Owner’s Manual
Before using this unit, carefully read the sections entitled: “Important safety instructions”
(p. 2), “Using the unit safely” (p. 3), and “Important notes” (p. 5). These sections provide
important information concerning the proper operation of the unit. Additionally, in order
to feel assured that you have gained a good grasp of every feature provided by your new
unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept
on hand as a convenient reference
202
Copyright © 2005 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
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Using the unit safely
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The G symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
001 Before using this unit, make sure to read the
•
009 Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
instructions below, and the Owner’s Manual.
..........................................................................................................
002a
•
Do not open or perform any internal modifica-
tions on the unit.
..........................................................................................................
•
010 This unit, either alone or in combination with an
..........................................................................................................
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
•
003 Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004 Never use or store the unit in places that are:
..........................................................................................................
•
•
011 Do not allow any objects (e.g., flammable
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
• Damp (e.g., baths, washrooms, on wet floors);
or are
..........................................................................................................
012a
•
Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
• The power-supply cord, or the plug has been
damaged; or
•
007 Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
..........................................................................................................
008a
•
The unit should be connected to a power supply
only of the type described in the operating
instructions, or as marked on the rear of unit.
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally
or exhibits a marked change in performance.
..........................................................................................................
..........................................................................................................
008e
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
3
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•
106 Never climb on top of, nor place heavy objects on
the unit.
•
013 In households with small children, an adult
..........................................................................................................
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
107b
•
Never handle the power cord or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
014 Protect the unit from strong impact.
..........................................................................................................
•
108d: Selection
(Do not drop it!)
•
If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
..........................................................................................................
015 Do not force the unit’s power-supply cord to
•
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
1
• Check to make sure the screw securing the unit
to the stand have not become loose. Fasten
them again securely whenever you notice any
loosening.
..........................................................................................................
016 Before using the unit in a foreign country, consult
2
3
• Disconnect the power cord.
•
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
devices.
4
5
7
..........................................................................................................
019 DO NOT play a CD-ROM disc on a conventional
• Raise the adjusters on the stand (p. 17).
• Close the lid.
•
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.
• Fold down the music rest.
109a
..........................................................................................................
026 Do not put anything that contains water (e.g.,
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 16).
•
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft
cloth.
..........................................................................................................
110a
•
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
..........................................................................................................
101a
•
116 Be careful when opening/closing the lid so you
•
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
do not get your fingers pinched (p. 16). Adult
supervision is recommended whenever small
children use the unit.
..........................................................................................................
102b
..........................................................................................................
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
•
118cAlways keep the following parts including with
the KR105 and small components that may be
removed out of the reach of small children to
avoid accidental ingestion of these parts.
..........................................................................................................
103a
•
At regular intervals, you should unplug the
power plug and clean it by using a dry cloth to
wipe all dust and other accumulations away from
its prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor insulation
and lead to fire.
Removable parts
• Screws fastening the stand
• Screws fastening music rest
• the thumbscrew fastening the headphone hook
..........................................................................................................
..........................................................................................................
•
104 Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
4
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Important notes
291b
In addition to the items listed under “Important safety instructions” (p. 2) and “Using the unit safely” (p. 3), please read and
observe the following:
Power Supply
•
Maintenance
401b
301 Do not connect this unit to same electrical outlet that is being
•
To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal amount
of strength, moving the cloth along with the grain of the wood.
Rubbing too hard in the same area can damage the finish.
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending on the way in
which the electrical appliance is used, power supply noise may
cause this unit to malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
•
402 Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
•
403 The pedals of this unit are made of brass.
307 Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
Brass eventually darkens as the result of the natural oxidization
process. If the brass becomes tarnished, polish it using commer-
cially available metal polisher.
•
•
308 Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has been
completely disconnected from the source of power. If you need to
turn off the power completely, first turn off the POWER switch,
then unplug the power cord from the power outlet. For this
reason, the outlet into which you choose to connect the power
cord’s plug should be one that is within easy reach and readily
accessible.
Repairs and Data
•
452 Please be aware that all data contained in the unit’s memory may
be lost when the unit is sent for repairs. Important data should
always be backed up on floppy disk, or written down on paper
(when possible). During repairs, due care is taken to avoid the
loss of data. However, in certain cases (such as when circuitry
related to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no liability
concerning such loss of data.
Placement
•
351 Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
Additional Precautions
•
Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of loosing important
data, we recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory.
352a
•
This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
•
Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
•
552 Unfortunately, it may be impossible to restore the contents of
data that was stored once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
•
553 Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
354b
•
Do not expose the unit to direct sunlight, place it near devices
•
554 Never strike or apply strong pressure to the display.
that radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Also, do not allow lighting
devices that normally are used while their light source is very
close to the unit (such as a piano light), or powerful spotlights to
shine upon the same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
•
556 When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
•
557 A small amount of heat will radiate from the unit during normal
355b
•
When moved from one location to another where the temper-
operation.
558a
ature and/or humidity is very different, water droplets (conden-
sation) may form inside the unit. Damage or malfunction may
result if you attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand for several
hours, until the condensation has completely evaporated.
•
To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
559b
•
When you need to transport the unit, pack it in shock-absorbent
•
356 Do not allow rubber, vinyl, or similar materials to remain on the
unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
358 Do not allow objects to remain on top of the keyboard. This can
be the cause of malfunction, such as keys ceasing to produce
sound.
359 Do not paste stickers, decals, or the like to this instrument.
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
•
560 Do not apply undue force to the music rest while it is in use.
•
•
561 Use only the specified expression pedal (EV-7/5; sold separately).
By connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.
•
Peeling such matter off the instrument may damage the exterior
finish.
5
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Handling CD-ROMs
•
•
562 Use a cable from Roland to make the connection. If using some
other make of connection cable, please note the following precau-
tions.
801 Avoid touching or scratching the shiny underside (encoded
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
surface) of the disc. Damaged or dirty CD-ROM discs may not be
read properly. Keep your discs clean using a commercially
available CD cleaner.
*
*
GS (
) is a registered trademark of Roland Corpo-
ration.
•
565 Before opening or closing the keyboard lid, always make sure
that no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design of
this instrument, small pets or other animals could end up getting
trapped inside it. If such a situation is encountered, you must
immediately switch off the power and disconnect the power cord
from the outlet. You should then consult with the retailer from
whom the instrument was purchased, or contact the nearest
Roland Service Center.
XG lite (
) is a registered trademark of Yamaha
Corporation.
*
207 Apple and Macintosh are registered trademarks of Apple
Computer, Inc.
*
220 All product names mentioned in this document are trade-
marks or registered trademarks of their respective
owners.
Handling Floppy Disks
(Using the Floppy Disk Drive)
•
Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is required to
enable storage of large amounts of data on such a small surface
area. To preserve their integrity, please observe the following
when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle). Recommended
temperature range: 10 to 50˚C (50 to 122˚F).
• Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
•
652 Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab be
kept in the PROTECT position, and moved to the WRITE position
only when you wish to write new data onto the disk.
Rear side of the disk
WRITE
(you can save data to the disk)
Protect tab
PROTECT (you cannot save data)
•
The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it may
be difficult to remove the disk.
•
654 Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a dirty
or dust-ridden disk, you risk damaging the disk, as well as
causing the disk drive to malfunction.
•
Disks containing performance data for this unit should always be
locked (have their write protect tab slid to the “Protect” position)
before you insert them into the drive on some other unit (except
the PR-300, or a product in the HP-G, HPi, MT, KR, or Atelier
families), or into a computer’s drive. Otherwise (if the write
protect tab remains in the “Write” position), when you perform
any disk operations using the other device’s disk drive (such as
checking the contents of the disk, or loading data), you risk
rendering the disk unreadable by this unit’s disk drive.
6
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Introduction
Thank you, and congratulations on your choice of the Roland KR105 Intelligent Piano.
Apart from allowing you to achieve authentic piano performances, the KR105 also features easy-to-
use automatic accompaniment and numerous other useful functions. In order to enjoy reliable
performance of your new instrument for many years to come, please take the time to read through this
manual in its entirety.
Main Features
❍ Piano Sounds with Rich Resonance and Wide-Ranging
Expressiveness
The stereo sampling piano sound generator realistically reproduces even the sound of the hammers
striking the strings, producing the tones of a high-quality concert grand piano. Maximum polyphony
of 64 notes ensures that you can use the pedal freely without running out of notes.
❍ Pursuing the Playing Feel of a Grand Piano
The KR105 has a progressive hammer action keyboard, which duplicates the touch of a grand piano,
with a heavier touch in the lower register, and a lighter touch in the upper register. The pedal is
designed for good-feeling response, and allows subtle performance nuances to be expressed.
In addition to the ability of adjusting the key weight, a “Hammer Response” function, which
reproduces the subtle action of the hammers, is also incorporated, so there are two key-touch controls
that come into play when determining the precise character of the keyboard. Additionally, the
instrument’s pedals are firm and responsive, lending your performances fuller and more detailed
expressiveness.
❍ Accomplish Tasks Easily with the Main Buttons
Almost all of the KR105’s common functions, including playing back songs, displaying notations,
running the automatic accompaniment, selecting tones, and so on can be accomplished using the Main
buttons to the left of the screen.
❍ Easy-To-Use “Music Assistant” Automatic Accompaniment
Feature
You can select from an amazing 350 settings to get automatic accompaniment that perfectly matches
the song you are playing.
Each song’s Music Assistant settings are shown in a manner that is easy to grasp, so playing along
with the changes in the accompaniment is a snap.
For easy enjoyment of Music Assistant, the KR105 also includes songs that you can perform while
reading the chord charts.
❍ Touch screen
The KR105 features a touch screen with rich graphics to make viewing easier. Operations can be
carried out easily, just by touching the screen.
7
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Introduction
How To Use This Manual
The KR105 Owner’s Manual consists of three volumes, Quick Start, Owner’s Manual, and the USB
Install Guide.
Please start out by reading “Before You Start Playing” (p. 15) in the Owner’s Manual (this volume).
This explains how to connect the KR105’s power cord and how to turn on the instrument’s power.
After turning on the KR105’s power, please continue by reading Quick Start.
By trying out the various procedures while reading the Quick Start, you can easily learn how to play
the KR105 and make use of its major functions (especially procedures that involve use of the “main
buttons”).
The Owner’s Manual describes procedures, from basic operation to procedures for special
applications (for example, using the KR105 as an accompanist and creating songs), that will help you
master the KR105’s many performance functions.
When connecting a computer to the USB port, be sure to read the USB Install Guide. This describes
the procedure for installing the driver needed to connect via USB.
*
For more on system requirements, refer to the “USB Installation Guide.”
I Conventions Used in This Manual
This manual uses the following conventions in the interest of simpler, more concise instructions.
• Button names are enclosed in square brackets “[ ]”, as in One Touch Program [Piano]
button.
• On screen text is enclosed in angled brackets “< >”, as in <Exit>.
• The act of lightly contacting the Touch Screen with your finger is called “touching.”
NOTE
• An asterisk (*) or a
at the beginning of a paragraph indicates a note or precaution.
These should not be ignored.
• (p. **) refers to pages within the manual.
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Modifying an Accompaniment .......................................... 46
Using the unit safely ..................................3
Main Features............................................................................ 7
Adding Harmony to the Right-Hand Part (Melody
Playing Sounds in the Left Hand (Lower Tone).............. 50
Playing the Piano with Accompaniment Added (Piano
Style Arranger)...................................................................... 51
Rear Panel ................................................................................ 14
Adjusting the Volume Balance for Each Part (Balance).. 52
Playing a Song....................................................................... 54
Registering the Songs You Like (Favorites)...................... 59
Match the Tempo Before You Begin Playing (Count In) 68
Muting Some Parts Before Playing
Setting Markers for Repeated Practice (Marker) ............. 70
Transposing Keyboard Sounds and Songs Played Back
Basic Screen.......................................................................... 19
Using the Main Icons.......................................................... 19
The Scroll Bar and The Page Icon ..................................... 19
Recording Along with a Song............................................. 80
Recording While Selecting the Track Buttons (Redoing
Deleting Saved Songs........................................................... 90
Copying Songs on Disks to Favorites................................ 91
Performing with a Variety of Tones (Tone Buttons)....... 21
(Layer).................................................................................... 25
Playing Different Tones with the Left and Right Hands
Applying Effects to the Sound (Effects)............................ 30
Using the Metronome.......................................................... 32
2. Automatic Accompaniment......................... 35
Loading Saved User Program Sets ................................... 95
Music Styles and Automatic Accompaniment................. 35
Performing Using Automatic Accompaniment (One-
Touch Arranger)................................................................... 36
Deleting Saved User Program Sets....................................... 96
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Contents
Memory .................................................................................... 96
Coping Sets of User Programs Stored in the User Memory
Creating Original Styles (User Styles)................................ 116
(Style Composer)............................................................... 116
Creating a Style from a Song You Composed Yourself
(Style Converter) ............................................................... 118
Selecting the Pedal Used for Switching Settings
Sequential Loading of User Program Sets (Load Next). 97
Saving a User Style ............................................................... 121
Deleting Saved User Styles.............................................. 122
Simultaneously Switching User Program and Transmitting
Copying Styles on Disks to the User Memory.................. 123
Copying Styles Saved in the User Memory to Disks ... 123
Multitrack Recording with 16 Parts (16-Track Sequencer)99
Getting the Most Suitable Part Tones for the Musical
Genre (Tone Set)................................................................ 101
Procedure ........................................................................... 124
Changing the Keyboard’s Split Point (Split Point)....... 125
Assigning Functions to Pedals and Performance Pads
Changing How Chords Are Played and Specified
Changing the Recording Method (Rec Mode).................. 102
(Replace Recording).......................................................... 103
(Mix Recording)................................................................. 103
Recording).......................................................................... 104
Recording).......................................................................... 105
(Arranger Config).............................................................. 128
Composing an Accompaniment By Entering Chords (Chord
Lid: Adjusting the piano tone.......................................... 132
Changing the Tuning (Tuning) ....................................... 133
Exchanging Parts (Part Exchange).................................. 112
Correcting Notes One by One (Note Edit) .................... 112
(Hammer Response) ......................................................... 134
Adjusting the Resonant Sounds (String Resonance).... 134
Changing the Screen Message When the Power Is
Turning Off the Beat Indicator (Beat Indicator)............ 137
Turned Off (Memory Backup)......................................... 138
Restoring the Factory Settings (Factory Reset) ............. 138
Changing the Tempo Within the Song .............................. 114
Adjusting the Tempo While Listening to a Song ......... 114
Adjusting the Tempo at a Particular Measure.............. 115
Disabling Functions Other Than Piano Performance
(Panel Lock) ........................................................................... 140
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Contents
(Play Mode)........................................................................ 141
Hiding the Lyrics (Lyrics)................................................ 141
Changing the Parts Assigned to the Track Buttons During
SMF Playback (Track Assign).......................................... 142
Connecting Video Equipment (V-LINK)........................... 143
Using the V-LINK function ............................................. 143
Connecting MIDI Devices.................................................... 143
Connectors ......................................................................... 143
Synchronizing with Connected MIDI Devices................. 144
Selecting the Transmit Channel (Tx Channel) .............. 146
Keyboard (Local Control) ................................................ 146
Bank Select MSB/Bank Select LSB) ................................ 147
Connecting to Audio Equipment ....................................... 148
Connectors ......................................................................... 148
Making the Connections .................................................. 148
Connecting a Computer....................................................... 149
Connect to the MIDI Connectors .................................... 149
Connect to the USB Connector........................................ 150
About the KR105’s Sound Generator............................. 168
Index ........................................................171
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Panel Descriptions
6
7
8
10
11
14
17 18 19
22
2 3 4 5
9
12
13
16
20
21
15
Power
1
1. [Power] switch
13.Fill In buttons ([To Variation], [To Original])
Inserts a fill-in in an automatic accompaniment and
changes the accompaniment pattern (p. 46).
2. [Volume] knob
14.Music Style buttons
Adjusts the overall volume (p. 17).
Select a Music Style for automatic accompaniment (p.
39).
Pressing the [User] button selects a User Style that
you’ve made yourself or a Music Style on a floppy disk
(p. 41).
3. [Brilliance] knob
Adjusts the brightness of the sound (p. 17).
4. [Balance] knob
Changes the volume balance for sounds played with the
keyboard and for songs and accompaniments (p. 52).
15.[Intro/Ending] button
Play an intro or ending during automatic
accompaniment (p. 43).
5. [Mic Echo] knob
Allows you to set the level of the echo effect that can be
added to your singing (p. 30).
16.[Start/Stop] button
6. [Part Balance] button
This adjusts the relative volume levels of each of the
performance parts (p. 52).
17.[Count/Marker] button
These allow you to add and move markers in the
notation as well as repeat playback of song segments
simply and easily (p. 70).
7. [Transpose] button
Transposes the pitch of the keyboard or the song being
played (p. 73).
18.Beat Indicator
8. [Reverb] button
This lights up in correspondence with the beat of the
selected song or accompaniment.
Adds reverberation to the sound (p. 28).
9. [User Program] button
19.[Metronome] button
Stores the selected functions and states of the buttons (p.
93).
Activates the built-in metronome (p. 32).
20.Tempo [–] [+] buttons
Adjusts the tempo.
Performance Pad
Press the [–] and [+] buttons at the same time to return to
the original tempo.
This is used to change the arrangement type for
automatic accompaniment with the Performance Pads
(p. 46).
11.[User Function] button
This is used to assign a variety of functions to the
Performance Pads (p. 126).
The operation of these buttons depends on the status
and setting of buttons each is changed depending on the
buttons numbered [10] and [11].
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Panel Descriptions
23
24
26
28
29
30
32
25
27
31
21. Main Buttons
Record/Playback
[Song/File] button
28.[Menu] button
You can select functions for playing back, recording or
floppy disk (p. 54).
[DigiScore] button
Displays notations (p. 61).
[Music Assistant] button (p. 140)
editing a song (p. 82, 99, 141).
29.Track buttons
Used to play back or record each track of a song (p. 69,
81).
30.Transport buttons
22.Touch Screen
[
(Reset)] button
This lets you perform a variety of operations just by
Resets the song playback-start location to the beginning
of the song.
touching the screen (p. 18).
23.Dial
[
(Play/Stop)] button
(Rec)] button
Use this to change on-screen values.
[
24.Contrast knob
When pressed, this button places the instrument in
recording standby (p. 76, 99).
Adjusts the contrast of the screen (p. 18).
[Piano] button
[
(Bwd)] button
Rewinds the song.
(Fwd)] button
Makes the optimal settings for a piano performance (p.
20).
[Arranger] button
Makes the optimal settings for playing with automatic
accompaniment (p. 36).
[
Fast-forwards the song.
31.[Wonderland/Game] button
Here you can learn about instruments while having fun.
→ See the Quick Start
26.[Tone] buttons
32.Disk drive
Select the Tones that will be played from the keyboard
This is where you insert floppy disks with Standard
MIDI Files or Music Styles you may already own. The
drive accepts 2DD (720k) and 2HD (1.44MB) floppy
disks.
(p. 21).
27.[Melody Intelligence] button
Adds harmony to the sounds played with the keyboard
(p. 49).
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Panel Descriptions
Rear Panel
fig.panelRear
1
2
3
4
1. Expression pedal jack
You can connect an expression pedal to the KR105 to
control the volume.
3. Input jacks
generating device or an audio device, so that the sound
of that device will be output from the KR105’s speakers
(p. 148).
2. Pedal connector
Connect the pedal cable of the stand to this connector (p.
4. Output jacks
15).
enjoy more powerful sound. They can also be connected
to a tape recorder or similar device in order to record
your performance on a cassette tape (p. 148).
Bottom Panel
4. MIDI Out/In connectors
These can be connected to an external MIDI device to
exchange performance data (p. 143).
5. USB connector
You can connect a computer and exchange performance
data between the instrument and the computer (p. 150).
1
2
3
4
5
1. Phones jacks
A set of headphones can be connected here (p. 17).
2. Mic Volume knob
3. Mic In jack
Used for connecting microphones (p. 18).
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Before You Start Playing
Connect the Pedal Cable
Setting Up the Music Rest
Set up the music rest as shown in the figure below.
Insert the pedal cable into the Pedal connector on the
rear panel of the KR105.
fig.00-01
Fold the three supporting feet at the back of the rest and
check whether the stand is held in place.
Connect the Power Cord
Insert the included power cord into the AC inlet on the
bottom panel of the KR105, and then plug it into an
electrical outlet.
NOTE
Be sure to use the supplied power cord.
fig.00-02
Before moving the KR105, be sure to lower the music
stand as a safety precaution.
I Using the Music Holders
You can use the holders to hold pages in place. When not
using the holders, leave them folded down.
fig.mu_stand4
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Before You Start Playing
Opening/Closing the Lid
•
945 If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. Refer to Power Supply (p. 5).
To open the lid, use both hands to lift it lightly, and
slide it away from yourself.
To close the lid, pull it gently toward yourself, and
About the Pedals
lower it softly after it has been fully extended.
fig.00-05
The pedals have the following functions, and are used
mainly for piano performance.
NOTE
When opening and closing the lid, be careful not to let your fingers
get caught. If small children will be using the KR105, adult
supervision should be provided.
Soft Pedal
Damper Pedal
Sostenuto Pedal
NOTE
If you need to move the piano, make sure the lid is closed first to
prevent accidents.
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
you take your fingers off the keys.
Turning the Power On and
Off
On an acoustic piano, holding down the damper pedal will
allow the remaining strings to resonate in sympathy with the
sounds that you played from the keyboard, adding a rich
resonance.
NOTE
The KR105 simulates this damper resonance.
Turn on power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
941
You can change the amount of resonance applied with the damper
pedal.
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power] switch.
Sostenuto pedal (center pedal)
The power will turn on, and the Power indicator at the
left front of the KR105 will light.
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
After a few seconds, you will be able to play the
keyboard to produce sound.
Soft pedal (left pedal)
Use the [Volume] knob to adjust the volume.
When you hold down this pedal and play the keyboard, the
sound will have a softer tone.
NOTE
The softness of the sound changes subtly depending on the
extent to which the pedal is depressed.
This unit is equipped with a protection circuit. A brief interval (a few
seconds) after power up is required before the unit will operate
normally.
Power
Power Indicator
To turn the power off, turn the [Volume] knob all the
way to the left, and press the [Power] switch.
The Power indicator at the left front of the KR105 will go
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Before You Start Playing
About the Adjuster
Connecting Headphones
When you move the KR105 or if you feel that the pedals are
unstable, adjust the adjuster located below the pedals as
follows.
The KR105 has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
allows you to play without having to worry about bothering
others around you, even at night.
❍
Rotate the adjuster to lower it so that it is in firm contact
with the floor. If there is a gap between the pedals and
the floor, the pedals may be damaged. In particular
when placing the instrument on carpet, adjust this so
that the pedals firmly contact the floor.
Plug the headphones into the Phones jack located at the
bottom left of the piano.
Connecting headphones will automatically mute the
sound from the internal speakers.
The headphone volume is adjusted by the [Volume]
Adjuster
knob of the KR105.
fig.00-04.e
Adjusting the Sound’s
Volume and Brilliance
Turn the [Volume] knob to adjust the overall volume.
Phones jack x 2
Turn the [Brilliance] knob to adjust the brightness of
the sound.
NOTE
Use Stereo headphones.
Some Notes on Using Headphones
• To prevent damage to the cord, handle the headphones
only by the headset or the plug.
• Connecting the headphones when the volume of
connected equipment is turned up may result in damage
to the headphones. Lower the volume on the KR105
before plugging in the headphones.
• Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing
loss. Use the headphones at a moderate volume level.
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Before You Start Playing
I Using the Headphone Hook
About the Touch Screen
The KR105 makes use of a touch screen.
Whenever you are not using the headphones, you can hang them on
the headphone hook at the lower left of the KR105.
This lets you carry out a wide variety of actions just by
touching the screen lightly.
Attaching the Headphone Hook
Press and twist the headphone hook included with the KR105 into
the hole in the bottom of the KR105 (refer to the figure below).
Turn the headphone hook thumbscrew to secure the headphone
hook.
NOTE
The touch screen is operated by touching it lightly with your finger.
Pressing hard, or using a hard object can damage the touch screen.
Be careful not to press too hard, and be sure to use only your fingers
to operate the touch screen.
NOTE
changes in the surrounding environment and over time. If this
happens, follow the steps in Refer to Calibrating the Touch Screen
(Touch Screen) (p. 139). to correct the pointer position.
Thumbscrew
NOTE
Do not place items on the touch screen.
Connecting a Microphone
I Adjusting the Contrast of the
You can connect a microphone into the Mic In jack, and enjoy
karaoke with the KR105.
fig.00-10
Screen
To adjust the contrast of the screen, turn the Contrast
Mic In jack
Mic Volume knob
knob located at the right side of the screen.
1. Connect a microphone (sold separately) to the Mic In
jack on the lower-left area of the instrument.
2. Rotate the [Mic Volume] knob on left side of the Mic In
jack to adjust the volume level for the microphone.
Some Notes on Using a Microphone
• Be careful of high volume levels when using microphone
late at night or early in the morning.
• When connecting a microphone to the KR105, be sure to
lower the volume. If the volume control is too high when
the microphone is plugged in, noise may be produced by
the speakers.
• Howling could be produced depending on the location
of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lowering volume levels.
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Before You Start Playing
I Using the Main Icons
Main Screens
You can many other screens besides the Basic screen to do
things. The on-screen graphics that appear three dimensional
work like buttons. These are called “Icons.”
I Piano Screen
Immediately after the power is turned on, the Piano screen
like the one below is displayed. For details, refer to p. 20.
The main icons you can use on these screens are as follows.
Some screens consist on two or more pages.
You can display the next page or the
previous page of the screen by touching
these icons.
When you select an internal song or music
files that includes lyrics data, this icon
appears in the Piano screen or Basic screen.
Touch this to display the lyrics.
NOTE
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however, that
your unit may incorporate a newer, enhanced version of the system
(e.g., includes newer sounds), so what you actually see in the display
I Basic Screen
The following screen is called Basic screen.
may not always match what appears in the manual.
985
Song name or Music
Style name
Beat
Tempo
Measure
I The Scroll Bar and The Page
The names of the selected Tones
are displayed.
Icon
The Song and Tone selection screens feature a scroll bar at
the right of the screen list, with page icons at the top and
bottom of the scroll bar.
This information is displayed
when you use the automatic
accompaniment.
You can usually display this screen by pressing the <Exit>
field several times.
Follow either of the procedures described below to display it.
• Press the One Touch Program [Arranger] button.
The Basic screen appears and the settings are made for
automatic accompaniment.
• Press the One Touch Program [Piano] button, one of the
Tone buttons, then the <Exit> field.
Touch the scroll bar and drag up and down to scroll through
the list.
Touch the page icons to change pages.
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1. Performance
Playing the KR105 Like a Piano
(One-Touch Piano)
You can create the optimal settings for a piano performance with the press of a single
button.
fig.panel1-1
1.
Press the One Touch Program [Piano] button.
Since this instrument faithfully
reproduces real acoustic piano
action and response, keys
played in the top one-and-one-
half-octave range continue to
resonate, regardless of the
tone in this range is audibly
different. The Key Transpose
setting (p. 73) can also be used
to change the range that is
unaffected by the damper
pedal.
A Piano screen like the one shown below will appear.
fig.d-piano.eps_60
following settings, regardless of the current panel settings.
keyboard returns to a single section.
• The pedals return to their usual functions (p. 16).
• The Grand Piano sound is automatically selected.
• The effect is automatically set to “Damper Resonance” (p. 30).
When you select an internal
song or music file that includes
the lyrics data,
appears
in the Piano screen or Basic
screen. Touch this to display
the lyrics.
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Performing with a Variety of Tones
(Tone Buttons)
For more about the names of
Tones, take a look at the “Tone
List” (p. 156).
The KR105 comes with a many built-in instrument sounds and effects. This lets you
enjoy perform in a wide range of musical styles.
The built-in sounds are called “Tones.” The sounds are organized into six tone
groups, which are assigned to the Tone buttons.
fig.panel1-2
1.
Press any one of the Tone buttons to select a tone group.
You’ll see that button’s indicator light up.
The screen displays the tone names included in the tone group you’ve selected.
fig.d-tonesel.eps_60
This screen is called the “Tone selection screen.”
Tones indicated by
recommended.
is called “EX voices.” These voices are especially
What “Key Off Sound” does is recreate the tonal changes produced when the fingers
are released from the keys.
Tones indicated by “GS” are GS tones.
Touch and drag up and down in the scroll bar to scroll through the screen and
display other tones.
Touch the page icons <
> <
> to change pages.
You can touch <Audition> for a demonstration of a particular tone.
You can touch <Effects> to add effect sounds to a variety of tones (p. 30).
You can touch <Search> to find tones according to the search criteria you specify (p.
24).
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2.
3.
Touch a tone name to select the tone.
You’ll hear the tone you’ve selected when you play the keyboard.
You can use the dial to scroll through the screen as you switch the Tones to be
played.
Touch <Exit>.
This returns you to the Basic screen or the previous screen.
I Playing Percussion Instruments or Sound Effects
You can use the keyboard to play percussion sounds or effects like sirens and animal
sounds.
fig.panel1-2
1.
2.
Press the [Voice/Super Tones] button and watch the indicator light up.
Touch <Super Tones> in the display.
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3.
Touch <Drums> or <SFX> to display the “Drums” or the “SOUND
EFFECT” screen.
fig.d-drum.eps_60
Each note of the keyboard will play a different sound. You can also play sounds by
touching the screen.
The combination of sounds
set. Take a look at the “Drum
Set List” (p. 158) and “SFX Set
List” (p. 162).
You can select other drum tones by pressing the <
> or <
> buttons.
4.
Touch <Exit> several times.
This returns you to the Basic screen or the previous screen.
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I Using Keywords to Search for Tones (Tone Search)
You can search for tones that match the conditions you set for instrument or musical
style. You can also search the tones using the first character of the tone name.
1.
2.
Press any Tone button.
The tone selection screen appears.
Touch <Search>.
The following “Tone Search” screen appears.
fig.d-tonesrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
Searching by Conditions
3.
4.
Touch <Category> or <Genre>, then use the dial to select the search
In condition search, tones
satisfying all of the selected
search criteria are sought.
conditions.
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the tone.
Touch button to return to the tone search screen.
Searching by Tone Name
3
Touch <By Name>.
Touch <By Key> to go to the condition search screen.
4.
Decide which character is to be used for the search.
The selected character appears in the middle of the screen.
Enter the character you’re searching for. For example, touching <ABC> in succession
cycles you through the available choices in that character group (“A”→”B”→”C”...).
Touching <A-0> selects the type of character. Each time you touch <A-0>, the
character switches between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the Tone.
Touch <Exit> several times to return to the Basic screen or the previous screen.
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Performing with Multiple Sounds
Layered Together (Layer)
Two tones sounding together when you press a single key is referred to as a “layer
performance.”
For instance, it’s possible to play the Tones for both Piano and Strings simultaneously.
fig.layer.e
Grand Piano 1
Strings 1
When you select an internal
song or music file that includes
the lyrics data,
in the Basic screen. Touch this
to display the lyrics.
appears
1.
Touch <Layer 1>.
fig.d-layer.eps_60
The tone that was sounding before you switched to layer performance, plus the tone
indicated in the lower part of the display, are now played together.
When you touch Octave
<-><+> on the tone selection
see “Shifting the Keyboard
Pitch in Octave Steps (Octave
Shift)” (p. 27).
Here, the tone appearing in the upper part of the display is called the “Upper tone,”
and the tone appearing in the lower part of the display is called the “Layer tone.”
Changing the Tones
2.
Touch the name of the tone to be changed.
Touch here to highlight the tone name.
3.
4.
Press a Tone button to select the new tone (p. 21).
the right-hand and Layer Tone
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 52).
When you have selected the tone, touch <Exit>.
The display returns to the Basic screen.
Cancelling the Layer
5.
Touch <Layer>.
The <Layer> icons is dimmed, and the Layer performance is cancelled.
Now when you play the keys, only the tone indicated on the screen is sounded.
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Playing Different Tones with the Left
and Right Hands (Split)
Dividing the keyboard into right-hand and left-hand areas, then playing different
sounds in each section is called “split performance.” The boundary key is called the
“split point.”
The split point key is included in the left-hand keyboard area. Each time power to
refer to “Changing the
Keyboard’s Split Point (Split
Point)” (p. 125).
the keyboard is turned on, the split point is reset to “F#3.”
fig.split.e
Split Point
Acoustic Bass
Grand Piano
When you select an internal
song or music file that includes
1.
At the Basic screen, touch <Split>.
the lyrics data,
appears
fig.d-split.eps_60
in the Basic screen. Touch this
to display the lyrics.
The tone sounding prior to the split performance is played in the right-hand section
of the keyboard, and the tone indicated at the left of the screen is played in the left-
hand section of the keyboard.
When you touch Octave
<-> <+> in the tone selection
Here, the tone appearing at the right part of the display is called the “Upper tone,”
and the tone appearing at the left part of the display is called the “Lower tone.”
see “Shifting the Keyboard
Pitch in Octave Steps (Octave
Shift)” (p. 27).
