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Thank you, and congratulations on your choice of the
Roland Percussion Sound Module TD-9.
Before using this unit, carefully read the sections entitled:
“USING THE UNIT SAFELY” and “IMPORTANT NOTES”
(Owner’s manual p. 4–5; p. 6–7). These sections provide
important information concerning the proper operation of
the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by
your new unit, Quick start and Owner’s manual should be
read in its entirety.
The manual should be saved and kept on hand as a
convenient reference.
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be
reproduced in any form without the written permission of
ROLAND CORPORATION.
3
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
002c
008c
•
Do not open (or modify in any way) the unit or its
AC adaptor.
•
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
................................................................................................
003
•
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all
servicing to your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
................................................................................................
008e
•
Use only the attached power-supply cord. Also, the
supplied power cord must not be used with any
other device.
................................................................................................
004
•
Never use or store the unit in places that are:
................................................................................................
009
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors); or
are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
•
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
................................................................................................
010
•
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level
that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should immediately
stop using the unit, and consult an audiologist.
• Subject to high levels of vibration.
................................................................................................
005
•
This unit should be used only with a rack or stand
that is recommended by Roland.
................................................................................................
................................................................................................
011
006
•
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
•
When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need to
make sure that any location you choose for placing
the unit provides a level surface that will properly
support the unit, and keep it from wobbling.
................................................................................................
................................................................................................
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012b
101b
•
Immediately turn the power off, remove the AC
•
The unit and the AC adaptor should be located so
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
their location or position does not interfere with their
proper ventilation.
................................................................................................
101c
•
This (TD-9) for use only with Roland stand MDS
series. Use with other stands is capable of resulting
in instability causing possible injury.
................................................................................................
102c
•
Always grasp only the plug on the AC adaptor cord
when plugging into, or unplugging from, an outlet
or this unit.
................................................................................................
103b
•
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe all
dust and other accumulations away from its prongs.
Also, disconnect the power plug from the power
outlet whenever the unit is to remain unused for an
extended period of time. Any accumulation of dust
between the power plug and the power outlet can
result in poor insulation and lead to fire.
................................................................................................
013
•
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe
operation of the unit.
................................................................................................
014
................................................................................................
•
Protect the unit from strong impact.
(Do not drop it!)
104
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
................................................................................................
015
................................................................................................
•
Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord’s outlet must never
exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually melt
through.
106
•
Never climb on top of, nor place heavy objects on
the unit.
................................................................................................
107c
•
Never handle the AC adaptor or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
................................................................................................
108b
................................................................................................
•
Before moving the unit, disconnect the AC adaptor
and all cords coming from external devices.
016
•
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
................................................................................................
109b
•
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.
................................................................................................
................................................................................................
110b
•
Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the
outlet.
................................................................................................
118c
•
Keep any caps you may remove and the included
wing bolts in a safe place out of children’s reach, so
there is no chance of them being swallowed
accidentally.
................................................................................................
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IMPORTANT NOTES
Power Supply
Maintenance
301
401a
• Do not connect this unit to same electrical outlet that is being
• For everyday cleaning wipe the unit with a soft, dry cloth or
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine,
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, non-
abrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
402
• Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
302
Repairs and Data
• The AC adaptor will begin to generate heat after long hours
452
of consecutive use. This is normal, and is not a cause for
concern.
• Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up on a USB memory key, or
written down on paper (when possible). During repairs, due
care is taken to avoid the loss of data. However, in certain
cases (such as when circuitry related to memory itself is out
of order), we regret that it may not be possible to restore the
data, and Roland assumes no liability concerning such loss
of data.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
Additional Precautions
• Please be aware that the contents of memory can be
551
352a
• This device may interfere with radio and television
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in
the unit’s memory on a USB memory key.
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems,
you should relocate such wireless devices so they are at a
greater distance from this unit, or switch them off.
552
• Unfortunately, it may be impossible to restore the contents of
data that was stored on a USB memory key once it has been
lost. Roland Corporation assumes no liability concerning
such loss of data.
354a
553
• Do not expose the unit to direct sunlight, place it near
• Use a reasonable amount of care when using the unit’s
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
355b
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
• When moved from one location to another where the
temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
6
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IMPORTANT NOTES
558c
Using USB Memory Key
• Since sound vibrations can be transmitted through floors and
704
walls to a greater degree than expected, take care not to
allow such sound to become a nuisance to neighbors,
especially at night and when using headphones. Although
the drum pads and pedals are designed so there is a
minimal amount of extraneous sound produced when they’re
struck, rubber heads tend to produce louder sounds
compared to mesh heads. You can effectively reduce much
of the unwanted sound from the pads by switching to mesh
heads.
• Carefully insert the USB memory key all the way in—until it
is firmly in place.
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
562
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely
low, or impossible to hear. For information on cable specifi-
cations, contact the manufacturer of the cable.
705
• Never touch the terminals of the USB memory key. Also,
avoid getting the terminals dirty.
708
• USB memory key are constructed using precision compo-
nents; handle the cards carefully, paying particular note to
the following.
• To prevent damage to the cards from static electricity, be
sure to discharge any static electricity from your own
body before handling the cards.
• Do not touch or allow metal to come into contact with the
contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or
vibration.
• Do not keep cards in direct sunlight, in closed vehicles,
or other such locations.
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
• Do not unplug USB memory key from the TD-9 while the USB
memory access indicator is blinking. Doing so may damage
the USB memory key or the data.
• Do not connect any device other than USB memory key to
the USB memory connector.
Some USB memory keys might have a vibration noise
when playing with TD-9.
In that case, it would be better to fix up the USB memory
key with a rubber band, or change it to some Non-Slide
type one, to get rid of the noise.
7
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IMPORTANT NOTES............................................................................................ 6
Jack panel................................................................................................................. 13
Buttons, dial, and knobs.............................................................................................. 14
Preview function......................................................................................................... 15
Connecting your audio equipment................................................................................ 17
Tensioning the pads.................................................................................................... 19
Selecting a drum kit.......................................................................................... 22
Selecting a drum kit.................................................................................................... 22
Pads (e.g., PD-105/PD-85).......................................................................................... 23
Choking a cymbal........................................................................................................... 24
Hi-Hat (CY-5, VH-11) .................................................................................................. 24
Creating a drum kit........................................................................................... 25
Selecting an instrument ............................................................................................... 25
8
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Settings that are copied ................................................................................................... 29
Copying an instrument..................................................................................................... 31
MIDI parameters for each pad & pedal......................................................................... 32
Song Function profile.................................................................................................. 34
Connecting USB memory key....................................................................................... 34
What’s in “SONG” screen............................................................................................... 35
Playing a song........................................................................................................... 35
Selecting a song from USB memory key............................................................................. 35
Using the Repeat function (Repeat) ............................................................................... 37
Connections............................................................................................................... 38
On Board Metronome....................................................................................... 40
Using the metronome.................................................................................................. 40
Metronome parameters............................................................................................... 40
QUICK REC............................................................................................................... 41
Recording together with a song ........................................................................................ 41
Playback ................................................................................................................... 42
Using the Scope function (SCOPE)...................................................................... 43
Viewing the SCOPE screen.......................................................................................... 43
9
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Contents
Detailed settings for trigger parameters [F3] (ADVNCD).................................................. 48
[F1] (SCAN)................................................................................................................... 48
Connecting the VH-11 and making settings on the TD-9....................................................... 50
MIDI-related settings......................................................................................... 51
Using a pad as a switch (Pad Switch)................................................................................ 55
Adjusting the display contrast (LCD Contrast)...................................................................... 55
Setting the preview velocity (Preview Velocity) .................................................................... 55
Saving data to a USB memory key (SAVE) ......................................................................... 56
Loading data from a USB memory key back into the TD-9 (LOAD)......................................... 58
Deleting data from a USB memory key / Formatting a USB memory key (DL/FMT).................. 59
Restoring the factory settings [F3] (RESET)...................................................................... 60
Preset Drum Kit List........................................................................................... 65
Preset Percussion Set List................................................................................... 71
Specifications ................................................................................................... 73
Block Diagram.................................................................................................. 74
Index ............................................................................................................... 76
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TD-9 Components
Top and rear panels
19
21
1
3
2
13
14
15
4
5
9
24
23
10
11
12
6
7
8
16
17
18
22
20
1. POWER button
7. SONG button
Turns the power on/off.
