THEATER HALL SLEEP
ON/ OFF
SURROUND MODE
DSP MODE
INPUT SELECTOR
VIDEO TAPE MON.
STANDBY
DIGITAL
INPUTS
TONE
DIRECT
AUTO
STEREO
6
CH DIRECT
ON/ STANDBY
VIDEO
3
PHONES
CHANNEL
SELECTOR
SPEAKER
MODE
DYNAMIC
RANGE
SPEAKER
ON/ OFF
ADJ UST
TONE MODE
CINEMA EQ MEMO/ ENTER
TUNING/ PRESET
T/
P
MODE
FM MODE
BAND
-
-
VIDEO
L
AUDIO
R
VIDEO
3
-
-
VIDEO
L
AUDIO
R
ST TUNED
TAPE
dB
M
PRESET
MEM
kHz
MHz
ms
SLEEP
DIGITAL Pro Logic
THEATER HALL
7
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Remote Controls
POW ER
DISPLAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
2
5
8
0
3
4
7
6
9
T.TONE
P.SCAN
TUNER
AUX
DSP MODE D.TIME ADJ UST
MUTE
T.MON
AUTO
CH. SEL
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1 0 5
8
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REMOTE CONTROL OPERATION RANGE
AUDIO/ VIDEO RECEIVER RD-6
5
0
0
MASTER VOLUME
MAIN
P
OW ER
ST TUNED
TAP
E
M
P
RESET
REMOTE
SENSOR
MEM
dB
kHz
TONE
DIRECT
MHz
m
THEATER HALL SLEEP
s
DIGITAL
P
r
o
Logic
O
N
/
O
F
F
SURROUND MODE
DSP MODE
I
NPUT SELECTOR
STANDBY
DIGITAL
NPUTS
TONE
DIRECT
AUTO
STEREO
AUDIO
V
I
D
E
O
T
A
P
E
MON.
6
CH DIRECT
I
ON/ STANDBY
VIDEO
3
P
HONES
CHANNEL
SELECTOR
SPEAKER
MODE
DYNAMI
C
SPEAKER
ON/ OFF
ADJ UST
TONE MODE
RANGE
CINEMA EQ MEMO/ ENTER
TUNING/
P
RESET
T/
P
MODE
FM MODE
BAND
VIDEO
L
-
AUDIO
-
R
P
OW ER
DISPLAY
SLEEP
VIDEO1
1
4
7
2
5
8
0
3
VIDEO2
6
VIDEO3
CD
9
T.TONE
P
.SCAN
TUNER
AUX
DSP MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
• Use the remote control unit within a range of about 7
meters (23 feet) and angles of up to 30 degrees
aiming at the remote sensor.
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
LOADING BATTERIES
Remove the cover.
Load two batteries matching the polarity.
1
2
• Remove the batteries when they are not used for a
long time.
• Do not use the rechargeable batteries(Ni-Cd type).
9
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Operations
LISTENING TO A PROGRAM SOURCE
Select the desired input source.
Before operation
MAIN POW ER
• Enter the standby mode.
VIDEO1
VIDEO2
VIDEO3
CD
3
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
INPUT SELECTOR
VIDEO TAPE MON.
VI
ON/ OFF
AUDIO
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
TUNER
AUX
or
• The STANDBY indicator lights up.
T.MON
This means that the receiver is not disconnected from
the AC mains and a small amount of current is retained
to support the memorized contents and operation
readiness.
• Each time the “AUDIO” button is pressed, the input
source changes as follows;
• To switch the power off, push the POWER switch again.
• Then the power is cut off and the STANDBY indicator
goes off.
TUNER
(frequency display)
CD
AUX
• Each time the “VIDEO” button is pressed, the input
source changes as follows;
In the standby mode, turn the power on.
VIDEO 1
VIDEO 2
VIDEO 3
• When the TAPE MONITOR button is set to on so that
“TAPE M” indicator lights up, other inputs can not be
heard from the speakers.
To listen to an input source other than TAPE MONITOR,
be sure to set the TAPE MONITOR button to off.
1
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
POW ER
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VI
STANDBY
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
ON/ STANDBY
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
or
TAPE MONITOR function
You can connect either a tape deck or a graphic equalizer to
the receiver’s TAPE MONITOR jacks.
Only when you listen to the component connected to these
jacks, set the TAPE MONITOR button to on.
If you connect a 3-head tape deck, you can listen to the sound
being recorded during recording, not the source sound.
For further details, refer to the operating instructions of the
component connected.
• Each time the STANDBY button on the front panel or
the POWER button on the remote control is pressed,
the receiver is turned on to enter the operating mode
or off to enter the standby mode.
• In the standby mode, if the INPUT SELECTOR
button is pressed, the receiver is turned on
automatically and the desired input is selected.
When selecting the 6 CH DIRECT as desired,
6 CH DIRECT
Switch the speakers on.