Changing the Tones
2.
3.
4.
Touch the name of the tone to be changed.
Press a Tone button to select the tone (p. 21).
When you have selected the tone, touch <Exit>.
The display returns to the Basic screen.
refer to “Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 52).
Cancelling the Split
5.
Touch <Split>.
The <Split> icon is dimmed, and the Split performance is cancelled.
When you play the keys, only the tone indicated on the screen is sounded.
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Using Layer and Split Performance Simultaneously
Turning on either Layer Performance or Split Performance allows you to divide the
keyboard into a upper and a lower part and play with two Tones layered in the
When the keyboard has been
divided into Upper and Lower
sections, the damper pedal
only affects the Upper section.
of the Lower section, see
Pedals and Performance Pads
(Pedal Setting/User
upper part.
fig.d-layersplit.eps_60
Functions)” (p. 126).
(Octave Shift)
When using Layer performance (p. 25) or Split performance (p. 26), you can change
the pitch of the keyboard’s sound in octave units. This function is called “Octave
Shift.”
For example, when using a Layer performance, you can change the pitch of either.
You can make the pitch of the keyboard’s Lower part match the pitch of the Upper
part during split performance.
1.
On the Basic screen, touch <Layer> or <Split>.
The KR105 switches to Layer performance or Split performance.
2.
3.
To apply Octave Shift, touch the name of the tone you’ve selected.
Press the Tone button to display the Tone selection screen.
fig.d-octshift.eps_60
4.
Touch Octave <–> or <+> in the lower part of the screen to adjust the
pitch of the sound.
Each time you touch <+>, the pitch is raised one octave.
Each time you touch <–>, the pitch is lowered one octave.
The sound can be changed from two octaves lower than the original sound (–2) to
two octaves above the original (+2).
Touch <Exit> to return to the Basic screen or the previous screen.
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Adding Reverberation to the Sound (Reverb)
Apply a reverb effect to the notes you play with the KR105.
Reverb makes it sound as if you are playing in a concert hall.
fig.panel1-3
1.
2.
3.
Press the [Reverb] button and watch the its indicator light up.
A “Reverb” screen like the one shown below appears.
fig.d-reverb.eps_60
Touch an icon to select the performance space.
Display
GS Room 1
GS Room 2
GS Room 3
GS Hall 1
Explanation
Reproduces an indoor-type reverb.
Provides a clear, expansive reverberation.
Reproduces the reverberation found in a hall. Gives reverberation
with a greater sense of depth than GS Room.
GS Hall 2
Reproduces a plate echo (reverberation created using the vibrations
of a metal plate).
GS Plate
GS Delay
A delayed sound that is added to the original, similar to the reflected
sounds of mountain echoes.
GS Pan Delay The reflected sounds are panned (shifted) laterally.
No effect is applied when the
slider is moved all the way to
the left. In this case, the
button’s indicator won’t light
up when you press the
Touch the slider beneath the icons to adjust the effect selected.
Touch and slide the knob on the screen to the right for a deeper reverb, and to the
[Reverb] button.
left for less.
You can also move the slider with the dial.
When you touch <Exit>, the reverb effect is activated, and you return to the previous
screen.
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Cancelling the Effect
Press the [Reverb] button, and watch the indicator light go out.
4.
The reverb effect is eliminated.
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Applying Effects to the Sound (Effects)
keyboard.
For more on the effect types,
refer to the “Effects List” (p.
163).
1.
First, press a Tone button to select a Tone (p. 21).
The Tone selection screen appears.
2.
Then, touch <Effects>.
The “Effects” screen appears.
fig.d-effects.eps_60
NOTE
Applying Effects to the Sound
You may find effects not being
applied to certain parts when
different effects are applied to
the Upper tone, Layer tone,
and Lower tone. In such
3.
Touch <ON>.
The effect selected with <Type> will be applied.
instances, you can select which
effect is to have priority.
Selecting the Type of Effect
4.
5.
Touch <Type
> to select the type of effect.
Touch <Depth>
to adjust the amount of effect applied.
The amount increases as the value is raised.
You can also move the slider with the dial.
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Cancelling the Effect
6.
7.
On the “Effects” screen, touch <OFF> to switch off the effect.
Touch <Exit> to return to the Tone selection screen.
All [Voice] button tones with a
“GS” or “q” logo appearing
after the tone name have the
same effect applied to them. If
the effect for one of the tones
with the “GS” or “q” logo is
changed, then the effects for the
other tones with the “GS” or
“q” logo are also changed
automatically.
About the Effect Settings
When the effects is set to ON, the appropriate effect is applied for the currently
selected sound. You can also apply different effect types to each tone (except GS tones
and tones with the “q” logo). Although turning off the power returns effects to their
initial settings, carrying out Memory Backup (p. 138) allows you to save and store the
settings even after the power is turned off.
I Enjoying Karaoke Performances with Music Files
Commercial music files
designed for “karaoke” sing-
when purchasing music files.
Refer to “Music Files That the
KR105 Can Use” (p. 168).
1.
2.
Connect a microphone.
Adjust the volume level.
3.
Select a song.
For instructions on how to select songs, refer to “Playing a Song” (p. 54).
4.
5.
Adjust the tempo as required with the Tempo [-] [+] buttons.
If necessary, change the key of the song (Transpose: p. 73).
You can stop lyrics from being
displayed. Refer to “Hiding
the Lyrics (Lyrics)” (p. 141).
When you press the [
(Play/Stop)] button, the accompaniment starts playing.
Sing along with the accompaniment.
When you play back a Music File with lyrics, the lyrics appear on screen.
6.
Press the [
(Play/Stop)] button to stop the accompaniment.
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Using the Metronome
During playback of a song, or
when performing with
automatic accompaniment, the
sound of the metronome keeps
time with the beat of the song
or accompaniment.
The KR105 features a built-in metronome. During playback of the song and
accompaniment, the metronome plays at that tempo and beat.
fig.panel1-6
I Using the Metronome
1.
Press the [Metronome] button and watch the indicator light up.
You will hear the metronome.
The following “Metronome screen” appears.
fig.d-metro.eps_60
You can touch <Exit> to have the metronome continue to play while you return to
the previous screen.
Stopping the Metronome
2.
Press the [Metronome] button once more, and the indicator light goes
out.
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I Changing the Metronome Settings
❍ Adjusting the Tempo
You can adjust the tempo of the metronome. The tempo of the metronome changes
automatically if you use an automatic accompaniment or play back a song.
1.
Press the Tempo [-] or [+] buttons to adjust a tempo.
You can adjust the metronome tempo over a range of q= 10–500.
Pressing the Tempo [-] and [+] buttons simultaneously returns the selected song
accompaniment to the basic tempo.
❍ Changing the Beat of the Metronome
1.
2.
On the Metronome screen, touch <Beat>.
Select the beat with the dial.
When
the upbeat will sound.
is selected, only
❍ Changing the Volume
The volume of the metronome can be adjusted to ten different levels.
1.
2.
On the Metronome screen, touch <Volume>.
Set the volume with the dial.
Choosing
highest level.
sets the volume to the lowest level, and choosing
to silence the metronome sound.
sets it to the
Choose
You can change the sound the metronome makes.
The “Normal sound” (see below) is selected when the KR105 is powered up.
1.
2.
On the Metronome screen, touch <Sound>.
Select the sound with the dial.
Displayed
Explanation
Normal sound
Displayed
Explanation
Electronic sound
“1, 2, 3” in Japanese
“1, 2, 3” in English
Dog and cat sounds
Wood block
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Displayed
Explanation
Displayed
Explanation
Triangle and castanet
Hand clap
❍ Changing How the Metronome Beat (Pattern) Sounds
You can set the metronome to play at even smaller intervals.
1.
2.
On the Metronome screen, touch <Pattern>.
Select the pattern with the dial.
Displayed
Explanation
Usual sound
Displayed
Explanation
Dotted half-note intervals
Dotted quarter-note
intervals
Half-note intervals
Dotted eighth-note
intervals
Quarter-note intervals
Eighth-note intervals
Single back beat added
Shuffle rhythm added
Sixteenth-note intervals
Triplet rhythm added
❍ Turning Off the Beat Light (Beat Indicator)
The beat light flashes in time with the metronome, accompaniment Styles, and song
tempos, but you can set it so that it stays off at all times.
1.
2.
Touch <Beat LED> in the Metronome screen.
Select OFF (Beat Indicator off) with the dial.
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2. Automatic Accompaniment
Music Styles and Automatic Accompaniment
What is automatic accompaniment?
automatic accompaniment,
refer to “Selecting Music Styles
(Music Style Buttons)” (p. 39).
Automatic accompaniment is a function that provides you with accompaniment in
a variety of musical genres, just by specifying chords in the left hand. Automatic
accompaniment lets you play with an orchestra, even when performing alone! Press
the One Touch Program [Arranger] to recall optimum settings for this function.
What Are Music Styles?
Accompaniment patterns in various musical genres are called “Music Styles.”
There are many different kinds of music around the world, and each has its own
unique features. What gives jazz or classical music their unmistakable sounds are a
unique combination of elements like instrumentation, melody, and phrasing, which
interact to create the musical character.
Elements of Music Styles
A Music Style consists of a set of six patterns called “divisions.”
Division
Intro
Explanation
Played at the start of a song.
Original
The basic accompaniment pattern.
Variation
This is a variation on the Original accompaniment pattern.
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment returns to the original.
Fill In To Original
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment moves ahead to the
variation.
Fill In To
Variation
Ending
The conclusion of a song.
In addition, Music Styles may contain some or all of the following partsfff:
“Rhythm,” “Bass,” “Accompaniment 1,” “Accompaniment 2,” “Accompaniment 3,”
“Accompaniment 4,” “Accompaniment 5,” and “Accompaniment 6.”
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Performing Using Automatic Accompaniment
(One-Touch Arranger)
Here’s how to create the settings for Automatic Accompaniment.
fig.panel2-1
1.
Press the One Touch Program [Arranger] button.
The Basic screen like the one shown below appears.
fig.d-arrbasic.eps_60
<
> appears in the Piano
screen or Basic screen when
headphones are connected..
Normally, when you change a
Music Style, the tempo and
tone change to selections that
to change the tempo and tone,
Styles Without Changing the
Tone or Tempo (One Touch
Setting)” (p. 125).
Observe the settings:
• The keyboard is split into left- and right-hand parts, with accompaniment
chords specified for the left-hand side of the keyboard.
• A tone appropriate for the selected Music Style is chosen.
• The tempo and beat for the selected Music Style is set.
2.
3.
Play a chord on the Lower-part of keyboard.
Music Styles, refer to
“Selecting Music Styles (Music
Style Buttons)” (p. 39).
The accompaniment begins, starting from the intro.
Play chords with the left hand, and the melody with the right.
When you change chords in the left hand, the accompaniment also changes.
fig.arr-split.e
Split Point (F#3)
accompaniment, refer to
“Starting and Stopping the
Accompaniment” (p. 43).
Range where you can specify a chord
Press the [Intro/Ending] button.
Please refer to “Changing the
Keyboard’s Split Point (Split
Point)” (p. 125).
After the ending plays, the accompaniment stops.
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I About Chords
A chord is produced when several notes are played simultaneously. Chords are
indicated by the pitch of the fundamental note of the chord (the root) and the chord
type, which is determined by the other notes of the chord.
For example, the C m chord is expressed in terms of the root note “C” and the chord
type “m” (minor). C m is made up of the three notes “C,” “Eb” and “G.”
“C m” is indicated as the chord name on the Basic screen.
fig.chord.e
Cm
E
Chord Type
Root Note
C
G
Root Note
All chord roots are indicated as a letter, sometimes with # or b added, and correspond
to the notes shown below.
fig.chord-root.e
Normally, settings used for the
Chord Intelligence function are
selected, but there may be
settings that are not used. You
see “Changing How Chords
Are Played and Specified
I Playing Chords with Simple Fingering
(Chord Intelligence)
“Chord Intelligence” is a feature that chooses the accompaniment chords the
moment you play a key.
To play a “C” chord, for example, you normally have to play the three keys C, E, and
G. But with Chord Intelligence, you only have to press the C key to start a “C” chord
(Arranger Config)” (p. 128).
accompaniment.
fig.chord-intel.e
• Intelligence 1
Major
Minor
C
C m
Play the chord root.
Play the root and the third key
above it.
For more information about
chord fingering, refer to the
“Chord List” (p. 164).
Seventh
C 7
Minor Seventh
C m7
Play the root and the second key
below it.
Play the root, the third key above
it, and the second key below it.
Major Seventh
Diminished
C maj 7
C dim
Play the root and the first key
below it.
Play the root and the sixth key
above it.
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I Viewing Chord Fingerings (Chord Finder)
Whenever you are not sure how a certain chord is fingered, you can display the notes
of the chord on the screen.
1.
On the Basic screen, touch <
>.
fig.d-arrbasic.eps_60
2.
Touch the root of the chord you want to learn about.
The chord fingering appears on screen.
fig.d-crdfind.eps_60
For example, if you wanted to see the fingering for a C# chord, you would touch <C>,
then touch <#>.
Touch <Exit> to go back to the Basic screen.
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Selecting Music Styles (Music Style Buttons)
You can select a variety of different Music Styles by pressing the Music Style buttons.
Four different preset styles are assigned to the Music Style.
fig.panel2-2
1.
2.
Press the One Touch Program [Arranger] button.
For more on the Music Style
names, refer to the separate
“Music Style List”.
Press one of the Music Style buttons to select the Music Style group.
Watch the indicator button light up.
Five of the Music Styles included in that group are displayed on the screen.
fig.d-stylesel.eps_60
This screen is called the “Style Selection screen.”
Touch and drag up and down in the scroll bar to scroll through the screen and
display other styles.
Touch the page icons <
> <
> to change pages.
You can touch <Search> to find Styles that match the selected criteria (p. 40).
3.
4.
Touch a Music Style name to select the Music Style.
You can use the dial to automatically switch pages and select Styles.
Touch Preset <A>, <B>, <C>, or <D> in the lower part of the screen.
When the Music Style is selected, Preset A is selected.
When any of the Presets from <A> through <D> are selected, the Music Style tempo,
Upper Tone, Style Orchestrator settings (p. 48) and other settings change.
5.
Touch <Exit>.
The display returns to the Basic screen.
When you play a chord in the left-hand part of the keyboard, the selected Music Style
is automatic.
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I Using Keywords to Search for Music Styles
(Style Search)
You can search for Music Styles that match the tempo of the song, musical genre, or
other criteria you set.
Only the KR105’s internal
Music Styles are searchable.
You can also search Music Styles using the first character of the Style names.
1.
2.
Press one of the Music Style buttons.
Touch <Search>.
The following “Style Search screen” appears.
fig.d-stylsrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
In a condition search, the
KR105 looks for Music Styles
satisfying all of the selected
search criteria.
❍ Searching by Conditions
3.
4.
Touch the parameter you want to set, then use the dial to select the search
conditions.
Touch <Search>.
The search results appear in the display.
Touch a Music Style name to select a Music Style.
Touch <Exit> to return to the Style Search screen.
❍ Searching by Music Style Name
3.
4.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
Decide which character you’ll use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear on the display.
Touch a Music Style name to select a Music Style.
Touch <Exit> several times to return to the Basic screen or the previous screen.
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I Selecting Music Styles on Disks
You can play other User Styles saved to floppy disks or User memory (p. 121).
fig.panel2-3
1.
2.
Insert the floppy disk into the disk drive (p. 85).
If you’re using the disk drive
for the first time, be sure to
read “Important notes” (p. 5).
Press the Music Style [User] button.
fig.d-styldisk.eps_60
When you select “User” or “Disk” using the arrows next to the “Media” field, the
screen for selecting user memory or disk Styles appears.
When you touch <Preset>, the screen for selecting “Trad/Kids” Music Styles
appears.
3.
Select “Disk” using the “Media” arrow fdields.
The Music Styles saved on the disk are displayed.
When you select “Media–User”, the Music Styles stored in User memory are
displayed.
4.
5.
Select a Music Style, and touch the Music Style name.
Press the One Touch Program [Arranger] button.
Styles to user memory. Take a
look at “Saving a User Style”
(p. 121).
You can now perform in the selected Music Style.
Music Styles selected from floppy disks are stored until the power is turned off. Even
after ejecting the floppy disk, by pressing the Music Style [User] button, you can
perform using the most recently selected Music Style.
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Playing Only Music Style Rhythm Patterns
You can also play only the rhythm patterns of Music Styles.
1.
2.
Select a Music Style (p. 39).
NOTE
Some Music Styles do not
include rhythm patterns.
When you select these Style
patterns, no rhythm patterns
are played, even when you
play on the left side of the
keyboard.
Press the One Touch Program [Piano] button.
The performance is set so that only the rhythm patterns are played.
3.
Press the [Intro/Ending] button.
The Rhythm part of accompaniment begins, starting from the Intro.
Just as with regular Automatic Accompaniment, you can add intros and endings by
pressing the [Intro/Ending] button, and make changes to the rhythm patterns with
the Fill In button (p. 46).
Adjusting the Accompaniment Tempo
fig.panel2-5
When the Basic screen is displayed, you can use the Tempo [-] [+] buttons or the dial
to change the tempo.
The tempo is indicated on the upper left of the screen.
fig.d-arrbasic.eps_60
Pressing the Tempo [-] [+] buttons simultaneously returns the selected Music Style
or song to the basic tempo.
You can change the tempo of Automatic Accompaniment even while the
accompaniment is playing.
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Starting and Stopping the Accompaniment
Pressing the One Touch Program [Arranger] button activates Sync Start for the
accompaniment (which starts the accompaniment simultaneously when you play on
the lower section of the keyboard), and automatically sets an appropriate intro for
the accompaniment. You can also change the way the accompaniment starts and
stops.
I Having the Accompaniment Start Simultaneously
When You Play the Keyboard (Sync)
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
causing the indicators of both buttons to flash.
The Sync Start settings go into effect.
Sync Start is set immediately
after the One Touch Program
[Arranger] button is pressed.
2.
Play a chord on the lower-part of keyboard.
As you play the keys, the intro and accompaniment begins simultaneously.
❍ Changing the intro
When set for Sync Start (the indicators of both the [Intro/Ending] button and [Start/
Stop] button are flashing), you can use the following procedure to change the intro,
or prevent the intro from playing.
Starting without an intro
Press the [Intro/Ending] button and watch the indicator go out.
Now when you play a chord with the keyboard, the accompaniment starts without
the intro.
To start with a short intro added
On the Basic screen, touch <Arranger> to select the following page:
<1>: Normal intro
<2>: Short Intro
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Select the Intro/Ending Type <2>.
Now when you specify a chord with the keyboard, a short intro is played, and the
accompaniment starts.
❍ Starting at the press of a button
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
and the indicators lights go out.
The Sync Start function is cancelled.
2.
3.
Play a chord on the lower part of keyboard.
Choose the chord to be played when the accompaniment begins playing.
Press the [Intro/Ending] button or the [Start/Stop] button.
When you press the [Intro/Ending] button, the intro plays, and the accompaniment
starts. When you press the [Start/Stop] button, the accompaniment starts without
the intro.
the chord tone and bass tone.
Chords Are Played and
Specified (Arranger Config)”
(p. 128).
Chord Tones and Bass Tones
When you play the keys in the left-hand side of the keyboard while the [Start/Stop]
button’s indicator is not lit, chords play. This note is called the “Chord Tone,” and
the root of the chord being played at the same time is called the “Bass Tone.”
I Stopping Automatic Accompaniment
❍ Stopping with an Added Ending
1.
Press the [Intro/Ending] button.
An ending plays and the Automatic Accompaniment stops.
To stop with a short Ending
On the Basic screen, touch <Arranger> to select the following page:
<1>: Normal Ending
<2>: Short Ending
Select the Intro/Ending Type <2>.
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Now a short Ending is played, and the accompaniment stops.
❍ Stopping at the Same Time the Button is Pressed
1.
Press the [Start/Stop] button.
The Automatic Accompaniment stops as soon as you press the button.
I Having a Count Sound Play at the End of the
Intro (Countdown)
If an intro plays before your performance, you can have a count-in sound played to
the end of the intro, helping you hear when to start playing.
fig.countdown.e
Ex: 4/4
When the Intro has finished playing, the
accompaniment plays.
Intro
1
2
3
4
Count Sound
1.
2.
Press the [Count/Marker] button and watch the indicator light up.
The following “Countdown settings screen” appears.
fig.d-cntdwn.eps_60
Touch <Count Mode>
In/Down.”
to set this to “Count Down” or “Count
When you press the One Touch Program [Arranger] button, the performance starts,
and the countdown sound plays at the end of the intro.
Countdown screen, refer to
“Changing the Settings for the
Count” (p. 131).
❍ Cancelling the Countdown
Press the [Count/Marker] button and the indicator light goes out.
3.
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Modifying an Accompaniment
You can add variation to the
Automatic Accompaniment by
pedals. For more information,
Pedals and Performance Pads
(Pedal Setting/User
When you use Automatic Accompaniment, you can easily add Fill Ins to the
accompaniment patterns, change arrangements, and make other changes.
I Changing the Accompaniment Pattern (Fill In
Buttons)
There are two accompaniment patterns: the Original, and a Variation. In addition, a
fill-in (or short phrase) is added at the points where the accompaniment patterns
change, which adds more interest to the song. It can be effective to use the simpler
original pattern for the first half of the song, and the variation pattern for the second
half.
Functions)” (p. 126).
What’s a “Fill In”?
A short improvisational phrase inserted at the bar line is called a “Fill In.”
The KR105 automatically plays the appropriate phrase for the selected Music Style.
fig.panel2-7
Press the Fill In [To Variation] button and watch the indicator flash.
The instrument is set so that the variation performance pattern is played.
Press the Fill In [To Original] button and watch the indicator flash.
The instrument is set so that the original performance pattern is played.
Pressing these buttons during a performance inserts a one-bar fill-in at the
appropriate place and time.
Adding a Fill-in without Changing the Accompaniment Pattern
You can play only the fill-in, without changing the accompaniment pattern.
Press the lit [To Original] or [To Variation] Fill In button during the performance.
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I Changing Accompaniment Patterns in the Screen
You can change accompaniment patterns in intros, fill-ins, endings, and so on by
touching the screen. This lets you enjoy even more advanced performances.
1.
2.
Press the One Touch [Arranger] button.
The Arranger basic screen is displayed.
Touch <Arranger>.
The following screen appears.
fig.d-cntdwn.eps_60
Touch the screen to change the accompaniment pattern.
Leading Bass
The Leading Bass function allows you to change the way the Arranger reads the
chords you play. If <Leading Bass> is off, the Acc Bass partplays the root of the
chords that feed the Arranger, while the chords of the ACCOMP 1~6 parts are voiced
in such a way as to avoid semitone intervals (for complex chords) that wouldn’t
sound very nice.
Leading Bass function gives you more artistic license because you specify the notes
played by the Acc Bass part. Switch on <Leading Bass> for songs that rely on bass
rather than on chord patterns (for example C – C/B – C/Bb, etc.).
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I Changing the Instrumental Makeup of Music
Styles (Style Orchestrator)
You can change the arrangement of an accompaniment. This function is called “Style
Orchestrator.” Each Music Style has four different accompaniment arrangements.
1.
2.
Press the [Style Orchestrator] button and watch the indicator light up.
When you press the [User
Function] buttons, the [Style
Orchestrator] button’s
function of the Performance
Pads changes. For details refer
to p. 66 and p. 126.
The instrument is set to allow you to change the arrangement with the Performance Pads.
Press Performance Pad [1]–[3] to change the arrangement for the
accompaniment.
Watch the indicator of the button you pressed light up.
.
Button
1 (Basic)
Explanation
This is the simplest arrangement.
This is a more involved arrangement.
This is the most elavorate arrangement.
2 (Advanced)
3 (Full)
When simple Music Styles are
selected, there may be no
change in the arrangement
even when you use the Style
Orchestrator function.
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Adding Harmony to the Right-Hand
Part (Melody Intelligence)
You can add harmony to the notes you play on the keyboard.
While an Automatic Accompaniment is playing, the matching harmony is
automatically added to the notes you are playing with the right hand. This function
is called “Melody Intelligence.”
1.
Press the [Melody Intelligence] button and watch the indicator light up.
When you play something on the right-hand section of the keyboard, harmony is
added.
The following “Melody Intelligence screen” appears.
fig.d-melointel.eps_60
2.
3.
Select and touch a harmony type.
Then when you play a melody on the keyboard, a harmony style is automatically
added.
With some harmonies, Tones
may change automatically.
Also, when you play several
keys at the same time, in some
cases harmony may be added
to one note.
When you touch <Exit>, you’re returned to the previous screen, while the Melody
Intelligence function remains selected.
Press the [Melody Intelligence] button once more and the indicator light
goes out.
The Melody Intelligence function is cancelled.
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Playing Sounds in the Left Hand (Lower Tone)
Normally, when using Automatic Accompaniment in a performance, sounds are not
produced by playing the left-hand part of the keyboard. When you touch the
<Lower> icon, you can have Tones from the left side of the keyboard play
simultaneously with the Automatic Accompaniment.
1.
2.
Press the One Touch Program [Arranger] button.
This sets the Automatic Accompaniment.
On the Basic screen, touch <Lower>.
Now when you play a chord in the left-hand keyboard area, the notes you play will
sound, and the accompaniment chord changes.
fig.d-lower.eps_60
Stopping the Sound in the Left-hand
3.
Touch <Lower>.
The <Lower> icon returns to the original color.
The lower Tones stop playing.
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Playing the Piano with Accompaniment Added
(Piano Style Arranger)
Usually with Automatic Accompaniment, you play chords on the left-hand side of
the keyboard and the melody on the right-hand side. Chords can also be recognized
over the entire keyboard, allowing you to perform using Automatic Accompaniment
without splitting the keyboard. This function is called “Piano Style Arranger.”
This makes it possible to add an accompaniment automatically as you play a song
by playing chords in the ordinary way, without giving any thought to the location
of a keyboard split.
1.
2.
Press the One Touch Program [Arranger] button.
Touch <Split> to turn the Split function off.
fig.d-pianist.eps_60
3.
4.
Select a Music Style (p. 39).
Play the keyboard.
The accompaniment starts when you play a chord anywhere on the keyboard.
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Adjusting the Volume Balance for Each
Part (Balance)
You can adjust the volume balance between the accompaniment and the keyboard,
and the volume balance for each of the parts in a Music Style.
I Changing the Volume Balance between the
NOTE
Accompaniment and the Keyboard (Balance Knob)
When this knob is turned
completely to the
You can change the volume balance between a song and accompaniment and the
Accompaniment side, no
sounds from the keyboard are
audible, even when the keys
are pressed. You can usually
leave the knob at the center
position.
notes you play on the keyboard.
1.
Adjust the volume balance with the Balance knob.
fig.volbal.e
I Adjusting the Volume Balance for Each
Performance Part (Part Balance)
You can adjust the volume of each performance part in a Music Style, and the
balance between parts when playing multiple Tones on the keyboard.
1.
Press the [Part Balance] button and watch the indicator light up.
The following “Part Balance screen” appears.
Touch <Accomp> or <Keyboard> to switch the two screens.
fig.d-partbal1.eps_60
Switch the screens
The volume balance between each of the performance parts in the Music Style is
indicated.
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Display
Rhythm
Music Style Rhythm Part
Bass
Bass, Bass Tone (p. 44)
Accompaniment 1, Accompaniment 2, Accompani-
ment 3, Chord Tone (p. 44)
Accomp
Short phrases sounded when the Performance Pads
are pressed.
Phrase
fig.d-partbal2.eps_60
Switch the screens
This shows the volume balance between each of the keyboard’s Tones when layer
performance (p. 25) or split performance (p. 26) are used, or the volume balance
when using the keyboard to play percussion instruments or sound effects (p. 22).
Displayed
Drums
Tone Part
Percussion instruments or sound effects played with the keys
Lower
Layer
Upper
Left-hand Tone
Layer Tone
Right-hand Tone
2.
Touch each slider
to adjust the volume balance.
You can also make these adjustments by touching the adjustment sliders and then
using the dial.
Touch <Exit> to go back to the previous screen.
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3. Song Playback
Playing a Song
Now, let’s try practicing while playing back internal songs, commercial music files,
and songs on floppy disk.
You can use rewind or fast-forward to go to any desired measure, and play back
from that point.
fig.panel3-1
Selecting the Song
1.
Press the [Song/File] button.
The following “Song Selection screen” appears.
fig.d-songsel.eps_60
Touch and drag up and down in the scroll bar to scroll through the screen and
display other songs.
Touch the page icons <
> <
> to change pages.
: The fingering is included in the notation.
: The chords are indicated in the notation.
: You can display song lyrics.
If there is recorded song data,
the “Delete song” screen
appears.
When you touch <
>, songs selected from all of the internal songs are played in
random order.
When you touch <
>, all of the songs in the genre you have selected are played
in order, starting from the selected song. When the last song is finished, playback
resumes from the first song in the genre.
If it’s okay to delete the song,
want to delete the song, touch
<Cancel>, andregister the song
to the Favorites (p. 59).
<
>: The selected song is played back. This changes to <
>.
By touching <File>, you can view information about the song (p. 141) and save songs
(p. 87).
<
><
>: The song genre changes.
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2.
Touch the name of the song to be played back.
You use and the dial to select songs.
Playing back
Press the [
3.
(Play/Stop)] button.
The button indicator lights up, and playback of the song begins.
Stopping the Song
Press the [
4.
(Play/Stop)] button once again.
The button indicator light goes out, and the song stops.
When the song is finished, playback stops automatically.
Press the [
(Reset)] button to return to the beginning of the song.
NOTE
When you start playback of
songs, the measure number on
the Basic screen appears in
reverse video. The
Record/Playback Buttons
fig.composer.e
performance data is being
loaded while the indication is
highlighted; please wait a few
moments for this to be
completed.
Track buttons (Rhythm, Whole, Bass/Accomp, Lower, Upper):
Each performance part of the song being played back is assigned to a track button. Use these
buttons to select the performance parts that are muted or played. For more detailed
information, refer to p. 69.
[
(Reset)] button: Returns to the beginning of the song.
[
(Play/Stop)] button:
NOTE
Plays back the song, or if the song is currently being played, it stops the song.
When using markers to specify
a section to be repeated (p. 72),
you can rewind and fast
forward only within the range
between Marker A and
Marker B.
[
[
(Rec)] button: Records the performance. For more detailed information, refer to p. 75.
(Bwd)] button: Moves back the playback position of the song one measure each time
the button is pressed. When held down, the song “rewinds” continuously.
(Fwd)] button: Advances the playback position of the song one measure each time the
button is pressed. When held down, the song is forwarded continuously.
[
Holding down the [
(Play/Stop)] button and pressing the [
(Fwd)] button moves
you to the end of the song.
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When Selecting Songs in Folders
1. Touch the folder name.
2. Touch <
> at the bottom left of the screen.
After a moment, a list of songs in the folder is displayed.
You can also select the folder using the dial or the [ (Bwd)] or [
button on the remote; the folder can then be opened by pressing the
(PLAY)] button.
(Fwd)]
NOTE
If a folder contains 500 or more
files and/or folders, some of
the files and folders may not
be displayed.
[
3. Touch a song from the list that appears to select the song you want to
play back.
* Depending on the number of songs contained in a folder, this may take some time.
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I Using Keywords to Search for Songs (Song Search)
You can search for songs that match the conditions you set regarding the song tempo
or genre.
Only the KR105’s internal
songs are searchable.
You can also search the songs using the first character of the song name.
1.
Press the [Song/File] button.
2.
Touch <
>.
The following screen appears.
fig.d-songsrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
❍ Searching by Conditions
3.
Touch the parameter you want to set, then use the dial to select the search
conditions.
With <Data>, songs are searched according to data included in the internal songs.
You can use four different criteria in searches: “Chords,” “Lyrics,” “Finger” (fingering
numbers), and “Any.” By selecting a song containing any of this data, then displaying
it in the KR105’s notation, you can display information about the selected data.
4.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Touch <Exit> to return to the Song Selection screen.
❍ Searching by Song Name
3.
4.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
Decide which character you will use for the search.
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The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Touch <Exit> several times to return to the previous screen.
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Registering the Songs You Like (Favorites)
You can register songs you are currently practicing or enjoy playing to “Favorites,”
allowing you to select these songs easily.
Selecting the Song
1.
Press the [Song/File] button.
The Song Selection screen appears (p. 54).
fig.d-songsel.eps_60
2.
Touch the song name to select the song to be registered.
Registering to Favorites
3.
Touch <Favorites>.
A screen like the one shown below appears.
fig.m-fvrtadd.eps_60
4.
Touch <OK>.
The selected song is registered to Favorites.
Now you can select the registered song by selecting Favorites for the genre in the
Song Selection screen.
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I Removing Songs From Favorites
This deletes registered songs for Favorites.
1.
In the Song Selection screen, select Favorites for the genre.
fig.d-song-fvrt.eps_60
2.
3.
Touch the name of the song to be deleted.
Touch <Del>.
A screen like the one shown below appears.
fig.m-fvrtdel.eps_60
4.
Touch <OK>.
The song is deleted from the Favorites family.
