Owner’s Manual
Thank you, and congratulations on your choice of the Roland Digital Piano HP-7/3.
Main Features
Piano sounds with rich resonance and wide-ranging expressiveness
The stereo sampling piano sound generator realistically reproduces even the sound
of the hammers striking the strings, producing the tones of a high-quality concert
grand piano. Maximum polyphony of 64 notes ensures that you can use the pedal
freely without running out of notes.
The HP-7 features a new speaker system to provide sounds with depth and spatial
realism.
Pursuing the playing feel of a grand piano
These instruments feature a progressive hammer action keyboard, which duplicates
the touch of a grand piano, with a heavier touch in the lower register, and a lighter
touch in the upper register. In addition, on the HP-7, even the distinctive “click” that
you feel when pressing a key on a grand piano has been faithfully simulated
(escapement mechanism).
The pedal is designed for good-feeling response, and allows subtle performance
nuances to be expressed.
A variety of practice features to help you develop your musicality
In addition to a metronome, the HP-7/3 features a rhythm function, which
encourages your natural sense of rhythm, and a two-track recorder, which allows
you to experience piano lessons in a way possible only on electronic pianos.
An enjoyable ear-training game is also built-in.
Before using this unit,
65 piano songs built-in
carefully read the sections
entitled: “USING THE
UNIT SAFELY” and
“IMPORTANT NOTES”
(p. 4; p. 6). These sections
provide important
information concerning the
proper operation of the unit.
Additionally, in order to feel
assured that you have
gained a good grasp of every
feature provided by your
new unit, Owner’s manual
should be read in its
The built-in songs are mainly classical pieces, and include compositions for listening
enjoyment as well as for lessons. The included music score collection (60 songs) is
also supported.
Piano Customize function lets you adjust details of the sound (HP-7)
This simulates the tonal changes that occur when the lid of a grand piano is opened
or closed, allowing you to play using the piano sound you want.
Adjustable music stand (HP-7)
In addition to allowing you to adjust the angle of the stand, and move it forward or
backward, the music holders accommodates even thick score books.
entirety. The manual should
be saved and kept on hand
as a convenient reference.
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
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The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
11. Only use attachments/accessories specified by the
manufacturer.
12. Never use with a cart, stand, tripod, bracket,
or table except as specified by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. When the provided
plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
001 Before using this unit, make sure to read the
•
009 Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
instructions below, and the Owner’s Manual.
..........................................................................................................
002a
•
Do not open or perform any internal modifica-
tions on the unit.
..........................................................................................................
•
010 This unit, either alone or in combination with an
..........................................................................................................
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
•
003 Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004 Never use or store the unit in places that are:
..........................................................................................................
•
•
011 Do not allow any objects (e.g., flammable material,
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
• Damp (e.g., baths, washrooms, on wet floors);
or are
..........................................................................................................
•
013 In households with small children, an adult
• Humid; or are
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
•
014 Protect the unit from strong impact.
..........................................................................................................
007 Make sure you always have the unit placed so it is
•
(Do not drop it!)
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
•
015 Do not force the unit’s power-supply cord to share
..........................................................................................................
008a
an outlet with an unreasonable number of other
devices. Be especially careful when using
•
The unit should be connected to a power supply
only of the type described in the operating instruc-
tions, or as marked on the unit.
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
008e
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
..........................................................................................................
4
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108d: Selection
•
016 Before using the unit in a foreign country, consult
•
If you need to move the instrument, take note of
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
..........................................................................................................
026 Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft cloth.
..........................................................................................................
•
• Check to make sure the knob bolts securing the
unit to the stand have not become loose. Fasten
them again securely whenever you notice any
loosening.
• Disconnect the power cord.
• Disconnect all cords coming from external
devices.
101a
•
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
• Raise the adjusters on the stand (p. 12).
• Close the lid.
..........................................................................................................
102b
• Remove the music stand. (HP-3)
• Fold down the music stand. (HP-7)
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
109a
..........................................................................................................
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 10).
103a:
•
At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
..........................................................................................................
110a
•
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
•
116 Be careful when opening/closing the lid so you do
not get your fingers pinched (p. 11). Adult super-
vision is recommended whenever small children
use the unit.
..........................................................................................................
•
104 Try to prevent cords and cables from becoming
..........................................................................................................
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
•
118 Should you remove the screws fastening the
..........................................................................................................
stand, make sure to put them in a safe place out of
children's reach, so there is no chance of them
being swallowed accidentally.
•
106 Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
..........................................................................................................
107b
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from,
an outlet or this unit.
..........................................................................................................
5
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IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3,
4 and 5, please read and observe the following:
Power Supply
Maintenance
301
401b
• Do not use this unit on the same power circuit with any
• To clean the unit, use a dry, soft cloth; or one that is
device that will generate line noise (such as an electric
motor or variable lighting system).
slightly dampened. Try to wipe the entire surface using an
equal amount of strength, moving the cloth along with the
grain of the wood. Rubbing too hard in the same area can
307
• Before connecting this unit to other devices, turn off the
damage the finish.
power to all units. This will help prevent malfunctions
402
and/or damage to speakers or other devices.
• Never use benzine, thinners, alcohol or solvents of any
308
kind, to avoid the possibility of discoloration and/or
deformation.
• Although the LCD and LEDs are switched off when the
POWER switch is switched off, this does not mean that the
unit has been completely disconnected from the source of
power. If you need to turn off the power completely, first
turn off the POWER switch, then unplug the power cord
from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should
be one that is within easy reach.
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural
oxidization process. If the brass becomes tarnished, polish
it using commercially available metal polisher.
Additional Precautions
553
• Use a reasonable amount of care when using the unit’s
Placement
• Using the unit near power amplifiers (or other equipment
buttons, sliders, or other controls; and when using its jacks
351
and connectors. Rough handling can lead to malfunctions.
556
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s internal
352a
elements.
• This device may interfere with radio and television
557
reception. Do not use this device in the vicinity of such
receivers.
• A small amount of heat will radiate from the unit during
normal operation.
352b
558a
• Noise may be produced if wireless communications
• To avoid disturbing your neighbors, try to keep the unit’s
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about tho
559b
• When you need to transport the unit, pack it in shock-
absorbent material. Transporting the unit without doing so
can cause it to become scratched or damaged, and could
lead to malfunction.
them off.
354b
560
• Do not expose the unit to direct sunlight, place it near
• Do not apply undue force to the music stand while it is in
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Also, do not allow lighting devices that normally are used
while their light source is very close to the unit (such as a
piano light), or powerful spotlights to shine upon the same
area of the unit for extended periods of time. Excessive
use.(HP-7)
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level to
be extremely low, or impossible to hear. For infor-
mation on cable specifications, contact the manufac-
heat can deform or discolor the unit.
355
• To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
356
• Do not allow rubber, vinyl, or similar materials to remain
turer of the cable.
on the piano for long periods of time. Such objects can
discolor or otherwise harmfully affect the finish.
565
• Before opening or closing the keyboard lid, always make
sure that no pets or other small animals are located on top
of the instrument (in particular, they should be kept away
from the keyboard and its lid). Otherwise, due to the struc-
tural design of this instrument, small pets or other animals
could end up getting trapped inside it. If such a situation is
encountered, you must immediately switch off the power
and disconnect the power cord from the outlet. You should
then consult with the retailer from whom the instrument
was purchased, or contact the nearest Roland Service
Center.
358
• Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
6
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USING THE UNIT SAFELY .............................................................4
Chapter 3.
Front Panel ..........................................................................................8
Rear Panel............................................................................................9
Recording Along with the Rhythm ...............................................29
Erasing a performance from the specified track...................32
Erasing a song............................................................................32
Using the music holders...........................................................11
Tuning to other instruments’ pitches (Master Tuning) .......34
Opening/Closing the Lid ...............................................................11
Chapter 1.
Selecting a song and playing it ...............................................13
Error Messages/Other Messages...................................................40
Tone List ............................................................................................41
Rhythm List.......................................................................................44
Easy Operation List..........................................................................45
MIDI Implementation Chart...........................................................46
Main Specifications..........................................................................47
Playing rhythm..........................................................................20
Applying Effects to the Sound .......................................................21
Adding reverberation to the sound (Reverb)........................21
Adding richness to the sound (Chorus).................................21
Changing the amount of effect applied .................................21
Transposing the Key of the Keyboard (Transpose).....................22
Adjusting the Keyboard Touch (Key Touch)...............................23
Index........................................................................ 48
Making Fine Adjustments to the Piano Sound (Piano Customize)
(HP-7).................................................................................................24
7
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Panel Descriptions
*
The panel diagrams shown in this owner’s manual are those of the HP-7.
Front Panel
HP-7
12
2
3
4 5 6 7
8
9 10 11 13 14 15 16 17 18 19 20 21
Power
1
1
2
3
4
5
[Power] switch
Turns the power on/off (p. 12).
Recorder
Plays back or records a performance.
[Volume] knob
Adjusts the overall volume level (p. 12).
14 [ (Play)] button
Starts and stops playback of built-in songs and recorded
[Brilliance] knob
Adjusts the tone brightness (p. 12).
Also starts/stops recording of a performance (p. 28–p. 31).
15 [
(Rec)] button
[Transpose] button
Transposes the pitch of the keyboard (p. 22).
Puts the HP-7/3 in recording-standby mode (p. 27–p. 32).
16 [1] button
[Split] button
Plays back or records a performance separately for each hand.
Divides the keyboard into right-hand and left-hand areas,
(p. 26, p. 30–p. 32).
allowing you to play a different sound in each area (p. 17).
The left-hand performances of the built-in songs are assigned to
this button.
6
7
8
[Reverb] button
Adds reverberation to the sound (p. 21).
This button and the following [2] button are collectively
referred to as the “track buttons.”
[Chorus] button
Adds richness to the sound (p. 21)
17 [2] button
Tone buttons
Plays back or records a performance separately for each hand
They are used to choose the kinds of tones (tone groups) played
(p. 26, p. 30–p. 32).
by the keyboard (p. 15).
The right-hand performances of the built-in songs are assigned
to this button.
9
[
(Metronome)] Button
18 [Game] Button
Turns the metronome on/off (p. 18).
10 [+] [-] buttons
Pressing both the [+] and [-] buttons simultaneously returns the
setting of a particular item or function to its original value.
Piano Customize
19 [Key Touch] button
Modifies the playing feel of the keyboard (p. 23).
By holding down this button and the [Game] button, and
pressing other specified button, you can make settings for
various functions (p. 33–p. 35, p. 37–p. 38).
11 [
(Rhythm)/Beat] button
Switches the rhythm on/off (p. 20). In addition, pressing this
button will display the rhythm number.
the time signature (beat) (p. 19, p. 20).
20 [Hammer] button (HP-7)
Adjusts how variations in your keyboard playing strength will
12 Display
modify the timing at which notes are sounded (p. 24).
Displays information such as the song number, rhythm number,
21 [Lid] button (HP-7)
tempo, beat, and parameter settings values.
Simulates the tonal changes that occur when the lid of a grand
13 [Song/Tempo] Button
piano is opened or closed (p. 24).
Used to select from the built-in songs (p. 13, p. 25).