SPEAKER
2
ON/ OFF
• “6-DIRECT” is displayed and the 6 separate analog
signals from 6 CH decoder connected to this unit pass
through the tone (bass, treble) and volume circuits only
and directly transfer to the speakers. (In case that the
TAPE MONITOR button is set to on, the TAPE
MONITOR button is automatically set to off.)
• Press the 6 CH DIRECT button or select the desired
input source to cancel the 6 CH direct function.
• These 6 separate analog signals can be heard only, not
recorded.
• Then the SPEAKER indicator lights up and the
sound can be heard from the speakers connected to
the speaker terminals.
• When using the headphone for private listening,
press the SPEAKER button again to switch the
speakers off.
10
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To compensate for edgy or shrill movie
sound tracks.
When CD, VIDEO 1~3 is selected as an
input source
7
Select the digital or analog input
connected as desired.
CINEMA EQ
DIGITAL
INPUTS
4
• Then “C-EQ ON” is displayed.
• Each time this button is pressed, the corresponding
input is selected as follows ;
• Press it again to cancel, the “C-EQ OFF” is
displayed.
• When the 6 CH DIRECT is selected as an input
source, the cinema EQ function does not work.
o(ptical) 1 c(oaxial) 1
c(oaxial) 2
A(nalog)
• To listen to a Dolby Digital program source in the 2-
CH downmix mode, in the stereo mode, the
corresponding digital input should be selected. (For
details, refer to “Downmixing into 2 front channels”
on page 19.)
To mute the sound.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
8
1
4
7
3
6
9
Notes :
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
MODE D.TIME ADJ UST
MUTE
AUTO
CH. SEL
MUTE
T.MON
• When the selected optical or coaxial digital input is
not connected, the selected digital input display is
flickering, meaning no sound. (Refer to
“ENJOYING SURROUND SOUND” on page 15.)
• The sound from the component connected to the
selected digital input can be heard regardless of the
selected input source.
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
• “MUTE” will flicker.
• To resume the previous sound level, press it again.
Operate the selected component for
playback.
To listen with the headphones.
5
9
PHONES
• When playing back the program sources with
surround sound, refer to “ENJOYING SURROUND
SOUND” on page 15.
Adjust the (overall) volume.
• Ensure that the SPEAKER button is set to off.
• When listening to a Dolby Digital program source, if
the headphones are plugged in and the SPEAKER
button is set to off, it enters the 2-CH downmix
mode automatically. (For details, refer to
6
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
4
7
3
6
9
MASTER VOLUME
T.TONE
P
.
SCAN
TUNER
AUX
“Downmixing into 2 front channels”on page 19.)
DS
P
MODE D.TIME ADJ UST
MASTER VOLUME
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
DOWN
UP
11
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At the desired tone mode, adjust the tone
as desired.
Adjusting the tone(bass and treble)
11
Enter the tone mode.
ADJ UST
10
TONE MODE
• If the tone display disappears, start from the step 10
again.
• Each time this button is pressed, the corresponding
tone mode is selected and shown for 3 seconds as
follows:
Notes:
• Extreme settings at high volume may damage your
speakers.
BASS TRBL(treble)
• When the digital signals from Dolby Digital
program sources are input in available surround
mode, the tone cannot be adjusted and the tone
direct function is automatically switched to ON.
Note: When the TONE DIRECT indicator is
lighting up, the tone mode cannot be entered.
To listen to a program source without the
tone effect.
12
TONE
DIRECT
• The TONE DIRECT indicator lights up and the
sound that bypasses the tone circuitry will be heard.
• To cancel the tone direct function, press this button
again.
12
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SURROUND SOUND
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound
quality and sound atmosphere in your personal Home Theater.
Dolby Pro Logic
Surround modes
Dolby Pro Logic is a specially encoded two channel
surround format which consists of four channels (front
left, center, front right and surround). Sources bearing the
DOLBY S URROUND
“
” provide the theater-like surround
Dolby Digital
Dolby Digital is the multi-channel digital signal format
sound.
The surround channel is monaural, but is played through
two surround speakers.
developed by Dolby Laboratories. Discs bearing the
“
” includes the recording of up to 5. 1 channels
DOLBY
D
I
G
I
T
A
L
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, and the double-D symbol are
trademarks of Dolby Laboratories.
of digital signals, which can reproduce much better sound
quality, spatial expansion and dynamic range characteristics
than the previous Dolby Surround effect.
• The following modes apply conventional 2-channel
signals such as digital PCM or analog stereo signals to
high performance Digital Processor to recreate sound
fields artificially.
Dolby Pro Logic II surround
This mode applies conventional 2- channel signals such as
digital PCM or analog stereo signals as well as Dolby
Surround signals, etc. to surround processing to offer
improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic ll surround includes 4 modes as follows:
MATRIX
This mode reproduces a delayed signals from the surround
channels to emphasize the sense of expansion for music
sources.
• Dolby Pro Logic ll MOVIE
When enjoying movies, this mode allows you to further
enhance the cinematic quality by adding processing that
emphasizes the sounds of the action special effects.
• Dolby Pro Logic ll MUSIC
THEATER
This mode provides the effect of being in a movie theater
when watching a movie source.
