Roland Musical Instrument PCR 1 User Guide

Information  
When you need repair service, call your nearest EDIROL/Roland Service Center or authorized EDIROL/Roland distributor  
in your country as shown below.  
UNITED KINGDOM  
Roland (U.K.) Ltd.  
GERMANY  
Roland Elektronische  
Musikinstrumente HmbH.  
Oststrasse 96, 22844 Norderstedt,  
GERMANY  
TEL: (040) 52 60090  
GREECE  
STOLLAS S.A.  
Music Sound Light  
155, New National Road  
Patras 26442, GREECE  
TEL: 2610 435400  
HUNGARY  
Roland East Europe Ltd.  
Warehouse Area ‘DEPO’ Pf.83  
H-2046 Torokbalint, HUNGARY  
TEL: (23) 511011  
ITALY  
Roland Italy S. p. A.  
Viale delle Industrie 8,  
20020 Arese, Milano, ITALY  
TEL: (02) 937-78300  
NORWAY  
Roland Scandinavia Avd.  
Kontor Norge  
Lilleakerveien 2 Postboks 95  
Lilleaker N-0216 Oslo  
NORWAY  
TEL: 2273 0074  
POLAND  
MX MUSIC SP.Z.O.O.  
UL. Gibraltarska 4.  
PL-03664 Warszawa POLAND  
TEL: (022) 679 44 19  
PORTUGAL  
Tecnologias Musica e Audio,  
Roland Portugal, S.A.  
Cais Das Pedras, 8/9-1 Dto  
4050-465 PORTO  
PORTUGAL  
TEL: (022) 608 00 60  
ROMANIA  
FBS LINES  
Piata Libertatii 1,  
535500 Gheorgheni, ROMANIA  
TEL: (266) 364 609  
RUSSIA  
MuTek  
3-Bogatyrskaya Str. 1.k.l  
107 564 Moscow, RUSSIA  
TEL: (095) 169 5043  
SPAIN  
Roland Electronics  
de España, S. A.  
Calle Bolivia 239, 08020  
Barcelona, SPAIN  
TEL: (93) 308 1000  
SWEDEN  
Roland Scandinavia A/S  
SWEDISH SALES OFFICE  
Danvik Center 28, 2 tr.  
S-131 30 Nacka SWEDEN  
TEL: (0)8 702 00 20  
SWITZERLAND  
Roland (Switzerland) AG  
Landstrasse 5, Postfach,  
CH-4452 Itingen,  
SWITZERLAND  
TEL: (061) 927-8383  
UKRAINE  
TIC-TAC  
Mira Str. 19/108  
P.O. Box 180  
295400 Munkachevo, UKRAINE  
TEL: (03131) 414-40  
EUROPE  
EDIROL (Europe) Ltd.  
TIN  
Parque Industrial San Jose  
Cotia - Sao Paulo - SP, BRAZIL  
CENTRAL/LA  
AMERICA  
Atlantic Close, Swansea  
Enterprise Park, SWANSEA  
SA7 9FJ,  
UNITED KINGDOM  
Studio 3.4 114 Power Road  
London W4 5PY  
U. K.  
TEL: +44 (0)20 8747 5949  
FAX:+44 (0)20 8747 5948  
ARGENTINA  
Instrumentos Musicales S.A.  
Av.Santa Fe 2055  
TEL: (01792) 702701  
MIDDLE EAST  
http://www.edirol.com/europe  
Deutschland  
INDIA  
(1123) Buenos Aires  
ARGENTINA  
Rivera Digitec (India) Pvt. Ltd.  
409, Nirman Kendra Mahalaxmi  
Flats Compound Off. Dr. Edwin  
Moses Road, Mumbai-400011,  
TEL: (011) 4508-2700  
BRAZIL  
TEL: 0700 33 47 65 20  
France  
TEL: 0810 000 371  
BAHRAIN  
Moon Stores  
INDIA  
TEL: (022) 2493 9051  
Roland Brasil Ltda  
Rua San Jose, 780 Sala B  
No.16, Bab Al Bahrain Avenue,  
P.O.Box 247, Manama 304,  
State of BAHRAIN  
TEL: 211 005  
Italia  
TEL: 02 93778329  
INDONESIA  
U. S. A. / CANADA  
EDIROL Corporation North  
PT Citra IntiRama  
TEL: (011) 4615 5666  
CHILE  
J1. Cideng Timur No. 15J-150  
CYPRUS  
Jakarta Pusat  
America  
425 Sequoia Drive, Suite 114  
Bellingham, WA 98226  
Radex Sound Equipment Ltd.  
INDONESIA  
Comercial Fancy II S.A.  
Rut.: 96.919.420-1  
17, Diagorou Street, Nicosia,  
CYPRUS  
TEL: (022) 66-9426  
TEL: (021) 6324170  
Nataniel Cox #739, 4th Floor  
Santiago - Centro, CHILE  
TEL: (02) 688-9540  
U. S. A.  
TEL: (360) 594-4276  
FAX: (360) 594-4271  
KOREA  
IRAN  
Cosmos Corporation  
http://www.edirol.com/  
1461-9, Seocho-Dong,  
Seocho Ku, Seoul, KOREA  
MOCO, INC.  
MEXICO  
No.41 Nike St., Dr.Shariyati Ave.,  
Casa Veerkamp, s.a. de c.v.  
TEL: (02) 3486-8855  
Roberoye Cerahe Mirdamad  
Av. Toluca No. 323, Col. Olivar  
de los Padres 01780 Mexico D.F.  
MEXICO  
TEL: (55) 5668-6699  
Tehran, IRAN  
MALAYSIA  
TEL: (021) 285-4169  
BENTLEY MUSIC SDN BHD  
ISRAEL  
AFRICA  
EGYPT  
Al Fanny Trading Office  
9, EBN Hagar A1 Askalany Street,  
ARD E1 Golf, Heliopolis,  
Cairo 11341, EGYPT  
20-2-417-1828  
TEL:  
REUNION  
Maison FO - YAM Marcel  
25 Rue Jules Hermann,  
Chaudron - BP79 97 491  
Ste Clotilde Cedex,  
REUNION ISLAND  
TEL: (0262) 218-429  
SOUTH AFRICA  
That Other Music Shop  
(PTY) Ltd.  
11 Melle St., Braamfontein,  
Johannesbourg, SOUTH AFRICA  
P.O.Box 32918, Braamfontein 2017  
Johannesbourg, SOUTH AFRICA  
TEL: (011) 403 4105  
Paul Bothner (PTY) Ltd.  
17 Werdmuller Centre,  
Claremont 7708  
Main Road,  
SOUTH AFRICA  
P.O.BOX 23032, Claremont 7735,  
SOUTH AFRICA  
TEL: (021) 674 4030  
ASIA  
140 & 142, Jalan Bukit Bintang  
MALAYSIA  
Halilit P. Greenspoon &  
55100 Kuala Lumpur,  
TEL: (03) 2144-3333  
URUGUAY  
Sons Ltd.  
Todo Musica S.A.  
8 Retzif Ha’aliya Hashnya St.  
Tel-Aviv-Yafo ISRAEL  
Francisco Acuna de Figueroa 1771  
PHILIPPINES  
C.P.: 11.800  
TEL: (03) 6823666  
G.A. Yupangco & Co. Inc.  
Montevideo, URUGUAY  
339 Gil J. Puyat Avenue  
TEL: (02) 924-2335  
JORDAN  
Makati, Metro Manila 1200,  
AMMAN Trading Agency  
PHILIPPINES  
VENEZUELA  
245 Prince Mohammad St.,  
TEL: (02) 899 9801  
Amman 1118, JORDAN  
TEL: (06) 464-1200  
Musicland Digital C.A.  
Av. Francisco de Miranda,  
SINGAPORE  
Centro Parque de Cristal, Nivel  
C2 Local 20 Caracas  
CRISTOFORI MUSIC PTE  
KUWAIT  
LTD  
Easa Husain Al Yousifi Est.  
VENEZUELA  
Blk 3014, Bedok Industrial Park E,  
Abdullah Salem Street,  
TEL: (212) 285-8586  
#02-2148, SINGAPORE 489980  
Safat, KUWAIT  
TEL: 243-6399  
TEL: 6243-9555  
EUROPE  
LEBANON  
TAIWAN  
Chahine S.A.L.  
ROLAND TAIWAN  
AUSTRIA  
Gerge Zeidan St., Chahine Bldg.,  
ENTERPRISE CO., LTD.  
Roland Austria GES.M.B.H.  
Achrafieh, P.O.Box: 16-5857  
Room 5, 9fl. No. 112 Chung Shan  
Siemensstrasse 4, P.O. Box 74,  
A-6063 RUM, AUSTRIA  
TEL: (0512) 26 44 260  
Beirut, LEBANON  
N.Road Sec.2, Taipei, TAIWAN,  
R.O.C.  
TEL: (02) 2561 3339  
TEL: (01) 20-1441  
QATAR  
BELGIUM/HOLLAND/  
LUXEMBOURG  
.
Roland Benelux N. V  
Houtstraat 3, B-2260, Oevel  
(Westerlo) BELGIUM  
TEL: (014) 575811  
DENMARK  
Roland Scandinavia A/S  
Nordhavnsvej 7, Postbox 880,  
DK-2100 Copenhagen  
DENMARK  
TEL: 3916 6200  
FRANCE  
Roland France SA  
4, Rue Paul Henri SPAAK,  
Parc de l'Esplanade, F 77 462 St.  
Thibault, Lagny Cedex FRANCE  
TEL: 01 600 73 500  
FINLAND  
Roland Scandinavia As,  
Filial Finland  
Elannontie 5  
FIN-01510 Vantaa, FINLAND  
TEL: (0)9 68 24 020  
Badie Studio & Stores  
THAILAND  
Theera Music Co. , Ltd.  
330 Verng NakornKasem, Soi 2,  
Bangkok 10100, THAILAND  
TEL: (02) 2248821  
AUSTRALIA/  
NEW ZEALAND  
NEW ZEALAND  
Roland Corporation Ltd.  
32 Shaddock Street, Mount Eden,  
Auckland, NEW ZEALAND  
TEL: (09) 3098 715  
P.O. Box 62,  
Doha, QATAR  
TEL: 423554  
SAUDI ARABIA  
aDawliah Universal  
Electronics APL  
Corniche Road, Aldossary Bldg.,  
1st Floor, Alkhobar,  
SAUDI ARABIA  
P.O.Box 2154, Alkhobar 31952  
SAUDI ARABIA  
TEL: (03) 898 2081  
TURKEY  
Ant Muzik aletleri ithalat ve  
ihracat Ltd Sti  
Siraselviler Caddesi Siraselviler  
Pasaji No:74/20  
Taksim - Istanbul, TURKEY  
TEL: (0212) 2499324  
U.A.E.  
Zak Electronics & Musical  
Instruments Co. L.L.C.  
Zabeel Road, Al Sherooq Bldg.,  
No. 14, Grand Floor, Dubai, U.A.E.  
TEL: (04) 3360715  
As of November 1, 2003 (EDIROL-1)  
Thank you for purchasing the MIDI keyboard controller PCR-1.  
Before using this unit, carefully read the sections entitled: “USING  
THE UNIT SAFELY” and “IMPORTANT NOTES” (OWNER’S  
MANUAL p. 2–4). These sections provide important information  
concerning the proper operation of the unit. Additionally, in order  
to feel assured that you have gained a good grasp of every feature  
provided by your new unit, Owner’s manual should be read in its  
entirety. The manual should be saved and kept on hand as a  
convenient reference.  
Copyright © 2004 ROLAND CORPORATION  
All rights reserved. No part of this publication may be reproduced in any  
form without the written permission of ROLAND CORPORATION.  
USING THE UNIT SAFELY  
013 In households with small children, an adult  
104 Try to prevent cords and cables from  
should provide supervision until the child is  
capable of following all the rules essential for  
the safe operation of the unit.  
becoming entangled. Also, all cords and  
cables should be placed so they are out of the  
reach of children.  
................................................................................................  
................................................................................................  
014 Protect the unit from strong impact.  
106 Never climb on top of, nor place heavy  
objects on the unit.  
(Do not drop it!)  
................................................................................................  
................................................................................................  
108cDisconnect all cords coming from external  
023 DO NOT play a CD-ROM disc on a conven-  
devices before moving the unit.  
................................................................................................  
tional audio CD player. The resulting sound  
may be of a level that could cause permanent  
hearing loss. Damage to speakers or other  
system components may result.  
................................................................................................  
3
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IMPORTANT NOTES  
In addition to the items listed under “USING THE UNIT SAFELY” on page 2 -3, please read and observe the  
following:  
Power Supply  
• Before connecting this unit to other devices, turn off  
Repairs and Data  
307  
452Please be aware that all data contained in the unit’s  
memory may be lost when the unit is sent for repairs.  
Important data should always be backed up in  
another MIDI device (e.g., a sequencer), or written  
down on paper (when possible). During repairs, due  
care is taken to avoid the loss of data. However, in  
certain cases (such as when circuitry related to  
memory itself is out of order), we regret that it may  
not be possible to restore the data, and Roland  
assumes no liability concerning such loss of data.  
the power to all units. This will help prevent malfunc-  
tions and/or damage to speakers or other devices.  
Placement  
352a  
• This device may interfere with radio and television  
reception. Do not use this device in the vicinity of  
such receivers.  
352b  
• Noise may be produced if wireless communications  
devices, such as cell phones, are operated in the  
vicinity of this unit. Such noise could occur when  
receiving or initiating a call, or while conversing.  
Should you experience such problems, you should  
relocate such wireless devices so they are at a greater  
distance from this unit, or switch them off.  
Additional Precautions  
• Please be aware that the contents of memory can be  
551  
irretrievably lost as a result of a malfunction, or the  
improper operation of the unit. To protect yourself  
against the risk of loosing important data, we  
recommend that you periodically save a backup copy  
of important data you have stored in the unit’s  
memory in another MIDI device (e.g., a sequencer).  
354a  
• Do not expose the unit to direct sunlight, place it near  
devices that radiate heat, leave it inside an enclosed  
vehicle, or otherwise subject it to temperature  
extremes. Excessive heat can deform or discolor the  
unit.  
552  
• Unfortunately, it may be impossible to restore the  
contents of data that was stored in the unit’s memory  
once it has been lost. Roland Corporation assumes no  
liability concerning such loss of data.  
355b  
• When moved from one location to another where the  
temperature and/or humidity is very different, water  
droplets (condensation) may form inside the unit.  
Damage or malfunction may result if you attempt to  
use the unit in this condition. Therefore, before using  
the unit, you must allow it to stand for several hours,  
until the condensation has completely evaporated.  
553  
• Use a reasonable amount of care when using the  
unit’s buttons, sliders, or other controls; and when  
using its jacks and connectors. Rough handling can  
lead to malfunctions.  
556  
358  
• When connecting / disconnecting all cables, grasp  
• Do not allow objects to remain on top of the  
the connector itself—never pull on the cable. This  
way you will avoid causing shorts, or damage to the  
cable’s internal elements.  
keyboard. This can be the cause of malfunction, such  
as keys ceasing to produce sound.  
558Ta o avoid disturbing your neighbors, try to keep the  
unit’s volume at reasonable levels. You may prefer to  
use headphones, so you do not need to be concerned  
about those around you (especially when it is late at  
night).  
Maintenance  
• For everyday cleaning wipe the unit with a soft, dry  
401a  
cloth or one that has been slightly dampened with  
water. To remove stubborn dirt, use a cloth impreg-  
nated with a mild, non-abrasive detergent. After-  
wards, be sure to wipe the unit thoroughly with a  
soft, dry cloth.  
559a  
• When you need to transport the unit, package it in  
the box (including padding) that it came in, if  
possible. Otherwise, you will need to use equivalent  
packaging materials.  
562  
402Never use benzine, thinners, alcohol or solvents of  
any kind, to avoid the possibility of discoloration  
and/or deformation.  
4
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IMPORTANT NOTES  
• Use a cable from Roland to make the connection. If  
using some other make of connection cable, please  
note the following precautions.  
• Some connection cables contain resistors. Do not  
use cables that incorporate resistors for  
connecting to this unit. The use of such cables can  
cause the sound level to be extremely low, or  
impossible to hear. For information on cable  
specifications, contact the manufacturer of the  
cable.  
Handling CD-ROMs  
801  
• Avoid touching or scratching the shiny underside  
(encoded surface) of the disc. Damaged or dirty CD-  
ROM discs may not be read properly. Keep your  
discs clean using a commercially available CD  
cleaner.  
204  
Copyright  
851  
• Unauthorized recording, distribution, sale, lending,  
public performance, broadcasting, or the like, in  
whole or in part, of a work (musical composition,  
video, broadcast, public performance, or the like)  
whose copyright is held by a third party is  
prohibited by law.  
852b  
• When exchanging audio signals through a digital  
connection with an external instrument, this unit can  
perform recording without being subjected to some  
of the restrictions of the Serial Copy Management  
System (SCMS). This is because the unit is intended  
solely for musical production, and is designed not to  
be subject to restrictions as long as it is used to  
record works (such as your own compositions) that  
do not infringe on the copyrights of others. (SCMS is  
a feature that prohibits second-generation and later  
copying through a digital connection. It is built into  
MD recorders and other consumer digital-audio  
equipment as a copyright-protection feature.)  
*
206Wj indows® is known officially as: “Microsoft®  
Windows® operating system.”*Microsoft and  
Windows are registered trademarks of Microsoft  
Corporation.  
206Te he screen shots in this document are used in  
compliance with the guidelines of the Microsoft  
Corporation.  
853  
*
• Do not use this unit for purposes that could infringe  
on a copyright held by a third party. We assume no  
responsibility whatsoever with regard to any  
infringements of third-party copyrights arising  
through your use of this unit.  
*
207Apple and Macintosh are registered trademark of  
Apple Computer, Inc.  
*
209MacOS is a trademark of Apple Computer, Inc.  
*
231OMS is a registered trademark of Opcode Systems,  
Inc.  
*
232FreeMIDI is a trademark of Mark of the Unicorn, Inc.  
5
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Contents of the ckage  
The PCR-1 includes the following items. When open the package, first make sure that all items are  
included. If any are missing, contact the dealee you purchased the PCR-1.  
USB Audio Interface / MIDI Keard Controller PCR-1  
fig.pcr-1  
USB cable  
Use this to connect the USB connector of yof the  
PCR-1. For details on connections and driv. 14 /Macintosh  
: p. 31 ).  
*
Please use only the included USB cable. If e contact a  
“EDIROL/Roland Service Center” listed i
CD-ROM  
This contains drivers and editors for use w
Template sheets (two sheets)  
One of these templates lists the messages t
GM2 memory (memory no. 0). A blank she
controller settings.  
Owner’s Manual  
This is the manual you are reading. Please
     
Quick page reference table  
Before you begin  
Driver Installation  
Settings  
Names of things and what they do  
Table of operating modes  
System settings  
p. 14, p. 31  
p. 44  
p. 9  
p. 50  
p. 93  
p. 43  
p. 46  
p. 47  
p. 49  
p. 51  
p. 52  
p. 52  
p. 52  
p. 52  
p. 52  
p. 59  
p. 60  
p. 61  
p. 63  
p. 65  
p. 68  
p. 71  
p. 74  
p. 77  
p. 85  
p. 86  
p. 87  
p. 88  
p. 89  
p. 92  
p. 94  
p. 94  
p. 94  
p. 95  
p. 95  
p. 95  
p. 95  
p. 97  
p. 96  
p. 96  
p. 97  
p. 97  
p. 97  
p. 106  
p. 111  
Using the audio functionality  
Using the MIDI functionality  
Audio and MIDI flow  
Playing sounds on your computer  
Recording sound on your computer  
Digital recording the output of the PCR-1 on a CD/MD/DAT  
Startup mode  
Features Useful When Playing  
Pitch Bend  
Modulation  
Octave Shift  
Transpose  
Changing memory sets  
Transmitting the current controller values all at once  
Assign MIDI messages  
Note Assign  
Aftertouch Assign  
Control Change Assign  
Program Change Assign  
RPN/NRPN Assign  
Sys Ex. Assign  
Tempo Assign  
Copying a MIDI message assignment  
Canceling a MIDI message assignment  
Saving a memory set  
Transmitting/receiving bulk data  
Protecting a memory set  
F8 Clock  
Velocity Offset  
Keyboard Port Set  
H-Activity On / Off  
USB MIDI Driver Mode  
Startup Memory  
Factory Reset  
Pitch Bend Time  
USB Audio Sampling Frequency  
USB Audio Driver Mode  
Direct Monitor On / Off  
Pitch Bend Time  
Modulation Setting  
Problems related to the USB driver  
Problems when using the PCR-1  
Making system settings  
Trouble Shooting  
7
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Selecting Sounds on a Sound Module  
Quick page reference table............. 7  
CONTROL CHANGE ASSIGN ...........68  
RPN / NRPN ASSIGN..........................74  
Copying a MIDI message assignment  
(NO ASSIGN)..............................................87  
Transmitting/receiving bulk data  
Protecting a memory set (PROTECT).......92  
Panel................................................................ 9  
Rear Panel..................................................... 12  
Getting Connected and Installing  
Setting the audio device........................ 32  
Setting the driver ................................... 34  
Memory sets................................. 100  
Troubleshooting .......................... 106  
Input / output devices ............................... 44  
MIDI implementation.................... 117  
Main specifications...................... 122  
index ............................................. 123  
Use audio functionality ................. 46  
Table of operating modes........................... 50  
Startup mode................................................ 51  
Features Useful When Playing.................. 52  
Setting the MIDI Transmit Channel ......... 53  
8
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Names of things and what they do  
Panel  
fig.panel-1  
1 Master volume knob  
This adjusts the volume that is output from the headphone jack, the master output jacks.  
* This does not effect the volume that is output from the digital output jacks.  
2 SHIFT Button  
Use this in conjunction with other buttons.  
3 MEMORY / PGM CHANGE Button  
Press the[MEMORY] Button  
Press the [SHIFT] so it is lit, and  
then press the [MEMORY].  
Accesses memories that are stored within the PCR-1.  
Transmits program change messages on the current channel.  
4 MIDI CH / BANK SEL Button  
Specifies the transmission channel (“current channel”) for the  
keyboard and bender.  
Press the [MIDI CH] Button  
Press the [SHIFT] so it is lit, and  
Transmits bank select messages on the current channel.  
then press the [MIDI CH].  
5 EDIT Button  
Used to assign MIDI messages to the controllers.  
6 Display  
Indicates the current status and various other information.  
USB  
DATA OUT  
HEX  
Lights if the PCR-1 is connected to your computer via USB.  
This will blink when MIDI messages are transmitted via USB or MIDI OUT.  
Lights when the value shown in the display is hexadecimal.  
9
                       
Names of things and what they do  
fig.panel-2  
7
7 Controllers [R1] – [R8] , [S1] ( [SHIFT] + [R1] ) – [S8] ( [SHIFT] + [R8] )  
You can assign MIDI messages to these controllers.  
(Assign MIDI messages (EDIT) (p. 61))  
When the [SHIFT] button is unlit (SHIFT OFF), these controllers correspond to [R1]--[R8]. When  
the button is lit (SHIFT ON), they correspond to [S1]--[S8].  
fig.panel-3  
8 DEC Button  
9
10  
11  
8
in PLAY mode (p. 51)).  
9 INC Button  
Increases the value of a setting by one (except  
in PLAY mode (p. 51)).  
10 HEX Button  
12  
13  
When not in PLAY mode (p. 51), sets the input  
mode to Hexadecimal (Hexadecimal input  
mode).  
14  
11 DECIMAL Button  
15  
16  
12 Controllers [B1] – [B6], [L1] – [L3]  
You can assign MIDI messages to these  
controllers.(Assign MIDI messages (EDIT)  
(p. 61))  
10  
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Names of things and what they do  
13 TRANSPOSE / ENTER Button  
Use [TRANSPOSE] + [OCTAVE -/+] to transpose the pitch of the keyboard in semitone steps.  
Also, in any mode except PLAY mode, it functions as the [ENTER] button, which you need to  
press to confirm the settings you’ve made.  
14 OCTAVE - / +  
Press [OCTAVE - / +] to shift the pitch of the keyboard up or down in steps of an octave.  
When not in PLAY mode, use these buttons to return to the previous setting item (the [BACK]  
button) or to cancel the setting and return to PLAY mode (the [CANCEL] button).  
15 MODULATION Button  
This button can be used to apply vibrato.  
16 BENDER Switch  
This switch can be used to modify the pitch.  
11  
             