Press this to play back a song or access song-related
settings. The “SONG” screen appears.
2. Display
This shows the drum kit name in “normal” playing mode,
or if you select Edit, Song etc, various graphic/text
displays will appear.
8.
[
] button
Press to play back or stop a song.
9. F1–F3 buttons (function buttons)
3. VOLUME knob
The functions of these buttons will change depending on
the screen that is displayed.
Adjusts the volume from the OUTPUT and PHONES jacks.
The function name for each button is displayed at the
bottom of the screen.
4. QUICK REC button
Use this to record your playing.
10. Cursor buttons (
/
/
/
)
5. QUICK PLAY button
Use these buttons to move the cursor in the screen.
Also used as function buttons when selecting a pad or
playing back a song.
Play back what you recorded.
6. MUTE button
When a song is playing back, use this button to mute
(silence) the drum part.
12
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TD-9 Components
11. + button, - button
17. SCOPE button
Use these buttons to switch drum kits or to edit a value.
Pressing the “+” button increases the value, and pressing
the “-” button decreases it.
This activates the Scope function, allowing you to view
your timing on the screen.
18. KIT button
12. VALUE dial
Press this to access the basic KIT screen, (p. 22) ideal
when just playing the TD-9.
This dial has the same function as the “+” and “-” buttons.
Use the dial when you want to quickly change the drum kit
or value in large steps.
19. USB memory slot
For connecting USB memory key (sold separately).
13. SETUP button
20. PHONES jack
Use this button to make settings that affect the entire TD-9,
such as MIDI, triggering, pad sensitivity etc.
For connecting stereo headphones. Using the headphone
jack will not mute the main OUTPUT jacks.
14. EXIT button
21. TRIGGER INPUT connector
Each time you press this button, you return to the screen of
the previous level. Pressing it several times will take you to
the “DRUM KIT” screen.
Connecting the special cable connects the pads and
pedals to the TD-9.
22. Cable hook
15. SHIFT button
Used to secure the AC adaptor cable.
Used in conjunction with other buttons. When holding it
down, the functions of other buttons will change.
23. Sound module mounting plate attachment holes
Attach the included sound module mounting plate here so
that you can attach the TD-9 to your drum stand.
16. CLICK (TEMPO) button
This starts the Metronome. Holding this button while
holding down the SHIFT button, you can edit various
parameters related to tempo and click.(sound etc)
24. Security Slot (
)
Jack panel
1 2 3 4 5
6
1. DC IN jack
4. MIDI OUT/THRU connector
Connect the included AC adaptor here.
Use this when you want to use the pads to play external
MIDI sound sources or for recording with sequencers (p.
46).
2. OUTPUT jacks (L/MONO, R)
All sounds of the TD-9 are output here. Use for connecting
to an amp or other external audio equipment.
5. MIDI IN connector
Use this for triggering sounds in the TD-9 via a MIDI
sequencer or pad controller (p. 46).
If you’re working in mono, only use the L/MONO jack.
3. MIX IN jack
6. TRIGGER IN jacks (AUX, CRASH2)
For connecting an external audio source such as MP3 or
CD players. All sound input here is also sent from the
OUTPUT and PHONES jacks.
Use these jacks to add more pads.
* To adjust the volume, use the controls of the external
device connected to MIX IN.
13
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Basic concepts and operations of the TD-9
This section explains operations that are common to all of the
TD-9’s functionality.
Function buttons ([F1]–[F3])
The TD-9 has no “Save” function to save your settings. Any
changes you make will be saved when you turn off the power.
* Be sure to turn off the power by pressing the POWER
button (p. 18).
The [F1]–[F3] buttons are called “function buttons.” The bottom
line of the display indicates the name of the functions performed
by [F1]–[F3].
Buttons, dial, and knobs
For example if an explanation in this manual refers to [KIT]-[F2]
(FUNC), this means that you should press [KIT] and then [F2] (in
this case, there will be an indication of “FUNC” above the [F2]
button).
In this manual, references to the panel buttons, knobs and dial
are enclosed in square brackets [ ]; e.g., [SETUP].
Cursor
Using the “+” button, “-” button,
and VALUE dial
Cursor
The [+] and [-] buttons (referred to as [+/-] in this manual) and
VALUE dial (referred to as [VALUE]) are both used to edit
settings.
The cursor is the highlighted text in the screen that indicates
what you can edit.
When this manual tells you to “use [+/-],” you can also use
[VALUE] to get the same result. Each method has the following
characteristics.
If there is more than one editable item in a screen, you can use
the [CURSOR] buttons to move the cursor to the item you want
to edit.
[+/-]
• The value of the setting will increase each time you press
[+], and decrease each time you press [-]. This is
convenient when you want to make fine adjustments.
• When making an on/off setting, press [+] to turn it on or
press [-] to turn it off.
• Shortcut: The value will increase rapidly if you hold down
[+] and press [-], or decrease rapidly if you hold down [-]
and press [+].
• The value will change in larger steps if you press [+/-]
while holding down [SHIFT].
[VALUE] dial
This dial lets you make large changes in a value easily.
Convenient for working with parameters that have broad value
range.
• If you turn the [VALUE] dial while holding down [SHIFT],
the value will change more rapidly.
14
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Basic concepts and operations of the TD-9
By holding down [SHIFT] and pressing [KIT], you can audition a
Setting the Tempo
(for the metronome or song)
sound.
To adjust the tempo, hold down [SHIFT] and press [CLICK
(TEMPO)] the tempo screen appears. Use the [+/-] buttons or
[VALUE] to set the tempo.
To set the preview velocity, use [SETUP]-[F3] (UTIL)-[F1] (UTIL)
(p. 55).
Song playback
When you press [SONG], the “Song” screen appears.
You can select a song using the [+/-] buttons or turning the
[VALUE] dial.
Adjusting the display contrast
The display’s visibility can be affected by surrounding light and
temperature. To adjust the contrast, hold down [KIT] and turn
[VALUE] to the desired setting.
* Display contrast can also be adjusted by pressing [SETUP]-
[F3] (UTIL)-[F1] (UTIL) (p. 55).
Press [
] to play back the song.
] to stop it.
Press again [
The upper right of the display
In the screens where you make adjustments for each pad,
hitting any pad or pedal will access the edit screen for that
pad. The name of the selected pad appears in the upper right
of the display.
Using the Metronome
To start the metronome, press [CLICK (TEMPO)] and the button
lights up.
The “HEAD” or “RIM” indicator tells you whether the settings
are for the head or the rim of that pad.
To turn it off, press [CLICK (TEMPO)] once again, and the
button goes dark.
15
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Getting ready to play
Mounting the TD-9 on the Stand
Labels indicating the pad to be connected are attached to
the cable.
