Runco Projector VX 2i User Guide

OWNERS OPERATING MANUAL  
VX-2i  
Digital Light Processing Projector  
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TWO YEAR LIMITED WARRANTY  
For Projectors, Video Processors and Controllers  
Congratulations on your purchase of a Runco video product and welcome to the Runco family! We believe Runco produces  
“The World’s Finest Home Theater Products.” With proper installation, setup and care, you should enjoy many years of  
unparalleled video performance.  
This is a LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it carefully and retain it with your  
other important documents.  
WHAT IS COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:  
SERVICE LABOR: Runco will pay for service labor by Runco Authorized Service Center when needed as a result of  
manufacturing defect for a period of two (2) years from the effective date of delivery to the end user (excluding the lamp).  
PARTS: (Not including the lamp) Runco will provide new or rebuilt replacement parts for the parts that fail due to defects in  
materials or workmanship for a period of two (2) years from the effective date of delivery to the end user. Such replacement  
parts are then subsequently warranted for the remaining portion (if any) of the original warranty period.  
PROJECTOR LAMP: Runco will pay for service labor by a Runco Authorized Service Center when needed as a result of a  
manufacturing defect for a period of six (6) months or 1000 hours, which ever comes first, from the effective date of delivery to  
the end user. In addition, Runco will provide a new or rebuilt replacement lamp for the lamp that fails due to defects in materials  
or workmanship for a period of six (6) months or 1000 hours, which ever comes first, from the effective date of delivery to the  
end user. Such replacement lamps are then subsequently warranted for the remaining portion (if any) of the original warranty  
period.  
WHAT IS NOT COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:  
This Limited Warranty only covers failure due to defects in materials and workmanship that occur during normal use and does  
not cover normal maintenance. This Limited Warranty does not cover cabinets or any appearance items; failure resulting from  
accident, misuse, abuse, neglect, mishandling, misapplication, faulty or improper installation or setup adjustments; improper  
maintenance, alteration, improper use of any input signal; damage due to lightning or power line surges, spikes and  
brownouts; damage that occurs during shipping or transit; or damage that is attributed to acts of God. In the case of remote  
control units, damage resulting from leaking, old, damaged or improper batteries is also excluded from coverage under this  
Limited Warranty.  
CAUTION: THIS LIMITED WARRANTY ONLY COVERS RUNCO PRODUCTS PURCHASED FROM RUNCO AUTHORIZED  
DEALERS. ALL OTHER PRODUCTS ARE SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS LIMITED  
WARRANTY. MOREOVER, DAMAGE RESULTING DIRECTLY OR INDIRECTLY FROM IMPROPER INSTALLATION OR SETUP  
IS SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS LIMITED WARRANTY.  
RIGHTS, LIMITS AND EXCLUSIONS:  
Runco limits its obligations under any implied warranties under state laws to a period not to exceed the warranty period. There  
are no express warranties. Runco also excludes any obligation on its part for incidental or consequential damages related to  
the failure of this product to function properly. Some states do not allow limitations on how long an implied warranty lasts, and  
some states do not allow the exclusion or limitation of incidental or consequential damages. So the above limitations or  
exclusions may not apply to you. This warranty gives you specific legal rights, and you may also have other rights that vary from  
state to state.  
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EFFECTIVE WARRANTY DATE:  
This warranty begins on the effective date of delivery to the end user. For your convenience, keep the original bill of sale as  
evidence of the purchase date.  
IMPORTANT -- WARRANTY REGISTRATION:  
Please fill out and mail your warranty registration card. It is imperative that Runco knows how to reach you promptly if we  
should discover a safety problem or product update for which you must be notified.  
CONTACT A RUNCO AUTHORIZED SERVICE CENTER TO OBTAIN SERVICE:  
Repairs made under the terms of this Limited Warranty covering your Runco video product will be performed at the location of  
the product, during usual working hours, providing location of product is within normal operating distance from a Runco  
Authorized Service Center. In some instances it may be necessary for the product to be returned to the Runco factory for  
repairs. If, solely in Runco’s judgment, location of product to be repaired is beyond normal operating distance of the closest  
Runco Authorized Service Center, or the repair requires the unit be returned to the Runco factory, it is the owner’s  
responsibility to arrange for shipment of the product for repair. These arrangements must be made through the selling Runco  
Dealer. If this is not possible, contact Runco directly for a Return Authorization number and shipping instructions. Runco will  
return product transportation prepaid in the United States, unless no product defect is discovered. In that instance, shipping  
costs will be the responsibility of the owner.  
COPYRIGHT AND TRADEMARKS:  
© Copyright 2005 Runco International. This document contains proprietary information protected by copyright. All rights are  
reserved. No part of this manual may be reproduced by any mechanical, electronic or other means, in any form, without prior  
written permission of the manufacturer.  
All trademarks and registered trademarks are the property of their respective owners.  
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ADDITIONAL INFORMATION:  
To locate the name and address of the nearest Runco Authorized Service Center, or for additional information about this  
Limited Warranty, please call or write:  
RUNCO INTERNATIONAL, INC.  
Attn: Customer Service Department  
2900 Faber Street  
Union City, CA 94587  
Ph: (510) 324-7777  
Fax: (510) 324-9300  
Toll Free: (800) 23-RUNCO  
RUNCO VIDEO-PRODUCT INFORMATION  
RETAIN THIS INFORMATION FOR YOUR RECORDS  
_________________________________________________________  
Model Purchased  
________________________________________  
Date  
____________________________________________________________________________________________________________  
Serial Number  
____________________________________________________________________________________________________________  
Runco Authorized Dealer Name  
____________________________________________________________________________________________________________  
Address  
____________________________________________  
__________________  
State/Province  
________________________  
Postal Code  
City  
____________________________________________  
Phone  
_______________________________________________________  
Fax  
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Safety Precautions  
Thank you for your purchase of this quality Runco video projector! It has been designed to provide you with the quality of video  
that is expected in a home theater. For the best performance, please read this manual carefully as it is your guide through the  
menus and operation.  
WARNING  
This symbol is intended to alert the user to the presence of  
uninsulated “dangerous voltage” within the product’s enclosure  
that may be of sufficient magnitude to constitute a risk of electric  
shock.  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
CAUTION:  
TO REDUCE THE RISK OF ELECTRIC SHOCK  
DO NOT REMOVE COVER (OR BACK)  
NO USER SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED  
SERVICE PERSONNEL.  
This symbol is intended to alert the user to the presence of  
important operating and maintenance (servicing) instructions in the  
literature accompanying the appliance.  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC  
Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.  
1. Read these instructions.  
2. Keep these instructions.  
3. Heed all warnings.  
4. Do not use this equipment near water, outdoors or otherwise exposed to the elements.  
5. Clean only with a dry cloth.  
6. Do not block any ventilation openings.  
7. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that  
produce heat.  
8. Do not defeat the safety feature of the polarized or grounding type plug. A polarized type plug has two blades with one  
wider than the other. A grounding type plug has two blades and a third grounding prong. The third prong is provided for  
your safety. If the provided plug does not fit into your outlet, consult an electrician for the replacement of the obsolete  
outlet.  
9. The 12V trigger only outputs DC 12V signal for triggering. Do not connect to any other power input or output. This could  
cause damage to this unit.  
10. Only use accessories specified by Runco International.  
11. Keep the packing material in case the equipment should ever need to be shipped.  
12. Unplug this projector during lightning storms or when it will not be used for an extended period of time.  
13. The lamp becomes extremely hot during operation. Allow the projector to cool down for approximately 45 minutes prior to  
removing the lamp assembly for replacement. Do not operate lamps beyond the rated lamp life. Excessive operation of  
lamps beyond rated life could cause them to explode in rare occasions.  
14. Refer all servicing to qualified service personnel. Servicing is required when the projector has been damaged in any way,  
objects have fallen or spilled into the projector, the projector has been exposed to rain or moisture, does not operate  
normally, or has been dropped.  
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1Table of Contents  
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Table of Contents  
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1List of Figures  
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List of Figures  
Notes:  
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1. Introduction  
This Owner’s Manual describes how to install, set up and operate the Runco VX-2i DLP  
Projector. Throughout this manual, the Runco VX-2i DLP Projector is referred to simply as  
the “VX-2i.”  
1.1  
About This Manual  
Runco has prepared this manual to help home theater installers and end users get the  
most out of the VX-2i.  
Target Audience  
Runco has made every effort to ensure that this manual is accurate as of the date it was  
printed. However, because of ongoing product improvements and customer feedback, it  
If You Have Comments  
About This Manual...  
Text Conventions: The following conventions are used in this manual, in order to clarify  
the information and instructions provided:  
Textual and Graphic  
Conventions  
• Remote and built-in keypad button identifiers are set in upper-case bold type; for  
example, “Press EXIT to return to the previous menu.”  
• All keys with functional names are initial-capped, set in bold type and enclosed in angle  
brackets. These keys are the following: <Return>, <Spacebar>, <Control>, <Esc>  
and <Tab>.  
<Return> indicates that you may press either the RETURN or ENTER key on your  
keyboard if it has both keys.  
• Computer input (commands you type) and output (responses that appear on-screen) is  
shown in monospace (fixed-width) type; for example: “To change the aspect ratio to  
Letterbox, type LETTERBOX <Return>.”  
In addition to these conventions, underlining, boldface and/or italics are occasionally used  
to highlight important information, as in this example:  
A carriage return must be used after each command or string.  
Note  
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Graphic Conventions: These symbols appear in numerous places throughout the  
manual, to emphasize points that you must keep in mind to avoid problems with your  
equipment or injury:  
TIPS highlight time-saving short cuts and helpful guidelines for using  
certain features.  