Names of things and what they do  
Rear Panel  
fig.rear  
17  
18  
22  
19  
20  
21  
17 Security Slot (  
)
http://www.kensington.com/  
18 Input volume  
This dual concentric knob adjusts the input level to input jacks L and R.  
19 Input jacks (PCA Pin Type)  
These are input jacks for analog audio signals. You can connect dynamic mics, guitars, or audio  
devices. You must set the Input select switch to the position appropriate for the device you  
have connected.  
If you connect a guitar or mic only to the L jack or R jack, the signal will be monaural.  
20 Master output jacks (PCA Pin Type)  
These are analog audio output jacks. You can connect them to your external monitor speaker  
system.  
21 Digital output jack / Headphone jack  
* The same jack serves as both the headphone jack and digital output jack.  
fig.hint  
Optical  
These are digital jacks for connecting optical cables. Digital jacks for connecting coaxial cables  
are labeled Coaxial.  
Use these jacks to output digital audio to a digital audio device such as a MD/DAT.  
On the PCR-1, the input from the input jacks cannot be output directly to the Digital output  
connector.  
You can connect a set of headphones to this jack. The headphone jack will output the same  
signal as the master output jacks and digital output jacks. Sound will be output from the  
master output jacks even if headphones are connected.  
22 USB connector  
Use this when connecting the PCR-1 to your computer via a USB cable.  
12  
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Setup  
This section explains how to install the drivers needed for connecting the PCR-1 to a computer,  
and make the necessary settings.  
Getting Connected and Installing Drivers (Windows)........... (p. 14)  
Getting Connected and Installing Drivers (Macintosh).......... (p. 31)  
What is a driver?  
A “driver” is software that transfers data between the PCR-1 and application software running  
on your computer, when your computer and the PCR-1 are connected by a USB cable. The  
driver sends data from your application to the PCR-1, and from the PCR-1 to your application.  
13  
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Getting Connected and Installing Drivers  
(Windows)  
Installing the driver  
The installation procedure will differ depending on your system.  
use.  
• Windows XP users ........................................................... (p. 14)  
• Windows 2000 users......................................................... (p. 20)  
• Windows Me/98 users .................................................... (p. 25)  
Windows XP users  
If you are using Windows  
XP Professional, you must  
log on using a user name  
with an administrative  
account type (e.g.,  
1
2
Disconnect all USB cables except for a USB keyboard and USB mouse (if  
used).  
Administrator). For details  
on user accounts, please  
consult the system  
Open the System Properties dialog box.  
administrator of your  
computer.  
1. Click the Windows start menu, and from the menu, select Control  
Panel.  
2. In “Pick a category”, click “Performance and Maintenance”.  
3. In “or pick a Control Panel icon”, click the System icon.  
Depending on how your  
system is set up, the  
fig.2-1  
System icon may be  
displayed directly in the  
Control Panel (the Classic  
view). In this case, double-  
click the System icon.  
3
Click the Hardware tab, and then  
click [Driver Signing].  
Open the Driver Signing Options  
dialog box.  
If you changed “What  
action do you want  
setting after you have  
installed the driver. (If you  
changed “What action do  
you want Windows to  
take?” (p. 18))  
4
Make sure that “What action do you want Windows to take?” is set to  
“Ignore”.  
If it is set to “Ignore”, simply click [OK].  
If it is not set to “Ignore”, make a note of the current setting (“Warn” or  
“Block”). Then change the setting to “Ignore” and click [OK].  
14  
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Getting Connected and Installing Drivers (Windows)  
5
6
Click [OK] to close the System Properties dialog box.  
If the screen indicates  
“Windows can perform  
the same action each  
Exit all currently running software (applications).  
Also close any open windows. If you are using virus checking or similar  
software, be sure to exit it as well.  
time you insert a disk or  
connect a device with  
this kind of file”, click  
[Cancel].  
7
8
Prepare the CD-ROM.  
Insert the CD-ROM into the CD-ROM drive of your computer.  
Click the Windows start button. From the menu that appears, select  
“Run...”  
The “Run...” dialog box will appear.  
fig.2-3_30  
9
To check the drive name  
Specify the name of the file you want  
to execute.  
Click the Start button, and  
choose My Computer from  
the menu that appears. In  
the window that appears,  
check the drive name of  
the CD-ROM drive into  
which you inserted the  
CD-ROM in step 7.  
Enter the following into the “Open”  
field, and click [OK].  
(drive name) : \Driver\USB_XP2K\SETUPINF.EXE  
The SetupInf dialog box will appear.  
You are now ready to install the driver.  
The drive name is the (D:)  
or (E:) displayed by the  
* In the explanatory example shown here, the drive name is given as “D:”. The drive  
name “D:” may be different for your system. Specify the drive name of your CD-  
ROM drive.  
CD-ROM drive  
.
10Use the USB cable to connect the PCR-1 to your computer.  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting the USB  
cable is required before the  
unit will operate normally.  
Near the task bar, your computer will indicate “Found New Hardware”.  
Please wait.  
11The Found New Hardware Wizard will appear.  
Select “Install from a list or specific location (Advanced)”, and click  
[Next].  
15  
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Getting Connected and Installing Drivers (Windows)  
fig.2-7_20  
12The screen will indicate “Please  
choose your search and  
installation options”.  
Select “Don’t search. I will choose  
the driver to install”, and click  
[Next].  
13Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or  
“EDIROL PCR-1 MIDI”, and click [Next]. Driver installation will begin.  
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a  
“Hardware Installation” dialog box will appear.  
If “What action do you want Windows to take?” is set to “Warn”  
A dialog box with a “!” symbol will appear.  
1. Click [Continue Anyway].  
2. Continue the installation.  
If “What action do you want Windows to take?” is set to “Block”  
A dialog box with a “x” symbol will appear.  
1. Click [OK].  
2. When the “Found New Hardware Wizard” appears, click [Finish].  
3. Return to step 1 (p. 14) and re-install the driver from the beginning of the procedure.  
14The Insert Disk dialog box will appear.  
The Insert Disk dialog  
may not appear. In that  
case, proceed to the next  
step.  
Click [OK].  
15The Files Needed dialog box will appear.  
Input the following into the “Copy files from” field, and click [OK].  
Specify the drive name of  
your CD-ROM drive..  
(drive name):\DRIVER\USB_XP2K  
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a  
“Hardware Installation” dialog box will appear.  
If “What action do you want Windows to take?” is set to “Warn”  
A dialog box with a “!” symbol will appear.  
1. Click [Continue Anyway].  
2. Continue the installation.  
16  
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Getting Connected and Installing Drivers (Windows)  
16The screen will indicate “Completing the Found New Hardware Wizard”.  
Click [Finish].  
17The Found New Hardware Wizard will appear again.  
select “Install from a list or specific location (Advanced)”, and click  
[Next].  
fig.2-7_20  
18The screen will indicate “Please  
choose your search and  
installation options”.  
Select “Don’t search. I will choose  
the driver to install”, and click  
[Next].  
19Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or  
“EDIROL PCR-1 MIDI”, and click [Next]. Driver installation will begin.  
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a  
“Hardware Installation” dialog box will appear.  
If “What action do you want Windows to take?” is set to “Warn”  
A dialog box with a “!” symbol will appear.  
1. Click [Continue Anyway].  
2. Continue the installation.  
20The Insert Disk dialog box will appear.  
The Insert Disk dialog  
may not appear. In that  
case, proceed to the next  
step.  
Click [OK].  
21The Files Needed dialog box will appear.  
Input the following into the “Copy files from” field, and click [OK].  
(drive name):\DRIVER\USB_XP2K  
Specify the drive name of  
your CD-ROM drive.  
17  
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Getting Connected and Installing Drivers (Windows)  
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a  
“Hardware Installation” dialog box will appear.  
If “What action do you want Windows to take?” is set to “Warn”  
A dialog box with a “!” symbol will appear.  
1. Click [Continue Anyway].  
2. Continue the installation.  
22The screen will indicate “Completing the Found New Hardware Wizard”.  
Click [Finish].  
Wait until “Found New Hardware” appears near the taskbar.  
23When driver installation has been completed, the System Settings Change  
If the System Settings  
dialog box will appear.  
Change dialog box does  
not appear, restart  
Windows from the Start  
menu.  
Click [Yes]. Windows will restart automatically.  
If you changed “What action do you want Windows to  
take?”  
If you changed the What action do you want Windows to take? (p. 14)  
setting, restore the original setting after Windows restarts.  
1. Log on to Windows using the user name of an administrative account  
(e.g., Administrator).  
2. Click the Windows start button, and from the menu that appears, select  
Control Panel.  
3. In “Pick a category,” click “Performance and Maintenance”.  
Depending on how your  
system is set up, the  
4. In “or pick a Control Panel icon”, click the System icon. The System  
Properties dialog box will appear.  
System icon may be  
5. Click the Hardware tab, and then click [Driver Signing]. The Driver  
displayed directly in the  
Control Panel (classic  
view). In this case, double-  
click the System icon.  
Signing Options dialog box will appear.  
6. Return the What action do you want Windows to take? setting to the  
original setting (either “Warn” or “Block”), and click [OK].  
7. Click [OK]. The System properties dialog box will close.  
This completes installation of the driver.  
Next, we recommend that you enable background processing on your computer, so MIDI and  
audio processing will be as smooth as possible.(Enabling background processing (p. 19))  
18  
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Getting Connected and Installing Drivers (Windows)  
Enabling background processing  
In Windows XP, make settings to enable background processing. If you fail  
to make this setting, you may experience interruptions in the sound. To  
ensure that MIDI and audio processing occurs smoothly, use the following  
procedure to make settings.  
1
Open the System Properties dialog box.  
1. Click the Windows start menu, and from the menu, select Control  
Panel.  
2. In “Pick a category”, click “Performance and Maintenance”.  
3. In “or pick a Control Panel icon”, click the System icon.  
Depending on how your  
system is set up, the  
System icon may be  
2
3
displayed directly in the  
Control Panel (the Classic  
view). In this case, double-  
click the System icon.  
Click the Advanced tab.  
At the right of the Performance field, click [Settings].  
The Performance Options dialog box will appear.  
4
Click the Advanced tab.  
fig.2-30a  
5
In the Processor Scheduling  
field, select “Background  
services”, and click [OK].  
6
In the System Properties dialog box, click [OK].  
The System Properties dialog box will close.  
Next, make MIDI device and audio device settings.  
(Specifying the audio and MIDI input/output destination (p. 26))  
19  
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Getting Connected and Installing Drivers (Windows)  
Windows 2000 users  
1
Log on to Windows as a  
user with administrative  
privileges (such as  
Disconnect all USB cables except for a USB keyboard and USB mouse (if  
used).  
Administrator)  
2
Open the System Properties dialog box.  
Click the Windows Start button, and from the menu that appears, select  
Settings | Control Panel. In Control Panel, double-click the System icon.  
fig.05-2_30  
3
Click the Hardware tab, and then  
click [Driver Signing].  
The Driver Signing Options  
dialog box will appear.  
4
previous setting after you  
have installed the driver.  
(If you changed “File  
signature verification” (p.  
23))  
Make sure that “File signature verification” is set to “Ignore”.  
If it is set to “Ignore”, simply click [OK].  
If it is not set to “Ignore”, make a note of the current setting (“Warn” or  
“Block”). Then change the setting to “Ignore” and click [OK].  
5
Click [OK] to close the System Properties dialog box.  
6
Exit all currently running software (applications).  
Also close any open windows. If you are using virus checking or similar  
software, be sure to exit it as well.  
7
Prepare the CD-ROM.  
Insert the CD-ROM into the CD-ROM drive of your computer.  
8
Click the Windows Start button. From the menu that appears, select  
“Run...”  
The “Run...” dialog box will appear.  
20  
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Getting Connected and Installing Drivers (Windows)  
fig.05-5_30  
To check the drive name  
In the Windows desktop,  
double-click the My  
9
In the dialog box that appears,  
input the following into the  
“Open” field, and click [OK].  
Computer icon. In the  
window that appears,  
check the drive name of  
the CD-ROM drive into  
which you inserted the  
CD-ROM in step7.  
(drive name) : \Driver\USB_XP2K\SETUPINF.EXE  
The drive name is the (D:)  
or (E:) displayed by the  
The SetupInf dialog box will appear.  
CD-ROM drive  
.
You are now ready to install the driver.  
* In the explanatory example shown here, the drive name is given as “D:”. The drive  
name “D:” may be different for your system. Specify the drive name of your CD-  
ROM drive.  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting the USB  
cable is required before the  
unit will operate normally.  
10Use the USB cable to connect the PCR-1 to your computer.  
If the “File signature verification” (Step 4) setting was not set to “Ignore”, a “Digital Signature Not  
Found” dialog box will appear.  
If “File signature verification” is set to “Warn”  
1. Click [Yes].  
2. Continue the installation.  
If “File signature verification” is set to “Block”  
1. Click [OK].  
2. When the “Found New Hardware Wizard” appears, click [Finish].  
3. Return to step 1 (p. 20) and re-install the driver from the beginning of the procedure.  
11The Insert Disk dialog box will appear.  
If the Insert Disk dialog  
box does not appear,  
Click [OK].  
proceed to the next step.  
12The Files Needed dialog box will appear.  
Specify the drive name of  
your CD-ROM drive.  
Input the following into the “Copy files from” field, and click [OK].  
(drive name) : \DRIVER\USB_XP2K  
21  
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Getting Connected and Installing Drivers (Windows)  
If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not  
Found” dialog box will appear.  
If “File signature verification” is set to “Warn”  
1. Click [Yes].  
2. Continue the installation.  
13The screen will indicate “Completing the Found New Hardware Wizard”.  
Click [Finish].  
14The System Settings Change dialog box will appear.  
Click [Yes]. Windows will restart automatically.  
Log on to Windows as a user with administrative privileges (e.g.,  
Administrator).  
15After you have logged on to Windows, the Insert Disk dialog box will  
If the Insert Disk dialog  
box does not appear,  
appear again.Click [OK].  
proceed to the next step.  
16The Files Needed dialog box will appear.  
Input the following into the “Copy files from” field, and click [OK].  
Specify the drive name of  
your CD-ROM drive.  
(drive name) : \DRIVER\USB_XP2K  
If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not  
Found” dialog box will appear.  
If “File signature verification” is set to “Warn”  
1. Click [Yes].  
2. Continue the installation.  
17The screen will indicate “Completing the Found New Hardware Wizard”.  
If the Found New  
Hardware Wizard dialog  
Click [Finish].  
box does not appear,  
proceed to the next step.  
22  
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Getting Connected and Installing Drivers (Windows)  
18The System Settings Change dialog box may appear.  
If the System Settings  
Click [Yes]. Windows will restart automatically.  
Change dialog box does  
If the System Settings Change dialog box does not appear, restart  
Windows from the Start menu.  
not appear, restart  
Windows from the Start  
menu.  
If you changed “File signature verification”  
If you changed the “File signature verification” (p. 20) setting, restore  
the original setting after Windows restarts.  
1. After Windows restarts, log in to Windows as a user with  
administrative privileges, (such as Administrator).  
2. In the Windows desktop, right-click the My Computer icon, and  
from the menu that appears, select Properties. The System  
Properties dialog box will appear.  
3. Click the Hardware tab, and then click [Driver Signing]. The Driver  
Signing Options dialog box will appear.  
4. Return the “File signature verification” setting to the original  
setting (either “Warn” or “Block”), and click [OK].  
5. Click [OK]. The System Properties dialog box will close.  
This completes installation of the driver.  
Next, we recommend that you enable background processing on your  
computer, so MIDI and audio processing will be as smooth as possible.  
(Enabling background processing (p. 24))  
23  
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Getting Connected and Installing Drivers (Windows)  
Enabling background processing  
In Windows 2000, make settings to enable background processing. If you fail  
to make this setting, you may experience interruptions in the sound. To  
ensure that MIDI and audio processing occurs smoothly, use the following  
procedure to make settings.  
1
Click the Windows Start button, and from the menu that appears, select  
Settings | Control Panel. In Control Panel, double-click the System icon.  
2
Click the Advanced tab.  
3
At the right of the Performance field, click [Performance Options].  
The Performance Options dialog box will appear.  
fig.back2000  
4
In the Application response field,  
choose “Background services”  
and click [OK].  
5
Click [OK] to close the System Properties dialog box.  
Next, make MIDI device and audio device settings.  
(Specifying the audio and MIDI input/output destination (p. 26))  
24  
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Getting Connected and Installing Drivers (Windows)  
Windows Me/98 users  
1
With the PCR-1 disconnected, start up Windows.  
Disconnect all USB cables except for a USB keyboard and USB mouse (if  
used).  
If you are using virus checking or similar software, be sure to exit it as well.  
2
Exit all currently running software (applications).  
Also close any open windows. If you are using virus checking or similar  
software, be sure to exit it as well.  
3
4
Prepare the CD-ROM.  
Insert the CD-ROM into the CD-ROM drive of your computer.  
Click the Windows Start button. From the menu that appears, select Run....  
To check the drive name  
In the Windows desktop,  
double-click the My  
The “Run...” dialog box will appear.  
fig.05-13_30  
Computer icon. In the  
window that appears,  
check the drive name of  
the CD-ROM drive into  
which you inserted the  
CD-ROM in step3.  
5
In the dialog box that appears,  
input the following into the  
“Open” field, and click [OK].  
The drive name is the (D:)  
or (E:) displayed by the  
CD-ROM drive  
.
(drive name) : \Driver\USB_ME98\SETUPINF.EXE  
The SetupInf dialog box will appear.  
You are now ready to install the driver.  
* In the explanatory example shown here, the drive name is given as “D:”. The drive  
name “D:” may be different for your system. Specify the drive name of your CD-  
ROM drive.  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting the USB  
cable is required before the  
unit will operate normally.  
6
7
Use the USB cable to connect the PCR-1 to your computer.  
The driver will be installed automatically.  
In the SetupInf dialog box, click [OK].  
If a message recommends  
that you restart Windows,  
restart Windows as  
directed.  
Next, make MIDI device and audio device settings.  
(Specifying the audio and MIDI input/output destination (p. 26))  
25  
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Getting Connected and Installing Drivers (Windows)  
Settings and checking  
Specifying the audio and MIDI input/output destination  
Windows XP users  
1
Open Control Panel.  
Click the Windows start button, and from the menu that appears, select  
Control Panel.  
Depending on how your  
system is set up, the  
2
Open the Sounds and Audio Devices Properties dialog box.  
Sounds and Audio  
In “Pick a category” click “Sound, Speech, and Audio Devices”. Next, in  
“or pick a Control Panel icon”, click the sounds and Audio Devices icon.  
Devices icon may be  
displayed directly in the  
Control Panel (the Classic  
view). In this case, double-  
click the Sounds and  
Audio Devices icon.  
3
Click the Audio tab.  
fig.XP_J  
4
For MIDI music playback, click the  
For details on the PCR-1’s  
input/output devices,  
refer to Input / output  
devices (p. 44)  
located at the right of [Default device]  
, and select the following from the list  
that appears.  
Sound playback  
Sound recording  
EDIROL PCR-1  
EDIROL PCR-1  
For details on adjusting the  
audio latency and using  
ASIO Direct Monitor, refer  
to Taking full advantage  
(p. 29).  
5
Close the Sounds and Audio Devices Properties dialog box.  
Click [OK] to complete the settings.  
This completes settings for using the PCR-1 with an application that uses the standard  
Windows device settings, such as Media Player.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).  
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Getting Connected and Installing Drivers (Windows)  
Windows 2000 / Me users  
1
Open Control Panel.  
Click the Windows Start button, and from the menu that appears, select  
Settings | Control Panel.  
2
Open the Sounds and Multimedia Properties.  
In Control Panel, double-click the Sounds and Multimedia icon to open the  
If the Sound and  
“Sounds and Multimedia Properties” dialog box.  
Multimedia icon is not  
displayed, click “Show all  
control panel options” in  
the frame at the left.  
3
Click the Audio tab.  
fig.MEe  
4
For details on the PCR-1’s  
input/output devices,  
refer to Input / output  
devices (p. 44).  
For MIDI music playback, click the  
located at the right of [Preferred  
device], and select the following from  
the list that appears.  
For details on adjusting the  
audio latency and using  
ASIO Direct Monitor, refer  
to Taking full advantage  
(p. 29).  
Sound playback  
Sound recording  
EDIROL PCR-1  
EDIROL PCR-1  
5
Close the Sounds and Audio Devices Properties dialog box.  
Click [OK] to complete the settings.  
This completes settings for using the PCR-1 with an application that uses the standard  
Windows device settings, such as Media Player.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).  
27  
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Getting Connected and Installing Drivers (Windows)  
Windows 98 users  
1
Open Control Panel.  
Click the Windows Start button, and from the menu that appears, select  
Settings | Control Panel.  
2
Open the Multimedia Properties dialog box.  
In Control Panel, double-click the Multimedia icon to open the “Multimedia  
Properties” dialog box.  
3
Click the Audio tab.  
fig.98_E  
For details on the PCR-1’s  
input/output devices,  
refer to Input / output  
devices (p. 44)  
4
Specify the “Preferred device”.  
Click the Playback field and  
Recording field, make the following  
selections from the list that appears,  
and click [Apply].  
Playback  
Recording  
EDIROL PCR-1  
EDIROL PCR-1  
For details on adjusting the  
audio latency and using  
ASIO Direct Monitor, refer  
to Taking full advantage  
(p. 29).  
5
Close the Multimedia Properties  
dialog box.  
Click [OK] to complete the settings.  
This completes settings for using the PCR-1 with an application that uses the standard  
Windows device settings, such as Media Player.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).  
28  
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Getting Connected and Installing Drivers (Windows)  
Taking full advantage  
Latency is the time delay  
from when an application  
plays back audio data until  
Adjusting the audio latency  
You can change the driver settings to adjust the latency of the audio. To  
adjust the latency, change the Buffer Size in the driver settings dialog box.  
the sound is actually heard  
from an audio device such  
as the PCR-1.  
1
2
Open the “Driver Settings” dialog box.  
1. Open “Control Panel” .  
In Windows XP, click  
"Switch to Classic View"  
to select Classic View on  
your computer. If you're  
not in Classic View, the  
EDIROL PCR-1 icon won't  
be shown.  
2. Double-click “EDIROL PCR-1” icon.  
The Driver Settings dialog box will appear.  
Adjust the driver buffer size.  
The following setting will produce the shortest latency.  
Set “Audio Buffer Size” to the far left (Min).  
In Windws Me, click  
"Show all Control Panel  
Options.”  
3
4
Click [OK] to close the driver settings dialog box.  
If you are using an  
application that has a  
function for testing audio  
devices, get it to perform  
its tests.  
Restart the application that is using the PCR-1.  
5
Play back audio data on your application.  
If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase  
the buffer size specified in step 2 until interruptions no longer occur.  
Depending on the  
application you are using,  
there may be a buffer size  
or latency adjustment  
function among the audio  
settings of the application  
as well. For details, refer to  
the operation manual for  
your application.  
29  
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Getting Connected and Installing Drivers (Windows)  
Using ASIO Direct Monitor  
If the PCR-1's DIRECT MONITOR ON / OFF setting (p. 97) is AUTO, you can  
control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible  
software.  
In Windows XP, click  
“Switch to classic view”  
to switch the display to the  
classic view. EDIROL  
PCR-1 icon will not be  
displayed unless the  
1
Open the “Driver Settings” dialog box.  
1. Open the “Control Panel”  
2. Double-click “EDIROL PCR-1” icon.  
The Driver Settings dialog box will appear.  
classic view is selected.  
2
Make the following settings.  
In Windows Me, click  
“View all Control Panel  
options.”  
Check the “Use ASIO Direct Monitor” check box.  
3
Click [OK] to close the driver settings dialog box.  
When using ASIO Direct  
Monitor, monitoring may  
switch on/off at  
unexpected times,  
depending on the  
application settings and on  
the recording procedure. If  
this occurs, uncheck the  
check box in step 2 to  
disable ASIO Direct  
Monitor.  
Depending on your  
application, there may also  
be an ASIO Direct  
Monitor setting among the  
audio settings of your  
application. For details,  
refer to the operation  
manual for your  
application.  
30  
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Getting Connected and Installing Drivers  
(Macintosh)  
The installation procedure will differ depending on your system.  
Please proceed to one of the following sections, depending on the system you  
use.  
• Mac OS X users ................................................................. (p. 31)  
• Mac OS 9 users.................................................................. (p. 33)  
Mac OS X users  
Installing the driver  
1
Disconnect all USB cables other than those for your keyboard and mouse,  
and restart your Macintosh.  
2
Prepare the CD-ROM.  
Insert the CD-ROM into the CD-ROM drive of your computer.  
3
If the “Authenticate”  
In the Driver (Mac OS X) folder of the CD-ROM, double-click  
PCR1USBDriver.pkg.  
dialog box appears during  
the installation, input the  
password and click “OK.”  
4
5
The display will indicate “Welcome to the EDIROL PCR-1 USB Driver  
Installer”. Click [Continue].  
Select your startup disk as  
the drive.  
The display will indicate “Select a Destination”.  
Click the drive in which the operating system is installed to select it, and then  
click [Continue].  
6
7
The display will indicate “Easy Install”.  
Click Install or Upgrade.  
If the “Authenticate”  
The display will indicate “Installing this software requires you to restart  
your computer when the installation is done”.  
dialog box appears during  
the installation, input the  
password and click “OK.”  
Click [Continue Installation].  
8
9
The display will indicate “The software was successfully installed”.  
Click [Restart] to restart your computer.  
This completes installation of the PCR-1 driver.  
Next, make MIDI device and audio device settings.  
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Getting Connected and Installing Drivers (Macintosh)  
Setting the audio device  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting USB cable  
is required before the unit  
will operate normally.  
1
Use the USB cable to connect the PCR-1 to your computer.  
2
Open “System Preferences” and click “Sound”.  
Although “44.1 kHz” is  
used for the purpose of  
document, this changes  
depending on the actual  
setting of the sampling  
frequency select on your  
PCR-1 (p. 96).  
3
In the Sound Effects tab, set “Play alerts and sound effects through” to  
“EDIROL PCR-1 44.1 kHz”.  
4
In the Output tab, set “Choose a device for sound output” to “EDIROL  
PCR-1 44.1 kHz”.  
5
In the Input tab, set “Choose a device for sound input” to “EDIROL PCR-  
1 44.1 kHz”.  
Once set this way, all  
sounds from your  
When you have finished making settings, close the dialog box.  
Macintosh (including  
audio alerts) will be output  
only through the PCR-1,  
not from the speakers of  
your Macintosh.  
* You'll need to make MIDI device settings within the sequencer you're using. For  
details, refer to the owner's manual for your sequencer software.  
When using the PCR-1 with your software  
Before using the PCR-1 with your software, please note the following points.  
Use the USB cable to connect the PCR-1 to your computer before you start up your software.  
Do not disconnect the USB cable from the PCR-1 while your software is running.  
Quit your software before you disconnect the USB cable from the PCR-1.  
Turn off the Sleep function of your Macintosh.  
The PCR-1 will not operate in the Mac OS X Classic environment. Use the PCR-1 when the  
Classic environment is not running.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).  
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Getting Connected and Installing Drivers (Macintosh)  
Mac OS 9 users  
Installing the PCR-1 driver  
Use either OMS or FreeMIDI as the MIDI driver.  
The included PCR-1 driver is an add-on module for using the PCR-1 with OMS  
or FreeMIDI.  
OMS can be found in the  
OMS 2.3.8 E folder within  
the OMS (Mac OS 9)  
folder of the CD-ROM. If  
you would like to know  
more about OMS, refer to  
OMS_2.3_Mac.pdf which  
can be found in the same  
folder.  
* Either OMS or FreeMIDI must be installed in your Macintosh, as appropriate for the  
sequencer software you are using.  
If a PCR-1 is already connected to your Macintosh when you install the driver, a  
message like the following will appear when the Macintosh is started up.  
Perform the steps described below as appropriate for the message that is  
displayed.  
If the screen indicates:  
“Software needed for the USB device “PCR-1” is not available. Would you  
like to look for the software on the Internet?”  
If you install OMS or  
FreeMIDI after installing  
the PCR-1 driver, you  
must install the PCR-1  
driver once again.  
click [Cancel].  
If the screen indicates:  
“The software needed to use the USB device “PCR-1” cannot be found.  
Please refer to the device documentation to install the necessary  
software”.  
click [OK].  
Use the following procedure to install the PCR-1 driver.  
Disconnect the PCR-1 from  
the Macintosh before you  
perform the installation.  
1
Exit all currently running software (applications).  
If you are using a virus checker or similar software, be sure to exit this as well.  
2
3
Prepare the CD-ROM.Insert the CD-ROM into the CD-ROM drive.  
Double-click the PCR-1 Driver-E Installer icon (found in the Driver E (Mac  
OS 9) folder of the CD-ROM) to start up the installer.  
4
Verify the Install Location, and click [Install].  
fig.05-20  
5
The installation location  
will be shown differently  
depending on your  
If a message like the following is  
displayed, click [Continue].  
The other currently running  
applications will exit, and  
installation will continue.  
system. Make sure that  
you have selected the  
startup disk for the system  
you are currently using.  
6
A dialog box will indicate Installation was successful.  
Click [Restart] to restart your Macintosh.  
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Getting Connected and Installing Drivers (Macintosh)  
Setting the driver  
If you are using FreeMIDI, proceed to FreeMIDI settings (p. 36).  
OMS settings  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting the USB  
cable is required before the  
unit will operate normally.  
1
Use the USB cable to connect the PCR-1 to your computer.  
fig.3-3  
2
From the CD-ROM, drag the Driver E (Mac OS 9) - OMS  
Setting folder into the Opcode - OMS Applications  
folder on the hard disk of your Macintosh to copy it there.  
If you are using the PCR-1  
in conjunction with other  
MIDI devices, make  
fig.3-4  
3
settings as described in  
Readme_E.htm located in  
the Driver E (Mac OS 9)  
folder of the CD-ROM.  
In the Opcode - OMS Applications folder where you  
installed OMS, double-click OMS Setup to start it up.  
fig.3-5_35  
4
If a dialog box like the one shown  
We recommend that you  
turn off AppleTalk, by  
selecting Chooser from the  
Apple menu.  
here appears, click [Turn It Off]. A  
confirmation dialog box will then  
appear, so click [OK].  
fig.3-6_35  
5
The Create a New Studio Setup  
dialog box will appear. Click  
[Cancel].  
If you accidentally clicked [OK], click  
[Cancel] in the next screen.  
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Getting Connected and Installing Drivers (Macintosh)  
fig.3-8_35  
6
Choose “Open” from the File  
menu.  
From the OMS Setting folder that  
you copied in step 3, select the PCR-  
1 file, and click [Open].  
A screen like the one shown here  
will appear.  
fig.3-9_35  
7
From the Edit menu, select OMS  
MIDI Setup.  
In the OMS MIDI Setup dialog box  
that appears, check Run MIDI in  
background, and click [OK].  
fig.3-10_40  
A diamond mark () indicate in the settings are enabled.  
8
From the File menu, choose Make  
Current.  
* If you are unable to select Make  
Current, it has already been applied,  
and you may continue to the next step.  
9
Verify that MIDI transmission and  
reception can be performed correctly. From the Studio menu, choose Test  
Studio.  
fig.OMS3  
10Try moving the fader of the PCR-1.  
For details on the PCR-1’s  
input/output devices,  
refer to Input / output  
devices (p. 44).  
If the arrow beside number 1 or 2 in  
the diagram at right blinks, the  
settings have been made correctly.  
35  
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Getting Connected and Installing Drivers (Macintosh)  
11Exit OMS Setup.  
From the File menu, choose [Exit]. If the AppleTalk confirmation dialog box  
appears, click [OK] to close the dialog box.  
This completes installation of the driver.  
Next, make MIDI device settings in your sequencer or other software.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input / output devices, refer to Input / output devices (p. 44).  
FreeMIDI settings  
This unit is equipped with  
a protection circuit. A brief  
interval (a few seconds)  
after connecting the USB  
cable is required before the  
unit will operate normally.  
1
2
3
4
Use the USB cable to connect the PCR-1 to your computer.  
From the CD-ROM, drag the Driver E (Mac OS 9) - FreeMIDI Setting folder  
into the FreeMIDI Applications folder on the hard disk of your Macintosh  
to copy it there.  
If you are using the PCR-1  
in conjunction with other  
MIDI devices, make  
settings as described in  
Readme_E.htm located in  
the Driver E (Mac OS 9)  
folder of the CD-ROM.  
Open the FreeMIDI Applications folder from the location into which you  
installed FreeMIDI, and double-click the FreeMIDI Setup icon to start it up.  
The first time you start up, use the following procedure.  
When “OMS is installed  
on this computer...”  
1. A dialog box saying “Welcome to FreeMIDI!” will appear.  
Click [Continue].  
appears, click [FreeMIDI].  
2. The FreeMIDI Preferences dialog box will appear.  
Click [Cancel].  
3. The About Quick Setup dialog box will appear.  
Click [Cancel].  
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Getting Connected and Installing Drivers (Macintosh)  
5
6
If you are unable to select  
Open, make settings as  
follows.  
From the File menu, choose Open.  
Select PCR-1 from the FreeMIDI Setting folder you copied in step 3, and  
click [Open].  
1.From the File menu,  
choose FreeMIDI  
Preference.  
2.Uncheck “Use OMS  
7
when available.”  
Verify that MIDI transmission and reception occur correctly.  
3. Close FreeMIDI.  
4. Return to step 4 and  
continue the procedure.  
From the MIDI menu, choose Check Connections.  
fig.FreeMIDI_40  
8
Try moving the fader of the PCR-1.  
If the number 1 or 2 in the diagram  
at right blinks, the settings have  
been made correctly.  
For details on the PCR-1’s  
input/output devices,  
refer to Input / output  
devices (p. 44).  
9
Once again choose the MIDI menu command Check Connections to end  
the test.  
10From the File menu, choose Quit to exit FreeMIDI Setup.  
This completes installation of the driver.  
Next, make MIDI device settings in your sequencer or other software.  
For details on how to make these settings, refer to the owner’s manual for your software.  
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).  
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Getting Connected and Installing Drivers (Macintosh)  
ASIO (Steinberg Audio  
Stream In/Out Interface)  
This is an audio interface  
standard promoted by the  
Steinberg Corporation.  
When the PCR-1 is used  
with ASIO-compatible  
software, the  
You must install the PCR-1 driver even if you will be using only audio on the  
PCR-1. Be sure to install the PCR-1 driver before you install the ASIO driver.  
(Installing the PCR-1 driver (p. 33))  
This section explains how to install the ASIO driver that allows the PCR-1 to  
be used by your sequencer software or audio editing software.  
For details on installation and settings of the ASIO driver, be sure to also read  
the Driver E (Mac OS 9) - Readme_E.htm document on the CD-ROM.  
synchronization precision  
will be improved, allowing  
a more sophisticated music  
production environment.  
The PCR-1 cannot play back audio data from the Macintosh’s sound  
manager (such as audio CDs and alert sounds).  
The ASIO driver of the PCR-1 supports the following audio input/output  
channels.  
• Audio input ........ 24/16 bit  
• Audio output...... 24/16 bit  
1 stereo ch. (2 monaural chs.)  
1 stereo ch. (2 monaural chs.)  
Here we will explain how to install the ASIO 1.0 16 bit-compatible driver.  
If your ASIO-compatible software supports ASIO 2.0 or recording/  
playback of 24 bit audio data, using the following drivers will provide a  
higher quality environment.  
ASIO-compatible software  
Driver to use  
ASIO2.0-compatible  
24 bit compatible  
PCR-1 ASIO 1.0 16 bit  
PCR-1 ASIO 1.0 24 bit  
PCR-1 ASIO 2.0 16 bit  
PCR-1 ASIO 2.0 24 bit  
1
From the Driver E (Mac OS 9) - ASIO folder of the CD-ROM, copy [PCR-1  
ASIO1.0 16bit] to the ASIO Drivers folder of the ASIO-compatible software  
you are using (e.g., Cubase VST, Logic Audio, Digital Performer, Metro, or  
SPARK LE).  
The Audio setting dialog  
box will be named  
differently depending on  
your software. For details  
refer to the manual of your  
software.  
2
3
Start up your ASIO-compatible software.  
Open the Audio setting dialog box of your ASIO-compatible software, and  
select [PCR-1 ASIO1.0 16bit] as the ASIO Device.  
For details on adjusting the  
audio latency and using  
ASIO Direct Monitor, refer  
to Taking full advantage  
(p. 39).  
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Getting Connected and Installing Drivers (Macintosh)  
Taking full advantage  
Latency is the time delay  
from when an application  
plays back audio data until  
Adjusting the audio latency  
You can change the driver settings to adjust the latency of the audio. To  
adjust the latency, change the Buffer Size in the driver settings dialog box.  
the sound is actually heard  
from an audio device such  
as the PCR-1.  
1
2
3
Open the “Driver Settings” dialog box.  
The name of the Audio  
Settings dialog box and the  
procedure for opening the  
ASIO Control Panel will  
differ depending on your  
application. For details,  
refer to the operation  
manual for your  
Open the ASIO Control Panel from the Audio Settings dialog box of your  
ASIO-compatible application.  
Adjust the driver buffer size.  
The following setting will produce the shortest latency.  
Set “Buffer Size” to the far left (Min).  
application.  
Click [OK] to close the driver settings dialog box.  
4
5
If you are using an  
application that has a  
function for testing audio  
devices, get it to perform  
its tests.  
Restart the application that is using the PCR-1.  
Play back audio data on your application.  
If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase  
the buffer size specified in step 2 until interruptions no longer occur.  
Depending on the  
application you are using,  
there may be a buffer size  
or latency adjustment  
function among the audio  
settings of the application  
as well. For details, refer to  
the operation manual for  
your application.  
39  
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Getting Connected and Installing Drivers (Macintosh)  
Using ASIO Direct Monitor  
If the PCR-1's DIRECT MONITOR ON / OFF setting (p. 97) is AUTO, you can  
control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible  
software.  
1
Open the “Driver Settings” dialog box.  
Open the ASIO Control Panel from the Audio Settings dialog box of your  
ASIO-compatible application.  
The name of the Audio  
Settings dialog box and the  
procedure for opening the  
ASIO Control Panel will  
differ depending on your  
application. For details,  
refer to the operation  
manual for your  
2
Check the “Use ASIO Direct Monitor” check box.  
3
Click [OK] to close the driver settings dialog box.  
application.  
When using ASIO Direct  
Monitor, monitoring may  
switch on/off at  
unexpected times,  
depending on the  
application settings and on  
the recording procedure. If  
this occurs, uncheck the  
check box in step 2 to  
disable ASIO Direct  
Monitor.  
Depending on your  
application, there may also  
be an ASIO Direct  
Monitor setting among the  
audio settings of your  
application. For details,  
refer to the operation  
manual for your  
application.  
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Operation  
PCR-1 by itself. You will need to connect it to a sound module or computer.  
The various controllers ( [R1–R8] , [S1–S8] , [B1–B6] , [L1–L3] ) can be assigned almost any  
message you want to get the control you need for your particular setup. For details on the  
messages that can be assigned, refer to Assign MIDI messages (EDIT) (p. 61).  
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Basic use  
Basic connections  
fig.connect-basic  
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and  
turn off the power on all devices before making any connections.  
If you connect as shown in the diagram, you will be able to monitor the playback from your  
software or the sound from instruments or audio devices connected to the PCR-1.  
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Basic use  
Audio and MIDI flow  
Audio flow (Block diagram)  
fig.diagram  
USB  
INPUT  
LEVEL  
AUDIO INPUT  
DIGITAL OUT(OPTICAL)  
AUDIO OUTPUT  
PHONES  
MASTER  
VOLUME  
DIRECT MONITOR(p.97)  
MIDI flow  
When using a USB connection  
fig.flow-usb  
PC  
PCR-1  
USB  
MIDI OUT DEVICE  
EDIROL PCR-1  
BULK RECEPTION  
MIDI IN DEVICE  
EDIROL PCR-1 1  
EDIROL PCR 1 2  
PORT 1  
PORT 2 /  
BULK TRANSMISSION  
* For an explanation of the items in the diagram, refer to Input / output devices (p. 44).  
* For details on the actual operation, refer to Use MIDI functionality (p. 50).  
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Basic use  
Input / output devices  
In order to obtain the best performance from your software, you must make the appropriate  
input/output device settings.  
For details on these settings, refer to the owner’s manual for your software.  
* If you are unable to select the PCR-1 in the device settings for your software, it is possible that the PCR-  
1 driver was not installed correctly. Please reinstall the driver.  
Audio Devices  
Audio output device  
EDIROL PCR-1  
This sends audio signals from your computer to the PCR-1. If you are using Media Player  
you will normally choose this. You should also use this if you are using an application  
such as SONAR in WDM driver mode or a Direct Sound application.  
MME EDIROL PCR-1 Out  
This sends audio signals from your computer to the PCR-1. Use this if you are using an  
application that does not have a WDM driver mode, or if you want to use 24-bit audio  
with a non-ASIO application .  
* Windows XP/2000 only  
Audio input devices  
EDIROL PCR-1  
This receives audio signals sent from the PCR-1 to your computer. Normally, you should  
use this. You should also use this when using an application such as SONAR in WDM  
driver mode.  
MME EDIROL PCR-1 In  
This receives audio signals sent from the PCR-1 to your computer. Use this if you are us-  
ing an application that does not have a WDM driver mode, or if you want to use 24-bit  
audio with a non-ASIO application .  
* Windows XP/2000 only  
ASIO device  
EDIROL PCR-1  
Select “EDIROL PCR-1” as the ASIO setting for your application if you are using the  
PCR-1 with an ASIO application such as Cubase.  
* To prevent audio loops from causing oscillation or double monitoring, turn monitoring off in  
your application or use the ASIO Direct Monitor setting.  
MIDI Devices  
MIDI OUT device  
PCR-1 (Mac OS 9: PCR-1 1)  
This is the bulk reception port. When receiving bulk data into the PCR-1, select PCR-1 as  
the output port for your sequencer software or other program.  
MIDI IN device  
PCR-1 1  
PCR-1 2  
These ports receive messages from the keyboard, bender switch, and controllers.  
The port assignment determines how the keyboard, bender switch, and controllers are  
mapped to PCR-1 1 or PCR-1 2.  
You may find it convenient to select PCR-1 1 for messages used for real-time perfor-  
mance on a software synthesizer or for recording on a sequencer track, and select PCR-1  
2 for messages used to control a sequencer (e.g., sequencer start/stop, or track fader con-  
trol).  
PCR-1 2 is also the bulk transmission port. When transmitting bulk data from the PCR-  
1, select PCR-1 2 as the input port for your sequencer software.  
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Basic use  
Two MIDI ports  
Some sequencer software that supports MIDI controllers lets you independently specify the MIDI  
input port used for recording MIDI tracks (the “MIDI IN port”) and the MIDI input port used to control  
the software (the “CTRL IN port”).  
fig.midi-port.e  
Sequencer software  
Normally, you will connect your MIDI keyboard to the  
MIDI IN port, and use it for recording your  
Track  
Track  
Record on  
tracks  
THRU  
performance on tracks or using the MIDI Thru  
function of your software to play sound modules or  
soft synthesizers. The MIDI messages sent here have  
the meaning that is assigned to them by the MIDI  
specification. In other words, when you play the  
keyboard, note messages will be transmitted and  
recorded on the track, and the sound module that  
receives these messages will produce sound.  
Software  
synthesizer  
MIDI IN port  
PCR-1  
MIDI OUT port  
CTRL IN port  
MIDI sound module  
fig.midi-port2.e  
In contrast, the data received from the CTRL IN port is  
used to operate your software in the same way as data  
from your computer’s mouse or keyboard; it will not  
be recorded on the tracks or “thru-ed” to your sound  
module or soft synthesizer. The MIDI messages sent  
here are interpreted in a completely different way than  
defined in the MIDI specification.  
For this reason, messages that are input from the CTRL  
IN port are not normally “thru-ed” to your sound  
module or soft synthesizer.  
For example, even if you play your keyboard to send a  
note-on message, the software that receives this  
message will not produce a note; instead, it might  
interpret this message as meaning that the PLAY/  
STOP button had been pressed.  
The actual operation that will occur will depend on the  
software you are using.  
fig.midi-port3.e  
Since the same MIDI message can be interpreted in  
completely different ways, as described above, the  
software lets you specify the MIDI IN port and CTRL  
IN port separately so that the two types can be  
distinguished.  
When the PCR-1 is connected via USB, you can select  
either of the two MIDI ports (PCR-1 1, PCR-1 2) as the  
output destination for MIDI messages produced by the  
faders, knobs, and buttons of the PCR-1.  
In other words, by assigning “PCR-1 1” as your  
software’s MIDI IN port and “PCR-1 2” as its CTRL IN  
operations to control mixer operations in your  
software while using the knobs to edit your software  
synthesizer.  
The output destination of the MIDI messages transmitted when you operate the PCR-1’s knobs, and  
buttons can be specified separately for each controller. (Assign MIDI messages (EDIT) (p. 61))  
45  
   