Each time you press this button, the song number and the
tempo will be displayed alternately.
8
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Panel Descriptions
Rear Panel
HP-7
HP-3
1
1
2
2
3
3
4
4
1
2
MIDI Out/In connectors
Connect to external MIDI devices to exchange performance data
3
4
Input jacks
device or an audio device, so that the sound of that device will
be output from the HP-7/3’s speakers (p. 36).
(p. 37).
Pedal connector
Connect the pedal cable of the special stand to this connector
Output jacks
(p. 10).
Allows you to output the piano’s sound to sound reinforcement
equipment to obtain a more powerful sound. These can also be
connected to a tape recorder or other recording device to record
a performance (p. 36).
9
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Before You Start Playing
Connect the Pedal Cable
Connect the Power Cord
Insert the pedal cable into the Pedal connector on the
Insert the included power cable into the AC inlet on the
bottom panel of the HP-7/3, and then plug it into an
electrical outlet.
rear panel of the HP-7/3.
fig.00-01
NOTE
Be sure to use the supplied power cord.
fig.00-02
HP-3
HP-7
Connect the Speaker Cable
(HP-7)
Setting Up the Music Stand
(HP-3)
As shown in the diagram, connect the speaker cable
leading from the speaker box of the stand to the
speaker connector located on the rear panel of the HP-7.
Insert the music stand into the two holes as shown in
the following diagram.
fig.00-03
Push the speaker cable in until it clicks into position.
HP-7 Rear
Speaker connector
Clip portion
Speaker cable
NOTE
NOTE
Before moving the piano, be sure to remove the music stand to
prevent accidents.
Do not place containers holding liquids (such as flower vases),
insecticide, perfume, alcohol, or similar substances on top of
this piano.
Setting Up the Music Stand
(HP-7)
The speakers of this piano are mounted beneath the upper
surface, and face upwards. Malfunctions or accidents may occur
if liquids contact any part of the speakers.
1. Grasping the music stand with both hands, lift it
toward you until its in the upright position.
Speakers
2. Use the support on the back of the music stand to
keep the stand in place.
The angle of the music stand can be set to any of three
positions.
fig.mu_stand
1
2
10
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Before You Start Playing
■ Adjusting the position of the
Opening/Closing the Lid
music stand
To open the lid, use both hands to lift it lightly, and
slide it away from yourself.
Grasp the music stand with both hands, and pull it
toward yourself to adjust the position.
To close the lid, pull it gently toward yourself, and
lower it softly after it has been fully extended.
fig.mu_stand2
fig.00-05
NOTE
When opening and closing the lid, be careful not to let your
■ Folding down the music stand
1. Grasp the music stand with both hands, and gently
fingers get caught. If small children will be using the HP-7/3,
adult supervision should be provided.
push it in until it stops.
If you need to move the piano, make sure the lid is closed first
to prevent accidents.
2. Raise the support located on the back of the
music stand, then gently fold down the music
stand.
Connecting Headphones
The HP-7/3 has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
others around you, even at night.
■ Using the music holders
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
fig.mu_stand4
Plug the headphones into the Phones jack located at the
bottom left of the piano.
Connecting headphones will automatically mute the
sound from the internal speakers.
The headphone volume is adjusted by the [Volume]
knob (p. 12) of the HP-7/3.
fig.00-04.e
Phones plug x 2
■ Removing the music stand
You can remove the music stand from the piano.
This allows you to place a notebook computer on the piano.
P
h
o
e
s
Position the music stand so it’s upright, then remove
the three screws, as shown.
NOTE
You can remove the screws using a coin.
fig.mu_stand3
Use Stereo headphones.
Make sure to use only Roland headphones. Headphones from
other manufacturers may be unable to provide sufficient
volume.
Some notes on using headphones
•
To prevent damage to the cord, handle the headphones only by
the headset or the plug.
•
Connecting the headphones when the volume of connected
equipment is turned up may result in damage to the
headphones. Lower the volume on the HP-7/3 before plugging
in the headphones.
NOTE
Be careful not to lose the screws that you removed from the
music stand, or put them where they might be swallowed by
small children.
•
Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing loss. Use
the headphones at a moderate volume level.
11
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Before You Start Playing
Turning the Power On and
Off
About the Pedals
The pedals have the following functions, and are used
mainly for piano performance.
fig.00-08.e
NOTE
Turn on power to your various devices in the order
specified. By turning on devices in the wrong order, you
risk causing malfunction and/or damage to speakers
and other devices.
Soft Pedal
Damper Pedal
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power] switch.
Sostenuto Pedal
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
The power will turn on, and the Power indicator at the
left front of the HP-7/3 will light.
you take your fingers off the keys.
On the HP-7, the length of sustain will change subtly
depending on how deeply you press the pedal.
After a few seconds, you will be able to play the
keyboard to produce sound.
Use the [Volume] knob to adjust the volume.
On an acoustic piano, holding down the damper pedal will
resonance.
NOTE
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
The HP-7/3 simulates this sympathetic resonance.
operate normally.
fig.00-06.e
You can change the amount of resonance applied with
the damper pedal. Please refer to “Changing the Damper
Pedal’s Resonance” (p. 33).
Power
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
Power Indicator
Soft pedal (left pedal)
When you hold down this pedal and play the keyboard, the
To turn the power off, turn the [Volume] knob all the
way to the left, and press the [Power] switch.
sound will have a softer tone.
On the HP-7, the softness of the tone can be varied subtly by
the depth to which you press the pedal.
The Power indicator at the left front of the HP-7/3 will
go dark, and the power will be turned off.
About the adjuster
When you move the HP-7/3 or if you feel that the pedals are
unstable, adjust the adjuster located below the pedals as
follows.
Adjusting the Sound’s
Volume and Brilliance
❍
Rotate the adjuster to lower it so that it is in firm contact
with the floor. If there is a gap between the pedals and
the floor, the pedals may be damaged. In particular
when placing the instrument on carpet, adjust this so
that the pedals firmly contact the floor.
Turn the [Volume] knob to adjust the overall volume.
Turn the [Brilliance] knob to adjust the brightness of
the sound.
fig.00-09.j
fig.00-07.e
Min
Max
Mellow
Bright
Adjuster
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Chapter 1.
Enjoying the Built-in Songs and Game
Listening to Built-in Songs
The HP-7/3 comes with 65 piano songs onboard.
“Chapter 3. Playing Along
with the Built-in Songs” (p.
25), “Tone List” (p. 41)
■ Playing back all songs continuously (All Song Play)
The built-in songs can be played back consecutively.
fig.panel1-1
HP-7
12
1
Hold down the [Song/Tempo] button, and press the [ (Play)] button.
NOTE
The [Song/Tempo] button’s indicator will light, the [
(Play)] button’s indicator
It is not possible to sound the
rhythm (p. 20) while a built-in
song is playing.
will blink, and the songs will play back successively, starting with the currently
selected song.
The song number appears in the display.
You can press the [+] or [-] button to select the song that you want to play back.
When all songs have been played, playback will return to the first song and resume.
Stopping the playback
Press the [ (Play)] button.
2
Playback will stop.
■ Selecting a song and playing it
fig.panel1-2
HP-7
2
1 3, 4
Choosing the song to play back
About the display for the
built-in songs
1
Press the [Song/Tempo] button, getting its indicator to light in red.
USr (user) … The location
where you can record your
performance. (For details on
recording → p. 28)
The song number appears in the display.
fig.disp-USr
Numbers with a “d.”
… built-in songs.
2
Press the [+] or [-] button to select a song.
Holding down the button causes the numbers to change continuously.
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Chapter 1. Enjoying the Built-in Songs and Game
Playing back
3
Press the [
(Play)] button.
The button’s indicator will light, and the selected song will play.
Stopping the playback
Press the [ (Play)] button.
4
The button’s indicator goes out, and playback stops.
The next time you press the [
from the beginning.
(Play)] button, the song that was stopped is played
Playing the Note-guessing Game
Here’s how to play the note-guessing game.
There are three levels of difficulty in the game— through 3.
When you begin the game, you start at level 1 (“L.1”). You can move up to the next
level as soon as you’ve scored enough points.
fig.panel1-3
HP-7
1, 2
1
Press the [Game] button.
Changing the level
When the level (L.1, L.2, L.3) is
displayed, you can choose the
level by pressing the [+] or [-]
button.
The button’s indicator will light, and the game will begin.
1. First, the reference “C” (C4) note will sound.
2. The note for you to guess will sound.
Listen carefully, and play the key of the note that sounded.
When you play a key, the next note will sound.
There will be five notes for you to guess.
3. When you have answered all of them, your score will be displayed.
Once you achieve 80 or more points, you can proceed to the next level.
Ending the game
Press the [Game] button.
2
Even during the game, you can press the [Game] button to end the game.
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Chapter 2. Performance
Performing with a Variety of Sounds
The HP-7 contains 24 different built-in tones. The tones are organized into six tone
groups, which are assigned to the Tone buttons.
The HP-3 contains 20 different built-in tones. The tones are organized into five tone
groups, which are assigned to the Tone buttons.
fig.panel2-1
HP-7
1
2
Selecting a tone group
Press any Tone button.
For more details, refer to
1
The indicator of the button you pressed will light.
When you play the keyboard, you will hear a sound in the selected tone group.
Selecting variation tones
2
Press the [Variation] button.
When Dual performance (p.
16) or Split performance (p. 17)
is used, only sound number 1
or 2 can be selected.
Four different tones (numbered 1–4) are assigned to each Tone button. Use the
[Variation] button to select among them.
Each time you press the [Variation] button, the button’s indicator will change color,
and the four sounds will be selected successively.
If you use Dual performance
or Split performance with a
Tone button for which tone
number 3 or 4 is selected, tone
number 1 will be selected for
that Tone button.
Tone number
1
2
3
4
[Variation]
button’s indicator
Dark
Red
Green
Orange
Some of the number 3 and 4 tones form pairs, which can be layered and sounded
together.
The tone you’ve selected is heard when you finger the keyboard.
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Chapter 2. Performance
Playing Two Sounds Together
(Dual Performance)
Simultaneously playing two tones when one key is pressed is called “Dual
When Dual performance is
used, the [Variation] button’s
indicator will light to indicate
the selection of the right button
of the two selected tones.
performance.”
1
Simultaneously press the two Tone buttons that you want to play
together.
The indicator of the button you pressed will light.
When you play the keyboard, the tones of the two Tone buttons you selected will
sound simultaneously.
When Dual performance is
used, only sound number 1 or
2 can be selected.
To cancel Dual performance, press any Tone button.
To change the tone of the right button of the two selected tones
If you use Dual performance
with a Tone button for which
tone number 3 or 4 is selected,
tone number 1 will be selected
for that Tone button.
Press the [Variation] button.
Dual performance now features the tone of the left side’s tone button along with the
newly selected tone.
To change the tone of the left button of the two selected tones
Cancel the Dual performance, and then re-select the tone.
■ Adjusting the volume balance in Dual performance
(Dual Balance)
You can change the volume balance between the two layered sounds in Dual
performance.
fig.panel2-2
HP-7
1
2
1
2
Hold down the [Transpose] button, and press the [Split] button.