When listening to music, this mode allows you to further
enhance the sound quality by adding processing that
emphasizes the musical effects.
HALL
This mode provides the ambience of a concert hall for
classical music sources such as orchestral, chamber music,
or an instrumental solo.
• Dolby Pro Logic ll MATRIX
When listening to poor FM broadcasts, this mode allows
you to further enhance the sound quality by the ultimate
cure for poor FM stereo signals.
• Dolby Pro Logic ll CUSTOM
This mode reproduces a delayed signals from the
surround channels to emphasize the sense of expansion.
STADIUM
This mode provides the expansive sound field to achieve
the true stadium effect when watching baseball or soccer
games.
CHURCH
This mode provides the ambience of a church for baroque,
string orchestral or choral group music.
• When the 6 CH DIRECT INPUTs are connected to the 6 CH decoder for a surround sound such as Dolby Digital, etc.,
you can enjoy the corresponding surround sound, too. (For details, see the operator’s manual of the component to be
connected.)
13
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Delay time
When the center speaker or the rear speakers is(are) closer to the listener than the front speakers, the sound from
the center speaker or the rear speakers can arrive at the listener’s ears earlier than the sound from the front
speakers.
In this case, the imaging is not as sharp and stable as it could be.
For audible improvement, the sound from center speaker can be delayed with the center delay time setting so that
the sound from the front and the center speakers will be heard at the same time and the sound from the rear
speakers can be also delayed with the rear delay time setting so that the sound from the front and the rear speakers
will be heard at the same time.
The optimum delay time will be different according to the room size and the acoustic properties. It is
recommended that you try several times to obtain the best effect.
• It is adjustable in Dolby Digital, Dolby Pro Logic II or Dolby Pro Logic mode. (For details, refer to “In Dolby
Digital, Dolby Pro Logic II or Dolby Pro Logic mode, adjusting delay times of the speakers” on page 19)
Speaker placement
To obtain the best surround sound effect in your home, place the speakers as
follows;
TV set
FRONT
LEFT
FRONT
RIGHT
SUB
WOOFER
CENTER
SPEAKER
• Front speakers: Place each front speaker about 1m (40 ) from the TV set.
• Center speaker: Place the center speaker either above or below the TV set to
assure good visualization of center channel program.
• Rear speakers: Place the rear speakers approximately 1m above the ear level of
a seated listener on the direct left and right of them or slightly
behind.
• Subwoofer: Reproduces powerful deep bass sounds. Place a powered
subwoofer anywhere in the front as desired.
• The ideal surround system needs all the speakers listed above.
To obtain the best surround effects, the speakers except the subwoofer should
be full range speakers.
REAR
LEFT
REAR
RIGHT
Note: To avoid interference with the TV picture, use only magnetically
shielded center and front speakers.
• For your reference, the sound from each channel can be reproduced according
to the surround modes as follows:
Modes
Dolby Digital
Dolby Pro Logic II Dolby Pro Logic Other Surround
Stereo 6 CH DIRECT
Channels
Front L/R
Center
Rear L/R
Subwoofer
• Depending on the speaker settings, the sound from the corresponding channels cannot be reproduced.
(For details, refer to “Adjusting the speaker settings” on page 17.)
14
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ENJOYING SURROUND SOUND
• Surround sound effect will not work properly if the signal passes through a graphic equalizer.
Please refer to your equalizer operating instructions for guidance on switching off (or defeating) the equalizer.
Depending on the input digital signal
format, select the desired decoding mode.
1
• Each time the AUTO button is pressed, the decoding
mode changes as follows:
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
AUTO
VI
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
AUTO
CH. SEL
M
UTE
T.
MON
IN-AUTO : The input digital signal format(Dolby
Digital or PCM(2 channel stereo), etc.)
used by the selected digital input source
is detected automatically to perform the
necessary decoding process for optimum
surround modes.
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
IN-PCM : The PCM signal processing is performed
only when PCM signals are input.
Notes:
• Only when the digital input is selected as signal input for the input sources except TUNER, AUX and TAPE
MONITOR, the decoding mode can be selected.
Select the desired surround mode.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
DSP MODE
VI
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
DSP MODE
AUTO
CH. SEL
M
UTE
T.
MON
2
CH. LEVEL
M
ASTER
VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
• Each time the DSP MODE button is pressed, the surround mode changes depending on the input signal format and
the selected decoding mode as follows:
When Dolby Digital signals are input in the IN-AUTO mode, one of the following modes can be selected
depending on the number of the recorded channels.
• Dolby Digital 5.1-channel sources: DOLBY DIGITAL
• Dolby Digital 2-channel sources: DOLBY PRO LOGIC II MOVIE, DOLBY PRO LOGIC, DOLBY PRO LOGIC II
MUSIC, DOLBY PRO LOGIC II MATRIX and DOLBY PRO LOGIC II CUSTOM
When PCM(2 channel stereo) signals are input in the IN-AUTO or IN-PCM mode, one of the following modes can
be selected :
DOLBY PRO LOGIC II MOVIE, DOLBY PRO LOGIC, DOLBY PRO LOGIC II MUSIC,
DOLBY PRO LOGIC II MATRIX, DOLBY PRO LOGIC II CUSTOM, MATRIX, CHURCH, THEATER,HALL and
STADIUM.