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4. Practice Functions
With the KR105, you can enjoy practice using a variety of functions.
Displaying Scores
The KR105 can display scores not only for the internal songs, but for music files and
performances recorded with the KR105. This is very convenient for performing
while reading the music and for checking songs that have been recorded. When you
play back a music file with lyrics, the lyrics appear on screen.
Selecting the song
When playing back songs on floppy disks, first insert the floppy disk in the disk
drive.
1.
2.
Press the [Song/File] button to select a song.
For details refer to “Playing a Song” (p. 54).
Press the [DigiScore] button.
The “Score screen” appears.
fig.d-score.eps_60
In some internal songs, the
fingering is displayed.
The fingering numbers shown
in the screen indicate one
possible fingering.
Icon
Description
Displays an enlarged score.
You can also display the note names.
The score and keyboard are displayed on the KR105. This al-
lows you to check the keys that are pressed for the sounds
played back.
Selects the part for which the score is displayed.
*
<Option> (p. 64).
Chord names can be displayed
and recorded performances
using the KR105’s Chord
Sequencer (p. 106).
<Option>
Makes detailed settings for the score display (p. 64).
The left pedal functions as the “Replay.” When you press the
pedal during the playback of the song, playback stops, and
when you release the pedal, playback resumes starting at the
beginning of that measure. When the pedal is pressed in rapid
succession, playback is returned the same number of
measures as the number of times the pedal is pressed.
In situations such as when you want to hear a difficult phrase
repeated a number of times, you can press the pedal to go to
an earlier point in the song.
<Replay>
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3.
Press the [
(Play/Stop)] button.
Playback of the song begins, and the score advances along with the progression of
the performance.
Notes Regarding the Score Display
NOTE
• When playback of a song begins,
appears in the Score screen. While this
symbol is displayed, performance data is being loaded from floppy disk or
internal memory. It may take thirty seconds to a minute or more to read the
data. Please wait.
No notes are shown in the
the part being displayed, refer
to “Making Detailed Settings
for the Score Display” (p. 64).
• The displayed scores are based on music files. Priority is placed on the
readability of the displayed music, not on the accurate rendition of difficult,
high-level performances. Thus, there may be discrepancies seen when compared
with commercially available printed music. The display is not intended for
viewing advanced songs requiring precisely detailed scores, or complex songs.
• On the score display screen, lyrics and notes may extend beyond the range
displayed on the screen and may not be visible.
• Playback may start over from the beginning if you display the score or change
the displayed part during playback of the song.
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I Touching Notes to Confirm the Sounds
(Touch the Notes)
In the Score screen, you can have notes played by touching the notes on the screen.
When you touch <
> to show the keyboard on the screen, the touched note is
indicated by the corresponding note on the keyboard. This allows you to confirm
notes by sight, sound, and touch.
In addition, when you trace part of the score with your finger, the traced segment is
played back. This allows you to easily play back phrases you like.
fig.d-score-key.eps_60
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I Making Detailed Settings for the Score Display
You can change the part appearing on the score display and change the manner in
which the score is displayed.
1.
2.
Press the [DigiScore] button to display the Score screen.
Touch <Option>.
A screen like the one shown below appears.
fig.d-scoreopt.eps_60
Switch the screens
3.
Touch
for the parameter being set to select the value.
Touch <Exit> to return to the Score screen.
Item
Setting
Lyrics
Sets whether or not the lyrics
appear in the music.
ON
OFF
ON
OFF
ON
OFF
The lyrics are displayed.
In some internal songs, the
fingering is displayed.
The fingering numbers shown
in the screen indicate one
possible fingering.
Not displayed.
Finger Numbers
Whether or not the fingering
appears in the music.
The fingering is displayed.
Not displayed.
Chords
Whether or not chord names
appear in the music.
The chord names are displayed.
Not displayed.
Chord names can be displayed
and recorded performances
using the KR105’s Chord
Sequencer (p. 106).
OFF
Not displayed.
C, D, E
The pitch names (C, D, E) are displayed.
Pitches
Sets whether or not the note
names appear in the music
when the score is expanded.
Do, Re, Mi
(Fixed)
The pitch names (fixed Do) are dis-
played.
Do, Re, Mi
(Movable)
The syllable names (movable Do) are dis-
played.
Clef L
Auto
Display is switched automatically.
G (treble) clef is displayed in the score.
F (bass) clef is displayed in the score.
Display is switched automatically.
G (treble) clef is displayed in the score.
F (bass) clef is displayed in the score.
Key is switched automatically.
Determines whether a treble or
bass clef is shown in the score
for the left-hand part.
G Clef
F Clef
Auto
Clef R
Determines whether treble or
bass clef is shown in the score
for the right-hand part.
G Clef
F Clef
Auto
Key
Score is displayed in the speci-
fied key.
b x 5–0–
# x 6
Score is displayed in the specified key.
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Item
Setting
User Part
User Track,
Parts 1–16
Selects the part to display when “User” is selected as
the part to be displayed.
Lower Part
Lower Track,
Parts 1–16
Selects the part to display when “Lower” is selected as
the part to be displayed.
Upper Part
Upper Track,
Part 1–16
Selects the part to display when “Upper” is selected as
the part to be displayed.
I Saving Scores as Image Data
You can take scores that are displayed on the KR105 and save them to floppy disks.
You can also use saved image data to your computer.
NOTE
Other than for your own
personal enjoyment, use of the
the permission of the
copyright holder is prohibited
by law.
1.
Insert the floppy disk onto which you want to save the image data in the
Use a floppy disk formatted on the KR105. For more on formatting disks, refer to p.
85.
2.
3.
Press the [Song/File] button to select a song.
Press the [DigiScore] button.
The Score screen appears.
4.
5.
Touch <Option>.
Touch <Export>.
A screen like the one shown below appears.
fig.d-scorebmp.eps_60
6.
7.
Touch
for each parameter to set the range of the image data.
Touch <Execute>.
The score is saved to the floppy disk as image data in BMP (bitmap) format.
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Adjusting the Tempo
This changes the song and Music Style tempos.
If songs seem difficult to play at their original speed, you may find it helpful to first
practice with the tempo slowed down. Then, after becoming more familiar with the
song, you can practice it at a gradually faster tempo.
Changing the tempo has no effect on the pitch of the notes. And you can change the
tempo even when the song is in progress.
Adjusting the Tempo with the Tempo [-] [+] Buttons
Pressing the [+] button once increases the tempo by one unit. Holding down the
button makes the tempo increase continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down the
button makes the tempo decrease continuously.
Pressing the [-] [+] buttons simultaneously returns the selected Music Style or song
to the basic tempo.
I Setting the Tempo by Pressing the Button in Time
(Tap Tempo)
You can also set the tempo by pressing the Performance Pad. This feature is called
“Tap Tempo.” By using the Tap Tempo function, you can quickly set the tempo you
are thinking of, without specifying the tempo in numerical terms.
Assigning Functions to the Performance Pads
1.
Press the [User Function] button and watch the indicator light up.
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2.
3.
Touch
for the Performance Pad to which the function is
You can also assign the Tap
Tempo function to the pedal,
the tempo. For details, refer to
Pedals and Performance Pads
(Pedal Setting/User
assigned, then select “Tap Tempo.”
Touch <Exit>; the tempo is indicated in the upper left of the screen.
Specifying the Tempo
Functions)” (p. 126).
4.
Press the Pad to which “Tap Tempo” is assigned at least twice.
The tempo is set to the song you used when tapping the button.
I Playing Back at a Fixed Tempo (Tempo Mute)
If a song has tempo changes, it helps to practice the song first at a steady tempo.
Overriding tempo changes is called “Tempo Muting.”
1.
Hold down the [
[+] buttons.
(Play/Stop)] button and press one of the Tempo [-]
When tempo muting is in effect, the tempo display appears in reverse video.
fig.d-tempmute.eps_60
When you play back the song, it will play at a constant tempo.
Cancel the Tempo Mute Setting
1.
Hold down the [
(Play/Stop)] button and press one of the Tempo [-]
[+] buttons.
Tempo muting is canceled.
Tempo Mute will also be cancelled when you select a different song.
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Match the Tempo Before You Begin
Playing (Count In)
When you’re playing along with a song, you can listen to the tempo before you start
playing by adding a count-in.
This audible count before the song playback is called a “Count-In.”
fig.panel3-3
1.
Press the [Count/Marker] button and watch the indicator light up.
The following “Count settings screen” appears.
fig.d-cntin.eps_60
You can have a count sound be
played before the song starts
playing back by holding down
the [
(Reset)] button while
)Play/
you press the [(
stop] button.The status of the
Count settings won’t be
affected by your use of this
procedure.
2.
Touch <Count Mode>
Down.”
to set this to “Count In” or “Count In/
With this setting, two measures count down before the song playback starts.
Cancelling the Count In
on the Count settings screen,
refer to “Changing the Settings
for the Count” (p. 131).
1.
Press the [Count/Marker] button so its indicator is turned off.
By touching <Exit> instead of the [Count/Mark] button, you can close the Count
settings screen without cancelling the count.
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Muting Some Parts Before Playing
(Track Buttons)
For more on music files, refer
to “Music Files That the KR105
Can Use” (p. 168).
With commercially available music files for piano lessons, the part for each hand can
be played back independently. This makes it easy to practice hands separately. For
example, you can follow along with your right hand while you listen to that same
right-hand part be played, or you can practice the left-hand part while the right-hand
part plays.
A music file for piano lessons may be assigned to the five Track buttons as shown below.
If a single Track button
includes more than one
instruments, take a look at
Each Part” (p. 100).
Drums/SFX
Accom-
paniment
Left-hand Right-hand
Part Part
By using these Track buttons, you can eliminate the sound of specific parts. This is
referred to as “muting.”
By recording your own performances to the Track Buttons in this fashion, you can
Buttons (Redoing Recordings)” (p. 81).
When a single Part is not
played, it is called “Minus
One.” Using Minus One, you
can mute out a particular
instrument and play the part
yourself.
1.
Select the song that you wish to play back (p. 54).
Selecting the Part that You’ll be Playing
2.
Press any one of the Track buttons to make the button’s indicator light go
dark.
The sound for the selected part no longer plays.
For example, when practicing the right hand, press the [4/Upper] button.
When playing back SMF files
for Roland Piano Digital series
instruments, and the [3/
Lower] button and [4/Upper]
button do not correctly control
the lower/ upper
performances, please change
the “Track Assign” settings.
Parts Assigned to the Track
Buttons During SMF Playback
(Track Assign)” (p. 142).
When you play back the song, the right-hand performance will not sound. Practice
your right-hand performance along with the left-hand playback.
Playing Back a Song
Press the [ (Play/Stop)] button.
3.
The song will begin playing back.
The part you selected in step 2 will not sound.
Once again press the button you selected in step 2. The button’s indicator will light
up, and the part will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-mute
the sound.
Stopping the Song
You can adjust the balance
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 52).
4.
Press the [
(Play/Stop)] button.
The song will stop.
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Setting Markers for Repeated Practice
(Marker)
By setting markers at points in a song that you want to practice repeatedly, you can
then easily go to and repeat play back of the selected measures.
I Placing a Marker within a Song
You can place two separate markers (Marker A and Marker B) in one song. These
markers are placed at the beginning of a measure to make the beginning and end of
a section of music. Placing markers is a handy way to start playback at the same
place as many times as you like. You can add markers or move to a marker even
while playback is in progress.
Access the Marker Screen
First, select the song in which you’ll set the markers (p. 54).
1.
2.
Press the [Count/Marker] button.
Touch <Marker>.
The Marker screen appears.
fig.d-marker.eps_60
Placing Markers
3.
4.
Go to the measure where you want to set a marker using the [
and [ (Fwd)] buttons.
(Bwd)]
Touch <- - -> for Marker A.
Marker A is placed at the beginning of the measure you selected.
“- - -” on the screen will change to the number of the measure where you placed the
measures. Refer to “Placing a
Marker in the Middle of a
Measure” (p. 131).
marker.
5.
In the same way, touch the Marker B <- - -> to set Marker B.
It is not possible to assign marker B to the same location or a measure before marker A.
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I Playback from a Marker Location
1.
At the marker screen, touch the measure number of the marker you want
to go to.
Playback will start from wherever Marker A or Marker B are set.
With the song playing back, playback will continue if you touch Marker A or Marker
B on the Marker screen.
I Erasing a Marker
1.
Touch <Clear> for the marker you want to erase.
fig.d-markclear.eps_60
The marker disappears and the on-screen display changes to <- - ->.
I Moving a Marker
You can move a marker that has been placed in a song. You can also move the section
of music defined by Markers A and B forward or back, without changing the number
of measures of marked.
1.
On the Marker screen, touch
or
for the marker to be moved.
fig.d-mark1-5.eps_60
When you touch
When you touch
, the marker is moved to a previous part of the song.
, the marker is moved to a later part of the song.
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Moving Markers A and B without Changing the Interval Between Them
On the Marker screen, touch or in the middle of the screen.
1.
For example, if you have Marker A set at the beginning of the fifth measure, and
Marker B set at the beginning of the ninth measure, when you touch
A is moved to the beginning of the first measure, and Marker B is moved to the
beginning of the fifth measure.
, Marker
Touch
to shift Marker A to the beginning of the ninth measure and Marker B
to the beginning of the thirteenth measure.
fig.markerA-B.e
Measure
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15
16
Marker A
Marker B
1
2
3
4
5
6
7
8
9
10 11 12 13 14 15
16
Measure
Marker A
Marker B
I Playing Back the Same Passage Over and Over
You can play back a particular passage over and over. This is convenient when you
want to focus on a passage.
1.
First, set Marker A and Marker B to define the measures you want to
repeat.
For instance, suppose you want to play back the passage from the fifth through
eighth measures over and over. You should place Marker A at the beginning of the
fifth bar and Marker B at the beginning of the ninth bar.
fig.d-markrpt.eps_60
Off
On
When <Repeat> is On
•
•
•
If neither Marker A nor
Marker B is set, the song is
played back from the
beginning to the end.
If you only place marker A,
playback repeats from
marker A to the end of the
song.
If you only place marker B,
playback repeats from the
beginning of the song to
marker B.
2.
Touch <Repeat> in the Marker screen.
The setting is made for repeated playback of the passage from marker A to marker B.
When you play the song, the marked section of music plays back repeatedly.
Cancelling Repeat Playback
3.
Touch <Repeat> in the Marker screen, and the icon returns to the
original color.
Repeat playback is cancelled.
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Transposing Keyboard Sounds and
Songs Played Back (Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
many sharps (#) or flats (b), you can transpose it to a key that is easier for you to read
and play.
You can also use this function to play back a song in a different key.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
First make sure you have selected the song to be transposed (p. 54).
1.
Press the [Transpose] button.
A “Transpose screen” like the one below appears.
fig.d-transpose.eps_60
2.
3.
Touch the Transpose icon.
Icon
Target
Settings Value
Keyboard sound
-6~0~5
Song to be played back
-24~0~24
-6~0~5
Keyboard sounds, songs being played back
Touch the screen keyboard or
value.
,
to select the transposition
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Each time you press
When you touch
or
, it transposes the key by a semitone.
, a value of “0” is set.
You can also use the dial to change the transposition value.
When you transpose a song or the keyboard, the [Transpose] button’s indicator
lights up. As you play the keyboard or play back the song, the notes are transposed.
When you touch <Exit>, the transposition remains in effect, and you’re returned to
the previous screen.
Cancelling Transposition
4.
Press the [Transpose] button and the indicator light goes out.
The transposition value reverts
to “0” when you turn off the
power or select another song.
Transposition is cancelled.
The next time you press the [Transpose] button, illuminating the indicator, the music
is transposed by the value set here.
Example: Playing a song in E major while playing the keys
for C major
In this example, C is the root note in the key of C major. E, the root of E major, is the
third in C major. It is up four keys, including the black keys, so touch
, then
enter “4” for the setting.
fig.trans.e
If you play C E G
It will sound E G# B
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5. Recording and Saving the Performance
You can easily record performances using the five track buttons.
NOTE
A recorded performance can be played back to listen to your own playing, or to add
additional parts.
Recorded performances are
discarded when another song
important performances. Take
a look at “Saving Songs” (p.
87).
You can use the KR105 to make the following kinds of recordings.
(New Song)” (p. 76)
→ “Recording Along with a Song” (p. 80)
• Re-recording → “Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 81)
❍ If the Following Screen Appears
If you’ve recorded a song or changed a song’s settings (see p. 100), the following
message appears on the screen when you try to choose another song.
If it’s okay to delete the song, touch <OK>.
If you do not want to delete the song, touch <Cancel>, and either save the song (p.
87) or register the song to the Favorites (p. 59).
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Recording a New Song (New Song)
This records keyboard performances without the use of the internal songs or
Automatic Accompaniment.
Settings for Recording Performances
1.
2.
Press One Touch Program [Piano] button.
This sets the KR105 for performance without the use of Automatic Accompaniment.
Decide on the tone of the performance (p. 21).
Use the Tone buttons and the touch screen to select the tone. When you have finished
choosing the settings, touch <Exit> to display the Basic screen.
Recording Settings
3.
Press the [
(Rec)] button.
You press the [
(Rec)] button and the following messages will appear, when a
song has already been recorded.
fig.m-rec.eps_60
If you select <New Song>
when a song has already been
recorded, the “OK to delete
information, refer to “If the
Following Screen Appears” (p.
75).
Touch <New Song>.
This switches the KR105 to the settings required for recording a new song.
The KR105 is put in recording standby.
To cancel recording, press the [
(Rec)] button once more.
4.
Decide on the tempo and beat.
If necessary, press the [Metronome] button to play the metronome.
When you have finished making the settings, touch <Exit> to display the Basic
screen.
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Start Recording
Press the [
NOTE
Any performance that has
been recorded is deleted when
the power to the KR105 is
a performance deleted, then
save it to Favorites. Refer to
“Saving Songs” (p. 87).
5.
(Play/Stop)] button.
A two-bar count-in plays, then recording starts.
Even without pressing the [
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing rather than
pushing the [
(Play/Stop)] button.
When recording starts, the [
light up.
(Play/Stop)] and [
(Rec)] buttons’ indicators
Stop Recording
6.
Press the [
(Play/Stop)] button.
Recording stops.
The performance is recorded to the [1/Whole] button.
Listening to the Recorded Performance
Press the [ (Reset)] button, then press the [
7.
(Play/Stop)] button.
The recorded performance is played back.
When you press the [ (Play/Stop)] button, playback stops.
Track buttons assignments for recorded performances
When you record only a keyboard performance, the performance will be assigned to
the track buttons as follows.
•
•
•
Normal performance (playing a single Tone from the entire keyboard)
The performance is recorded to the [1/Whole] button.
Layer performance
The performance is recorded to the [2/Bass/Accomp] button.
Split performance
The lower part of the keyboard is recorded to the [3/Lower] button, and the
upper part of the keyboard is recorded to the [4/Upper] button.
•
•
Layer performance and Split performance
The performance played in the left side of the keyboard is recorded to the [3/
Lower] button, the performance in the right side to the [4/Upper] button, and the
Layer performance to the [2/Bass/Accomp] button.
Drum set or sound effect performance
Recorded on the [R/Rhythm] button.
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Recording With Accompaniment
Try recording a performance along with the Automatic Accompaniment.
Settings for Recording Performances
1.
2.
Press the One Touch Program [Arranger] button.
This chooses the setting for Automatic Accompaniment.
Decide on the Music Style.
When you have finished choosing the settings, touche <Exit> to display the Basic
screen.
Recording Settings
3.
Press the [
(Rec)] button.
You press the [
(Rec)] button and the following messages will appear, when a
song has already been recorded.
fig.m-rec.eps_60
If you select <New Song>
when a song has already been
recorded, the “OK to delete
information, refer to “If the
Following Screen Appears” (p.
75).
Touch <New Song>.
This switches the KR105 to the settings required for recording a new song.
The KR105 is put in recording standby.
To cancel recording, press the [
(Rec)] button once more.
4.
Decide on the tempo.
Start Recording
You can change how recording
Accompaniment. To learn
how, see “Changing How
Recording Stops” (p. 82).
5.
Play a chord on the lower part of the keyboard.
An Automatic Accompaniment intro starts, and recording starts at the same time.
Stop Recording
Press the [Intro/Ending] button.
6.
An ending plays, then the Automatic Accompaniment, and recording stop at the
same time.
Listening to the Recorded Performance
Press the [ (Reset)] button, then press the [
7.
(Play/Stop)] button.
The recorded performance plays back.
When you press the [ (Play/Stop)] button, playback stops.
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eight parts. For details, refer to
“Music Styles and Automatic
Accompaniment” (p. 35).
Track buttons assignments for recorded performances
Performances that have been recorded using Automatic Accompaniment are
assigned to the track buttons as shown below.
Track button
[R/Rhythm]
Performance Recorded
here. In addition, drum sets and effect sounds that are selected
with the keys in a performance are recorded to this track.
When using Piano Style accompaniment (p. 51), the performance
played on the keyboard is recorded here.
[1/Whole]
The Automatic Accompaniment bass part and accompaniment
part are recorded here.
[2/ Bass Accomp]
When the KR105 is set so that sounds from performances on the
left-hand side of the keyboard are played while the Automatic
Accompaniment sounds (p. 50), your own performance on the
left-hand side of the keyboard is recorded here.
[3/Lower]
[4/Upper]
Your own performance on the right-hand side of the keyboard is
recorded here.
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Recording Along with a Song
Try recording along with internal songs and songs on floppy disk.
Here, record your right-hand performance along with the song accompaniment.
Settings for Recording Performances
Select a song before you begin recording.
When you have selected the song, press the [DigiScore] button to display the notation.
For more on how to select songs, refer to p. 54; for instructions on displaying the
notation, refer to p. 61.
1.
Decide on the tone and tempo of the performance.
After choosing the settings, touch <Exit> to display the Basic screen.
The song tempo is stored
within the song you selected.
Recording Settings
2.
Press the [
(Rec)] button.
A screen like the one shown below appears.
fig.m-rec.eps_60
3.
Touch <Add On>.
With this setting, you can record while listening to the selected song.
Selecting the Track to Record
4.
Press the track button for the track that you want to record (i.e., the track
that you want to play yourself).
NOTE
The indicator of the button you pressed will blink, and the KR105 enters recording-
standby mode.
Since in this example we will record the upper part performance, press the [4/
Upper] button to make the button’s indicator light blink.
Only drum sets or SFX set are
recorded to the [R/Rhythm]
button.
To cancel recording, press the [
(Rec)] button once more.
Start Recording
Press the [
5.
(Play/Stop)] button.
A two-bar count-in plays, then recording starts.
Even without pressing the [
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing the
keyboard instead of pushing the [
(Play/Stop)] button.
(Play/Stop)] and [ (Rec)] buttons’ indicators light.
When recording starts, the [
Stop Recording
6.
Press the [
(Play/Stop)] button.
Recording stops.
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Listening to the Recorded Performance
Press the [ (Reset)] button, then press the [
7.
(Play/Stop)] button.
The recorded performance is played back.
When you press the [ (Play/Stop)] button, recording stops.
Recording While Selecting the Track
Buttons (Redoing Recordings)
When you want to re-record, specify the Track button for the performance you want
to re-record, and then record again.
previous recording, refer to
“Erasing Recorded
When you select a previously recorded Track button and re-record, everything from
the point at which you begin recording up to the point where you stop recording will
be replaced by the newly re-recorded performance.
Performances” (p. 82).
1.
2.
Use the [
(Bwd)] and [
(Fwd)] buttons to go to the measure
where you want to begin recording.
Press the [
(Rec)] button.
The song tempo is stored
Recorded Songs” (p. 114) and
“Changing the Tempo Within
the Song” (p. 114).
A screen like the one shown below appears.
fig.m-rec.eps_60
3.
4.
Touch <Add on>.
Press the Track button for the track you want to re-record.
The indicator for the selected Track button starts blinking.
The [
(Play/Stop)] button’s indicator flashes, and the KR105 is put in
recording standby.
To cancel recording, press the [
(Rec)] button once more.
5.
Press the [
(Play/Stop)] button to begin recording.
When rerecording an Automatic Accompaniment performance, set Sync Start (p.
43), then specify a chord or press the [Start/Stop] button.
6.
Press the [
(Play/Stop)] button to stop recording.
If you also want to rerecord the ending of the Automatic Accompaniment, press the
[Intro/Ending] button.
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Erasing Recorded Performances
You can use the following method to delete a recorded performance.
1.
Hold down the [Song/File] button and press the [
(Rec)] button.
A screen like the one shown below appears.
fig.m-songdel.eps_60
2.
Touch <OK>.
This deletes the recorded song.
When you touch <Cancel>, the previous screen appears and the recorded song is not
erased.
I Erasing the Performance on Specific Tracks
You can select and erase performances on specific tracks.
1.
Hold down the Track button for the track containing the performance
you want to erase, then press the [ (Rec)] button.
The Track button’s light goes dark, and the recorded music is erased.
Changing How Recording Stops
When recording an Automatic Accompaniment performance, you can change the
accompaniment and the way recording mode stops.
1.
Press the [Menu] button and watch the indicator light up.
The Menu screen appears.
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2.
3.
Touch <Rec Mode>.
A screen like the one shown below appears.
Touch <Rec Stop>
“Composer Stop.”
to switch between “Arranger Stop” and
Display
Explanation
Recording stops at the same time the Automatic Accompaniment
stops.
Arranger Stop
Recording does not stop, even when the Automatic Accompaniment
Composer Stop
stops. When you press the [
stops.
(Play/Stop)] button, recording
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Recording Songs Starting with Pickups
You can record songs that start with pickup beats (songs that start on a beat other
than the measure’s first beat).
fig.PU.e
Count Sound
~
Measure –2
PU
Recording begins here
1
Carry out Steps 1–4 on p. 76 to prepare for recording.
If the [
(Rec)] button’s indicator is not lit, press the [
(Rec)] button so the
indicator is lit.
The KR105 is put in recording standby.
1.
Press the [
(Bwd)] button once.
The measure number in the upper right of the Basic screen changes to “PU,” and the
KR105 is set to record a song starting with a pickup.
fig.d-pu.eps_60
Start recording. After a one-measure count, recording begins.
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Using Floppy Disks
You can use the KR105’s disk drive to save songs to floppy disks and listen to
commercial music files.
If you’re using the disk drive
for the first time, be sure to
read the important notes on
p. 6.
I Inserting and Ejecting a Floppy Disk
Inserting a floppy disk
1.
With the front of the floppy disk facing up, insert the disk in the disk
drive slot until there is an audible click.
NOTE
fig.diskdrive.e
Never remove the disk while
it is being read or written.
Doing so will scratch the
magnetic surface of the disk,
making it unusable. (The disk
drive indicator will light
brightly while data is being
read or written. Normally, it
will be lit dimly or will be
dark.)
Indicator
Eject Button
Floppy Disk
Removing a floppy disk
Press the Eject button.
NOTE
2.
When a floppy disk is
The end of the floppy disk comes out of the slot. Grasp the edge of the floppy disk
and gently pull it out.
initialized, all of the data
saved on the disk is erased.
If you’re formatting a used
floppy disk for reuse, be sure
to check first to make sure the
disk doesn’t contain any data
you don’t want to lose.
I Formatting Floppy Disks (Format)
A newly purchased floppy disk, or a floppy disk that has been used by another
device cannot be used as is. Such floppy disks must be “formatted” (initialized) for
use with the KR105.
If a floppy disk is in a format that doesn’t match the format of this unit, you won’t be
able to use that floppy disk.
fig.panel4-3
First make sure that the protect tab of the floppy disk is in the “Write (write enable)”
position.
Rear side of the disk
WRITE
(you can save data to the disk)
Protect tab
PROTECT (you cannot save data)
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1.
2.
3.
Insert the floppy disk into the disk drive.
Press the [Song/File] button.
Touch <File>.
A “Song File Menu” screen like the one below appears.
fig.d-songfile.eps_60
4.
5.
Touch <Format Disk>.
The following screen appears.
fig.d-format.eps_60
NOTE
Don’t try to take the floppy
disk out of the disk drive until
the formatting process is
finished.
NOTE
Touch <OK>.
If “Error” appears on screen,
take a look at “Error
Initialization of the disk begins.
Touch <Cancel> to go back to the previous screen.
When initialization is completed, you’re returned to the previous screen.
Messages” (p. 155).
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Saving Songs
A recorded performance is discarded when you switch off the power or choose
another song. Storing recorded performances and other data to floppy disks or the
Favorites is called “saving.” Be sure to save important songs to floppy disks or
Favorites.
on the KR105. Take a look at
“Formatting Floppy Disks
(Format)” (p. 85).
What are “Favorites?”
You can register songs you are currently practicing or particularly like to
“Favorites,” allowing you to select these songs easily (p. 59).
On the KR105, when you register a song on a floppy disk to Favorites, you can then
play back the song without inserting the floppy disk in the disk drive.
If a recorded performance is saved to Favorites, the performance won’t be erased
NOTE
when the power is turned off.
Some commercially available
music files cannot be saved
because they are copy
protected.
Preparations for Saving Data
When saving to floppy disks, first check to make sure that the floppy disk’s protect
tab is set to the “Write” position (p. 85), then insert the floppy disk in the disk drive.
1.
2.
3.
Press the [Song/File] button.
Touch <File>.
If not handled with care, a
floppy disk can be damaged,
or the data on it become
corrupted, making playback
impossible. We recommend
saving your songs on two
different floppy disks.
Touch <Save>.
The following “Save Song” screen appears.
fig.d-songsave.eps_60
When you want to clear all of
the content saved to the
condition on the KR105, refer
to “Formatting the User
Memory” (p. 139).
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Determining the name of the song to be saved
4.
Touch <Rename>.
The following “Rename screen” appears.
fig.d-songname.eps_60
When you touch
, the cursor moves.
When you touch the icon for the letter or character to be input, the character appears
at the cursor location. For example touching <ABC> in succession cycles you
through the available choices in that character group (“A”→”B”→”C”...).
Each touch of <A-a-0-!> cycles the type of characters through “English (upper case),”
“English (lower case),” “numerals,” “symbols,” then back to “English (upper case).”
When you touch <Del>, the character at the cursor position is deleted.
When you touch <Ins>, a space is inserted at the cursor position.
5.
When you have finished with the name, touch <Exit>.
Determining the Save Destination
6.
7.
Touch <Disk> or <Favorites>.
Touch <Disk> if you are saving to a floppy disk; touch <Favorites> if you are saving
to Favorites.
Touch
to select the save-destination song number.
If a song name is displayed with a number a song is already saved to that number.
If you select a number with a previously saved song and then proceed to save a new
song, the previously saved song will be erased. If you do not want to lose a saved
song, select a number with no song name indicated in the save-destination column.
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Selecting the tone compatibility format (when saving to disks)
8.
Touch <KR> or <MT>.
Some Tones are unique to the KR105. Data that is recorded using these tones may
not play back correctly on other Roland Digital Pianos or Music Players. When you
want to save data so that it can be played back on another devices, save the data with
“MT” set as the Tone compatibility format.
Display
Explanation
The song is saved as data capable of reproducing performances with richness
of expression using the KR105’s special Tones.
KR
Data is saved in a form that can also be played on the Roland Digital Pianos or
Music Players other than the KR105.
You can listen to songs saved in this format on the Roland HP-G/R series and
KR series keyboards as well as on Roland MT series devices.
MT
<Note>
When data saved with “MT” as the Tone compatibility format is played back on this
instrument, some of the nuances that were part of the performance at the time the
data was recorded may be altered.
Even with data saved with “MT” as the Tone compatibility format, an exact
reproduction of the original performance may be unobtainable when using GS
devices other than Roland Pianos and Music Players.
NOTE
You can only save songs in one
format on a single floppy disk.
Save
9.
Touch <Save> or <As SMF> to start saving.
The resulting file format will be different depending on whether <Save> or <As
SMF> is chosen, as described below.
NOTE
Never turn off the power
while the saving operation is
in progress. Doing so will
damage the KR105’s internal
memory, making it unusable.
Display
Explanation
Saves the song in KR105 format. You can listen to songs saved in this
format on the Roland HP-G/R series and KR series keyboards as well as
Save
Saves the song as an SMF (Standard MIDI Files). Songs saved in this SMF
format can be listened to on many instruments that can play SMF music
files (p. 168).
A song recorded using commercial music files can’t be saved in “Save As
SMF” format for reasons of copyright protection.
It’s a good idea to get into the
habit of moving the write-
protect tab on the floppy disk
to the “Protect” position when
you’ve finished saving your
data. Keeping the tab at
“Protect” prevents operations
that could erase your songs by
mistake.
Save As SMF
The time required for saving ranges from several seconds to half a minute or more.
Don’t take the floppy disk out of the disk drive until the saving process is finished.
Touch <Exit> to return to the Song File screen.
NOTE
Depending on the playback
instrument, some notes may
drop out or sound different.
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Deleting Saved Songs
This deletes songs that have been saved on floppy disks, or to Favorites. To delete a
song on a floppy disk, first insert the floppy disk in the disk drive.
1.
2.
Press the [Song/File] button.
Touch <File>.
The “Song File screen” appears.
3.
Touch <Delete>.