Connect the pads and pedals as shown in the illustration.
1. Attach the included sound module mounting plate to
the TD-9.
Use the included wing bolts to attach the plate as shown in
the illustration.
* Use only the included wing boits. Using any other nuts
may cause malfunction.
* You must use the TD-9 with the sound module mounting
plate installed.
CR1
RD RDB
T1
T2
HH
TD-9
SNR
T3
KIK
• When turning the unit upside-down, get a bunch of
newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons
and controls. Also, you should try to orient the unit so no
buttons or controls get damaged.
HHC
• When turning the unit upside-down, handle with care to
avoid dropping it, or allowing it to fall or tip over.
following settings for unconnected pads in order to prevent
malfunction.
- Turn the instrument’s Group setting OFF (p. 25).
- In the pad’s MIDI settings, turn the NOTE NUMBER
setting OFF (p. 32).
2. Attach the TD-9 (with the sound module mounting
plate installed) to your drum stand (such as the MDS-
9; available separately).
3. Connect the included cable to the TD-9’s TRIGGER
INPUT connector, and connect your pads and
pedals.
• When using any other cymbal pads than CY-12R/C or CY-
15R, no need to connect the “RDB” cable to the cymbal
pad. Keeping the cap on top of the “RDB” cable plug,
please fasten it up on the stand so that it does not disturb
your playing.
16
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Getting ready to play
Connecting your audio equipment
Portable
Audio Player
Stereo mini plug
1/4” Phone plug (mono)
AC Adaptor
Stereo
1/4” Phone plug
Powered
Amp, etc.
Indicator
Power Cord
Audio Set, etc.
AC Outlet
Stereo
Headphones
* The indicator will light when you plug the AC adaptor into
an AC outlet.
1. Power-off all equipment before making connections.
* To prevent accidental disruption
of power to the TD-9 (should the
plug be pulled out accidentally),
and to avoid applying undue
stress to the AC adaptor jack,
anchor the power cord using
the cord hook, as shown in the
illustration.
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn off
the power on all devices before making connections.
2. Connect the OUTPUT jacks (L/MONO, R) to your
audio system or amp. If you’re using headphones,
connect them to the PHONES jack.
3. Connect the included AC adaptor to the DC IN jack.
Place the AC adaptor so the side with the indicator (see
illustration) faces upwards and the side with written
information faces downwards.
Using the MIX IN jack allows playing along with music
from a portable audio player or other external sources.
17
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Getting ready to play
Turning the power on/off
* Once connections have been made (p. 17), turn on the power to the connected equipment in the order specified. Doing it in the
wrong order raises the risk of damage/malfunction to that equipment.
1. Turn [VOLUME] all the way to the left.
If you don’t hear any sound
Check the following points.
Pad and pedal connections
• Is the cable correctly connected to the TRIGGER
INPUT connector?
• Are the cables correctly connected to each pad or
pedal?
2. Do the same with the connected amp or audio
system.
When using an amp or audio system
3. Press [POWER].
• Are the TD-9’s OUTPUT jacks connected correctly to
the input jacks of your amp/audio system?
• Are the input selections and volume settings correct on
that amp/audio system?
After a time, [POWER] will light.
• Possible problem with the connection cables
themselves?
• Isn’t the [VOLUME] turned all the way to the left?
• Have the input select settings of your audio system or
amp been made correctly?
* The TD-9 is equipped with a protection circuit and requires
a brief interval a few seconds) after powering before it will
operate normally.
• Is the amp or audio system volume setting correct?
When using headphones
• Are your headphones plugged into PHONES jack?
Caution when turning on the power
After you turn on the power, do NOT touch any pads or
pedals until the drum kit name (the illustration below) has
appeared in the display. Doing so can cause various
problems.
Turning the power off
1. Turn the volume down on the TD-9 and any
connected equipment.
2. Power-off the connected equipment.
3. Hold down [POWER] until the screen indicates
“POWER OFF.”
4. Power-on the connected amp or audio system.
After a moment, [POWER] goes dark.
5. While hitting a pad, gradually turn [VOLUME]
toward the right to adjust the volume.
Adjust the volume of the connected amp/ audio system to
the desired level.
18
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Getting ready to play
Tensioning the pads
Tensioning the head of a mesh pad
BEFORE using the PD-105/85 mesh pads you must adjust the
tension.
Tensioning the PD-85 head
1. Use the included drum key to tighten the tuning
bolts.
Use a drum key to make adjustments.
You can tension mesh heads the same way you do with
acoustic drums.
Adjust the bolts so that the gap between the frame and
hoop is consistent all the way around the hoop.
As the bolts have lock bushings (to prevent them from
loosening), it will take some effort to turn them.
Adjusting the tension of the PD-105/85 head is only for
playing response and will not affect the pitch as on an
acoustic drum.
Hoop
Keep the space
even all around.
Adjusting the PD-105 head
1. Loosen all six tuning bolts until a gap appears
between the tuning bolt and the hoop.
2. Finger-tighten all six tuning bolts.
Frame
Tighten the tuning bolts in the numerical order shown in the
following illustration. If you firmly tighten a tuning bolt at
one location all at once, it will be impossible to stretch the
head evenly, and this may cause triggering response
problems.
Tuning bolt
Washer
Slight gap
Hoop
4
1
3. Using the drum key, tighten each of the six tuning
bolts by two rotations.
Tighten the tuning bolts in the numerical order shown by
the following illustration.
2
3
6
5
4
1
2. Tension the head evenly as you test the playing feel,
just as you would with an acoustic drum.
2
3
HEAD MADE BY REMO U.S.A.
5
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MEMO
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Selecting a drum kit
A drum kit is a combination of the sounds & settings for each
pad and pedal, as well as ambience.
About the “DRUM KIT” screen
This is the TD-9’s basic screen; it appears when you press [KIT].
Drum Kit 50
D
A
Drum Kit 1
B
C
Pad Settings
KICK
Head
SNARE
Head
TOM1
Head
Rim
TOM2
Head
Rim
Rim
A
B
C
Drum kit number
Drum kit name
Sub-title (style, date, etc.)
TOM3
Head
Rim
HI-HAT
Head
CRASH1 CRASH2
Head
Head
Indicates “H” for Head Shot (p. 23) or “R” for Rim
Shot.
Rim
Rim 7
Rim
RIDE
Head
Rim
BELL
AUX
Head
Rim
D
* If “Preview” (p. 15) is activated, either “H” or “R”
will be displayed depending on the currently
selected pad.
Rim
Instrument settings
Instrument, EDIT
2. Use [+/-] or turn [VALUE] to select a drum kit.
Mixer settings
Regardless of the screen that is displayed, pressing [KIT]
will access the “DRUM KIT” screen.
Volume, Pan
Ambience Send Level
MIDI settings
* [QUICK REC] is an exception to this.
Activating the cross stick function
By pressing [F3] (XSTICK)], you can enable or disable the cross
stick function.
Ambience settings
ON/OFF, Room Type, Wall Type, etc.
Equalizer settings
On/off, high range and low range adjustments
• Cross stick sound can be heard
Settings Affecting the Entire Drum Kit
Volume, Drum Kit Name
• Cross stick sound can not be heard
Selecting a drum kit
1. Press [KIT].
[KIT] lights up, and the “DRUM KIT” screen appears.
* It is effective only when you select the instrument with *X
mark for SNARE.
refer to “Drum Instrument List” (p. 67).