Tip  
NOTES emphasize text with unusual importance or special  
significance. They also provide supplemental information.  
Note  
CAUTIONS alert users that a given action or omitted action can  
degrade performance or cause a malfunction.  
Caution  
WARNINGS appear when a given action or omitted action can result  
in damage to the equipment, or possible non-fatal injury to the user.  
WARNING  
DANGER!  
DANGER appears when a given action can cause severe injury or  
death.  
Use the following table to locate the specific information you need in this manual.  
1.2  
Using This Manual  
If you need...  
... Turn to page:  
Information about obtaining service  
General information about the VX-2i DLP Projec-  
tor  
Installation instructions  
First-time configuration instructions  
Advanced configuration instructions  
Troubleshooting tips  
VX-2i DLP Projector specifications  
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Runco steps into the future once again with the Video Xtreme™ VX-2i Digital Light  
Processing (DLP™) Projector, one of the first DLP projectors to offer a 16:9 native  
resolution, 3-chip system for home theater.  
1.3  
Description, Features  
and Benefits  
The VX-2i optical light engine utilizes three advanced, 16:9 Digital Micromirror Device™  
(DMD™) chips featuring 1280 x 720, high-definition resolution and 12-degree mirror tilt for  
unsurpassed black level performance. Unlike previous, single-chip DLP implementations,  
no color wheel is used. This reduces mechanical complexity and compromises to color  
spectrum purity. The impressive brightness inherent in 3-chip systems is further bolstered  
by the improved contrast capabilities of the VX-2i light engine design, offering the best of  
both worlds.  
The VX-2i is equipped with an embedded, all-digital signal processor/controller featuring  
advanced Vivix II™ video processing, superb scaling and aspect ratio control. Runco’s  
exclusive LiveLink™ DVI cable system circuitry is integrated into the projector to preserve  
HD signal quality over long runs. The VX-2i is enhanced further by significant horizontal  
and vertical lens shift capability for maximum installation flexibility.  
The VX-2i produces an impressive 2500 ANSI lumens of light output (CSMS™ light output  
of 52.1 ft-Lamberts). The VX-2i’s 16:9 native aspect ratio DMD array makes it ideal for  
widescreen viewing, while its 3-chip, 1280 x 720 native resolution produces crisp, crystal  
clear high-definition images with richly saturated colors, deep black levels and natural,  
highly refined detail.  
This advanced design provides pure digital connections from input to light engine for  
absolutely stellar pictures. In addition, Runco’s multiple aspect ratio control includes its  
unique VirtualWide™ mode for viewing standard video formats in widescreen without loss  
of image quality.  
For uncompromising widescreen reproduction of movies originally filmed in the  
CinemaScope™ 2.35:1 format, the VX-2i can be equipped with Runco’s CineWide™ with  
AutoScope™ system, which maintains constant vertical height on the screen just as in a  
movie theater. When a viewer transitions from 1.78:1 (16:9) program material to 2.35:1,  
the image simply gets wider while full height is maintained.  
Discrete IR and RS-232 control make custom installation seamless, while discrete source  
and aspect ratio selection accommodate any automation control system.  
The VX-2i offers these key features and benefits:  
• Native Resolution: 1280 x 720 (16:9 Native Aspect Ratio)  
• 3-chip Digital Light Processing (DLP™) system  
• Two DVI Inputs with High-bandwidth Digital Content Protection (HDCP)  
• HDTV Ready  
Key Features and Benefits  
• Multiple Lens Options for Throw Distance Flexibility  
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Parts List  
Your VX-2i is shipped with the following items. If any items are missing or damaged,  
please contact your Runco dealer or Runco Customer Service at (800) 23-RUNCO.  
• VX-2i DLP Projector  
• Remote Control Unit and two (2), AAA-size batteries  
• AC Power Cord  
• (1) Warranty information and registration card  
• Runco VX-2i Owner’s Operating Manual (this document)  
Optional Accessories:  
• CineWide™ with AutoScope™ system (anamorphic lens and motorized mount)  
• Ceiling mount kit  
• LiveLink™ DVI Cabling System  
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2. Controls and Functions  
Figure 2-1 shows the key VX-2i components.  
2.1  
VX-2i at a Glance  
2
3
1
5
5
4
6
Figure 2-1. VX-2i Front/Bottom/Side View  
1. INTAKE VENT  
2. LENS  
3. RUNCO LOGO  
The logo can be rotated to match the projector orientation: inverted (ceiling-mounted)  
or upright. To rotate the logo, grip it at the sides, pull it away from the projector and  
rotate it 180 degrees.  
4. EXHAUST VENT  
5. CABLE OPENINGS  
Pass cables through these openings.  
6. IR SENSOR  
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Figure 2-2 shows the VX-2i rear panel.  
2.2  
VX-2i Rear Panel  
1
2
3
4
5
6
7
8
I N P U T S  
B
P b  
INPUTS  
R
P r  
G
Y
H
V
T R I G G E R S  
H D 1  
H D 2  
TRIGGERS  
2
HD1  
1
3
I R  
1
2
3
IR  
HD2  
S - V I D E O 1  
R
Pr  
G
Y
B
Pb  
H
V
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
S-VIDEO 2  
V I D E O  
P r  
C O M P O N E N T  
P b  
Y
V I D E O  
D V I 1  
D V I 2  
S - V I D E O 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
DVI 1  
DVI 2  
COMPONENT VIDEO  
A N D B Y  
P O W E R / S T  
STANDBY / POWER  
O F F / O N  
ON / OFF  
RUNCO INTERNATIONAL  
UNION CITY, CA  
(LAMP COVER)  
E N T E R  
M E N U  
VX-2i DIGITAL PROJECTOR  
MADE IN USA  
ENTER  
MENU  
0 1 - 2 4 0 V 6 A 0 H C Z I N 1  
AC IN 110-240V 60HZ  
9
10  
11 12  
13 14  
15  
16  
17  
18  
19  
20  
Figure 2-2. VX-2i Rear Panel  
1. DVI 1 / DVI 2 (Digital)  
Two, HDCP-compliant digital video inputs for connecting a DVD player or HD tuner  
with a DVI or HDMI output.  
2. COMPONENT VIDEO (RCA connectors)  
Standard Definition (480i/576i) Component (YPrPb) input. This is the input for  
component video from sources such as DVD players.  
For best results, do not run your DVD player in progressive mode.  
Tip  
3. HD1 / HD2 (Analog BNC connectors)  
Five, BNC connectors for connecting either RGB or component high-definition  
television signals. The VX-2i automatically detects the signal format: RGB(HV) or  
YPrPb, 480p, 720p, 480i, 576i or 1080i.  
4. COMPOSITE VIDEO INPUT  
Standard composite video input for connecting a VCR, laser disc player or other  
composite video source.  
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5. 12-VOLT (800 mA) TRIGGER OUTPUTS  
Connection for up to three (3), 12-volt trigger-controlled devices. These can be  
retractable screens, screen masks or the Runco CineWide with AutoScope system.  
6. S-VIDEO 1 / S-VIDEO 2  
Two, standard S-Video inputs for connecting a DVD player, satellite receiver or Super  
VHS (S-VHS) VCR.  
7. IR  
Wired input from an external remote control.  
8. RS-232 CONTROL PORT  
A female, 9-pin D-sub connector for interfacing with a PC or home theater  
automation/control system.  
9. VACUUM FLUORESCENT DISPLAY  
Can be used instead of the On-Screen Display (OSD). Displays currently-selected  
menu or -- if no menu is selected -- the current source, signal format (NTSC or PAL),  
input resolution and aspect ratio.  
10. UP BUTTON  
Use to direct select aspect ratios or move the menu cursor up in the On-Screen  
Display. When no menus are present on-screen, the UP button toggles you through  
aspect ratios in the following order:  
Anamorphic - Standard (4:3) - Letterbox - VirtualWide - Cinema - Virtualwide 2.35  
(Virtualwide 2.35 is available only on CineWide-equipped projectors. For more  
information about aspect ratios, refer to Table 4-1.)  
11. LEFT BUTTON  
Used to direct select inputs or move the menu cursor left in the On Screen Display.  
When no menu is present on-screen, the LEFT button toggles you through the  
different sources, in this order:  
DVI 2 - DVI 1 - HD/RGB2 - HD/RGB1 - Component SD - S-Video 2 - S-Video 1 -  
Composite  
12. DOWN BUTTON  
Use to direct select aspect ratios or move the menu cursor down in the On-Screen  
Display. When no menu is present on-screen, this button toggles you through the  
different aspect ratios, in this order:  
Virtualwide 2.35 - Cinema - VirtualWide - Letterbox - Standard (4:3) - Anamorphic  
13. ENTER BUTTON  
When an item is highlighted on the On-Screen Display, the ENTER button selects the  
item.  
14. RIGHT BUTTON  
Used to direct select inputs or move the menu cursor right in the On Screen Display.  
When no menus are present on-screen, the RIGHT button toggles you through the  
different sources, in this order:  
Composite - S-Video 1 - S-Video 2 - Component SD - HD/RGB 1 - HD/RGB 2 - DVI 1  
- DVI 2  
15. MENU BUTTON  
Pressing the MENU button brings up the main menu. Also, if you are in an adjustment  
mode or function, pressing MENU brings the menu back one level.  
16. IR SENSOR  
Receives the IR commands from the remote.  
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17. POWER BUTTON  
Press once to turn on the VX-2i. Press it again to put it into Standby mode. For a  
discrete on or off command, you can use the direct access buttons on the remote  
control.  
18. POWER INPUT (100 to 240 VAC)  
Connect the VX-2i to power here.  
19. MAIN POWER SWITCH  
Disconnects or applies power to the VX-2i.  