When the power is turned on,
this will be set to “8-2”
(volume of the left button tone
- volume of the right button
tone).
The indicators of the buttons you pressed will blink.
The current volume balance appears in the display.
Press the [+] or [-] button to change the value.
To return to the original volume balance, press the [+] and [-] buttons simultaneously.
fig.disp-dualbal.e
Volume of the left button tone
Volume of the right button tone
Press any button other than the [+] [-] buttons, and the button’s indicator will return
to the previous state.
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Chapter 2. Performance
Playing Different Tones with the Left
and Right Hands (Split Performance)
The split point key is included
in the left-hand keyboard area.
Dividing the keyboard into right-hand and left-hand areas, then playing different
sounds in each is called “Split performance.” The boundary key is called the “split
point.”
fig.splitpoint.e
When Split performance is
used, only tone numbers 1 or 2
can be selected.
Split Point (set to F 3, when the power is turned on.)
If you use Split performance
with a Tone button for which
tone numbers 3 or 4 selected,
tone number 1 will be selected
for that Tone button.
…
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Left-hand Tone
Right-hand Tone
fig.panel2-3
HP-7
1
When using Dual
performance, press the
[Split] button
1
Press the [Split] button.
The button’s indicator will light.
The right hand will play the
tone of the left button of Dual
performance, and the left hand
the right-hand tone.
The keyboard is divided into right-hand and left-hand areas.
The tone you were playing before you pressed the [Split] button will be selected for
the right-hand area, and a tone that is a suitable match for the right-hand tone (e.g.,
a bass tone) will be selected for the left-hand area.
To cancel Split performance, press the [Split] button, getting its indicator to go dark.
For information about the
tones that can be selected for
the left hand section, refer to
the “Tone List” (p. 41).
Changing tone played by the left hand
Press the [Variation] button.
Each time you press the [Variation] button, the button’s indicator will change color,
and the left-hand tone will change.
The selected left hand tone is
remembered for each Tone
button. When you turn off the
power, it will return to the
original setting.
Some tones assign the tone that had been selected before you pressed the [Split]
button to the left hand area of the keyboard.
Changing tone played by the right hand
Press the Tone button.
damper pedal will be applied
only to the right-hand area of
the keyboard. If you want the
damper pedal to be applied to
the left-hand area, refer to
“Applying the damper pedal
to the left-hand keyboard
area” (p. 35).
The tone of the right-hand area will change.
If you want to change the variation for the right-hand tone, cancel Split performance
and then re-select the tone.
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Chapter 2. Performance
■ Changing the keyboard’s split point
You can change the location where the keyboard is divided (the split point) within
the range of B1 through B6.
The setting is at “F#3” when
the piano is powered up.
1
While continuing to hold the [Split] button, press the key that you want
to specify as the split point.
The split point key is
displayed as follows.
The key you pressed becomes the split point, and belongs to the left-hand section of
the keyboard.
Display
C
C
d_
d
E_
E
Letter
name
You can also change the setting by pressing the [+] or [-] button while continuing to
hold down the [Split] button.
D
D
Display
E
F
F
G
G
b
Letter
name
If you hold down the [Split] button and simultaneously press the [+] and [-] buttons,
E
F
F
the setting will return to its original value (F#3).
fig.disp-splitpoint
Display
A_
A
A
A
b_
B
Letter
name
B
When you continue holding
the [Split] button, the currently
specified split point value will
be displayed.
Using Metronome and Rhythm
■ Sounding the metronome
It is not possible to sound the
metronome and rhythm (p. 20)
simultaneously.
The HP-7/3 features a built-in metronome.
While a song plays back, the metronome will sound at the tempo and time signature
(Beat) of that song.
fig.panel2-4
HP-7
1, 4 2 3
Sounding the metronome
1
Press the [
(Metronome)] button.
The metronome will sound.
The button’s indicator flashes in red and green in time with the beat selected at that
time. The indicator lights in red on the downbeats, and in green on weak beats.
Changing the tempo
Press the [+] or [-] button to adjust the tempo.
2
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Chapter 2. Performance
Changing the beat of metronome
3
Hold down the [
button.
(Rhythm)/Beat] button, and press the [+] or [-]
The currently selected beat will be displayed.
NOTE
If you hold down the [
the beat will change.
(Rhythm)/Beat] button and press the [+] or [-] button,
It is not possible to change the
beat during song playback or
recording.
If you hold down the [
(Rhythm)/Beat] button and press the [+] and [-] buttons
simultaneously, the beat will go back to what it was before you changed it.
fig.disp-beat
Correspondence between
beat and tempo display
Display
beat
Display
beat
2.2
0.4
2.4
3.4
4.4
5.4
2/2
6.4
7.4
3.8
6.8
9.8
12.8
6/4
7/4
3/8
6/8
9/8
12/8
Only weak beats
Beat
2/2
Tempo Value
=10–125
2/4
3/4
4/4
5/4
x/4
=20–250
x /8
=40–500
Stopping the metronome
4
Once again press the [ (Metronome)] button, getting its indicator to go
dark.
The metronome will stop.
■ Changing the metronome and rhythm volume
The volume of the metronome and rhythm (p. 20) can be adjusted, with eight volume
levels available.
This is set to “4” when the
instrument is turned on.
1
While holding down the [
button.
(Metronome)] button, press the [+] or [-]
The currently specified volume will be displayed.
Continue to hold down the [
(Metronome)] button, and press the [+] or [-] button
to sound the metronome or rhythm, and change the volume.
fig.disp-metrovol
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Chapter 2. Performance
■ Playing rhythm
The HP-7/3 contains 53 different rhythms.
The built-in rhythms can be sounded or stopped by pressing a button, in the same
way as the metronome.
It is not possible to sound the
metronome and rhythm
simultaneously.
By playing the rhythm instead of the metronome, you can enjoy performing as if you
were playing with a session-like feel.
Playing rhythm
Press the [
1
(Rhythm)/Beat] button.
It is not possible to sound the
rhythm while a built-in song is
playing back.
The [
(Rhythm)/Beat] button’s indicator will blink, and the rhythm will sound.
If you press the
Changing the beat of rhythm
[
(Rhythm)/Beat] button
2
Continue to hold down the [
or [-] button.
(Rhythm)/Beat] button, and press the [+]
while a built-in song is playing
back, the metronome will
sound.
The currently selected beat will be displayed.
If you hold down the [
(Rhythm)/Beat] button and press the [+] and [-] buttons
For details on the beat display,
refer to the table on p. 19.
simultaneously, the beat will go back to what it was before you changed it.
fig.disp-beat
Changing the rhythm
Press the [+] or [-] button to select the rhythm.
3
If the display does not indicate the rhythm number (prefixed by “r.”), press the
(Rhythm)/Beat] button to display the rhythm number.
For details on the rhythm, refer
to the “Rhythm List” (p. 44).
[
The currently selected rhythm number will be displayed.
The rhythms that can be selected will depend on the beat.
fig.disp-rhy
Changing the tempo
4
Press the [Song/Tempo] button, getting its indicator to light in green.
The tempo appears in the display.
5
Press the [+] or [-] button to adjust the tempo.
Stopping the rhythm
Press the [ (Rhythm)/Beat] button, getting its indicator to go dark.
6
The rhythm will stop.
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Chapter 2. Performance
Applying Effects to the Sound
fig.panel2-5
HP-7
■ Adding reverberation to the sound (Reverb)
The reverb effect setting for
each tone is not remembered.
By applying the reverb effect you can produce a pleasant reverberation, making it
sound as though you were performing in a concert hall.
1
Press the [Reverb] button.
When you play back a built-in
song, the reverb effect will
automatically be turned on
The button’s indicator will light, and a reverb effect will be applied to the sound.
To cancel the reverb effect, press the [Reverb] button, getting its indicator to go dark.
(the button’s indicator lights).
■ Adding richness to the sound (Chorus)
The chorus effect setting can be
When you turn off the power,
it will return to the original
setting.
By adding the chorus effect, you can give the sound greater dimension, with more
fatness and breadth.
1
Press the [Chorus] button.
The button’s indicator will light, and a chorus effect will be applied to the sound.
To cancel the chorus effect, press the [Chorus] button, getting its indicator to go dark.
NOTE
When using Split performance
(p. 17), the chorus effect will
not be applied to the left-hand
bass tone of the keyboard (p.
41).
■ Changing the amount of effect applied
The depth of the reverb effect and chorus effect can be adjusted over eight steps.
When the power is turned on,
reverb is set to “4,” and chorus
to “4.”
Changing the depth of the reverb effect
1
Hold down the [Reverb] button and press the [+] or [-] button.
The currently specified value will be displayed.
Higher values will produce a deeper effect.
The depth of the reverb effect
for each tone is not
remembered.
Changing the depth of the chorus effect
1
Hold down the [Chorus] button and press the [+] or [-] button.
The currently specified value will be displayed.
Higher values produce a deeper effect.
The chorus effect depth setting
of each tone can be
remembered. When you turn
off the power, it will return to
the original setting.
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Chapter 2. Performance
Transposing the Key of the Keyboard
(Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
numerous sharps ( ) or flats ( ), you can transpose it to a key that is easier for you
to play.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
fig.panel2-6
HP-7
1
1
Continue to hold down the [Transpose] button, and press a note to
indicate the tonic of the key to which you want to transpose.
The button’s indicator will light, and the keyboard will be transposed.
When you hold down the
[Transpose] button, the
currently specified value will
be displayed.
You can also transpose by holding down the [Transpose] button and pressing the [+]
or [-] button.
If you hold down the [Transpose] button and press the [+] and [-] buttons
simultaneously, the setting will return to the original value (0).
This can be set in a range of -6–0–5 (semitone steps).
For example, if you want the E pitch to sound when you play the C key, hold down
the [Transpose] button and press the E key.
Counting from C as a reference point, one moves up four keys, including the black
keys, to reach E, thus “4” appears in the display.
fig.trans.e
If you play C E G
It will sound E G#
B
When the transpose value is set to “0,” the button’s indicator will remain dark even
if you press the [Transpose] button.
To cancel the transpose function, press the [Transpose] button, extinguishing its
indicator.
This setting returns to the
original value (0) when you
turn off the power.
When you press the [Transpose] button once again, getting its indicator to light, the
keyboard will be transposed to the note you specified here.
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Chapter 2. Performance
Adjusting the Keyboard Touch
(Key Touch)
You can adjust the touch (playing feel) of the keyboard.
fig.panel2-7
HP-7
1
1
Press the [Key Touch] button.
The button’s indicator will light, and the feel of the keyboard will change.
Each time you press the [Key Touch] button, the button’s indicator will change color,
and the feel of the keyboard will change.
Indicator
Settings
This allows you to play using the most natural touch.
This is the closest to the touch of an acoustic piano.
OFF
Medium
Fortissimo (ff) cannot be produced unless you play
more strongly than usual, making the keyboard feel
heavier. Dynamic fingering adds even more feeling to
what you play.
Red
Heavy
Fortissimo (ff) can be produced by playing less strong-
ly than usual, making the keyboard feel lighter. This
setting makes it easy to play, even for children.