A “Delete Song screen” appears.
fig.d-songdel.eps_60
4.
Touch <Disk> or <Favorites>.
Touch <Disk> if you are deleting a song from a floppy disk; touch <Favorites> if you
are deleting a song from Favorites.
5.
6.
Touch
to select the song to be deleted.
Touch <Delete>.
A screen like the one shown below appears.
fig.m-filedel.eps_60
NOTE
7.
Touch <OK>.
Never turn off the power
while the operation is in
progress. Doing so will
damage the KR105’s internal
memory, making it unusable.
The selected song is deleted.
Do not eject the floppy disk from the disk drive until the operation is finished.
Touching <Cancel> cancels the operation.
Touch <Exit> to return to the Song File screen.
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Copying Songs on Disks to Favorites
You can take songs saved on floppy disks and copy them to Favorites.
You can also copy songs in Favorites to floppy disks.
1.
2.
3.
4.
Insert the disk with the song to be copied in the disk drive.
Press the [Song/File] button.
Touch <File>.
Touch <Copy>.
The following “Copy Song screen” appears.
fig.d-songcopy.eps_60
Specifying the Copy Source
Touch the <Disk>
5.
to select the song you want to copy.
When “Copy All” is selected, all of the songs on the disk are copied to Favorites.
Specifying the Copy Destination
6.
Touch <Favorites>
to select the copy destination for the song.
If a song name is displayed with a number, a song is already saved to that number.
If you select a number with previously saved song data and proceed to copy to that
location, the previously saved song will be erased. If you don’t want to erase a
previously saved song, choose a number with no song name appears in the
destination column.
NOTE
Never turn off the power
while the operation is in
progress. Doing so will
damage the KR105’s internal
memory, making it unusable.
7.
Touch <Execute>.
Do not eject the floppy disk from the disk drive until the copy is finished.
The song from the disk is copied to Favorites.
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I Copying Songs Saved in Favorites to Disks
Songs that’ve been saved to Favorites can be copied onto floppy disks.
In this case, in the “Copy Song screen” in Step 4 above, touch the large arrow icon in
the center to point the arrow upwards. This sets the KR105 to copy the song in
Favorites to the floppy disk.
fig.d-songcopy2.eps_60
The rest of the procedure is identical to that used for copying songs from floppy
disks to Favorites.
Some song data cannot copy
because they are copy
protected.
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6. User Program Registration
Determining the name of the User Programs
Saving Performance Settings
(User Program)
4. Touch <Rename>.
A “Rename screen” like the following appears.
Any collection of settings, including those describing the
current status of your data selections or settings Automatic
Accompaniment, can be saved to the [User Program] button.
You can then call up the stored settings by pressing the [User
Program] button. Saving your preferred combinations of
Music Styles and Tones, as well as other frequently used
settings, makes it more convenient.
You can register up to 36 User Programs to the KR105.
fig.panel_UPG
When you touch
, the cursor moves.
When you touch the icon for the character to be input,
the character appears of the cursor potion.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
¡For more on what can be registered to a User Program, refer to
“Parameters Stored in the User Program” (p. 167).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
1. Set the Music Style, Tone, and other data until the
settings are the way you want them.
2. Press the [User Program] button.
When you touch <Del>, the character at the cursor
position is deleted.
A “User Program screen” like the one shown below
appears.
When you touch <Ins>, a space is inserted at the cursor
position.
5. When you have finished with the name, touch <Exit>.
You’re returned to the Write User Program screen.
Determining the Write Destination
6. Touch
number.
7. Touch <Write>.
to select the write-destination
3. Touch <Write>.
The current performance settings are saved to the
[User Program] button.
A “Write User Program screen” like the following
appears.
¡Never turn off the power while the display indicates
<Writing...>. Doing so will damage the KR105’s internal
memory, making it unusable.P
¡You can restore the content registered to the [User Program]
button to the original factory settings. Refer to “Restoring the
Factory Settings (Factory Reset)” (p. 138).
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Calling Up Saved User
Programs
You can easily call up settings saved to the [User Program]
button.
Saving the User Program Sets
You can take the 36 User Programs saved to the [User
Program] button and save them as a set to a floppy disk, or to
user memory.
1. Press the [User Program] button.
The “User Program screen” appears.
Touch the scroll bar and drag up or down to scroll
through the screen and display other name of User
Programs.
¡For more on working with the disk drive, refer to “Using
Floppy Disks” (p. 85).
1. Press the [User Program] button.
2. Touch <File>.
Touch the page icons <
> <
> to change pages.
3. Touch <Save>.
2. Touch the name of the User Program you want to call
A “Save User Program screen” like the following
up.
appears.
When you touch the name of the User Program, the
buttons or other performance settings instantly change
to the previously saved settings.
I Changing the Way User
Programs Are Called Up
When calling up User Programs, you can prevent the settings
for Automatic Accompaniment from switching by not
touching the touch screen for a few moments.
1. Press the [User Program] button.
Giving a name to a set of User Programs
4. Touch <Rename>.
2. Press the [Option] button.
A settings screen like the following appears.
The Rename screen appears.
When you touch
, the cursor moves.
When you touch the icon for the character to be input,
the character appears at the cursor position. For example
touching the <ABC> icon in succession cycles you
through the available choices in that character group
(A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
3. Touch <Instant> or <Delayed> to select the setting.
When you touch <Del>, the character at the cursor
position is deleted.
Display
Instant
Explanation
Immediately after a User Program name is
touched, the Automatic Accompaniment
settings also switch.
When you touch <Ins>, a space is inserted at the cursor
position.
The Automatic Accompaniment settings
switch after you touch and road the User
Program name for a few moments.
5. When you have finished with the name, touch <Exit>.
Delayed
Touch <Exit> to return to the User Program screen.
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Determining the save destination
I Loading Saved User Program
6. Touch <Disk> or <User>.
Sets
User Programs that have been saved on floppy disks or in
user memory can be called up, on an individual set basis, to
the [User Program] button.
Touch <Disk> if you are saving to a floppy disk; touch
<User> if you are saving to user memory.
7. Touch
to select the save-destination User
*
Note that calling up these User Programs results in the
deletion of all User Programs currently recorded to the [User
Program] button.
Program number.
If a User Program set name is displayed, a User Program
set saved to that saved to that number is already.
When loading a set of User Programs from a floppy disk,
If you select a number with previously saved User
Program set data, then save a new set of data to that
same number, the older User Program set will be
deleted. If you don’t want to lose any previously saved
User Programs, select a number in the save-destination
column that does not yet have a name.
¡For more on working with the disk drive, refer to “Using
Floppy Disks” (p. 85).
1. Press the [User Program] button.
2. Touch <File>.
Save
3. Touch <Load>.
8. Touch <Save> to begin the save.
A “Load User Program screen” like the following
Touch <Exit> to return to the User Program File screen.
appears.
fig.d-upgload.eps_50
*
Never turn off the power or eject the floppy disk from the disk
drive while the operation is in progress. Doing so will damage
¡When clearing the set of saved User Programs, refer to
“Deleting Saved User Program Sets” (p. 96).
Specifying the set of User Programs to be
loaded
4. Use the “Media” arrows to select “Disk” or “User”.
Select “Disk” if you are loading User Programs from a
floppy disk. Select “User” if you are loading User
Programs from the user memory.
5. Touch the name of User Program to load.
6. Touch <Load>.
The confirmation message appears.
7. Touch <OK>.
The selected User Programs are loaded to the [User
Program] button.
*
Never turn off the power or eject the floppy disk from the disk
drive while the operation is in progress. Doing so will damage
the KR105’s internal memory, making it unusable.
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Copying Sets of User Programs on
Disks to the User Memory
Deleting Saved User
Program Sets
You can delete individual User Program sets saved to floppy
disks or in user memory.
You can copy sets of User Programs saved on floppy disks
and to user memory.
You can also copy sets of User Programs saved in user
memory and to floppy disks.
1. Insert the disk with the settings to be copied in the disk
¡For more on the use of the disk drive, refer to “Using Floppy
drive.
Disks” (p. 85).
2. Touch the [User Program] button.
1. Press the [User Program] button.
2. Touch <File>.
3. Touch <File>.
4. Touch <Copy>.
3. Touch <Delete>.
A “Copy User Programs screen” like the following
A “Delete User Program screen” like the following
appears.
fig.d-upgcopy.eps_50
appears.
fig.d-upgdel.eps_50
Specifying the copy source
4. Touch <Disk> or <User>.
5. Touch <Disk>
to select the set of User
Touch <Disk> if you are deleting User Programs from a
floppy disk; touch <User> if you are deleting User
Programs from the user memory.
Programs you want to copy.
When “All” is selected, all of the sets of User Programs
on the disk are copied to user memory.
5. Touch
to select the set of User Programs to be
Specifying the copy destination
deleted.
6. Touch <User>
to select the copy destination
6. Touch <Delete>.
for the set of User Programs.
A screen like the one shown below appears.
fig.msg_filedel
If a User Program name is displayed, already a User
Program saved to that number is already.
If you select a number with User Programs data, and
then copy data to that number, the previously saved
User Programs are deleted. If you do not want to delete
the saved User Programs, select a number in the save-
destination column for which no name is displayed.
7. Touch <Execute>.
7. Touch <OK>.
The set of User Programs on the disk is saved to user
memory.
The selected User Programs are deleted.
Touching <Cancel> cancels deleting the file.
*
Never turn off the power or eject the floppy disk from the disk
drive while the operation is in progress. Doing so will damage
the KR105’s internal memory, making it unusable.
*
Never turn off the power or eject the floppy disk from the disk
drive while the operation is in progress. Doing so will damage
the KR105’s internal memory, making it unusable.
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I Coping Sets of User Programs
Stored in the User Memory to
Disks
I Selecting the Pedal Used for
Switching Settings (Pedal Shift)
3. Touch <Pedal Shift>
to select the setting.
You can take User Program sets saved in user memory and
copy them to floppy disks.
Display
Explanation
In this case, in the Copy User Programs screen in Step 4
above, touch the large arrow icon in the center to get the
arrow to point up. This sets the KR105 to copy the User
Program set in the user memory to the floppy disk.
You can use a function assigned to the
pedal.
OFF
The left pedal is dedicated to switching
User Programs.The function assigned to
the left pedal cannot be used.
Left Pedal
The rest of the procedure is identical to that used for copying
sets of User Program set from disks to user memory.
The center pedal is dedicated to
switching User Programs.The function
assigned to the center pedal cannot be
used.
Center Pedal
Using the Pedal to Switch
User Programs
Touch <Exit> to return to the User Program screen.
You can assign the function of the sequential switching of
User Programs to the pedal. That way, each time you depress
the pedal, the KR105 switches to the next User Program.
I Sequential Loading of User
Program Sets (Load Next)
When using the pedal to switch your User Programs,
you can also call up User Programs sequentially. This
feature is called the “Load Next” function.
Great for use in concerts and similar situations, this allows
you to prepare and save your User Programs in the sequence
they are to be used, and then call up User Programs in the
appropriate order while you perform, simply by depressing
the pedal.
3. Touch <Load Next>
to select the setting.
1. Press the [User Program] button.
Display
Explanation
Switches Load Next off. The pedal does
not allow you to select User Programs.
2. Touch <Pedal> in the lower part of the screen.
OFF
A “PEDAL screen” like the following appears.
Switches Load Next on. The next press of
the pedal after the 36th User Program has
been called up does nothing.
ON
Touch <Exit> to return to the User Program screen.
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5. Touch <Exit>.
Simultaneously Switching
User Program and
The User Program screen returns to the display.
Touch <Write> to save the setting to the User Program.
For more detailed information, refer to “Saving
Performance Settings (User Program)” (p. 93).
Transmitting PC Numbers
You can have PC (Program Change) numbers be transmitted
to an external MIDI device when you switch the User
Program on the KR105.
You can register PC number settings to each of the User
Programs, just as you can with button settings and other
settings preferences.
Calling Up the Performance Settings to Be Set
1. Press the [User Program] button, then touch the name
of the performance setting you want to set.
Setting the Transmission of program changes
2. Touch <Option>.
3. Touch <
> <
> to switch the page to display
the following screen.
fig-upgPCset.eps_50
4. Touch
for the parameter and make the
settings.
Display
Description
This prevents the PC number from being
transmitted (Off), or sets the transmission
channel (Channel 1–16).
Tx PC
Channel
Bank
Select LSB
Sets the Bank Select LSB.
Sets the Bank Select MSB.
Bank
Select MSB
Program
Change
Sets the Program Change messages (Pro-
gram Numbers).
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7. Creating and Editing Songs
Commercially Available Music Files
Commercially available song file recorded in Roland’s SMF
Multitrack Recording with 16
Parts (16-Track Sequencer)
Multitrack recording allows you to listen to previously
recorded material while continuing to add performances of
other parts.
format is also composed of sixteen parts.
By loading the song file from the floppy disk and using the
16-Track Sequencer, you can then also edit the song file.
¡Although with commercially available Roland SMF music
The KR105 is capable of multitrack recording of up to sixteen
parts. Since each part’s performance is recorded using one
tone, you can layer performances, using up to sixteen tones
for the data in one song. The function used to layer these
sixteen parts, one at a time, is called the “16-Track
data, Part 11 is included in the [2/Bass Accomp] track button,
other tracks match to the corresponding Track buttons.
*
With some commercially available music files, you cannot edit
the data.
Sequencer.”
fig.16track.e
I The 16-Track Sequencer Screen
When recording with 16-track Sequencer, display the 16-
track Sequencer screen.
16-Track Sequencer
You can record performances for up to 16 parts, overlaying them part
by part, to create a single song.
1
1. Press the [Menu] button.
Flute Part
2
3
4
The Menu screen appears.
Bass Part
Piano Part (left hand)
2. Touch <16trk Sequencer>.
Piano Part (right hand)
¥
¥
¥
A “16-track Sequencer screen” like the one shown below
16
appears.
16-Track Sequencer and Track Buttons
In addition to the “16-Track Sequencer” function, the “Track
Buttons” (p. 69) are another of the unit’s playing/recording
functions.
These five “Track buttons” are used for organizing the 16-
Track Sequencer’s sixteen parts. This allows you to use the
16-Track Sequencer to add more sounds to performances
recorded with the Track buttons, and make even more
detailed edits of the songs.
You can easily play back the original song data with the 16-
Track Sequencer, mute parts by pressing the Track buttons,
and more.
Icon
Description
Touch to select the part to be recorded, or the
part whose settings are to be changed. The
Part you choose appears is highlighted.
<1>-
<16>
The Track buttons correspond to 16-track sequencer parts as
shown below.
This Part to be played back
Track button
[R/Rhythm]
[1/Whole]
Part
D (10), S (11)
The Part not to be played back (Muted Part)
1
[2/Bass Accomp]
[3/Lower]
2, 5–9, 12–16
Parts that do not have performance data re-
corded to them.
3
4
[4/Upper]
Solo
Mute
Only the selected Part is played back.
Since the 16-Track Sequencer records one tone to one part,
you cannot use Layer performance (p. 25), Split performance
(p. 26), or other such functions to record two or more tones
simultaneously. Also, you can’t record the performance with
Automatic Accompaniment.
This allows you to prevent the sound for the
selected part from playing.
The performance data for the selected part is
deleted.
Clear
Part
which you can make detailed settings for each
part. For details refer to p. 100.
When you want to record with Automatic Accompaniment,
then you should use the Track buttons for recording. (Refer
to “Recording With Accompaniment” (p. 78))
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Icon
4. Touch
the setting.
for the corresponding item to change
The Tone Set screen appears. For details refer
to p. 101.
Tone Set
You can also change the values by touching each
parameter slider and then using the dial.
I Modifying the Settings of Each Part
You can change the Tones and volume, as well as mute the
playback, for each individual part in songs recorded with the
16-track Sequencer and the internal songs.
Display
Description
Volume
Reverb
Chorus
Changes the volume level.
Changes the amount of reverb effect
applied to the sound.
¡Because commercially available Roland SMF music files are
also made up of 16 Parts, you can change the settings for the
Changes the amount of chorus applied.
Shifts the direction from which the sound is
heard between left and right.
(p. 54).
Panpot
Touch
touch
to shift the sound to the right, or
to shift it to the left.
1. Display the 16-track Sequencer screen (p. 99).
2. Touch the screen to choose the Part for which you want
to make settings.
Change the settings for the selected Part.
What’s Panpot?
Panpot is the control that determines the placement of
the sound in the stereo sound field between left and
right speakers. By altering the Panpot setting, you can
change the perceived location of the sound between the
left and right speakers.
Display
Solo
Function
Only the selected Part is played back.
Toggles playback of the selected Part to on
or off.
Mute
Clear
The performance data for the selected part is
deleted.
When you press the [
(Play/Stop)] button, you
hear what the song sounds like as you change the
settings. When you press the [
(Play/Stop)]
*
When you touch <Clear>, a message asking you to confirm the
deletion appears. To erase the recorded sound, touch <OK>. If
you don’t want to erase the recorded sound, touch <Cancel>.
Once a performance has been erased, it can’t be restored.
button, playback of the song stops.
5. Touch
to make settings for other parts.
3. Touch <Part> to make more detailed settings for the
The Part name appears at the upper part of the screen.
Change the settings for other parts as needed.
selected part.
A screen like the one shown below appears.
fig.d-16trpart.eps_50
6. Hold down the [
(Rec)] button and press the [
(Reset)] button.
This operation set the changes in the settings.
The song can then be saved to a floppy disk or to user
memory.
If you do not want to delete a song after changing the
settings for the individual parts, save the song to a
floppy disk or to user memory (p. 87).
*
You cannot save the settings that determine whether sounds
for each individual part are played or not (solo and mute).
You can change the Tone for the selected Part by
pressing a Tone button while this screen is displayed.
When selecting Part 10 or 11, you can touch <Drum Set>
to select the drum set or effect sound.
The Part name and tone name are displayed at the top of
the screen.
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If the following message appears
I Recording a Performance
If you try to display another screen after you’ve changed the
❍ Step 1 Prepare for Recording
song’s settings for each Part, a message like the one below
may appear.
fig.m-songmod.eps
Selecting the Song to Record
1. Hold down the [Song/File] button and press the
[
(Rec)] button.
The following screen is displayed if there is any
previously recorded performance or any song with
changed settings.
fig.m-songmod.eps
Touch <OK> to change the song’s settings.
Touch <Cancel> to discard the changes you’re made.
I Getting the Most Suitable Part
Tones for the Musical Genre
(Tone Set)
“Tone Set” is a function that automatically assigns the most
Touch <OK> to delete the song.
suitable tones for the selected musical style.
If you want to overwrite while recording, select a song.
Determining the Song’s Beat and Tempo
change the Tones to suit the ideas you have for your song.
2. Press the [Metronome] button to select the beat (p. 32).
1. Display the 16-track Sequencer screen (p. 99).
2. Touch <Tone Set> in the lower part of the screen.
want to compose a song whose beat changes partway through
the song, take a look at “Changing the Beat in the Middle of a
Song (Beat Map)” (p. 113).
A screen like the one shown below appears.
fig.d-16trtone.eps_50
3. Press the Tempo [-] and [+] buttons to set the basic
tempo of the song.
If you do not need the metronome sound, press the
[Metronome] button once more.
recording is made using the source song’s basic tempo. To
change the basic tempo of a song, please refer to “Changing the
Tempo of Recorded Songs” (p. 114).
3. Touch the screen to select a musical genre.
4. Touch <Exit>.
The 16-track sequencer screen appears.
Tones for each part are assigned automatically.
*
In some genres, some parts may have no tone assigned.
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❍ Step 2 Start Recording
Changing the Recording
Method (Rec Mode)
You can use any of the four methods below to record with
the KR105.
If necessary, choose a recording method.
For more on how to record, refer to p. 102.
If you record for the first time, there’s no need to select the
recording method.
Although you will normally be using “Replace Recording,”
where previously recorded material is erased when new
sounds are recorded, you’ll find that you can record songs
recording methods.
Selecting the Part to Record
1. Display the 16-track Sequencer screen (p. 99).
2. Touch the number for the Part you want to record.
Replace Recording (p. 103)
Selecting the Sound to Play
recorded as previously recorded material is erased.
3. Use the Tone buttons to choose a Tone to play.
After selecting a Tone, press the [Exit] button to call up
Mix Recording (p. 103)
the “16-Track Sequencer screen.”
New notes are recorded on top of notes previously recorded.
melodies over prerecorded accompaniment.
You can only record drum sounds or effect sounds on
Part D (10) or Part S (11). You can select drum sets or
effect sounds by selecting Part D (10) or Part S (11) and
touching <Drum Set>.
Loop Recording (p. 104)
Specified measures are recorded repeatedly, while new notes
are combined with existing music. A convenient feature for
creating rhythm parts. Loop Recording allows you to record
percussion sound with each pass.
Recording the Performance
4. Press the [
(Reset)] button.
Recording will start at the beginning of the song.
If you want to record from a point other than the
beginning, use the [
(Bwd)] and [
(Fwd)]
Punch-in Recording (p. 105)
buttons to select another measure to begin.
You can re-record only a specified passage as you listen to a
recorded performance.
5. Press the [
(Rec)] button and watch the indicator is
light up.
¡Immediately after the power is turned on, Replace Recording is
The KR is put in recording standby.
selected.
6. Press the [
(Play/Stop)] button.
A two-bar count-in sounds, then recording starts.
*
You cannot use the performance pads when recording with the
16-track sequencer.
7. Press the [
Recording stops.
(Play/Stop)] button.
When one part is recorded, continue by selecting and
recording another part. Continue layering parts to finish
recording the song.
¡You only need to follow the procedure described in “Step 1
Prepare for Recording” when you’re recording the first Part.
For the second Part and after, you can skip step 1 and proceed
from “Step 2 Start Recording.”
*
Any performance that has been recorded is deleted when the
power to the KR105 is turned off. It is a good idea to save song
data to a floppy disk or user memory. For more information,
refer to “Saving Songs” (p. 87).
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Changing the Recording Method
I Recording While Erasing the
Previous Recording
1. Press the [Menu] button.
(Replace Recording)
The Menu screen appears.
fig.d-menu1.eps_50
The recording process where previous material is erased as
setting is in effect when you turn on the power.
1. In the “Rec Mode screen” (p. 103), select <Replace>.
Touch <Exit> to return to the Menu screen.
Record the performance using the procedures described
in Chapter 4 (p. 75), “Multitrack Recording with 16 Parts
(16-Track Sequencer)” (p. 99).
2. Touch <Rec Mode>.
A “Rec Mode screen” like the following appears.
I Layering a Recording Over
Previously Recorded Sounds
(Mix Recording)
You can record a performance layered over a previously
Recording.”
1. In the “Rec Mode screen” (p. 103), select <Mix>.
Record the performance using the procedures described
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 81), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 99), or other
methods.
3. Touch <Rec Mode>
to select the recording
mode.
Display
Replace
Mix
Recording Method
*
After you have finished with mix recording, return to the
usual replace recording mode.
Replace Recording
Mix Recording
Loop
Loop Recording
Auto Punch-
In/Out
Punch-in recording of the interval
between set markers
Punch-in recording starting from the
point at which the pedal, the
Manual
Punch-In/Out
ton is pressed
(Rec)] but-
For more about Punch In Recording, re-
fer to p. 105.
You can add tempo changes to a
recorded composition. See p. 114.
Tempo
4. Touch <Exit>.
Returns to the Menu screen.
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5. Press the [
(Play/Stop)] button to begin
I Repeated Recording at the
recording.
Same Location (Loop Recording)
You can record a specified passage over and over, layering
sounds with each pass. This method is called “Loop
Recording.” This is handy when recording a Rhythm Part.
Recording starts from Marker A.
When the song reaches Marker B, it then returns to
Marker A, where recording continues.
For example, use this method to make a Loop Recording of a
four-measure segment. First record the bass drum, the snare
drum next, then the hi-hat and so on, layering a different
instrument onto the same four measures. After you have
finished recording the four-measure rhythm pattern, you can
then use the procedure in “Copying Measures (Copy)” (p.
108) to create as many copies of the four measures as you
need to complete your Rhythm part.
Each time the recording is looped, the newest sounds are
layered over previously recorded sounds.
6. When you press the [
(Play/Stop)] button,
recording stops.
*
After you have finished with loop recording, return to the
usual replace recording mode (p. 103).
Loop Recording Shortcut
You can also use the method described below to set Loop
Recording.
Take a look at “Setting Markers for Repeated Practice
(Marker)” (p. 70).
If you haven’t recorded anything yet, then use “Blank
Recording” to create the necessary number of measures
before placing the markers.
Take a look at “Setting Markers for Repeated
Practice (Marker)” (p. 70).
If you haven’t recorded anything yet, then perform
“Blank Recording” for the necessary number of
What is Blank Recording?
Blank Recording is recording a number of silent
measures with no content.
2. Touch the <Repeat> icon in the Marker screen (p.
1. Set the basic tempo and beat of the song.
70).
2. Hold down the [
(Play/Stop)] button.
The indicators for the [ (Rec)] and [
(Rec)] button and press the
This sets the loop recording mode.
Start a recording.
[
(Play/
*
After you have finished with loop recording, touch the
<Repeat> icon in the “Marker screen” once more to
return to the usual replace recording mode.
Stop)] buttons both light up, and recording starts.
3. Without performing anything, record only the
required number of measures, then press the
[
(Play/Stop)] button.
The indicators for the [ (Rec)] and [
(Play/
Stop)] buttons both go out, and recording stops.
2. In the Rec Mode screen (p. 103), select <Loop>.
Touch <Exit> to return to the menu screen.
The recording method changes to loop recording.
3. Press the [
(Rec)] button.
4. Press the Track button for the track to be recorded.
The KR105 is put in recording standby.
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I Re-Recording Part of Your
Performance (Punch-in Recording)
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 81) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 99).
You can re-record part of a passage as you listen to a
recorded performance. This recording method is called
“Punch-in Recording.” This convenient function lets you
record over a specified points in a part as you listen to a
prerecorded performance in another section.
Up until the specified passage, the previously recorded
performance plays back.
User Punch-In Recording by the following two methods:
When you reach the specified passage, sounds are erased
as recording starts; begin playing now.
Recording the Region Defined by Markers A and B (Auto
Punch-In/Out)
When you reach the end of the specified passage,
recording stops, and the KR105 returns to playback of
the previously recorded performance.
Before you start recording, place markers A and B to
define the passage you want to re-record. Make the
setting for punch-in recording, and re-record just the
passage between markers A and B.
4. When you press the [
(Play/Stop)] button, the
song stops.
Recording From the Point at Which the Pedal or Buttons
Are Pressed (Manual Punch-In/Out)
❍ Starting Recording from the Measure
You can play back a performance and depress the pedal
at the desired place to start re-recording. Depressing the
pedal a second time cancels recording and returns you to
playback.
Specified by Buttons and Pedals
If using the Performance Pads or pedals, you must first
change the function of the pedals and Pads. Follow the
procedures in “Assigning Functions to Pedals and
When you use the Performance Pads or [
(Rec)]
and assign <Auto Punch-In/Out> to the buttons or pedal.
button, recording begins when you press the Pad or
button upon reaching a specified point in the song.
When you press the Pad or [
(Rec)] button once more,
1. In the Rec Mode screen (p. 103), select <Manual Punch-
the KR105 exits recording mode and returns to normal
playback.
In/Out>.
This changes the recording mode to “Punch-In
❍ Recording a Passage Specified by Markers
Recording.”
Touch <Exit> to return to the Menu screen.
define the passage.
Following the procedures described in “Setting Markers
and B to specify the passage.
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 81) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 99).
2. In the Rec Mode screen (p. 103), select <Auto Punch-In/
The previously recorded performance will be played
back.
Out>.
fig.d-rec-punch.eps_50
Recording begins when you press the pedal, the
Performance Pad, or the [
recording at this time.
(Rec)] button; start re-
Recording stops when you press the pedal, the
Performance Pad, or the [
(Rec)] button again, and
the previously recorded performance is played back.
3. When you press the [
(Play/Stop)] button, the
performance stops.
This changes the recording mode to “Punch-In
*
When you’re finished with Punch-In Recording, return to the
Recording.”
ordinary Replace Recording mode. Take a look at “Changing
Touch <Exit> to return to the Menu screen.
the Recording Method” (p. 103).
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4. Touch <Exit>.
Composing an
Accompaniment By Entering
Chords (Chord Sequencer)
You are returned to the Chord Sequencer screen.
5. Enter the chord progression and the accompaniment
pattern.
You can enter a chord progression and choose the places
where the accompaniment pattern will change to create an
accompaniment for a song. This feature is called “Chord
Sequencer.”
Refer to “Inputting Chords with the Chord Sequencer.”
6. When you have finished inputting all the data, touch
<Execute>.
The accompaniment you’ve composed is registered at “0:
Thanks to the chord sequencer, you can create an
accompaniment ahead of time and play along with your
right hand.
New Song.”
When storage of the data is complete, return to the Menu
screen.
1. Press the [Menu] button and watch the indicator light
Now, press the [
(Play/Stop)] button, and try
up.
playing the melody along with the accompaniment you
created.
The Menu screen appears.
2. Touch <Chord Sequencer>.
*
Songs you’ve created are discarded as soon as you turn off the
power. If you do not want to delete the song, save it to a floppy
disk or to user memory. Refer to “Saving Songs” (p. 87).
The screen like the one shown below is called “Chord
Sequencer screen.”
fig.d-chordseq.eps_50
Inputting Chords with the Chord Sequencer
This is the “cursor.” The cursor shows
where the chord change or other infor-
mation is input.
This is the end of the song. When continu-
ing to add input, insert measures by touch-
ing <Ins>.
Change the accompaniment arrangements
Move the cursor
Select the accompaniment pattern (Division)
1. Use the dial to move the cursor to the input position.
Use the [ (Bwd)] and [ (Fwd)] buttons to move
This indicates the position where the accompaniment pattern (Divi-
sion) or the Style Orchestrator changes.
the cursor one measure at a time.
2. Enter the chord progression and the changes in the
Display
Ins
Description
accompaniment pattern and arrangement.
One measure is inserted before the measure
where the cursor is positioned.
Just as when performing with Automatic
Accompaniment, press the keys to specify a chord, and
press a button to select the accompaniment pattern (p.
46). You can change the Style Orchestrator with the
Performance Pads (p. 48).
The measure in which the cursor is posi-
tioned is deleted.
Del
Allows input of chords without playing the
keyboard. Refer to “Inputting Chords with-
out Playing the Keyboard” (p. 107).
Chords
3. Touch <Ins> once to insert one measure before the
measure where the cursor is currently positioned.
All Clear
Clear
Deletes all of the data that’s been input.
If you touch <Del>, the measure where the cursor is
currently positioned is deleted, while the measures that
follow are moved forward.
Deletes the data at the cursor position.
Records the input chord progression.
Touch this icon when you have finished in-
Execute
To remove what you have input, move the cursor to the
position with input you want to delete, then touch
<Clear>. This deletes the entered setting.
3. Press a Music Style button or the touch screen to select
¡You can only insert an intro at the beginning of a song. When
a Music Style (p. 39).
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you add an intro, the number of bars corresponding to the
length of the intro is inserted automatically.
Editing Songs
There are many ways you can edit performances recorded
using the KR105 Track button or 16-track sequencer.
I Basic Operation of the Editing
¡For instructions on assigning functions, refer to “Assigning
Functions
Functions to Pedals and Performance Pads (Pedal Setting/
User Functions)” (p. 126).
*
While songs are being loaded, the measure number in the
upper right of the screen is highlighted (text and background
are inverted). Start editing the song only after the measure
number is no longer highlighted.
• Inputting a short Intro and Ending
Assign “Intro 2/Ending 2" to a pedal or pad.
• Inputting a “Variation” or “Original” without a Fill-In
Assign “Original/Variation” to a pedal or pad.
Selecting the editing function
• Using the keyboard to input slash chords (such as Fm/C)
1. Press the [Menu] button and watch the indicator light up.
Assign “Leading Bass” to a pedal or pad.
The Menu screen appears.
• Inputting a break somewhere within the song
2. Touch <Song Edit>.
Assign “Break” to a pedal or pad.
A “Song Edit screen” like the following appears.
Check the accompaniment you inserted
fig.d-edit1.eps_50
Here’s how to play back as much of the accompaniment as
you have input.
1. Press the [
(Reset)] button to return to the
beginning of the song.
2. When you press the [
(Play/Stop)] button, the
performance is played back.
3. Playback stops when you press the [
(Play/Stop)]
3. Touch an editing function to select that function.
button once more.
For more detailed information, refer to the
corresponding page for each function.
I Inputting Chords without
Playing the Keyboard
You can use <Chords> at the bottom right of the Chord
Sequencer screen to specify chords on the screen.
Function
Undo
Description
Page
p. 108
p. 108
p. 109
Undoes editing operations that
have been performed.
1. At the Chord Sequencer screen, touch <Chords>.
Copy
Copies measures.
A screen like the one shown below appears.
fig.d-chordinput.eps_50
Evens out sounds in recorded
performances.
Quantize
Delete
Insert
Deletes measures.
p. 110
p. 110
Inserts a blank measure.