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Performance techniques
Pads (e.g., PD-105/PD-85)
Cymbals (e.g., CY-8, CY-12R/C)
Head Shot
Bow Shot
Hit only the head of the pad.
The most common method, playing the middle area of the
cymbal. It corresponds to the sound assigned to the “head” the
relative trigger input.
Head
Rim Shot
Strike the head and the rim of the pad simultaneously.
Edge Shot
When striking the edge with the shoulder of the stick (as shown
in the figure), the sound assigned to the “rim “of the connected
input will be heard.
Rim
Edge sensor
Cross Stick
When XSTICK (p. 22) is on
Only strike the rim of the pad.
Bell Shot (CY-12R/C, CY-15R)
This playing method involves striking the bell of the cymbal, and
when played as shown in the figure, the “rim” sound of the
connected input will be heard.
Depending on the sound assigned to the rim you can play rim
shots and/or cross stick sounds.
Rim
Rim
* It is effective only when you select the instrument with *X
mark for SNARE.
refer to “Drum Instrument List” (p. 67).
* Strike the bell somewhat strongly with the shoulder of the
stick.
* Enable the cross stick function (press [KIT] - [F3] (XSTICK)];
p. 22).
* To play the cross stick, be sure that you only strike the rim
of the pad. Place your hand on the head gently, otherwise
this may prevent the cross stick function from working
properly.
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Performance techniques
Choking a cymbal
Hi-Hat (CY-5, VH-11)
Choking (pinching) the cymbal’s edge with the hand
Open/Closed
immediately after hitting the cymbal will mute or choke the
sound, just like with a real cymbal. The Choke function only
works when you grasp in the area (where the edge sensor is) as
shown in the figure. If you do otherwise, it will not work.
The hi-hat sound will change smoothly between open and
closed depending on pressure applied to the hi-hat control
pedal or a hi-hat stand (when using the optional VH-11).
Foot closed and foot splash sounds are possible.
Roland logo
Bow Shot
Edge sensor
When playing the middle area of the hi-hat pad, the sound
assigned to the “head” will be heard.
Bow
Edge Shot
When playing the edge of the hi-hat pad with the shoulder of
the stick (as shown in the figure), the sound assigned to the
“rim” will be heard.
Edge
* Do not strike the side of the hi-had pad.
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Creating a drum kit
All sounds assigned to a drum kit can be edited for your specific purposes.
Selecting an instrument
On the TD-9, all sounds are referred to as “instruments” (INST).
2. Hit the desired pad or use CURSOR [ ] [ ] to
select a pad.
1. Press [KIT]-[F1] (INST).
The edit screen for the selected pad appears.
The “INST” screen appears.
3. Use CURSOR [ ] [ ] to move the cursor to
“Group” or “Inst.”
4. Use [+/-] or [VALUE] to select the instrument group
or individual instrument.
5. Press [EXIT] to return to the “DRUM KIT” screen.
“Group”: Type of instrument (instrument group)
“Inst”:
Instrument name
Editing instrument parameters
1. Press [KIT]-[F1] (INST).
3. Hit the desired pad or use CURSOR [ ] [ ] to
select a pad.
The “INST” screen appears.
The edit screen for the selected pad appears.
2. Press [F1] (EDIT).
The “INST EDIT” screen appears.
4. Use CURSOR [ ] [ ] to select a parameter.
5. Use [+/-] or [VALUE] to edit the parameter you
selected.
6. Press [EXIT] to return to the “DRUM KIT” screen.
Screen
Parameter
KICK
Value
Head Tuning
-240– +240
Muffling
OFF, TAPE1–2, BLANKET. WEIGHT
SNARE
Head Tuning
-240– +240
Muffling
OFF, TAPE1–2, DOUGHNUTS1–2
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Creating a drum kit
Screen
Parameter
Value
TOM1–3
Head Tuning
-240– +240
Muffling
OFF, TAPE1–2, FELT1–2
HI-HAT
Cymbal Size
1”–40”
Fixed Hi-Hat
NORMAL, FIXED1–4
CRASH1–2
Cymbal Size
1”–40”
1–100
Sustain
RIDE
Cymbal Size
1”–40”
1–100
Sustain
BELL
Cymbal Size
1”–40”
1–100
Sustain
Other sounds
Pitch
-240– +240
1–100
Decay
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Creating a drum kit
Using the Mixer (MIXER)
Adjusting the volume and pan (stereo position) of individual
pads/pedals.
If you pressed [F1] or [F2]
4-1.Hit the desired pad or use CURSOR [ ] [ ] to
select a pad.
1. Press [KIT]-[F1] (INST).
The “INST” screen appears.
4-2.Use CURSOR [ ] [ ] to select HEAD or RIM.
2. Press [F2] (MIXER).
If you pressed [F3]
4. Use CURSOR [ ] [ ] to select a parameter.
5. Use [+/-] or [VALUE] to edit the value.
6. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
3. Press [F1]–[F3] to select the item you want to edit.
Screen
Parameter
Value
Description
[F1] (VOLUME)
VOLUME
0–100
Volume of each pad
[F2] (PAN)
PAN
L15–CTR–R15
Pan position of each pad
[F3] (KITVOL)
Kit Volume
Pedal HH Volume
XStick Volume
0–100
0–100
0–100
Volume of the entire drum kit
Volume of the hi-hat’s foot closed sound
Volume of cross stick sound
Determines the velocity/dynamic at
which the cross-stick and open rim shot
sound will switch.
XStick Threshold
0–127
Setting this to a high value makes it easier
to get cross stick sounds. When set to
“0,” playing cross stick will produce the
open rim shot sound.
High
* A very high value may cause the cross
stick to sound as when playing a rim
shot.
Rim Shot
Sound
Cross Stick
Sound
Striking
Low
force
Soft
Hard
Cross Stick Threshold (0–127)
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Creating a drum kit
Using the onboard effects (AMB/EQ)
“Ambience” allows you to choose the environment where the drums are being played. You can adjust room size, wall material and
the position of the ambience mics. The “Equalizer” is used to adjust the overall tone.
1. Press [KIT]-[F1] (INST).
3. Press [F1] or [F3] to select the parameter you want to
edit.
The “INST” screen appears.
[F1] (AMB): Ambience
2. Press [F3] (AMB/EQ).
[F3] (EQ):
Equalizer
4. Use CURSOR [ ] [ ] to select a parameter.
5. Use [+/-] or [VALUE] to edit the value of the
parameter.
6. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
Screen
Parameter
[F1] (AMB)
Type
Value
OFF, LIVING, BATH, STUDIO, GARAGE, LOCKER, THEATER, CAVE,
GYM, DOME
Size
TINY, SMALL, MEDIUM, LARGE, HUGE
Wall
Mic
Shape
Level
WOOD, PLASTER, GLASS
LOW, HIGH
0–100
0–100
[F3] (EQ)
ON, OFF
1–8 kHz
-12– +12
20 Hz–1 kHz
-12– +12
Switch
High Freq
High Gain
Low Freq
Low Gain
Adjusting the ambience for each pad (SEND)
Each pad has an individual ambience send level.
3. Press [F2] (SEND).
5. Use CURSOR [ ] [ ] to switch between HEAD and
RIM.
The AMBIENCE SEND screen appears.
6. Use [+/-] or [VALUE] to adjust the ambience the send
level.
Value: 0–100
7. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
4. Hit the desired pad or use CURSOR [ ] [ ] to
select a pad.
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Creating a drum kit
Naming a drum kit
You can create a name of up to twelve characters for each kit.