20. POWER/STANDBY LED  
Figure 2-3 shows the VX-2i remote control, and the paragraphs that follow describe its  
functionality.  
2.3  
VX-2i Remote Control  
1
2
3
4
6
8
5
7
10  
9
11  
12  
Figure 2-3. VX-2i Remote Control Functions  
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1. ON / OFF  
Press to turn the projector on or off.  
2. IR OUTPUT INDICATOR  
Lights when a button is pressed to indicate that an IR signal is being transmitted.  
3. ENTER  
Press to select a highlighted menu item or confirm a changed setting.  
4. Cursor Keys (  
,
,
,
)
Use these buttons to select items or settings, adjust settings or switch display  
patterns.  
When no menus are present on-screen, the UP and DOWN buttons toggle through  
the available aspect ratios, in this order:  
UP Button = Anamorphic - Standard (4:3) - Letterbox - VirtualWide - Cinema -  
Virtualwide 2.35  
DOWN Button = Virtualwide 2.35 - Cinema - VirtualWide - Letterbox - Standard (4:3)  
- Anamorphic  
Virtualwide 2.35 is available only on CineWide-equipped projectors.  
For more information about aspect ratios, refer to Table 4-1.  
Note  
Likewise, the LEFT and RIGHT buttons toggle through the different source inputs, in  
this order:  
LEFT Button = DVI 2 - DVI 1 - HD/RGB2 - HD/RGB 1 - Component SD - S-Video 2 -  
S-Video 1 - Composite  
RIGHT Button = Composite - S-Video 1 - S-Video 2 - Component SD - HD/RGB 1 -  
HD/RGB 2 - DVI 1 - DVI 2  
5. LIGHT  
Press to illuminate the buttons. (Not available on all models.)  
6. MENU  
Press this button to access the OSD controls, or to exit the current menu and return  
to the previous one.  
7. VIDEO (1)  
Press to select Composite video input as the source or to enter the numeric  
character “1.”  
8. COMP (Component) (2)  
Press to select Component SD (480i/576i) video input as the source or to enter the  
numeric character “2.”  
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9. Aspect Ratio Selection Buttons  
Use the red buttons to select an aspect ratio directly or to enter numeric characters,  
as follows:  
ANA (Anamorphic) (3)  
For 16:9 DVDs.  
4X3 (Standard 4:3) (6)  
The input signal is scaled to fit 4:3 display mode in the center of the screen.  
LETBOX (Letterbox) (9)  
Image in letterbox format is enlarged to fit 16:9 full screen display and the upper/  
lower portions are “blanked off.”  
V-WIDE (VirtualWide)  
4:3 image is enlarged NON-linearly in horizontal direction to fit 16:9 full screen display.  
10. S-VID 1 (4) / S-VID 2 (5) (S-Video)  
Press to select an S-Video input or to enter the numeric character “4” or “5.”  
11. HD 1 (7) / HD 2 (8)  
Press to select a HD (RGBHV or YPbPr component) input or to enter the numeric  
character “7” or “8.”  
12. DVI 1 / DVI 2 (0)  
Press to select a Digital Video input. Press DVI2 to enter the numeric character “0.”  
10  
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3. Installation  
To install batteries in the remote control, press up on the battery cover retainer clip and lift  
off the cover. Install the two AAA batteries with the correct polarity and then replace the  
cover.  
3.1  
Remote Control  
• Make sure that the battery polarities are correct when installing the batteries.  
• Do not mix an old battery with a new one or different types of batteries.  
Notes on Batteries  
• If you will not use the remote control for a long time, remove the batteries to avoid  
damage from battery leakage.  
• Make sure that there is nothing obstructing the infrared beam between the remote  
control and the IR receiver on the projector.  
Notes on Remote Control  
Operation  
• If the effective range of the remote control decreases, or it stops working, replace the  
batteries with new ones.  
• The remote control may fail to operate if the infrared remote sensor is exposed to bright  
sunlight or fluorescent lighting.  
• Ambient conditions may possibly impede the operation of the remote control. If this  
happens, point the remote control at the projector, and repeat the operation.  
• The Ø icon appears on the screen when a button for an unavailable function is pressed.  
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Table 3-1 gives a quick overview of the VX-2i installation process. The sections following  
this one provide detailed instructions.  
3.2  
Quick Setup  
Installation should be performed by a qualified custom video  
installation specialist.  
Note  
Table 3-1. Installation Overview  
For Details, Refer to  
page...  
Step  
Procedure  
1
2
3
4
Choose a location for the projector  
Connect signal sources to the projector  
Connect external controller to RS-232 port (optional)  
Connect other home theater components to 12-volt trigger  
outputs (optional)  
5
6
Apply power to the projector  
For rear-screen and/or ceiling-mount installations, select  
the proper picture orientation  
7
8
Lens adjustments: projected image size (zoom), position  
(shift) and focus  
Projector calibration: adjust the following for each input,  
starting with Component SD; save settings when finished:  
• Aspect ratio  
• Brightness  
• Contrast  
• Color level  
• Tint  
• Input position  
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Proper installation of your projector will ensure the quality of your display. Whether you are  
installing a projector temporarily or permanently, you should take the following into  
account to ensure your projector performs optimally.  
3.3  
Installation  
Considerations  
Choose the installation type that best suits your needs: front or rear screen, floor mount or  
inverted mount. Table 3-2 compares these various installation methods.  
Installation Type  
Table 3-2. Projector Installation Options  
Advantages  
Front Screen, Floor Mount Installation  
• Shares floor space with audience  
Considerations  
• Easy to set up  
• Can be moved or changed quickly  
• Easy to access  
Front Screen, Inverted Mount (ceiling) Installation  
• Does not take up audience space  
• Projector is unobtrusive  
• Installation is more permanent  
• Projector access is more difficult  
• Projector cannot be accidentally moved  
Rear Screen, Floor Mount Installation  
• Projector is completely hidden  
• Projector is easily accessed  
• Requires separate room  
• Installation cost is usually higher  
• Usually good ambient light rejection  
Rear Screen, Inverted Mount (ceiling) Installation  
• Projector is completely hidden  
• Requires separate room  
• Usually good ambient light rejection  
• Installation cost is usually higher  
Rear Screen, Floor Mount with Mirror  
• Projector is completely hidden  
• Usually good ambient light rejection  
• Requires less space behind screen than  
other rear screen installations  
• Requires separate room  
• Installation cost is usually higher  
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Screen Type and Size  
Front Screen Installations: In front screen installations the projector and audience are  
positioned in front of the screen, which can be flat or curved; see Figure 3-1.  
Flat screens are recommended with this projector. They offer a gain of about 1 with a  
viewing angle just less than 180°. This type of screen reflects incident light equally in all  
directions so the audience can see the display from various angles.  
Curved screens have a gain greater than 1 with a viewing angle much less than 180  
degrees. This type of screen does not reflect incident light equally in all directions; instead,  
it is concentrated in a viewing cone. The audience sitting within the viewing cone area  
sees a brighter image than those sitting just outside this area. Runco generally does not  
recommend use of curved screens due to excessive brightness and uncorrectable  
geometrical distortion.  
Figure 3-1. Flat vs. Curved Screens  
Rear screen installations: There are two basic types of rear screens: diffused and  
optical.  
A diffusion screen has a surface that spreads the light striking it. Purely diffused screens  
have a gain of less than 1. The main advantage of the diffused screen is its wide viewing  
angle, similar to that of a flat screen for front screen projection. This type of screen is  
suitable when a wide viewing angle is required but there is low ambient room lighting.  
Optical screens take light from the projector and redirect it to increase the light intensity at  
the front of the screen. This reduces it in other areas. A viewing cone similar to that of a  
curved, front-screen installation is created. This type of screen is better suited for brightly  
lit rooms where the audience is situated within the viewing cone.  
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Screen Size: Choose a screen size that is appropriate for your lens and application. The  
size of the room and viewing distance are the defining factors; a rule of thumb is that the  
primary viewing distance be 1.5 times the screen width.  
To fill a screen with an image, the aspect ratio of the screen should be equal to the aspect  
ratio of the image (expressed as the ratio of its width to its height). Standard video from a  
VCR has a 4:3 or 1.33:1 aspect ratio. For example, to display a VCR output with a 4:3  
aspect ratio onto a 10-foot (3.05-meter) high screen, the width of the screen must be at  
least 13.3 feet (4 meters).  
In general, minimize or eliminate light sources directed at the screen. Contrast ratio in your  
images will be noticeably reduced if light directly strikes the screen, such as when a shaft  
of light from a window or floodlight falls on the image. Images may then appear washed  
out and less vibrant.  
Ambient Light  
Other considerations and tips that can help improve your installation:  
Other Considerations  
• Keep the ambient temperature constant and below 35°C (95°F). Keep the projector  
away from heating and/or air conditioning vents. Changes in temperature may cause  
drifts in the projector circuitry, which may affect performance.  
• Keep the projector away from devices that radiate electromagnetic energy such as  
motors and transformers. Common sources of these include slide projectors,  
speakers, power amplifiers and elevators.  
Throw distance is the distance measured from the front of the projector to the screen.  
This is an important calculation in any projector installation as it determines whether or not  
you have enough room to install your projector with a desired screen size and if your  
image will be the right size for your screen.  
Throw Distance  
You can quickly estimate the throw distance by taking the width of the screen and  
multiplying it by the lens throw ratio; see Figure 3-2. The result of this calculation tells you  
roughly how far back the projector should be positioned from the screen in order to  
project a focused image large enough to fill the screen.  