• When the analog input is selected as signal input and analog stereo signals are input, you can select the desired of
these above surround modes, too.
Notes:
• When the selected decoding mode is not matched to the input signal format, no sound is heard. Therefore, be sure
to select the required decoding mode and the available surround mode according to the input signal format.
• When the 6 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.
15
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When canceling the surround mode for stereo operation.
STEREO
• Then the stereo mode is selected.
• To cancel the stereo mode, select the desired surround
mode with using the DSP MODE button.
Adjusting the Dolby Pro Logic II parameters
• When selecting the Dolby Pro Logic II Music and Custom modes, you can adjust the various surround
parameters for optimum surround effect.
While scrolling “PL II MUSIC”(for Dolby Pro Logic II Music mode) or “PL II CUSTOM”(for Dolby
Pro Logic II Custom mode), press the MEMORY/ENTER button to select the desired parameter.
MEMO/ ENTER
3
• Each time this button is pressed, the parameter changes and is displayed for 5 seconds as follows:
Panorama mode(“PANO”) : This mode extends the front stereo image to include the surround speakers for an
exciting “wraparound”effect with side wall imaging. Select “OFF” or “ON”.
Center width control(“C-WID”) : This control adjusts the center image so it may be heard only from the center
speaker, only from the left/right speakers as a phantom image, or from all three
front speakers to varying degrees. The control can be set in 8 steps from 0 to 7.
Dimension control(“DIMEN”) : This control gradually adjusts the soundfield either towards the front or towards the
rear. The control can be set in 7 steps from - 4 to +2.
7 kHz Low Pass Filter(“LPF”) : Select “OFF” or “ON” to turn off or on the pass filter on the surround channels.
Shelf Filter(“SH - F”) : Select “OFF” or “ON” to turn off or on the shelf filter on the surround channels.
Right Surround Channel Polarity Inversion(“PO - I”) : Select “OFF” or “ON” to turn off or on the polarity inversion.
Automatic Balancing(“BAL”) : Select “ OFF” or “ON” to turn off or on the automatic balancing
• If the Dolby Pro Logic II Music or Custom display disappears, you cannot select the parameter. In this case, select
the desired surround mode again by pressing the DSP MODE button.
• In the Dolby Pro Logic II Music mode, you cannot select the 7 kHz Low Pass Filter, Shelf Filter, Right Surround
Channel Polarity Inversion and Automatic Balancing.
• For your reference, the initial settings for parameters are as follows:
“PANO” : “OFF”, “C-WID” : “0”, “DIMEN” : “0”, “LPF” : “OFF”, “SH-F” : “OFF”, “PO-I” : “ON”, “BAL” :
“OFF”.
Repeat the above steps 3 and 4 to adjust
other parameters.
At the desired parameter, adjust it as desired.
ADJ UST
5
Note:
4
• In the Dolby Pro Logic II Customer mode, you
cannot set both of the 7 kHz Low Pass Filter and
Shelf Filter to ON simultaneously.
If so, the filter set previously is automatically
changed to OFF.
• If the parameter display disappears, start from the
step 3 again.
16
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Select the desired speaker setting.
Adjusting the speaker settings
• Adjust the settings of front, center ,rear speakers and
subwoofer connected.
7
ADJ UST
• If the speaker setting is adjusted to “S”, the low range
bass sound of the channel(s) is redirected to the
subwoofer or the front channels and if the speaker
setting is adjusted to “N”, the sound of the channel(s)
is redirected to other channels.
• Each time this button is pressed, one of 11 different
speaker settings is selected and displayed for 8
seconds as follows;
FL-CS-RS, FL-CL-RS, FL-CL-RL,
FL-CL-RN, FL-CS-RL, FL-CN-RL,
FL-CS-RN, FL-CN-RS, FS-CS-RS,
FS-CS-RN and FS-CN-RS
Press the SPEAKER MODE button for
more than 2 seconds to enter the front-
center-rear speaker mode.
6
SPEAKER
MODE
• In the displays, F stands for Front, C for Center, R
for Rear, L for Large, S for Small and N for None.
• When judging whether a speaker is Large or Small,
please note that a standard large speaker can fully
reproduce sounds below 80 Hz.
• The following speaker settings cannot be selected.
Front :Small, Center : Large and Rear : Large(FS-
CL-RL) or Center : None and Rear : None(CN-RN)
setting.
• The front-center-rear speaker setting is displayed.
• When the SPEAKER button is set to off or the 6 CH
DIRECT is selected as an input source, the speaker
mode function cannot be available.
• When it is in the stereo, only the subwoofer setting
can be adjusted.
Select the desired subwoofer setting.
Memorize the desired speaker setting
while it is displayed.