Trans-
pose
Transposes parts individually.
p. 111
p. 111
p. 112
p. 112
p. 113
Erases data in measures, creating
blank measures.
Erase
Part
Exchange
Exchanges the sounds in parts.
Allows corrections to be made
note by note.
Note Edit
PC Edit
2. Touch
in each to specify the chords.
3. Touch <Execute> to enter the chord.
Allows editing of the Tones
changes that occur during a song.
You are returned to the Chord Sequencer screen.
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¡”PC” stands for “Program Change,” which is a command that
I Copying Measures (Copy)
tells an instrument to change the sound it’s using. With songs
that rely on the use of a variety of sounds, a “PC” needs to be
located at every point within the song where the Tone is to be
changed
You can copy a portion of a performance to a different bar in
the same Part or to a measure in another Part. This is handy
when you’re composing a song that repeats a similar phrase.
fig.e-copy.e
Ex. To copy measures 5-7 to measure 8.
*
Some edits can’t be undone, not even by choosing “Undo.” We
recommend saving songs to floppy disks or to user memory before
editing. For more on how to save songs, refer to “Saving Songs”
(p. 87).
1
1
2
3
4
5
6
6
7
7
2
3
4
5
8
9
10
Editing
At Step 3 of “Selecting the editing function” (p. 107), select
4. Touch the item to be edited.
The value for the item being edited is highlighted.
5. Set the value with the dial.
<Copy>.
A screen like the one shown below appears.
fig.d-e-copy.eps_50
To cancel the operation once it is underway, touch
KR105.
6. When you’re done making all the settings, touch
<Execute>.
When you are finished editing the setting, return to the
“Song Edit screen.”
Touch <Exit> to return to the Menu screen.
I Undoing Edits (Undo)
You can cancel an editing operation that you’ve just carried
out. This is handy when you want to undo an edit and
Item
From
For
Content
Measure number of the first measure of the seg-
ment to be copied
*
There are some edits that can’t be restored.
Number of measures to be copied
At Step 3 of “Selecting the editing function” (p. 107), select
Copy-source Track button or part number
<Undo>.
Choosing “All” copies all Parts. “—” appears in
the <Dst> column.
If you choose a Track button, you can only copy
to the selected Track button. You cannot copy
to the other Track buttons.
Editing functions that can be undone appear on screen.
fig.d-e-undo.eps_50
Src
Copy-destination measure number
To
When “End” is selected, the data is copied to
the end of the song.
Times
Dst
Number of times the data is to be copied
Copy-destination part number
If you touch <Cancel>, the undo is cancelled, and you’re
returned to the Song Edit screen.
If you touch <OK>, the confirmation message appears on
screen. Touch <OK> to undone the most recent edit.
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Item
Content
Item
From
For
Content
Data can be copied in the following three ways:
Measure number of the first measure of the
segment to be quantized
Replace
If there is a performance recorded at the copy
destination, this previous recording is erased,
and the copied data is written in its place.
Number of measures to be quantized
Track button or part number to be
quantized
Mix
Tr/Pt
If there is a performance recorded at the copy
destination, the copied data is layered over the
previous recording. If the Tones used for the
copy source and copy destination are different,
the copy-destination Tone is used.
Choosing “All” quantizes the same passage
in all Parts.
Mode
Quantization timing
Select one of the following values
1/2 (half note), 1/4 (quarter note),
1/6 (quarter-note triplet), 1/8 (eighth note),
1/12 (eighth-note triplet), 1/16 (sixteenth
note), 1/24 (sixteenth-note triplet),
1/32 (thirty-second note)
Insert
Resolu-
tion
If there is a performance recorded at the copy
destination, the copied portion is inserted with-
out erasing the previous recording. The song is
lengthened by the number of inserted mea-
sures.
When finished with the Quantize settings, return to the Song
Edit screen.
I Correcting Timing
Discrepancies (Quantize)
You can correct for timing discrepancies in a recorded
performance by automatically aligning the music with the
timing you specify. This is called “Quantizing.”
As an example, let’s say that the timing of some quarter-
notes in a performance is a little off. In this case, you can
quantize the performance with quarter-note timing, thus
making the timing accurate.
fig.e-quantize.e
Example: Quarter-note resolution
Actual note data
1
2
3
4
Note data after quantization
Example: Sixteenth-note resolution
Actual note data
Note data after quantization
At Step 3 of “Selecting the editing function” (p. 107), select
<Quantize>.
A screen like the one shown below appears.
fig.d-e-quant.eps_50
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I Deleting Measures (Delete)
You can delete a part of a performance measure by measure.
When a portion of a performance is deleted, the rest of the
performance is shifted up to fill the gap. Erasing measures in
I Inserting Blank Measures
(Insert)
You can add a blank measure at a location you specify. This
addition of a blank measure is called “insertion.”
fig.e_insert.e
a specified passage is called “deleting.”
fig.e_delete.e
Ex. To insert measures (bars) 5-7
Ex. To delete measures (bars) 5-8
1
1
2
3
4
5
5
6
6
7
8
9
10
1
1
2
2
3
3
4
4
5
5
6
6
7
7
2
3
4
8
9
10
At Step 3 of “Selecting the editing function” (p. 107), select
At Step 3 of “Selecting the editing function” (p. 107), select
<Delete>.
<Insert>.
A screen like the one shown below appears.
fig.d-e-del.eps_50
A screen like the one shown below appears.
fig.d-e-ins.eps_50
Item
From
For
Content
Item
From
For
Content
Measure number of the first measure of the
segment to be deleted
Measure number of the first measure of the
segment to be inserted
Number of measures to be deleted
Number of measures to be inserted
Track button or part number to be deleted
Track button or part number where data will be
inserted
Tr/Pt
When “All” is selected, the same portion of all
parts is deleted.
Tr/Pt
When “All” is selected, blank measures are in-
serted at the same place in all parts.
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A screen like the one shown below appears.
I Transposing Individual Parts
You can transpose specified parts and tracks individually.
At Step 3 of “Selecting the editing function” (p. 107), select
<Transpose>.
A screen like the one shown below appears.
fig.d-e-trans.eps_50
Item
From
For
Content
Measure number of the first measure of the
segment to be erased
Number of measures to be erased
Track button or part number to be erased
Tr/Pt
When “All” is selected, the same portion of all
parts is erased.
Item
From
For
Content
Measure number of the first measure of the
segment to be transposed
Select from the following types of performance
data to erase:
Number of measures to be transposed
All
All performance data, including notes, tempos,
Tones switches, volume changes, etc., are erased.
Track button or part number to be transposed
Tr/Pt
Bias
When “All” is selected, the same portion of all
parts is transposed.
Tempo
Tempo data is erased. Erasing the tempo data for
The range of transposition
You can select the range to transpose the data,
from -24 (two octaves down) to +24 (two oc-
taves up), adjustable in semitones.
Event
Prog.Change
Erases the data for switching Tones (p. 108).
Note
Erases only notes.
*
You cannot transpose performances of the drum sets and
sound effect sets (such as the Rhythm Track).
Except Notes
Erases all of the performance data except for the
notes.
I Making Measures Blank
(Erase)
Expression
Erases Expression (volume change) information.
You can delete the performance data in a specified block of
measures, turning them into blank measures without
reducing the length of the song. This process is called
“erasing.”
fig.e_erase.e
Ex. To erase measures (bars) 5-8
1
1
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
10
10
Blank measures
Follow the steps in “Selecting the editing function” (p. 107) to
choose <Erase>.
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I Exchanging Parts (Part
I Correcting Notes One by One
Exchange)
(Note Edit)
You can exchange the notes recorded for a particular part
exchanging parts is called “part exchange.”
You can make corrections in a recorded performance one
note at a time. This process of making changes in individual
notes is called “note editing.”
You can make these corrections by using note editing:
• Deleting misplayed notes
At Step 3 of “Selecting the editing function” (p. 107), select
<Part Exchange>.
A screen like the one shown below appears.
fig.d-e-partex.eps_50
• Changing the force used in playing a single key (velocity)
At Step 3 of “Selecting the editing function” (p. 107), select
<Note Edit>.
A screen like the one shown below appears.
fig.e-note.e
Touch each
exchange.
to choose Parts you want to
Location
Pitch
Velocity
The note-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
Touch
to select the part with the note to be
corrected. The Part number appears at the top of the screen.
Use the [ (Bwd)] button and the [ (Fwd)] button or
use < > < > in the upper part of the screen to find the
note to be corrected.
When you’ve found the note you want to correct, touch
“Pitch” or “Velocity” for the note.
Use the dial to correct the pitch or velocity. If you want to
delete the note, touch <Delete>.
When you’re done making all the settings, touch <Exit>.
Return to the Song Edit screen.
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I Modifying the Tone Changes in
Changing the Beat in the Middle
of a Song (Beat Map)
a Song (PC Edit)
In some songs, the instrument sound changes during the
course of the song (that is, the Tone changes in the middle of
a Part). In such songs, an instruction to switch the Tone is
inserted at the place where you want the sound to change.
This instruction is called a “Program Change” (PC), and
actions such as deleting program changes, or changing the
selected Tone by them are called “PC editing.”
You can create songs that have beat changes during the
course of the song.
*
You can’t change a song’s beat once it’s been recorded. Before
recording the performance, determine the beat to be used.
1. Press the [Menu] button.
The Menu screen appears.
*
beat that does not contain a program change.
2. Touch <Beat Map>.
A screen like the one shown below appears.
fig.d-beatmap.eps_50
At Step 3 of “Selecting the editing function” (p. 107), select
<PC Edit>.
A screen like the one shown below appears.
fig.d-e-pc.eps_50
3. Use <
><
> in the screen or the [
(Bwd)]
and [
(Fwd)] buttons to move to the measure
whose beat you want to change.
The measure number appears in the top-right area of the
screen.
Location
Tone name
The PC-location display uses “Measure: Beat: Tick” as the
Touch <
Touch <
> to move to the beginning of the song.
> to move to the end of the song.
format. A tick is a unit of time that’s shorter than a beat.
Touch
to select the part with the program change
to be edited.
4. Touch
in each to set the beat.
The Part number appears at the top of the screen.
Use the [ (Bwd)] button and the [ (Fwd)] button or
5. Touch <Execute>.
The beat change starts with the measure you selected.
Repeat Steps 3–5 to make beat settings in other measures
as needed.
use < > < > in the upper part of the screen to find the
program change to be edited.
Recording the performance
When you’ve found the Program Change you want to
modify, touch “Tone Name” on the screen.
6. Touch <Exit> twice.
Press a Tone button to select a Tone group, then select a Tone
with the dial. When selecting Part 10 or 11, select the drum
set or effect sound.
The screen displayed before you pressed the [Menu]
button appears.
7. Press the [
(Reset)] button to return the measure
If you want to delete the Program Change, touch <Delete>.
number to “1.”
When you’re done making all the settings, touch <Exit>.
Record the performance using the procedures described
in “Recording and Saving the Performance” (p. 75).
Specify the measure, then change the beat.
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Changing the Tempo of
Recorded Songs
You can change the basic tempo of a composition. The basic
tempo was initially set when the song was recorded.
3. Touch the <Rec Mode>
to select <Tempo>.
This makes the setting for tempo recording.
Touch <Exit> a number of times to switch to the screen
where the measure number is indicated in the upper
right of the screen.
1. Press the Tempo [-] and [+] buttons to choose a tempo.
When the KR105 goes into Tempo Recording, the tempo
indication is highlighted in white.
2. Hold down the [
(Rec)] button and press the
[
(Reset)] button.
Recording the Tempo
The song’s basic tempo changes.
4. Use the [
(Bwd)] and [
(Fwd)] buttons to
The change in basic tempo is discarded when you turn
off the power or choose a different song. Save important
song data to floppy disks or to user memory (p. 87).
move slightly before the measure where you want to
change the tempo.
5. Press the [
flashing.
The KR105 is put in recording standby.
(Rec)] button and watch the indicator is
*
If the song you’re working on has tempo changes, press the
[
(Reset)] button to go back to the beginning of the song
before you carry out this operation.
6. When you press the [
(Play/Stop)] button,
recording begins.
Changing the Tempo Within
the Song
7. When you get to the place where you want to change
the tempo, use the Tempo [-] and [+] buttons or the dial
to vary the tempo as desired.
You can add tempo changes to a recorded composition.
8. When you press the [
(Play/Stop)] button,
The KR105 stores song tempo information and performance
data separately. Therefore, when making changes to the
tempo in a song, you must record the changes in the tempo
information independently of the performance data.
recording stops.
The song’s tempo changes.
*
You cannot record performances while in Tempo Recording
This recording of the tempo is called “Tempo Recording.”
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 102).
I Adjusting the Tempo While
Listening to a Song
You can add ritardando and other such gradual tempo
changes.
Setting the Rec Mode to “Tempo”
1. Press the [Menu] button.
The Menu screen appears.
2. Touch <Rec Mode>.
A screen like the one shown below appears.
fig.d-rec-tempo.eps_50
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I Adjusting the Tempo at a
Particular Measure
You can create a tempo change at the beginning of a selected
First, carry out Steps 1–3 of “Changing the Tempo Within the
Song” (p. 114) to make the “Tempo Recording” settings.
1. Use the [
(Bwd)] and [
(Fwd)] buttons to
move to the measure where you want to change the
tempo.
The measure number appears in the top-right area of the
Basic screen.
2. Press the [
flashing.
(Rec)] button and watch the indicator is
The KR105 is put in recording standby.
3. Use the TEMPO [–][+] buttons or the dial to change the
tempo.
4. Press the [
(Play/Stop)] button.
The song’s tempo changes starts with the measure you
selected.
¡While tempo recording is being used to write tempo, the tempo
display in the screen will be highlighted.
5. When you press the [
(Play/Stop)] button, the
change in tempo stops.
*
You cannot record performances while in Tempo Recording
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 102).
¡If you want to restore the previous tempo, delete the tempo
data at the place where the tempo was recorded. For an
explanation of how to delete the information of tempo settings,
refer to “Making Measures Blank (Erase)” (p. 111).
Tempo Recording Shortcut
Hold down the [
(Rec)] button and press one of the
Tempo [-] [+] buttons to switch to the Tempo Recording
settings. Record tempo information. In this case, tempo
recording is canceled when recording ends.
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8. Creating Music Styles
I Creating New Styles by
Creating Original Styles
(User Styles)
Although the KR105 features a variety of internal Music
Styles, you can also create your own. These original Styles
are called “User Styles.”
Combining Internal Music
Styles (Style Composer)
You can create a new style by selecting from among the
Rhythm, Bass, Accompaniment 1, Accompaniment 2, and
Accompaniment 3 parts in different Styles. This function is
called the “Style Composer.”
You can use either of the two methods described below to
create a User Style.
*
You can only combine the KR105’s built-in Styles.
Style Composer
Displaying the Style Composer Screen
1. Press the [Menu] button.
With this method, you combine internal Music Styles to
create new Styles. You can create a new Style by selecting
from among the Rhythm, Bass, Accompaniment 1,
styles.
The Menu screen appears.
Style Converter (p. 118)
Create a new Style by extracting the portions you need from
songs composed with the 16-track sequencer.
When you’re composing a song, there’s no need to specify all
the chords. You can specify just some of the chords, and the
KR105 automatically chooses the other chords and arranges
the Style.
2. Touch <Style Composer>.
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
*
If a User Style has already been recorded, a message like the
one shown below appears.
fig.m-styledel.eps
Touch <Cancel> to return to the Menu screen. Save User
Styles to floppy disks, or to user memory (p. 121).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
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A “Style Composer screen” like the one shown below
Deciding on a Style
6. Touch <Execute>.
appears.
fig.d-stylecomp.eps_50
You have created a new Style.
The User Style is recorded to the Music Style [User]
button. Try playing with the new Style.
*
If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to a floppy disk or to user memory.
Take a look at “Saving a User Style” (p. 121).
❍ Muting Parts for a particular division
You can mute the sound of particular Parts in specific
Divisions.
Display
Part
R
Rhythm
For example, have all of the parts play in the “Variation”
accompaniment pattern, while muting “Accompaniment 2”
and “Accompaniment 3” in the “Original” accompaniment
pattern. With this arrangement, when the accompaniment
B
Bass
A1
A2
A3
Accompaniment 1
Accompaniment 2
Accompaniment 3
¡For more on Divisions, refer to the “Style Arrangements” (p.
118).
Icon
Function
1. Touch the screen to choose the Part you want to mute
All Clear
Deletes all of the settings.
out.
Parts in specific Divisions. For more in-
formation, take a look at “Muting Parts
for a particular division” (p. 117).
2. Press the Fill In [To Variation] or [To Original] button
Mute
Clear
to switch to the division that you want to mute.
3. Touch <Mute> on the screen.
Deletes the Styles in selected parts.
The Part you chose is only muted out in the Division you
selected.
each part. For more information, take a
look at “Editing the volume and effect
settings for each Part” (p. 118).
Part
If you want to hear the muted-out Part, touch <Mute>
again.
*
To mute out a Division that changes after a few seconds (intro,
ending, or fill-in), touch <Mute> immediately after switching
to the Division.
Records the created Style to the Music
Style [User] button. Touch this when
you have finished creating the Style.
Execute
Selecting the Styles assigned to each part
3. Touch the part to be set.
The Part you touched appears in reverse video.
4. Press an Music Style button, then select a Style with
the touch screen or the dial.
When you have decided on a Style, touch <Exit> to
display the Style Composer screen.
5. Repeat steps 3 and 4 to determine the Styles for each
Part.
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❍ Editing the volume and effect settings for
I Creating a Style from a Song
You Composed Yourself (Style
Converter)
each Part
Displaying the Part settings screen
You can take a song you’ve composed yourself and extract
the portions you need to create your own original Style.
When you’re composing a song, there’s no need to specify all
the chords. You can specify some of the chords, and the
KR105 automatically chooses the other chords and arranges
the style. This function is called the “Style Converter.”
1. At the Style Composer screen, touch <Part>.
A screen like the one shown below appears.
fig.d-scomp-part.eps_50
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
When creating a song in order to create an music style, it’s
good practice to consider the arrangement of the music style.
Modifying the settings of each part
Style Arrangements
A Music Style is made up of five performance parts:
“Rhythm,” “Bass,” “Accompaniment 1,” “Accompaniment
2” and “Accompaniment 3.”
2. Touch the
settings to be changed.
to select the part with the
The part name and Tone name are indicated in the upper
part of the screen.
A song progresses in predictable a sequence, such as intro,
melody A, melody B, bridge and ending.
With the KR105, such changes in songs are allocated to the
following six performance states. We call these six parts of a
song “Divisions.”
3. Touch
for each parameter to change the value.
You can also change the values by touching each
parameter name and then using the dial.
Division
Intro
Performance division
Display
Explanation
The intro is played at the start of a song.
This is played at the end of a song.
This is a basic accompaniment pattern.
Volume
Reverb
Adjusts the volume.
Ending
Original
Adjusts the amount of reverb effect applied
to the sound.
Adjusts the amount of chorus effect applied
to the sound.
Chorus
This is a developmental accompaniment
pattern. It is a variation on an Original.
Variation
Changes the left-right direction from which
the sound appears to come.
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more lively.
Fill-In To
Variation
Panpot
When you touch
, the sound moves to
to move the sound to
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more sedate.
Fill-In To
Original
the right; touch
the left.
Finishing the settings
You can make a song more lively or more restrained by
increasing or reducing played parts by Divisions. You can
also modify a song by changing the Tone of the parts in the
Divisions.
4. Touch <Exit>.
The Style Composer screen appears.
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A “Style Converter screen” like the one shown appears.
❍ Creating Styles in Auto Mode
Points to note when creating songs
• Use one of the major, minor, or seventh chords to create
the song.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
Rhythm
Bass
Accomp Accomp Accomp
1
2
3
9
Parameter
Name
Settings Content
¡When using parts other than Part 2, 7, 8, 9, and D, refer to
“Changing an Extracted Part” (p. 120).
Conv.Mode
Switches the mode (Auto/Manual)
Creating songs
Chord root for the segment to be
extracted
Chord Root
Record the song after referring to “Multitrack Recording
related sections.
Chord type for the segment to be
extracted (major/minor/seventh)
Chord Type
Division
From
Division
When using music data, first select a song (p. 54).
Measure number of the first measure of
the segment to be extracted
Displaying the Style Converter screen
2. Press the [Menu] button.
For
Number of measures extracted
The Menu screen appears.
Making the settings
3. Touch <Style Converter>.
4. Touch <Conv. Mode>, then use the dial to switch the
*
If no song for use in creating a new Style is selected, the
message "Please select a song" appears. Use the [Song/File]
button to select a song (p. 54), then start the procedure again.
mode to “Auto.”
This makes the setting for the Auto mode.
5. Touch <Chord Root> and <Chord Type>, then use the
dial to input the chord root and type for the segment to
be extracted.
*
If a User Style has already been recorded, a message like the
one shown below appears.
fig.m-styledel.eps
6. Touch <Division>, then use the dial to select the
Division.
Display
Intro
Performance division
Intro
Touch <Cancel> to return to the Menu screen. Please save the
Original
Original accompaniment pattern
User Style on a floppy disk or in the internal memory (p. 121).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
Fill To
Vari
From the fill-in to the variation
Variation
Fill To Ori
Ending
Variation accompaniment pattern
From the fill-in to the original
Ending
*
Only one measure can be extracted when “Fill To Vari” or
“Fill To Ori” is selected for the Division. The number of
measures may also be limited in other Divisions.
119
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When using music data, first select a song (p. 54).
7. Touch <From> and <For>, then use the dial to select the
measures to be extracted.
Displaying the Style Converter screen
Touching <Play> at the bottom of the screen, you can
listen to performance of the portion which you chose.
2. Press the [Menu] button.
3. Touch <Style Converter>.
8. Repeat Steps 5–7 to create Styles for all of the
The “Style Converter screen” appears.
Divisions.
4. Touch <Conv. Mode>, then use the dial to switch the
*
If no setting is made for a Division, it uses a simple drum pattern.
mode to “Manual.”
Deciding on a Style
9. When you’re done making all the Division settings,
After that, the steps are the same as for “Creating Styles
touch <Execute>.
in Auto Mode” (p. 119).
The User Style is recorded to the [User] button.
When you touch <Play> in the lower part of the screen,
you can listen to the performance of the part selected
with <Options>.
*
*
If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to a floppy disk or to user memory.
Take a look at “Saving a User Style” (p. 121).
❍ Changing an Extracted Part
You can extract and change part of a song created with 16-
track sequencer.
The following data is saved to the User Style. If a song
includes data other than this, the results you get might not be
what was intended.
1. At the Style Converter screen, touch <Part>.
•Keyboard performance data
A screen like the one shown below appears.
fig.d-styleconv.eps_50
•Amount of Reverb effect applied
•Amount of Chorus effect applied
❍ Creating a Style in Manual Mode
When you create a Music Style in the Manual mode, you can
clearly point up the differences in accompaniment for each
individual chord.
Points to note when creating songs
• Record your performance with the three chord types of
diminished seventh, major, and minor.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
2. Touch the performance Part with settings you want to
change.
Chords Rhythm Bass Accomp Accomp Accomp
3. Use the dial to specify which 16-track Sequencer
1
2
3
performance part you want to extract.
Major
Seventh
Minor
D (10)
3
2
4
5
6
¡In the Manual mode, the type of chords appear at the bottom of
-
-
7
8
9
the screen. Set the Parts for all chords.
12
13
14
15
4. Touch <Exit> to return to the Style Converter screen.
¡If you want to use the performance of other part, check out
“Changing an Extracted Part” (p. 120)
Creating songs
1. Use the 16-track sequencer to record the song.
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 99) and other
related sections.
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A “Save Style screen” like the following appears.
Saving a User Style
You can save the User Styles you create to floppy disks.
With the KR105, you can save Styles to the user memory.
When saved to the user memory, User Styles are not deleted
when the power is turned off. You can also select Styles
saved to the user memory by pressing the Music Style [User]
button.
You can save up to 99 User Styles in user memory.
What is the User Memory?
Determining the name of the Style to be saved
The user memory is the area within the instrument
where User Styles created with the KR105, sets of User
Programs, and other such data are stored.
4. Touch <Rename>.
A “Rename screen” like the following appears.
fig.d-stylename.eps_50
You can also copy User Styles and sets of User Programs
saved on floppy disks.
Data saved to the user memory is not deleted, even
when the KR105’s power is turned off.
memory and restore the settings to the factory settings on the
KR105, refer to “Formatting the User Memory” (p. 139).
Preparations for saving data
When saving to a floppy disk, first insert a floppy disk in the
disk drive.
When you touch
, the cursor moves.
When you touch the icon for the character to be input,
the character appears at the cursor position.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
1. Press the Music Style [User] button.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
When you touch <Del>, the character at the cursor
position is deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
If the User Style screen is not displayed, touch <User/
Disk> in the lower part of the screen.
5. When you have finished with the name, touch <Exit>.
2. Touch <File>.
Determining the save destination
3. Touch <Save>.
6. Touch <Disk> or <User>.
Touch <Disk> if you are saving to a floppy disk; touch
<User> if you are saving to user memory.
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I Deleting Saved User Styles
This deletes User Styles that have been saved to floppy disks
or in user memory.
7. Touch
number.
to select the save-destination
If a Style name is displayed, a style is already saved to
that number.
When deleting a User Style on a floppy disk, first insert the
floppy disk in the disk drive.
If you select a number with a previously saved User
Style and then save to that number, the previously saved
User Style is deleted. If you do not want to delete the
User Style being saved, select a number in the save-
destination column that does not yet have a name.
1. Press the Music Style [User] button.
A “User Style screen” appears.
If the User Style screen is not displayed, touch <User/
Disk> in the lower part of the screen.
8. Touch <Save>.
2. Touch <File>.
The saving process starts.
3. Touch <Delete>.
A “Delete Style screen” like the following appears.
fig.d-styledel.eps_50
*
Never turn off the power while the operation is in progress.
Doing so will damage the KR105’s internal memory, making
it unusable.
4. Touch <Disk> or <User>.
Touch <User> if you are deleting a file from user
memory; touch <Disk> if you are deleting a file from a
floppy disk.
5. Touch
6. Touch <Delete>.
A screen like the one shown below appears.
or
to select the Style to be deleted.
fig.m-filedel.eps
7. Touch <OK>.
The selected Style is deleted.
If you touch <Cancel>, the Style won’t be deleted.
*
Never turn off the power while the operation is in progress.
Doing so will damage the KR105’s internal memory, making
it unusable.
122
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Specifying the Copy Destination
Copying Styles on Disks to
the User Memory
6. Touch <User>
to select the copy destination
for the Style.
You can take User Styles saved on floppy disks and copy
them to user memory.
If a Style name is displayed, a style is already saved to
that number.
You can also take User Styles saved in user memory and
copy them to floppy disks.
If you select a number with a previously saved Style and
then copy to that number, the previously saved Style is
deleted. If you do not want to lose the Style being saved,
select a number in the save-destination column that does
not yet have a name.
1. Insert the disk with the Style to be copied in the disk
drive.
2. Press the [User] button.
7. Touch <Execute>.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
Do not eject the floppy disk from the disk drive before
the copy is finished.
The Style on the disk is copied to user memory.
*
Never turn off the power while the operation is in progress.
Doing so will damage the KR105’s internal memory, making
it unusable.
I Copying Styles Saved in the
User Memory to Disks
If the User Style screen is not displayed, touch <User/
Disk> in the lower part of the screen.
You can take Styles saved in user memory and copy them to
floppy disks.
3. Touch <File>.
In this case, touch the large arrow icon in the center of the
“Copy Style screen” in Step 4 above so that the arrow points
upwards. This will copy user memory Styles to the floppy
disk.
4. Touch <Copy>.
A “Copy Style screen” like the following appears.
fig.d-copystyle.eps_50
The rest of the procedure is identical to that used for copying
Styles from disks to user memory.
Specifying the copy source
5. Touch <Disk>
to select the Style you want
to copy.
When “All” is selected, all of the Styles on the disk are
copied to user memory.
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9. Various Settings
4. Touch <Exit> to return to the Basic screen.
Changing the Settings for
One-Touch Arranger
I Adjusting the Keyboard Touch
(Key Touch)
I Procedure
1. Press the One Touch Program [Arranger] button to
keys.
display the Basic screen.
At Step 3 in “Procedure”, touch <Key Touch>.
fig.d-p-key.eps_50
2. Touch <Options>.
Display
Fixed
Explanation
A screen like the one shown below appears.
fig.d-funcmenu1.eps_50
Notes sound at an unchanging volume level,
regardless of how lightly or forcefully you
play the keyboard.
This sets the keyboard to a light touch. You
can achieve fortissimo (ff) play with a less
forceful touch than usual, so the keyboard
feels lighter. This setting makes it easier for
children, whose hands have less strength.
Light
This sets the keyboard to the standard touch.
You can play with the most natural touch.
This setting is closest to the response of an
acoustic piano.
Medium
Parameter Explanation
Name
This sets the keyboard to a heavy touch. You
have to play the keyboard more forcefully
than usual in order to play fortissimo (ff), so
the keyboard touch feels heavier. This set-
ting allows you to add more expression
when playing dynamically.
Refer to “Adjusting the Keyboard Touch
Key Touch
(Key Touch)” (p. 124).
Heavy
Sets the key at which the keyboard is divided
Split Point
(the split point) (p. 125).
Selects the setting to be specified when the
One Touch Program [Arranger] button is
pressed (p. 125).
One Touch
Setting
Touch any of the icons <Fixed>, <Light>, <Medium>, or
<Heavy>, to set the key touch for the keyboard.
Pedal Set- Assigns a variety of functions to the left and
ting
center pedals and the performance pads.
To make fine adjustments, touch the slider in the screen.
Arranger
Config.
Sets the way the Automatic Accompaniment
plays sounds (p. 128).
Move the slider to the right to add resistance, and to the left
to make the key touch lighter.
You can play classical styles such as Baroque
using historic temperaments (tuning meth-
ods).
Tuning
You set the tuning and make a variety of other settings for the
KR105 starting with the second page of the settings screen.
3. Touch the name of the parameter to be set.
Refer to the corresponding page for each function.
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I Changing the Keyboard’s Split
I Changing Music Styles Without
Changing the Tone or Tempo
(One Touch Setting)
Normally, when you select a Music Style, the Tone and
tempo settings suitable for that Music Style are selected
Tone settings don’t change when you change Music Styles.
Point (Split Point)
This sets the point (the split point) where the keyboard is
divided when specifying chords in the left hand while using
the Automatic Accompaniment and when playing split
performances (p. 26).
The setting is at “F#3” when the KR105 is powered up.
fig.splitpoint.e
At Step 3 “Procedure” (p. 124), touch <One Touch Setting>.
fig.d-1touchset.eps_50
F#3 (Split Point)
B1
B6
Split Point Settings Range
The key you chose for the split point belongs to the left-hand
section of the keyboard.
At Step 3 in “Procedure” (p. 124), touch <Split Point>.
fig.d-splitpoint.eps_50
Display
Explanation
Suitable
Tone
The suitable tone for a Music Style is select-
ed automatically.
Suitable
Tempo
The suitable tempo for a Music Style is se-
lected automatically.
Other
Setting
Other settings (Style Orchestrator, Part Bal-
ance, etc.) are changed automatically.
Touch each icon to switch individual settings on and off.
All items are set to ON when you turn on the power.
Parameters switched to OFF do not change, even when the
Music Style is changed.
Touch either <C3>, <F#3>, <C4>, or <F#4> in the lower part
of the screen.
The key you chose becomes the split point.
To set another key as the split point, touch
the screen, then specify the key.
in
You can set the split point within a range of B1 to B6.
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❍ Functions that Can be Assigned (Pedals,
I Assigning Functions to Pedals
and Performance Pads (Pedal
Setting/User Functions)
Performance Pads)
Function
Explanation
You can assign a variety of functions to the left and center
pedals and the performance pads. You can call up the
assigned functions just by pressing the corresponding pedal
Toggles the Leading Bass function* on or
off. The function stays on as long as the
pedal to which this is assigned is pressed.
When assigned to a Performance Pad, this
is alternately switched on and off each time
the pad is pressed.
Leading
Bass
or pad.
925
NOTE
Only the Rhythm part is played. After No
Chord is switched on, specifying a chord
by playing the actual keys cancels the func-
tion, and all of the accompaniment parts
are played.
Use only the specified expression pedal (EV-7/5; sold
separately). By connecting any other expression pedals, you risk
No Chord
Break
❍ Assigning Functions to Pedals
During the performance of Automatic Ac-
companiment, the accompaniment stops
for one measure only.
At Step 3 of “Procedure” (p. 132), touch <Pedal Setting>.
fig.d-pedalset.eps_50
Fill In to
Variation
Performs the same function as the Fill In
[To Variation] button (p. 46).
Fill In to
Original
Performs the same function as the Fill In
[To Original] button (p. 46).
A fill-in is inserted, but the accompaniment
pattern after that doesn’t change.
Fill In
This plays a fill-in half a measure long,
then switches to the Variation accompani-
ment pattern.
Half Fill In to
Variation
Touch <L><M> to assign functions to each of the pedals.
This plays a fill-in half a measure long,
then switches to the Original accompani-
ment pattern.