Estimating Throw Distance  
Throw Distance (TD) = Screen Width (w) x Lens Throw Ratio  
Scr  
een w  
idth (w)  
TD  
Figure 3-2. Estimating Throw Distance  
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Table 3-3 lists the available lens options for the VX-2i and their associated throw ratios.  
Table 3-3. VX-2i Lens Options  
Throw Distance Range  
Throw Ratio  
(in inches, with 100-inch Wide Screen)  
Lens Option (Note 2)  
(Throw Dist. ÷  
Screen Width)  
Minimum  
Maximum  
Proteus A  
0.64 (Fixed)  
For rear-screen installations only. Contact  
Runco Technical Support for more information.  
Proteus B  
1.22 - 1.44  
1.45 - 1.76  
1.82 - 2.39  
1.34 - 1.75  
2.42 - 3.57  
1.78 - 2.62  
3.63 - 5.72  
2.67 - 4.20  
122  
145  
182  
134  
242  
178  
363  
267  
144  
176  
239  
175  
357  
262  
572  
420  
Proteus C  
Proteus D  
Proteus D with CineWide  
Proteus E  
Proteus E with CineWide  
Proteus F  
Proteus F with CineWide  
Notes:  
1. Throw distance does not affect image quality, provided these ranges are taken into account.  
2. Only the Proteus D, E and F lenses can be used with the optional CineWide (secondary  
anamorphic) lens. Doing so affects the throw distances as shown here.  
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Proper placement of the projector relative to the screen will yield a rectangular,  
perfectly-centered image that completely fills the screen.  
Vertical and Horizontal  
Position  
Ideally, the projector should be positioned perpendicular to the screen and in such a way  
that the lens center and screen center are aligned with each other, as shown in Figure 3-3.  
Ceiling Installation  
Ceiling  
Height  
Projection Distance  
Lens Center  
x
Screen Lens Center  
Floor Installation  
Screen  
Lens Center  
Height  
Lens Center  
x
Projection Distance  
Floor  
Figure 3-3. Projector Placement  
If it is not possible to align the projector and screen as shown in Figure 3-3, you can use  
the lens shift controls to center the image on the screen. Lens shift is generally expressed  
as a percentage of the screen height or width, as shown in Figure 3-4 and Figure 3-5.  
Vertical and Horizontal  
Lens Shift  
Vertical Lens Shift: The VX-2i provides up to 80% of downward vertical lens shift. For  
example, with a 96 x 54-inch (16:9) screen, you can shift the image up to 43.20 inches  
(1.10 meters) below the screen center. (Upward vertical lens shift is not possible.)  
Horizontal Lens Shift: The VX-2i zoom lenses (Proteus B through F) allow up to 10% of  
horizontal lens shift in either direction (left or right). For example, with a 96 x 54-inch (16:9)  
screen, you can shift the image up to 9.60 inches (24.38 cm) left or right of the screen  
center. (Horizontal lens shift is not possible with the Proteus A lens.)  
1. With no vertical or horizontal lens shift, the lens center and  
Note  
screen center are aligned with each other.  
2. Vertical shift limits are percentages of the screen height.  
Horizontal shift limits are percentages of the screen width.  
3. Vertical lens shift figures apply to ceiling mount  
configurations. For floor installations (where the projector is  
upright), reverse the up/down vertical offset percentages.  
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Screen Center  
0%  
50% Height  
Lens Shift  
(0.5 x H)  
Base plate  
to lens center =  
approx. 5-6" (depending  
on the amount of lens shift)  
100% Height  
Lens Shift  
(1.0 x H)  
150% Height  
Lens Shift  
(1.5 x H)  
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular  
lens is used in this example.  
Figure 3-4. Vertical Lens Shift  
150% Width Lens Shift  
(1.5 x W)  
100% Width Lens Shift  
(1.0 x W)  
50% Width Lens Shift  
(0.5 x W)  
Screen Center  
0%  
Screen Width (W)  
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular  
lens is used in this example.  
Figure 3-5. Horizontal Lens Shift  
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If the screen is significantly higher or lower than the projector, you can also tilt the  
projector at a slight angle. In a ceiling installation, you do this by adjusting the ceiling  
mount.  
Adjusting the Projection  
Angle  
If you do this, you may need to shift the image using the on-screen display (OSD) controls,  
to compensate. For detailed instructions, refer to Using the On-Screen Menus on  
There are several methods for mounting the projector. Depending on your chosen  
installation, one method may be more suitable than another.  
Mounting  
Floor Mounting: In typical front and rear screen installations, the projector can be  
mounted to a secure and level surface such as a table or cart. Carts are useful when  
moving a projector during a presentation or from site to site. If possible, lock the wheels  
when it’s in position to prevent it from being moved during a presentation.  
Ceiling Mounting: The projector can also be inverted and suspended from the ceiling  
using a specially designed ceiling mount fixture. This type of mounting is recommended  
for fixed installations and for those that want the projector out of sight or have a limited  
space for projector and audience.  
Use only the Runco-approved ceiling mount kit designed for your  
projector.  
Note  
In rear screen applications where space behind the projector is limited, a mirror may be  
used to fold the optical path, as shown in Figure 3-6. The position of the projector and  
mirror must be accurately set. If you are considering this type of installation, contact your  
dealer for assistance.  
Folded Optics  
Figure 3-6. Folded Optics  
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Proceed as follows to connect the VX-2i to your video sources, external controller(s) -- if  
present -- and AC power.  
3.4  
Connections to the  
VX-2i  
When connecting your equipment:  
• Turn off all equipment before making any connections.  
• Use the correct signal cables for each source.  
• Ensure that the cables are securely connected. Tighten the thumbscrews on  
connectors that have them.  
Connector Panel Access  
To access the connector panel, pull firmly on the cable access cover to open it.  
Connecting the VX-2i to  
Source Components  
Connect your video sources to the VX-2i as shown and described in the sections that  
follow.  
DVI Connections: See Figure 3-7.  
Use the DVI inputs whenever possible. This ensures the highest  
Tip  
video quality because the signal is carried in the digital domain  
throughout the entire signal path, from source component output  
into the projector.  
I N P U T S  
INPUTS  
B
R
P r  
G
Y
P b  
H
V
T R I G G E R S  
3
H D 1  
H D 2  
TRIGGERS  
2
HD1  
1
I R  
1
2
3
IR  
HD2  
S - V I D E O 1  
R
Pr  
G
Y
B
Pb  
H
V
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
D V I 1  
D V I 2  
S - V I D E O 2  
S-VIDEO 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
DVI 1  
DVI 2  
COMPONENT VIDEO  
DVI Source  
(DVD Player or  
HD Tuner with  
HDMI or DVI out)  
Figure 3-7. DVI Source Connections  
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Digital (DTV) RGB Connections: See Figure 3-8.  
I N P U T S  
INPUTS  
R
P r  
G
Y
B
P b  
H
V
T R I G G E R S  
3
H D 1  
H D 2  
TRIGGERS  
2
HD1  
1
I R  
1
2
3
IR  
HD2  
S - V I D E O 1  
R
Pr  
G
Y
B
Pb  
H
V
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
D V I 1  
D V I 2  
S - V I D E O 2  
S-VIDEO 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
DVI 1  
DVI 2  
COMPONENT VIDEO  
Red Green Blue  
Horiz Vert  
DTV Source  
Figure 3-8. Digital (DTV) RGB Connections  
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Analog (Computer) RGB Connections: See Figure 3-9.  
I N P U T S  
INPUTS  
R
P r  
G
Y
B
P b  
H
V
T R I G G E R S  
3
H D 1  
H D 2  
TRIGGERS  
2
HD1  
1
I R  
1
2
3
IR  
HD2  
S - V I D E O 1  
R
Pr  
G
Y
B
Pb  
H
V
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
D V I 1  
D V I 2  
S - V I D E O 2  
S-VIDEO 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
DVI 1  
DVI 2  
COMPONENT VIDEO  
Red Green Blue Horiz Vert  
Personal Computer  
Figure 3-9. Analog RGB Connections  
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Composite/S-Video/Component Video Connections: See Figure 3-10.  
I N P U T S  
INPUTS  
R
P r  
G
Y
B
P b  
H
V
T R I G G E R S  
3
H D 1  
H D 2  
TRIGGERS  
2
HD1  
1
I R  
1
2
3
IR  
HD2  
S - V I D E O 1  
R
Pr  
G
Y
B
Pb  
H
V
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
D V I 1  
D V I 2  
S - V I D E O 2  
S-VIDEO 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
DVI 1  
DVI 2  
COMPONENT VIDEO  
DVD Player, VCR,  
Satellite Receiver,  
Laser Disc etc.  
Figure 3-10. Composite, S-Video and Component Video Connections  
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RS-232 Controller  
Connection  
Use a standard, 9-pin RS-232 cable to connect a PC or home theater control/automation  
system (if present) to the RS-232 CONTROL port on the VX-2i; see Figure 3-11.  
For more information about using this connection, refer to Serial Communications on  
5
4
3
1
2
T R I G G E R S  
3
TRIGGERS  
2
6
9
8
7
1
I R  
1
2
3
IR  
S - V I D E O 1  
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
2 Transmit Data  
3 Receive Data  
5 Ground  
S - V I D E O 2  
S-VIDEO 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
COMPONENT VIDEO  
(none of the other pins are used)  
to Automation/  
Control System  
or PC  
Figure 3-11. RS-232 Control System Connection  
Connecting 12-Volt  
Trigger Outputs to  
External Theater  
Components  
If your VX-2i is equipped with a CineWide with AutoScope system, or if your home theater  
contains other devices that respond to 12-volt triggers (such as retractable screens or  
screen masks), connect them to the 12-volt trigger outputs as shown in Figure 3-12.  