Green
Light
Fixed
Sounds at a fixed volume, regardless of your keyboard
playing strength.
Orange
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Chapter 2. Performance
Making Fine Adjustments to the Piano
Sound (Piano Customize) (HP-7)
You can make fine adjustments to the sound of the piano as desired.
[Hammer] Button
This adjusts how your playing strength will affect the timing at which the note
sounds. This is called the “Hammer Response” function.
On an acoustic piano, pressing a key moves a hammer, which strikes a string to
produce sound. If you press the key softly, the hammer will move slowly, meaning
that it will take slightly longer (in comparison to a strongly-played note) from the
moment you press the key until the sound is produced.
If the Hammer Response function is turned on, the time between the moment you
press a key until the sound is heard will change depending on the strength with
which you play. As you play more softly, this time will become longer.
[Lid] Button
This simulates the change in tone that occurs when the lid of a grand piano is opened
or closed.
The lid can be adjusted over three positions. Opening the lid makes the tone brighter,
and closing it makes the tone more mellow.
fig.panel2-8
HP-7
1
Press the [Hammer] button.
The button’s indicator will light, and the tone will change.
Indicator
Dark
Setting
Off
1
Red
Higher settings will produce a slower response when
you play softly.
Green
Orange
2
3
2
Press the [Lid] button.
The button’s indicator will light, and the tone will change.
Indicator
Dark
Setting
The lid is open.
Red
The lid is closed, producing a softer tone.
Green
The lid is wide open, producing a bright tone.
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Chapter 3.
Playing Along with the Built-in Songs
You can slow down the playback tempo of the song, or play back each hand
separately.
Before you try playing the song, listen to it several times to get a general feel for the
song.
For details on operation, refer to “Selecting a song and playing it” (p. 13).
If you turn on the metronome
while the song plays back, the
metronome will sound at the
beat and tempo of the song.
Changing the Tempo
If the song has a rapid tempo, you can slow down the tempo so that you can practice
it more easily. It is effective to gradually raise the tempo as you practice.
fig.panel3-1
HP-7
2
1
1
2
Press the [Song/Tempo] button, getting its indicator to light in green.
The tempo appears in the display.
Each time you press the [Song/Tempo] button, the tempo and the currently selected
song number (prefixed by “d.”) will be displayed alternately.
While the tempo is displayed, the [Song/Tempo] button indicator will light in green.
While the song number is displayed, it will light in red.
Press the [+] or [-] button to adjust the tempo.
Indication of the tempo
during song playback
While the song is playing, the
initial tempo of the song will
continue to be displayed,
regardless of tempo changes
during the song.
The tempo can be adjusted in a range of =20–250.
You can also change the tempo during playback.
Pressing the [+] button once increases the tempo by one unit. Holding down the
button increases the tempo continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down the
button makes the tempo change (slow down) continuously.
If you press the [+] and [-] buttons simultaneously, you will return to the basic tempo
of the song (the tempo before you modified it).
■ Adding a count-in to match the timing (Count-In)
During the count-in, the count
measure is indicated in the
display as “-2” then “-1.”
When you’re playing along with a song, you can make sure that your playing is in
time with the song by sounding a count before the song starts playing.
Sounding a “count sound” leading up to playback of a song is called “Count-In.”
On the HP-7/3, if you playback a song while the metronome is sounding, two
measures of lead-in count will be heard at the beginning of the song.
“Sounding the metronome”
(p. 18)
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Chapter 3. Playing Along with the Built-in Songs
Playing Each Hand Separately
The built-in songs allow you to select the performance part that will be played back.
The left-hand performance of the built-in songs is assigned to the [1] button, while
the right-hand performance is assigned to the [2] button. The place where each part
of the performance is held is called a “track,” and the [1] and [2] buttons are called
“track buttons.”
fig.trackbuttons.e
Track buttons
Left-hand Right-hand
Part
Part
Here’s how to practice each hand separately along with the song.
fig.panel3-2
HP-7
2, 3 1
First select the song that you want to play back (p. 13).
Selecting the part that you yourself will play
Press the [1] or [2] button.
1
The indicator of the button you’ve pressed goes out, and the sound of the selected
part will no longer be heard.
For example, if you want to practice the right hand, press button [2] and get its
indicator to go dark.
When you play back the song, the right-hand performance will not sound. Practice
your right-hand performance along with the left-hand playback.
Playing back a song
Press the [ (Play)] button.
2
The song will begin playing back.
The part you selected in step 1 will not sound.
Once again press the button you selected in step 1. The button’s indicator will light,
and the sound will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-mute
the sound.
Stopping the song
Press the [ (Play)] button.
3
The song will stop.
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You can easily record your performances.
A recorded performance can be played back to hear your own playing, or to add
additional parts.
The following types of recording can be done using the HP-7/3.
• Recording just your own keyboard performance (→ “Recording a New Song” (p. 28))
• Recording along with the rhythm (→ p. 29)
• Recording along with a built-in song (→ “Recording Along with a Song” (p. 30))
• Recording each hand separately (→ “Selecting and Recording the Track for Each
Hand Separately” (p. 31))
■ Notes regarding recording
• Only one song can be recorded.
• Recorded performances are erased when the power is turned off. If you want to
keep your performance, you can either record it on an external audio device, or
use an external MIDI device to save the performance data on a floppy disk. For
details, refer to “Chapter 6. Connecting External Devices” (p. 36).
If you see the following...
If you attempt to record using a different built-in song when a performance has
already been recorded, the following will appear, and the [
indicator will blink.
(Rec)] button’s
fig.disp-del
If it is OK to erase the performance, press the [
(Rec)] button.
(Play)] button.
If you do not want to erase the performance, press the [
27
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Chapter 4. Recording Your Performance
Recording a New Song
Record only the keyboard performance without playing along with a built-in song
or rhythm.
fig.panel4-1
HP-7
3
4
1 6, 8 5, 7
2
NOTE
Recording settings (select “USr”)
If you layer a newly recorded
performance without erasing
the recorded song, the song
tempo and beat will be stored
with the settings that were
recorded first.
1
2
Press the [Song/Tempo] button, getting its indicator to light in red.
The song number appears in the display.
Press [+] and [-] buttons simultaneously, and “USr” appears in the
display.
NOTE
Specifying the tone and tempo for recording
A performance that was
recorded without using
rhythm cannot be played back
with the rhythm.
3
4
Select the tone that you want to play (p. 15).
If necessary, turn on the metronome.
Sound the metronome while you set the tempo and beat of the song (p. 18).
If you want to record along
with the rhythm, refer to p. 29.
5
Press the [
(Rec)] button.
The [
(Rec)] button’s indicator will light, the [
(Play)] button’s indicator will
blink, and you will be in recording-standby mode.
About the “USr” display
Start recording
When you stop recording, the
6
Recording will start when you either press the [ (Play)] button or play
“
” display will change
”.
the keyboard.
to “
The HP-7/3 counts down two measures, then recording starts.
Note that recording will also begin as soon as you play anything on the keyboard,
The “.” in the lower right of the
display indicates that there is
already a recorded
even if you do not press the [
when you start in this manner.
(Play)] button. There is no count sound played
performance.
When recording begins, the [
(Play)] button and [
(Rec)] button indicators will
light. Go ahead and perform on the keyboard.
Stop recording
Press the [ (Play)] or [ (Rec)] button.
7
recorded to the [1] button.
If you want to record the right
and left hands separately on
separate recording tracks, refer
to “Selecting and Recording
the Track for Each Hand
Separately” (p. 31).
The indicators for the [
(Play)] and [
(Rec)] buttons will go dark.
Play back the recorded performance
Press the [ (Play)] button.
8
You will hear the recorded performance.
Once again press the [
(Play)] button, and playback will stop.
28
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Chapter 4. Recording Your Performance
Recording Along with the Rhythm
You can record a performance that uses the Rhythm function.
fig.panel4-2
HP-7
1
2 4, 6 3, 5
As described in steps 1 and 2 of “Recording a New Song” (p. 28), select the song
NOTE
“USr” before you continue.
If you record additional
material without erasing the
previously-recorded song, the
song tempo and beat will be
stored with the settings that
were first recorded.
Selecting the tone and rhythm for recording
1
2
Select the tone that you want to play (p. 15).
Press the [
(Rhythm)/Beat] button, getting its indicator to blink.
The rhythm will sound. Set the rhythm and the tempo so that you can play
comfortably (p. 20).
NOTE
A performance you’ve
recorded using rhythm cannot
be played back with the
metronome.
3
Press the [
(Rec)] button.
The [
(Rec)] button’s indicator will light, the [
(Play)] button’s indicator will
blink, and you will be in recording-standby mode.
Start recording
Press the [
4
(Play)] button.
Recording begins after two measures of count sound.
Note that recording will also begin as soon as you play anything on the keyboard,
even if you do not press the [
when you start in this manner.
(Play)] button. There is no count sound played
Begin recording your performance along with the rhythm.
Stop recording
Press the [ (Play)] or [ (Rec)] button.
5
Recording will stop, and the indicators for the [
will go dark.
(Play)] and [
(Rec)] buttons
Play back the recorded performance
Press the [ (Play)] button.
6
You will hear the recorded performance.
Once again press the [ (Play)] button, and playback will stop.
If the rhythm does not sound when you play back the recorded performance
Is the [ (Rhythm)/Beat] button on (button’s indicator blinking)?
If you want to play back the performance using rhythm, turn on the
(Rhythm)/Beat] button.
[
29
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Chapter 4. Recording Your Performance
Recording Along with a Song
You can record a performance that you play along with an built-in song.
Using the [1] or [2] buttons, you can (for example) perform and record just the right-
hand part of a song while listening to the left-hand playback of a built-in song.
fig.panel4-3
HP-7
3 2
1 6, 8 4, 7 5
Selecting the song to record
1
Press the [Song/Tempo] button, getting its indicator to light in red.
The display will indicate the song number.
2
3
4
Use the [+] or [-] button to select the song that you want to play.
As necessary, set the metronome and tempo (p. 18).
Press the [
(Rec)] button.
The [
(Rec)] button’s indicator will light.
Selecting the track to record
If “dEL” appears in the
display, refer to p. 27.
5
Press the [1] or [2] button.
When you want to record the left-hand performance, press the [1] button; to record
that of the right hand, press the [2] button.
The indicators of the button you pressed and of the [
the HP-7/3 enters recording-standby mode.
(Play)] button will blink, and
Starting to record
Press the [ (Play)] button.
6
Recording begins after two measures of count sound.
Play along with the song.
Stop recording
Press the [ (Play)] or [ (Rec)] button.
NOTE
A performance recorded using
a built-in song cannot be
7
Recording will stop, and the indicators for the [
will go dark.
(Play)] and [
(Rec)] buttons
played back with the rhythm.
The recorded performance is stored in “USr (User).”
Play back the recorded performance
Press the [ (Play)] button.
8
You will hear the recorded performance.
Once again press the [ (Play)] button, and playback will stop.
30
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Chapter 4. Recording Your Performance
Selecting and Recording the Track for Each
Hand Separately
The recorder of the HP-7/3 has two recording tracks, allowing you to record the
right and left hands separately. Use the [1] button or [2] button to specify the
recording track.