Half Fill In to
Original
Pressing the One Touch Program [Piano] button restores the
piano performance functions to the pedals (p. 16).
Original/
Variation
This changes the accompaniment pattern
without inserting a fill-in.
❍ Assigning Functions to Performance Pads
matic Accompaniment, the accompani-
ment returns to the beginning of the
Division (p. 35).
Arranger
Reset
1. Press the [User Function] button and watch the
indicator light up.
A screen like the one shown below appears.
Performs the same function as the [Intro/
Ending] button (p. 43). Intro 1 and Ending
1 are played.
Intro 1/
Ending 1
Performs the same function as the [Intro/
Ending] button (p. 43). Intro 2 and Ending
2 are played.
Intro 2/
Ending 2
Arranger
Start/Stop
Performs the same function as the [Start/
Stop] button (p. 43).
Orchestra-
tor Up
This changes the accompaniment to a more
Orchestra-
tor Down
Changes the accompaniment to a simpler
2. Touch <L><M> to assign functions to each of the
Turns the Melody Intelligence function on
and off (p. 49).
Melody
Intelligence
Performance Pads.
If you set the pedal as a dedicated switch for selecting User
Programs, the function assigned to the pedal cannot be used.
Refer to “Using the Pedal to Switch User Programs” (p. 97).
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❍ Functions that Can be Assigned (Pedals
Function
Explanation
Only)
This starts Automatic Accompaniment
with a fade-in (where the volume gets pro-
gressively louder), ends it with a fade-out
(where the volume gets progressively soft-
er), then stops.
Function
Explanation
Fade In/Out
Pressing the pedal during playback of a song
stops the playback. When the pedal is
released, playback resumes from the beginning
of the measure that was playing when the ped-
al was pressed. When the pedal is pressed in
rapid succession, the playback will resume
backs up the same number of measures as the
Rotary Slow/ This switches the speed of the rotary effect*
Fast
when you perform with an organ tone.
Replay
While the pedal or Performance Pad is held
down, the pitch of the sound drops tempo-
rarily, returning to the original pitch when
the pedal or Pad is released. This can be ef-
fective for simulating the performance of
Glide
Upper Sos- The pedal functions as a sostenuto pedal
tenuto (p. 16).
Composer
Play/Stop
Performs the same function as the [
(Play/Stop)] button (p. 54).
Upper Soft The pedal functions as a soft pedal (p. 16).
Applies a damper pedal effect to the sounds in
the left-hand side of the keyboard during a split
performance.
Lower
Damper
Press the pedal or the Pad turns the nota-
tion appearing on the KR105 display to the
next page while the performance of a song
is stopped.
Page
Fwd
This raises the pitch of notes you play on the
keyboard.
Bend Up
Press the pedal or the Pad turns the nota-
tion appearing on the KR105 display to the
preceding page while the performance of a
song is stopped.
Page
Bwd
This lowers the pitch of notes you play on the
keyboard.
Bend Down
When the pedal is pressed during a layer per-
formance, the Tone volume changes between
two levels, depending on how firmly the pedal
During Punch-in Recording, this starts and
stops recording (p. 105).
Punch In/Out
is pressed.
You can set the tempo according to the in-
terval at which the pedal or pad is pressed
(p. 67).
Pedal EX1
Tap
Tempo
Pressing the pedal with “Pedal EX1” selected
increases the Layer Tone volume. The Layer
Tone is played at a fixed volume, regardless of
how forcefully the keys are played.
* What is the leading bass function?
Pressing the pedal with “Pedal EX2” selected
increases the Layer Tone volume.The Layer
Tone is played at a fixed volume, regardless of
how forcefully the keys are played.
The function that sounds the lowest note of a fingered chord
as the bass tone is called “Leading Bass.” When this function
is turned on, the Bass Tone changes when chord inversions
are used. Usually the tonic of the chord you play sounds as
the bass tone.
Pedal EX2
Pressing the pedal with “Pedal EX3” selected
increases the Layer Tone volume, while the
Pedal EX3 volume of the left-hand Tone is decreased. The
Layer Tone is played at a fixed volume, regard-
less of how forcefully the keys are played.
* What is the rotary effect?
This adds a sort of spinning effect to the organ sound, similar
to the sound when a rotary speaker is used.
Changing the speed increases or decreases the speed of this
spinning effect.
Pressing the pedal with “Pedal EX4” selected
Pedal EX4 increases the Layer Tone volume, while the
volume of the right-hand Tone is decreased.
NOTE
The effect may not be applied correctly when you press a pedal
if “Pedal EX1–4” is assigned to more than one pedal.
Using the “Bend Up” or “Bend Down” function during a split
pitch can change when the Bender effect is used is called the
“bend range”; refer to “Changing the Bend Range (Pedal
Setting)”.
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I Changing the Bend Range
I Changing How Chords Are
Played and Specified
(Arranger Config)
(Pedal Setting)
The effect of smoothly raising or lowering the pitch of a
played note is called the “bender effect.”
This changes the settings determining how Music Styles are
played, and how the keys are pressed to specify chords.
With the KR105, you can assign the bender function to a
pedal, then apply the bender effect by depressing and
releasing the pedal.
When the Automatic Accompaniment is stopped, and Sync
Start (p. 43) is turned off, chords are produced when you
play in the left-hand side of the keyboard. This is called the
same time is called the “bass tone.”
You can also make a setting that determines how much the
pitch of the note changes when you apply the bender. The
range.”
At Step 3 “Procedure” (p. 124), touch <Pedal Setting>.
fig.d-pedalset.eps_50
At Step 3 “Procedure” (p. 124), touch <Arranger Config>.
fig.d-arrset.eps_50
Touch <Bend Range>
setting.
to adjust the bend range
Touch <L><M> of each item to make settings.
Parameter
Name
Value
Explanation
You can set this to any value within a range of 1 to 12 (in
half-tone steps, up to one octave).
All Music Style parts
are played.
Accomp
Chord&Bs
Accomp
Only chord Tones,
and bass Tones are
played.
OFF,
Acoustic Bs.,
A. Bass+Cymbl,
Fingered Bs.,
Picked Bass.,
Fretless Bs.,
Slap Bass1,
Selects the bass Tone.
When set to “OFF,”
no tone is played.
Bass Tone
Organ Bass,
Synth Bass 101,
Thum Voice
OFF, E.Piano 1,
E. Piano 2,
Soft E. Piano,
Hard E. Piano,
Slow Strings,
Strings,
Selects the chord
Tone. When set to
“OFF,” no tone is
played.
Chord Tone
Choir,
Doos Voice
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Parameter
Name
Value
Explanation
¥ Intelligence 2
Major
The function that al-
lows the KR105 to rec-
ognize
C
Play the chord root.
accompaniment
chords when you
press only one or two
keys during automat-
ic accompaniment is
called the “Chord In-
telligence function”.
When set to “OFF”,
play all of the notes to
specify chords.
Seventh
Chord Intel.
ON, OFF
C 7
Play the root of the chord and the
white key to the left of the root.
Minor
C m
Play the root of the chord and the
black key to the left of the root.
What is Chord Intelligence?
“Chord Intelligence” (p. 37) is the name of the function that
recognizes the chords being specified for an accompaniment
when only one or two keys of the chords have been pressed,
which can be used while automatic accompaniment is active.
Minor Seventh
C m7
Play the root of the chord and the
black and white key to the left of
the root.
How to play chords in the Chord Intelligence mode:
¥ Intelligence 1
I Changing the Tuning (Tuning)
❍ Choosing the Tuning
Major
C
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Play the chord root.
Most modern songs are composed for and played in equal
temperament, the most common tuning in use today. But at
one time, there were a wide variety of other tuning systems
in existence. By playing in the temperament that was in use
when a composition was created, you can experience the
Major
C 7
Play the chord root.
Major Seventh
C maj 7
At Step 3 in “Procedure” (p. 132), touch <Tuning>.
Play the root and the first key
below it.
Minor
C m
Play the root and the third key
above it.
Minor Seventh
C m7
Play the root, the third key above
it, and the second key below it.
You can choose from among the eight tunings described
below.
Diminished
C dim
Play the root and the sixth key
above it.
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subtle variations in the reverberations of the chords you play.
Tuning sys-
tem
Characteristics
Touch the Stretch Tuning <ON> or <OFF> icon to select the
tuning curve.
This temperament divides the octave
into 12 equal parts. All intervals will be
slightly out of tune by the same amount.
This setting is in effect when you turn on
the power.
When set to “ON,” the tuning curve features extended low
and high ranges (Stretch Tuning). It is suitable for piano
solos. This setting is selected when the power is turned on.
Equal
When set to “OFF,” the standard tuning curve is used. It is
suitable when playing in an ensemble with other
instruments.
This temperament makes the 5th and
3rd intervals pure. It is unsuited to play-
ing melodies and cannot be transposed,
but is capable of beautiful sonorities.
Just (Maj)
Just intonation differs between major
and minor keys. The same results as ma-
jor can be obtained in a minor key.
Just (min)
Arabic
This tuning is suitable for the music of
Arabia.
This temperament is a modification of
meantone temperament and just intona-
tion, allowing more freedom of modula-
tion. Performances are possible in all
keys (III).
Kirnberger
This temperament is based on the theo-
ries of the Greek philosopher Pythago-
ras, and has pure fourths and fifths.
Chords containing a third will sound im-
pure, but melodies will sound good.
Pythagorean
This temperament is a partial compro-
mise of just intonation in order to allow
modulation.
Meantone
This temperament is a combination of
meantone and Pythagorean tempera-
ments. It allows you to play in all keys.
(First method, number three.)
Werkmeister
Touch any one of the icons to choose the tuning system.
When playing in a temperament other than equal
temperament, you must specify the tonic (the note
corresponding to C for a major key, or to A for a minor key)
of the key in which you will play.
Touch <Key>
to select the tonic.
If you have selected equal temperament, it is not necessary to
select the tonic.
❍ Setting the Tuning Curve (Stretch Tuning)
Pianos are generally tuned so that the low range is flatter and
the high range is sharper than equal tempered pitches. This
method of tuning is unique to the piano, and is known as
“stretched tuning.”
A graph that shows the changes in pitch of actual tuning
compared with the changes in equal temperament pitch is
called a tuning curve. Changing the tuning curve produces
130
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Placing a Marker in the
Middle of a Measure
Changing the Settings for the
Count
A marker is normally placed at the start of the selected
measure, but you can also set it so that a marker is placed at a
position partway through a measure.
Tempo Before You Begin Playing (Count In)” (p. 68) and
“Having a Count Sound Play at the End of the Intro
(Countdown)” (p. 45).
For detailed information about Marker, refer to “Setting
Markers for Repeated Practice (Marker)” (p. 70).
1. Press the [Count/Marker] button.
The Count screen (p. 68) appears.
1. Press the [Count/Marker] button.
The Count screen appears.
2. Touch <Marker>.
The Marker screen appears.
3. Touch <Option>.
2. Touch <L><M> of each item to make settings.
3. Touch <Exit> to return to the main screen.
Parameter Name
Value
Count In
(add a count before the
performance),
Countdown
4. Touch <Resolution>
to choose the marker
setting.
Count Mode
Specify what type of count
will be added.
(add a count only before
you begin playing),
Count In/down
(add both a count-in and
a countdown)
Indication
Measure
Explanation
This lets you place a marker at the begin-
ning of the measure.
This lets you place a marker at the begin-
ning of the beat.
Beat
Countdown Sound
Specify the countdown
sound.
Voice (Japanese),
Voice (English)
5. Touch <Exit> to go back to the Marker screen.
Countdown Track
Lower & Upper Tracks
Lower Track
Upper Track
Specify the track or part that
will determine the beginning
of the performance when
added a countdown.
Part 1~16
Stick, Click, Electronic,
Voice (Japanese), Voice
(English), Wood Block,
Triangle Castanets,
Handclap
Count-In Sound
Specify the count-in sound.
Animal
Measures
Specify the length (number of
measures) of the count-in.
1, 2
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I Lid: Adjusting the piano tone
Parameter Name
Value
With the KR105, you can simulate changes in tone of a
opened or closed.
Repeat
When “Repeat” is turned ON
on the Marker screen (p. 72)
this specified whether the
count-in will sound each time
the range between the mark-
ers is repeated, or only the
first time.
First, Every
1. After performing steps (1)~(3) above, touch <Lid> to
jump to the following page:
Changing the Settings for
One-Touch Piano
I Procedure
1. Switch to the Basic screen, or press the One Touch
2. Use <L> and <M> to adjust the amount of the
Program [Piano] button.
“opening” of the piano lid.
Each time you press the <L> button, the lid of the piano
shown on the screen will open more, creating a brighter
tone.
Each time you press the <M> button, the lid of the piano
shown on the screen will close more, creating a mellower
tone.
3. Touch <Exit> to return to the previous page.
I Adjusting Resonance
2. Touch <Options>.
A “Functions screen” like the following appears.
fig.d-funcmenu2.eps_50
(Resonance)
You can adjust the resonance (Sympathetic Resonance)
that becomes audible when the damper pedal is
depressed.
This setting is enabled only with the piano tones. You cannot set
this for other tones.
1. After performing steps (1)~(3) on p. 132, touch
<Resonance> to jump to the following page:
3. Use <√><®> to selet the page that contains the
parameter you need.
4. Touch the field of the parameter you want to set.
2. Use the on-screen slider icon or the dial to set the
desired resonance level.
3. Touch <Exit> to return to the previous page.
132
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I Changing the Tuning (Tuning)
1. After performing steps (1)~(3) on p. 132, touch
Tuning
system
Characteristics
This temperament is based on the theo-
ries of the Greek philosopher Pythago-
ras, and has pure fourths and fifths.
Chords containing a third will sound im-
pure, but melodies will sound good.
<Tuning> to jump to the following page:
Pythagorean
This temperament is a partial compro-
mise of just intonation in order to allow
modulation.
Meantone
This temperament is a combination of
meantone and Pythagorean tempera-
ments. It allows you to play in all keys.
(First method, number three.)
Werkmeister
2. Press the fields of the desired tuning (see below).
3. Touch <Exit> to return to the previous page.
When playing in a temperament other than equal
temperament, you must specify the tonic (the note
corresponding to C for a major key, or to A for a minor key)
of the key in which you will play.
❍ Choosing the Tuning
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Touch <Key
> to select the tonic.
Most modern songs are composed for and played in equal
temperament, the most common tuning in use today. But at
one time, there were a wide variety of other tuning systems
in existence. By playing in the temperament that was in use
when a composition was created, you can experience the
sonorities of chords originally intended for that song.
If you have selected equal temperament, it is not necessary to
select the tonic.
❍ Setting the Tuning Curve (Stretch Tuning)
Pianos are generally tuned so that the low range is flatter and
the high range is sharper than equal tempered pitches. This
method of tuning is unique to the piano, and is known as
“stretched tuning.”
You can choose from among the eight tunings described
below.
Tuning
system
Characteristics
A graph that shows the changes in pitch of actual tuning
compared with the changes in equal temperament pitch is
called a tuning curve. Changing the tuning curve produces
subtle variations in the reverberations of the chords you play.
This temperament divides the octave
into 12 equal parts. All intervals will be
slightly out of tune by the same amount.
This setting is in effect when you turn on
the power.
Equal
Touch the Stretch Tuning <ON> or <OFF> field to select the
tuning curve.
This temperament makes the 5th and
3rd intervals pure. It is unsuited to play-
ing melodies and cannot be transposed,
but is capable of beautiful sonorities.
When set to “ON,” the tuning curve features extended low
and high ranges (Stretch Tuning). It is suitable for piano
solos. This setting is selected when the power is turned on.
Just (Maj)
When set to “OFF,” the standard tuning curve is used. It is
suitable when playing in an ensemble with other
instruments.
Just intonation differs between major
and minor keys. The same results as ma-
jor can be obtained in a minor key.
Just (min)
Arabic
This tuning is suitable for the music of
Arabia.
This temperament is a modification of
meantone temperament and just intona-
tion, allowing more freedom of modula-
tion. Performances are possible in all
keys (III).
Kirnberger
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5. Touch <ON> to turn the Hammer Response function
I Changing How Rapidly Sounds
Are Expressed According to
the Force Used to Play the
Keys (Hammer Response)
You can adjust the timing with which sounds are produced
according to the force used to play the keys. This function is
called “Hammer Resonance.”
on.
When a key is pressed on an acoustic piano, it causes a
hammer to move and strike the strings, producing sound.
The hammers move more slowly when the keys are played
gently, meaning that sounds are produced just slightly later
than when you play the keyboard with greater force.
Touch <OFF> to cancel the effect.
6. Touch the screen slider to adjust the time it takes for a
key to sound after it is pressed.
When the Hammer Response function is on, the interval
between the time a key is pressed and the time sound is
produced varies according to the force used to play the key.
The more gently the key is pressed, the more delayed the
timing of the sound.
The more the slider is moved to “Slow,” the more
delayed the sound is when the keys are played softly.
Conversely, sounds are produced more quickly when
the keys are played with greater force.
1. Switch to the Basic screen, or press the One Touch
Program [Piano] button.
I Adjusting the Resonant Sounds
(String Resonance)
When the keys are pressed on an acoustic piano, the strings
for keys that are already pressed also vibrate
resonance is called “String Resonance.”
1. After performing steps (1)~(3) on p. 132, touch
<String Resonance> to jump to the following page:
2. Touch <Options>.
3. Use <√><®> to select the following page:
Touch <ON> to turn the String Resonance function on.
Touch the screen slider to adjust the amount of effect
applied.
4. Touch <Hammer Response>.
Moving the slider to “Max” increases the amount of
resonance effect applied. Moving the slider to “Min”
reduces the amount of effect applied.
Touch <OFF> to cancel the effect.
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I Adjusting the Keyboard Touch
Other Settings
(Key Touch)
The following settings are shared by One-Touch [Piano] and
One-Touch [Arranger]. Some of them can be found on pages
3 and 4 for [Piano] as well as on pages 2 and 3 for [Arranger].
Others can only be selected one one page, even though they
apply to both [Piano] and [Arranger].
keys.
1. After performing steps (1)~(3) on p. 132, touch
<Key Touch> to jump to the following page:
Parameter
Explanation
136).
Master Tune
play (p. 136).
Language
Opening
Message
Sets the message that appears when
MIDI Ensemble
Refer to p. 145.
User Image
Display
Selects the image data and display
used (p. 137).
MIDI Setting
Refer to p. 146.
Program
Change
Display
Explanation
Refer to p. 146.
Notes sound at a constant volume level, re-
gardless of how lightly or forcefully you
play the keyboard.
you want to use the beat indicator (p.
137).
Fixed
Beat Indicator
MIDI Sync
Refer to p. 144.
This sets the keyboard to a light touch. You
can achieve fortissimo (ff) play with a less
forceful touch than usual, so the keyboard
feels lighter. This setting makes it easier for
children, whose hands have less strength.
Stores edited settings and other data to
Memory Backup
Light
Restores the content stored with Mem-
tings (p. 138).
Factory Reset
Touch Screen
This sets the keyboard to the standard touch.
You can play with the most natural touch.
This setting is closest to the response of an
acoustic piano.
Allows for calibration of the touch
screen (p. 139).
Medium
This sets the keyboard to a heavy touch. You
have to play the keyboard more forcefully
than usual in order to play fortissimo (ff), so
the keyboard touch feels heavier. This set-
ting allows you to add more expression
when playing dynamically.
Heavy
Touch any of the icons <Fixed>, <Light>, <Medium>, or
<Heavy>, to set the key touch for the keyboard.
To make fine adjustments, touch the slider in the screen.
Move the slider to the right to add resistance, and to the
right to make the key touch lighter.
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I Changing Standard Pitch
I Changing the Screen Message
When the Power Is Turned On
(Opening Message)
when the power is turned on.
(Master Tune)
“Standard pitch” generally refers to the pitch that is heard
when you play middle A. When performing in an ensemble
with other instruments, adjust the standard pitch so that the
At Step 3 in “Procedure” (p. 132), touch <Opening Message>.
instruments to a standard pitch is called “master tuning.”
A screen like the one shown below appears.
At Step 3 in “Procedure” (p. 132), touch <Master Tune>.
A screen like the one shown below appears.
fig.d-tuning.eps_50
Use
to move the cursor.
Touch <L><M> to change the pitch.
When you touch the character icon, the character is input
where at the position.
Standard pitch can be set to any value from 415.3–466.2 Hz.
I Changing the Language
When you touch the icon for the character to be input, the
character appears at the cursor position. For example,
touching the <ABC> icon in succession cycles you through the
available choices in that character group (A→B→C→A...).
(Language)
displaying information on the screen.
Each touch of <A-a-0-!> cycles the type of characters through
“English (upper case),” “English (lower case),” “numerals,”
“symbols,” then back to “English (upper case).”
At Step 3 in “Procedure” (p. 132), touch <Language>.
A screen like the one shown below appears.
When you touch <Del>, the character at the cursor position is
deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
When you have finished inputting the characters, touch
<Execute>.
NOTE
Touch <L><M> to select the language.
Available settings
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR105’s internal
memory, making it unusable.
English, German, French, Spanish
NOTE
If you touch <All Clear> at the bottom of the screen and then
touch <Execute>, the display reverts to the screen that normally
appears when you turn on the power to the instrument.
German, Spanish, and French are displayed for some functions.
Other screens will be displayed in English.
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A screen like the one shown below appears.
I Turning Off the Beat Indicator
(Beat Indicator)
The beat indicator normally flashes in time with the
wish, it can be set to remain off at all times.
At step 3 in “Procedure” (p. 132), touch <Beat Indicator>.
A screen like the one shown below appears.
2. Touch the name of the stored image data.
When you touch <Preview>, you can then show the
selected image data on the display selected in Step 1.
3. Touch <Save>.
The selected image data is stored.
4. Touch <Exit> to return to the previous screen.
To clear the stored image data, touch <Erase>.
Touch
to turn the setting ON, or OFF (so the beat
❍ Image data that KR105 can display
indicator remains off).
I Selecting Images To Be Shown
on the KR105
Size
320 x 240 pixels
1 bit (2 colors)
BMP format
Color
(User Image Display)
shown on the onboard display.
Format
*
The KR105 cannot deal with compressed
image data.
At Step 3 in “Procedure” (p. 132), touch <User Image
1–8 characters in length (lowercase is ok). A
filename extension of “.BMP” (uppercase
characters) must be added after the name.
Display>.
A screen like the one shown below appears.
fig.d-usrimage.eps_50
The following characters can be used to
name an image.
A B C D E F G H I J K L M N O P Q R S T U
V W X Y Z a b c d e f g h i j k l m n o p q r s
t u v w x y z 0 1 2 3 4 5 6 7 8 9 # $ % & ‘ ( ) -
@ ~ { } ^ _ !
Name
*
If you use a character that cannot be used
in a name, it will be replaced by another
character when displayed.
Selecting the images to be displayed
First, take a floppy disk to which the image data stored
in the KR105 has been saved, and insert the disk in the
disk drive.
1. Touch <File>.
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I Remembering the Settings
Even When the Power is
I Restoring the Factory Settings
You can return the content stored with “Memory Backup” (p.
138) and the User Programs (p. 93) to their original factory
settings. This operation is referred to as “Factory Reset.”
Turned Off (Memory Backup)
Normally, the various settings revert to their default values
when the power is turned off. However, you can specify that
the settings will be remembered even when the power is
turned off. This function is called “Memory Backup.”
NOTE
When you perform a Factory Reset, all settings that have been
stored in memory up to then are erased and reset to their
factory defaults.
For more on the settings stored using Memory Backup, refer to
“Parameters Stored in Memory Backup” (p. 167).
At step 3 in “Procedure” (p. 132), touch <Memory Backup>.
screen calibration settings to the original factory settings, refer
to “Returning the Touch Screen Calibration Settings to the
Original Factory Settings” (p. 139)
A screen like the one shown below appears.
When you want to restore the content registered to the KR105’s
User Memory” (p. 139).
At step 3 in “Procedure” (p. 132), touch “Factory Reset.”
A screen like the one shown below appears.
Touch <Execute>.
The confirmation message appears on screen.
Touch <OK> to store the setting.
When the setting has been stored in memory, the previous
screen will reappear.
NOTE
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR105’s internal
memory, making it unusable.
Touch <Execute>.
The confirmation message appears on screen.
Touch <OK> to restore the original factory settings.
When the setting is changed, the previous screen returns.
When you touch <Cancel>, the settings are left untouched,
and you’re returned to the previous screen.
NOTE
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR105’s internal
memory, making it unusable.
138
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I Calibrating the Touch Screen
Formatting the User Memory
The KR105 features an internal storage area where you can
save recorded performances and User Styles. This space is
called the “User Memory.”
(Touch Screen)
If you’ve been using the touch screen for some time, the
pointer may be shifted, making the KR105 react incorrectly.
performing calibration (repositioning).
The following content is stored to the user memory.
• Content registered to the “Favorites” (p. 59)
• Sets of saved User Programs (p. 94)
At step 3 in “Procedure” (p. 132), touch “Touch Screen.”
• User Styles saved on user memory (p. 121)
• Image files set with the “User Image settings” (p. 137)
A screen like the one shown below appears.
To delete all of the content held in the user memory and
restore the original factory settings, carry out the following
procedure.
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Format User Memory>.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
Touch <Execute>.
Touch the points indicated.
NOTE
Do this carefully, because touching a location that’s different
from the one indicated for the pointer may make the
displacement even worse. Be sure to touch the pointer
accurately.
When the calibration is finished, touch <Write> to store the
settings.
4. Touch <OK>.
All of the content in the user memory is deleted.
If you touch <Cancel>, the deletion is cancelled, and
you’re returned to the previous screen.
NOTE
If you don’t write them to memory, the calibration settings will
be discarded as soon as the power is switched off.
NOTE
Returning the Touch Screen Calibration
Settings to the Original Factory Settings
Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR105’s internal
memory, making it unusable.
If you touch <Factory Reset> in the above screen, the touch
screen calibration settings revert to the original factory
settings.
than the user memory settings. To restore settings other than
those for the user memory to the original factory settings, carry
out Factory Reset (p. 138).
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Automatically Starting the
Quick Tour
You can set the instrument so that the Quick Tour starts
automatically with no operation required.
Disabling Functions Other
Than Piano Performance
(Panel Lock)
The “Panel Lock” function locks the KR105 in a state where
only piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
1. Simultaneously press the [Transpose] and [Reverb]
buttons.
The Quick Tour screen appears.
*
In the Panel Lock state, only the grand piano sound can be
played.
2. Touch <Option>.
1. Turn down the volume all the way.
2. Press the [Power] switch to turn off the power.
3. While holding down the [Wonderland/Game] button,
press the [Power] switch and turn on the power.
Then, continue to hold down the button for a few
seconds.
All buttons except for piano play are disabled.
Adjust the volume. When you play the keyboard, the
grand piano sound will be heard.
3. Touch <ON> or <OFF>.
When set to “ON,” the Quick Tour starts when you turn
on the power. The demo stops as soon as you carry out
any kind of operation. If no operation is performed for
5–10 minutes after that, the automatic demo starts again.
To undo the Panel Lock function, turn the volume down
to the minimum, and turn on the power once again.
When set to “OFF,” the Quick Tour does not start unless
you touch the Quick Tour screen icon.
4. Touch <Exit> to return to the Quick Tour screen.
*
For more information about Quick Tour, refer to the Quick
Start.
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I Viewing Song Information
Detailed Song Playback
Settings
(Information)
You can view file names and other information concerning
songs.
I Changing the Tone Settings
When Playing Back Songs
(Play Mode)
With the normal setting, GS tones (sounds that are
compatible with other GS instruments) will normally be used
to play back song data. By changing this setting, you can play
back song using KR-specific tones for certain portions of the
data.
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Information>.
A song information is displayed.
I Hiding the Lyrics (Lyrics)
Some commercially available music files for use in karaoke,
as well as some of the internal songs include lyrics data.
When you play such music files, the lyrics automatically
appear in the screen. If you do not want lyrics to appear
automatically, set this to “OFF.”
For detailed information about GS, refer to “About the KR105’s
Sound Generator” (p. 168).
1. Press the [Menu] button.
The Menu screen appears.
1. Press the [Menu] button.
The Menu screen appears.
Touch
to switch the screens.
2. Touch <Play Mode>.
Touch
to switch the screens.
A screen like the one shown below appears.
2. Touch <Lyrics>.
A screen like the one shown below appears.
3. Touch the icon to choose the setting.
Icon
GS
Explanation
3. Touch
to select the setting.
Explanation
Playback uses GS-compatible tones for perfor-
mances that sound like other GS instruments.
Display
ON
Playback uses KR105 tones for greater expres-
siveness. However, differences may appear
when playing back using devices other than the
KR105.
Lyrics are displayed automatically (when
performance data containing lyrics is played
back).
KR
Lyrics are not displayed, even if the song
data being played back contains lyrics data.
OFF
4. Touch <Exit> to go back to the Menu screen.
5. After changing this setting, try selecting the song once
4. Touch <Exit> to return to the Menu screen.
again.
For more detailed information about selecting a song,
Even when this is set to “OFF,” you can still have the lyrics be
refer to “Playing a Song” (p. 54).
displayed by touching <
or Basic screen (p. 19).
> when it appears in the Piano
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4. Touch <Exit> to return to the Menu screen.
again.
The screen may be switched when you press the button while
the Lyrics screen is displayed. To have the lyrics displayed
For more detailed information about selecting a song,
refer to “Playing a Song” (p. 54).
again, touch <
> on the Piano or Basic screen, or stop
playback of the song, then press the [
button.
(Play/Stop)]
I Changing the Parts Assigned
to the Track Buttons During
Normally, when playing back Roland Piano Digital-
compatible SMFs (p. 168), the lower part is assigned to the
[3/Lower] button, and the upper part is assigned to the [4/
Upper] button. However, assignment of the upper and lower
parts may differ with some SMF data.
If you cannot get the upper and lower parts to work well set
on “Auto,” then change the setting to “2/1 Part” or “3/4
Part.”
This setting is effective with SMF format song data.
This is not effective with the internal songs.
1. Press the [Menu] button.
The Menu screen appears.
Touch
to switch the screens.
2. Touch <Track Assign>.
A screen like the one shown below appears.
3. Touch
to select the setting.
Explanation
Display
The part assigned to each track will be deter-
mined automatically,
Auto
depending on the song data.
Part 1 will be assigned to the upper part
track, part 2 to the lower part track, and part
3 to the user track.
2/1 Part
3/4 Part
Part 4 will be assigned to the upper part
track, part 3 to the lower part track, and part
1 to the user track.
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10. Connecting External Devices
fig.V-LINKkey
You can connect the KR105 to external devices such as audio
equipment, MIDI instruments and computer.
A0 B0 C1 D1 E1 F1 G1
Connecting Video Equipment
(V-LINK)
A0 –G1#
Connecting the KR105 to a V-LINK compatible image device
allows you to control the images with the KR105.
While V-LINK is switched on, no sound is produced
when you press any of the twelve keys at the left end of
the keyboard.
V-LINK (
) is functionality promoted by Roland
that allows linked performance of music and visual material.
By using V-LINK-compatible video equipment, visual effects
can be easily liked to, and made part of the expressive
5. Touch <OFF> to cancel the V-LINK function.
elements of a performance.
921
Connecting MIDI Devices
NOTE
By connecting an external MIDI device and exchanging
performance data, you can control one device from the other.
For instance, you can output sound from the other
instrument or switch Tones on the other instrument.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
❍ Connection Examples:
What’s MIDI?
fig.02-
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a universal standard for the exchange of
performance data between electronic instruments and
computers.
V-LINK compatible image device
The KR105 is equipped with MIDI connectors to let it
exchange performance data with external devices. These
connectors can be used to connect the KR105 to an external
USB MIDI Interface
device for even greater versatility.
984
KR105
*
A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require
this publication (such as when you intend to carry out byte-
level programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
MIDI OUT
I Using the V-LINK function
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
I Connectors
fig.09-
3. Touch <V-LINK>.
4. Touch <ON>.
Switches to Image Control mode.
You can control images using the twelve keys at the left
end of the keyboard.
MIDI Out Connector
Connect this to the MIDI In connector on an external MIDI
device using a MIDI cable (sold separately).
When V-LINK is on, “V-LINK” is indicated in the Basic
Performance data when you play the keyboard or depress a
pedal is sent from this connector to the external MIDI
connector.
screen and other screens.
MIDI In Connector
Connect this to the MIDI Out connector on an external MIDI
device using a MIDI cable (sold separately).
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This receives MIDI messages that are sent from external
MIDI devices. The KR105 receiving MIDI messages can
output sounds, exchange tones and perform other
operations.
Connecting with a MIDI Sound Module
fig.09-
Sound Module
MIDI
THRU
OUT
IN
*
External MIDI devices can’t be used for remotely changing the
Tones played by the KR105’s keyboard.
I Making the Connections
KR105
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1. Turn the volume all the way down on the KR105 and
on the device you’re about to connect.
2. Switch off the power to the KR105 and the device
Synchronizing with
you’re about to connect.
Connected MIDI Devices
3. Use a MIDI cable (sold separately) to connect the MIDI
You can have connected MIDI devices played by the tempo
produced by the KR105; you can also have the tempo
produced by connected MIDI devices play the KR105. This
setting is called the “MIDI Sync.”