T R I G G E R S  
TRIGGERS  
1
2
3
I R  
1
2
3
IR  
S - V I D E O 1  
C O N T R O L  
R S - 2 3 2  
S-VIDEO 1  
S-VIDEO 2  
V I D E O  
P r  
C O M P O N E N T  
V I D E O  
P b  
Y
S - V I D E O 2  
Pb  
Pr  
Y
VIDEO  
RS-232  
CONTROL  
COMPONENT VIDEO  
3.5-mm  
mini plug  
to CineWide with AutoScope  
system or other home  
theater components  
(screen, screen mask etc.)  
Figure 3-12. Connecting 12-Volt Trigger Outputs  
Connecting to AC Power  
Plug the female end of the power cord into the AC receptacle on the rear of the VX-2i (AC  
100V ~ 240V). Then, connect the other end to your AC power source.  
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4. Operation  
1. Turn on the main power switch on the projector.  
4.1  
Turning on the Power  
2. Press the ON button on the remote control -- or the POWER button on the VX-2i rear  
panel -- to turn on the projector. The vacuum fluorescent display on the VX-2i rear  
panel briefly displays “Starting Display.”  
3. When the projector is ready for use, the fluorescent display indicates the active  
source, signal format (NTSC or PAL), input resolution and aspect ratio; for example:  
Input  
Current Source  
Format  
Resolution  
Component SD NTSC  
Anamorphic  
480i  
VX-2  
Aspect  
Ratio  
By default, the VX-2i is configured for a “floor/front” installation, in which the projector is  
installed upright and in front of the screen. If it is installed behind the screen and/or  
mounted on a ceiling, you must change the picture orientation. To do this:  
4.2  
Adjusting the Picture  
Orientation  
1. Press MENU and enter the Service Menu passcode.  
2. Select Service from the Main Menu.  
3. Select Display Device from the Service Menu.  
4. Select Installation from the Display Device menu.  
5. Choose Floor/Rear, Ceiling/Front or Ceiling/Rear, to match the installation method.  
You must enter a passcode to access the Service menu.  
Note  
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To access the motorized lens controls, select Display Device from the Service Menu, then  
select Lens from the Display Device menu. The Lens menu gives you a great deal of  
control over the picture size, position and focus:  
4.3  
Lens Adjustments  
Focus  
To focus the projected image, use the cursor buttons to highlight “In” or “Out.” Then,  
press and hold the ENTER button.  
Zoom  
Shift  
To make the picture smaller (zoom out), use the cursor buttons to highlight the minus sign  
(-). Then, press and hold the ENTER button.  
To enlarge the picture (zoom in), use the cursor buttons to highlight the plus sign (+).  
Then, press and hold the ENTER button.  
To change the projected image position, use the cursor buttons to highlight “Left,”  
“Right,” “Up” or “Down.” Then, press and hold the ENTER button to shift the image in that  
direction.  
Press the MENU button on either the remote control or the rear panel to display the Main  
Menu, shown below. To select a menu item, use the UP and DOWN buttons on either the  
remote control or the rear panel to highlight it. Press ENTER to confirm your selection.  
4.4  
Using the On-Screen  
Menus  
The VX-2i OSD menus are arranged hierarchically, as shown in Figure 4-1.  
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Composite  
S-Video 1  
Gain  
Offset  
S-Video 2  
ISF Night - Display Color  
Gamma  
Lamp Power  
Color Temp  
Brightness  
Contrast  
Color  
Component SD  
HD/RGB 1  
HD/RGB 2  
DVI 1  
Input Source  
Aspect Ratio  
DVI 2  
ISF Night - Input Image  
ISF Night - Input Color  
ISF Day - Display Color  
Anamorphic  
Standard 4:3  
Letterbox  
Tint  
Sharpness  
Gain  
VirtualWide  
Cinema  
Offset  
Chroma Delay  
Phase  
Virtualwide 2.35  
Brightness  
Contrast  
Note: Virtualwide 2.35 is available  
only on VX-2i projectors equipped  
with the CineWide option (secondary  
anamorphic lens).  
Gain  
Offset  
Color  
Gamma  
Picture  
Tint  
Lamp Power  
Color Temp  
Brightness  
Contrast  
Color  
Sharpness  
Left/Right  
Calibration  
Up/Down  
Width  
ISF Day - Input Image  
Input Position  
ISF Presets  
Height  
Tint  
Overscan  
Sharpness  
Gain  
Recall ISF Night  
Recall ISF Day  
Recall/Save Custom 1  
Recall/Save Custom 2  
Reset to Factory Default  
Serial Number  
Hardware  
Offset  
ISF Day - Input Color  
Output Shift  
Gamma  
Lamp Power  
Color Temp  
Left/Right  
Up/Down  
Width  
Information  
Firmware  
(read-only)  
Date  
Height  
Owner Name  
ISF Calibrated  
ISF Other  
Splash Configure  
OSD Position  
Grey Bars 1  
Grey Bars 2  
Color Bars 1  
Color Bars 2  
English  
Test Video  
French  
Language  
German  
Spanish  
Primary  
Remote Control  
Secondary  
Picture Orientation  
Lamp Hours (View/Reset)  
Installation  
Focus  
Lens  
Zoom  
Shift  
Red Only  
Service  
Green Only  
Blue Only  
Display Device  
75 IRE Color Bars  
100 IRE Color Bars  
Horiz. Grey Ramp  
Vert. Grey Ramp  
Checkerboard  
Alignment Grid  
Diagnostics  
HD/RGB 1  
HD/RGB 2  
1 / 2 / 3  
HD Format  
Triggers  
Menu Mode  
Timeout  
Miscellaneous  
System Reset  
Side Bar Color  
Figure 4-1. VX-2i OSD Menu Structure  
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Main Menu  
The Main Menu is the starting point for accessing all projector functions.  
(The Calibration and Service menus are hidden and not accessible until you enter a  
passcode.)  
Runco Video  
Input Source  
Aspect Ratio  
Picture  
Input Position  
ISF Presets  
Information  
Calibration  
Service  
Input Source  
From the Main Menu, select Input Source to choose a video signal source.  
The active source is indicated by an arrow (>) to its left; in the example at left, Composite  
is the active source.  
Input Source  
Composite  
S-Video 1  
S-Video 2  
Component SD  
HD/RGB 1  
HD/RGB 2  
DVI 1  
>
DVI 2  
Aspect Ratio  
To change the aspect ratio (size and shape) of the projected image, select Aspect Ratio  
from the Main Menu and press ENTER. Select the appropriate aspect ratio for the type of  
program material being viewed; refer to Table 4-1.  
Aspect Ratio  
Anamorphic  
7
The currently-selected aspect ratio is indicated by a “7” to its left; in the example at right,  
Anamorphic is selected.  
Standard 4:3  
Letterbox  
When you change the aspect ratio, save the change to a preset  
VirtualWide  
Cinema  
Note  
afterwards. Otherwise, the change will be lost when a different  
input is selected. (The aspect ratio is saved for each input and  
resolution separately.) For information about saving settings, refer  
Virtualwide 2.35  
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Table 4-1. Aspect Ratio Settings  
Remote  
Aspect Ratio  
Control  
Key  
Description  
Anamorphic  
ANA  
The image is compressed  
vertically, but anamorphic  
software will appear properly  
proportioned. This is best suited  
for use with 16:9 DVDs and  
HDTV programming.  
Active Image Area  
Standard 4:3  
4X3  
The input signal is scaled to fit in  
the center of the 16:9 screen.  
4:3 is the aspect ratio used by  
computer monitors, standard  
television programming and  
most VHS video cassettes.  
Active Image  
Area  
Letterbox  
LET  
BOX  
The image in the Letterbox  
mode is stretched vertically; the  
top and bottom portions are  
“blanked off.” Letterbox is best  
suited for LaserDisc movies or  
non-anamorphic DVDs.  
Active Image Area  
VirtualWide  
V-WIDE  
A 4:3 image is transformed into  
a 16x9 image.  
Cinema  
--  
The image in the Letterbox  
mode is enlarged to a 16x9  
image and the upper and lower  
portions are compressed.  
Virtualwide 2.35  
--  
A 2.35 image is stretched  
vertically in both directions to fill  
a 16:9 image. Virtualwide 2.35 is  
available only on VX-2i  
projectors equipped with the  
CineWide option (secondary  
anamorphic lens).  
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Picture  
Use the controls in the Picture Menu to calibrate your VX-2i for optimum picture quality.  
The VX-2i has been designed to incorporate setup and calibration standards established  
by the Imaging Science Foundation (ISF). The ISF has developed carefully crafted,  
industry-recognized standards for optimal video performance and has implemented a  
training program for technicians and installers to use these standards to obtain optimal  
picture quality from Runco video display devices. Accordingly, Runco recommends that  
setup and calibration be performed by an ISF certified installation technician.  
Picture  
Brightness  
Contrast  
Color  
Tint  
Sharpness  
All signal types require separate processing. Therefore, you need to calibrate each input  
separately. Runco recommends calibrating the VX-2i inputs in the following order:  
1. Component SD  
2. S-Video 1 / S-Video 2  
3. Composite  
4. HD/RGB 1 / HD/RGB 2  
5. DVI 1 / DVI 2  
When you change a picture quality setting, save the change to a  
Note  
preset afterwards. Otherwise, the change will be lost when a  
different input is selected. (Picture quality settings are saved for  
each input and resolution separately.) For information about saving  
settings, refer to ISF Presets on page 34.  
Although it may be possible to obtain satisfactory picture quality using the naked eye and  
regular program material, Runco recommends using the following calibration tools for best  
results:  
• External test pattern source -- Sencore VP401 Multimedia Video Generator, Ovation  
Multimedia test DVD or equivalent.  