If you want to re-do the recording, you can re-record just a specific track.
fig.panel4-4
HP-7
1
4, 6 2, 5 3
As described in steps 1and 2of “Recording a New Song” (p. 28), select “USr” before
NOTE
you continue.
If you go on to record
additional material without
erasing the recorded song, the
song tempo, beat, rhythm, and
metronome settings of the
original recording will be used
for the new material as well.
1
2
As necessary, turn on the metronome or rhythm (p. 18).
Press the [
(Rec)] button.
The [
(Rec)] button’s indicator will light.
The button indicators of tracks that are already recorded will light.
The track button for which you will next be recording will be blinking.
Selecting the track to record
3
Press the [1] or [2] button to select the track that you want to record.
The track buttons allow you to
record to either the [1] or the
[2] button, one at a time.
The indicator of the button you pressed will blink, and the HP-7/3 enters recording-
standby mode.
Start recording
Press the [
4
(Play)] button.
Go ahead and perform on the keyboard.
Note that recording will also begin as soon as you play anything on the keyboard,
even if you do not press the [
when you start in this manner.
(Play)] button. There is no count sound played
Stop recording
Press the [ (Play)] or [ (Rec)] button.
5
Recording will stop, and the indicators for the [
will go dark.
(Play)] and [
(Rec)] buttons
Your performance has been recorded to the specified track button.
If you want to record on the other track, return to step 2 to record your performance
again. You can record while you listen to the previously recorded performance.
Play back the recorded performance
Press the [ (Play)] button.
6
You will hear the recorded performance.
Press the [ (Play)] button once again, and playback will stop.
31
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Chapter 4. Recording Your Performance
Erasing Recorded Performances
You can erase a recorded performance.
■ Erasing a performance from the specified track
You can select a recorded track and erase it.
1
Hold down either the [1] or [2] button, and press the [ (Rec)] button.
The indicator of the button you pressed will go dark, and the performance of the
selected track will be erased.
■ Erasing a song
You can erase a song you’ve recorded.
1
Hold down the [Song/Tempo] button and press the [ (Rec)] button.
The following display will appear, and the [
(Rec)] button’s indicator will blink.
fig.disp-del
2
Once again press the [ (Rec)] button.
The recorded performance is erased.
If you decide not to erase the performance, press the [
button.
(Play)] or [Song/Tempo]
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Chapter 5. Changing Various Settings
Changing the Damper
Pedal’s Resonance
Making Detailed Settings
(Function)
On an acoustic piano, depressing the damper pedal makes
the notes you play resonate with other strings, adding rich
reverberations and fatness to the sound. The damper pedal
on the HP-7/3 recreates this resonance (sympathetic
resonance) when depressed.
You can make performance-related settings such as tuning
and temperament.
How to enter function mode
1. Hold down the [Game] button, and press the [Key
Touch] button.
You can select from eight levels of depth for the resonant
sound (resonance level).
The indicators of the buttons you pressed will blink, and
you will enter function mode.
This is set to “5” when the instrument is turned on.
The display will indicate the value of the currently
selected function.
*
This setting is valid only for some piano tones. It cannot be made for
other tones.
Setting the various functions
1. Hold down the [Reverb] button and [Chorus] button,
2. Press the button to which the desired function is
and press the [-] or [+] button.
assigned.
The currently specified value will be displayed.
The indicator of the button you pressed will blink.
Larger values will produce a deeper effect.
fig.disp-reso
Button
Function
Page
p. 34
p. 34
p. 35
[Piano]
Master Tuning
Temperament
Stretch Tuning
[E. Piano]
[Harpsichord]
Applying the damper pedal
to the left-hand keyboard
area
[Organ]
p. 35
[Strings]
MIDI send channel
Local Control
p. 38
p. 38
[Variation]
Transmitting a recorded
performance
p. 38
[
(Play)]
For details on each function, refer to the explanations
below.
3. Press the [+] or [-] button to change the value.
If you press the [+] and [-] buttons simultaneously, the
value will return to the power-up default setting.
How to exit function mode
4. Press the [Game] or [Key Touch] button.
The button’s indicator will return to the previous state.
33
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Chapter 5. Changing Various Settings
■ Tuning to other instruments’
Dis-
play
Temper-
ament
Qualities
pitches (Master Tuning)
This tuning, devised by the philoso-
pher Pythagoras, eliminates disso-
nance in fourths and fifths.
Dissonance is produced by third-in-
terval chords, but melodies are eu-
phonious.
In situations such as when playing ensemble with other
pitch of another instrument. The standard pitch generally
refers to the pitch of the note that’s played when you finger
the middle A key. This tuning of all the instruments to a
standard pitch is called “tuning.”
Pythagor
ean
2
3
This tuning eliminates ambiguities in
the fifths and thirds. It is unsuited to
playing melodies and cannot be
transposed, but is capable of beauti-
ful sonorities.
Just
Major
If you press the [Piano] button in step 2 of “Making
Detailed Settings (Function)” (p. 33), a display like the
following will appear.
fig.disp-tune
The Just tunings differ from major
and minor keys. You can get the
same effect with the minor scale as
with the major scale.
Just
Minor
4
5
6
This scale makes some compromises
in just intonation, enabling transposi-
tion to other keys.
Mean
Tone
The last three digits are indicated in the display. “440.0 Hz”
is indicated in the figure above.
This temperament combines the
Mean Tone and Pythagorean tun-
ings. Performances are possible in all
keys (first technique, III).
Werck-
meister
Value
415.3 Hz–440.0 Hz–466.2 Hz
Power-up default setting 440.0 Hz
This is an improvement of the Mean
Tone and Just tunings that provides a
high degree of freedom of modula-
tion. Performances are possible in all
keys (III).
This setting remains in effect until you turn off the power.
Kirn-
berger
7
■ Changing the temperament
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Today, compositions are generally created with equal
temperament in mind and are played using equal
temperament. However in past ages of classical music, a
variety of temperaments were used. Playing a composition
with its original tuning lets you enjoy the sonorities of the
chords that the composer originally intended.
Tonic
When playing with tuning other than equal temperament,
you need to specify the keynote for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
While hold down the [E. Piano] button, and press a note to
If you press the [E.Piano] button in step 2 of “Making
specify the desired tonic key.
Detailed Settings (Function)” (p. 33), a display like the
following will appear.
fig.disp-temp.j
The tonic note you specify will be displayed as follows.
fig.Chart_note2.j
Display
C
C
d_
d
E_
E
E
E
F
F
F
F
G
G
A_
A
A
A
b_
B
b
Letter
name
D
D
B
If you choose an equal temperament, there’s no need to select
a keynote.
Temperament Tonic
You can choose from among the seven temperaments
described below.
*
If you record with a temperament other than equal temperament
selected, and then want to play back that performance, use this setting
to select the same temperament for playback as the temperament you
used when recording.
Dis-
play
Temper-
ament
Qualities
*
When performing in ensemble with other instruments, be aware that
depending on the key, there may be some shifting of the pitch. Tune the
HP-7/3 to the fundamental pitch of the other instruments.
In this tuning, each octave is divided
into twelve equal steps. Every inter-
val produces about the same amount
of slight dissonance. This setting is in
effect when you turn on the power.
1
Equal
34
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Chapter 5. Changing Various Settings
Piano Play (Panel Lock)
The “Panel Lock” function locks the HP-7/3 in a state where
only piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
A piano is generally tuned to a pitch with a lower bass range
and a higher treble range than equal temperament. This
special tuning method for pianos is called “Stretch Tuning.”
If you press the [Harpsichord] button in step 2 of “Making
Detailed Settings (Function)” (p. 33), a display like the
In the Panel Lock state, only the grand piano sound can be
played.
following will appear.
fig.disp-On
1. Turn the volume to the minimum, and press the
[Power] switch to turn off the power.
2. Hold down the [Piano] button, and press the [Power]
switch to turn on the power.
Values
Then, continue to hold down these two buttons for a few
seconds.
OFF
This is the standard tuning curve. This is the right
choice when using Dual performance (p. 16), or
when playing in ensemble with other instruments.
The following display will appear.
fig.disp—-
On
This tuning curve expands the bass and treble
ends somewhat. It is suitable for performances
such as piano solos. This setting is in effect when
you turn on the power.
Power-up default setting On
All buttons are disabled.
Adjust the volume.
→ This effect works only with the piano tones.
When you play the keyboard, the grand piano sound
will be heard.
To defeat the Panel Lock function, turn the volume
down to the minimum, and turn on the power once
again.
the left-hand keyboard area
When you are using Split performance (p. 17), you can apply
the damper pedal effect to the sound played by the left-hand
keyboard range.
If you press the [Organ] button in step 2 of “Making
Detailed Settings (Function)” (p. 33), a display like the
following will appear.
fig.disp-Off
Values
On
The damper pedal effect will be applied to the
sound of the left and right hand keyboard area.
OFF
The damper pedal effect will not be applied to the
sound of the left-hand keyboard area.
Power-up default setting OFF
35
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Chapter 6. Connecting External Devices
❍ Use the following procedure when turning on the power.
Connecting to Audio Equipment
You can connect audio devices to play the sound of the HP-
1. Turn on the power of the connected device.
7/3 through the speakers of your audio system, or to record
2. Turn on the power of the HP-7/3.
your performance on a tape recorder or other recording
3. Adjust the volume of each device.
device.
When connecting, please use an audio cable with a standard
phone plug (sold separately).
Turning off the power
1. Set the volume of the HP-7/3 and of the connected
Connection examples
devices to the minimum position.
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
2. Turn off the power to the HP-7/3.
3. Turn off the connected equipment.
Playing the sound of the HP-7/3 through the
speakers of an audio system/Recording the
performance of the HP-7/3 on a recording device
Connecting to a Computer
You can use a USB MIDI interface cable (sold separately) to
connect the HP-7/3 to your computer.
fig.audio1.e
Input R/L
(Line In, Aux In)
If the HP-7/3 is connected to a computer in which sequencer
software such as Roland’s “Visual MT” is installed, a song
you’ve recorded on the HP-7/3 can be saved on your
computer.
HP-7/3
Connection examples
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
❍ Use the following procedure when turning on the power.
1. Turn on the power of the HP-7/3.
*
In order to make connections to your computer, you must install
“MIDI driver” software on your computer. For details, refer to the
owner’s manual for your MIDI interface.
2. Turn on the power of the connected device.
3. Adjust the volume of each device.
When Recording HP-7/3 Performances on a Recording
Device
Use a USB MIDI interface cable to connect the USB
connector of your computer to the MIDI connectors of
the HP-7/3.
4. Start recording with the connected device.
5. Perform on the HP-7/3.
fig.comp.e
USB Connector
of your Computer
6. When the performance ends, stop recording on the
connected equipment.
UM-1 etc.
MIDI IN
Computer
HP-7/3
Playing the sound of an audio device through the
speakers of the HP-7/3
fig.audio2.e
MIDI OUT
Output R/L
(Line Out, Aux Out)
HP-7/3
36
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Chapter 6. Connecting External Devices
Perform on the HP-7/3 to play a MIDI sound
generator
fig.midi1.e
Connecting MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control the performances on one
device from the other. For instance, you can output sound
from the other instrument or switch tones on the other
instrument.