Use audio functionality  
In order to play sounds on your computer from the PCR-1, you will need to first install the  
driver and make device settings. (Windows (p. 14) , Macintosh (p. 31)  
You must also turn on the PCR-1’s USB Audio functionality. (USB AUDIO ON/OFF (p. 96))  
Playing sounds on your computer  
Here’s how you can listen to audio playback from your computer from the PCR-1 or  
headphones connected to the PCR-1. Play back audio data (e.g., .WAV data).  
fig.connect-play  
USB cable  
Signal flow  
Audio cable  
OUTPUT  
External input jacks  
(AUX IN, LINE IN)  
Headphones  
Stereo set,  
Monitor speakers, etc.  
* You will no longer hear sound from the internal speaker of your computer.  
computer cannot be played by the PCR-1.  
* If the sampling frequency is set to 96 kHz REC, you will not hear the playback sound from your  
application .(USB AUDIO MODE SETTING (p. 96))  
* Some connection cables contain a resistor. Do not use a cable with a built-in resistor to connect with the  
PCR-1. Doing so may make the sound extremely weak, or inaudible. Use the cable without a built-in  
resistor (eg.,Roland PCS series).  
To prevent malfunction and/or damage to speakers or other devices, always turn down the  
volume, and turn off the power on all devices before making any connections.  
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Use audio functionality  
Recording sound on your computer (using your  
application to record sound from external audio device)  
fig.PCrec  
Setting  
Use the Input volume (p. 12) to adjust the input level.Check the input level on the application  
that you using.  
application.(USB AUDIO MODE SETTING (p. 96))  
the USB cable from the PCR-1, then connect it again.  
If Direct Monitor (p. 97) is ON, the signal input through the audio input jacks will be output  
from the headphone jack and the master output jacks. is ON, use the Master volume knob (p.  
9) to adjust the monitor level.  
* Adjusting the monitor level will not change the recording level.  
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Use audio functionality  
Don’t connect anything to input jacks you are not using.  
Howling could be produced depending on the location of microphones relative to speakers.  
This can be remedied by:  
1.Changing the orientation of the microphone (s)/ 2.Relocating microphone (s) at a greater  
distance from speakers/ 3.Lowering volume levels.  
Be careful of looped connections  
fig.loop  
Example of loop connecttion  
INPUT  
LINE OUT  
Audio amp  
(Cassette deck,  
Record Player)  
OUTPUT  
LINE IN  
If the PCR-1 is connected as shown above to a device that outputs (“thru-s”) the input audio  
(such as a cassette player that is in recording mode), turning on the Input monitor switch will  
cause the sound to loop between the PCR-1 and the other device, causing oscillation and  
producing an unexpectedly high volume. Be aware that such connections may cause the system  
to malfunction, or your speakers to be damaged.  
48  
Digitally recording sound
fig.digital.e  
Connections  
Use an optical digital cable to connect your rec
The digital output jack always outputs only the au
Setting the Sampling frequency  
Set your audio playback software, the PCR-1,
DAT) to the same sampling frequency (p. 96)
Whenever you’ve changed the sampling frequ
using, disconnect the USB cable from the PCR
* The PCR-1 does not support professional digital au
Don’t connect anything to input jacks you are
     
Use MIDI functionality  
Table of operating modes  
Mode  
Switching modes  
Explanation  
Transmit MIDI messages  
by playing the keyboard  
or operating the control-  
lers.  
PLAY mode  
When you turn on the power, the PCR-1 will  
start up in PLAY mode.  
(p. 51)  
Set the transmit channel  
(current channel p. 53)  
for the keyboard and  
bender lever.  
Press the [MIDI CH] .  
MIDI Channel mode  
(MIDI CH)  
(p. 53)  
Press the [SHIFT] so  
it is lit, and then  
press the [PGM  
CHANGE].  
Program Change mode  
(PROGRAM CHANGE)  
(p. 56)  
Transmit program change  
messages on the current  
channel (p. 53).  
Press the [SHIFT] so  
it is lit, and then  
press the [BANK  
SEL].  
Bank mode  
(BANK)  
(p. 57)  
Transmit bank select mes-  
sages (MSB, LSB) on the  
current channel (p. 53).  
Stop “stuck” notes or oth-  
er problems with the  
sound on a connected  
MIDI sound module.  
Simultaneously,  
Press the [MIDI CH]  
and the [EDIT].  
Panic mode  
(PANIC)  
(p. 58)  
Press the [MEMORY  
] .  
Memory mode  
(MEMORY)  
(p. 59)  
Recall a memory set from  
internal memory into the  
current memory (p. 88).  
Simultaneously,  
Press the [MEMO-  
RY] and the [MIDI  
CH]  
Snapshot mode  
(SNAPSHOT)  
(p. 60)  
Transmit the current val-  
ues of controllers ([R1–  
R8] or [S1–S8]) at once.  
Press the [EDIT] .  
Assign MIDI messages to  
the controllers, transmit/  
receive bulk data, or make  
system settings.  
Edit mode  
(EDIT)  
(p. 61)  
You are returned to Play mode once a setting or a process has been completed within the other  
modes. If you want to return to Play mode without completing a setting or operation, press the  
button for the current mode (i.e., the button that is lit). Alternatively, press the [CANCEL]  
button. The setting you were in the process of making will be discarded.  
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Use MIDI functionality  
Startup mode  
fig.connect-out1  
PLAY mode  
When you power up the PCR-1, it will start up in PLAY mode.  
In PLAY mode, playing the keyboard will transmit note messages to play the connected MIDI  
device.  
The display will show the current channel (p. 53).  
In PLAY mode, you can play the keyboard to produce sound on a connected sound module,  
and also use various other functions, such as operating the bender switch to change the pitch  
of the currently sounding note (Pitch Bend), using the modulation button to add vibrato  
(Modulation), or switching the octave (Octave Shift).  
In order to send MIDI messages from the PCR-1 to your application, perform the following  
steps.  
1
Set the MIDI channel the PCR-1 will use to transmit to the same channel on the application is  
using to receive on.  
Use MIDI Channel mode to set the MIDI transmit channel.  
(MIDI Channel mode (MIDI CH) (p. 53)).  
2
3
Select a sound on your MIDI sound module.  
(”Selecting Sounds on a Sound Module” (p. 55)).  
Once you have finished making settings, try playing the keyboard.  
When you play the keyboard in PLAY mode, MIDI messages are sent to the application.  
* Since the PCR-1 does not contain a sound generator, you cannot play MIDI data using the PCR-1 alone.  
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Use MIDI functionality  
Applying Pitch  
Move the BENDER Switch (left or right) to transmit Pitch Bend messages, and  
Changes to Notes  
apply subtle pitch changes to notes.  
reach its maximum after the bender switch has been pressed.  
* The amount of pitch change ("bend range") depends on the settings of your  
sound module.  
(Pitch Bend)  
Modifying the Sound  
of Notes  
Pressing the Modulation Button will transmit Modulation messages, changing  
the sound in real time (usually by adding a vibrato effect).  
MODULATION SETTING (p. 97) specifies the value of the Modulation message  
(CC#01) transmitted when you press the Modulation Button.  
* The type of change this produces in the sound depends on the settings of your  
sound module.  
(Modulation)  
Changing Octaves  
You can press [OCTAVE -] or [OCTAVE +] to raise or lower the pitch range of the  
keyboard (the Octave Shift function). This lets you play a wider range of notes  
than would normally be accessible from the 25 keys.  
(Octave Shift)  
Press [OCTAVE -] once to lower the pitch range one octave. Press it once again  
to lower the range an additional octave. Permissible settings for this range from  
-4 to 5 octaves.  
* [OCTAVE -] or [OCTAVE +] will light according to the current Octave Shift  
setting.  
* If you simultaneously press [OCTAVE -] and [OCTAVE +] , the Octave Shift  
setting will be reset to 0, restoring the normal pitch range of the keyboard.  
You can press [TRANSPOSE] + [OCTAVE +] or [TRANSPOSE] + [OCTAVE -]  
to transpose the keyboard in semitone steps (the Transpose function).  
You can transpose the pitch in a range of -12–12 (semitones).  
* If you press and hold [TRANSPOSE], [OCTAVE -] or [OCTAVE +] will light  
according to the current Transpose setting.  
Transpose the Pitch  
of the Keyboard  
(Transpose)  
* If you hold down [TRANSPOSE] and simultaneously press [OCTAVE -] and  
[OCTAVE +], the Transpose setting will be reset to 0.  
fig.MEMO  
While playing the keyboard, move the Bender Switch to the left to lower the pitch of the  
currently selected patch, or to the right to raise its pitch. This is known as pitch bend.  
You can also apply vibrato by gently pressing the Modulation button. This is known as  
modulation.  
If you press the Modulation Button and the same time move Bender Switch to the right or left,  
you can apply both effects at once.  
Octave Shift and Transpose can be set independently.  
To switch the PCR-1 to PLAY mode...  
The PCR-1 will automatically start up in PLAY mode when you connect the PCR-1 to your  
computer by USB cable.  
To return to PLAY mode from another mode (Setting the MIDI Transmit Channel (p. 53)),  
press the button of the current mode (i.e., the button that is lit).  
Alternatively, you can press the [CANCEL] button. In this case, the setting you had been  
making will be cancelled.  
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Use MIDI functionality  
Setting the MIDI Transmit Channel  
To control your sound module, set the PCR-1's current channel to the MIDI receive channel that's  
selected on your sound module. Use MIDI Channel mode to set the current channel.  
MIDI Channel mode (MIDI CH)  
fig.MIDIch-1  
fig.MIDIch  
1
Press the [MIDI CH] button.  
The [MIDI CH] button will light. The display will show the current  
channel setting.  
53  
         
Use MIDI functionality  
* The setting will be cancelled if you press another button instead of the [ENTER] button.  
OMNI  
If you turn the Omni setting ON, all messages will be transmitted on the current channel  
regardless of the channel that is specified for each controller.  
Also, all messages will be transmitted to the KEYBOARD PORT SET (p. 94) regardless of the  
port that is specified for each controller.  
fig.edt  
1. Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.omn  
2. Press the [OMNI] key.  
The display will blink “OMN”.  
3. Confirm what’s indicated and press the [ENTER] button.  
4. The display will show the current setting.  
Messages will be transmitted on the channel and port specified  
for each controller.  
0
1
OMNI OFF  
OMNI ON  
Messages will be transmitted on the current channel from the  
Keyboard Port, regardless of the channel and port specified for  
each controller.  
5. Use the [DEC] [INC] buttons or the [0] or [1] keys to select the mode.  
6. Press the [ENTER] button.  
Setting the input mode  
fig.hexdec  
If you are not in Play mode, you can use one of two ways to input a numerical  
value into the PCR-1; Decimal input mode or Hexadecimal input mode.  
If you want to input decimal numbers, press the [DECIMAL] button. If you  
want to input hexadecimal numbers, press the [HEX] button. When you  
connect the PCR-1 to your computer by USB cable, the PCR-1 will start up in  
Decimal mode.  
Decimal and hexadecimal numbers correspond as follows.  
Decimal:0–127  
Hexadecimal:00–7F  
However, for MIDI CH and PROGRAM CHANGE, the values are as follows.  
Decimal  
1–16  
Hexadecimal  
00–0F  
MIDI CH  
PROGRAM CHANGE  
1–128  
00-7F  
* Normally, the display will show three digits when using Decimal input mode. For this reason, there will  
be no indication of the parameter you are now inputting, and you may lose track of what you are doing.  
If this occurs, you can temporarily switch back to Hexadecimal mode to check the parameter you are  
inputting. Then switch back to Decimal mode and continue.  
54  
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Use MIDI functionality  
Selecting Sounds on a Sound Module  
(Sending Program Change / Bank Select Massages)  
To select a sound on your MIDI sound module, transmit a Program Change in Program  
Change mode.  
To select a sound from a different bank, first use Bank mode to transmit a Bank Select message  
that switches the bank. Then transmit a program change.  
* You must send the Bank Select message before sending the Program Change message.  
What is a bank?  
MIDI sound modules organize their numerous sounds in various groups according to the  
category of sound.  
These groups are called “banks.”  
Program Change messages can only select sounds within the same bank, but by using these in  
conjunction with Bank Select messages, you can select different variations of sound.  
Program Change Mode (PROGRAM CHANGE) (p. 56)  
Bank mode (BANK) (p. 57)  
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Use MIDI functionality  
Program Change Mode (PROGRAM CHANGE)  
This mode lets you transmit a program change message on the current channel (p. 53).  
fig.PC-1_90  
fig.program  
1
Press the [SHIFT] button so it is lit.  
2
Press the [PGM CHANGE] button.  
The [PGM CHANGE] button will light. The display will indicate the  
program change that was transmitted most recently.  
* The [HEX] or [DECIMAL] button will also light according to the input mode (p. 54).  
1Use the [DEC] [INC] buttons or the [0] [F] keys of the keyboard to specify the program  
change you want to transmit.  
DEC  
INC  
Change the current value by -1  
Change the current value by +1  
The input value  
00–0F  
HEX...00–7F  
DECIMAL...1–128  
3
Press the [ENTER] button.  
The program change has now been transmitted.  
The setting will be cancelled if you press another button instead of the [ENTER] button.  
56  
     