A sub-title of up to sixteen characters can also be added below
the name. This is useful for song indications, dates, styles etc.
Copying a drum kit or instrument
You can copy a complete drum kit or an individual instrument.
Settings that are copied
1. Press [KIT]-[F2] (FUNC).
Drum Kit
Pad settings
The “FUNCTION” screen appears.
Head
Rim
Instrument Settings
Mixer Settings
Ambience/Equalizer Settings
Global Drum Kit Settings
2. Press [F1] (NAME).
The “DRUM KIT NAME” screen appears.
Drum kit
All settings of the drum kit will be copied.
Copied settings
Drum kit parameters
Overall settings for the drum kit:
Volume, drum kit name
Ambience:
3. Use CURSOR [ ] [ ] to move the cursor to the
drum kit name or sub-title.
On/off, performance location, wall material, depth, etc.
Equalizer:
On/off, high-frequency and low-frequency settings
4. Use CURSOR [ ] [ ] to move the cursor to the
character that you want to edit.
5. Use [+/-] or [VALUE] to change the character.
Function buttons
Pad parameters
Instrument settings:
Instrument, EDIT
Mixer:
Volume, pan
Ambience send levels
MIDI settings
Function
Explanation
Inserts a space at the cursor location,
and moves subsequent characters one
place to the right.
Deletes the character at the cursor lo-
cation, and moves subsequent charac-
ters one place to the left.
Switches the type of character at the
cursor location between uppercase,
lowercase, and/or numbers and sym-
bols.
[F1] (INSERT)
[F2] (DELETE)
[F3] (CHAR)
Instrument
Copying an instrument only copies the pad parameters: sounds
assigned to the pad and rim.
Copied settings
• Instrument settings
6. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
* Effect and mixer settings are not copied.
The contents of the copy-destination are lost when
executing the Copy operation. Please be careful.
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Creating a drum kit
Copying a drum kit
1. Press [KIT]-[F2] (FUNC).
5. Press [F2] or [F3].
The “FUNCTION” screen appears.
[F2] (EXCHNG):
All contents of the copy-source and copy-destination will
be exchanged. (This is shown only if the copy-source is
“USER.”)
[F3] (COPY):
Contents of the copy-source will be overwritten onto the
copy-destination.
A confirmation screen will appear.
2. Press [F2] (COPY).
The “COPY” screen appears.
* You can cancel by pressing [F1] (CANCEL).
3. Press [F1] (KIT).
6. Press [F3] (EXEC) to execute the copy or exchange.
Wait until the display indicates “Completed.”
4. Use [CURSOR], [+/-], and [VALUE] to choose the
copy-source and copy-destination.
7. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
A
B
C
D
Types of copy-source
PRESET:
Preset (the ORIGINAL Roland fac-
tory settings)
USER:
User data
A
Backup USB: Data saved on a USB Key.
(optional)
* If you choose Backup USB, choose the backup
number from which you want to copy data.
B
C
Copy-source
Copy-destination
Exchange button
* This is shown only if the copy-source is “USER.”
D
• Exchange (EXCHNG) is a convenient way to rearrange
your data.
• If you want to restore the factory settings of an individual
kit, choose “PRESET” as the copy-source.
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Creating a drum kit
Copying an instrument
1. Press [KIT]-[F2] (FUNC).
The “FUNCTION” screen appears.
• Both the HEAD and RIM instruments will be copied.
• If you want to restore the factory settings, choose “PRESET”
as the copy-source.
• If the cursor is located at E or F, you can choose the copy-
source or copy-destination pad by striking a pad directly.
5. Press [F2] or [F3].
[F2] (EXCHNG):
2. Press [F2] (COPY).
Contents of the copy-source and copy-destination will be
exchanged. (This is shown only if the copy-source is
“USER.”)
The “COPY” screen appears.
[F3] (COPY):
The contents of the copy-source will be overwritten onto the
copy-destination.
A confirmation screen will appear.
3. Press [F2] (INST).
4. Use [CURSOR], [+/-], and [VALUE] to choose the
copy-source and copy-destination.
B
C
A
E
F
* If you decide to cancel, press [F1] (CANCEL).
6. Press [F3] (EXEC) to execute the copy or exchange.
When the copy or exchange is completed, the display will
indicate “Completed.”
D
Types of copy-source
7. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
PRESET:
Preset (the ORIGINAL Roland fac-
tory settings)
USER:
User data
A
Backup USB: Data saved on a USB Key.
(optional)
* If you choose Backup USB, choose the backup
number from which you want to copy data.
B
C
Copy-source
Copy-destination
Exchange button
* This is shown only if the copy-source is “USER.”
Copy-source pad
D
E
F
Copy-destination pad
• If you choose KICK as the copy source, only the HEAD will
be copied to the copy destination.
• In the case of RIDE, the HEAD, RIM, and BELL (all three) of
the RIDE cymbal will be copied simultaneously only if you
choose RIDE as both the copy source and copy
destination.
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Creating a drum kit
MIDI parameters for each pad & pedal
1. Press [KIT]-[F2] (FUNC).
3. Press [F1] or [F2] to select the parameter you want to
edit.
The “FUNCTION” screen appears.
If you pressed [F1]
4-1. Use [CURSOR] to select the pad/parameter.
4-2. While holding down [SHIFT], use CURSOR [ ] [
to switch between HEAD and RIM, or play the
desired rim/pad or pedal
]
2. Press [F3] (MIDI).
If you pressed [F2]
4. Use CURSOR [ ] [ ] to select the parameter.
5. Use [+/-] or [VALUE] to edit the value.
6. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
Screen
Parameter
Value
Description
[F1] (NOTE)
NOTE NUMBER
0–127,
OFF
MIDI Note Numbers transmitted by each pad/pedal
* If you select a note number already assigned another pad, an “*” appears on the left-side of
the note number.
[F2] (HI-HAT)
0–127,
HH Open (Bow)
HH Closed (Bow)
HH Open (Edge)
HH Closed (Edge)
HH Pedal
MIDI Note Numbers transmitted by bow shot of open hi-hat
OFF
0–127,
OFF
0–127,
OFF
0–127,
OFF
0–127,
OFF
MIDI Note Numbers transmitted by bow shot of closed hi-hat
MIDI Note Numbers transmitted by bow edge of open hi-hat
MIDI Note Numbers transmitted by edge shot of open hi-hat
MIDI Note Numbers transmitted by pedal hi-hat
0–127,
OFF
Xstick
MIDI Note Numbers transmitted by cross stick
* The HH Compatibility and HH Note# Border setting is required to transmit switches between
the open and closed hi-hat. For details, refer to p. 53.
* If you select a note number already assigned another pad, an “*” appears on the left-side of
the note number.
If you’re using an external MIDI device (Midi controller
pad, keyboard or sequencer) to play the TD-9’s internal
sounds, note numbers transmitted to the TD-9 will trigger
the instrument of the pad that is assigned to that note
number.
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Playing with the internal songs or from a
USB memory key
The TD-9 contains fifty songs of various styles. Enjoy playing the TD-9 along with them.
You can also play the TD-9 while listening to songs (audio files) saved to an optional USB memory key.
Song Function profile
The internal songs consist of “drum,” “percussion,” and “bass
and others” parts. Each part can be muted individually. The
tempo for these songs can also be adjusted.
Audio files that can be played by
the TD-9
On the following formats of Audio files, saved to your USB key,
can be used.
* It is not possible to mute just the bass part.
Audio files
Song
Sampling rate
Bit depth
44.1 kHz
8/16/24 bit, Linear PCM
WAV
1
2
3
4
5
• Save the audio files in the root directory of your USB
memory key.