Having connected MIDI devices work at the same tempo, and
start and stop at the same timing is called “synchronization.”
connectors to each other.
Please refer to the connection examples below.
4. Switch on the power to the KR105 and the connected
device.
1. Switch to the Basic screen, or press the One Touch
5. Adjust the volume level on the KR105 and the
connected device.
Program [Piano] button.
2. Touch <Options>.
For details on the MIDI-related settings, refer to
3. Touch <MIDI Sync>.
The following screen is appeared.
p. 146–p. 147.
❍ Connection Examples:
Setup with a MIDI Sequencer
fig.09-10
Roland MT Series
Out
MIDI
In
KR105
4. Touch <L><M> to make the setting.
Displayed
Auto
Meaning
*
When the KR105 is connected to a MIDI sequencer, set it to
Local OFF. Refer to “Disconnecting the Internal Sound
Generator and Keyboard (Local Control)” (p. 146).
The KR105’s tempo as well as the starting
and stopping of playback and recording is
controlled by the MIDI device connected to
the KR105’s MIDI In connector. When there
is no MIDI device connected, then these op-
erations can be performed by the KR105.
Adjustment of the KR105’s tempo and start-
ing and stopping of playback and recording
is performed by the KR105.
Int
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Displayed
Ext
Meaning
5. Select the method for using the MIDI In connector.
The KR105’s tempo as well as the starting
and stopping of playback and recording is
controlled by the MIDI device connected to
the pro
’s MIDI In connector. When there is no MIDI
device connected, then tempo changing op-
eration can not be controlled by the pro
Displayed
Meaning
Normal setting.
Normal
Make changes in Tone and other settings
from the connected device.
Select this when you have percussion pads
connected to the KR105’s MIDI In connector.
You do not need to make any MIDI settings
on the KR105. Select pad Tones and make
other settings from the connected pads (for
further details, refer to the Owner’s Manual
provided with the pads).
Playback and recording of songs is con-
trolled by the connected MIDI device.
Remote
Pad
*
Unless the above is set to either “Int” or “Auto,” the KR105’s
buttons cannot be used to adjust the KR105’s tempo.
Ordinarily, you should set this to “Int.”
Select this when you have a keyboard con-
nected to the KR105’s MIDI In connector.
You can select tones for the connected key-
board from the KR105. No MIDI settings
need be made on the KR105.
Touch <Exit> to go back to the Function screen.
Keyboard
Performing in Ensemble with
MIDI Instruments (MIDI
Ensemble)
6. When “Keyboard” is selected in Step 4 above, use
<L><M> to select the Tone.
The connected keyboard plays using the selected Tone.
You can connect an electronic percussion device or other
MIDI instrument to the KR105’s MIDI In connector for
ensemble playing. Making the MIDI settings for the
instrument connected to the MIDI In connector is easy. The
sounds from the connected MIDI instrument are played from
the KR105’s speaker.
1. Press the One Touch Program [Piano] button.
2. Touch <Option>.
3. Use <L> and <M> to select the third page:
4. Touch <MIDI Ensemble>.
A screen like the following appears.
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❍ Making the Settings
MIDI Settings
You can make MIDI settings like those described below.
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
<MIDI Setting>
3. Touch <MIDI Setting> or <Program Change>.
4. Touch <L><M> to make the setting for each item.
Touch <Exit> to return to the Functions screen.
I Selecting the Transmit Channel
(Tx Channel)
MIDI organizes things into “channels,” which are numbered
from 1 through 16. Simply connecting a cable is not enough
for communication to take place. The connected devices must
be set to use the same MIDI channels. Otherwise, no sound
will be produced, and no sounds can be selected.
Display
Chooses the MIDI send channel
(p. 146).
Tx Channel
Select the transmit channel (1–16) of the KR105.
The channel setting is at “1” when the KR105 is powered up.
Switches Local Control on or off
(p. 146).
Local Control
If the keyboard has been split into upper and lower sections,
messages from the left-hand section are fixed at “3.”
The KR105 receives messages on all channels from 1 through
16.
<Program Change>
I Disconnecting the Internal
Sound Generator and
Keyboard (Local Control)
When connecting a MIDI sequencer, set Local Control to
“OFF.” The setting is at “Local Control ON” when the KR105
is powered up.
As illustrated, information describing what has been played
on the keyboard is passed to the sound module over two
different routes, (1) and (2). As a result, you hear overlapping
or intermittent sounds. To prevent this from happening,
route (1) must be disabled, by setting the unit to what is
Display
Sends Bank Select MSB messages
(p. 147).
Bank Select MSB
known as “Local Off.”
fig.09-
(1) Local On
Sends Bank Select LSB messages
(p. 147).
Bank Select LSB
Program Change
Sequencer
MIDI
OUT
MIDI
IN
Sound
Generator
Sends Program Change messages
(Program Numbers) (p. 147).
Memory
MIDI
OUT
MIDI
IN
(2)
Soft Tru On
Each note played is sounded twice
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Local On: The keyboard and internal sound generator are
I Sending Tone Change Messages
(Program Change/Bank Select
MSB/Bank Select LSB)
connected.
fig.09-
Sound is emitted
A Program Change is a message that means “change to the
Tone of the specified number.” The device that receives this
changes to the Tone of the corresponding number.
Sound Generator
Local On
When you choose a Program Change message (Program
Number), the Program Number will be transmitted to the
MIDI device connected to the KR105. The MIDI device that
receives the Program Number changes the tone to the
corresponding Program Number.
Local Off: The keyboard and internal sound generator are
Normally, the Tone is selected from the 128 Tones available.
Some MIDI devices, however, have more than 128 Tones.
With such devices, the Tone is selected through a
combination of Program Change messages and Bank Select
messages. There are two parts of a Bank Select message: the
MSB (Controller 0, with a value of 0–127) and the LSB
(Controller 32, with a value of 0–127).
separated. No sound will be produced by the
keyboard when it is played.
fig.09-
No sound produced
Sound Generator
Local Off
*
Some MIDI instruments can’t handle Bank Select messages.
Others can handle Bank Selects, but do not recognize the LSB
part.
¡ When connecting a unit in the Roland MT series, you don’t
need to switch off Local Control. MT units transmit Local Off
messages when their power is switched on. First turn on the
power to the KR105, then after a few moments, play a note on
the KR105; when you turn on the power to the MT Series
device, Local Off is automatically enabled for the KR105.
Sending Recorded
Performance Data to a MIDI
Device (Composer MIDI Out)
When Composer Out is active, you can send performance
data recorded with the KR105 to a connected MIDI device or
computer.
When you turn on the power, this is set to “OFF” (data is not
sent).
1. Press the [Menu] button.
2. Touch <Composer MIDI Out>.
3. Touch <L><M> to set ON or OFF.
4. Touch <Exit> to return to the Menu screen.
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I Making the Connections
Connecting to Audio
Equipment
When you connect the KR105 to audio equipment, you can
play the sounds from the KR105 through the speakers on the
audio equipment or record your performances on a tape
recorder or other recording device.
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Playing Sounds from the KR105 Through the
Speakers on Audio Equipment or Recording Your
Performances on a Recording Device
When connecting, please use audio cables (sold separately)
with standard phone plugs.
fig.09-
Input R/L
(Line In, Aux In)
I Connectors
fig.09-
KR105
Pedal
Output Jacks
You can connect audio equipment using audio cables (sold
separately) and play the sounds from the KR105 through the
speakers on the connected equipment, or record your
performances on a tape recorder or other recording device.
1. Turn the volume all the way down on the KR105 and
on the device you’re about to connect.
If the input of the connected device is monaural, you must
use the L (Mono) jack.
2. Turn off the power to the KR105 and other connected
equipment.
Input Jacks
You can connect another sound source, such as audio
equipment or an electronic instrument, using audio cables
(sold separately). Play the sounds from the connected device
through the speakers on the KR105.
3. Use audio cables (sold separately) to make the
connection.
4. Switch on the KR105.
If the input of the connected device is monaural, you must
use the L (Mono) jack.
5. Switch on the connected device.
6. Adjust the volume level on the KR105 and the
*
You cannot use the KR105 to adjust the volume of the
connected sound generating device.
connected device.
926a
Recording KR105 Performances on a Recording Device
*
When connection cables with resistors are used, the volume
level of equipment connected to the inputs jacks may be low. If
this happens, use connection cables that do not contain
resistors, such as those from the Roland PCS series.
7. Start recording with the connected device.
8. Play the keyboard.
9. When the performance ends, stop recording on the
connected equipment.
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Playing Audio Equipment Sounds Through the
Connecting a Computer
Speakers on the KR105
fig.09-
I Connect to the MIDI Connectors
You can use a USB MIDI interface cable (sold separately) to
connect the KR105 to your computer.
Output R/L
(Line Out)
If the KR105 is connected to a computer in which sequencer
software such as Roland’s “Visual MT” is installed, a song
you’ve recorded on the KR105 can be saved on your
computer.
KR105
Pedal
Connection Examples
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1. Turn the volume all the way down on the KR105 and
on the device you’re about to connect.
*
In order to make connections to your computer, you must
install “MIDI driver” software on your computer. For details,
refer to the owner’s manual for your MIDI interface.
2. Turn off the power to the KR105 and other connected
equipment.
3. Use audio cables (sold separately) to make the
Use a USB MIDI interface cable to connect the USB
connector of your computer to the MIDI connectors of
the KR105.
connection.
4. Turn on the connected equipment.
fig.comp.e
5. Turn on the KR105.
Bottom left of the KR105
6. Adjust the volume level on the KR105 and the
connected device.
After use, turn off the power using the following procedure.
MIDI OUT
MIDI IN
1. Turn the volume all the way down on the KR105 and
USB Connector of your
Computer
on the device you’re about to connect.
2. Turn off the KR105.
USB MIDI Interface
Computer
3. Turn off the connected equipment.
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Connection examples
I Connect to the USB Connector
fig.comp.e
You can connect you computer with a USB cable to the USB
connector, located on the left underside of the KR105, and
exchange MIDI data between the instrument and the
computer. You can use the KR105 to play SMF data created
with the computer and exchange performance data in the
same manner as with MIDI devices connected to the MIDI
connectors.
Bottom left of the KR
USB connector
Connecting your computer to the KR105 for the first time requires
installation of the “USB Driver” (on the included CD-ROM) to the
computer.
USB Connector of your
Computer
The correct driver and the installation procedure will depend on
your system and on the other programs you are using. Be sure to
read the Readme file on the CD-ROM before installation.
Computer
1. Turn off the power to the KR105 and the computer.
2. Start up the computer.
Windows XP/2000
→ \W2kXP\Readme_E.htm
Windows Me/98/98SE
→ \W98Me\Readme_E.htm
Mac OS X
3. Connect the KR105 and the computer with a USB cable.
4. Turn on the power to the KR105.
→ \Driver (Mac OS X)\Readme_e.htm
¡ Refer to the owner’s manual that came with your computer
*
*
Only MIDI data can be transmitted using USB.
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
*
*
USB cables are not included. Consult your Roland dealer if you need
to purchase.
Turn on the power to the KR105 before starting up MIDI applications
on the computer. Do not turn the KR105 on or off while any MIDI
application is running.
*
*
If not using USB, disconnect the USB cable from the KR105.
If during the transmission/reception of data, the computer switches to
energy-saving mode or suspended mode, or if the KR105’s power is
switched on or off, the computer may freeze, or the KR105’s operation
may become unstable.
*
Do not connect or disconnect the USB cable or turn off the power
during the transmission/reception of data.
For more on system requirements, refer to the “USB
Installation Guide.”
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Appendices
Troubleshooting
If you think there’s a problem, read this first.
Case
Cause/Remedy
Case
Cause/Remedy
No sound is heard
The power doesn’t
in correctly? (p. 15)
come on
connected device turned all the way down?
The button doesn’t
Is the panel locked? (p. 140)
Turn the power off, then back on.
Are headphones plugged in? (p. 17)
Has a plug remained connected to the
Phones jack?
When headphones or plugs are connected,
the keyboard’s speaker stops playing.
work
The KR105 uses a liquid-crystal screen, so
text may not be displayed when the
ambient temperature is below freezing.
Nothing appears
on screen
No sound is heard
These occur due to the nature of a liquid
malfunction. They can be minimized by
adjusting the brightness of the screen (p.
18).
way to the right or left?
Has the volume been set to “0” using the
Part Balance? (p. 52)
Vertical lines
appear in the
screen
Has the footage been adjusted so that all
frequency components aren’t sounded? (p.
15 in the Quick Start)
since it was last used. Take a look at
“Calibrating the Touch Screen (Touch
Screen)” (p. 139) to correct the positioning.
The touch screen
doesn’t respond
correctly
Is the speaker cable connected and plugged
in correctly?
No sound from the left side is V-LINK
switched on? (p. 143)
When V-LINK is switched on, the twelve
keys at the left end of the keyboard are used
to control images, and no sounds are
played with these keys.
Is the pedal connected correctly?
Make sure the pedal cord extending from
the stand is securely connected to the pedal
connector on the rear of the unit (p. 15).
No sound is heard
Depressing a
pedal has no
See “Assigning Functions to Pedals and
Performance Pads (Pedal Setting/User
Functions)” (p. 126).
effect, or the pedal
effect doesn’t stop
No sound is heard
(when a MIDI
instrument is
connected)
Are the MIDI cables connected correctly?
(p. 144)
Normal pedal operation is automatically
enabled when the One Touch Program
[Piano] button is pressed (p. 16).
Does the MIDI channel match the
connected instrument? (p. 146)
When Local Control is set to Off, no sound
is produced by playing the keyboard.
Set Local Control to On (p. 146).
No sound is heard
when the keyboard
is played
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not
contain a resistor.
926b
The volume level
of the instrument
connected to Input
jacks is too low
The maximum number of notes can play
simultaneously is 64. Frequent use of the
damper pedal during automatic
accompaniment or when playing along
with a song may result in performance data
with too many notes, causing some notes to
drop out.
Do you have different external devices
plugged into different power outlets?
When connecting external devices, always
draw power from the same outlet.
Low hum coming
from external
device
Not all played
notes are sounded
Mic volume
changes
Adjusting the panel’s [Volume] knob may
cause the mic volume to change.
The sound is strange
Is the KR105 in Layer play? (p. 25)
Sounds are heard
twice (doubled)
when the keyboard
is played
When the KR105 is connected to an external
sequencer, set it to the Local OFF mode
(p. 146). Alternatively, the sequencer could
be set so its Soft Thru feature is OFF.
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Appendices
Case
Cause/Remedy
Case
Cause/Remedy
Have you set transpose? (p. 73)
When listening through headphones:
Some of the more flamboyant and
The tuning or pitch
of the keyboard or
song is off
Are the settings for the “Temperament”
effervescent piano tones feature an ample
high-end component, which may make the
sound appear to have metallic reverberation
added. Since this reverberation becomes
particularly audible when supplemented by
heavy reverb, you may be able to diminish
the problem by reducing the amount of
reverb applied to the sound.
When listening through speakers:
Here, a different cause (such as resonance
produced by the KR105) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
Is the setting for the “Master Tune” correct?
(p. 136)
A High-pitched
It’s not possible to apply more than one
effect at the same time, so when a
performance has been recorded on multiple
tracks or when playing along with a song as
it’s played back, the desired effect may not
be applied.
whine is produced
Effects cannot be
applied to Tones
Have the Chord Tone and Bass Tone been
changed? (p. 128)
A note doesn’t stop
Some Chord Tone and Bass Tone notes may
be sounded continuously.
playing
When listening through speakers:
Playing at loud volumes may cause
instruments near the KR105 to resonate.
Resonation can also occur with fluorescent
light tubes, glass doors, and other objects.
In particular, this problem occurs more
easily when the bass component is
increased, and when the sound is played at
higher volumes. Use the following
measures to suppress such resonance.
• Place speakers so they are 10–15 cm from
walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
When listening through headphones:
Here, a different cause (such as resonance
produced by the KR105) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
During automatic accompaniment,
changing the Music Style automatically
changes the Tones and tempo of the upper
and Tone, check out “Changing Music
Styles Without Changing the Tone or
Tempo (One Touch Setting)” (p. 125).
The bass range
sounds odd, or
there is a vibrating
resonance
The Tone has
changed
When a performance made along with a
Music Files tune has been recorded,
recording the performance to button [1/
Whole] may make the Tones for buttons [3/
Lower] and [4/Upper] change as well.
Since the KR105’s piano sounds faithfully
reproduce the sense of spaciousness and
reverberation of an actual acoustic piano’s
sound, a certain amount of reverberation is
still perceptible, even with the reverb effect
deactivated.
Reverberation still
audible even with
Reverb turned off
The automatic accompaniment doesn’t play
correctly
Touch <Exit> several times to return to the
Basic screen (p. 19), and then select a tone or
Music Style.
Can’t select a tone
On an acoustic piano, notes in the upper
one and a half octaves of the keyboard
continue to sound until they decay
naturally, regardless of the damper pedal.
There is a difference in the timbre as well.
Roland pianos faithfully simulate such
characteristics of the acoustic piano. The
range that is unaffected by the damper
pedal will change depending on the Key
Transpose setting.
or Music Style
In the upper range,
the sound changes
abruptly beyond a
certain key
Has the Balance knob been moved all the
way to the right? (p. 52)
Have you pressed the One Touch Program
[Arranger] button?
If the One Touch Program [Arranger]
button has not been pressed, only the
Automatic
accompaniment is
not heard
Is the 16-track Sequencer screen displayed?
(p. 99)
Has Chord Intelligence been set to manual?
(p. 128)
Chord Intelligence
can’t be used
Is the setting for “Piano Style Arranger”
active? (p. 51)
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Appendices
Case
Cause/Remedy
Case
Cause/Remedy
In certain cases, such as when playing
Music Styles on floppy disks, the
accompaniment may lag when excessive
amounts of performance data are used.
With some music files, the lyrics cannot be
displayed correctly.
Accompaniment
tempo becomes
unstable
If you press a button while the lyrics are
being shown in the display, the lyrics will
disappear. To recall them, touch <lyrics> in
the Piano or Basic screen, or press the
Lyrics are not
indicated properly
in the display
Song doesn’t play back correctly
[
(Play/Stop)] button.
Does the screen indicate message, like “OK
to delete song?” (p. 75)
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
The internal songs cannot be played back
while recorded performance data remains
in the KR105’s memory. Try playing back
the song after deleting the performance
data.
Song doesn’t play
back
performance data, notes will not be
displayed in the notation. Change the part
that is displayed (p. 64).
Is the light for the Track button
extinguished? (p. 69)
If the button light is out, the music on that
track is not heard. Press the track button so
the light is illuminated.
complex musical works that demand
accurate notation. Refer to “Notes
Notation is not
indicated properly
in the display
Only the sound of a
particular
instrument in a
song does not play
Regarding the Score Display” (p. 62).
Have song settings been changed for each
Part on the 16-Track sequencer screen (p.
100)?
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
Some music files may contain settings that
stop play at a point partway through the
Pressing the [
(Reset)] button
doesn’t return to
the beginning of
the song
In certain cases, such as when playing
songs on floppy disk, the song may lag
when excessive amounts of performance
data are used.
Song becomes
unstable
song. Press the [
(Reset)] button several
times more to return to the beginning of the
tune.
Unable to play
back internal
songs
Has a Marker placed in the song? (p. 70)
Have you pressed the remote control’s
[MUTE] button, muting the sound?
The fast-forward and reverse buttons are
ignored while music files is being read in.
Wait until processing finishes.
The [
and [
(Fwd)]
(Bwd)]
If you attempt to play back performance
data that contains more data than the entire
capacity of the KR105’s memory, you may
find that operations other than playback
(such as rewind or fast forward) become
unavailable.
Can’t record
Has one of the track buttons for recording
buttons don’t work
Has the setting for “Punch-in Recording”
been made?
Select the replace recording method (p.
103).
There are two types of SMF music files:
format 0 and format 1. If the song uses SMF
format 1 data, there will be a slight delay
until playback starts. Refer to the booklet
that came with the music files you’re using
to determine the format type.
There is a slight
delay before
playback of a song
starts
Can’t record
It is not possible to record while the
notation is being generated. Once the unit
has finished generating the notation (i.e.,
when the measure number in the screen is
no longer highlighted), try the operation
once again.
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Appendices
Case
Cause/Remedy
If you select an internal song in which the
tempo changes during the song, and then
record, the tempo will change in the same
way for the performances that are recorded
on the other tracks. The tempo of the
metronome will also change in the same
way.
Tempo of recorded
song or
metronome is off
If you record additional material without
erasing the previously recorded song, the
song will be recorded at the first-recorded
tempo. Please erase the previously
recorded song before you re-record (p. 82).
Any performance that has been recorded is
deleted when the power to the KR105 is
turned off or a song is selected. A
performance cannot be restored once it’s
been deleted.
The recorded
performance has
disappeared
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Error Messages
Indication
Meaning
Error 00:
To protect the copyright, this music file cannot be saved as an SMF.
Also, the music file can not be saved. If you want to save it, please save on the same
floppy disk.
Due to copyright protection, the file cannot be saved as an
SMF. Also, the file cannot be saved on another disk.
Error 01:
memory.
This file cannot be saved. The file is read-only.
Error 02:
The protect tab on the floppy disk is set to the Protect position. the Write position. Repeat the procedure.
Error 03:
This floppy disk cannot store the format or save any data.
Insert a different disk and repeat the procedure.
This is a master disk. It cannot be formatted, nor can data be
stored on it.
Error 04:
The data cannot be saved onto this floppy disk because the format is different. Use
the floppy disk in the same format.
File cannot be saved on this disk. SMFs and i-format files
cannot both be stored on the same disk.
Error 05:
A new song cannot be written on this song. Select a different song number or use
a different floppy disk, and repeat the procedure.
Cannot overwrite destination. Select different destination, or
save on another floppy disk.
Error 10:
No floppy disk is connected to the disk drive. Insert the disk correctly, and repeat
the procedure.
No floppy disk. Insert the disk correctly.
Error 11:
There is not sufficient space left on the floppy disk or User memory for the data to
be saved. Insert a different floppy disk or delete files on user memory, and repeat
the procedure.
There is insufficient space available on the disk, or in
user memory.
The floppy disk inserted into the disk drive can’t be read. Be sure you’re using Ro-
land SMF Music Files or other music files compatible with Roland digital pianos.
Also, if you want to save your work on floppy disk, you need to format the floppy
disk first (p. 85).
Error 12:
This disk cannot be recognized. Disk has not been formatted,
or is of an incompatible format.
Error 13:
The floppy disk was removed from the disk drive while reading or writing was in
progress. Insert the floppy disk and repeat the procedure.
Disk removed from drive while being accessed.
Never eject a disk while reading/writing is in progress.
Error 14:
This floppy disk or user memory is damaged and cannot be used. Insert a different
disk and repeat the procedure or format the user memory (p. 139).
Part of the data on the disk or in the user memory was found
to be corrupted. Insert different disk, or format user memory.
Error 15:
This song or music style cannot be read. Please use a Roland SMF Music Files or
Roland Digital Piano compatible music files (p. 168). Also, you can only use User
Programs that have been saved with the KR105 (p. 94).
This file cannot be read. The file uses an incompatible file
format.
The KR105 cannot read the floppy disk or user memory quickly enough. Press the
Error 16:
The performance is canceled. First, stop playback. Then start
it again from the beginning.
[
(Play/Stop)] button, then press the [
(Reset)] button and [
(Play/
Stop)] button to play the song.
The selected image data cannot be displayed. If it cannot be made to appear either
on the KR105’s display or the external display, you will need to prepare image
data that can be used with the KR105 (p. 137).
Error 17:
This file cannot be displayed on the selected display screen.
The internal memory capacity of the KR105 is full. Save the song data on a floppy
disk (p. 87) and delete the song or the User style data stored on the KR105
memory.
Error 30:
The instrument's internal memory is full.
Error 40:
The KR105 cannot deal with the excessive MIDI data sent from the external MIDI
device. Reduce the amount of MIDI data sent to the KR105.
Processing of the MIDI data was not performed in time.
Error 41:
A MIDI cable or computer cable has been disconnected. Connect it properly and
securely.
A MIDI cable or computer cable has been disconnected.
Connect it properly.
Error 42:
An excessive amount of performance data has been sent to KR105 in one time and
therefore could not be recorded. Change the tempo more slowly to record the per-
formance again.
The data could not be processed quickly enough. Try
recording at a slower tempo.
Error 43:
The Computer switch is set to a wrong position or the computer is set wrongly.
Switch off the KR105 then set the Computer switch to the correct position and set
the computer correctly. After that, switch on the KR105 again.
Either this instrument's Computer Switch is set inappropriately,
or your computer is not set properly. Set them correctly, then
switch the instrument on again.
Error 51:
There may be a problem with the system. Repeat the procedure from the begin-
There is something wrong with the system. Contact a Roland ning. If it is not solved after you have tried several times, contact the Roland ser-
Service Center.
vice center.
155
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Tone List
Mute PickBs.
Mr.Smooth
Open Hard
Dazed Guitar
Acid Guitar
Ukulele
Synth Brass3
Trombone2
Piccolo
Heaven II
[Piano]
[Organ]
Jazz Organ
JP8 Sqr Pad
Sweep Pad 2
Big Panner
Ai-yai-a
Echo Pan 2
Falling Down
Poly King
Warm Pad
RandomEnding
Piano 1
Piano 1w
Piano 1d
Piano 2
Piano 2w
Piano 3
Piano 3w
Grand Piano1
PianoStrings
Piano Choir
Pro Stage
Harpsichord
Vintage EP
Vibraphone
Harpsi.Doubl
Marimba
Steel Drums
Honky-tonk 2
Stage E.Piano
Ballad Piano
Tremolo EP
Jazzy Vib+Gt
Wurly
Full Organ 1
Lower Organ
Theater Org.
Nason flt 8’
Bandneon
Organ Flute
Jazz Organ2
Full Organ 2
Full Organ 3
Lower Organ2
Church Organ
Rock Organ1
Harmonica
Pop Organ
Pan Flute
GS Pan Flute
Blow Pipe
Bottle Blow
Bassoon
Koto
Shamisen
Recorder
French Horn
Synth Brass1
Synth Brass2
Oct SynBrass
Shakuhachi
Brass 1
[Strings]
Strings
Slow Strings
Choir Str
Harp Strings
Trem. Str
Violin
Brass 2
Ocarina
Accordion
GS Honkytonk
Honky-tonk 2
GS E.Piano1
GS E.Piano2
60's E.Piano
E.Piano 1v
E.Piano 2v
Detuned EP 1
Detuned EP 2
GS Harpsi
Coupled Hps.
Harpsi.w
Cello
Rock Piano
Clav.
Trem.Flute
Jazz Organ3
Jazz Organ4
Full Organ 4
Rotary Org.S
Rotary Org.F
Rock Organ2
Pipe Org. Bs
Organ Bass
Metalic Org.
VS Organ
Warm Strings
DecayStrings
Orchestra
Oct Strings
St. Harp
Velo Strings
Legato Str
PizzicatoStr
SlowStrings2
Bell Strings
OrchestraHit
Warm JP Str
Slow Violin
Contrabass
Timpani
[Voice]
Jazz Scat
Honky-Tonk
Bright Piano
Harpsi.Singl
UprightPiano
Grand Piano2
Bell Piano
Piano Oohs
E. Grand
MIDI Piano1
E.Piano 1
FM+SA EP
St.FM EP
Hard FM EP
Soft Marimba
MIDI EP1
MIDI EP 2
Hard EP
Dreamy Choir
Boys Choir
Holy Voices
HollowReleas
Rich Choir
Dat Accent
Bop Accent
Thum Voice
Pop Voice
Org Bells
Organ 1
Organ 2
Digi Church
Harpsi.o
Soft Clav.
Celesta
Humming
Glockenspiel
Music Box
Vibraphone
Vibe.w
GS Marimba
Marimba
Xylophone
Tubular-bell
Church Bell
Carillon
Doos Voice
Choir Oohs
Choir Aahs
Warm SqrPad
New Age Pad
LM PureLead
LM Square
Natural Lead
2600 SubOsc
SquareWave2
Fantasia
Syn.Strings1
Syn.Strings2
Strings 2
OB Strings
Euro Hit
[Guitar / Bass]
Steel Guitar
Nylon Guitar
Jazz Guitar
Nylon+Steel
12str Guitar
Nylon Gt.o
Hawaiian Gt.
Banjo
JC E.Guitar
Muted Gt.
Acoustic Bs.
A.Bass+Cymbl
DistortionGt
Steel Vox
Rock Rhythm
Rock Rhythm2
Overdrive Gt
Power Guitar
Power Gt.2
Muted Dis.Gt
Fingered Bs.
Picked Bs.
Fretless Bs.
Slap Bass
Muted Gt.2
Mellow Gt.
5th Dist.
Feedback Gt2
Synth Bass 1
Synth Bass 2
SynthBass101
Jungle Bass
Modular Bass
WireStr Bass
ResoSH Bass
SH101 Bass
Harpsi.o
Coupled Hps.
Vibra Bells
Celesta
Glockenspiel
Soft E.Piano
60's E.Piano
E.Piano 2
6th Hit
Bass Hit
Santur
Organ 1
Organ 2
[Sax / Brass]
EX Tenor Sax
Soprano Sax
Flute
Crystal
Harpvox
CC Solo
E.Piano 3
Pop Organ
Detuned Or.1
Detuned Or.2
Church Org.1
Church Org.2
Church Org.3
Full Organ 4
Jazz Organ
Rock Organ 2
Reed Organ
Accordion Fr
Accordion It
GS Harmonica
Bandoneon
GS Nylon Gt.
Nylon Guitar
Nylon Gt.o
Ukulele
Xylophone
Music Box
Balafon
Brightness
Syn.Square
JP8 Square
FM Lead
FM Lead 2
Mg Lead
Dual Sqr&Saw
P5 Saw Lead
Rhythmic Saw
Waspy Synth
JP8 Pulse
Cheese Saw
SynVox
Clear Bells
Soft Crystal
Digi Bells
Nylon Harp
Nylon+EP
Fantasia 2
Trumpet
MutedTrumpet
AltoSax + Tp
Oboe
Clarinet
TromboneSoft
Soft Brass
Detuned EP 1
Detuned EP 2
Hard E.Piano
Hard Clav.
Soft Clav.
Reso Clav.
Phase Clav.
Pop Vibe.
Pop Celesta
Tubular-bell
Santur
Kalimba
Air Grand
Piano 1
Baritone Sax
Tuba
Romantic Tp
Power Brass
St. Brass ff
English Horn
BrassSection
Blow Sax
Brite Brass
Brass ff
EX Trumpet
Grow Sax
Alto Sax
Piano 2
Piano 3
Steel-str.Gt
12-str.Gt
Mandolin
Jazz Guitar
Hawaiian
Clean Gt.
Soft Pad
P5 Poly
Reso Saw
RAVE Vox
Fat & Perky
Tenor Sax
GS Bari Sax
Flugel Horn
Fr.Horn Solo
Chorus Gt.
Muted Gt.
156
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Funk Gt.
Square
Door
Pizzicato*
Agogo*
Funk Gt.2
Overdrive Gt
DistortionGt
Feedback Gt.
Gt.Harmonics
Gt.Feedback
GS Ac.Bass
GS Fing.Bass
Picked Bs
Sine Wave
Saw Wave
Saw
Doctor Solo
Syn.Calliope
Chiffer Lead
Charang
Solo Vox
5th Saw Wave
Bass & Lead
Fantasia
Warm Pad
Polysynth
Space Voice
Bowed Glass
Metal Pad
Halo Pad
Sweep Pad
Ice Rain
Soundtrack
Crystal
Syn Mallet
Atmosphere
Brightness
Goblin
Echo Drops
Echo Bell
Echo Pan
Star Theme
Sitar
Scratch
Harp*
Timpani*
Strings*
Steel Drums*
Woodblock*
Taiko*
Melo.Tom 1*
Synth Drum*
ReverseCym.*
Fret Noise*
BreathNoise*
Seashore*
Windchime
Helicopter
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Starship
Burst Noise
Applause
Laughing
Screaming
Punch
Heart Beat
Footsteps
Gun Shot
Machine Gun
Lasergun
SlowStrings*
Syn.Str 1*
Syn.Str 2*
Choir Aahs*
Pop Voice*
SynVox*
Orche.Hit*
Trumpet*
Trombone*
Tuba*
Fretless Bs.
Slap Bass
Bird*
Telephone 1*
Helicopter*
Applause*
Gun Shot*
Slap Bass 2
SynthBass101
Synth Bass 1
Synth Bass 2
Synth Bass 3
Synth Bass 4
Rubber Bass
Violin
Slow Violin
Viola
Cello
Contrabass
Trem. Str
PizzicatoStr
GS Harp
M.Trumpet*
FrenchHorns*
Brass 1*
*
Tone with a “*”
SynthBrass1*
SynthBrass2*
A.Brass 1*
Soprano Sax*
Alto Sax*
Tenor Sax*
BaritoneSax*
Oboe*
EnglishHorn*
Bassoon*
Clarinet*
Piccolo*
Flute*
symbol appended to
their name may not
play back satisfactorily
on other GS sound
generating devices.