Use MIDI functionality  
Bank mode (BANK)  
This mode lets you transmit a bank select (MSB, LSB) message on the current channel. The  
program change message you most recently transmitted (specified) in Program Change mode  
(p. 56) will also be transmitted following the bank select message.  
fig.BANK2_90  
fig.bank  
1
Press the [S
2
Press the [B
The [BANK
transmitted
* The [HEX] o
fig.BANK-2  
3
First, specif
Use the [DE
bank select
4
5
Press the [E
The setting
fig.BANK-3  
Next, specif
The display
Use the [DE
bank select
6
Press the [E
The bank se
The setting
         
Use MIDI functionality  
Transmitting a Reset message  
(What to do if there are “stuck” MIDI notes)  
If notes on a connected MIDI sound module become “stuck”, or if there is something wrong  
with the sound, you can execute the Panic function to solve the problem.  
When you execute the Panic function, All sound off, All notes off, and Reset all controllers  
messages will be transmitted on all channels.  
Panic Mode (PANIC)  
fig.panic2_90  
1
2
fig.panic  
1
Simultaneously press the [MIDI CH] button and [EDIT] button.  
The [MIDI CH] button and [EDIT] button will light.  
2
Press the [ENTER] button.  
The [MIDI CH] button and [EDIT] button will blink several times.  
The Panic function has now been executed.  
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Use MIDI functionality  
Changing the Memory Sets  
When the PCR-1 is shipped, its internal memory contains sixteen different settings. For details  
on the contents of each memory number, refer to Memory sets (p. 100).  
You will use Memory mode to change the Memory sets.  
Memory mode (MEMORY)  
fig.memory2_90  
2
1
3
fig.memory  
1
Press the [MEMORY] button.  
The [MEMORY] button will light. The display will indicate the memory  
number that you selected most recently.  
2
3
Use the [DEC] [INC] buttons or the [0] [F] keys of the keyboard to specify the memory  
number that you want to recall.  
Press the [ENTER] button.  
The memory has now been recalled.  
The setting will be cancelled if you press another button instead of the [ENTER] button.  
(EDIT) (p. 61).  
If you edit the controller settings of a memory you recall, and want to keep your changes, you  
must save the memory before powering down the PCR-1. For the procedure, refer to Saving a  
memory set (SAVE) (p. 88).  
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Use MIDI functionality  
Transmitting the current controller values all  
at once (SNAPSHOT)  
Once you have set the various controllers to the desired settings, you can transmit a detailed  
description of this state in the form of a “snapshot”. When you execute this function, the current  
values of the controllers [R1–R8] or [S1–S8] will be transmitted.  
* When the [SHIFT] button is off, [R1–R8] will be transmitted. When the [SHIFT] button is on, [S1–  
S8] will be transmitted.  
fig.MEMO  
This is convenient when you want to record the state of these controllers together at the  
beginning of a song in your sequencer, as the initial values.  
Snapshot mode (SNAPSHOT)  
fig.snap2_90  
fig.snap  
1
Simultaneously press the [MEMORY] button and the [MIDI CH] button.  
The [MEMORY] and [MIDI CH] buttons will light.  
2
Press the [ENTER] button.  
The [MEMORY] button and [MIDI CH] button will blink several times.  
The snapshot will be transmitted.  
60  
         
Use MIDI functionality  
NOTE  
CONTROL CHANGE ASSIGN (p. 68) signment. For details, refer to Copy-  
PROGRAM CHANGE ASSIGN (p. 71) ing a MIDI message assignment  
RPN / NRPN ASSIGN (p. 74)  
RPN / NRPN ASSIGN (p. 74)  
Sys Ex. ASSIGN (p. 77)  
another controller, or cancel an as-  
AFTERTOUCH  
CONTROL CHANGE  
PROGRAM CHANGE  
RPN  
NRPN  
Sys Ex  
(ASSIGN COPY) (p. 86) or Cancel-  
(NO ASSIGN) (p. 87).  
TEMPO (20-250)  
TEMPO ASSIGN (p. 85)  
* If you want to assign a single-byte system message (system realtime message, tune request) or a freely  
specified message of up to 24 bytes, refer to Sys Ex. ASSIGN (p. 77).  
Edit mode ( EDIT )  
fig.EDIT2_90  
61  
                                 
Use MIDI functionality  
Specifying the button mode  
When you make Assign settings (p. 61) in Edit mode to assign a message to a button, you must  
specify the operating mode of the button (button mode).  
When you use a button as a controller, turning the button on will transmit the maximum  
specified value, and turning it off will transmit the minimum value.  
1. Press the [0] or [1] key to select either Latch mode or Toggle mode.  
The setting will turn on when you press the button, and off  
0
1
Latch mode  
when you release it. The button will remain lit while you are  
pressing it.  
The setting will alternate on/off each time you press the but-  
ton. The button will light when an On message is transmitted,  
and will go dark when an Off message is transmitted.  
Toggle mode  
2. Press the [ENTER] button.  
Specifying the port  
When you are making Assign settings (p. 61) in Edit mode and have selected Advanced mode,  
you must specify the USB port to which the message assigned to the controller will be sent  
when using a USB connection.  
1. Press a key [1] [3] to select the port.  
1
2
3
PORT 1  
Messages will be sent to “PCR-1 1”  
PORT 2  
Messages will be sent to “PCR-1 2”  
PORT 1, 2  
Messages will be sent to both “PCR-1 1” and “PCR-1 2”  
2. Press the [ENTER] button.  
* For details on the port, refer to Input / output devices (p. 44).  
62  
         
Use MIDI functionality  
NOTE ASSIGN  
Here’s how to assign a Note message to a controller. In addition to being used to play sounds,  
note messages can also be used to control a sequencer.  
Mode  
Keyboard  
Velocity  
Port  
Basic mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT.”  
fig.r-1  
2
Slightly move the controller to which you want to assign a Note message. In the  
case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Verify that the display shows the correct controller number, and press the [ENTER] button.  
fig.nt0  
4
Press an ASSIGNABLE FUNCTION key (  
to get "NT0" to appear in the display.  
) on the keyboard enough times  
fig.c  
5
Press the [ENTER] button.  
The display will indicate “C–.”  
6
Input the channel. Use the [DEC] [INC] buttons or the [0][F] keys to specify the channel.  
fig.n  
7
Press the [ENTER] button.  
The display will indicate “N–.”  
8
9
Input the note number. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the note  
number.  
10If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
63  
     
Use MIDI functionality  
Advanced mode 1  
Advanced mode 1 of NOTE ASSIGN lets you specify the velocity value in addition to the items  
of Basic mode.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign a Note message. In the case of a  
button, press that button.  
The display will indicate the number of the selected controller.  
3. Verify that the display indicates the correct controller, and press the [ENTER] button.  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "NT0" to appear  
in the display, then press the [1] key of the keyboard.  
5. Press the [ENTER] button.  
6. Input the channel.  
7. Press the [ENTER] button.  
8. Input the note number.  
fig.v  
9. Press the [ENTER] button.  
The display will indicate “V–.”  
*1 Reference  
10.Input the velocity.  
fig.p  
11.Press the [ENTER] button.  
*1 Reference  
12.Specify the output port. (Specifying the port (p. 62))  
13.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
If you set [S1] [S8] , [R1] [R8] to NOTE ASSIGN, setting the controller to the maximum  
position will transmit the specified velocity value.  
If you assign this to [B1] [B6] , the specified velocity value will be transmitted when you  
turn the controller on. When you turn the controller off, a note message with a velocity value  
of 0 will be transmitted.  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
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or will blink if the value is different.  
Use MIDI functionality  
AFTERTOUCH ASSIGN  
Here’s how to assign an Aftertouch message to a controller.  
Mode  
Basic mode  
Advanced mode 1  
Advanced mode 2  
Advanced mode 3  
Keyboard  
Message  
Channel Pressure  
Channel Pressure  
Polyphonic Key Pressure  
Polyphonic Key Pressure  
Value range  
0-127 (00–7FH)  
Assignable  
0-127 (00–7FH)  
Assignable  
Port  
Port 1  
Assignable  
Port 1  
0
1
2
3
Assignable  
Basic mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT.”  
fig.r-1  
2
Slightly move the controller to which you want to assign an Aftertouch  
message. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Verify that the display shows the correct controller number, and press the [ENTER] button.  
fig.at1  
4
Press an ASSIGNABLE FUNCTION key (  
to get "AT0" to appear in the display.  
) on the keyboard enough times  
fig.c  
5
Verify that the display is correct, and press the [ENTER] button.  
The display will indicate “C–”.  
*1 Reference  
6
7
8
Input the channel. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the channel.  
If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
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or will blink if the value is different.  
         
Use MIDI functionality  
Advanced mode 1–3  
Advanced mode 1 of AFTERTOUCH ASSIGN lets you specify the upper and lower limits of the  
aftertouch value in addition to the items of Basic mode. Advanced modes 2 and 3 let you specify  
an aftertouch message for an individual note (Polyphonic Key Pressure) instead of specifying  
the channel.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign an Aftertouch message. In the  
case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Verify that the display indicates the correct controller, and press the [ENTER] button.  
fig.at1  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get  
"AT0" to appear in the display, then press the [1] - [3] key of the keyboard.  
The display will indicate the selected mode.  
5. Press the [ENTER] button.  
6. Input the channel.  
7. Press the [ENTER] button.  
9. If you are using Advanced modes 2 or 3, press the [ENTER] button.  
value as described in Specifying the range of values (upper and lower limits) (p. 67) ,  
and specify the output port.  
11.If you are using Advanced modes 1 or 3, specify the output port.(Specifying the port  
(p. 62))  
12.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
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Use MIDI functionality  
Specifying the range of values (upper and lower limits)  
If in Edit mode you selected an Assign type (p. 61) that lets you specify the range of values, you  
will need to specify the upper limit and lower limit of the value.  
digit number. This means that there is no indication of which parameter you are currently entering, so  
you may lose track of what you are doing. If this occurs, you can temporarily switch to Hex input mode  
to check the parameter that you are now inputting. Then switch back to Decimal input mode and  
continue. (Setting the input mode (p. 54))  
fig.max  
fig.min  
1. The following display will appear.  
2. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the upper limit.  
*1 Reference  
3. Press the [ENTER] button.  
The following display will appear.  
*1 Reference  
4. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the  
lower limit.  
5. Press the [ENTER] button.  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
67  
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or will blink if the value is different.  
 
Use MIDI functionality  
CONTROL CHANGE ASSIGN  
Here’s how to assign a control change message to a controller.  
Mode  
Basic mode  
Advanced mode 1  
Advanced mode 2  
keyboard  
Value range  
00–7FH  
Assignable  
Port  
PORT 1  
Assignable  
Assignable  
0
1
2
Simulates a rotary encoder  
Basic mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.r-1  
2
Slightly move the controller to which you want to assign a Control Change  
message. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated, and press the [ENTER] button.  
fig.cc0  
4
Press an ASSIGNABLE FUNCTION key (  
to get "CC0" to appear in the display.  
) on the keyboard enough times  
fig.c  
5
Confirm what’s indicated, and press the [ENTER] button.  
The display will indicate “C–”.  
*1 Reference  
6
Input the channel. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the channel.  
fig.n  
7
Press the [ENTER] button.  
The display will indicate “N–”.  
*1 Reference  
8
9
Use the [DEC] [INC] buttons or the [0] [F] keys to specify the control change number.  
10If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
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or will blink if the value is different.  
       
Use MIDI functionality  
Advanced mode 1  
Advanced mode 1 of CONTROL CHANGE ASSIGN lets you specify the upper and lower limits  
of the control change value in addition to the items of Basic mode.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign a Control Change message. In  
the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "CC0" to appear  
in the display, then press the [1] key of the keyboard.  
The display will indicate “CC1”.  
5. Press the [ENTER] button.  
6. Input the channel.  
7. Press the [ENTER] button.  
9. Press the [ENTER] button.  
fig.p  
10.Specify the range of values. (Specifying the range of values (upper and  
lower limits) (p. 67))  
*1 Reference  
11.Specify the output port. (Specifying the port (p. 62))  
12.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
69  
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or will blink if the value is different.  
 
Use MIDI functionality  
Advanced mode 2  
Advanced mode 2 simulates the operation of a conventional rotary encoder. If this is assigned  
to a controller, moving that controller toward the right (upward) of center will have the same  
effect as turning the encoder clockwise, and moving the controller toward the left (downward)  
of center will have the same effect as turning the encoder counterclockwise. As the controller is  
moved further away from the center, the result will be the same as if the rotary encoder were  
moved more quickly.  
You can assign advanced mode 2 to a button, but it will not function.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign a Control Change message.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "CC0" to appear  
in the display, then press the [2] key of the keyboard.  
The display will indicate “CC2”.  
5. Press the [ENTER] button.  
6. Input the channel.  
7. Press the [ENTER] button.  
8. Input the control change number. Use the [DEC] [INC] buttons or the [0] [F] keys to  
specify the control change number.  
fig.p  
9. Press the [ENTER] button.  
The display will indicate “P–”.  
*1 Reference  
10.Specify the output port. (Specifying the port (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
70  
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or will blink if the value is different.  
Use MIDI functionality  
PROGRAM CHANGE ASSIGN  
Here’s how to assign a program change message to a controller.  
Mode  
Basic mode  
Advanced mode 1  
Advanced mode 2  
Advanced mode 3  
Advanced mode 4  
Number  
Effect  
Fixed value  
Assignable range of values  
Fixed value  
PC DEC  
PC INC  
Bank  
Port  
PORT 1  
PORT 1  
Assignable  
PORT 1  
PORT 1  
0
1
2
3
4
Not output  
Not output  
Output  
Not output  
Not output  
Basic mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT.”  
fig.r-1  
2
Slightly move the controller to which you want to assign a Program Change  
message. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated, and press the [ENTER] button.  
fig.pc0  
4
Press an ASSIGNABLE FUNCTION key (  
to get "PC0" to appear in the display.  
) on the keyboard enough times  
fig.c  
5
Confirm what’s indicated, and press the [ENTER] button.  
The display will indicate “C–”.  
*1 Reference  
6
Input the channel. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the channel.  
fig.n  
7
Press the [ENTER] button.  
The display will indicate “N–”.  
*1 Reference  
8
9
Use the [DEC] [INC] buttons or the [0] [F] keys to specify the program change number.  
Press the [ENTER] button.  
* If you assign Basic mode to [S1] [S8] or [R1] [R8] , moving the controller up to the maximum  
position will transmit the assigned program change messages.  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
71  
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or will blink if the value is different.  
       
Use MIDI functionality  
Advance mode 1, 2  
Advanced mode 1 of PROGRAM CHANGE ASSIGN lets you specify the upper and lower  
limits of the program change value. Advanced mode 2 lets you transmit BANK LSB/MSB  
settings in addition to the program change.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign a Program Change message. In  
the case of a button, press that button. The display will indicate the number of the selected  
controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
Advanced mode 1  
—Specifying the range of values  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "PC0" to appear  
in the display, then press the [1] key of the keyboard.  
5. Press the [ENTER] button.  
7. Press the [ENTER] button.  
8. Specify the range of values. (Specifying the range of values (upper and lower limits)  
(p. 67))  
Advanced mode 2  
—Transmitting bank data  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "PC0" to appear  
in the display, then press the [2] key of the keyboard.  
5. Press the [ENTER] button.  
6. Input the channel.  
7. Press the [ENTER] button.  
fig.bank-2  
8. Specify the bank select MSB (CC#00). Use the [DEC] [INC] buttons or the [0]  
[F] keys to specify the MSB.  
*1 Reference  
9. Press the [ENTER] button.  
fig.BANK-3  
10.Specify the bank select LSB (CC#32). Use the [DEC] [INC] buttons or the [0]  
[F] keys to specify the LSB.  
*1 Reference  
11.Press the [ENTER] button.  
12.Input the program change number.  
fig.p  
13.Press the [ENTER] button.  
The display will indicate “P–”.  
*1 Reference  
14.Specify the output port. (Specifying the port (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
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or will blink if the value is different.  
   
Use MIDI functionality  
Advanced modes 3 and 4  
Advanced mode 3 lets you assign the Program Change Decrement function (PC DEC) to a  
controller.  
Advanced mode 4 lets you assign the Program Change Increment function (PC INC) to a  
controller.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign Program Change DEC/INC. In  
the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "PC0" to appear  
in the display, then press the [3] or [4] key of the keyboard.  
5. Press the [ENTER] button.  
Program Change Decrement function (PC DEC)  
This transmits a program change that is one less than the previously transmitted program  
change number.  
This transmits a program change that is one greater than the previously transmitted program  
change number.  
(PROGRAM CHANGE) (p. 56). The value that is actually transmitted will appear in the display.  
In the explanation here, the “previously transmitted program number” refers to the one that  
was last transmitted by Advanced Mode 3 or 4 or in Program Change Mode (PROGRAM  
CHANGE) (p. 56).  
Program changes transmitted by basic mode or advanced modes 1 and 2 will not affect the  
increment/decrement functions.  
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Use MIDI functionality  
RPN / NRPN ASSIGN  
Here’s how you can assign an RPN or NRPN message to a controller.  
Data entry MSB  
(CC#6) range  
0-127 (00–7FH)  
Assignable  
Data entry LSB  
(CC#38) range  
Not transmitted  
0-127 (00–7FH)  
Mode  
Keyboard  
Port  
Basic mode  
Advanced mode 1  
0
1
PORT 1  
Assignable  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.r-1  
2
Slightly move the controller to which you want to assign an RPN or NRPN  
message. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated, and press the [ENTER] button.  
fig.rp0  
4
Press an ASSIGNABLE FUNCTION key (  
to get "RP0" to appear in the display.  
) on the keyboard enough times  
fig.np0  
* If you want to assign an NRPN message, press the [NRPN] key. The following procedure  
is the same as for RPN.  
fig.c  
5
Confirm what’s indicated, and press the [ENTER] button.  
The display will blink “C–”.  
*1 Reference  
6
Input the channel. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the channel.  
7
Press the [ENTER] button.  
fig.BANK-2  
8
Use the [DEC] [INC] buttons or the [0] [F] keys to specify the RPN MSB  
(CC#101) or NRPN MSB (CC#99).  
*1 Reference  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
74  
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or will blink if the value is different.  
             
Use MIDI functionality  
9
Press the [ENTER] button.  
fig.BANK-3  
10Use the [DEC] [INC] buttons or the [0] [F] keys to specify the RPN LSB  
(CC#100) or NRPN LSB (CC#98).  
*1 Reference  
11Press the [ENTER] button.  
12If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
75  
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or will blink if the value is different.  
Use MIDI functionality  
Advanced mode  
In Advanced mode for RPN/NRPN, you can specify the upper and lower limit of the data entry  
MSB (CC#06) value when the RPN/NRPN message is transmitted, as well as the various  
settings available in Basic mode.  
1. Press the [EDIT] button.  
2. Slightly move the controller to which you want to assign the RPN or NRPN message. In  
the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Using the ASSIGNABLE FUNCTION keys (  
) on the keyboard, get "RP0" to appear  
in the display, then press the [1] key of the keyboard.  
*
If you want to assign an NRPN message, press the [NRPN] key. The following procedure is the same  
as for RPN.  
5. Press the [ENTER] button.  
6. Input the channel. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the channel.  
7. Press the [ENTER] button.  
8. Use the [DEC] [INC] buttons or the [0] [F] keys to specify the RPN MSB (CC#101) or  
NRPN MSB (CC#99).  
9. Press the [ENTER] button.  
10.Use the [DEC] [INC] buttons or the [0] [F] keys to specify the RPN LSB (CC#100) or  
11.Press the [ENTER] button.  
fig.p  
12.Specify the lower limit of the data entry MSB (CC#06) value. (Specifying  
the range of values (upper and lower limits) (p. 67))  
*1 Reference  
13.Specify the output port. (Specifying the port (p. 62))  
14.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
76  
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or will blink if the value is different.  
   
Use MIDI functionality  
Sys Ex. ASSIGN  
Here’s how you can assign a system exclusive message to a controller. Advanced mode 2 lets  
you assign a single-byte system message (System realtime message, tune request).  
Advanced modes 3 and 4 let you assign any desired message. (Input up to 24 bytes)  
Key-  
board  
Mode  
Mode  
Value range  
Required ending  
Notes/restrictions  
Basic mode  
Advanced mode 1  
0
1
Sys Ex. message Default range Input F7  
1st byte fixed at F0  
1st byte fixed at F0  
[0–5, 7, 9, D, E] [DA-  
TA][CHECKSUM] but-  
tons are invalid  
Sys Ex. message Assignable  
Input F7  
Single byte sys-  
Advanced mode 2  
2
tem message  
Any desired  
MIDI message  
Any desired  
invalid  
[CHECKSUM] button is  
invalid  
Advanced mode 3  
Advanced mode 4  
3
4
Assignable  
Specified number of bytes  
MIDI message  
Sys Ex. ASSIGN can calculate the checksum automatically, and lets you specify a variable (data)  
range or embed a channel/block number within the message. (Sys Ex. ASSIGN items (p. 79))  
In Sys Ex. ASSIGN, the input mode will be HEX mode.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.r-1  
2
Slightly move the controller to which you want to assign the system exclusive  
message. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated, and press the [ENTER] button.  
fig.se0  
4
5
Press an ASSIGNABLE FUNCTION key (  
to get "SE0" to appear in the display.  
) on the keyboard enough times  
If you want to select an Advanced mode, press a key from [1] to [4].  
The selected mode will blink in the display.  
6
Then continue with the procedure described in Basic mode or Advanced mode (p. 78).  
For some actual examples of settings, refer to Examples of assigning system exclusive  
messages (p. 82).  
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Use MIDI functionality  
For Basic mode or Advanced mode 1  
The display will blink “F0”, which is the first byte (starting status byte) of a system exclusive  
message. (This cannot be changed.)  
fig.f0  
7. Confirm what’s indicated, and press the [ENTER] button.  
8. Use the [0] [F] keys to input the second byte.  
9. Press the [ENTER] button.  
10.Input the third and subsequent bytes in the same way.  
12.Press the [ENTER] button.  
13.If Advanced mode1, specify the range of values. (Specifying the range of values  
(upper and lower limits) (p. 67))  
14.Specify the output port. (Specifying the port (p. 62))  
15.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
For Advanced mode 2  
fig.f0  
The display will indicate “F-.”  
7. Use the [6], [8], [A] [C], [F] keys to specify the system message.  
8. Press the [ENTER] button.  
9. Specify the output port. (Specifying the port (p. 62))  
For Advanced modes 3 or 4  
fig.BANK-3  
The display will indicate “L–”.  
7. Use the [0] [F] keys of the keyboard to specify the number (decimal) of  
bytes you want to input.  
*1 Reference  
8. Press the [ENTER] button.  
9. Use the [0] [F] keys to input the first byte.  
10.Press the [ENTER] button.  
11.Input the second and subsequent bytes in the same way.  
12.After you have input the number of bytes you specified in step 7, the PCR-1 will check  
you can input the values over again.  
13.If Advanced mode4, specify the range of values. (Specifying the range of values  
(upper and lower limits) (p. 67))  
14.Specify the output port. (Specifying the port (p. 62))  
15.If you are making an assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode  
78  
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,  
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or will blink if the value is different.  
 