• A blue filter (provided with many test DVDs), for color level and tint adjustments.  
Connect your test pattern source to the input that you are calibrating and proceed as  
follows. Perform the adjustments in the order listed here.  
Brightness: On your external test pattern source, select a PLUGE pattern. (PLUGE is an  
acronym for “Picture Line-Up Generation Equipment.”) Figure 4-2 shows a typical PLUGE  
pattern.  
Below Black  
Above Black  
Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness  
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PLUGE patterns vary but generally consist of some combination of black, white and gray  
areas against a black background. The example above includes two vertical bars and four  
shaded boxes.  
Select Brightness from the Picture menu and press ENTER. Adjust the brightness so that:  
• The darkest black bars disappear into the background.  
• The dark gray areas are barely visible.  
• The lighter gray areas are clearly visible.  
• The white areas are a comfortable level of true white.  
• The image contains only black, gray and white (no color).  
Contrast: On your external test pattern source, select a stepped, gray-bar pattern like the  
one shown in Figure 4-3.  
Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast  
Select Contrast and press ENTER. Adjust the contrast to a point just below which the  
white rectangle starts to increase in size.  
Brightness and contrast controls are interactive. A change to one  
may require a subtle change to the other in order to achieve the  
optimum setting.  
Note  
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Color Saturation: On your external test pattern source, select a color bar pattern like the  
one shown in Figure 4-4.  
Figure 4-4. Typical Color Bar Pattern for Adjusting Color Saturation and Tint  
Select Color and press ENTER. While looking at the color bar pattern through a blue filter,  
adjust the color saturation level until the outermost (gray and blue) color bars appear to be  
a single shade of blue:  
Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image.  
When tint is decreased, the image appears redder; when it is increased the image  
appears greener. To set the tint, select Tint and press ENTER. While looking at the color  
bar pattern through a blue filter, adjust the tint level until the cyan and magenta color bars  
(on either side of the green bar) appear to be a single shade of blue.  
Like the brightness and contrast controls, the color and tint controls  
are interactive. A change to one may require a subtle change to the  
other in order to achieve the optimum setting.  
Note  
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Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust  
sharpness, select Sharpness from the Picture menu and press ENTER. On your external  
test pattern source, select a pattern like the one shown in Figure 4-5. Adjust as needed,  
looking for white edges around the transitions from black to gray and differently-sized lines  
in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate  
them.  
Figure 4-5. Typical Test Pattern for Adjusting Sharpness  
Use the controls in the Input Position Menu to fine-tune the aspect ratio and image  
position for the current source.  
Input Position  
Input Position  
Left/Right  
Up/Down  
Width  
When you change an input position setting, save the change to a  
Note  
preset afterwards. Otherwise, the change will be lost when a  
different input is selected. (The input position settings are saved for  
each input and resolution separately.) For information about saving  
settings, refer to ISF Presets on page 34.  
Height  
Overscan  
Left/Right: Select Left/Right from the Input Position menu to shift the projected image  
horizontally. Use the right or up cursor button to shift the image to the right; use the left or  
down button to shift it to the left.  
Up/Down: Select Up/Down from the Input Position menu to shift the projected image  
vertically. Use the right or up cursor button to shift the image upward; use the left or down  
button to shift it downward.  
Width: Select Width from the Input Position menu to change the projected image width.  
Use the right or up cursor button to increase the width; use the left or down button to  
decrease it.  
Height: Select Height from the Input Position menu to change the projected image  
height. Use the right or up cursor button to increase the height; use the left or down  
button to decrease it.  
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Overscan: Image Overscan pushes the outside edge of the active picture area of the  
video signal out beyond the edge of the display area.  
Some television programs are produced based on the assumption that older television  
sets may not display the outer edges of the broadcast picture area. Over scan effectively  
trims away these inactive, outer edges and enlarges the remaining portion of the image to  
fill the display area.  
Select from 1% to 10% of Overscan, as desired.  
For HDTV, DVDs and other video sources, Overscan is generally not necessary or  
desirable.  
ISF Presets  
For each input, the VX-2i lets you save image quality settings as presets that you can  
recall at a later time. You can create up to four presets per input and resolution. Use the  
ISF Presets menu to recall saved image presets, or to save image settings in the “Custom  
1” or “Custom 2” memory location. The currently-selected preset is indicated by a “7” to  
its left; in the example shown here, ISF Night is selected.  
ISF Presets  
ISF Night  
ISF Day  
7
You should save changes to any of the following settings to a preset; otherwise they will  
be lost when a new input source or resolution is selected:  
Custom 1  
Custom 2  
Save  
Save  
• Aspect ratio  
Factory Default  
• Picture quality settings (brightness, contrast, color saturation, tint and sharpness)  
• Input position (image position, width, height and overscan percentage)  
To reset all image presets to their factory defaults, select Factory Default and press  
ENTER.  
Information  
Select Information from the Main Menu to see information that uniquely identifies your  
projector: its serial number, the installed hardware and firmware versions and the firmware  
version build date. Should you ever need to contact Runco Technical Support, this  
information will help them answer your questions or resolve product performance issues.  
Information  
Serial Number  
Hardware  
Firmware  
Date  
Calibration  
Use the Calibration menu to perform advanced picture quality adjustments. This menu  
should be used by ISF-certified technicians only.  
Calibration  
ISF Night  
You must enter a passcode to access the Calibration menu.  
Note  
Display Color  
Input Image  
Input Color  
The changes you make here take effect immediately; you do not need to save them. To  
recall the ISF Night or ISF Day settings, select “ISF Night” or “ISF Day” from the ISF  
Presets menu (see above).  
ISF Day  
Display Color  
Input Image  
Input Color  
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ISF Night - Display Color: Use the Display Color settings to change the characteristics  
of the output signal. These settings are global (independent of any particular input).  
• Gain: Use the Gain controls to correct color imbalances in the bright areas of the  
image. A good way to do this is to use a test pattern consisting mostly of solid white  
areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red,  
green or blue, decrease the Gain for that color.  
• Offset: Use the Offset controls in the White Balance sub-menu to correct color  
imbalances in the dark areas of the image. A good way to do this is to use a test  
pattern consisting mostly of dark gray areas, such as a 30 IRE “window” pattern. If the  
gray areas contain traces of red, green or blue, decrease the Offset for that color.  
• Gamma: “Gamma” is a global setting that determines how gray shades are displayed  
between minimum input (black) and maximum input (white) for all signals. A good  
gamma setting helps to optimize blacks and whites while ensuring smooth transitions  
for the “in-between” values utilized in other grays. Unlike “Brightness” and “Contrast”  
controls, the overall tone of your images can be lightened or darkened without  
changing the extremes and all images will be more vibrant while still showing good  
detail in dark areas.  
In all but the most unusual situations, the appropriate “Color Temp” selection (see  
below) will produce accurate colors and a satisfying contrast level. However, it is  
sometimes necessary to adjust the red, blue and green gamma curves individually. To  
do this, select Gamma from the Display Color sub-menu and use the left- and  
right-arrow buttons to manipulate the on-screen slidebars.  
• Lamp Power: Select Lamp Power from the Display Color Menu to adjust the lamp  
output level. You can choose to run the lamp as bright as possible (“1”; this is the  
default setting) or you can choose the lower setting (“0”). Generally, lower lamp output  
can prolong the life of the lamp, but decreases brightness.  
• Color Temp: Select Color Temp from the Display Color menu to adjust the color  
temperature. The default setting is appropriate for most situations. Higher settings  
produce a “bluer” picture.  
ISF Night - Input Image: The Input Image controls are similar to those in the Picture  
menu, but are accessible only by entering the Calibration menu passcode. This makes it  
possible to restore the picture quality settings to what they were when the projector was  
installed, simply by recalling the “ISF Night” preset.  
ISF Night - Input Color: The Input Color controls are similar to those in the Display Color  
menu (see above), but can be set independently for each input.  
• Gain/Offset: Refer to ISF Night - Display Color, above.  
• Chroma Delay: use the Chroma Delay control to correct a mis-aligned image from a  
Composite, S-Video or Component video source. Chroma delay in an image causes  
color shifts to occur to the left of the vertical edge transitions, producing artificial  
shadows or a “halo” effect. If necessary, adjust this setting to eliminate them.  
• Phase: Adjust the phase if the image (usually from an RGB source) shows shimmer or  
“noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the  
incoming signal. The effect of this control is similar to that of a tracking control on a  
VCR.  
For best results, use a good test pattern such as a smooth gray consisting of a clear  
pattern of black and white pixels, or a similar “half on, half off” graphic image. (You may  
notice that you can stabilize the image at more than one point. Use either setting in this  
case.)  
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ISF Day - Display Color: Refer to ISF Night - Display Color.  
ISF Day - Input Image: Refer to ISF Night - Input Image.  
ISF Day - Input Color: Refer to ISF Night - Input Color.  
Output Shift: The controls in the Output Shift menu are similar to those in the Input  
Position menu, except that they change the characteristics of the output signal (so the  
change is visible no matter which input is selected).  
Splash Configure: Use the Splash Configure menu to customize the appearance of the  
start-up message that appears on the vacuum fluorescent display upon power-up. You  
can have the VX-2i display the owner’s name, your name, the phrase “ISF Calibrated”  
and/or any other string, up to 20 characters in length.  
Use the up or down cursor button to select a character. Use the right and left cursor  
buttons to change the cursor position. Press MENU when you have finished entering text.  
Then, check the “Splash Enable” box to have the VX-2i display the information you enter  
here when it is turned on.  
OSD Position: Select OSD Position, press ENTER and use the arrow buttons to change  
the size and position of the OSD controls.  