Drum
• The song name will be the name of the file.
• Use single-byte alphanumeric (ASCII) characters for the file
name.
• The TD-9 can recognize files that have a name consisting
of no more than 95 characters (not including the file name
extension).
Percussion
Bass
Recommended length of file name: 12 characters or less
(not including the file name extension)
• The TD-9 can recognize up to 99 audio files. Keep the
number of audio files on your USB memory key to 99 or
fewer.
Others
• Make sure that no single file is larger than 2 GB.
About Song Copyright
The internal songs contained in this product are sound recordings
protected by copyright. Roland hereby grants to purchasers of this
product the permission to utilize the sound recordings contained in
this product for the creation and recording of original musical
works; provided however, the sound recordings contained in this
product may not be sampled, downloaded or otherwise re-
recorded, in whole or in part, for any other purpose, including but
not limited to the transmission of all or any part of the sound
recordings via the internet or other digital or analog means of
transmission, and/or the manufacture, for sale or otherwise, of any
collection of sampled songs, on CD-ROM or equivalent means.
Connecting USB memory key
When connecting a USB memory key, insert it all the way into
the connector without using excessive force.
The sound recordings contained in this product are the
original works of Roland Corporation. Roland is not
responsible for the use of the sound recordings contained
in this product, and assumes no liability for any
infringement of any copyright of any third party arising out
of use of the songs in this product.
• All rights reserved. Unauthorized use of this material for
purposes other than private, personal enjoyment is a
violation of applicable laws.
• No data for the music that is played will be output from
MIDI OUT.
• Do not unplug USB memory key from the TD-9 while the
USB memory access indicator is blinking. Doing so may
damage the USB memory key or the data.
• Do not connect any device other than USB memory key to
the USB memory connector.
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Playing with the internal songs or from a USB memory key
Song selection
Playing a song
1. Press [SONG].
The button will light, and the “SONG” screen appears.
1. Use [+/-] or [VALUE] to select the song you want to
play.
2. Use [+/-] or [VALUE] to select a song.
2. Press [
].
[
] lights up and the song will begin playing.
3. To stop playback, press [
].
No. Title
Composer
[
] goes dark, and you will return to the beginning
5
New Disco
of the song.
19 Break Beat
20 Jump’n Bass
35 Break BeatPtn
Michael Schack
[CURSOR] functions
Button
Display
Function
Returns to the beginning of the
song.
[
]
Pauses the song playback.
Press again to resume play-
back from where you paused.
[
]
What’s in “SONG” screen
[
[
]
]
Advances to the next measure.
A
B
Returns to the previous mea-
sure.
C
F
D
E
Selecting a song from USB memory key
Songs (audio files) saved on a USB memory key are shown
following the internal songs.
Song number
Indicates the number of the currently selected song.
A
Song name
B
C
1. Use [+/-] or [VALUE] to switch songs until the top line
of the screen shows “EXTERNAL SONG.”
Indicates the name of the currently selected song.
Song playback type (p. 37)
* You can also hold down [SHIFT] and press [SONG] to
select external songs.
Measure number
When you press [
measure shown here.
D
], playback begins from the
E
F
Beat
[CURSOR] functions (refer to “Playing a song”)
2. Press [
].
[
] lights up and the song will begin playing.
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Playing with the internal songs or from a USB memory key
3. To stop playback, press [
].
Muting a part
You can mute (silence) the playback of a specific part in a
song.
[
] goes dark, and you will return to the beginning
of the song.
[CURSOR] functions
* This will not work with songs (audio files) on a USB
memory key.
Button
Display
Function
Returns to the beginning to
song.
[
]
1. Press [SONG]-[F2] (MUTE).
Pauses the song playback.
Press again to resume play-
back from where you paused.
The “PART MUTE” screen appears.
[
]
[
[
]
]
Fast-forwards the song.
Rewinds the song.
Setting the tempo
2. Press [F1]–[F3] to mute on/off for each part.
Muting will turn on/off each time you press the button.
* This will not work for songs (audio files) in USB memory
key.
DRUM (Drum part)
* If you mute the drum part, [MUTE] will light.
[F1]
1. Hold down [SHIFT] and [TEMPO].
[F2]
PERC (Percussion part)
The “TEMPO” screen appears.
OTHERS Bass + other parts
* Each press of the button will cycle through
the following indications.
• OTHERS muted (BASS is not muted)
[F3]
• BASS/OTHERS are muted
• Mute off
Example: Muting the drum part
3. Press [SONG] to return to the “SONG” screen or just
press [KIT].
The “INFORMATION” screen (p. 37) you can view the
standard tempo of the song.
If you’ve modified the song’s tempo and want go back to
the original tempo, adjust it in “INFORMATION” screen.
3. Press [SONG] to return to the “SONG” screen.
Muting the drum part
Each time you press [MUTE], the drum part will be muted
(button is lit) or un-muted (button is dark).
* This will not work for songs (audio files) in USB memory
key.
36
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Playing with the internal songs or from a USB memory key
Viewing song information /
Editing song settings
Using the Repeat function (Repeat)
This function allows you to select a specific section of a song,
and have it repeat.
1. Press [SONG]-[F1] (INFO).
The “INFORMATION” screen appears.
A
B
Repeat
2. Use CURSOR [ ] [ ] to select a parameter.
3. Use [+/-] or [VALUE] to edit the value.
The minimum length for which you can specify a repeat is
one measure for the internal songs, and one second for an
audio file.
4. Press [EXIT] to return to the “DRUM KIT” screen or
just press [KIT].
1. Select the song that you want to play, and press
Song information
[
].
[
] will light, and the song will begin playing.
Parameter
Name
Description
Song name
Number of
measures
2. to mark the beginning of the section you want to
repeat, press [F3] (REPEAT).
Length
* For an internal
song
The (A) indicator will appear in the screen.
Time Signature Time signature
Length of song (hours: * For an audio file
Total Time
minutes: seconds)
(on a USB key)
Settings
Parameter
Tempo
Value
20–300
Description
Song playback tempo
* The original tempo for the song is shown in parenthesis ( ).
* You can change the tempo of the song in this screen using
the [+/-] or the [VALUE] knob.
3. At the end of the section you want to repeat, press
[F3] (REPEAT).
The (A)(B) indicators will appear in the screen, and
playback will repeat between points A and B.
Type
LOOP, ONESHOT
Song playback type
LOOP:
Once playback reaches the end of the song, it returns to the be-
ginning and repeats. Playback will continue until you press
[STOP].
Very convenient for practicing drums with a song.
(
) appears in the upper right of the “SONG” screen for
songs that are set to LOOP.
ONESHOT:
To cancel the Repeat function, press [F3] (REPEAT) once
again.
One playback reaches the end of the song, it stops.
(
) appears in the upper right of the “SONG” screen for
songs that are set to ONESHOT.
Song Volume 0–100
Song volume
The audio file’s Song Volume and Type settings are saved
to USB memory key when you switch off the TD-9’s power
while USB memory key is connected, or when you save
User Data (p. 56) to USB memory key.
37
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Using the MIX IN
By connecting a portable audio/CD player to the MIX IN jack you can play the TD-9 with your favorite songs.
You can connect other audio devices as well.
Connections
* Lower the volume of the TD-9 and your audio player before making connections.
* If a connection cable has built-in resistors, the volume level of the source connected to the TD-9 (MIX IN) may be too low. If this
occurs, use connection cables that do not contain resistors.