Use MIDI functionality  
Sys Ex. ASSIGN items  
Specifying the checksum (p. 79)  
Specifying the location of the data (p. 80)  
Inputting channel/block data (p. 81)  
Specifying the checksum  
it in the message. In order to use this function, you must use the following procedure to specify  
the starting location from which the checksum is calculated, and the location at which the  
checksum is inserted. You can also select the type of checksum.  
For an actual example, please read the Sys Ex.ASSIGN section Bend Pitch Control (p. 84).  
fig.css  
1. Press the [CHECKSUM] key before you input the byte at which checksum  
calculation should begin.  
The display will indicate “CSS” (Checksum Start).  
If you press the [CHECKSUM] key once again, “CSS” (Checksum Start) will be cancelled.  
2. Press the [ENTER] button.  
3. Continue inputting data.  
fig.cs1  
4. Press the [CHECKSUM] key at the location where the checksum should be  
inserted.  
The display will indicate “CS1” (Checksum type 1).  
5. Press the [ENTER] button.  
Checksum types  
There are two types of checksum, as follows.  
This is the method used by Roland and most  
other manufacturers  
1
2
CHECKSUM TYPE 1  
CHECKSUM TYPE 2  
Select this if the method other than type 1 is  
used  
fig.cs12  
Switching the type  
If you want to switch to type 2, press the [2]  
key after you press [CHECKSUM] in step 4.  
To switch back to type 1, press the [1] key.  
[CHECKSUM]  
[2]  
[1]  
[CHECKSUM]  
*1  
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Use MIDI functionality  
Specifying the location of the data  
exclusive message.  
The range of data values will be the default range in the case of Basic mode or Advanced mode  
3. In the case of Advanced modes 1 and 4, you can specify the range of data values.  
For an actual example, please read the Sys Ex. ASSIGN section Master Volume (p. 83).  
1. Press the [DATA] key at the location where you want to input the data.  
The display will indicate “DT0”.  
2. Use the [0] [4] keys to select the type of data.  
Data  
number  
Example  
(specified upper/lower limits)  
Data type  
7bit  
Default range  
00H–7F  
Target of range setting  
DT0  
* In the case of DT1–DT4 (data consisting of two or more bytes), a data area will automatically be allocated  
for the next byte, and “-DT” will be displayed. (This cannot be changed.)  
3. Press the [ENTER] button.  
4. If you selected DT1 through DT4, the display will indicate “-DT”.  
Press the [ENTER] button.  
80  
           
Use MIDI functionality  
Inputting channel/block data  
If a system exclusive message includes a channel or GS block number, here’s how to specify the  
type and the value of the upper bits. For the channel and block number, the setting of the  
current channel will be inserted as the lower bits. (The block number is not actually a channel,  
but corresponds to the “part” within a GS sound module. On the PCR-1, this corresponds to the  
channel for the sake of convenience.)  
Current channel  
1
0
1
2
1
2
3
2
3
4
3
4
5
4
5
6
5
6
7
6
7
8
7
8
9
8
9
10 11 12 13 14 15 16  
CH  
BL  
9
0
A
A
B
B
C
C
D
D
E
E
F
F
For an actual example, refer to Bend Pitch Control (p. 84) in the section on the Edit Mode.  
1. Press the [DATA] key several times at the location where you want to input the channel/  
block number, to select “0CH” for the channel or “0BL” for the block.  
fig.chbl  
[DATA]  
[DATA]  
[DATA]  
[DATA]  
2. Use the [0] [7] keys to input the value of the upper four bits.  
The “0” in the display will change to the numerical value that you input.  
3. Press the [ENTER] button.  
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Use MIDI functionality  
Examples of assigning system exclusive messages  
GM2 System On (p. 82)  
Master Volume (p. 83)  
Bend Pitch Control (p. 84)  
GM2 System On  
F0 7E 7F 09 03 F7  
Here’s how to assign a GM2 System On system exclusive message in Basic mode.  
1. Press the [EDIT] button.  
The display will indicate “EDT”.  
2. Slightly move the controller to which you want to assign the system exclusive message. In  
the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Press an ASSIGNABLE FUNCTION key (  
) on the keyboard enough times to get  
"SE0" to appear in the display.  
5. Confirm what’s indicated, and press the [ENTER] button.  
The display will indicate “F0”, which is the first byte (beginning status) of a system  
exclusive message. This cannot be changed. (This cannot be changed.)  
6. Confirm what’s indicated, and press the [ENTER] button.  
7. Use the [7] and [E] keys to input the second byte “7E”.  
8. Confirm what’s indicated, and press the [ENTER] button.  
9. Use the [7] and [F] keys to input the third byte “7F”.  
10.Confirm what’s indicated, and press the [ENTER] button.  
11.Finally, use the [F] and [7] keys to input the ending status byte “F7”.  
13.Specify the output port. (Specifying the port (p. 62))  
14.If you are making an assignment for a button, specify the button mode. (Specifying the  
button mode (p. 62))  
The GM2 System On message has now been assigned.  
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Use MIDI functionality  
Master Volume  
F0 7F 7F 04 01 vL vM F7  
Since a Master Volume message has a data range of 00 00–7F 7F and we do not need to specify  
the range, we will use Basic mode. Since the two bytes of data are in the order of LSB and then  
MSB, we will select “DT3” (p. 80) when we input the data.  
1. Press the [EDIT] button.  
The display will indicate “EDT”.  
2. Slightly move the controller to which you want to assign the system exclusive message. In  
the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3. Confirm what’s indicated, and press the [ENTER] button.  
4. Press an ASSIGNABLE FUNCTION key (  
) on the keyboard enough times to get  
"SE0" to appear in the display.  
5. Confirm what’s indicated, and press the [ENTER] button.  
The display will indicate “F0,” which is the first byte (beginning status) of a system  
exclusive message. (This cannot be changed.)  
6. Confirm what’s indicated, and press the [ENTER] button.  
7. Use the [7] and [F] keys to input the second byte “7F”.  
8. Confirm what’s indicated, and press the [ENTER] button.  
Input the third, fourth and fifth bytes in the same way.  
9. Since the sixth byte is the data area, press the [DATA] key, and then press [3].  
The display will indicate “DT3”.  
10.Confirm what’s indicated, and press the [ENTER] button.  
11.Since we selected “DT3” as the sixth byte, the seventh byte will automatically be allocated  
as the data area and cannot be modified.  
13.Use the [F] and [7] keys to input the ending status byte “F7”.  
15.Specify the output port. (Specifying the port (p. 62))  
16.If you are making an assignment for a button, specify the button mode. (Specifying the  
button mode (p. 62))  
The Master Volume message has now been assigned.  
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Use MIDI functionality  
fig.checksum  
Bend Pitch Control  
Block number  
1 byte  
data range of 40H–58H (0–24 semitones), we will  
select Advanced mode 1, which lets us specify  
the range. Since the data format is one byte, we  
will select “DT0” (p. 80) when inserting the data.  
F0 41 10 42 12 40 2x 10 DATA SUM F7  
Address  
Checksum calculation region  
Data Checksum  
14.Confirm what’s indicated and press [ENTER].  
1. Press the [EDIT] button.  
The display will indicate “EDT”.  
15.In the same way, enter bytes 8.  
2. Slightly move the controller to which you want  
to assign the system exclusive message. In the  
case of a button, press that button.  
16.Since the ninth byte is the data area, press the  
[DATA]key.  
The display will indicate “DT0.”  
The display will indicate the number of the  
selected controller.  
17.Confirm what’s indicated and press [ENTER].  
18.Since the ten byte will contain the checksum,  
press the [CHECKSUM] key to specify the  
location at which the checksum will be input.  
The display will blink “CS1” (Checksum Type 1).  
3. Confirm what’s indicated and press [ENTER].  
4. Using the ASSIGNABLE FUNCTION keys  
(
) on the keyboard, get "SE0" to appear in  
the display, then press the [1] key of the  
keyboard.  
19.Confirm what’s indicated and press [ENTER].  
20.Press the [F] and then [7] keys to input the  
The display will indicate “SE1”.  
ending status “F7.”  
5. Confirm what’s indicated and press [ENTER].  
The display will blink “F0”, which is the first byte  
(beginning status) of a system exclusive message.  
(This cannot be changed.)  
21.Confirm what’s indicated and press [ENTER].  
22.Next, specify an upper limit value of “58” for the  
data area.  
6. Confirm what’s indicated and press [ENTER].  
23.Press [ENTER].  
7. Use the [4] and [1] keys to input the second byte  
“41”.  
area.  
8. Confirm what’s indicated and press [ENTER].  
Input the third, fourth and fifth bytes in the same  
way.  
25.Press [ENTER].  
(Specifying the port (p. 62))  
9. Since the sixth byte is the beginning of the  
checksum calculation area, press the  
[CHECKSUM] key to specify this byte as the  
beginning of the area for which the checksum  
will be calculated.  
27.If you are making an assignment for a button,  
specify the button mode.  
(Specifying the button mode (p. 62))  
10.Confirm what’s indicated and press [ENTER].  
The GS Bend Pitch Control message has been  
assigned.  
11.Input the sixth byte.  
12.Since the seventh byte will have “2” in the upper  
bits and the block number in the lower bits, press  
[DATA]three times.  
The display will indicate “0BL”.  
13.To specify “2” for the upper bits, press the [2]  
key.  
The display will indicate “2BL”.  
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Use MIDI functionality  
TEMPO ASSIGN  
You can assign a controller to adjust the speed (20–250) of the F8 Clock message.  
* In order to transmit F8 Clock messages, the F8 CLOCK setting must be “ON”.  
(“F8 CLOCK ON/OFF” (p. 94))  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT.”  
2
Slightly move the controller to which you want to assign  
TEMPO. In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
fig.r-1  
3
Confirm what’s indicated and press the [ENTER] button.  
4
Press an ASSIGNABLE FUNCTION key (  
to get "TMP" to appear in the display.  
) on the keyboard enough times  
fig.tmp  
5
Confirm what’s indicated and press the [ENTER] button.  
6
If you are making the assignment for a button, specify the button mode.  
(Specifying the button mode (p. 62))  
In the case of a button, the value will be fixed at maximum (250) for ON, and minimum (20) for  
OFF.  
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Use MIDI functionality  
Copying a MIDI message assignment  
(ASSIGN COPY)  
Here’s how a message assigned to a controller can be copied to another controller.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.r-1  
2
Slightly move the controller to which you want to copy the assignment (the  
“copy destination”). In the case of a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated and press the [ENTER] button.  
fig.cpy  
4
Slightly move the controller whose assignment you want to copy (the “copy  
source”). In the case of a button, press that button.  
The display will indicate “CPY”.  
5
Press the [ENTER] button.  
The display will blink the copy-source controller number.  
fig.s-1  
6
Confirm what’s indicated and press the [ENTER] button.  
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Use MIDI functionality  
Canceling a MIDI message assignment  
(NO ASSIGN)  
Here’s how you can cancel the message assigned to a controller. Once its assignment is  
cancelled, no message will be transmitted when you operate that particular controller.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.r-1  
2
Slightly move the controller whose assignment you want to cancel. In the case of  
a button, press that button.  
The display will indicate the number of the selected controller.  
3
Confirm what’s indicated and press the [ENTER] button.  
fig.noa  
4
Press an ASSIGNABLE FUNCTION key (  
to get "NOA" to appear in the display.  
) on the keyboard enough times  
5
Press the [ENTER] button.  
fig.yes  
6
The display will blink “YES,” so press the [ENTER] button once again.  
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Use MIDI functionality  
Saving a memory set (SAVE)  
Here’s how to save the settings of the current memory into internal memory.  
You can save settings into internal memory numbers 1–F.  
You cannot save to memory number 0 (GM2).  
* After you edit the settings, perform the “SAVE” operation as needed. If you turn off the power without  
performing “SAVE”, your changes will be lost.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.sav  
2
Press the [SAVE] key.  
The display will blink “SAV.”  
fig.ptc  
3
Confirm what’s indicated and press the [ENTER] button.  
If the display indicates “PTC”, it means that the Save could not be carried out  
because the PROTECT setting (p. 92) is on. Turn PROTECT off, and then try the  
operation once again from step 1.  
4
Select a memory number 1–F. Use the [DEC] [INC] buttons or the [1] [F] keys to specify the  
save-destination memory number.  
The specified memory number will blink in the display.  
5
Confirm what’s indicated and press the [ENTER] button.  
About the memories of the PCR  
The PCR has the following sixteen memories.  
Memory number 0  
:
GM2 SET  
Cannot be saved  
Can be saved  
(15)  
Memory number F  
“Current memory” is a location into which you can recall one of these memories.  
In order to use one of the saved memories, you must recall it into current memory as described  
in Memory mode (MEMORY) (p. 59).  
The contents of current memory will be lost when you turn off the power. If you have modified  
the settings in current memory, perform the “SAVE” operation if you want to keep your  
changes.  
You can set the STARTUP MEMORY (p. 95) setting to specify the memory that will be loaded  
into current memory when you turn on the power.  
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Use MIDI functionality  
Transmitting/receiving bulk data (BULK)  
Bulk dump allows a large amount of data to be transferred in a single operation. For example,  
this can be used to store all settings of a device into a computer or sequencer.  
* When you transmit or receive Bulk data, the contents of the current memory will be lost. Save the  
current memory settings as needed before you perform this operation.  
Receive mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.blr  
2
Press the [BULK] key.  
The display will blink “BLR” (Bulk Receive).  
fig.rs  
3
Confirm what’s indicated and press the [ENTER] button.  
isplay will indicate “RS”, and the “S” will blink.  
4
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.  
The received data will overwrite the current memory. Memo-  
ries 1–F will not be affected.  
0
1
SINGLE BULK  
ALL BULK  
The received data will overwrite memories 1–F.  
fig.rs1  
5
Confirm what’s indicated and press the [ENTER] button.  
The third digit of the display will blink, and the PCR-1 will wait to receive bulk  
data.  
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Use MIDI functionality  
About the display in Bulk mode  
fig.bulk-dis  
Waiting to receive  
(blinking)  
Receive  
Transmit  
SINGLE  
BULK  
1st digit:  
indicates Receive mode or  
Transmit mode  
3rd digit: indicates  
Transmitting/Receiving/Waiting states  
ALL  
BULK  
Waiting to transmit  
(blinking)  
receiving  
Transmitting  
2nd digit:  
Single Bulk or All Bulk  
transmitting  
6
Specify “PCR” (Mac OS 9: PCR-1 1) as the MIDI output device for your sequencer software. For  
details on this setting, refer to the manual of your sequencer software.  
For details on the port that will be used to transfer bulk data, refer to Input / output devices  
(p. 44).  
fig.end  
7
When the PCR finishes receiving the bulk data, the display will indicate “END”.  
Error display  
fig.err  
If the data could not be received correctly, the display will blink “ERR”.  
If this occurs, press the [CANCEL] button to cancel the “ERR” display.  
Once “ERR” has been dismissed, perform the bulk reception procedure over  
again, from step 1.  
8
Confirm what’s indicated and press the [ENTER] button.  
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Use MIDI functionality  
Transmit mode  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
2
Press the [BULK] key.  
fig.blt  
3
Press the [1] key.  
The display will blink “BLT” (Bulk Transmit).  
fig.ts  
4
Confirm what’s indicated and press the [ENTER] button.  
The display will indicate “TS”, and the “S” will blink.  
5
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.  
The currently recalled memory (the current memory) will  
be transmitted as bulk data  
0
1
SINGLE BULK  
ALL BULK  
All memories (memories 1–F) will be transmitted as bulk  
data.  
6
Confirm what’s indicated and press the [ENTER] button.  
fig.ts-1  
7
8
The third digit of the display will blink, and the PCR-1 will wait to transmit  
bulk data.  
On your sequencer software, specify “PCR -1 2” as the MIDI input device. For details on this  
setting, refer to the manual of your sequencer software.  
For details on the port that will be used to transfer bulk data, refer to Input / output devices  
(p. 44).  
fig.end  
9
When the PCR finishes receiving the bulk data, the display will indicate “END”.  
10Confirm what’s indicated and press the [ENTER] button.  
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Use MIDI functionality  
Protecting a memory set (PROTECT)  
If you turn the Protect setting ON, ALL BULK (p. 89) reception and SAVE (p. 88) operations  
will be disabled.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.ptc  
2
Press the [PROTECT] key.  
The display will blink “PTC”.  
3
Confirm what’s indicated and press the [ENTER] button.  
4
The display will show the current setting.  
0
1
PROTECT OFF  
PROTECT ON  
Allow changes.  
Prohibit changes.  
5
6
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.  
Press the [ENTER] button.  
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System settings  
Here’s how you can make various system settings for the PCR-1.  
fig.edt2  
1
Press the [EDIT] button.  
The display will indicate “EDT”.  
fig.sy0  
2
Press the [SYSTEM] key.  
The display will indicate “SY0”.  
3
Use the [0] - [8] , [A] - [E] keys to specify the System setting that you want to set, and then  
press the [ENTER] button.  
Confirm what’s indicated and use the appropriate method to make the setting.  
Key-  
board  
0
Setting  
method  
p. 94  
Mode  
Content of the setting  
Default  
F8 CLOCK ON/OFF  
Specify whether F8 Clock is to be transmitted.  
If “F8 CLOCK ON/OFF” is ON, specify the default value  
of the F8 Clock. After the power is turned on, this tempo  
will continue to be output until you move a controller to  
which TEMPO is assigned.  
If “F8 CLOCK ON / OFF” is ON, specify the port from  
which the F8 Clock is to be transmitted.  
The value you specify here will be added to the velocity of  
the notes played from the keyboard.  
OFF  
F8 CLOCK DEFAULT  
TEMPO  
1
2
3
4
5
120  
PORT 1  
0
p. 94  
p. 94  
p. 94  
p. 94  
p. 95  
F8 CLOCK PORT SET  
VELOCITY OFFSET  
* If the result of the addition would exceed 7FH, the velocity will  
be 7FH.  
KEYBOARD PORT  
SET  
Specify the port from which messages produced by the  
BENDER lever of the keyboard are to be transmitted.  
Turn this ON if you are using certain applications (such as  
Pro Tools LE).  
When ON, “90 00 7F” will be output from PCR 2 approxi-  
mately every 500 ms.  
PORT 1  
OFF  
H-ACTIVITY ON /  
OFF  
Specify the type of USB MIDI driver used for USB connec-  
tion.  
* The setting will take effect the next time you turn on the power  
Specify the memory that will be selected when the power  
is turned on.  
Restore all settings of the PCR-1 to their factory-set condi-  
tion.  
Switch the USB AUDIO functionality ON / OFF.  
The setting will take effect the next time you turn on the power  
Specify the USB AUDIO sampling frequency and driver  
mode.  
USB MIDI DRIVER  
MODE  
Original  
Driver  
6
p. 95  
STARTUP MEMORY  
FACTORY RESET  
7
8
GM2  
-
p. 95  
p. 95  
p. 96  
USB AUDIO ON /  
OFF  
A
ON  
44.1kHz  
(AD-  
VANCE)  
USB AUDIO MODE  
SETTING  
B
p. 96  
p. 97  
* The setting will take effect the next time you turn on the power  
Make Direct Monitor settings (Sending the input signal  
from the audio input jacks directly to the PCR-1’s head-  
phone jack).  
DIRECT MONITOR  
ON / OFF  
C
ON  
Specify the time it is to take for the maximum pitch bend to  
be reached after you press the bender switch. Higher set-  
tings for this value produce a slower pitch bend.  
Specify the value of the Modulation message (CC#01)  
transmitted when you press the Modulation Button.  
PITCH BEND TIME  
D
E
2
p. 97  
p. 97  
MODULATION SET-  
TING  
127  
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System settings  
F8 CLOCK ON / OFF (Keyboard : 0)  
Perform steps 1-3.  
fig.hyo  
0
1
OFF  
ON  
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch F8 CLOCK ON  
/ OFF.  
The display will indicate either “ON” or “OFF”.  
5. Press the [ENTER] button.  
F8 CLOCK DEFAULT TEMPO (Keyboard : 1)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify F8 CLOCK DEFAULT  
TEMPO. (Value range 20-250)  
The specified value will indicate in the display.  
5. Press the [ENTER] button.  
F8 CLOCK PORT SET (Keyboard : 2)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [1] - [3] keys to specify F8 CLOCK PORT SET .  
(Specifying the port (p. 62))  
The specified port will indicate in the display.  
5. Press the [ENTER] button.  
VELOCITY OFFSET (Keyboard : 3)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify VELOCITY OFFSET.  
(Value range 0-127)  
The specified value will indicate in the display.  
5. Press the [ENTER] button.  
KEYBOARD PORT SET (Keyboard : 4)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [1] - [3] keys to specify KEYBOARD PORT SET.  
(Specifying the port (p. 62))  
The specified port will indicate in the display.  
5. Press the [ENTER] button.  
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System settings  
H-ACTIVITY ON / OFF (Keyboard : 5)  
fig.hyo  
0
1
OFF  
ON  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch H-ACTIVITY  
ON / OFF.  
The display will indicate either “ON” or “OFF”.  
5. Press the [ENTER] button.  
USB MIDI DRIVER MODE (Keyboard : 6)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to specify the USB MIDI DRIVER  
MODE.  
FPT technology is used to perform high-speed MIDI trans-  
fer. Normally, we recommend that you use this mode.  
0
1
Original driver  
Generic driver  
Select this if you are using the standard MIDI driver provid-  
ed by your operating system.  
* FPT = Fast Processing Technology for MIDI Transmission:  
Effective use is made of the USB bandwidth according to the amount of MIDI data to be transmitted,  
ensuring that MIDI data processing will always occur optimally.  
5. Press the [ENTER] button.  
STARTUP MEMORY (Keyboard : 7)  
Perform steps 1–3.  
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to specify the GM2/LAST ACCESS  
MEMORY setting.  
When the PCR starts up, memory number 0 (GM2) will  
0
1
GM2 MEMORY  
be loaded into current memory (p. 88) regardless of the  
state in which the power was turned off.  
LAST ACCESS  
MEMORY  
Upon power-up, the PCR-1 will recall the memory that  
was last recalled or saved into current memory (p. 88).  
5. Press the [ENTER] button.  
FACTORY RESET (Keyboard : 8)  
Perform steps 1–3.  
fig.rst  
4. The display will indicate “RST”.  
fig.yes  
5. Press the [ENTER] button.  
The display will blink “YES”.  
6. Press the [ENTER] button.  
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System settings  
USB AUDIO ON / OFF (Keyboard : A)  
The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.  
Perform steps 1–3.  
fig.hyo  
0
1
OFF  
ON  
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch USB AUDIO ON  
/ OFF.  
The display will indicate either “ON” or “OFF”.  
5. Press the [ENTER] button.  
USB AUDIO MODE SETTING (Keyboard : B)  
The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.  
Perform steps 1–3.  
4. Use the [DEC] [INC] buttons or the [0] - [5] keys to switch USB AUDIO SAMPLING  
FREQUENCY or DRIVER MODE.  
Advanced mode  
44.1kHz  
(ADVANCE)  
0
The special driver will be used, allowing audio to be re-  
corded/played with high quality and stable timing. In  
Advanced mode, audio signals can be transferred be-  
tween the PCR-1 and the computer at a resolution of 24  
bits and sampling frequencies of 44.1 / 48 / 96 kHz. Se-  
lect this mode if you are using an application that al-  
lows high-quality audio recording/playback, such as  
an application that supports 24 bit audio or an ASIO-  
compatible application. We recommend that you nor-  
mally use this mode.  
48kHz  
(ADVANCE)  
1
2
3
4
5
96kHz PLAY  
(ADVANCE)  
96kHz REC  
(ADVANCE)  
Standard driver mode  
44.1kHz  
48kHz  
The standard driver provided by the operating system  
will be used. Audio data will be transferred between the  
PCR-1 and your computer with 16-bit depth and a sam-  
pling frequency of 44.1/48 kHz.Use this setting if you  
are using the Mac OS 9 sound manager.  
5. Press the [ENTER] button.  
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System settings  
DIRECT MONITOR ON / OFF (Keyboard : C)  
Perform steps 1–3.  
4. Use the [DEC] [INC] buttons or the [0] - [2] keys to switch DIRECT MONITOR ON / OFF.  
The input signal from the audio input jacks will not be sent to the  
headphone jack, or master output jacks.  
0
1
2
OFF  
AUTO  
ON  
Settings or operations in your ASIO 2.0 application (e.g., Cubase)  
will switch Direct Monitor ON / OFF.  
The input signal from the audio input jacks will be output to the  
PCR-1’s speakers, headphone jack, and master output jacks.  
5. Press the [ENTER] button.  
PITCH BEND TIME (Keyboard : D)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] - [5] keys to specify PITCH BEND TIME . (Value  
range 0-5)  
The specified value will indicate in the display.  
5. Press the [ENTER] button.  
MODULATION SETTING (Keyboard : E)  
Perform steps 1-3.  
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify MODULATION SETTING.  
(Value range 0-127)  
The specified value will indicate in the display.  
5. Press the [ENTER] button.  
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MEMO  
98  
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Appendices  
Memory sets..................................................................................p. 100  
Troubleshooting...........................................................................p. 106  
MIDI implementation ...................................................................p. 117  
Main specifications......................................................................p. 122  
99  
 