ADJ UST
9
8
MEMO/ ENTER
• Each time this button is pressed, the subwoofer setting
changes and is displayed for 8 seconds as follows;
SUB W(oofer) - Y(es): When using a subwoofer.
SUB W(oofer) - N(o) : When not using a subwoofer.
• The desired speaker setting is memorized and then it
enters the subwoofer mode.
• If the speaker setting display disappears, start from
the above step 6 again.
• In case that the front speaker is set to “S”, the
subwoofer is automatically set to “Y”.
Memorize the subwoofer setting while it
is displayed.
Checking the speaker setting
10
SPEAKER
MODE
MEMO/ ENTER
• If the subwoofer setting display disappears, start
from the above step 6 again.
• Each time this button is pressed briefly, the front-
center-rear speaker or subwoofer setting is displayed.
17
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Adjust the level of the selected channel
as desired.
Adjusting each channel level
Select the desired channel.
11
12
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
4
7
3
6
9
ADJ UST
T.TONE
P
.
SCAN
TUNER
AUX
CH. LEVEL
DS
P
MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
P
OW ER
DIS
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
CH. LEVEL
MASTER VOLUME
1
4
7
3
6
9
REMOTE CONTROL UNIT RM-1
0
5
CHANNEL
SELECTOR
or
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
MODE D.TIME ADJ UST
CH. SEL
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
• The LFE level can be adjusted within the range of
-10~0 dB and other channel levels within the range of
-15~+15 dB.
• In general, we recommend the LFE level to be
adjusted to 0 dB. If the recommended levels seems
too high, lower the setting as necessary.
• If the channel display disappears, start from the above
step 11 again.
• Each time this button is pressed, the corresponding
channel is selected and displayed for 3 seconds as
follows;
Front Left
Center Front Right
Rear Right
(Dolby Digital L(FE) )SubWoofer Rear Left
( ): Adjustable only when the digital signals from Dolby Digital program
source that includes LFE signal are input in the available surround
mode.
• When it is in the stereo, or the speaker setting is “N”,
center, rear or subwoofer channel will not be selected.
Repeat the above steps 11 and 12 to
adjust other channel levels.
13
At each channel, adjust the level as desired
until the sound level of each speaker is
heard to be equally loud.
Adjusting each channel level with test
tone
15
• Only when it is in available surround modes except
stereo mode, the volume level of each channel can
be adjusted easily with the test tone function.
Note: When the 6 CH DIRECT is selected as an
input source, the test tone function does not
work.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
4
7
3
6
9
ADJ UST
T.TONE
P
.
SCAN
TUNER
AUX
CH. LEVEL
DS
P
MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
or
Enter the test tone mode.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
4
7
3
6
9
14
• You can select the desired channel and adjust its level
with repeating the steps 11 and 12 in “Adjusting each
channel level” procedure.
T.TONE
P
.
SCAN
TUNER
AUX
T.TONE
DS
P
MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
Cancel the test tone function.
• The test tone will be heard from the speaker of each
channel for 2 seconds as follows;
16
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
4
7
3
6
9
Front Left Center Front Right
T.TONE
P
.
SCAN
TUNER
AUX
T.TONE
DS
P
MODE D.TIME ADJ UST
SUBwoofer
Rear Left Rear Right
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
• When the speaker setting is “N”, the test tone of the
corresponding channel is not available.
• When the selected decoding mode is not matched to the
input signal format, the test tone function cannot work.
18
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Adjust the delay time.
In Dolby Digital, Dolby Pro Logic II or
Dolby Pro Logic mode, adjusting delay
times of the speakers
18
• In case of Dolby Digital, Dolby Pro Logic II or Dolby
Pro Logic mode, when the distances from the prime
listening position to front left, center, front right, rear
left and rear right speakers are same, the basic settings
are as follows according to the surround modes;
- In the Dolby Digital mode,
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VI
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
Center delay time : 0 ms, Rear delay time : 0 ms
- In the Dolby Pro Logic II Music, Matrix or Custom mode,
Rear delay time : 0 ms
- In the Dolby Pro Logic II Movie, Dolby Pro Logic mode,
Rear delay time : 10 ms
• Each time this button is pressed in the Dolby Digital,
Dolby Pro Logic II or Dolby Pro Logic mode, the
delay time changes in regular intervals.
• If the delay time disappears, start from the step 17
again.
• If the center or the rear speaker(s) is(are) not at the
same distance from the prime listening position as the
front speakers, increase or decrease the center delay
time by 1 ms for every about 30 cm(1 foot) it is closer
or farther away and increase or decrease the rear delay
time by 5 ms for every about 1~1.5 m(3~5 feet) it is
closer or farther away.
Check the delay time to be adjusted.
P
OW ER
DI
S
P
2
5
8
0
LAY
S
LEEP
V
I
DEO1
In Dolby Digital mode, repeat the above
steps 17 and 18 to adjust the rear delay
time.
17
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VI
T.TONE
P
.
S
CAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
D.TIME
AUTO
CH.
S
EL
M
UTE
T.