Portable
Audio Player
Stereo mini plug
Playback
1. Start the music on your portable audio player.
* For details on how to use your audio player, refer to its owner’s manual.
2. Then adjust the volume.
Sounds received at the MIX IN jack are output from the OUTPUT and PHONES jacks.
* Adjust the volume on the audio player to get the right balance between it and the TD-9.
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On Board Metronome
Practicing with the TD-9’s built in metronome will help you
perfect your tempo skills.
Changing the metronomes sound (CLICK INST)
Using the metronome
1. Press the [CLICK (TEMPO)] button.
The [CLICK (TEMPO)] button lights up and the metronome
starts.
2. Play along with it or press the button again to stop it.
Parameter
Inst
Value
See below
Description
Click sound
METRONOME, CLICK, VOICE, BEEP1, BEEP2, TEK CLICK,
STICKS, CLAVES, WOOD BLOCK, COWBELL, AGOGO,
TRIANGLE, TAMBOURINE, MARACAS, CABASA
Metronome parameters
You can change the tempo, sound, and time signature of the
metronome.
Volume of the metro-
Volume
Pan
0–100
nome sound
L15–CENTER–R15
Panning of the sound
1. Hold down [SHIFT] and press [CLICK (TEMPO)].
The “TEMPO” screen appears.
Changing the time signature (TIME SIGNATURE)
2. Choose the screen containing the parameter you
want to change.
Tempo:
Press [F1] (TEMPO).
Sound:
Press [F2] (INST).
Time signature: Press [F3] (TIMSIG).
* If you pressed [F1] (TEMPO), proceed to step 4.
3. Use CURSOR [ ] [ ] to select a parameter.
Parameter
Time
Signature
Value
Description
Metronome’s
time signature
4. Use the [+/-] buttons or the [VALUE] knob to edit the
value.
Numerator: 0–15
Denominator: 2, 4, 8, 16
5. Press [EXIT] to return to the “DRUM KIT” screen or
just press [KIT].
* If you specify a numerator of “0,” there will be no accent
on the first beat.
1/2 (half note),
3/8 (dotted quarter note),
1/4 (quarter note),
1/8 (eighth note),
Changing the tempo (TEMPO)
Interval
Click interval
1/12 (eighth note triplets),
1/16 (16th note)
Number of mea-
sures of count-in
added before a
song plays
OFF,
Count In
Play
1 MEAS (one measure),
2 MEAS (two measures)
Click on/off sta-
tus during
QUICK REC
Quick Rec
Click
Value: 20–300
OFF, ON
* If this is ON, the click will always be on when [QUICK
REC] is lit.
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Quick recording and playback
(QUICK REC / QUICK PLAY)
The TD-9 provides a Quick Rec function that lets you easily
Recording together with a song
record your own performance, and a Quick Play function that
immediately plays back what you recorded.
This is a very useful practice tool, recording and then checking
your drumming.
* First: Please select the drum kit that you want to use for
recording.
* Audio file on the USB memory key can not be recorded.
Maximum number of recordable notes: approximately
32,000 notes
1. Press [QUICK REC].
[QUICK REC] will light and the “QUICK REC” screen
appears.
* The number of recordable notes will be less if your
performance includes extensive use of the hi-hat control
pedal.
QUICK REC
Recording and playing your performance
• At the same time, [MUTE] lights up and the song’s drum
part will be automatically muted.
* First: Please select the drum kit that you want to use for
recording.
• If “Quick Rec Click” (p. 40) is ON, [CLICK (TEMPO)] will
light up, and the metronome starts. You can turn it off by
pressing [CLICK (TEMPO)] and the button will go dark.
• If you press [QUICK REC] while the song is playing,
recording begins immediately.
1. Press [QUICK REC].
[QUICK REC] will light and the “QUICK REC” screen
appears.
3. Press [
].
Recording will begin at the same moment that the song
starts.
* If “Count In Play” (p. 40) is 1MEAS or 2MEAS, recording
begins after the one or two measure count in.
The following screen will appear.
• If “Quick Rec Click” (p. 40) is ON, [CLICK (TEMPO)] will
light up, and the metronome starts. You can turn it off by
pressing [CLICK (TEMPO)] and the button will go dark.
2. Use [+/-] or the [VALUE] knob to set the tempo.
3. Hit any pad/pedal and recording begins.
The following screen appears.
* Sounds that receive through MIDI IN can be also
recorded.
* Previously recorded data will be erased when a new
recording starts.
4. Now just play & record along with the song.
5. When you want to stop recording, press [
].
stops automatically.
4. To stop recording, press [QUICK REC] and the button
goes dark.
You can save your recorded performances to a USB
memory key. For details, please refer to “Saving data
recorded by Quick Rec” (p. 57).
* If you exceed the maximum recording time, recording
stops automatically.
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Quick recording and playback (QUICK REC / QUICK PLAY)
Playback
1. Press [QUICK PLAY] and the button lights up.
The “QUICK PLAY” screen appears, and playback begins.
The following buttons correspond to various playback
functions.
Button
Function
Returns to the beginning of what you have re-
corded.
[
]
Pauses the playback of that recorded perfor-
mance.
Press this button again to resume playback
from the paused location.
[
]
[
[
]
]
Advances to the next measure.
Returns to the previous measure.
2. To stop playback, press [QUICK PLAY] and the
button goes dark.
When playback has finished, [QUICK PLAY] automatically
goes dark.
* [QUICK PLAY] only plays back performances recorded
using Quick Rec.
42
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Using the Scope function (SCOPE)
The Scope function provides an on-screen view of the timing of your drumming.
This will help you improve timing control in the tempo and time signature of your own choosing.
1. Press [SCOPE] and the button lights up.
2. Play the pads while listening to the metronome.
The “SCOPE” screen appears.
Your timing will be shown in the display.
* Foot-close is not shown.
• The [CLICK (TEMPO)] will light up as the metronome
• [F3] (ZOOM +) button
Each time you press this button, the display of one beat
will be magnified.
This lets you view one beat in greater detail.
• The grid is relative to the metronome’s time signature (p.
40).
• If you want to change the tempo or time signature please
see “Metronome parameters” (p. 40).
• You can also play back a song while using the Scope
function.
• Sounds that received through MIDI IN are also shown in
the line of “Others.”
* [F2] (ZOOM -) button
Each time you press this button, the viewing area will
expand.
This lets you view more beats at once.
3. When you want to turn off the Scope function, press
[SCOPE] or [EXIT].
Viewing the SCOPE screen
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MEMO
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Optimizing the pad settings
(Trigger parameters)
1. Press [SETUP].
2. Press [F1] (TRIG).
[SETUP] will light and the “SETUP” screen will appear.
3. Press [F1]–[F3] to choose the item that you want to
edit.
4. Use [CURSOR] to select a parameter.
5. Use [+/-] or [VALUE] to set the value of the
parameter.
6. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
Specifying the type of pad [F1] (TYPE)
For each trigger input, you can select the type of pad you’re
using (the trigger type) so the TD-9 will accurately receive the
signal from the pad.
Trigger Type
CY14C
CY15R
VH11
Used Model
CY-14C
CY-15R
VH-11
RT10K
RT-10K
RT10S
RT-10S
RT10T
You can change the default trigger type settings that are
specified when you execute a Factory Reset. For details,
refer to p. 61.
Trigger type
The trigger type is a collection of parameters optimized for
specific models of pad.
In the above screen, indications such as “KD8,” “PD85,” and
“VH11” are the trigger types.