Memory sets  
MCR-8 MODE 3 (SONAR 2) SET.................. (p. 101) SET (MEMORY: 9).................................................. (p. 103)  
MCR-8 MODE 4 (Cubase 5/SX) SET............ (p. 102)  
GS-B (MEMORY: B).........................................................(p. 104)  
GS-C (MEMORY: C)........................................................(p. 104)  
XG SET ..................................................................... (p. 105)  
MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5)(p. 102)  
MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)(p. 102)  
MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7))(p. 102)  
MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)(p. 102)  
XG-A (MEMORY: D).......................................................(p. 105)  
XG-B (MEMORY: E) ........................................................(p. 105)  
For details on settings for actually using each memory set with your application, refer to the Read Me file for  
each memory set, located in the Memory Files folder of the CD-ROM.  
Since the PCR-1 does not have controllers [P1] and [P2], the PCR-1 itself is unable to transmit or edit the  
messages assigned to these controllers.  
(Internally, the PCR-1 does maintain data for [P1] and [P2].)  
In order to maintain memory set compatibility with other models in the PCR series, all memory sets include  
the data for [P1] and [P2] when they are bulk-dumped.  
GM2 set (MEMORY: 0)  
Parameter  
R1 FILTER CUTOFF  
R2 FILTER RESONANCE  
R3 VIBRATO RATE  
R4 VIBRATO DEPTH  
R5 VIBRATO DELAY  
R6 COARSE TUNING  
R7 FINE TUNING  
R8 PAN (CHANNEL)  
S1 PORTAMENTO TIME  
S2 AFTERTOUCH  
S3 ENVELOPE ATTACK  
S4 ENVELOPE DECAY  
S5 ENVELOPE RELEASE  
S6 CHORUS  
S7 REVERB  
S8 VOLUME (CHANNEL)  
B1 PROGRAM CHANGE DEC PROGRAM CHANGE  
B2 PROGRAM CHANGE INC PROGRAM CHANGE  
B3 PORTAMENTO ON/OFF  
B4 POLY MODE ON  
B5 MONO MODE ON  
B6 GM2 SYSTEM ON  
L1 STOP  
Message (Hex.)  
CC 74(4A)  
CC 71(47)  
CC 76(4C)  
CC 77(4D)  
CC 78(4E)  
RPN 0/2(00/02)  
RPN 0/1(00/01)  
CC 10(0A)  
CC 5(05)  
CHANNEL PRESSURE  
CC 73(49)  
CC 75(4B)  
CC 72(48)  
CC 93(5D)  
CC 91(5B)  
CC 7(07)  
Range (Hex.)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0/-(00/–) - 127/-(7F/–)  
0/0(00/00) - 127/127(7F/7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
min:1(00)  
Ch.  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
max:128(7F)  
0(00) / 127(7F)  
-
-
CC 65(41)  
B0 7F 00  
B0 7E 01  
F0 7E 7F 09 03 F7  
FC  
1
1
1
-
-
-
-
-
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
100  
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Memory sets  
MCR-8 MODE 3 (SONAR 2) SET  
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.  
MCR-8 MODE 3 (SONAR 2) - A (MEMORY: 1)  
MCR-8 MODE 3 (SONAR 2) - B (MEMORY: 2)  
Message  
(Hex.)  
Message  
(Hex.)  
Parameter  
Range (Hex.) Ch. Port  
Parameter  
Range (Hex.) Ch. Port  
R1 TRACK 1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*3  
*3  
*3  
*3  
*3  
*3  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 82(52)  
CC 82(52)  
CC 82(52)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*4  
*4  
*4  
*4  
*4  
*4  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 82(52)  
CC 82(52)  
CC 82(52)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R2 TRACK 2  
R3 TRACK 3  
R4 TRACK 4  
R5 TRACK 5  
R6 TRACK 6  
R7 TRACK 7  
R8 TRACK 8  
S1 TRACK 1  
S2 TRACK 2  
S3 TRACK 3  
S4 TRACK 4  
S5 TRACK 5  
S6 TRACK 6  
S7 TRACK 7  
S8 TRACK 8  
B1 TRACK 1  
B2 TRACK 2  
B3 TRACK 3  
B4 TRACK 4  
B5 TRACK 5  
B6 TRACK 6  
L1 <<  
R2 TRACK 2  
R3 TRACK 3  
R4 TRACK 4  
R5 TRACK 5  
R6 TRACK 6  
R7 TRACK 7  
R8 TRACK 8  
S1 TRACK 1  
S2 TRACK 2  
S3 TRACK 3  
S4 TRACK 4  
S5 TRACK 5  
S6 TRACK 6  
S7 TRACK 7  
S8 TRACK 8  
B1 TRACK 1  
B2 TRACK 2  
B3 TRACK 3  
B4 TRACK 4  
B5 TRACK 5  
B6 TRACK 6  
L1 <<  
2
3
4
5
2
3
4
5
6
6
13  
14  
15  
1
13  
14  
15  
1
L2 Stop  
L3 > Play  
P1 HOLD  
P2 EXPRESSION  
L2 Stop  
L3 > Play  
P1 HOLD  
P2 EXPRESSION  
1
1
MCR-8 MODE 3 (SONAR 2) - C (MEMORY: 3)  
MCR-8 MODE 3 (SONAR 2) - D (MEMORY: 4)  
Message  
(Hex.)  
Message  
(Hex.)  
Parameter  
Range (Hex.) Ch. Port  
Parameter  
Range (Hex.) Ch. Port  
R1 TRACK 9  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*3  
*3  
*3  
*3  
*3  
*3  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 80(50)  
CC 82(52)  
CC 82(52)  
CC 82(52)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
9
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 9  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*4  
*4  
*4  
*4  
*4  
*4  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 16(10)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 17(11)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 81(51)  
CC 82(52)  
CC 82(52)  
CC 82(52)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
9
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R2 TRACK 10  
R3 TRACK 11  
R4 TRACK 12  
R5 TRACK 13  
R6 TRACK 14  
R7 TRACK 15  
R8 TRACK 16  
S1 TRACK 9  
S2 TRACK 10  
S3 TRACK 11  
S4 TRACK 12  
S5 TRACK 13  
S6 TRACK 14  
S7 TRACK 15  
S8 TRACK 16  
B1 TRACK 9  
B2 TRACK 10  
B3 TRACK 11  
B4 TRACK 12  
B5 TRACK 13  
B6 TRACK 14  
10  
11  
12  
13  
14  
15  
16  
9
10  
11  
12  
13  
14  
15  
16  
9
10  
11  
12  
13  
14  
12  
14  
11  
1
R2 TRACK 10  
R3 TRACK 11  
R4 TRACK 12  
R5 TRACK 13  
R6 TRACK 14  
R7 TRACK 15  
R8 TRACK 16  
S1 TRACK 9  
S2 TRACK 10  
S3 TRACK 11  
S4 TRACK 12  
S5 TRACK 13  
S6 TRACK 14  
S7 TRACK 15  
S8 TRACK 16  
B1 TRACK 9  
B2 TRACK 10  
B3 TRACK 11  
B4 TRACK 12  
B5 TRACK 13  
B6 TRACK 14  
10  
11  
12  
13  
14  
15  
16  
9
10  
11  
12  
13  
14  
15  
16  
9
10  
11  
12  
13  
14  
12  
14  
11  
1
L1 Automation Write  
L2 Stop  
L3 Rec  
P1 HOLD  
P2 EXPRESSION  
L1 Automation Write  
L2 Stop  
L3 Rec  
P1 HOLD  
P2 EXPRESSION  
1
1
Generic Surface Preset  
Roland MCR-8 (Aux Send 1)  
Roland MCR-8 (Aux Send 2)  
Roland MCR-8 (Mute + Solo)  
*1  
*2  
*3  
*4  
Aux Send 1 Pan  
Aux Send 2 Pan  
Pan  
Aux Send 1 Level  
Aux Send 2 Level  
Volume  
Aux Send 1 Pre/Post Aux Send 1 Enable  
Aux Send 2 Pre/Post Aux Send 2 Enable  
Mute  
Solo  
Roland MCR-8 (Record Arming) Pan  
Volume  
White Arm  
Record Arm  
101  
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Memory sets  
MCR-8 MODE 4 (Cubase 5/SX) SET  
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.  
MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5) MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)  
Message  
(Hex.)  
Message  
(Hex.)  
Parameter  
Range (Hex.) Ch. Port  
Parameter  
Range (Hex.) Ch. Port  
R1 TRACK 1 PAN  
R2 TRACK 2 PAN  
R3 TRACK 3 PAN  
R4 TRACK 4 PAN  
R5 TRACK 5 PAN  
R6 TRACK 6 PAN  
R7 TRACK 7 PAN  
R8 TRACK 8 PAN  
S1 TRACK 1 FADER  
S2 TRACK 2 FADER  
S3 TRACK 3 FADER  
S4 TRACK 4 FADER  
S5 TRACK 5 FADER  
S6 TRACK 6 FADER  
S7 TRACK 7 FADER  
S8 TRACK 8 FADER  
B1 TRACK 1 SOLO  
B2 TRACK 2 SOLO  
B3 TRACK 3 SOLO  
B4 TRACK 4 SOLO  
B5 TRACK 5 SOLO  
B6 TRACK 6 SOLO  
L1 <<  
CC 72(48)  
CC 73(49)  
CC 74(4A)  
CC 75(4B)  
CC 76(4C)  
CC 77(4D)  
CC 78(4E)  
CC 79(4F)  
CC 64(40)  
CC 65(41)  
CC 66(42)  
CC 67(43)  
CC 68(44)  
CC 69(45)  
CC 70(46)  
CC 71(47)  
CC 0(00)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 1 PAN  
R2 TRACK 2 PAN  
R3 TRACK 3 PAN  
R4 TRACK 4 PAN  
R5 TRACK 5 PAN  
R6 TRACK 6 PAN  
R7 TRACK 7 PAN  
R8 TRACK 8 PAN  
S1 TRACK 1 FADER  
S2 TRACK 2 FADER  
S3 TRACK 3 FADER  
S4 TRACK 4 FADER  
S5 TRACK 5 FADER  
S6 TRACK 6 FADER  
S7 TRACK 7 FADER  
S8 TRACK 8 FADER  
B1 TRACK 1 MUTE  
B2 TRACK 2 MUTE  
B3 TRACK 3 MUTE  
B4 TRACK 4 MUTE  
B5 TRACK 5 MUTE  
B6 TRACK 6 MUTE  
L1 <<  
CC 72(48)  
CC 73(49)  
CC 74(4A)  
CC 75(4B)  
CC 76(4C)  
CC 77(4D)  
CC 78(4E)  
CC 79(4F)  
CC 64(40)  
CC 65(41)  
CC 66(42)  
CC 67(43)  
CC 68(44)  
CC 69(45)  
CC 70(46)  
CC 71(47)  
CC 40(28)  
CC 41(29)  
CC 42(2A)  
CC 43(2B)  
CC 44(2C)  
CC 45(2D)  
CC 19(13)  
CC 21(15)  
CC 22(16)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
CC 1(01)  
CC 2(02)  
CC 3(03)  
CC 4(04)  
CC 5(05)  
CC 19(13)  
CC 21(15)  
CC 22(16)  
CC 64(40)  
CC 11(0B)  
L2 Stop  
L3 > Play  
P1 HOLD  
P2 EXPRESSION  
L2 Stop  
L3 > Play  
P1 HOLD  
P2 EXPRESSION  
1
1
MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7) MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)  
Message  
(Hex.)  
Message  
(Hex.)  
Parameter  
Range (Hex.) Ch. Port  
Parameter  
Range (Hex.) Ch. Port  
R1 TRACK 9 PAN  
R2 TRACK 10 PAN  
R3 TRACK 11 PAN  
R4 TRACK 12 PAN  
R5 TRACK 13 PAN  
R6 TRACK 14 PAN  
R7 TRACK 15 PAN  
R8 TRACK 16 PAN  
S1 TRACK 9 FADER  
S2 TRACK 10 FADER  
S3 TRACK 11 FADER  
S4 TRACK 12 FADER  
S5 TRACK 13 FADER  
S6 TRACK 14 FADER  
S7 TRACK 15 FADER  
S8 TRACK 16 FADER  
B1 TRACK 9 SOLO  
B2 TRACK 10 SOLO  
B3 TRACK 11 SOLO  
B4 TRACK 12 SOLO  
B5 TRACK 13 SOLO  
B6 TRACK 14 SOLO  
L1 <<  
CC 56(38)  
CC 57(39)  
CC 58(3A)  
CC 59(3B)  
CC 60(3C)  
CC 61(3D)  
CC 62(3E)  
CC 63(3F)  
CC 48(30)  
CC 49(31)  
CC 50(32)  
CC 51(33)  
CC 52(34)  
CC 53(35)  
CC 54(36)  
CC 55(37)  
CC 32(20)  
CC 33(21)  
CC 34(22)  
CC 35(23)  
CC 36(24)  
CC 37(25)  
CC 20(14)  
CC 21(15)  
CC 23(17)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 9 PAN  
R2 TRACK 10 PAN  
R3 TRACK 11 PAN  
R4 TRACK 12 PAN  
R5 TRACK 13 PAN  
R6 TRACK 14 PAN  
R7 TRACK 15 PAN  
R8 TRACK 16 PAN  
S1 TRACK 9 FADER  
S2 TRACK 10 FADER  
S3 TRACK 11 FADER  
S4 TRACK 12 FADER  
S5 TRACK 13 FADER  
S6 TRACK 14 FADER  
S7 TRACK 15 FADER  
S8 TRACK 16 FADER  
B1 TRACK 9 MUTE  
B2 TRACK 10 MUTE  
B3 TRACK 11 MUTE  
B4 TRACK 12 MUTE  
B5 TRACK 13 MUTE  
B6 TRACK 14 MUTE  
L1 <<  
CC 56(38)  
CC 57(39)  
CC 58(3A)  
CC 59(3B)  
CC 60(3C)  
CC 61(3D)  
CC 62(3E)  
CC 63(3F)  
CC 48(30)  
CC 49(31)  
CC 50(32)  
CC 51(33)  
CC 52(34)  
CC 53(35)  
CC 54(36)  
CC 55(37)  
CC 88(58)  
CC 89(59)  
CC 90(5A)  
CC 91(5B)  
CC 92(5C)  
CC 93(5D)  
CC 20(14)  
CC 21(15)  
CC 23(17)  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) / 127(7F)  
0(00) - 127(7F)  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
16  
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
L2 Stop  
L3 Rec  
P1 HOLD  
P2 EXPRESSION  
L2 Stop  
L3 Rec  
P1 HOLD  
P2 EXPRESSION  
1
1
102  
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Memory sets  
H-COMPATIBLE (ProTools LE, Digital Performer 3) SET (MEMORY: 9)  
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF, and turn the H-ACTIVITY (p.  
95) setting ON.  
Parameter  
R1 ROTARY ENCODER 1  
R2 ROTARY ENCODER 2  
R3 ROTARY ENCODER 3  
R4 ROTARY ENCODER 4  
R5 ROTARY ENCODER 5  
R6 ROTARY ENCODER 6  
R7 ROTARY ENCODER 7  
R8 ROTARY ENCODER 8  
S1 FADER 1  
S2 FADER 2  
S3 FADER 3  
S4 FADER 4  
S5 FADER 5  
S6 FADER 6  
S7 FADER 7  
S8 FADER 8  
B1 MUTE 1  
B2 SOLO 1  
B3 REC 1  
B4 WRITE 1  
B5 TRACK <  
B6 TRACK >  
L1 REWIND  
L2 STOP  
L3 PLAY  
Message (Hex.)  
Range (Hex.)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
DEC(01) / INC(41)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
ON(42) / OFF(02)  
ON(43) / OFF(03)  
ON(47) / OFF(07)  
ON(44) / OFF(04)  
ON(40) / OFF(00)  
ON(42) / OFF(02)  
ON(41) / OFF(01)  
ON(43) / OFF(03)  
ON(44) / OFF(04)  
0(00) / 127(7F)  
Ch.  
Port  
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B0 40 dd  
B0 41 dd  
B0 42 dd  
B0 43 dd  
B0 44 dd  
B0 45 dd  
B0 46 dd  
B0 47 dd  
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
B0 0F 00 B0 2F 40 B0 00 dd B0 20 00 B0 0F 00 B0 2F 00  
B0 0F 01 B0 2F 40 B0 01 dd B0 21 00 B0 0F 01 B0 2F 00  
B0 0F 02 B0 2F 40 B0 02 dd B0 22 00 B0 0F 02 B0 2F 00  
B0 0F 03 B0 2F 40 B0 03 dd B0 23 00 B0 0F 03 B0 2F 00  
B0 0F 04 B0 2F 40 B0 04 dd B0 24 00 B0 0F 04 B0 2F 00  
B0 0F 05 B0 2F 40 B0 05 dd B0 25 00 B0 0F 05 B0 2F 00  
B0 0F 06 B0 2F 40 B0 06 dd B0 26 00 B0 0F 06 B0 2F 00  
B0 0F 07 B0 2F 40 B0 07 dd B0 27 00 B0 0F 07 B0 2F 00  
B0 0F 00 B0 2F dd  
B0 0F 00 B0 2F dd  
B0 0F 00 B0 2F dd  
B0 0F 00 B0 2F dd  
B0 0F 0A B0 2F dd  
B0 0F 0A B0 2F dd  
B0 0F 0E B0 2F dd  
B0 0F 0E B0 2F dd  
B0 0F 0E B0 2F dd  
2
1
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) - 127(7F)  
GS SET  
When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.  
GS-A (MEMORY: A)  
Parameter  
R1 REVERB MACRO  
Message (Hex.)  
F0 41 10 42 12 40 01 30 dd SUM F7  
F0 41 10 42 12 40 01 31 dd SUM F7  
F0 41 10 42 12 40 01 32 dd SUM F7  
F0 41 10 42 12 40 01 34 dd SUM F7  
F0 41 10 42 12 40 01 37 dd SUM F7  
F0 41 10 42 12 40 01 35 dd SUM F7  
F0 41 10 42 12 40 01 33 dd SUM F7  
F0 41 10 42 12 40 1x 1C dd SUM F7  
F0 41 10 42 12 40 1x 30 dd SUM F7  
F0 41 10 42 12 40 1x 31 dd SUM F7  
F0 41 10 42 12 40 1x 37 dd SUM F7  
F0 41 10 42 12 40 1x 34 dd SUM F7  
F0 41 10 42 12 40 1x 35 dd SUM F7  
F0 41 10 42 12 40 1x 36 dd SUM F7  
F0 41 10 42 12 40 1x 22 dd SUM F7  
F0 41 10 42 12 40 1x 19 dd SUM F7  
PROGRAM CHANGE  
Range (Hex.)  
0(00) - 7(07)  
0(00) - 7(07)  
0(00) - 7(07)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
1(01) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
min:1 (00)  
max:128 (7F)  
OFF(00) / ON(01)  
-
Ch.  
-
-
-
-
-
-
-
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
-
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
R2 REVERB CHARACTER  
R3 REVERB PRE-LPF  
R4 REVERB TIME  
R5 REVERB PREDELAY TIME  
R6 REVERB DELAY FEEDBACK  
R7 REVERB LEVEL  
R8 PART PANPOT  
S1 VIBRATO RATE  
S2 VIBRATO DEPTH  
S3 VIBRATO DELAY  
S4 TVF&TVA ENV.ATTACK  
S5 TVF&TVA ENV.DECAY  
S6 TVF&TVA ENV.RELEASE  
S7 REVERB SEND LEVEL  
S8 PART LEVEL  
B1 PROGRAM CHANGE DEC  
B2 PROGRAM CHANGE INC  
B3 NRPN ON/OFF  
B4 RANDOM PAN  
PROGRAM CHANGE  
-
F0 41 10 42 12 40 1x 0A dd SUM F7  
F0 41 10 42 12 40 1x 1C 00 SUM F7  
F0 41 10 42 12 40 1x 13 dd SUM F7  
F0 41 10 42 12 40 00 7F 00 41 F7  
FC  
BLOCK  
BLOCK  
B5 MODE POLY/MONO  
B6 GS RESET  
MONO(00) / POLY(01) BLOCK  
-
-
-
-
L1 STOP  
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
103  
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Memory sets  
GS-B (MEMORY: B)  
Parameter  
R1 CHORUS MACRO  
R2 CHORUS PRE-LPF  
R3 CHORUS DELAY  
R4 CHORUS RATE  
R5 CHORUS DEPTH  
R6 CHORUS FEEDBACK  
R7 CHORUS LEVEL  
R8 PART PANPOT  
S1 CHORUS SEND LEVEL TO REVERB  
S2 CHORUS SEND LEVEL TO DELAY  
S3 TVF CUTOFF FREQ  
S4 TVF RESONANCE  
S5 MODULATION DEPTH  
S6 BEND RANGE  
S7 CHORUS SEND LEVEL  
S8 PART LEVEL  
B1 PROGRAM CHANGE DEC  
B2 PROGRAM CHANGE INC  
B3 NRPN ON/OFF  
B4 RANDOM PAN  
B5 MODE POLY/MONO  
B6 GS RESET  
Message (Hex.)  
F0 41 10 42 12 40 01 38 dd SUM F7  
F0 41 10 42 12 40 01 39 dd SUM F7  
F0 41 10 42 12 40 01 3C dd SUM F7  
F0 41 10 42 12 40 01 3D dd SUM F7  
F0 41 10 42 12 40 01 3E dd SUM F7  
F0 41 10 42 12 40 01 3B dd SUM F7  
F0 41 10 42 12 40 01 3A dd SUM F7  
F0 41 10 42 12 40 1x 1C dd SUM F7  
F0 41 10 42 12 40 01 3F dd SUM F7  
F0 41 10 42 12 40 01 40 dd SUM F7  
F0 41 10 42 12 40 1x 32 dd SUM F7  
F0 41 10 42 12 40 1x 33 dd SUM F7  
F0 41 10 42 12 40 2x 04 dd SUM F7  
F0 41 10 42 12 40 2x 10 dd SUM F7  
F0 41 10 42 12 40 1x 21 dd SUM F7  
F0 41 10 42 12 40 1x 19 dd SUM F7  
PROGRAM CHANGE  
Range (Hex.)  
0(00) - 7(07)  
0(00) - 7(07)  
Ch.  
-
-
-
-
-
-
-
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
BLOCK  
-
-
BLOCK  
BLOCK  
BLOCK  
-
-
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
1(01) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 127(7F)  
64(40) - 88(58)  
0(00) - 127(7F)  
0(00) - 127(7F)  
min:1 (00)  
PROGRAM CHANGE  
max:128 (7F)  
OFF(00) / ON(01)  
-
MONO(00) / POLY(01)  
-
F0 41 10 42 12 40 1x 0A dd SUM F7  
F0 41 10 42 12 40 1x 1C 00 SUM F7  
F0 41 10 42 12 40 1x 13 dd SUM F7  
F0 41 10 42 12 40 00 7F 00 41 F7  
FC  
L1 STOP  
-
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
GS-C (MEMORY: C)  
Parameter  
R1 DELAY MACRO  
R2 DELAY PRE-LPF  
R3 DELAY TIME RATIO LEFT  
R4 DELAY TIME CENTER  
R5 DELAY TIME RATIO RIGHT  
R6 DELAY FEEDBACK  
R7 DELAY LEVEL  
Message (Hex.)  
F0 41 10 42 12 40 01 50 dd SUM F7  
F0 41 10 42 12 40 01 51 dd SUM F7  
F0 41 10 42 12 40 01 53 dd SUM F7  
F0 41 10 42 12 40 01 52 dd SUM F7  
F0 41 10 42 12 40 01 54 dd SUM F7  
F0 41 10 42 12 40 01 59 dd SUM F7  
F0 41 10 42 12 40 01 58 dd SUM F7  
F0 41 10 42 12 40 1x 1C dd SUM F7  
F0 41 10 42 12 40 01 5A dd SUM F7  
F0 41 10 42 12 40 01 56 dd SUM F7  
F0 41 10 42 12 40 01 55 dd SUM F7  
F0 41 10 42 12 40 01 57 dd SUM F7  
F0 41 10 42 12 40 02 01 dd SUM F7  
F0 41 10 42 12 40 02 03 dd SUM F7  
F0 41 10 42 12 40 1x 2C dd SUM F7  
F0 41 10 42 12 40 1x 19 dd SUM F7  
F0 41 10 42 12 40 4x 20 dd SUM F7  
F0 41 10 42 12 40 02 00 dd SUM F7  
F0 41 10 42 12 40 02 02 dd SUM F7  
F0 41 10 42 12 40 1x 1C 00 SUM F7  
F0 41 10 42 12 40 1x 13 dd SUM F7  
F0 41 10 42 12 40 00 7F 00 41 F7  
FC  
Range (Hex.)  
0(00) - 9(09)  
0(00) - 7(07)  
Ch.  
-
-
-
-
-
-
-
BLOCK  
-
-
-
-
-
-
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1(01) - 120(78)  
1(01) - 115(73)  
1(01) - 120(78)  
0(00) - 64(40) - 127(7F)  
0(00) - 127(7F)  
1(01) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
22(34) - 64(40) - 76(4C)  
22(34) - 64(40) - 76(4C)  
0(00) - 127(7F)  
0(00) - 127(7F)  
OFF(00) / ON(01)  
200Hz(00) / 400Hz(01)  
3kHz(00) / 6kHz(01)  
-
R8 PART PANPOT  
S1 DELAY SEND LEVEL TO REVERB  
S2 DELAY LEVEL LEFT  
S3 DELAY LEVEL CENTER  
S4 DELAY LEVEL RIGHT  
S5 EQ LOW GAIN  
S6 EQ HIGH GAIN  
S7 DELAY SEND LEVEL  
S8 PART LEVEL  
BLOCK  
BLOCK  
BLOCK  
-
B1 EQ ON / OFF  
B2 EQ LOW FREQ (200Hz/400Hz)  
B3 EQ HIGH FREQ (3kHz/6kHz)  
B4 RANDOM PAN  
B5 MODE POLY/MONO  
B6 GS RESET  
-
BLOCK  
BLOCK  
-
-
MONO(00) / POLY(01)  
-
L1 STOP  
-
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
104  
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Memory sets  
XG SET  
When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.  
XG-A (MEMORY: D)  
Parameter  
R1 BEND PITCH CONTROL  
R2 BEND FILTER CONTROL  
R3 BEND AMPLITUDE CONTROL  
R4 PITCH EG INITIAL LEVEL  
R5 PITCH EG ATTACK TIME  
R6 PITCH EG RELEASE LEVEL  
R7 PITCH EG RELEASE TIME  
R8 PAN  
S1 BEND LFO PMOD DEPTH  
S2 BEND LFO FMOD DEPTH  
S3 BEND LFO AMOD DEPTH  
S4 REVERB SEND  
Message (Hex.)  
F0 43 10 4C 08 0ch 23 dd F7  
F0 43 10 4C 08 0ch 24 dd F7  
F0 43 10 4C 08 0ch 25 dd F7  
F0 43 10 4C 08 0ch 69 dd F7  
F0 43 10 4C 08 0ch 6A dd F7  
F0 43 10 4C 08 0ch 6B dd F7  
F0 43 10 4C 08 0ch 6C dd F7  
F0 43 10 4C 08 0ch 0E dd F7  
F0 43 10 4C 08 0ch 26 dd F7  
F0 43 10 4C 08 0ch 27 dd F7  
F0 43 10 4C 08 0ch 28 dd F7  
F0 43 10 4C 08 0ch 13 dd F7  
F0 43 10 4C 08 0ch 12 dd F7  
F0 43 10 4C 08 0ch 14 dd F7  
F0 43 10 4C 08 0ch 11 dd F7  
F0 43 10 4C 08 0ch 0B dd F7  
PROGRAM CHANGE  
PROGRAM CHANGE  
F0 43 10 4C 08 0ch 07 dd F7  
F0 43 10 4C 08 0ch 0E 00 F7  
F0 43 10 4C 08 0ch 05 dd F7  
F0 43 10 4C 00 00 7E 00 F7  
FC  
Range (Hex.)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
1(01) - 64(40) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
min:1 (00)  
Ch.  
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
CURRENT CH  
-
S5 CHORUS SEND  
S6 VARIATION SEND  
S7 DRY LEVEL  
S8 VOLUME  
B1 PROGRAM CHANGE DEC  
B2 PROGRAM CHANGE INC  
B3 PART MODE NORMAL/DRUM  
B4 RANDOM PAN  
B5 MONO/POLY MODE  
B6 XG SYSTEM ON  
max:128 (7F)  
OFF(00) / ON(01)  
-
MONO(00) / POLY(01)  
-
-
CURRENT CH  
CURRENT CH  
CURRENT CH  
-
L1 STOP  
-
-
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
XG-B (MEMORY: E)  
Parameter  
R1 MW PITCH CONTROL  
R2 MW FILTER CONTROL  
R3 MW AMPLITUDE CONTROL  
R4 REVERB PAN  
Message (Hex.)  
F0 43 10 4C 08 0ch 1D dd F7  
F0 43 10 4C 08 0ch 1E dd F7  
F0 43 10 4C 08 0ch 1F dd F7  
F0 43 10 4C 02 01 0D dd F7  
F0 43 10 4C 02 01 2D dd F7  
F0 43 10 4C 02 01 57 dd F7  
F0 43 10 4C 02 01 58 dd F7  
F0 43 10 4C 02 01 59 dd F7  
F0 43 10 4C 08 0ch 20 dd F7  
F0 43 10 4C 08 0ch 21 dd F7  
F0 43 10 4C 08 0ch 22 dd F7  
F0 43 10 4C 02 01 0C dd F7  
F0 43 10 4C 02 01 2C dd F7  
F0 43 10 4C 02 01 56 dd F7  
F0 43 10 4C 02 01 2E dd F7  
F0 43 10 4C 08 0ch 0B dd F7  
PROGRAM CHANGE  
PROGRAM CHANGE  
F0 43 10 4C 08 0ch 07 dd F7  
F0 43 10 4C 08 0ch 0E 00 F7  
F0 43 10 4C 08 0ch 05 dd F7  
F0 43 10 4C 00 00 7E 00 F7  
FC  
Range (Hex.)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 64(40) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
0(00) - 127(7F)  
min:1 (00)  
Ch.  
CURRENT CH  
CURRENT CH  
CURRENT CH  
Port  
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
-
-
-
-
R5 CHORUS PAN  
R6 VARIATION PAN  
R7 SEND VARIATION TO REVERB  
R8 SEND VARIATION TO CHORUS  
S1 MW LFO PMOD DEPTH  
S2 MW LFO FMOD DEPTH  
S3 MW LFO AMOD DEPTH  
S4 REVERB RETURN  
S5 CHORUS RETURN  
S6 VARIATION RETURN  
S7 SEND CHORUS TO REVERB  
S8 VOLUME  
B1 PROGRAM CHANGE DEC  
B2 PROGRAM CHANGE INC  
B3 PART MODE NORMAL/DRUM  
B4 RANDOM PAN  
B5 MONO/POLY MODE  
B6 XG SYSTEM ON  
-
CURRENT CH  
CURRENT CH  
CURRENT CH  
-
-
-
-
CURRENT CH  
-
-
max:128 (7F)  
OFF(00) / ON(01)  
-
MONO(00) / POLY(01)  
-
CURRENT CH  
CURRENT CH  
CURRENT CH  
-
-
L1 STOP  
-
L2 START  
FA  
-
-
2
L3 CONTINUE  
FB  
-
-
2
P1 HOLD  
P2 EXPRESSION  
CC 64(40)  
CC 11(0B)  
0(00) / 127(7F)  
0(00) - 127(7F)  
1
1
1
1
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Troubleshooting  
Trouble shooting is organized  
fig.winmac  
according to different operating  
systems. Refer to the icon(s) at the left of  
the title to find your items you need.  
Problems common to Windows and Macintosh  
fig.win  
Problems occurring only in Windows  
* For details on operating your Windows  
or Macintosh computer, refer to the  
owner’s manual of the computer and  
operating system you are using.  
fig.mac  
Problems occurring only in Macintosh  
Problems related to the USB driver  
Cannot install the driver correctly  
Did you make the correct connections and settings for installation? Check each one of the following  
items.  
Is the PCR-1 connected correctly?  
Make sure that the USB connector of your computer is connected to the PCR-1 by a USB cable.  
Is the CD-ROM correctly inserted into your CD-ROM drive?  
Installation is not possible unless the CD-ROM included with the PCR-1 is inserted in your CD-  
ROM drive. Make sure that the CD-ROM is correctly inserted into your CD-ROM drive.  
Is the CD-ROM or the lens of the CD-ROM dirty?  
If the CD-ROM or the lens of the CD-ROM drive is dirty, the installer may not work correctly. Clean  
the disc and/or lens using a commercially-available CD cleaner or lens cleaner.  
Are you installing the software from a networked CD-ROM drive?  
The software cannot be installed from a networked CD-ROM drive.  
Could other applications or resident software (such as antivirus programs) be running?  
Installation may not be successful if other programs are running.  
Be sure to close all other programs before installation.  
Is your computer’s power-conservation mode turned off?  
If power-conservation settings are enabled on your computer, please disable any such settings. (For  
the procedure, refer to the owner’s manual of your computer.)  
Could any other USB device be connected?  
Before you install, disconnect all USB devices except for your mouse and keyboard.  
Is there sufficient free space on your hard disk?  
Delete unneeded files to increase the amount of free space. After deleting the unneeded files, empty  
the recycling bin.  
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Troubleshooting  
Is USB enabled on your computer?  
Refer to the operation manual for your computer, and make sure that USB is enabled.  
Device Manager indicate any of these: “Other device,” “Unknown device,” or a device  
for which “?”, “!” or “x” is displayed?  
If the driver installation could not be successfully completed, the installed driver may remain in an  
incomplete state. Make sure to install the driver over again(p. 14).  
You attempted to install using the procedure in “Installing the driver,” but the  
installation was not successful.  
Use the procedure in Deleting the driver (p. 110) to uninstall the driver.  
Then set the PCR to the following driver mode, turn the PCR’s power on again, and install the  
driver once again.]  
“USB MIDI DRIVER MODE “ (p. 95)  
0: Original driver  
“USB AUDIO MODE SETTING” (p. 96) 0: 44.1kHz (ADVANCE)  
Is OMS or FreeMIDI installed? (Mac OS 9)  
The PCR-1 driver cannot be installed unless OMS or FreeMIDI are installed. Please install OMS or  
FreeMIDI.  
PCR-1 is not detected when making OMS or FreeMIDI  
settings (Mac OS 9 users)  
Is the PCR-1 detected?  
-
-
-
Reconnect the USB cable.  
If other USB devices are connected, connect only the PCR-1.  
It is possible that the Macintosh did not correctly detect and initialize the PCR-1. Leave the  
PCR-1’s USB cable connected, and restart your Macintosh. If it is still not detected, shut  
down your Macintosh, and then restart it.  
-
In some cases, the PCR-1 will not be detected if you have connected it to the USB connector  
located on the keyboard of the Macintosh. Please connect it to a USB connector on the  
Macintosh itself.  
The “Insert Disk” dialog box does not appear  
It is possible that the unsuccessfully installed driver is still present.  
Turn off the power of your computer, and then install the driver once again.  
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Troubleshooting  
Cannot install the driver correctly“Find new hardware  
wizard” does not execute automatically  
The “Insert Disk” dialog box does not appear  
The “Insert Disk” dialog box does not appear “Find new  
hardware wizard” ends before the process is completed  
It may take about 15 seconds (or more) after the USB cable is connected for the PCR-1  
to be detected.  
Is the USB cable connected correctly?  
Make sure that the PCR-1 and your computer are correctly connected via a USB cable.  
Is USB enabled on your computer?  
Refer to the operation manual for your computer, and make sure that USB is enabled.  
Does your computer or USB hub have sufficient power supply capacity?  
The PCR-1 cannot be connected if insufficient power is supplied to it. Check whether one of the  
following cases apply.  
-
If you are using the PCR-1 with a notebook computer that is running on its battery,  
operation may be unreliable with some models of computer. If this is the case, connect the  
AC adaptor to your notebook computer.  
-
-
The power conservation mode of your computer may limit the power that is supplied to  
USB. Check the settings of your computer.  
In some cases, the PCR-1 cannot be used with a bus-powered hub (a hub that does not  
contain a power supply). Please use a self-powered hub (a hub that contains a power  
supply).  
It has been found that in some cases, not all of the Windows 98 files required to  
support audio via USB are installed when a computer is shipped.  
Please contact the manufacturer of your computer.  
Does your computer meet the USB specifications?  
If you are using a computer that does not fulfill the electrical requirements of the USB  
connecting a USB hub.  
If the above actions do not solve the problem, it is possible that the PCR-1 has been incorrectly  
detected by the computer. Please reinstall the driver from the beginning of the procedure. (Getting  
Connected and Installing Drivers (Windows) (p. 14))  
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Troubleshooting  
“Found unknown device” appears even though you  
If your computer or USB hub has two or more USB connectors, and you connect the PCR-1 to a USB  
connector to which the PCR-1 has never been connected before, the “Unknown device” dialog box  
Refer to Installing the driver (p. 14), and install the driver once again. This is not a malfunction.  
If the “Found unknown device” dialog box appears even though the PCR-1 is connected to the  
same USB connector as before, it is possible that the computer has detected the PCR-1 incorrectly.  
Please reinstall the driver from the beginning of the procedure (p. 14).  
Can’t install/delete/use the driver in Windows XP/2000  
Did you log on to Windows as a user with administrative privileges?  
In order to install/delete/re-install the driver in Windows XP/2000, you must be logged into  
Windows as a user with administrative privileges, such as Administrator. For details, please  
Did you make “Driver Signing Options”?  
In order to install/re-install the driver, you must make “Driver Signing Options”.  
(Windows XP (p. 14), Windows 2000 (p. 20)  
Windows XP/2000 displays a “Hardware Installation” or  
Did you make “Driver Signing Options”?  
In order to install/re-install the driver, you must make the settings described in “Driver Signing  
Options”.  
(Windows XP (p. 14), Windows 2000 (p. 20)  
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Troubleshooting  
Deleting the driver  
If you were unable to install the driver according to the procedure given, the PCR-1 may not be  
recognized correctly by the computer. In this case, use the following procedure to delete the driver,  
and then follow the procedure to install the driver once again.  
Windows users  
Here’s how to uninstall the dedicated driver.  
1
Start up Windows with the PCR-1 disconnected.  
Disconnect all USB cables other than a USB keyboard or USB mouse.  
* If you are using Windows XP Professional/2000, log on as a user that has administrative privileges (e.g.,  
Administrator).  
2
3
Insert the CD-ROM into the CD-ROM drive of your computer.  
From the Windows Start menu, choose “Run...”.  
In the Run dialog box, input the following into the Open field, and click [OK].  
Windows XP/2000 users:  
Windows Me/98 users:  
D:\DRIVER\USB_XP2K\Uninstal.EXE  
D:\DRIVER\USB_ME98\Uninstal.EXE  
* The drive name D: may be different on your system. Use the drive name for your CD-ROM drive.  
4
Follow the on-screen instructions to uninstall the driver.  
Macintosh ( Mac OS 9) users  
1
Turn off the power of the PCR-1.  
Also disconnect the USB cable (by which the PCR-1 is connected) from your Macintosh.  
2
3
4
From the system extensions folder, drag “USB PCR-1 Driver” and “USB PCR-1Audio  
Driver” into the trash to delete it.  
Delete PCR-1 from the OMS Folder inside the System folder, or drag PCR-1 Driver from the  
FreeMIDI Folder inside the System folder to the trash.  
Restart the Macintosh.  
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Troubleshooting  
Problems when using the PCR-1  
fig.winmac  
Operating system becomes unstable  
Operation becomes unstable when the computer is started up with the PCR-1 already  
connected  
Please start up your computer with the PCR-1 disconnected, and then connect the PCR-1. On a  
computer that uses a USB keyboard, starting up the computer with the PCR-1 already connected  
may cause operation to become unstable. In this case, start up the computer with the PCR-1  
disconnected, and then connect the PCR-1.  
fig.winmac  
Can’t hear sound from the computer  
Do the recording and playback sampling frequencies match?  
Set the recording and playback sampling frequencies so they match.  
The PCR-1’s Sampling frequency select switch may have been set to “96 kHz REC”.  
With this setting, only recording is possible. Sound from the computer cannot be played back.  
In your playback software, have you specified the audio data output destination?  
For some software, such as Cool Edit Pro LE, you will need to specify the PCR-1 as the output  
destination for audio data. For details on the procedure for making settings, refer to the owner’s  
manual for your software.  
Are you running multiple applications?  
If multiple applications are running simultaneously, an error message may appear. If this occurs,  
click [OK] and exit the other applications.  
Was the driver installed correctly?  
In order for you to play back audio data via the PCR-1, the driver must be installed. For installation  
and settings, refer to “Getting Connected and Installing Drivers” (Windows (p. 14),  
Macintosh (p. 31).  
Is your computer in Suspend or Sleep mode?  
If so, get your computer to resume normal operation, then exit all applications that are using the  
PCR-1. Next, turn the PCR-1’s power off, then switch it on again.  
Did you plug in the USB cable, or unplug it while an application was running?  
Exit all applications that are using the PCR-1, and exit all applications that are using the PCR-1, and  
re-connect the PCR-1.  
Have you selected “Game compatible device” or “Voice modem” as the output for the  
audio track?  
If game compatible device or voice modem (the actual name will depend on the computer you are  
using) is selected for the audio track of your software, the audio track may not play back. Do not  
select these devices as the port.  
fig.winmac  
Volume from a device connected to the input jacks is too low  
Are you using a cable that has a built-in resistor?  
Use a cable without a built-in resistor (e.g., Roland PCS series).  
Is the Input volume raised appropriately?  
Turn the knob clockwise to adjust the volume.  
111  
   