Sound Module
MIDI
THRU
OUT
IN
HP-7/3
■ What’s MIDI?
MIDI stands for Musical Instrument Digital Interface, an
international standard which allows performance
information to be communicated among electronic musical
instruments and computers.
The HP-7/3 provides MIDI connectors, which allow
performance data to be exchanged with external devices.
When these connectors are used to connect the HP-7/3 to
external devices, an even wider range of possibilities
becomes available.
Making MIDI-related Settings
Here’s how you can set the transmit channel and other MIDI-
related settings.
How to enter function mode
*
A separate publication titled “MIDI Implementation” is also available.
It provides complete details concerning the way MIDI has been
implemented on this unit. If you should require this publication (such
as when you intend to carry out byte-level programming), please
contact the nearest Roland Service Center or authorized Roland
distributor.
1. Hold down the [Game] button, and press the [Key
Touch] button.
The indicators of the buttons you pressed will blink, and
you will enter function mode.
The display will indicate the value of the currently
selected function.
Connection examples
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
Setting various functions
2. Press the button to which the desired function is
assigned.
Playing the HP-7/3 from a MIDI sequencer/
Recording an HP-7/3 performance on a MIDI
sequencer
fig.midi2.e
The indicator of the button you pressed will blink.
For details on the contents of each function, refer to the
explanations that follow.
MT Series
3. Press the [+] or [-] button to change the value.
* MT-90s/80s has no MIDI Out connector.
If you press the [+] and [-] buttons simultaneously, the
setting will return to the original value.
Out
MIDI
In
How to exit function mode
HP-7/3
4. Press either the [Game] button or [Key Touch] button.
The button’s indicator will return to the previous state.
*
Set Local Off if you have connected the HP-7/3 to a MIDI sequencer.
Refer to “Switching Local Control on and off” (p. 38). Also set your
MIDI sequencer to MIDI Thru mode (so that messages received at
MIDI IN will be re-transmitted without change from MIDI OUT).
For details, refer to the owner’s manual of your MIDI sequencer.
37
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Chapter 6. Connecting External Devices
fig.localoff.e
■ MIDI send channel settings
No sound produced
Sound Generator
MIDI features sixteen MIDI channels, numbered 1–16.
Simply connecting a cable is not enough for communication
to take place. The connected devices must be set to use the
same MIDI channels. Otherwise, no sound will be produced,
and no sounds can be selected.
Local Off
*
When a Roland MT series instrument is connected, it is not necessary
to make the Local Off setting. MT units transmit Local Off messages
when their power is switched on. If you turn on the power in the order
of the HP-7/3 → MT series, Local Off will be set automatically.
*
*
The HP-7/3 receives all channels 1–16.
If you are using Dual performance (p. 16) or Split performance (p. 17)
on the HP-7/3, only the channel you specify here will be transmitted.
If you press the [Strings] button in step 2 of “Making MIDI-
If you press the [Variation] button in step 2 of “Making
related settings,” a display like the following will appear.
fig.disp-1
MIDI-related settings,” a display like the following will
appear.
fig.disp-on
Value
1–16
1
Power-up default setting
Value
On, OFF
Power-up default setting On
■ Switching Local Control on and
off
■ Transmitting a performance
When connecting a MIDI sequencer, set Local Control to
“Off.”
you recorded
If you want to transmit a performance recorded on the HP-7/
3 to an external MIDI device or computer, turn this setting
“On.” If this is “Off,” the data will not be transmitted.
As illustrated, information describing what has been played
on the keyboard is passed to the internal sound generator
over two different routes, (1) and (2). As a result, you hear
overlapping or intermittent sounds. To prevent this from
happening, route (1) must be severed, by setting the unit to
If you press the [
(Play)] button in step 2 of “Making
MIDI-related settings,” a display like the following will
appear.
fig.disp-Off
what is known as “Local Off.”
fig.localcont.e
Local On
(1)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
Generator
Value
On, OFF
MIDI
OUT
MIDI
IN
Power-up default setting OFF
(2) Thru function On
If you wish to save the performance, use the following
procedure. In this situation, your external sequencer is set its
MIDI Thru feature to be OFF. For details, refer to the owner’s
manual of your MIDI sequencer.
Each note played
is sounded twice
Local Control ON: The keyboard and the internal sound
generator are in a linked state.
fig.localon.e
1
2
3
4
5
6
Connect a MIDI sequencer such as the MT series (p. 37).
Record the performance on the HP-7/3 (p. 27).
Set this setting to “On.”
Sound is emitted
Sound Generator
Local On
Start recording with the connected MIDI device.
Start playback of the recorded song on the HP-7/3.
When playback ends, stop recording with the connected
MIDI device.
Local Control OFF: The keyboard and the internal sound
generator are in an unlinked state. No sound will be
produced by the keyboard when it is played.
7
Use a connected MIDI sequencer to save the data on a
floppy disk or other media.
38
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Appen
dices
If you think there’s a problem, read this first.
Case
Cause/Remedy
Have you set Transpose? (p. 22)
Case
of the keyboard or
song is off
Are the settings for the “Temperament” and
“Stretch Tuning” correct? (p. 34)
The power doesn’t
come on
Is the power cord connected and plugged in
correctly? (p. 10)
Is the setting for the “Master Tuning” correct?
(p. 34)
The button doesn’t
work
Is the panel locked? (p. 35)
Turn the power off, then back on.
Song doesn’t play
back/ Only the
Are the indicator for the Track buttons ([1] and
[2] buttons) extinguished? (p. 26)
Is the volume level of the HP-7/3 turned all the
way down? (p. 12)
sound of a particular If the button indicator is out, the music on that
Are headphones plugged in? (p. 11)
Has a plug remained connected to the Phones
jack?
track is not heard. Press the track button so the
indicator is illuminated.
instrument in a song
does not play
It is not possible to sound the rhythm while a
built-in song is playing back or recording.
No sound is heard
When headphones are connected, the key-
board’s speaker stops playing.
Rhythm doesn’t
sound
A performance that was recorded without us-
ing rhythm cannot be played back with the
rhythm.
Is Local Off selected?
When Local Control is set to OFF, no sound is
produced by playing the keyboard. Set Local
Control to “ON” (p. 38)
Metronome doesn’t
A performance you’ve recorded using rhythm
cannot be played back with the metronome.
Have all devices been switched on?
No sound is heard
(when a MIDI instru-
ment is connected)
Has one of the track buttons for recording been
selected? (p. 29–p. 31)
Are the MIDI cables connected correctly?
Can’t record
Does the MIDI channel match the connected in-
strument? (p. 38)
If you select an built-in song in which the tem-
po changes during the song, and then record,
the tempo will change in the same way for the
performances. The tempo of the metronome
will also change in the same way.
Is the HP-7/3 in Dual performance? (p. 16)
Sounds are heard
twice (doubled)
when the keyboard
is played
When the HP-7/3 is connected to an external
sequencer, set it to the Local OFF mode (p. 38).
Alternatively, the sequencer could be set so its
MIDI Thru feature is OFF.
Tempo of recorded
song or metronome
is off
If you record additional material without eras-
ing the previously recorded song, the song will
be recorded at the first-recorded tempo. Please
erase the previously recorded song before you
re-record. (p. 32)
If you use Dual performance or Split perfor-
ber 3 or 4 is selected, tone number 1 will be
selected for that Tone button (p. 15).
The tone has
changed in the Split
or Dual perfor-
mance
leted when the power to the HP-7/3 is turned
off. A performance cannot be restored once it’s
been deleted.
The recorded per-
formance has dis-
appeared
Some tones assign the tone that had been se-
lected before you pressed the [Split] button to
the left hand area of the keyboard. Please refer
to “Tone List” (p. 41).
Depressing a pedal
has no effect, or the
pedal effect doesn’t
stop
Is the pedal connected correctly?
Make sure the pedal cord extending from the
stand is securely connected to the pedal jack on
the rear of the unit (p. 10).
Is the panel locked? (p. 35)
Turn the power off, then back on.
Are the indicators for the [Game] and [Key
Touch] buttons flashing?
Tone doesn’t
change
Adjust the adjuster underneath the pedal so
that the pedal presses firmly against the floor
surface (p. 12).
Setting of functions is in progress. Press the
[Game] or [Key Touch] button to exit function
mode (p. 33, p. 37).
The pedal rattles
Since the HP-7/3’s piano sounds faithfully re-
produce the sense of spaciousness and reverber-
ation of an actual acoustic piano’s sound, a
certain amount of reverberation is still percepti-
ble, even with the reverb effect deactivated.
The maximum number of notes that the HP-7/
3 can play simultaneously is 64.
Reverberation still
audible even with
Reverb turned off
Not all played notes
are sounded
Frequent use of the damper pedal when play-
ing along with a song may result in perfor-
mance data with too many notes, causing some
notes to drop out.
39
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Appendices
Case
Cause/Remedy
Case
Cause/Remedy
On an acoustic piano, notes in the upper one
and a half octaves of the keyboard continue to
sound until they decay naturally, regardless of
the damper pedal. There is a difference in the
timbre as well. Roland pianos faithfully simu-
late such characteristics of the acoustic piano.
On the HP-7/3, the range that is unaffected by
the damper pedal will change depending on
the Key Transpose setting.
When listening through speakers:
Playing at loud volumes may cause instru-
ments near the HP-7/3 to resonate. Reso-
nation can also occur with fluorescent light
tubes, glass doors, and other objects. In
particular, this problem occurs more easily
when the bass component is increased, and
when the sound is played at higher vol-
umes. Use the following measures to sup-
press such resonance.
In the upper range,
the sound changes
abruptly beyond a
certain key
The bass range
sounds odd, or
there is a vibrating
resonance
When listening through headphones:
Some of the more flamboyant and efferves-
cent piano tones feature an ample high-end
component, which may make the sound
appear to have metallic reverberation add-
ed. Since this reverberation becomes par-
ticularly audible when supplemented by
heavy reverb, you may be able to diminish
the problem by reducing the amount of re-
verb applied to the sound.
• Place speakers so they are 10–15 cm from
walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any reso-
nating objects.
When listening through headphones:
Here, a different cause (such as resonance
produced by the HP-7/3) would be sus-
pect. Consult your Roland dealer or near-
est Roland Service Center.
A High-pitched
whine is produced
When listening through speakers:
Here, a different cause (such as resonance
produced by the HP-7/3) would be sus-
pect. Consult your Roland dealer or near-
est Roland Service Center.
The volume level of
the instrument con-
nected to Input
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not contain a
resistor.
jacks is too low
Display
Meaning
USr
User. Stores recorded performances (p. 28).
The “.” in the display indicates that there is performance material already re-
corded (p. 28).
Usr.
d.
r.
Built-in song number (p. 13).
Rhythm number (p. 20).
This appears when a song with a pickup (a song that does not start on the first
beat) is played back.
PU
dEL
E.32
This appears when you attempt to delete a recorded song (p. 27, p. 32).
The amount of performance information is too large, and further recording is
not possible.
A problem such as a loose MIDI cable occurred. Make sure the MIDI cables
are correctly hooked up.