Service  
Use the Service menu to access advanced projector configuration settings. This menu  
should be used by ISF-certified technicians only.  
Service  
Test Video  
Language  
You must enter a passcode to access the Service menu.  
Note  
Remote Control  
Display Device  
HD Format  
Triggers  
Test Video: Select Test Video from the Service Menu to access the internal test patterns  
on the VX-2i. Four patterns are available, consisting of white/gray or colored bars. These  
are useful for calibrating other theater source components (DVD player, HD tuner etc.) that  
have their own picture controls.  
Miscellaneous  
System Reset  
Press MENU to exit test pattern mode.  
Language: Select Language from the Service menu and press the up- or down-arrows to  
select the OSD Language (English, French, Spanish or German).  
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Remote Control: The Remote Control menu shows you the primary and secondary  
infrared (IR) codes to which the VX-2i will respond. By default, both are set to 17. You can  
change these codes if either:  
• Another device in the theater (a DVD player, for example) is responding to commands  
from the VX-2i remote control in ways that are unpredictable or undesirable.  
• You have multiple VX-2i projectors and want to control them independently, as  
opposed to broadcasting commands from a single remote to all of them. In this  
scenario, you can use multiple remotes programmed to use different IR codes. Or, you  
can use a single remote and change the IR code as needed to address a specific  
projector.  
Use the rear-panel keypad to change a projector IR code. Then,  
change the code sent by the remote to match as described below.  
Tip  
When you change a remote code on the VX-2i, you must re-program your remote control  
to send that same code. To do this:  
1. Using a straightened paper clip or similar object, press and hold the CODE button on  
the remote control for approximately three seconds, or until the red LED on the  
remote lights solid red.  
2. Enter a new two-digit code between 00 and 31 inclusive. Include a leading zero for  
single-digit codes; for example, enter 9 as “09.”  
3. The LED turns off to confirm the code change. If you enter an invalid code, the LED  
flashes for three or four seconds. Try again, entering a valid code.  
Display Device: The options in the Display Device menu allow you to change the picture  
orientation, reset the lamp timer, perform lens adjustments and access additional test  
patterns.  
• Installation: Select Installation from the Display Device menu to change the picture  
orientation to suit the method of installation (Floor Front, Floor Rear, Ceiling Front or  
Ceiling Rear).  
This menu page also displays the number of hours that the lamp has been in service,  
and lets you reset the counter (which is recommended after you replace the lamp; refer  
• Lens: Select Lens from the Display Device menu to access the motorized lens  
controls. Refer to Lens Adjustments on page 26.  
• Diagnostics: Select Diagnostics from the Service menu to access additional test  
patterns for calibration or measurement purposes:  
• Select Red, Green or Blue to display only the selected color (simulating a filter of  
that color).  
• Select 75 or 100 to display color bars (75 IRE or 100 IRE).  
• Select Horz or Vert to display a horizontal or vertical gray ramp.  
• Select Checks to display a 15-segment checkerboard pattern.  
• Select Align to display a white grid against a black background (useful for verifying  
proper image or screen alignment).  
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HD Format: If for some reason the VX-2i does not properly detect the incoming signal  
format (color space) on the HD1 or HD2 inputs, specify it here (RGB or YUV). Otherwise,  
leave it set to Auto.  
Triggers: Select Triggers from the Service menu to configure the 12-volt trigger outputs.  
You can assign one or more trigger outputs to each aspect ratio. Those triggers are then  
activated by selecting that aspect ratio.  
If your projector is equipped with the Runco CineWide with AutoScope system, assign at  
least one trigger output (the same one to which the lens motor is connected) to the  
Cinema and Virtualwide 2.35 aspect ratios.  
Miscellaneous: Select Miscellaneous from the Service menu to set the following options:  
• Menu Mode: This is the manner in which the OSD menus appear and disappear when  
you press MENU. Choose one of the following:  
0 = No transition; menus abruptly appear and disappear.  
1 = Menus fade in and out.  
2 = “Checkerboard” dissolve; menus appear and disappear in sections.  
3 = “Window shade” effect; menus are drawn on a diagonal from top left to bottom  
right, and retract in the opposite direction.  
• Timeout - Short/Long: These settings control how long the OSD menus stay on  
screen. Select a time-out period of from 2 to 60 seconds.  
• Side Bar Color: This controls the color of the inactive image area. The range is from  
-100 (black) to 100 (white).  
The inactive image area is on either side of the active image area when using the  
Standard 4:3 aspect ratio, and above and below the active image area when using the  
Letterbox aspect ratio.  
System Reset: To reset ALL projector settings (including image settings) back to their  
factory defaults, choose System Reset from the Service menu. Select Confirm to continue  
or Back to cancel. This action is not undoable. Use it with caution!  
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5. Maintenance and Troubleshooting  
The lamp should be replaced when it reaches the end of its life (typically 2000 hours), or  
sooner if a noticeable degradation in brightness occurs. Contact your Runco dealer to  
obtain a replacement lamp.  
5.1  
Lamp Replacement  
1. Turn off the projector and unplug the power cord. Allow the projector to cool down for  
approximately 45 minutes prior to removing the lamp assembly for replacement.  
2. Loosen the four rear Lamp Cover screws and remove the cover.  
3. Remove the two lamp assembly mounting screws.  
4. Grasp the lamp assembly handle and pull gently, removing the lamp module from the  
projector housing.  
5. Install the new lamp module.  
6. Replace the lamp cover and re-tighten all screws.  
7. Reset the Lamp Hour counter. To do this, select Service from the Main Menu, then  
Display Device, then Installation. Use the cursor buttons to highlight Reset under  
“Lamp Hours” and press ENTER.  
Table 5-1 provides some general guidelines for troubleshooting problems you may  
encounter with the VX-2i. If you encounter an issue not described here, please contact  
Runco Technical Support.  
5.2  
Troubleshooting Tips  
Table 5-1. Troubleshooting Chart  
Symptom  
Possible Cause(s)  
Solution  
The projector does not turn  
on after initial installation. The  
power LED lights red after you  
press the power button.  
• The VX-2i is not plugged in  
or the AC outlet is not  
active.  
• Ensure that the VX-2i is  
plugged in and that the AC  
outlet is active.  
The projector is on, but there  
is no video image on-screen.  
• Incorrect source selection.  
• Source component is not  
turned on.  
• Select the correct source.  
• Turn on the source.  
A projected image from a  
DVD is split or otherwise  
scrambled.  
• DVD player is set to  
progressive scan mode.  
• Turn off progressive scan  
on the DVD player.  
• Connect the DVD player to  
the HD/RGB 1 or  
HD/RGB 2 input.  
Image is too bright and/or  
lacks definition in the bright  
areas of the image.  
• Contrast is set too high.  
• Brightness is set too high.  
• Lower the contrast setting.  
Image appears “washed out”  
and/or dark areas appear too  
bright.  
• Lower the brightness  
setting.  
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Table 5-1. Troubleshooting Chart (continued)  
Symptom  
Possible Cause(s)  
Solution  
Colors in the image are  
swapped; for example, reds  
appear blue or vice versa.  
• The Red/Pr, Green/Y or  
Blue/Pb outputs from the  
source are connected to  
the wrong inputs on the  
VX-2i.  
• Ensure that the source  
outputs are connected to  
the correct VX-2i input.  
The projector will not turn  
back on after it was powered  
down, or the image disap-  
pears during operation.  
• The projector will not turn  
on for two minutes after  
power-down, to protect  
the lamp.  
• Wait two minutes until the  
LED at the front of the  
VX-2i turns red.  
• The lamp has failed.  
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6. Serial Communications  
To interface the VX-2i with a home theater automation/control system or a PC running  
terminal emulation software, connect it to your control system or PC as shown in Figure  
3-11.  
6.1  
RS-232 Connection  
and Port Configuration  
Configure the RS-232 controller or PC serial port as follows: no parity, 8 data bits, 1 stop  
bit and no flow control. Set the baud rate to 19200, to match that of the VX-2i RS-232  
port.  
Serial commands to the VX-2i take the following form:  
• Commands are not case-sensitive.  
6.2  
Serial Command  
Syntax  
• For a single command that takes no parameters, type the command followed by a  
carriage return; for example, to set the aspect ratio to Letterbox, type  
LETTERBOX <Return>.  
• For a single command that takes a parameter, type the command, a space or a  
comma and the desired value followed by a carriage return; for example, to set the  
brightness to -10, type BRIGHTNESS -10 <Return>or  
BRIGHTNESS,-10 <Return>.  
• You can also send a string of multiple commands on a single line, separated by  
commas. For example, COMPOSITE,BRIGHTNESS 100,ANAMORPHIC <Return>  
switches to the Composite video input, sets the brightness to 100 and sets the aspect  
ratio to Anamorphic. Command strings can be up to 255 characters long.  
Table 6-1 lists the RS-232 command set. The “Parameter (min/max)” column shows the  
valid parameter ranges, or “NA” for commands that take no parameters.  
When you enter a valid command, the VX-2i executes it and acknowledges it with a plus  
sign on the command line (+ >). When you enter an invalid command -- one that is  
misspelled or followed by values outside the valid range for that command -- the VX-2i  
ignores it and returns a minus sign (- >).  
Table 6-1. Serial Commands  
Parameter  
(min/max)  
Value  
Stored?  
Command  
POWER  
Description  
0/1  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
Turns projector on and off  
Turns projector on  
ON  
NA  
OFF  
NA  
Turns projector off  
COMPOSITE  
SVIDEO1  
SVIDEO2  
COMPONENT  
HD1  
YES  
YES  
YES  
YES  
YES  
YES  
Selects the Composite video input  
Selects the S-Video 1 input  
Selects the S-Video 2 input  
Selects the Component input  
Selects the RGB HD 1 input  
Selects the RGB HD 2 input  
HD2  
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Table 6-1. Serial Commands (continued)  
Parameter  
(min/max)  
Value  
Stored?  