MON
19
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
• The delay time will be displayed for 5 seconds.
• The corresponding delay time is displayed. The
center delay time can be adjusted in the Dolby Digital
mode only.
Downmixing into 2 front channels
• Allows the multi-channel Dolby Digital signals to be
reproduced through only two speakers or through
headphones.
• To cancel the 2-CH downmix mode, select the
desired surround mode with using the DSP MODE
button.
• When the digital signals from the Dolby Digital program
sources are input in available surround mode, press the
STEREO button.
• When the playback of the source on the player is
stopped or interrupted, etc., the 2-CH downmix mode
is not canceled even though “ST” and the Dolby
Digital indicators go off.
STEREO
• If the headphones are plugged and the SPEAKER
button is set to off while the digital signals from the
Dolby Digital program sources are being input, it will
enter the 2-CH downmix mode automatically(but
only the Dolby Digital indicator lights up still) and if
the headphones are unplugged and the SPEAKER
button is set to on in the 2-CH downmix mode, it will
return to the previous mode.
• “ST” and the Dolby Digital indicators light up, meaning it
enters the 2-CH downmix mode, and then the discrete
multi-channels(except LFE) are mixed down into 2 front
channels.
19
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LISTENING TO RADIO BROADCASTS
Select the desired band.
Auto tuning
2
Select the tuner.
BAND
MHz
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
1
3
1
4
7
3
6
9
AUDIO
T.TONE
P
.
SCAN
TUNER
AUX
TUNER
BAND
FREQUENCY
DS
P
MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
• Each time this button is pressed, the band is changed
to FM or AM.
• When pressing the BAND button without selecting
the TUNER, the tuner will be selected automatically.
Press the TUNING/PRESET UP( ) or
DOWN( ) button for more than 0.5
second.
Select the tuning mode.
4
T/
P
MODE
TUNING/ PRESET
• Each time this button is pressed, the mode changes
as follows;
• The tuner will now search until a station of sufficient
strength has been found. The display shows the tuned
frequency and “TUNED”.
• If the station found is not the desired one, simply
repeat this operation.
• Weak stations are skipped during auto tuning.
Tuning mode : “PRESET” goes off.
Preset mode : “PRESET” lights up.
Manual tuning
TUNING/ PRESET
• Manual tuning is useful when you already know the frequency of
the desired station.
• Perform the steps 1 to 3 in “Auto tuning” procedure and press the
TUNING/PRESET UP( ) or DOWN( ) button repeatedly until
the right frequency has been reached.
Press the MEMORY/ENTER button.
Presetting radio stations
• You can store up to 30 preferred stations in the
memory.
2
MEMO/ ENTER
Tune in the desired station with auto or
manual tuning.
1
• “MEM” is flickering for 5 seconds.
20
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Repeat the above steps 1 to 3 to memorize
other stations.
Select the desired preset number (1~30) and
press the MEMORY/ENTER button.
4
MEMO/ ENTER
3
TUNING/ PRESET
• When using the NUMERIC buttons on the remote
control.
Examples) For “3” :
3
MEMORY BACKUP FUNCTION
1
0
5
within 2 seconds
The following items, set before the receiver is turned
off, are memorized.
• INPUT SELECTOR settings
• Surround mode settings
• Preset stations,etc.
For “15” :
For “30” :
• The station has now been stored in the memory.
• When using the NUMERIC buttons, the station is
stored automatically without pressing the
MEMORY/ENTER button.
Note : If the electricity fails or the AC input cord is
disconnected for more than 2 weeks, they are all
cleared. So you should memorize them again.
• A stored frequency is erased from the memory by
storing another frequency in its place.
• If “MEM” goes off, start again from the above step 2.
TUNING/ PRESET
Select the desired
preset number.
Tuning to preset stations
After selecting the tuner as an input
source, select the preset tuning mode.
2
• When using the NUMERIC buttons on the remote
1
T/
P
MODE
control.
Examples) For “3”:
3
1
0
within 2 seconds
5
For “15”:
For “30”:
3
0
within 2 seconds
(or
)
• When selecting the desired preset number with the
NUMERIC buttons, the desired preset station will be
tuned to automatically without selecting the preset
tuning mode.
• Then “PRESET” lights up.
Listening to FM stereo broadcasts
Scanning preset stations in sequence
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
• While listening to FM broadcasts.
FM MODE
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VI
T.TONE
P
.
SCAN
TUNER
AUX
P.SCAN
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
• Each time this button is pressed,
the FM mode changes as follows;
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
Stereo mode : “ST” lights up.
Mono mode : “ST” goes off.
• When FM stereo broadcasts are poor because of weak
broadcast signals, select the FM mono mode to reduce
the noise, then FM broadcasts are reproduced in
monaural sound.
• The receiver will start scanning the stations in the preset
sequence and each station is received for 5 seconds.
• At the desired station, press this button again to stop
scanning.
21
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RECORDING
• The analog signals from the 6 CH DIRECT inputs as well as the digital signals from the coaxial or optical digital
input can be heard but cannot be recorded.