E.41
*
Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message.
40
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Tone List
[Split] Off
[Split] On
[Variation]
Button name
Tone
[Variation] Dark
[Variation] Red
[Variation] Green
Grand Piano1
/Acoustic Bass &
Cymbal ❉
Grand Piano1
Grand Piano1
/Strings
Dark
Red
Grand Piano1
/Acoustic Bass ❉
Grand Piano2
/Acoustic Bass &
Cymbal ❉
Grand Piano2
Grand Piano2
/Strings
[Piano]
Grand Piano2
/Acoustic Bass ❉
Green
Piano + Strings
Piano + Choir
Orange
Electric Piano1
Electric Piano1
Electric Piano1
/Strings
Dark
Red
Electric Piano1
Electric Piano2
/Electric Bass ❉
/Acoustic Bass ❉
Electric Piano2
Electric Piano2
Electric Piano2
/Strings
[E. Piano]
/Electric Bass ❉
/Acoustic Bass ❉
Green
Vibraphone
Orange
Electric Piano+Choir
Harpsichord
/Strings
Harpsichord
/Organ Flute
Harpsichord
Dark
Red
Harpsichord
Organ Flute
/Acoustic Bass ❉
Organ Flute
/Organ Bass
Organ Flute
/Strings
Organ Flute
/Choir
[Harpsi-
chord]
Green
Harpsichord + Strings
Harpsichord + Choir
Orange
Church Organ
/Organ Bass
Church Organ
/Strings
Church Organ
/Choir
Dark
Red
Church Organ
Rotary Organ
Rotary Organ
/Lower Organ
Rotary Organ
Jazz Organ
[Organ]
[Strings]
/Electric Bass ❉
/Rotary Organ
Green
Organ + Strings
Organ + Choir
Orange
Strings
Strings
/Choir
Oboe
Dark
Red
Strings
/Pizzicato
/Strings
Slow Strings
/Pizzicato
Slow Strings
/Choir
Flute
Slow Strings
/Slow Strings
Green
Strings + Choir
Strings + Brass
Orange
Jazz Scat
Jazz Scat
Jazz Scat
/Choir
Dark
Red
Jazz Scat
Choir
/Voice Bass
/Acoustic Bass ❉
Choir
Choir
[Voice]
(HP-7 only)
/Strings
/Church Organ
/Organ Flute
Green
Choir + Harp
Choir + Bell
Orange
*
*
A+B: simultaneously playing two tones
A/B: A, the right-hand tone; and B, the left-hand tone in Split performance
❉ indicates a tone that will not be applied the chorus effect (p. 21).
41
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Built-in Song List
Song
Song Name
No.
Composer
Copyright
d. 1
1ére Arabesque
C. Debussy
© 1995 Roland Corporation
© 2002 Roland Corporation
F. Chopin/
d. 2
Late Night Chopin
Arranged by John Maul
d. 3
Sonate für Klavier No. 15
Fly Free
W. A. Mozart
J. Maul
© 1996 Roland Corporation
© 1998 Roland Corporation
© 2001 Roland Corporation
© 2001 Roland Corporation
© 1997 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 2001 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1995 Roland Corporation
© 1997 Roland Corporation
© 1995 Roland Corporation
© 1998 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 1995 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
d. 4
d. 5
Liebesträume III
Étude, op.10-3
F. Liszt
d. 6
F. Chopin
d. 7
Je te veux
E. Satie
d. 8
Valse, op.64-1
F. Chopin
d. 9
Golliwog’s Cake walk
Fantaisie-Impromptu
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
C. Debussy
F. Chopin
d. 10
d. 11
d. 12
d. 13
d. 14
d. 15
d. 16
d. 17
d. 18
d. 19
d. 20
d. 21
d. 22
d. 23
d. 24
d. 25
d. 26
d. 27
d. 28
d. 29
d. 30
d. 31
d. 32
d. 33
d. 34
d. 35
d. 36
d. 37
d. 38
d. 39
d. 40
d. 41
d. 42
d. 43
d. 44
J. Strauss
F. Mendelsshon
F. Chopin
1ère Gymnopédie
Étude, op.25-1
E. Satie
F. Chopin
Clair de Lune
C. Debussy
F. Chopin
Étude, op.10-5
Doctor Gradus ad Parnassum
Grande Valse Brillante
La prière d'une Vierge
Course en Troïka
To The Spring
C. Debussy
F. Chopin
T. Badarzewska
P. Tchaikovsky
E. Grieg
Valse, op.64-2
F. Chopin
Radetzky Marsch
Träumerei
J. Strauss
R. Schumann
F. Schubert
F. Chopin
Moments Musicaux III
Prélude, op.28-15
The harmonious blacksmith
Ungarische Tänze V
Türkischer Marsch (Beethoven)
Nocturne No.2
G. Handel
J. Brahms
L. v. Beethoven
F. Chopin
Frühlingslied
F. Mendelsshon
J. S. Bach
Präludium
Jägerlied
F. Mendelsshon
M. Ravel
Menuet Antique
Für Elise
L. v. Beethoven
W. A. Mozart
F. Schubert
A. Dvorjak
G. Lange
Türkischer Marsch (Mozart)
Ständchen
Humoreske
Blumenlied
Alpenglöckchen
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
T. Oesten
L. v. Beethoven
F. Mendelsshon
T. Oesten
42
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Appendices
Song
No.
Song Name
Composer
Copyright
d. 45
d. 46
d. 47
d. 48
d. 49
d. 50
d. 51
d. 52
d. 53
d. 54
d. 55
d. 56
d. 57
d. 58
d. 59
d. 60
d. 61
d. 62
Farewell to the Piano
Brautchor
L. v. Beethoven
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1992 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
W. Wagner
W. Anderson
C. Czerny
Battle of Waterloo
Wiener Marsch
Le Coucou
L. C. Daquin
J. S. Bach
Menuett G dur (Bach)
Spinnerlied
A. Ellmenreich
F. Gossec
Gavotte
Heidenröslein
Zigeuner Tanz
La Cinquantaine
Csikos Post
G. Lange
H. Lichner
G. Marie
H. Necke
Dolly’s Dreaming Awakening
La Violette
T. Oesten
L. Streabbog
R. Schumann
M. Clementi
F. Kuhlau
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
L. v. Beethoven
Hungarian Rag: Hungarian Dance No. 5 Ragtime Arrangement For
Solo Piano
J. Brahms/
d. 63
d. 64
d. 65
© 1996 Roland Corporation
© 1998 Roland Corporation
© 2000 Roland Corporation
Arranged by John Maul
Paganoogie Variation: Jazz Variation Based on “Caprice No. 24 in A
Minor”
N. Paganini/
Arranged by John Maul
Masashi &
L'éveil del l'amour
Kazuko Hirashita
*
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
43
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Rhythm List
Rhythm
No.
Rhythm
No.
Beat
Rhythm Name
Beat
Rhythm Name
r. 1
r. 2
r. 3
r. 4
r. 5
r. 1
r. 1
r. 2
r. 3
r. 4
r. 5
r. 6
r. 1
r. 2
r. 3
r. 4
r. 5
r. 6
r. 7
r. 8
2/2 March
r. 1
16-beat 1
2/2 Swing
r. 2
8-beat 1
2/2 Voice (Japanese)
2/2 Voice (English)
2/2 Animal
r. 3
8-beat 2
2/2
0/4
r. 4
8-beat 3
r. 5
16-beat 2
r. 6
16-beat 3
Stick
r. 7
Rock
2/4 March
r. 8
Rock2
2/4 Country
Samba
r. 9
4/4 Swing
4/4 Shuffle
4/4 Triplet
Tango
4/4
2/4
r. 10
r. 11
r. 12
r. 13
r. 14
r. 15
r. 16
r. 17
r. 18
r. 1
2/4 Voice (Japanese)
2/4 Voice (English)
2/4 Animal
Mambo
Waltz
House
Country Waltz
3/4 Gospel
Bossa Nova
4/4 Voice (Japanese)
4/4 Voice (English)
4/4 Animal
5/4
Waltz2
3/4
Jazz Waltz
3/4 Voice (Japanese)
3/4 Voice (English)
3/4 Animal
5/4
6/4
7/4
r. 1
6/4
r. 1
7/4
r. 1
3/8
r. 2
3/8 Voice (Japanese)
3/8 Voice (English)
3/8 Animal
6/8 Ballad
6/8 March
6/8 Swing
6/8 Voice (Japanese)
6/8 Voice (English)
6/8 Animal
9/8
3/8
r. 3
r. 4
r. 1
r. 2
r. 3
6/8
r. 4
r. 5
r. 6
r. 1
9/8
r. 1
12/8
12/8
44
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Easy Operation List
3
4
7
5
6
1
2
6
4
3
2
1
5
HP-7
No.
You want to
Buttons
Page
Press the [Game] and [Key Touch] buttons simultaneously, and press the [●] button.
[Game] + [Key Touch] → [Piano]
p. 34
p. 34
p. 35
p. 35
Master Tuning
1
2
3
4
Selecting a temperament
Specifying the keynote
[Game] + [Key Touch] → [E. Piano]
→ [E. Piano] + key
[Game] + [Key Touch] → [Harpsichord]
Stretch tuning
Applying the damper pedal to the left-hand
keyboard area
[Game] + [Key Touch] → [Organ]
[Game] + [Key Touch] → [Strings]
p. 38
p. 38
p. 38
MIDI send channel settings
Local Control
5
6
7
[Game] + [Key Touch] → [Variation]
Transmitting a recorded performance
[Game] + [Key Touch] → [
(Play)]
Hold down the [ ] button and press the [-] or [+] button.
p. 19
p. 20
Beat of metronome/rhythm
[
[
(Rhythm)/Beat] + [-] [+]
(Metronome)] + [-] [+]
1
p. 19
p. 21
p. 21
p. 33
Metronome/rhythm volume
Depth of the Chorus effect
Depth of the Reverb effect
Damper pedal’s resonance level
2
3
4
5
[Chorus] + [-] [+]
[Reverb] + [-] [+]
[Reverb] + [Chorus] + [-] [+]
Press the [ ] button, and press the [-] or [+] button.
[Transpose] + [Split] → [-][+]
p. 16
Dual Balance
6
Hold down the [Split] or [Transpose] button and press the key.