Troubleshooting  
fig.winmac  
Noise is heard during audio playback  
In some cases, you may also be able to solve this problem by grounding the chassis of your  
computer, or the grounding connector of the AC power supply plug of your computer. In addition,  
you can check whether any devices that produce a strong magnetic field are located nearby, such  
as a television or microwave oven.  
Are two or more audio devices such as the PCR-1 or a mixer connected to your  
computer?  
Try connecting only a single PCR-1 unit, and check whether the noise disappears. If numerous  
audio devices are connected to a computer, noise may occur depending on your system. In such  
cases, connect only the PCR-1 to your computer.  
Does your sequencer software support ASIO 2.0 or 24-bit audio?  
If your ASIO-compatible software does not support ASIO 2.0, it will not operate correctly if you use  
[PCR-1 ASIO2.0 16bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver.  
In this case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO1.0 24bit] as the ASIO driver.  
If your ASIO-compatible software does not support 24-bit audio input/output, it will not operate  
correctly if you select [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver. In this  
case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO2.0 16bit] as the ASIO driver.  
Graphic accelerators may cause noise to be heard during audio playback.  
Use the following procedure to turn the graphic accelerator “Off.”  
1. In the Windows Control Panel, double-click the Screen Properties dialog box, and click the  
Settings tab.  
2. Click Details, and in the properties that appear, click the Performance tab. For Windows  
2000, click the Troubleshooting tab.  
3. In the graphic, set the Hardware accelerator slider to None, and click [OK].  
4. In the Screen Properties dialog box, click [OK] to close the dialog box. Then restart your  
computer.  
Try using the following procedure to change your disk drive settings.  
The following setting item may not exist on some computers.  
1. In the Windows Control Panel, double-click System.  
2. Click the Device Manager tab.  
3. Double-click Disk Drives to see the list of devices.  
4. From the list, select GENERIC IDE DISK TYPE??, and click Properties to access the  
GENERIC IDE DISK TYPE?? Properties dialog box.  
*
In the ?? field of GENERIC IDE DISK TYPE??  
112  
 
Troubleshooting  
*
Depending on your system, a DMA Settings dialog box may appear. Check the contents, and click  
either [OK] or [Cancel].  
6. In the System Properties dialog box, click [OK] to close the dialog box. Then restart your  
computer.  
Try installing more memory.  
Installing more memory will increase the performance of your computer. For details on how to  
install more memory, refer to the operation manual for your computer.  
Does your computer satisfy the requirements of the USB standard?  
If you are using a computer (such as a computer that you yourself assembled) that does not satisfy  
the electrical requirements of the USB specifications, you may experience interruptions in the  
audio. If this occurs, you may be able to solve the problem by connecting a USB hub that contains  
its own power supply.  
In some cases you may be able to solve this problem in the “EDIROL PCR-1 Driver  
settings” dialog box.  
For details, refer to the section “Part of the playbacks wrong: e.g., notesare broken  
offprematurely, or somenotes are lost” within the README_E file located in the folder in which  
you installed the CD-ROM.  
On some computers, audio playback may be interrupted due to the Power Management  
settings in the Control Panel.  
The Power Supply Properties that you see when you double-click Power Management will differ  
depending on your computer system. One example is given below, but you should also refer to the  
operation manual for your computer. Some computers may not have all of the following setting  
items.  
1. Click the Windows Start button, and select Settings | Control Panel to open the [Control  
Panel].  
2. In Control Panel, double-click System to open the System Properties dialog box.  
3. Click the Device Manager tab.  
4. Double-click System Devices to display the list of devices.  
5. From the list, select Advanced Power Management Support. Then click Properties to open  
the Advanced Power Management Support Properties dialog box.  
6. Click the Settings tab, and in Troubleshooting, place a check in the check box for Don’t Poll  
Power Supply Status. Then click [OK].  
7. In the System Properties dialog box, click [OK].  
8. Restart Windows.  
113  
   