• The volume and tone (bass, treble) settings have no effect on the recording signals.
Start recording on the TAPE MONITOR.
Recording with TAPE MONITOR
Select the desired input as a recording
source except for TAPE MONITOR.
2
1
VIDEO1
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VIDEO2
VIDEO3
CD
AUDIO
VIDEO
VI
Start play on the desired input.
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
REMOTE CONTROL UNIT RM-1
0
5
or
3
• For tape monitor function, refer to “TAPE
MONITOR function” on page 10.
TUNER
AUX
• Be sure that “TAPE M” goes off.
Start recording on the VIDEO 1.
Dubbing from video components onto
VIDEO 1
2
Select VIDEO 2 or VIDEO 3 as a recording
source.
1
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VIDEO2
VIDEO3
Start play on the VIDEO 2 or the VIDEO 3.
VI
VIDEO
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
or
3
REMOTE CONTROL UNIT RM-1
0
5
• The audio and video signals from the VIDEO 2 or the
VIDEO 3 will be dubbed onto the VIDEO 1 and you
can enjoy them on the TV set and from the speakers.
Select CD as an audio recording source.
Dubbing the audio and video signals
separately onto VIDEO 1
2
Example) When dubbing the VIDEO 2 video signal
and the CD audio signal separately onto
VIDEO 1.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VI
AUDIO
CD
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
Select VIDEO 2 as a video recording source.
CH. LEVEL
M
ASTER
VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
V
I
DEO1
1
1
4
7
3
6
9
VI
DEO2
DEO3
CD
VIDEO2
VI
VIDEO
T.TONE
P
.
SCAN
TUNER
AUX
DS
P
M
O
D
E
D
.
T
I
M
E
ADJ UST
AUTO
CH. SEL
M
UTE
T.
MON
CH. LEVEL
M
ASTER
VOLUME
or
REMOTE CONTROL UNIT RM-1
0
5
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Start play on the VIDEO 2 and the CD
respectively.
Start recording on the VIDEO 1.
4
3
• The audio signal from the CD and the video signal
from the VIDEO 2 will be dubbed and you can
enjoy them on the TV set and from the speakers.
Note : Be sure to observe the order of the above steps
1 and 2.
OTHER FUNCTIONS
Compressing the dynamic range (Dolby Digital sources only)
• Each time this button is pressed, the mode changes
and disappears in 3 seconds as follows:
• This function compresses the dynamic range of previously
specified parts of the Dolby Digital sound track(with
extremely high volume) to minimize the difference in
volume between the specified and non-specified parts.
This makes it easier to hear all of the sound track when
watching movies at night at low levels.
DYNR 0.0 : Off
DYNR 0.5 : Low compression
DYNR 1.0 : High compression
• When the digital signals from Dolby Digital program
source are input in available surround mode.
DYNAMIC
RANGE
• In some Dolby Digital software, this function may
not be available.
Operating the sleep timer
Adjusting the brightness of the
fluorescent displays
• The sleep timer allows the system to continue to
operate for a specified period of time before
automatically shutting off.
• To set the receiver to automatically turn off after the
specified period of time.
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
4
7
3
6
9
DISPLAY
T.TONE
P
.
SCAN
TUNER
AUX
P
OW ER
DI
S
P
2
5
8
0
LAY
SLEEP
VIDEO1
VIDEO2
VIDEO3
CD
DS
P
MODE D.TIME ADJ UST
1
4
7
3
6
9
SLEEP
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
T.TONE
P
.
SCAN
TUNER
AUX
REMOTE CONTROL UNIT RM-1
0
5
DS
P
MODE D.TIME ADJ UST
AUTO
CH. SEL
MUTE
T.MON
CH. LEVEL
MASTER VOLUME
REMOTE CONTROL UNIT RM-1
0
5
• Each time this button is pressed, the sleep time
changes and disappears in 3 seconds as follows;
• Each time this button is pressed, the brightness of
fluorescent display changes as follows;
10
20
30
Unit : minutes
60
90
OFF
ON dim OFF
• In the display OFF mode, pressing any button will
restore the display ON mode.
• While operating the sleep timer, “SLEEP” lights up.
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Troubleshooting Guide
If a fault occurs, run through the table below before taking your receiver for repair.
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult
your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.
PROBLEM
POSSIBLE CAUSE
REMEDY
• Connect the cord securely.
• Check the outlet using a lamp or another
appliance.
No power
• The AC input cord is disconnected.
• Poor connection at AC wall outlet or the
outlet is inactive.
• Check the speaker connections.
• Adjust the master volume.
• Press the MUTE button to cancel the
muting effect.
No sound
• The speaker cords are disconnected.
• The master volume is adjusted too low.
• The MUTE button on the remote control is
pressed to ON.
• Press the SPEAKER button to ON.
• Select the desired input source correctly.
• Make connections correctly.
• Speakers are not switched on.
• Incorrect selection of the input source.
• Incorrect connections between the
components.
• Select a surround mode.