Command  
DVI1  
Description  
Selects the DVI 1 input  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
YES  
DVI2  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
Selects the DVI 2 input  
OUT169  
Sets the output screen to 1.78:1 (16:9)  
Sets the output screen to 2.35:1  
Selects the Anamorphic aspect ratio  
Selects the Standard (4:3) aspect ratio  
Selects the Letterbox aspect ratio  
Selects the VirtualWide aspect ratio  
Selects the Cinema aspect ratio  
Selects the Virtualwide 2.35 aspect ratio  
OUT235  
ANAMORPHIC  
STANDARD  
LETTERBOX  
VIRTUALWIDE  
CINEMA  
INTELLI235  
RGBNN  
Outputs color space RGB with negative,  
negative sync  
RGBPP  
RGBS  
NA  
NA  
YES  
YES  
Outputs color space RGB with positive,  
positive sync  
Outputs color space RGB with embedded  
sync on green  
YUV  
NA  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
YES  
HD YUV output color space  
Adjusts phase  
PHASE  
0/3  
IHPOS  
-100/100  
-100/100  
-100/100  
-100/100  
0/10  
Sets a value for horizontal input position  
Sets a value for vertical input position  
Sets the value for input width  
Sets the value for input height  
Sets the overscan percentage  
Sets the value for output horizontal position  
Sets the value for output vertical position  
Sets the value for output width  
Sets the value for output height  
Sets a value for brightness  
IVPOS  
IWIDTH  
IHEIGHT  
OVERSCAN  
OHPOS  
OVPOS  
-100/100  
-100/100  
-100/100  
-100/100  
-100/100  
-100/100  
-100/100  
-100/100  
-6/6  
OWIDTH  
OHEIGHT  
BRIGHTNESS  
CONTRAST  
COLOR  
Sets a value for contrast  
Sets a value for color  
TINT  
Sets a value for tint  
SHARPNESS  
Sets a value for sharpness  
42  
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Table 6-1. Serial Commands (continued)  
Parameter  
(min/max)  
Value  
Stored?  
Command  
NIGHT  
Description  
NA  
NA  
NA  
NA  
1/3  
YES  
Loads “ISF Night” image preset  
Loads “ISF Day” image preset  
Loads “Custom 1” image preset  
Loads “Custom 2” image preset  
DAY  
YES  
YES  
YES  
YES  
CUSTOM1  
CUSTOM2  
TRIGGER  
Assigns trigger to currently-selected aspect  
ratio  
BKGND  
-100/100  
YES  
Sets the background color for letterbox or  
4:3 aspect ratio (-100 = black; 100 = white)  
IHPOS?  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
Returns input horizontal position value  
Returns input height value  
IHEIGHT?  
OHPOS?  
OHEIGHT?  
COLOR?  
ASPECT?  
INPUT?  
Returns output horizontal position value  
Returns output height value  
Returns color setting value  
Returns current aspect ratio  
Returns active input  
OUTRES?  
SERIALNUM?  
DATE?  
Returns output resolution  
Returns projector serial number  
Returns projector manufacture date  
Returns input vertical position value  
Returns overscan percentage  
Returns output vertical position value  
Returns brightness setting value  
Returns tint setting value  
IVPOS?  
OVERSCAN?  
OVPOS?  
BRIGHTNESS?  
TINT?  
PRESET?  
Returns currently-selected preset  
(ISF Day, ISF Night, Custom 1 or Custom 2)  
POWER?  
ASPECTIN?  
SWVER?  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
NA  
Returns power status  
Returns the input source aspect ratio  
Returns software version number  
Returns input horizontal width value  
Returns phase setting value  
IWIDTH?  
PHASE?  
OWIDTH?  
CONTRAST?  
Returns output horizontal width value  
Returns contrast setting value  
Runco VX-2i Owner’s Operating Manual  
43  
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Table 6-1. Serial Commands (continued)  
Parameter  
(min/max)  
Value  
Stored?  
Command  
Description  
SHARPNESS?  
BKGND?  
NA  
NA  
NA  
NA  
NA  
NA  
Returns sharpness setting value  
Returns background setting value  
Returns input resolution  
NA  
NA  
NA  
NA  
INRES?  
ASPECTOUT?  
HWVER?  
Returns output screen size  
Returns hardware version number  
44  
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7. Specifications  
Table 7-1 lists the VX-2i specifications.  
7.1  
VX-2i Specifications  
Table 7-1. VX-2i Specifications  
Projector Type:  
Native Resolution:  
Aspect Ratios:  
Digital Light Processing (DLP), 3-chip, 16:9 DMD  
1280 x 720 (16:9)  
4:3, Letterbox, 16:9 Anamorphic, VirtualWide, Cinema,  
VirtualWide 2.35  
Video Standards:  
DTV Compatibility:  
Scan Frequency:  
NTSC, PAL  
480p, 720p, 1080i  
Horizontal: 15 - 100 kHz  
Vertical: 28 - 78 Hz  
Picture Size (16:9 Screen):  
Recommended Width: 72 - 120 in.  
Maximum Width: 250 in.  
Throw Distance  
(Factor x Screen Width):  
Proteus A: Fixed 0.64 (for rear-screen applications only)  
Proteus B: Zoom 1.22-1.44 x width  
Proteus C: Zoom 1.45-1.76 x width  
Proteus D: Zoom 1.82-2.39 x width (1.34-1.75 with CineWide)  
Proteus E: Zoom 2.42-3.57 x width (1.78-2.62 with CineWide)  
Proteus F: Zoom 3.63-5.72 x width (2.67-4.20 with CineWide)  
Horizontal and Vertical  
Offset:  
Proteus A lens:  
None  
All other lenses:  
Horizontal -- 10% of screen width left or right of center  
Vertical (when ceiling-mounted) --  
80% of screen height below center;  
0% of screen height above center  
Vertical (when floor-mounted) --  
0% of screen height below center;  
80% of screen height above center  
Runco VX-2i Owner’s Operating Manual  
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Table 7-1. VX-2i Specifications (continued)  
Brightness and Contrast:  
Cinema Standards Measurement System (CSMS)  
Specifications  
-
-
Brightness: 52.1 foot-Lamberts (fL)  
Contrast Ratio: 217:1  
These measurements are taken from the projector in a controlled,  
home theater environment. All measurements are made to  
ANSI/NAPM IT7.228-1997 specifications using the Photo Research  
PR-650 SpectraColorimeter and Minolta LS-100 Luminance Meter,  
Video Essentials test DVD and a 1.3 gain, 72-inch wide screen. The  
projector is calibrated to a color temperature of 6,500K and has a  
minimum of 150 hours of usage.  
The foot-Lambert (fL) is the unit of measurement used in commercial  
movie theaters to express image brightness at the screen surface. The  
Society of Motion Picture and Television Engineers (SMPTE) specifies  
16 fL as the target image brightness for film-based projectors using an  
open gate (without film in the projector). More importantly, today  
SMPTE specifies 12 fL as the target image brightness in Digital  
Cinema theaters. The foot-Lambert measurement is dependent on  
screen size, screen gain and projector light output.  
Home Theater Calibration Specifications  
-
-
Light Output: 1227 ANSI Lumens  
Contrast Ratio: 217:1  
These specifications are obtained by calibrating the projector as  
described above for CSMS measurements.  
Industry-Standard Specifications  
-
-
Light Output: 2500 ANSI Lumens  
Contrast Ratio: 2800:1  
These are typical projector brightness and contrast specifications  
found in most companies’ sales literature. Runco includes these  
measurements in its literature to allow for direct comparison with other  
manufacturers’ projectors. These measurements are typically taken at  
9,000K to 13,000K to get expected performance data when the  
projector is used in professional, commercial and industrial displays.  
Lamp:  
275 Watts  
Estimated Lamp Life:  
Inputs:  
2000 hours  
(1) Composite; (2) S-Video; (1) Component; (2) HD-R (Pr), G  
(Y), B (Pb), H, V; (2) DVI w/HDCP  
Control Options:  
-
-
-
Built-in keypad  
Discrete infrared remote  
Serial commands via RS-232  
Trigger Outputs:  
3 x 12 VDC, 800 mA  
Bandwidth:  
150 Mega Samples/Second (MSPS)  
100 to 240 VAC (auto-sensing), 50/60 Hz, 610 Watts  
Power Requirements:  
Operating Environment:  
41°F to 95°F (5°C to 35°C), 0% to 90% humidity  
(non-condensing)  
Dimensions:  
Weight (without lens):  
Regulatory Approvals:  
65 lbs. (29.48 kg)  
Complies with FCC, CE C-Tick  
46  
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Table 7-1. VX-2i Specifications (continued)  
Limited Warranty:  
Projector: Two (2) years parts and labor from the date of  
delivery to the end user.  
Lamp: 1000 hours or six (6) months, whichever comes first.  
Specifications are subject to change without notice.  
Runco VX-2i Owner’s Operating Manual  
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Figure 7-1 shows the VX-2i dimensions.  
7.2  
VX-2i Dimensions  
21.190  
15.857  
8.389  
0
all dimensions are in inches  
0
1.305  
1.685  
4.335  
19.505  
Figure 7-1. VX-2i Dimensions  
48  
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SERIAL NUMBER  
RUMA-011155  
rev 11-04-05  
Runco International • 2900 Faber Street • Union City, CA 94587 • Ph (510) 324-7777 / (800) 23RUNCO / Fax (510) 324-9300  
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