Troubleshooting  
Depending on the virtual memory setting or network-related settings, noise may occur.  
Please make the following settings before use.  
In Chooser of the Apple menu, set AppleTalk to “Inactive.”(This setting is not changed  
as a result of turning off AppleTalk, as requested by OMS when sequencer software is  
started up. You must change the setting yourself using the “Chooser.”)  
In the “Memory” Control Panel, set Virtual Memory to “Off.”  
Depending on the way in which you connect to the Internet, use the PCR-1 with the  
following settings.  
-
-
If you connect to the Internet via a LAN cable  
Use while the LAN cable is connected.  
If you connect to the Internet via the internal modem port, or are not connected to the  
Internet  
In the “TCP/IP” Control Panel, set “Connect via” to “PPP.”  
After you have made the settings, restart your Macintosh.  
* Do not use software that accesses the network (such as a Web browser) at the same time that you are using  
sequencer software or audio editing software.  
fig.ASIO-04  
Try increasing the Buffer Size in the ASIO Driver  
control panel.  
The name of the settings dialog box will differ  
depending on your software.  
* If you change the buffer size, you must exit the software and then restart it.  
* Roland can make no guarantee of, nor provide support regarding the operation of sequencer software and  
audio editing software made by another manufacturer. Please contact the manufacturer of the software you  
are using.  
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Troubleshooting  
fig.winmac  
Playback or recording halts midway through, and then  
becomes impossible  
Was a heavy processing load experienced while using the PCR-1, such as accessing  
the CD-ROM drive or a network?  
If an operation involving a heavy processing load is performed while the PCR-1 is in use, it may  
not operate correctly. If this occurs, stop playback/recording, and then try resuming playback/  
recording. If you are still unable to play back/record, exit all applications that use the PCR-1,  
switch off the PCR-1, then turn it on again.  
fig.mac  
Can’t record / play 24-bit audio data  
Does your software support 24-bit audio data?  
Is your software set to record/play 24-bit audio data?  
Have you selected [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver?  
fig.win  
Recording produces a silent (blank) file  
Try setting the bit rate to “16 bit or higher.”  
If you are using Windows 98 Second Edition and your recording software is set to a bit rate setting  
of 8 bits, a silent file may be created, effectively making recording impossible. If this occurs, set the  
bit rate to “16 bit or higher,” and you will be able to record normally.  
In your operating system, is the audio data input destination set correctly?  
On your recording software, is the audio data input destination set correctly?  
The PCR-1’s USB AUDIO MODE SETTING (p.96) select may have been set to “96 kHz  
PLAY”.  
When set to “96 kHz PLAY”, only playback is possible. If you want to record the sound from your  
computer, choose a setting other than “96 kHz PLAY”.  
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Troubleshooting  
fig.winmac  
Can’t record MIDI  
Has the MIDI device you are using been set correctly?  
Make the correct input/output device settings. (Input / output devices (p. 44))  
Make sure that the PCR-1 is selected as the MIDI input/output device (port) in the software that  
you want to control. If the PCR-1 is connected via USB, you can use two ports for controlling your  
software. Make sure that the desired port is correctly selected. (Audio and MIDI flow (p. 43))  
Are you running multiple applications?  
If multiple applications are running simultaneously, an error message may appear. If this occurs,  
click [OK] and exit the other applications.  
Was the driver installed correctly?  
In order for you to play back audio data via the PCR-1, the driver must be installed. For installation  
and settings, refer to “Getting Connected and Installing Drivers” (Windows (p. 14)/  
Macintosh (p. 31).  
Could the power of your equipment be off?  
Make sure that the power to your audio equipment (e.g., stereo) and the PCR-1 has been connected.  
Are the volume controls of the PCR-1 set appropriately?  
Use the PCR-1’s front panel VOLUME knob to adjust the volume.  
Is your computer in Suspend or Sleep mode?  
If so, get your computer to resume normal operation, then exit all applications that are using the  
PCR-1. Next, disconenct the USB cable from the PCR-1, then connect it again.  
Did you plug in the USB cable, or unplug it while an application was running?  
re-connect the PCR-1.  
Is OMS/FreeMIDI set correctly?  
As described in OMS settings (p. 34) or FreeMIDI settings (p. 36), check the OMS or FreeMIDI  
settings. Also make sure that the device for MIDI IN/OUT is correctly selected in the MIDI settings  
of your MIDI sequencer software.  
Is the OMS setup enabled?  
If a diamond-shaped symbol is not displayed at the left edge of the title area in the OMS setup  
window, the setup is not enabled. From the OMS File menu, choose “Make Current” (p. 35).  
116  
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MIDI implementation  
1. Receive data  
2. Transmit data  
System exclusive messages  
Channel voice messages  
In addition to the channel voice messages that can be transmitted in each mode, the  
PCR-1 lets you assign any channel voice message to any controller and transmit it.  
Universal non-realtime system exclusive message  
Identity request message  
Status  
F0H  
Data byte  
Status  
F7H  
Note off  
Status  
7EH, dev, 06H, 01H  
2nd byte  
kkH  
3rd byte  
00H  
9nH  
Byte  
F0H  
7EH  
dev  
Explanation  
Exclusive status  
n = MIDI channel number:  
kk = note number:  
0H – FH (Ch.1 – 16)  
00H – 7FH (0 – 127)  
ID number (Universal non-realtime system exclusive message)  
Device ID (10 or 7FH (Broadcast))  
Sub ID #1 (PCR-1)  
06H  
01H  
F7H  
*
Transmitted when you release a key in Play mode.  
Sub ID #1 (PCR-1)  
EOX (End of Exclusive)  
Note on  
Status  
2nd byte  
kkH  
3rd byte  
vvH  
9nH  
Data transmission  
The PCR-1 can use Bulk Dump (p. 119) to transfer its internal Memory sets (p. 100).  
n = MIDI channel number:  
kk = note number:  
0H – FH (Ch.1 – 16)  
00H – 7FH (0 – 127)  
01H – 7FH (1 – 127)  
Data Set 1 DT1 (12H)  
These messages transmit the actual data, and are used to transfer data settings to a  
device.  
vv = note on velocity:  
*
Transmitted when you push a key in Play mode.  
Status  
F0H  
Data byte  
Status  
F7H  
41H, 10H, 00H, 62H, 12H,  
aaH, ddH, ...eeH, sum  
Polyphonic key pressure  
Status  
2nd byte  
3rd byte  
Byte  
F0H  
41H  
10H  
00H  
62H  
12H  
aaH  
ddH  
:
Explanation  
AnH  
kkH  
vvH  
Exclusive status  
ID number (Roland)  
n = MIDI channel number:  
kk = note number:  
0H – FH (Ch.1 – 16)  
00H – 7FH (0 – 127)  
00H – 7FH (0 – 127)  
Device ID (For the PCR-1, fixed at 10H)  
Model ID #1 (PCR-1)  
Model ID #1 (PCR-1)  
Command ID (RQ1)  
Address  
vv = key pressure:  
Control change  
Status  
2nd byte  
3rd byte  
vvH  
Data  
BnH  
ccH  
:
n = MIDI channel number:  
cc = controller number:  
vv = control value:  
0H – FH (Ch.1 – 16)  
00H – 77H  
:
eeH  
sum  
F7H  
Data  
00H – 7FH  
Checksum  
EOX (End of Exclusive)  
Bank Select (Controller number 0, 32)  
Status  
BnH  
2nd byte  
00H  
3rd byte  
mmH  
llH  
*
The amount of data that can be transmitted at once is fixed for each type of data.  
Data that does not have the specified starting address and data size will not be  
received. Refer to the explanation in 3. Bulk Dump (p. 119).  
There must be an interval of at least 40 ms between each exclusive message that is  
sent.  
BnH  
20H  
*
*
n = MIDI channel number:  
mm = Bank number MSB:  
ll = Bank number LSB:  
0H – FH (Ch.1 – 16)  
00H – 7FH  
Also, you must leave an interval of at least 500 ms after transmitting one set of  
bulk dump data.  
00H – 7FH  
*
Transmitted in Bank mode.  
Modulation (Controller number 1)  
Status  
BnH  
2nd byte  
01H  
3rd byte  
vvH  
n = MIDI channel number:0H – FH (Ch.1 – 16)  
vv = Modulation depth:00H – 7FH (0 – 127)  
*
Transmitted by upward/downward operation of the BENDER lever in Play  
mode.  
117  
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MIDI implementation  
Program change  
System common message  
On the PCR-1 you can assign the following system common messages to any  
controller and transmit them.  
Status  
2nd byte  
CnH  
ppH  
n = MIDI channel number:  
pp = Program number:  
0H – FH (Ch.1 – 16)  
MTC quarter frame  
00H – 7FH (prog. 1 – prog. 128)  
Status  
2nd byte  
F1H  
mmH  
*
Transmitted in Program change mode.  
mm = Message type/value  
Channel pressure  
Status  
2nd byte  
Song position pointer  
DnH  
vvH  
Status  
2nd byte  
3rd byte  
llH  
F2H  
mmH  
n = MIDI channel number:  
vv = Channel pressure:  
0H – FH (Ch.1 – 16)  
00H – 7FH (0 – 127)  
mm, ll = Song position:  
00 00H - 7F 7FH (0-16383)  
Pitch bend change  
Song select  
Status  
2nd byte  
3rd byte  
mmH  
Status  
2nd byte  
EnH  
llH  
F3H  
mmH  
n = MIDI channel number:  
mm, ll = Pitch Bend value:  
0H – FH (Ch.1 – 16)  
mm = Song number:  
00 00H - 7F 7FH (0-16383)  
00 00H – 40 00H – 7FH 7FH  
(-8192 – 0 – +8191)  
Tune request  
Status  
*
Transmitted by rightward/leftward operation of the BENDER lever in Play  
mode.  
F6H  
Channel mode messages  
In addition to the channel mode messages that can be transmitted in Panic mode,  
System realtime message  
In addition to the Active Sensing messages that are transmitted constantly, the  
PCR-1 allows you to assign the following system realtime messages (other than  
Active Sensing) to any controller and transmit them.  
the PCR-1 lets you assign any channel voice message to any controller and transmit  
it.  
Channel mode messages  
Timing Clock  
Status  
Status  
2nd byte  
3rd byte  
BnH  
ccH  
vvH  
F8H  
n = MIDI channel number:  
cc = controller number:  
vv = control value:  
0H – FH (Ch.1 – 16)  
78H – 7FH  
*
Transmitted if the System setting F8 CLOCK is ON.  
00H – 7FH  
Start  
Status  
All sounds off (Controller number 120)  
FAH  
Status  
BnH  
2nd byte  
78H  
3rd byte  
00H  
Continue  
n = MIDI channel number:  
Transmitted in Panic mode.  
0H – FH (Ch.1 – 16)  
Status  
FBH  
*
Stop  
Reset all controllers (Controller number 121)  
Status  
Status  
BnH  
2nd byte  
79H  
3rd byte  
00H  
FCH  
Active sensing  
n = MIDI channel number:  
Transmitted in Panic mode.  
0H – FH (Ch.1 – 16)  
Status  
FEH  
*
*
*
Transmitted at intervals of approximately 250 ms.  
Cannot be assigned to a controller.  
All notes off (Controller number 123)  
Status  
BnH  
2nd byte  
7BH  
3rd byte  
00H  
System reset  
Status  
n = MIDI channel number:  
Transmitted in Panic mode.  
0H – FH (Ch.1 – 16)  
FFH  
*
118  
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MIDI implementation  
System exclusive message  
The PCR-1 is able to transmit the following exclusive messages: exclusive messages  
assigned to the controllers, Identity Reply, and Bulk Dump.  
3. Bulk dump  
Bulk dump allows a large amount of data to be transferred in a single operation.  
For example, this can be used to store all settings of a device into a computer or  
sequencer.  
Universal non-realtime system exclusive  
Identity reply  
On the PCR-1, a bulk dump will be transmitted when you execute the Bulk mode  
operation BULK TX. The bulk dump is transmitted as several exclusive messages.  
This message will be transmitted when an Identity Request message is received.  
Address  
Parameter  
Packets  
00H, 00H, 00H, 00H--00H, 00H, 1A, 7FCurrent memory 27  
Status  
F0H  
Data byte  
Status  
F7H  
*
*
You must leave an interval of at least 40 ms between each exclusive message.  
In the case of ALL BULK, the contents of memories 1--F will be transmitted as  
the current memory, consecutively from memory 1 through memory F. After  
transmitting one set of bulk dump data, you must leave an interval of at least  
500 ms.  
7EH,10H,06H,02H,41H,62H,01H,  
00H,00H,02H,01H,00H,00H  
Byte  
Explanation  
F0H  
Exclusive status  
*
Please be aware that if you modify the data dumped from the PCR-1 by  
changing the order in which the exclusive messages are transmitted, by  
inserting other messages between the system exclusive messages, or by  
speeding up the timing of the transmission, the data may not be set correctly  
when the PCR-1 receives it.  
7EH  
ID number (Universal non-realtime message)  
Device ID (For the PCR-1, fixed at 10H)  
Sub ID #1 (General Information)  
Sub ID #1 (Identity Reply)  
ID number (Roland)  
10H  
06H  
02H  
41H  
62H 01H  
00H 00H  
02H 01H  
00H 00H  
F7H  
Device family code  
Device family number code  
Software revision level  
:
EOX (End of Exclusive)  
Data transmission  
Data Set 1 DT1 (12H)  
Transmitted when you execute Bulk TX in the Bulk mode.  
Status  
F0H  
Data byte  
Status  
41H, 10H, 00H, 62H, 12H,  
aaH, ddH, ...eeH, sum  
F7H  
Byte  
F0H  
41H  
10H  
00H  
62H  
12H  
aaH  
ddH  
:
Explanation  
Exclusive status  
ID number (Roland)  
Device ID  
Model ID #1 (PCR-1)  
Model ID #1 (PCR-1)  
Command ID (RQ1)  
Address  
Data  
:
:
eeH  
sum  
F7H  
Data  
Checksum  
EOX (End of Exclusive)  
*
The amount of data that can be transmitted at once is fixed for each type of data.  
Data that does not have the specified starting address and data size will not be  
received. Refer to the explanation in 3. Bulk Dump.  
*
*
There must be an interval of at least 40 ms between each exclusive message that  
is sent.  
Also, you must leave an interval of at least 500 ms after transmitting one set of  
bulk dump data.  
119  
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MIDI implementation  
4. Supplementary material  
<Example4> What is the nibble-expressed value of decimal 1258?  
1258 ÷ 16 = 78 (quotient) ... 10 (remainder)  
78 ÷ 16 = 4 (quotient) ... 14 (remainder)  
Decimal and Hexadecimal table  
(An “H” is appended to the end of numbers in hexadecimal notation.)  
4 ÷ 16 = 0 (quotient) ... 4 (remainder)  
From the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0HA.  
In MIDI documentation, data values and addresses/sizes of Exclusive messages,  
etc. are expressed as hexadecimal values for each 7 bits.  
The following table shows how these correspond to decimal numbers.  
fig.11-22e  
Thus, the nibble-expressed value is  
00 04 0E 0AH  
Example of an actual MIDI message  
<Example1> CE 04  
Dec. Hex. Dec. Hex. Dec. Hex. Dec. Hex.  
CnH is the Program Change status. “n” is the MIDI channel number. EH = 14, and  
04H = 04. Thus, this is a program change message on MIDI channel 15, for program  
number 05.  
0
1
00H  
01H  
02H  
03H  
04H  
05H  
06H  
07H  
08H  
09H  
0AH  
0BH  
0CH  
0DH  
0EH  
0FH  
10H  
11H  
12H  
13H  
14H  
15H  
16H  
17H  
18H  
19H  
1AH  
1BH  
1CH  
1DH  
1EH  
1FH  
32  
33  
34  
35  
36  
37  
38  
39  
40  
41  
42  
43  
20H  
21H  
22H  
23H  
24H  
25H  
26H  
27H  
28H  
29H  
2AH  
2BH  
64  
65  
66  
67  
68  
69  
70  
71  
72  
73  
74  
75  
76  
77  
78  
79  
80  
81  
82  
83  
84  
85  
86  
87  
88  
89  
90  
91  
92  
93  
94  
95  
40H  
41H  
42H  
43H  
96  
97  
98  
99  
60H  
61H  
62H  
63H  
64H  
65H  
66H  
67H  
68H  
69H  
2
3
Checksum calculation  
4
44H 100  
45H 101  
46H 102  
47H 103  
48H 104  
49H 105  
5
In order to verify that the message was received correctly, Roland exclusive  
messages (RQ1, DT1) add a checksum following the end of the data (before the F7).  
The checksum value is determined by the address and data (or size) of the  
exclusive message that is transmitted.  
6
7
8
9
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
30  
31  
4AH 106 6AH  
4BH 107 6BH  
4CH 108 6CH  
4DH 109 6DH  
4EH 110 6EH  
4FH 111 6FH  
Calculating the checksum  
44 2CH  
45 2DH  
(“H” has been added following hexadecimal values)  
The checksum is a value that results in a lower 7 bits of 0 when the address, size,  
and checksum itself are added together.  
46  
47  
48  
49  
50  
51  
52  
53  
54  
55  
56  
57  
58  
59  
2EH  
2FH  
30H  
31H  
32H  
33H  
34H  
35H  
36H  
37H  
38H  
39H  
3AH  
3BH  
50H 112  
51H 113  
52H 114  
53H 115  
54H 116  
55H 117  
56H 118  
57H 119  
58H 120  
59H 121  
70H  
71H  
72H  
73H  
74H  
75H  
76H  
77H  
78H  
79H  
Specifically, the calculation will be as follows when the exclusive message you  
want to transmit has an address of aa bb ccH and data or size of dd ee ffH.  
aa + bb + cc + dd + ee + ff = total  
total ÷ 128 = quotient ... remainder  
128 - remainder = checksum  
*
However, as an exception, the checksum for a remainder of 0 is not 80H but  
rather 00H.  
5AH 122 7AH  
5BH 123 7BH  
5CH 124 7CH  
5DH 125 7DH  
5EH 126 7EH  
5FH 127 7FH  
60 3CH  
61 3DH  
62  
63  
3EH  
3FH  
*
*
The decimal expression of the MIDI channel, program change, etc., is one  
greater than the decimal value shown in the table above.  
The hexadecimal expression for each 7 bits allows a maximum of 128 steps (0--  
127) to be expressed by one byte of data. Multiple bytes are used if the data  
requires greater resolution than this. For example, a value expressed by two 7-  
bit bytes “aa” and “bbH” would be aa x 128 + bb.  
*
*
In the case of signed (+/-) data, 00H = -64, 40H = +/-0, and 7FH = +63; i.e., a  
value 64 less than the decimal value shown in the above table is used. In the case  
of a two-byte value, 00 00H = -8192, 40 00 = +/-0, and 7F 7F = +8191. For  
example, a value of “aa” and “bbH” would have a decimal expression of aa bbH  
- 40 00H = aa x 128 + bb - 64 x 128.  
In the case of data indicated as “use nibble data,” hexadecimal expression in 4-  
bit units is used. A nibble-expressed value of the two bytes 0a and 0bH would  
have a value of a x 16 + b.  
<Example1>  
What is the decimal expression of 5AH?  
From the preceding table, 5AH = 90.  
<Example2>  
What is the decimal expression of the 7-bit hexadecimal value 12 34H?  
From the preceding table, 12H = 18, and 34H = 52.  
Thus, this is  
18 x 128 + 52 = 2356  
<Example3>  
What is the decimal expression of the nibble-expressed value 0A 03 09 0D?  
From the preceding table, 0AH = 10, 03H = 3, 09H = 9, and 0DH = 13.  
Thus, this is  
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885  
120  
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MIDI implementation  
fig.midi-chart.e  
USB AUDIO INTERFACE /  
MIDI KEYBOARD CONTROLLER  
Date : Jan. 1, 2004  
MIDI Implementation Chart  
Version : 1.00  
Model PCR-1  
Function...  
Transmitted  
Recognized  
Remarks  
Basic  
Channel Changed  
Default  
1
X
X
1—16  
Default  
Messages  
Altered  
Mode 3  
OMNI ON/OFF, MONO, POLY  
X
X
X
Mode  
**************  
Note  
Number :  
X
X
0—127  
**************  
True Voice  
Note On  
Note Off  
O (9n v=1—127)  
O (9n v=0)  
X
X
Velocity  
After  
Touch  
Key’s  
Channel’s  
O
O
X
X
Pitch Bend  
O
O
X
X
0-119  
Control  
Change  
Program  
Change  
O (0—127)  
**************  
X
X
: True Number  
System Exclusive  
O
O
: Song Position  
: Song Select  
: Tune Request  
O
X
X
X
System  
Common  
O (0—127)  
O
System  
Real Time : Commands  
: Clock  
O
O
X
X
O *1 (120)  
X
X
X
X
X
X
: All Sound Off  
O *1 (121)  
: Reset All Controllers  
Aux  
Messages  
O
: Local On/Off  
: All Notes Off  
: Active Sensing  
: System Reset  
O *1 (123)  
O
O
Notes  
* 1 When PANIC is transmitted.  
Mode 1 : OMNI ON, POLY  
Mode 3 : OMNI OFF, POLY  
Mode 2 : OMNI ON, MONO  
Mode 4 : OMNI OFF, MONO  
O : Yes  
X : No  
121  
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Main specifications  
PCR-1: USB Audio Interface / MIDI Keyboard Controller  
Number of Audio Record/Playback  
Power Supply  
USB Bus Power  
Channels  
Record:  
1 pair of stereo  
1 pair of stereo  
Current Draw  
Playback:  
400 mA  
Full duplex (except for 96 kHz setting)  
Dimensions  
Signal Processing  
450(W) x 220(D) x 28(H) mm  
AD/DA Conversion: 24 bits  
17-3/4 (W) x 8-11/16 (D) x 1-1/8 (H) inches  
PC interface:  
24 bits  
Weight  
Sampling Rate  
1.5 kg / 3 lbs 5 oz  
44.1/48/96 kHz  
Accessories  
CD-ROM  
Nominal Input Level  
-10 dBu  
USB Cable  
Owner’s Manual  
Template Sheets (GM2, BLANK)  
Input Impedance  
27 k ohms  
Nominal Output Level  
-10 dBu  
(0 dBu = 0.775 V rms)  
Output Impedance  
* In the interest of product improvement, the  
specifications and/or appearance of this unit are  
subject to change without prior notice.  
1 k ohms  
Connectors  
USB connector: Type B  
Line Input jacks (L, R): RCA phono type  
Line Output jacks (L, R): RCA phono type  
Headphones jack: Stereo miniature phone type  
Digital Output connector: Optical type  
Keyboard  
25 Keys (with velocity)  
Controllers  
Master Volume Knob  
Memory Button  
MIDI Channel Button  
Shift Button  
Octave Shift Buttons (+/-)  
Transpose Button  
Assignable Buttons (B1--6)  
Pitch Bend Switch  
Modulation Switch  
Assignable Rotary Volume Knobs (R1--8)  
Display  
7 segments, 3 characters (LED)  
Rear Panel  
Input Level Knob  
122  
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A
ASSIGN COPY ................................................ 61, 86  
Assignments .......................................................... 61  
CTRL IN port ......................................................... 45  
D
Display ...................................................................... 9  
driver ..................................................... 44, 46, 95–96  
Driver Signing ...................................... 14, 18, 20, 23  
DT1 ................................................................ 117, 119  
B
Buffer Size ........................................................ 29, 39  
BULK ................................................................ 89–91  
Bulk dump ............................................................. 89  
Bulk mode .............................................................. 90  
123  
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index  
E
EDIT .................................................................. 50, 61 Latch mode ............................................................ 62  
EDIT Button ............................................................. 9 Latency ............................................................. 29, 39  
Edit mode ......................................................... 50, 61 LSB ...................................... 50, 57, 72, 74, 76, 80, 83  
F
F8 CLOCK PORT SET .................................... 93–94 Memory mode ................................................. 50, 59  
FACTORY RESET ........................................... 93, 95 memory number ................................................... 59  
G
GM2 MEMORY ..................................................... 95  
GM2 set ................................................................ 100  
H
MODULATION SETTING ............................ 93, 97  
MSB ..................................... 50, 57, 72, 74, 76, 80, 83  
HEX ..................................................................... 9, 54  
HEX Button ............................................................ 10  
Note off ................................................................ 117  
Note on ................................................................. 117  
NRPN ............................................................... 61, 74  
NRPN ASSIGN ..................................................... 61  
I
Input jacks .............................................................. 12  
input mode ............................................................ 54  
Insert Disk ........................................................ 16–17  
K
KEYBOARD PORT SET ................................. 93–94  
124  
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index  
O
OMS ........................................................................ 34  
S
Optical .................................................................... 12  
P
PROGRAM CHANGE ............... 50, 54, 56, 61, 118 system message ..................................................... 77  
Program Change Decrement function ............... 73 System reset ......................................................... 118  
Program Change mode .................................. 50, 56  
PROTECT ............................................................... 92  
PROTECT OFF ...................................................... 92  
PROTECT ON ....................................................... 92  
125  
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index  
T
Transmit data ...................................................... 117  
TRANSPOSE ......................................................... 52  
U
USB AUDIO ON / OFF ................................. 93, 96  
USB cable ................................................................. 6  
V
vibrato .................................................................... 52  
X
XG SET ................................................................. 105  
126  
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For EU Countries  
This product complies with the requirements of European Directive 89/336/EEC.  
For Canada  
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.  
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada403.055 398.0046es  
For the USA  
DECLARATION OF CONFORMITY  
Compliance Information Statement  
Model Name :  
Type of Equipment :  
Responsible Party :  
PCR-1  
USB AUDIO INTERFACE/MIDI KEYBOARD CONTROLLER  
Edirol Corporation North America  
Address : 425 Sequoia Drive, Suite 114, Bellingham, WA 98226  
Telephone : (360) 594-4276  
Information  
When you need repair service, call your nearest EDIROL/Roland Service Center or authorized  
EDIROL/Roland distributor in your country as shown below.  
IRELAND  
HONG KONG  
BARBADOS  
PERU  
CYPRUS  
Roland Ireland  
Parsons Music Ltd.  
A&B Music Supplies LTD  
12 Webster Industrial Park  
Wildey, St.Michael, Barbados  
TEL: (246)430-1100  
Audionet  
Radex Sound Equipment Ltd.  
17, Diagorou Street, Nicosia,  
CYPRUS  
G2 Calmount Park, Calmount  
Avenue, Dublin 12  
Republic of IRELAND  
TEL: (01) 4294444  
8th Floor, Railway Plaza, 39  
Chatham Road South, T.S.T,  
Kowloon, HONG KONG  
TEL: 2333 1863  
Distribuciones Musicales SAC  
Juan Fanning 530  
Miraflores  
Lima - Peru  
TEL: (511) 4461388  
EUROPE  
EDIROL (Europe) Ltd.  
Studio 3.4 114 Power Road  
London W4 5PY  
TEL: (022) 66-9426  
IRAN  
MOCO INC.  
No.41 Nike St., Dr.Shariyati Ave.,  
Roberoye Cerahe Mirdamad  
Tehran, IRAN  
BRAZIL  
Roland Brasil Ltda.  
Rua San Jose, 780 Sala B  
Parque Industrial San Jose  
Cotia - Sao Paulo - SP, BRAZIL  
TEL: (011) 4615 5666  
ITALY  
Roland Italy S. p. A.  
Viale delle Industrie 8,  
20020 Arese, Milano, ITALY  
TEL: (02) 937-78300  
U. K.  
INDIA  
Rivera Digitec (India) Pvt. Ltd.  
409, Nirman Kendra  
Mahalaxmi Flats Compound  
Off. Dr. Edwin Moses Road,  
Mumbai-400011, INDIA  
TEL: (022) 2493 9051  
TEL: +44 (0)20 8747 5949  
FAX:+44 (0)20 8747 5948  
http://www.edirol.com/europe  
TRINIDAD  
AMR Ltd  
Ground Floor  
Maritime Plaza  
Barataria Trinidad W.I.  
TEL: (868)638 6385  
TEL: (021) 285-4169  
Deutschland  
TEL: 0700 33 47 65 20  
France  
TEL: 0810 000 371  
Italia  
TEL: 02 93778329  
ISRAEL  
Halilit P. Greenspoon & Sons  
Ltd.  
8 Retzif Ha’aliya Hashnya St.  
Tel-Aviv-Yafo ISRAEL  
TEL: (03) 6823666  
NORWAY  
Roland Scandinavia Avd.  
Kontor Norge  
Lilleakerveien 2 Postboks 95  
Lilleaker N-0216 Oslo  
NORWAY  
CHILE  
Comercial Fancy II S.A.  
Rut.: 96.919.420-1  
Nataniel Cox #739, 4th Floor  
Santiago - Centro, CHILE  
TEL: (02) 688-9540  
INDONESIA  
PT Citra IntiRama  
J1. Cideng Timur No. 15J-150  
Jakarta Pusat  
INDONESIA  
TEL: (021) 6324170  
URUGUAY  
Todo Musica S.A.  
Francisco Acuna de Figueroa 1771  
C.P.: 11.800  
Montevideo, URUGUAY  
TEL: (02) 924-2335  
TEL: 2273 0074  
JORDAN  
MUSIC HOUSE CO. LTD.  
FREDDY FOR MUSIC  
P. O. Box 922846  
Amman 11192 JORDAN  
TEL: (06) 5692696  
COLOMBIA  
Centro Musical Ltda.  
POLAND  
MX MUSIC SP.Z.O.O.  
UL. Gibraltarska 4.  
PL-03664 Warszawa POLAND  
TEL: (022) 679 44 19  
KOREA  
Cra 43 B No 25 A 41 Bododega 9 VENEZUELA  
Cosmos Corporation  
1461-9, Seocho-Dong,  
Seocho Ku, Seoul, KOREA  
TEL: (02) 3486-8855  
Medellin, Colombia  
TEL: (574)3812529  
Instrumentos Musicales  
Allegro,C.A.  
Av.las industrias edf.Guitar  
import  
#7 zona Industrial de Turumo  
Caracas, Venezuela  
TEL: (212) 244-1122  
NORTH AMERICA  
CURACAO  
Zeelandia Music Center Inc.  
Orionweg 30  
Curacao, Netherland Antilles  
TEL:(305)5926866  
CANADA  
Roland Canada Music Ltd.  
(Head Office)  
5480 Parkwood Way Richmond  
B. C., V6V 2M4 CANADA  
TEL: (604) 270 6626  
KUWAIT  
EASA HUSAIN AL-YOUSIFI  
& SONS CO.  
Abdullah Salem Street,  
Safat, KUWAIT  
TEL: 243-6399  
PORTUGAL  
Roland Iberia, S.L.  
Portugal Office  
Cais das Pedras, 8/9-1 Dto  
4050-465, Porto, PORTUGAL  
TEL: 22 608 00 60  
MALAYSIA/  
SINGAPORE  
Roland Asia Pacific Sdn. Bhd.  
45-1, Block C2, Jalan PJU 1/39,  
Dataran Prima, 47301 Petaling  
Jaya, Selangor, MALAYSIA  
TEL: (03) 7805-3263  
DOMINICAN REPUBLIC  
Instrumentos Fernando Giraldez  
Calle Proyecto Central No.3  
Ens.La Esperilla  
Santo Domingo,  
Dominican Republic  
TEL:(809) 683 0305  
Roland Canada Music Ltd.  
(Toronto Office)  
170 Admiral Boulevard  
Mississauga On L5T 2N6  
CANADA  
EUROPE  
LEBANON  
Chahine S.A.L.  
Gerge Zeidan St., Chahine  
Bldg., Achrafieh, P.O.Box: 16-  
5857  
Beirut, LEBANON  
TEL: (01) 20-1441  
ROMANIA  
FBS LINES  
Piata Libertatii 1,  
535500 Gheorgheni,  
ROMANIA  
AUSTRIA  
PHILIPPINES  
Roland Elektronische  
Musikinstrumente HmbH.  
G.A. Yupangco & Co. Inc.  
339 Gil J. Puyat Avenue  
Makati, Metro Manila 1200,  
PHILIPPINES  
TEL: (905) 362 9707  
TEL: (266) 364 609  
Austrian Office  
ECUADOR  
Mas Musika  
Rumichaca 822 y Zaruma  
Guayaquil - Ecuador  
Eduard-Bodem-Gasse 8,  
A-6020 Innsbruck, AUSTRIA  
TEL: (0512) 26 44 260  
U. S. A.  
RUSSIA  
MuTek  
Dorozhnaya ul.3,korp.6  
117 545 Moscow, RUSSIA  
TEL: (095) 981-4967  
Roland Corporation U.S.  
5100 S. Eastern Avenue  
Los Angeles, CA 90040-2938,  
U. S. A.  
TEL: (02) 899 9801  
OMAN  
TALENTZ CENTRE L.L.C.  
Malatan House No.1  
Al Noor Street, Ruwi  
SULTANATE OF OMAN  
TEL: 2478 3443  
TAIWAN  
BELGIUM/FRANCE/  
HOLLAND/  
LUXEMBOURG  
Roland Central Europe N.V.  
Houtstraat 3, B-2260, Oevel  
(Westerlo) BELGIUM  
TEL:(593-4)2302364  
ROLAND TAIWAN  
TEL: (323) 890 3700  
ENTERPRISE CO., LTD.  
Room 5, 9fl. No. 112 Chung  
Shan N.Road Sec.2, Taipei,  
TAIWAN, R.O.C.  
GUATEMALA  
SPAIN  
Roland Iberia, S.L.  
Paseo García Faria, 33-35  
08005 Barcelona SPAIN  
TEL: 93 493 91 00  
Casa Instrumental  
Calzada Roosevelt 34-01,zona 11  
Ciudad de Guatemala  
Guatemala  
QATAR  
Badie Studio & Stores  
P.O. Box 62,  
Doha, QATAR  
TEL: 423554  
AFRICA  
EGYPT  
Al Fanny Trading Office  
9, EBN Hagar A1 Askalany  
Street,  
ARD E1 Golf, Heliopolis,  
Cairo 11341, EGYPT  
TEL: 20-2-417-1828  
TEL: (02) 2561 3339  
TEL: (014) 575811  
TEL:(502) 599-2888  
THAILAND  
Theera Music Co. , Ltd.  
330 Soi Verng NakornKasem,  
New Road, Sumpantawongse,  
Bangkok 10100, THAILAND  
TEL: (02) 224-8821  
CZECH REP.  
K-AUDIO  
Kardasovska 626.  
CZ-198 00 Praha 9,  
CZECH REP.  
SWEDEN  
HONDURAS  
Almacen Pajaro Azul S.A. de C.V.  
BO.Paz Barahona  
3 Ave.11 Calle S.O  
San Pedro Sula, Honduras  
TEL: (504) 553-2029  
Roland Scandinavia A/S  
SWEDISH SALES OFFICE  
Danvik Center 28, 2 tr.  
S-131 30 Nacka SWEDEN  
TEL: (0)8 702 00 20  
SAUDI ARABIA  
aDawliah Universal  
Electronics APL  
Corniche Road, Aldossary  
Bldg., 1st Floor, Alkhobar,  
SAUDI ARABIA  
TEL: (2) 666 10529  
VIETNAM  
SAIGON MUSIC  
DISTRIBUTOR  
(TAN DINH MUSIC)  
138 Tran Quang Khai Street  
Dist. 1, Ho Chi Minh City  
VIETNAM  
REUNION  
DENMARK  
SWITZERLAND  
Roland (Switzerland) AG  
Landstrasse 5, Postfach,  
CH-4452 Itingen,  
SWITZERLAND  
TEL: (061) 927-8383  
MARTINIQUE  
Musique & Son  
Z.I.Les Mangle  
97232 Le Lamantin  
Martinique F.W.I.  
TEL: 596 596 426860  
Maison FO - YAM Marcel  
25 Rue Jules Hermann,  
Chaudron - BP79 97 491  
Ste Clotilde Cedex,  
Roland Scandinavia A/S  
Nordhavnsvej 7, Postbox 880,  
DK-2100 Copenhagen  
DENMARK  
P.O.Box 2154, Alkhobar 31952  
SAUDI ARABIA  
TEL: (03) 898 2081  
REUNION ISLAND  
TEL: (0262) 218-429  
TEL: 3916 6200  
SYRIA  
Technical Light & Sound  
Center  
Rawda, Abdul Qader Jazairi St.  
Bldg. No. 21, P.O.BOX 13520,  
Damascus, SYRIA  
TEL: (08) 848-4068  
FINLAND  
Roland Scandinavia As, Filial  
Finland  
Elannontie 5  
FIN-01510 Vantaa, FINLAND  
TEL: (0)9 68 24 020  
UKRAINE  
TIC-TAC  
Mira Str. 19/108  
P.O. Box 180  
295400 Munkachevo,  
UKRAINE  
TEL: (03131) 414-40  
SOUTH AFRICA  
Paul Bothner(PTY)Ltd.  
Royal Cape Park, Unit 24  
Londonderry Road, Ottery 7800  
Cape Town, SOUTH AFRICA  
Gigamusic SARL  
10 Rte De La Folie  
97200 Fort De France  
Martinique F.W.I.  
TEL: 596 596 715222  
AUSTRALIA/  
NEW ZEALAND  
TEL: (011) 223-5384  
TEL: (021) 799 4900  
MEXICO  
TURKEY  
ZUHAL DIS TICARET A.S.  
Galip Dede Cad. No.37  
Beyoglu - Istanbul / TURKEY  
TEL: (0212) 249 85 10  
AUSTRALIA/  
GERMANY  
Roland Elektronische  
Musikinstrumente HmbH.  
Oststrasse 96, 22844  
Norderstedt, GERMANY  
TEL: (040) 52 60090  
Casa Veerkamp, s.a. de c.v.  
Av. Toluca No. 323, Col. Olivar  
de los Padres 01780 Mexico  
D.F. MEXICO  
UNITED KINGDOM  
NEW ZEALAND  
Roland Corporation  
Australia Pty.,Ltd.  
38 Campbell Avenue  
Dee Why West. NSW 2099  
AUSTRALIA  
ASIA  
Roland (U.K.) Ltd.  
Atlantic Close, Swansea  
Enterprise Park, SWANSEA  
SA7 9FJ,  
CHINA  
TEL: (55) 5668-6699  
Roland Shanghai Electronics  
Co.,Ltd.  
U.A.E.  
Zak Electronics & Musical  
Instruments Co. L.L.C.  
Zabeel Road, Al Sherooq Bldg.,  
No. 14, Grand Floor, Dubai,  
U.A.E.  
UNITED KINGDOM  
TEL: (01792) 702701  
NICARAGUA  
Bansbach Instrumentos  
Musicales Nicaragua  
Altamira D'Este Calle Principal  
de la Farmacia 5ta.Avenida  
1 Cuadra al Lago.#503  
Managua, Nicaragua  
5F. No.1500 Pingliang Road  
Shanghai 200090, CHINA  
TEL: (021) 5580-0800  
GREECE  
STOLLAS S.A.  
Music Sound Light  
155, New National Road  
Patras 26442, GREECE  
TEL: 2610 435400  
For Australia  
Tel: (02) 9982 8266  
For New Zealand  
Tel: (09) 3098 715  
Roland Shanghai Electronics  
Co.,Ltd.  
(BEIJING OFFICE)  
10F. No.18 3 Section Anhuaxili  
Chaoyang District Beijing  
100011 CHINA  
MIDDLE EAST  
TEL: (04) 3360715  
BAHRAIN  
Moon Stores  
No.16, Bab Al Bahrain Avenue,  
P.O.Box 247, Manama 304,  
State of BAHRAIN  
TEL: (505)277-2557  
HUNGARY  
CENTRAL/LATIN  
AMERICA  
Roland East Europe Ltd.  
Warehouse Area ‘DEPO’ Pf.83  
H-2046 Torokbalint,  
HUNGARY  
TEL: (010) 6426-5050  
TEL: 17 211 005  
Roland Shanghai Electronics  
Co.,Ltd.  
ARGENTINA  
Instrumentos Musicales S.A.  
Av.Santa Fe 2055  
TEL: (23) 511011  
(GUANGZHOU OFFICE)  
2/F., No.30 Si You Nan Er Jie  
Yi Xiang, Wu Yang Xin Cheng,  
Guangzhou 510600, CHINA  
TEL: (020) 8736-0428  
(1123) Buenos Aires  
ARGENTINA  
TEL: (011) 4508-2700  
As of December 10, 2005 (EDIROL-1)  
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