No sound from the rear
speakers
• Surround mode is switched off(stereo
mode).
• Adjust master volume and rear level.
• Select a stereo or surround source.
• Select the desired rear speaker setting.
• Master volume and rear level are too low.
• A monaural source is used.
• Rear speaker setting is “N”.
• Select the desired surround.
No sound from the center
speaker
• Surround mode is switched off(stereo
mode).
• Select the desired center speaker setting.
• Adjust master volume and center level.
• Center speaker setting is “N”.
• Master volume and center level are too low.
• Connect an antenna.
• Tune in the desired station frequency.
Stations cannot be received
• No antenna is connected.
• The desired station frequency is not tuned
in.
• Move the antenna and retry tuning.
• Memorize the correct station frequency.
• Memorize the stations again.
• The antenna is in wrong position.
Preset stations cannot be
received
• An incorrect station frequency has been
memorized.
• The memorized stations are cleared.
• Connect an antenna.
• Change the position of the antenna.
Poor FM reception
• No antenna is connected.
• The antenna is not positioned for the best
reception.
Change the position of the antenna.
Install an outdoor antenna.
•
•
Continuous hissing noise
during FM reception,
• Weak signals.
especially when a stereo
broadcast is received.
• Keep the receiver away from noise
sources.
• Install an outdoor AM antenna.
Continuous or intermittent
hissing noise during AM
reception, especially at night.
• Noise is caused by motors, fluorescent
lamps or lightning, etc.
• Replace the batteries.
• Remove the obstacle.
Remote control unit does not • Batteries are not loaded or exhausted.
operate.
• The remote sensor is obstructed.
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Specifications
AMPLIFIER SECTION
• Power output, stereo mode, 6 Ω, THD 0.7%, 40 Hz~20 kHz ................................................................................. 2 100 W
• Total harmonic distortion, 6 Ω, 100 W, 1 kHz .............................................................................................................. 0.09%
• Intermodulation distortion
60 Hz : 7 kHz= 4 : 1 SMPTE, 6 Ω, 100 W ...................................................................................................................... 0.1%
• Input sensitivity, 47 kΩ
Line (CD, TAPE, VIDEO) .......................................................................................................................................... 200 mV
• Signal to noise ratio, IHF “A” weighted
Line (CD, TAPE, VIDEO) ............................................................................................................................................. 92 dB
• Frequency response
Line (CD, TAPE, VIDEO), 20 Hz~50 kHz ........................................................................................................ +0 dB, -3 dB
• Output level
TAPE REC, 2.2 kΩ ..................................................................................................................................................... 200 mV
PRE OUT(Front, Center, Rear, Subwoofer), 1 kΩ .......................................................................................................... 1.0 V
• Bass/Treble control, 100 Hz/10 kHz .......................................................................................................................... 10 dB
• Surround mode, only channel driven
Front power output, 6 Ω, 1 kHz, THD 0.7 % ................................................................................................... 125 W+125 W
Center power output, 6 Ω, 1 kHz, THD 0.7 % .............................................................................................................. 125 W
Rear power output, 6 Ω, 1 kHz, THD 0.7 % .................................................................................................... 125 W+125 W
DIGITAL AUDIO SECTION
• Sampling frequency ................................................................................................................................. 32, 44.1, 48, 96 kHz
• Digital input level
Coaxial, 75 Ω ........................................................................................................................................................... 0.5 Vp-p
Optical, 660 nm ................................................................................................................................................. -15~-21 dBm
FM TUNER SECTION
• Tuning frequency range ................................................................................................................................... 87.5~108 MHz
• Usable sensitivity, THD 3%, S/N 30 dB .................................................................................................................... 12.8 dBf
• 50 dB quieting sensitivity, mono/stereo ............................................................................................................. 20.2/45.3 dBf
• Signal to noise ratio, 65 dBf, mono/stereo ................................................................................................................ 70/65 dB
• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo ............................................................................................. 0.5/0.8%
• Frequency response, 30 Hz~15 kHz ............................................................................................................................. 3 dB
• Stereo separation, 1 kHz ................................................................................................................................................. 42 dB
• Capture ratio ..................................................................................................................................................................... 4 dB
• IF rejection ratio ............................................................................................................................................................. 80 dB
AM TUNER SECTION
• Tuning frequency range .................................................................................................................................... 520~1710 kHz
• Usable sensitivity ..................................................................................................................................................... 500 V/m
• Signal to noise ratio ........................................................................................................................................................ 40 dB
• Selectivity ....................................................................................................................................................................... 25 dB
GENERAL
• Power supply ................................................................................................................................................ AC 120 V, 60 Hz
• Power consumption ....................................................................................................................................................... 200 W
• Dimensions (W
• Weight (Net) ................................................................................................................................................. 9.75 kg(21.2 lbs)
H
D) ............................................................................ 440 141 330 mm(17-3/8 5-1/2 13 inches)
Note: Design and specifications are subject to change without notice for improvements.
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RD-6500
AUDIO/ VIDEO RECEIVER
5707-04735-033-0
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