Explosion
Piano 1*
Piano 2*
Piano 3*
Honky-tonk*
E.Piano 1*
E.Piano 2*
Harpsichord*
Clav.*
Timpani
GS Strings
Orchestra
GS Sl.Str
Recorder*
Pan Flute*
Bottle Blow*
Shakuhachi*
Whistle*
Syn.Strings1
Syn.Strings2
Syn.Strings3
Choir Aahs
Choir
Sitar 2
Banjo
Shamisen
Koto
Taisho Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Celesta*
Glocken*
Music Box*
Vibraphone
Marimba*
Xylophone*
Tubularbell*
Santur*
Ocarina*
Pop Voice
SynVox
Square Wave*
Saw Wave*
Doctor Solo*
SynCalliope*
ChifferLead*
Charang*
Solo Vox*
5th SawWave*
Bass & Lead*
Fantasia*
Warm Pad*
Polysynth*
Space Voice*
Bowed Glass*
Metal Pad*
Halo Pad*
Sweep Pad*
Ice Rain*
Soundtrack*
Crystal*
Syn Mallet*
Atmosphere*
Brightness*
Goblin*
Echo Drops*
Star Theme*
Sitar*
OrchestraHit
GS Trumpet
Trombone
Trombone 2
Tuba
MutedTrumpet
French Horn
Fr.Horn 2
Organ 1*
Organ 2*
Pop Organ 1*
Rock Organ2*
ChurchOrg.1*
Reed Organ*
AccordionFr*
Harmonica*
Bandoneon*
Nylon-strGt*
Steel-strGt*
Jazz Guitar*
Clean Gt.*
Muted Gt.*
Funk Gt.*
OverdriveGt*
Dist.Guitar*
Gt.Harmo*
Acoustic Bs*
Fingered Bs*
Picked Bs.*
Fretless Bs*
Slap Bass 1*
Slap Bass 2*
SynthBass 1*
SynthBass 2*
Rubber Bass*
Violin*
Steel Drums
Woodblock
Castanets
Taiko
Brass 1
Brass 2
Concert BD
Melo. Tom 1
Melo. Tom 2
Synth Drum
808 Tom
Elec Perc.
Reverse Cym.
Gt.FretNoise
Gt.Cut Noise
String Slap
Breath Noise
Fl.Key Click
Seashore
Rain
Thunder
Wind
Stream
Bubble
Bird
Dog
Horse-Gallop
Bird 2
Synth Brass1
Synth Brass2
Synth Brass3
Synth Brass4
AnalogBrass1
AnalogBrass2
GS Sop.Sax
Alto Sax
Tenor Sax
GS Bari Sax
GS Oboe
English Horn
Bassoon
Clarinet
Piccolo
GS Flute
Recorder
GS Pan Flute
Bottle Blow
Shakuhachi
Whistle
Ocarina
Square Wave
Banjo*
Shamisen*
Koto*
Kalimba*
Bagpipe*
Fiddle*
Shanai*
Tinkle Bell*
Viola*
Cello*
Contrabass*
Tremolo Str*
Telephone 1
Telephone 2
DoorCreaking
157
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Drum Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
POP Set
ROCK Set
JAZZ BRUSH Set
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
R&B Snare
R&B Snare
R&B Snare
22
Rock Snare
Rock Snare
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Pop Kick
Pop Kick
Pop Side Stick
Pop Sanre s
Pop Snare Ghost
Pop Snare s
Pop Low Tom f
Pop CHH 1
Pop Low Tom
Pop CHH 2
Pop Mid Tom f
Pop OHH
Pop Snare m
Pop Snare m
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Rock Kick
Rock Kick
Rock Side Stick
Rock Sanre s
Rock Snare Ghost
Rock Snare s
Rock Low Tom f
Rock CHH 1
Rock Low Tom
Rock CHH 2
Rock Mid Tom f
Rock OHH
Rock Mid Tom
Rock High Tom f
Rock Crash Cymbal
Rock High Tom
Rock Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Chinees Cymbal
Vibra-slap 2
Pop Ride Cymbal 3
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
Low Conga 2
High Timbale 2
Low Timbale 2
High Agogo
Pop Snare m
Pop Snare m
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Pop Kick
Pop Kick
Jazz Snare Swing
Jazz Sanre
Pop Snare Swing
Jazz Sanre
Jazz Low Tom f
Pop CHH 1
Jazz Low Tom
Pop CHH 2
Jazz Mid Tom f
Pop OHH
Jazz Mid Tom
Jazz High Tom f
Jazz Crash Cymbal 1
Jazz High Tom
Jazz Ride Cymbal 1
Jazz Chinees Cymbal
Jazz Ride Cymbal 2
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Jazz Crash Cymbal 2
Vibra-slap 2
Pop Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
25
27
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
30
32
34
[EXC1]
[EXC1]
[EXC1]
C2
37
39
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
Pop Mid Tom
Pop High Tom f
C3 48
50
49
51
Pop Crash Cymbal 1
Pop High Tom
Pop Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Pop Crash Cymbal 2
Vibra-slap 2
Pop Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
Low Conga 2
52
53
54
56
58
55
57
59
C4 60
62
61
63
64
Low Conga 2
High Timbale 2
Low Timbale 2
High Agogo
Low Agogo
Shaker 3
High Timbale 2
Low Timbale 2
High Agogo
Low Agogo
Shaker 3
65
66
68
70
67
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle
69
Shaker 4
Short Hi Whistle
Shaker 4
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
88
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
89
90
92
94
91
93
Shekere 2
Shekere 2
Shekere 2
Low Bongo Mute
High Bongo Mute
-----
-----
-----
Low Bongo Mute
High Bongo Mute
-----
-----
-----
Low Bongo Mute
High Bongo Mute
-----
-----
-----
95
96
98
C7
97
99
-----
-----
-----
100
101
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
102
104
103
105
158
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*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
STANDARD Set
ROOM Set
POWER Set
ELECTORONIC Set
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
22
25
27
Slap
Slap
Slap
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2’
Kick 1
Side Stick
Std Snr 1
Hand Clap
Std Snr 2
Low Tom 2
Closed Hi-hat 1’
Low Tom 1
Pedal Hi-hat 1’
Mid Tom 2
Open Hi-hat 1’
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick1
Room Kick
Side Stick
Room Snr 1
Hand Clap
Std Snr 1
Room Low Tom 2’
Closed Hi-hat 1’
Room Low Tom 1’
Pedal Hi-hat 1’
Room Mid Tom 2’
Open Hi-hat 1’
Room Mid Tom 1’
Room Hi Tom 2’
Crash Cymbal 1
Room Hi Tom 1’
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
MONDO Kick
Side Stick
Gated SD
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Elec BD
Side Stick
Elec SD
Hand Clap
[EXC7]
[EXC7]
30
32
34
C2
37
39
Hand Clap
Snare Drum 2
Room Low Tom 2
Closed Hi-hat 1
Room Low Tom 1
Pedal Hi-hat 1
Room Mid Tom 2
Open Hi-hat 1
Room Mid Tom 1
Room Hi Tom 2
Crash Cymbal 1
Room Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Gated SD
Elec Low Tom 2
Closed Hi-hat 1
Elec Low Tom 1
Pedal Hi-hat 1
Elec Mid Tom 2
Open Hi-hat 1
Elec Mid Tom 1
Elec Hi Tom 2
Crash Cymbal 1
Elec Hi Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
C3 48
50
49
51
52
53
54
56
58
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
55
57
59
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
159
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*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
JAZZ
GS STANDARD Set
TR-808 Set
DANCE Set
BRUSH Set
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
22
25
27
Slap
Slap
Slap
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
808 Bass Drum 1
808 Rim Shot
808 Snare Drum
Hand Clap
Snare Drum 2
808 Low Tom 2
808 CHH
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Dance Snr 1
Square Click
Metronome Click
Metronome Bell
Kick 1
808 Bass Drum 2
808 Rim Shot
TR-909 Snr
Hand Clap
Dance Snr 2
808 Low Tom 2
808 CHH [EXC1]
808 Low Tom 1
808 CHH [EXC1]
808 Mid Tom 2
808 OHH [EXC1]
808 Mid Tom 1
808 Hi Tom 2
808 Cymbal
808 Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
808 High Conga
808 Mid Conga
808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Std Kick 1
Side Stick
Snare Drum 1
Hand Clap
Snare Drum 2
Low Tom 2
Closed Hi-hat 1
Low Tom 1
Pedal Hi-hat 1
Mid Tom 2
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick 2
Kick 1
Side Stick
Brush Tap
[EXC7]
[EXC7]
30
32
34
C2
37
39
Brush Slap
Brush Swirl
Brush Low Tom 2
Closed Hi-hat 2
Brush Low Tom 1
Pedal Hi-hat 2
Brush Mid Tom 2
Open Hi-hat 2
Brush Mid Tom 1
Brush Hi Tom 2
Crash Cymbal 1
Brush Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
808 Low Tom 1
808 CHH
808 Mid Tom 2
808 OHH [EXC1]
808 Mid Tom 1
808 Hi Tom 2
808 Cymbal
808 Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
808 High Conga
808 Mid Conga
808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Open Hi-hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
C3 48
50
49
51
52
53
54
56
58
55
57
Crash Cymbal 2
Vibra-slap
59
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Cabasa
808 Maracas
Short Hi Whistle
808 Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
808 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
Short Guiro
Long Guiro
808 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
160
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*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
ORCHESTRA Set
GS ROOM Set
GS BRUSH Set
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
22
Bar Chime
Snare Roll
Finger Snap
Close Hi-hat
Pedal Hi-hat
Open Hi-hat
Ride Cymbal
Sticks
Square Click
Metronome Click
Metronome Bell
Concert BD 2
Concert BD 1
Side Stick
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
25
27
[EXC1]
[EXC1]
[EXC1]
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Std Kick 1
Side Stick
Snare Drum 1
Hand Clap
Snare Drum 2
Room Low Tom 2
Closed Hi-hat 1
Room Low Tom 1
Pedal Hi-hat 1
Room Mid Tom 2
Open Hi-hat 1
Room Mid Tom 1
Room Hi Tom 2
Crash Cymbal 1
Room Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
[EXC7]
[EXC7]
30
32
34
Std Kick 1
Side Stick
Brush Tap
C2
37
39
Brush Slap
Brush Swirl
Low Tom 2
Closed Hi-hat 1
Low Tom 1
Pedal Hi-hat 1
Mid Tom 2
Open Hi-hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
C3 48
50
49
51
52
Timpani f
53
54
56
58
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
55
57
59
Concert Cymbal 1
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
Applause
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
161
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SFX Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
SFX Set 1
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
22
25
27
30
32
34
C2
-----
-----
High Q
Slap
Scratch Push [EXC7]
Scratch Pull
Sticks
37
39
[EXC7]
42
44
46
Square Click
Metronome Click
Metronome Bell
Guitar sliding Finger
Guitar cutting noise (up)
Guitar cutting noise (down)
String slap of double bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps1
Footsteps2
Applause
Door Creaking
Door
C3 48
50
49
51
52
53
54
56
58
55
57
59
C4 60
62
Scratch
61
63
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Helicopter
Starship
64
65
66
68
70
67
69
71
Gun Shot
Machine Gun
Lasergun
Explosion
Dog
C5 72
74
73
75
76
Horse-Gallop
Birds
Rain
Thunder
Wind
77
78
80
82
79
81
Seashore
Stream
83
Bubble
Cat
Bird
C6 84
86
85
87
BabyLaughing
Boeeeen
Glass & Glam
Ice Ring
Crack Bottle
Pour Bottle
Car Horn
R.Crossing
SL 1
88
89
90
92
94
91
93
95
SL 2
Seal
Fancy Animal
-----
96
98
C7
97
99
100
101
-----
-----
Small Club
-----
-----
102
104
103
105
-----
162
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Effects List
Display
Description
Display
Description
Applies a light chorus effect with slow
undulations
Applies both overdrive and chorus
effects.
Overdrive
-> Chorus
GS Chorus 1
GS Chorus 2
GS Chorus 3
GS Chorus 4
Applies a light chorus effect with quick
undulations
Applies both overdrive and flanger
effects.
Overdrive
-> Flanger
Applies a deep chorus effect with slow
undulations
Applies both overdrive and delay
effects.
Overdrive -> Delay
Applies a deep chorus effect with quick
undulations
Applies both distortion and chorus
effects.
Distortion
-> Chorus
GS Feedback
Chorus
Applies both distortion and flanger
effects.
Distortion
-> Flanger
A soft sound with a flanger effect
An effect that sounds like a jet plane’s
ascent/descent
Applies both distortion and delay
effects.
GS Flanger
Distortion -> Delay
GS Short Delay
A short echo effect
Applies a resonance effect when the
damper pedal is depressed.
Sympathetic
Resonance
GS Short Delay
(Feedback)
A short echo with many repetitions
Stereo Chorus
Hexa Chorus
Tremolo Chorus
Space D
A stereo chorus.
A multilayer chorus.
A chorus with a tremolo effect.
A clear chorus.
Rotary
Adds a rotary-speaker effect.
Delays the sound with a stereo effect.
Stereo Delay
Adds a wavering effect to the delayed
sound.
Modulation Delay
Triple Tap Delay
A three-way delay.
A four-way delay.
Quadruple
Tap Delay
Phaser
Adds undulations to the sound.
Adds metallic reverberations.
Stereo Flanger
A flanger that varies the pitch in a
stepwise fashion.
Step Flanger
Enhancer
Overdrive
Distortion
Auto Wah
Compressor
Adds modulation to the sound.
Applies soft distortion to the sound.
Applies hard distortion to the sound.
Changes the tone in a cyclical manner.
Suppresses fluctuations in volume.
Cuts off the reverberations before they
fade away completely.
Gate Reverb
Adds two pitch-shifted sounds to the
original sound (two-voice pitch shifter).
2V Pitch Shifter
FB Pitch Shifter
The pitch will change in steps (feedback
pitch shifter).
Applies both enhancer and chorus
effects.
Enhancer
-> Chorus
Applies both enhancer and flanger
effects.
Enhancer
-> Flanger
Enhancer -> Delay
Chorus -> Delay
Flanger -> Delay
Applies both enhancer and delay effects.
Applies both chorus and delay effects.
Applies both flanger and delay effects.
163
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Chord List
*
*
G symbol : Indicates the constituent note of chords.
# symbol : Chord shown with an “#”can be played by pressing just the key marked with the “#” (p. 37).
C
C#
D
E
E
E
E
E
E
E
F
Cmaj7
C7
C#maj7
C#7
Dmaj7
D7
maj7
7
Emaj7
E7
Fmaj7
F7
Cm
C#m
Dm
m
Em
Fm
Cm7
Cdim
C#m7
C#dim
Dm7
Ddim
m7
dim
Em7
Edim
Fm7
Fdim
Cm7 ( 5 )
C#m7 ( 5 )
C#aug
Dm7 ( 5 )
E
E
E
E
E
E
m7 ( 5 )
Em7 ( 5 )
Fm7 ( 5 )
Caug
Daug
aug
Eaug
Faug
Csus4
C7sus4
C6
C#sus4
C#7sus4
C#6
Dsus4
D7sus4
D6
sus4
7sus4
6
Esus4
E7sus4
E6
Fsus4
F7sus4
F6
Cm6
C#m6
Dm6
m6
Em6
Fm6
164
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*
*
G symbol : Indicates the constituent note of chords.
# symbol : Chord shown with an “#”can be played by pressing just the key marked with the “#” (p. 37).
F#
G
A
A
A
A
A
A
A
A
A
A
B
B
B
B
B
B
B
B
B
B
F#maj7
F#7
Gmaj7
G7
maj7
7
Amaj7
A7
maj7
7
Bmaj7
B7
F#m
Gm
m
Am
m
Bm
F#m7
F#dim
F#m7 ( 5 )
F#aug
F#sus4
Gm7
Gdim
Gm7 ( 5 )
Gaug
Gsus4
m7
Am7
Adim
Am7 ( 5 )
Aaug
Asus4
m7
Bm7
Bdim
Bm7 ( 5 )
Baug
Bsus4
dim
dim
m7 ( 5 )
aug
sus4
m7 ( 5 )
aug
sus4
F#7sus4
F#6
G7sus4
G6
A
A
7sus4
6
A7sus4
A6
B
B
7sus4
6
B7sus4
B6
F#m6
Gm6
A
m6
Am6
B
m6
Bm6
165
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Internal Song List
[Masterpieces]
[Practice]
[Folks]
Sonate No.15
Liebestraume 3
Etude, op.10-3
Je te veux
Beyer 15
Beyer 21
Beyer 25
Beyer 29
Annie Laurie
Londonderry Air
Amazing Grace
Ave Maria
Valse, op.64-1
Beyer 34
Entertainer
Golliwog'sCakewalk
FantaisieImpromptu
Arabesque 1
Beyer 38
Beyer 42
Beyer 46
Beyer 51
Greensleeves
Hallelujah!
Little Brown Jug
Marchin' In
Blauen Donau
Auf Flugeln des Gesanges
Mazurka No.5
Beyer 55
Beyer 60
Stagecoach
Gymnopedie 1
Etude, op.25-1
Beyer 64
Beyer 67
[Kids]
Old MacDonald Had A Farm
Twinkle Twinkle, Little Star
MaryHadALittleLamb
London Bridge
Clair de Lune
Etude, op.10-5
Beyer 73
Beyer 78
Beyer 81
Beyer 90
Beyer 93
Beyer 98
Beyer 103
Czerny 100- 1
Czerny 100-10
Czerny 100-20
Czerny 100-30
Czerny 100-38
Czerny 100-43
Czerny 100-60
Czerny 100-75
Czerny 100-86
Czerny 100-96
Openness
Dr.GradusAdParnassum
Grande Valse Brillante
La priere d'une Vierge
Course en Troika
To The Spring
Valse, op.64-2
Radetzky Marsch
Traumerei
Moments Musicaux 3
Prelude, op.28-15
Harmonious Blacksmith
Ungarische Tanze 5
Turkischer Marsch(Beethoven)
Nocturne No.2
Jingle Bells
Silent Night, Holy Night
Joy To The World
Grandfather'sClock
Puppy's March
Frog Song
Little Fox
Lightly Row
The Cuckoo
[Jazzy]
Preludelight
Blue Sky Rag
Secret Agent
Fruhlingslied
Praludium
Late Night Chopin
Fly Free
Sun Daze
Jagerlied
Menuet Antique
Fur Elise
Turkischer Marsch(Mozart)
Standchen
Humoreske
Arabesque
Pastoral
A Small Gathering
Innocence
Progress
The Clear Stream
Gracefulness
The Hunt
Tender Flower
The Young Shepherdess
Farewell
Consolation
Austrian Dance
Ballad
Keepers Tale
Count On The Blues
One Down And Easy
A Prelude To ...
Bach's A Boppin'
Kismet's Salsa
Blumenlied
Alpenglockchen
Menuett G dur(Beethoven)
Venezianisches Gondellied
Alpenabendrote
Farewell to the Piano
Brautchor
Battle of Waterloo
Wiener Marsch
Le Coucou
Menuett G dur(Bach)
Spinnerlied
Gavotte
Heidenroslein
Zigeuner Tanz
La Cinquantaine
Csikos Post
Dolly's Dreaming Awakening
La Violette
Frohlicher Landmann
Sonatine op.36-1(Clementi)
Sonatine op.20-1(Kuhlau)
Sonatine No.5(Beethoven)
From Matthew's Passion
Roll Over Ludwig
[Easy Classical]
Canon (Pachelbel)
Ombra maifu
O'sole Mio
Les patineurs, Valse
Brindisi
Sighing
The Chatterbox
Restlessness
Ave Maria
Tarantella
Die Lorelei
Traumerei
Angelic Harmony
Gondola Song
The Return
The Swallow
The Knight Errant
Invention 1
Invention 2
Invention 3
Invention 4
Invention 5
Invention 6
Invention 7
Invention 8
Invention 9
Invention 10
Invention 11
Invention 12
Invention 13
Invention 14
Invention 15
Liebestraume 3
Prelude, op.28-15
Grande Valse Brillante
Mondschein
FantaisieImpromptu
Valse, op.64-1
Air sul G
Gymnopédie 1
Ungarische Tanze 5
Turkischer Marsch(Mozart)
Nocturne No.2
*
All rights reserved. Unauthorized use of
this material for purposes other than
private, personal enjoyment is a violation
of applicable laws.
166
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Parameters Stored to Internal Memory
Parameters Stored in the User Program
→
“Saving Performance Settings (User Program)” (p. 93)
→
“Remembering the Settings Even When the Power is Turned Off (Memory
Backup)” (p. 138)
Parameters that switch immediately after the User Pro-
gram name is touched when <Option> on the User Pro-
gram screen is set to “Delayed”
Octave Shift
Tone
Parameters
Effects: On/Off, Type, Depth
Rotary effect (Slow/Fast),
Organ
One-Touch Piano Settings:
Lid, Tuning (Tuning, Key, Stretch Tunings),
Resonance,
Footage (Upper, Lower), Percussion
Selected
Key Touch,
Right-hand
Tone, Octave Shift,
Tone, Layer
String Resonance,
Effect (Type, Depth, On/Off)
Tone,
Hammer Response (On/Off, Depth)
Left-hand Tone
Metronome: Sound
Count-In: Measures, Sound
Countdown: Sound
Language
System
Bass Tone, Chord Tone
Parameters
Part Balance
Keyboard Parts
Melody
On/Off, Type
Intelligent
Opening Message
Touch Screen
Split On/Off, Layer On/Off,
Lower On/Off,
Keyboard Mode
Track Assign
Keyboard Transpose, Split Point
Reverb: On/Off, Type, Depth
Functions assigning to the left pedal and
center pedal
Pedal Settings
Performance
Pad Settings
Style Orchestrator, User Function
Style Orchestrator values assigning the Pads
Keyboard settings
(One-Touch Piano/ One-Touch Arranger/Others)
Reverb
On/Off, Type, Depth
Bend Range
MIDI Settings for
User Program
PC Number, Bank Select LSB,
Bank Select MSB, Program Change
Parameters that switch after the User Program name is
touched for a few moments when <Option> on the User
Program screen is set to “Delayed”
Music Style
Tempo
Part Balance
Accompaniment Part
Accompaniment On/Off,
Chord Intelligence On/Off,
Leading Bass On/Off, Original/Variation,
Sync Start On/Off,
Arranger
Settings
<Accomp> setting for
Arranger Configuration,
Style Orchestrator, Division
167
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Music Files That the KR105 Can Use
What Are Music Files?
I About the KR105’s Sound
Music Files contain information describing the details of a
Generator
musical performance, such as “the C3 key on a keyboard was
The KR105 comes equipped with GM 2/GS sound generators.
pressed for this amount of time, using this amount of
force.”By inserting the floppy disk into the disk drive on the
General MIDI
KR105, the performance information is sent from the floppy
The General MIDI is a set of recommendations which seeks to
disk to the piano, and played faithfully by the piano. This is
provide a way to go beyond the limitations of proprietary designs,
different than a CD, since the music file does not contain a
and standardize the MIDI capabilities of sound generating devices.
recording of the sound itself. This makes it possible to erase
Sound generating devices and music files that meets the General
certain parts, or to change instruments, tempos and keys
MIDI standard bears the General MIDI logo. Music files bearing the
freely, allowing you to use it in many different ways.
General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical
performance.
Regarding Copyright
Use of the song data supplied with the Data Disk attached to
this product for any purpose other than private, personal
enjoyment without the permission of the copyright holder is
prohibited by law. Additionally, this data must not be
copied, nor used in a secondary copyrighted work without
the permission of the copyright holder.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant sound
generators are capable of reliably playing back music files that carry
either the General MIDI or General MIDI 2 logo.
I The KR105 allows you to use
the following music files
G Floppy disks saved on a Roland MT Series, or Roland Piano
Digital HP-G/R and KR Series instrument
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General MIDI
1” as a way of distinguishing it from General MIDI 2.
G Roland Digital Piano Compatible Music Files
Roland’s original music file is made specifically for practicing the
piano. Some follow an instructional curriculum, allowing for a
complete range of lessons, such as “practicing each hand
separately” or “listening to only the accompaniment.”
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
details for a wide range of extra features, including effects such as
reverb and chorus. Designed with the future in mind, the GS Format
can readily include new sounds and support new hardware features
when they arrive. Since it is upwardly compatible with the General
MIDI, Roland’s GS Format is capable of reliably playing back GM
Scores equally as well as it performs GS music files (music files that
have been created with the GS Format in mind). This product
supports both the General MIDI 2 and the GS Format, and can be
used to play back music data carrying either of these logos.
G SMF Music Files (720KB/1.44MB format)
SMFs (Standard MIDI Files) use a standard format for music file
that was formulated so that files containing music file could be
widely compatible, regardless of the manufacturer of the
listening device. An enormous variety of music is available,
whether it be for listening, for practicing musical instruments, for
Karaoke, etc.
*
If you wish to purchase SMF Music Files, please consult the retailer
where you purchased your KR105.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that
contains the lyrics. When Music Files carrying the “SMF with
Lyrics” logo are played back on a compatible device (one
bearing the same logo), the lyrics will appear in its display.
XG lite
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and the
structure and type of effects, in addition to the General MIDI 1
specification. XGlite is a simplified version of XG tone generation
format. You can play back any XG music files using an XGlite tone
generator. However, keep in mind that some music files may play
back differently compared to the original files, due to the reduced set
of control parameters and effects.
168
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DIGITAL PIANO
Model KR105
Date : May 2005
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1
1—16
1—16
—16
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4 (M=1)
* 2
Mode
**************
Note
Number :
15—113
**************
0—127
0—127
True Voice
Note ON
Note OFF
O
x
O
x
Velocity
8n v=64
*1
*1
After
Touch
Key s
Ch s
x
x
O
O
Pitch Bend
O
O
0, 32
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
1
O
*1
*1
*1
5
6, 38
7
O
O
O
Volume
10
O
Panpot
*1
*1
11
O
Expression
Hold 1
Control
Change
64
O
65
O
Portamento
Sostenuto
*1
66
O
67
O
Soft
84
O
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
*1
91
O (Reverb)
93
O (Chorus)
98, 99
100, 101
O
O
*1
*1
Prog
Change
0—127
**************
O
: True #
0—127
Program number 1—128
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
O
x
x
x
x
x
x
x
O
x
O (120, 126, 127)
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123—125)
O
x
* 1 O x is selectable by SysEx.
* 2 Recognized as M=1 even if M=1.
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
169
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Main Specifications
Copy
Delete
Erase
Part Exchange
PC Edit
Quantize
Insert
Transpose
Note Edit
<Keyboard>
88 keys (Progressive hammer action
keyboard with escapement)
100 levels
Whole
Split (adjustable split point)
Layer
Arranger
Piano Style Arranger
Manual Drums / SFX
Keyboard
Edit
Touch Sensitivity
Keyboard Mode
Touch the Notes
Replay
Super Tones
Piano Designer
Visual Lesson
Wonderland/Game
Demo
Other Functions
<Sound Generator>
Conforms to GM2 / GS / XG Lite
Max. Polyphony
Tones
(Tone Search by
terms and by letters)
Temperament
Stretched Tuning
Audition
Panel Lock
User Image Display
BMP Export
V-LINK
64 voices
6 groups, 630 variations (including 4 tone
wheel organs, 15drum sets, 1 SFX set)
8 types, selectable tonic
2 types
<Internal Memory>
InternalSongs(Song
415.3 Hz–466.2 Hz (adjustable in
increments of 0.1 Hz)
Key Transpose (-6–+5 in units of semitone)
Playback Transpose (-24–+24 in units of
semitone)
Search by terms and Over 170 songs
by letters)
Master Tuning
Max. 200 songs on Favorites
Max. 99 User Styles
Max. 99 User Program Sets
Transpose
User Memory
Reverb (8 types)
Chorus
<Others>
Rated Power Output 40W x 2
Speakers
Effects
Sympathetic Resonance, Rotary and 32
other types
20 cm x2, 6 cm x2
Bouncing Beat Indicator
Display
<Arranger>
Music Styles
Graphical LCD 320 x 240 dot (backlit)
Grand staff / G Clef staff / F Clef staff,
with note name /lyrics/ chords / fingering
English / German / French / Spanish
Yes (built-in, external display, MIDI output)
One Touch Piano
6 groups, 230 styles x 3 types (Style
Orchestrator)
Notation
(Style Search by
terms and by letters)
Music Assistant
(Search by terms
and by letters)
Programmable
Music Styles
Language
Lyrics
Over 330 sets x 6 presets
Visual Music Assistant
One Touch Program
One Touch Arranger
Style Converter
Style Composer
Damper Pedal (half-pedal recognition)
Soft Pedal (half-pedal recognition,
functions assignable)
Melody Intelligence 24 types
Pedals
Sostenuto Pedal (functions assignable)
Echo
Output jacks (L/Mono, R)
Input jacks (L/Mono, R)
<User Programs>
Internal
Floppy disk
Vocal Effects
36
Max. 99 sets
Mic Input jack
Headphones jack (Stereo) x 2
MIDI In connector x 2
MIDI Out connector
USB connector
Expression Pedal jack
AC 110/117V, AC 230/240V
1421 (W) x 550 (D) x 901 (H) mm
Including the music rest
1421 (W) x 550 (D) x 1106 (H) mm
<Metronome>
Tempo
Connectors
Quarter note = 10–500
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8,
6/8, 9/8, 12/8
10 levels
11 patterns
8 types
Beat
Volume
Metronome Pattern
Metronome Sound
Power Supply
Dimensions
(including the piano
stand)
<Composer>
Tracks
Weights (including
the piano stand)
80kg
5 tracks / 16 tracks
Song
1 song
Quick Start
Note Storage
Resolution
Approx. 30,000 notes
120 ticks per quarter note
Realtime (Replace, Mix, Auto Punch In,
Manual Punch In, Loop, Tempo)
Step (Chord Sequencer)
Beat Map
Owner’s Manual
USB Installation Guide
CD-ROM (Roland Digital Piano USB
Driver)
Accessories
Recording Method
Power cord
* In the interest of product improvement, the specifications and/
or appearance of this unit are subject to change without prior
notice.
170
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Index
Numerics
A
A.Bass 47
Auto Punch-In/Out 105
B
Basic Screen 19
Bass
Drum Set List 158
Leading 47
Beat
[Brilliance] knob 17
Erasing
C
Clef L 64
Clef R 64
Composer MIDI Out 147
Computer 149
To Original 35
To Variation 35
Finder
Connecting
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Index
Format 85
G
GS 168
H
Harmony 49
I
Icon 19
Intro 35, 43
[Intro/Ending] button 43
K
Key 64
O
L
Layer 25
Lid 16
Lower Tone 50
P
M
Percussion 22
Melody Intelligence 49
Memory Backup 138
Performance Pad 48, 126
172
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Piano 20
Saving as image data 65
Preset 39
PU (Pickup) 84
Q
Quick Tour
R
Reset 55
User Program screen 93
Root note 37
S
SMF 168
User Style 121
Score 61
Music files 168
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Index
Solo 100
Split 51
Deleting 122
Stretch Tuning 130, 133
Style
V
Style Search 40
Sync 43
Microphone 18
T
Tuning Curve 130, 133
U
User Program 93
Calling up 94
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
COSTA RICA
TRINIDAD
NORWAY
KUWAIT
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
JUAN Bansbach Instrumentos
Musicales
AMR Ltd
Roland Scandinavia Avd.
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Ground Floor
Kontor Norge
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
TEL: (02) 899 9801
TEL: 2273 0074
SINGAPORE
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
OMAN
REUNION ISLAND
TEL: (0262) 218-429
TALENTZ CENTRE L.L.C.
P.O. BOX 37, MUSCAT,
POSTAL CODE 113
TEL: 931-3705
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
TEL: (02) 2561 3339
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
THAILAND
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
FAX: (011) 403 1234
EUROPE
TEL:(593-4)2302364
TEL: (266) 364 609
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
TEL: (021) 674 4030
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
TEL: 262-0788
SPAIN
ASIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWEDEN
TEL:(502) 599-2888
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
TEL: (014) 575811
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (011) 223-5384
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
For Australia
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
TEL: (2) 666 10529
TEL: (010) 6426-5050
DENMARK
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
CENTRAL/LATIN
AMERICA
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: (04) 3360715
UNITED KINGDOM
MEXICO
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
NORTH AMERICA
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
BARBADOS
TEL: 2415 0911
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
UNITED KINGDOM
TEL: (01792) 702701
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
TEL: (55) 5668-6699
Parsons Music Ltd.
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
MIDDLE EAST
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
TEL: (604) 270 6626
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (505)277-2557
PANAMA
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 17 211 005
HUNGARY
TEL: (905) 362 9707
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
U. S. A.
TEL: 315-0101
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (23) 511011
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
TEL: (022) 66-9426
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (323) 890 3700
KOREA
TEL: (574)3812529
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (021) 285-4169
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
Lima - Peru
TEL: (511) 4461388
As of April 26, 2005 (RES)
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R®
602.00.0081
RES 464-05 Printed in Italy 06-05 KR105 – OM/E
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