[Split] + key
p. 18
p. 22
Split Point
[Transpose] + key
Key Transpose
45
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MIDI
Implementation
Chart
Appendices
DIGITAL PIANO
Model HP-7/3
Date : Dec. 1, 2001
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
x
Mode
**************
Note
Number :
15–113
**************
0–127
15–113
True Voice
Note ON
Note OFF
O
x
O
x
Velocity
8n v=64
After
Touch
Key’s
Ch’s
x
x
x
x
Pitch Bend
x
x
6, 38
O
x
O
O
O
O
O
O
O
O
O
Data entry
7
Volume
11
x
Expression
Hold 1
Sostenuto
Soft
Effect 1 (Reverb)
Effect 3 (Chorus)
RPN LSB, MSB
64
66
O
O
O
O
O
O
Control
Change
67
91
93
100, 101
Prog
Change
O (*1)
**************
O (0–127)
0...119
: True Number
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
x
x
x
x
x
x
x
x
O
x
x
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–127)
O
x
Notes
*1 0...119 (HP-7), 0...117 (HP-3)
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
46
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Main Specifications
Keyboard
88 keys Progressive Hammer Action Keyboard (HP-3)
Keyboard
88 keys Progressive Hammer Action Keyboard with Escapement (HP-7)
Preset 4 Levels
Touch Sensitivity
Keyboard Mode
Sound Generator
Max. Polyphony
Whole, Dual (adjustable dual balance), Split (adjustable split point)
64 voices
6 groups 24 variations (HP-7)
Tones
5 groups 20 variations (HP-3)
Temperament
Stretched Tuning
Master Tuning
Transpose
Effects
7 types, selectable tonic
2 types
415.3 Hz–466.2 Hz (0.1 Hz Step)
Key Transpose (-6–+5 Half-steps)
Reverb (8 levels), Chorus (8 levels), Sympathetic Resonance (for Piano only, 8 levels)
Metronome & Rhythm
Beat
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Volume
8 levels
Rhythm Patterns
Recorder
Tracks
53 Patterns
2 tracks
Song
1 song
Note Storage
Tempo
Approx. 5,000 notes
Quarter note = 20–250
Resolution
Control
96 ticks per quarter note
Play/Stop, Rec, Tempo, All Song Play, Track Select
65 songs
Preset Songs
Others
40 W x 2 (HP-7)
Rated Power Output
Speakers
25 W x 2 (HP-3)
16 cm x 2 (with speaker box), 5 cm x 2 (HP-7)
16 cm x 2 (HP-3)
Display
7-segment, 3-digit LED
Control
Volume, Brilliance
Pedals
Damper (half-pedal recognition: HP-7), Soft (half-pedal recognition: HP-7), Sostenuto
Panel Lock, Game, Lid (HP-7), Hammer Response (HP-7)
Other Functions
Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphone jack x 2 (Stereo),
MIDI In/MIDI Out connectors, Pedal connector
Connectors
Power supply
AC 117 V/AC 230 V/AC 240 V
80 W (HP-7)
Power Consumption
45 W (HP-3)
1,445 (W) x 524 (D) x 872 (H) mm/56-15/16 (W) x 20-11/16 (D) x 34-3/8 (H) inches (HP-7/3)
1,445 (W) x 524 (D) x 1,085 (H) mm/56-15/16 (W) x 20-11/16 (D) x 42-3/4 (H) inches
(including music stand: HP-7)
Dimensions
(including piano stand)
1,445 (W) x 524 (D) x 1,083 (H) mm/56-15/16 (W) x 20-11/16 (D) x 42-11/16 (H) inches
(including music stand: HP-3)
75.0 kg/165 lbs 6 oz (HP-7)
Weights
(including Piano Stand)
66.0 kg/145 lbs 9 oz (HP-3)
Accessories
Owner’s manual, AC cord, Roland 60 Classical Piano Masterpieces
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
47
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A
Adjuster .......................................................................... 12
All Song Play .................................................................. 13
B
[Brilliance] knob ............................................................ 12
Built-in song ................................................................... 13
All songs continuously ........................................... 13
C
Count-In .......................................................................... 25
R
D
Along with a song .................................................... 30
Damper pedal
Damper pedal .......................................................... 12, 35
Dual balance ................................................................... 16
E
Amount of effect applied ........................................ 21
Erase ................................................................................ 32
Soft pedal ........................................................................ 12
F
Function .......................................................................... 33
G
Game ............................................................................... 14
H
Tempo ................................................................. 18, 20, 25
Tone group ..................................................................... 15
Tuning Curve ................................................................. 35
K
L
M
V
Master Tuning ............................................................... 34
Metronome ..................................................................... 18
MIDI ................................................................................ 37
MIDI channel ................................................................. 38
MIDI devices .................................................................. 37
Music holder .................................................................. 11
Music stand .................................................................... 10
Variation tone ................................................................ 15
Volume
Metronome/Rhythm ............................................... 19
[Volume] knob ............................................................... 12
48
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MEMO
49
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as
shown below.
MEXICO
IRELAND
PHILIPPINES
IRAN
AFRICA
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.
MEXICO
Roland Ireland
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
MOCO, INC.
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (55) 5668-6699
TEL: (02) 899 9801
TEL: (021) 285-4169
PANAMA
SINGAPORE
ISRAEL
ITALY
TEL: 20-2-417-1828
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE PANAMA
TEL: 315-0101
Swee Lee Company
150 Sims Drive,
Halilit P. Greenspoon &
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
Sons Ltd.
REUNION
SINGAPORE 387381
TEL: 6846-3676
8 Retzif Ha’aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
CRISTOFORI MUSIC PTE
PARAGUAY
NORWAY
LTD
Distribuidora De
JORDAN
Roland Scandinavia Avd.
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
REUNION ISLAND
TEL: (0262) 218-429
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (021) 492-124
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
SOUTH AFRICA
TAIWAN
That Other Music Shop
TEL: 2273 0074
ROLAND TAIWAN
(PTY) Ltd.
11 Melle St., Braamfontein,
Johannesbourg, SOUTH AFRICA
KUWAIT
URUGUAY
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung Shan
N.Road Sec.2, Taipei, TAIWAN,
R.O.C.
Easa Husain Al Yousifi Est.
Abdullah Salem Street,
Safat, KUWAIT
POLAND
Todo Musica S.A.
Francisco Acuna de Figueroa 1771
C.P.: 11.800
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
P.O.Box 32918, Braamfontein 2017
Johannesbourg, SOUTH AFRICA
TEL: (011) 403 4105
TEL: 243-6399
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 2561 3339
LEBANON
THAILAND
Paul Bothner (PTY) Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
Chahine S.A.L.
PORTUGAL
VENEZUELA
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
Gerge Zeidan St., Chahine Bldg.,
Achrafieh, P.O.Box: 16-5857
Beirut, LEBANON
Tecnologias Musica e Audio,
Roland Portugal, S.A.
Cais Das Pedras, 8/9-1 Dto
4050-465 PORTO
Musicland Digital C.A.
Av. Francisco de Miranda,
Centro Parque de Cristal, Nivel
C2 Local 20 Caracas
TEL: (01) 20-1441
P.O.BOX 23032, Claremont 7735,
SOUTH AFRICA
TEL: (021) 674 4030
PORTUGAL
TEL: (022) 608 00 60
VIETNAM
VENEZUELA
TEL: (212) 285-8586
QATAR
Saigon Music
Al Emadi Co. (Badie Studio
& Stores)
Suite DP-8
ROMANIA
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
Tel: (08) 930-1969
P.O. Box 62, Doha, QATAR
TEL: 4423-554
ASIA
FBS LINES
EUROPE
Piata Libertatii 1,
535500 Gheorgheni, ROMANIA
TEL: (266) 364 609
CHINA
SAUDI ARABIA
AUSTRIA
Roland Shanghai Electronics
aDawliah Universal
AUSTRALIA/
NEW ZEALAND
Roland Austria GES.M.B.H.
Siemensstrasse 4, P.O. Box 74,
A-6063 RUM, AUSTRIA
Co.,Ltd.
RUSSIA
Electronics APL
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
MuTek
Corniche Road, Aldossary Bldg.,
1st Floor, Alkhobar,
SAUDI ARABIA
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
TEL: (0512) 26 44 260
AUSTRALIA
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 Anhuaxili
Chaoyang District, Beijing 100011
CHINA
Roland Corporation
Australia Pty., Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
BELGIUM/HOLLAND/
LUXEMBOURG
Roland Benelux N. V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SPAIN
Roland Electronics
de Espa a, S. A.
Calle Bolivia 239, 08020
Barcelona, SPAIN
TEL: (93) 308 1000
SYRIA
TEL: (02) 9982 8266
Technical Light & Sound
TEL: (010) 6426-5050
Center
NEW ZEALAND
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie Yi
Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
Tel: (020) 8736-0428
Khaled Ebn Al Walid St.
Bldg. No. 47, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
Roland Corporation Ltd.
32 Shaddock Street, Mount Eden,
Auckland, NEW ZEALAND
TEL: (09) 3098 715
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
TEL: (2) 666 10529
TURKEY
CENTRAL/LATIN
AMERICA
Ant Muzik Aletleri Ithalat
DENMARK
Ve Ihracat Ltd Sti
Siraselviler Caddesi Siraselviler
Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2499324
HONG KONG
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
SWITZERLAND
Tom Lee Music Co., Ltd.
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
TEL: 3916 6200
SWITZERLAND
TEL: (061) 927-8383
U.A.E.
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TEL: 2415 0911
FRANCE
Zak Electronics & Musical
Roland France SA
UKRAINE
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai, U.A.E.
TEL: (04) 3360715
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
4, Rue Paul Henri SPAAK,
Parc de l’Esplanade, F 77 462 St.
Thibault, Lagny Cedex FRANCE
TEL: 01 600 73 500
TIC-TAC
BRAZIL
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo, UKRAINE
TEL: (03131) 414-40
Roland Brasil Ltda
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
FINLAND
INDIA
NORTH AMERICA
Roland Scandinavia As,
Filial Finland
UNITED KINGDOM
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra Mahalaxmi
Flats Compound Off. Dr. Edwin
Moses Road, Mumbai-400011,
INDIA
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
Elannontie 5
CANADA
COSTA RICA
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Roland Canada Music Ltd.
JUAN Bansbach
(Head Office)
Instrumentos Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
UNITED KINGDOM
TEL: (01792) 702701
TEL: (022) 2493 9051
5480 Parkwood Way Richmond
B. C., V6V 2M4 CANADA
TEL: (604) 270 6626
GERMANY
Roland Elektronische
INDONESIA
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
Roland Canada Music Ltd.
CHILE
MIDDLE EAST
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
Comercial Fancy S.A.
Rut.: 96.919.420-1
TEL: (040) 52 60090
INDONESIA
TEL: (021) 6324170
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
BAHRAIN
GREECE
Moon Stores
KOREA
TEL: (905) 362 9707
STOLLAS S.A.
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
U. S. A.
EL SALVADOR
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: 211 005
OMNI MUSIC
75 Avenida Norte y Final
CYPRUS
Alameda Juan Pablo
Edificio No.4010 San Salvador,
EL SALVADOR
,
MALAYSIA
HUNGARY
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (323) 890 3700
BENTLEY MUSIC SDN BHD
140 & 142, Jalan Bukit Bintang
55100 Kuala Lumpur,MALAYSIA
TEL: (03) 2144-3333
Roland East Europe Ltd.
Warehouse Area DEPO Pf.83
H-2046 Torokbalint, HUNGARY
TEL: (23) 511011
TEL: 262-0788
TEL: (022) 66-9426
As of November 1, 2003 (Roland)
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For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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Contents
Name
No.
1
Qty.
Instrument
1
1
1
1
1
2
Music Stand (HP-3 only)
Manual Set
3
4
AC Cord Set
5
Collection of Printed Music
5
HP-3
3
2
4
1
5
3
HP-7
4
1
This owner’s manual is printed on recycled paper.
02891323
’04-2-7N
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