If you select the appropriate trigger type for each pad you’ve
connected, all parameters (except for Crosstalk Cancel) will be
set to the optimal values.
However, these are only the typical values, so you may need to
make fine adjustments according to how you’ve attached the
pads or the way in which you’re using them.
Dual trigger support for each pad
Trigger Input
KICK
Mesh Pad (Dual Trigger)
–
O
O
–
SNARE
TOM 1–3
HI-HAT
CRASH 1–2
RIDE
Trigger Type
KD7
Used Model
KD-7
–
–
KD8
KD-8
KD85
KD120
PD8
KD-85, KD-80
KD-120
PD-8
–
BELL
O
AUX
PD85
PD-85, PD-80R, PD-80
PD-105
PD-125
PDX-8
CY-5
PD105
PD125
PDX8
CY5
CY8
CY-8
CY12RC
CY-12R/C
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Optimizing the pad settings (Trigger parameters)
Setting the Pad Sensitivity [F2] (BASIC)
When you specify the trigger type (p. 46), the
following settings (basic trigger parameters)
are automatically set to the values
appropriate for each pad, meaning that you
wish to make detailed adjustments, you can
edit the following parameters.
The velocity monitor at the right of
the screen indicates the velocity of
the last twelve hits, starting with the
most recent.
Parameter
Trig Type
Value
refer to p. 46
Description
You can adjust the sensitivity of the pads to accommodate your personal playing style.
This allows you to have more dynamic control over the sound volume, based on how hard you play.
Higher sensitivity allows the pad to produce a loud volume even when played softly.
Lower sensitivity will keep the pad producing a low volume even when played forcefully.
Sensitivity
Threshold
1–32
This setting allows a trigger signal to be received only when the pad is above a determined dynamic
level (velocity). This can be used to prevent a pad from sounding because of vibrations from other pads.
In the following example, B will sound but A and C
Threshold
will not sound.
When set to a higher value, no sound is produced
when the pad is struck lightly.
A
B
C
0–31
Gradually raise the “Threshold” value while striking
the pad.
Check this and adjust accordingly. Repeat this pro-
cess until you get the perfect setting for your playing
style.
This setting allows you to control the relation between playing velocity (striking force) and chang-
es in volume. Adjust this curve until the response feels as natural as possible.
See below
LINEAR
SPLINE
The standard setting. This produces the most natural
correspondence between playing dynamics and vol-
ume change.
Extreme changes are made in response to playing dy-
namics.
Volume
Volume
Striking
Force
SPLINE
Striking
Force
LINEAR
LOUD1, LOUD2
Very little dynamic response, making it easy to main-
tain strong volume levels. If using drum triggers, these
settings help maintain stable levels.
EXP1, EXP2
Compared to LINEAR, strong dynamics produce a
greater change.
Curve
Volume
Volume
Volume
Volume
Striking
Force
Striking
Force
EXP1
EXP2
LOUD1
LOUD2
LOG1, LOG2
Compared to LINEAR, a soft playing produces a great-
er change.
Volume
Volume
Striking
Force
LOG1
LOG2
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Optimizing the pad settings (Trigger parameters)
Detailed settings for trigger parameters [F3] (ADVNCD)
The following parameters (Advanced Trigger Parameters) are
automatically set to the most efficient values for each pad when
you select the Trigger Type (p. 46). They don’t require
adjustment, except if you experience any of the problems that
are discussed in the explanation of each parameter.
1. Press [F1]–[F3] to choose the item that you want to
edit.
2. Use CURSOR [ ] [ ] to chose a parameter.
3. Use [+/-] or [VALUE] to edit the value.
4. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
[F1] (SCAN)
Parameter
Trig Type
Value
refer to p. 46
Description
Specifies the detection time for the trigger signal.
Since the rise time of the trigger signal waveform may differ slightly
depending on the characteristics of each pad or acoustic drum trigger
(drum pickup), you may notice that identical hits (velocity) may pro-
duce sound at different volumes. If this occurs, you can adjust the
“Scan Time” so that your way of playing can be detected more pre-
cisely.
Scan Time
Time
Scan Time
0–4.0 (ms)
While repeatedly hitting the pad at a constant force, gradually raise
the Scan Time value from 0 msec, until the resulting volume stabilizes
at the loudest level. At this setting, try both soft and loud strikes, and make sure that the volume
changes appropriately.
* As the value is set higher, the time it takes for the sound to be played increases. Set this to the
lowest value possible.
This setting prevents spurious re-triggering.
Important if you are using acoustic drum triggers. Such triggers can
produce altered waveforms, which may also cause inadvertent
sounding at Point A in the following figure (Re-trigger).
This occurs in particular at the decaying edge of the waveform. Re-
trigger Cancel detects such distortion in and prevents re-triggering
from occurring.
A
Time
While repeatedly striking the pad, raise the “Retrig Cancel” value
until re-triggering no longer occurs.
* While repeatedly striking the pad, raise the “Retrig Cancel” value until re-triggering no longer
occurs.
Retrig Cancel
1–16
You can also eliminate this problem of re-triggering with the Mask Time setting. Mask Time does
not detect trigger signals if they occur within the specified amount of time after the previous
trigger signal was received. Re-trigger Cancel detects the attenuation of the trigger signal level,
and triggers the sound after internally determining which trigger signals were actually
generated when the head was struck, while weeding out the other false trigger signals that
need not trigger a sound.
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Optimizing the pad settings (Trigger parameters)
Parameter
Value
Description
This setting prevents double triggering.
When playing a kick trigger, the beater can bounce back
and hit the head a second time immediately after the intend-
ed note—with acoustic drums sometimes the beater stays
against the head—this causes a single hit to “double trigger”
(two sounds instead of one). The Mask Time setting helps to
prevent this. Once a pad has been hit, any additional trigger
signals occurring within the specified “Mask Time” (0–64
msec) will be ignored.
Mask Time
Time
Mask Time
0–64 (ms)
Sound not produced
Adjust the “Mask Time” value while playing the pad.
When using a kick trigger, try to let the beater bounce back and hit the head very quickly, then
raise the “Mask Time” value until there are no more sounds made by the beater rebound.
* When set to a high value, it will be difficult to play very quickly. Set this to as low a value as you can.
If two or more sounds are being produced when you strike the head just once, then adjust Retrig Cancel.
This setting cancels “crosstalk”, which means that when you play one pad you hear a sound coming
from another pad. This can happen when two pads are installed on the same stand.
In some cases you can prevent crosstalk by increasing the distance between the two mounted pads.
In some cases you can prevent crosstalk by increasing the distance between the two mounted pads.
XTalk Cancel
0–80
Crosstalk Example: If you hit the snare pad and the tom 1 also sounds
Set the snare and tom 1 to the same XTALK GROUP.
Raise the “XTALK CANCEL” for the pad being used for tom 1. The tom 1 pad will be less prone to
receive crosstalk from other pads.
* If the value is set too high, and two pads are played simultaneously, the one that is struck less forcefully
may not sound. Be careful and set this parameter to the minimum value required to prevent crosstalk.
[F2] (RIM)
Parameter
Trig Type
Value
refer to p. 46
Description
When a PD-125/120/105/85/80R, PDX-8, PD-9/8/7, CY series pad, VH-11, or RT-10S is connect-
ed, you can adjust the relation between your playing velocity (force) on the rim/edge and the result-
ing volume level. Higher value allows the rim/edge to produce a loud volume even when played
softly. Lower value will keep the rim/edge producing a low volume even when played forcefully.
When a PD-125/120/105/85/80R, PDX-8, or RT-10S is connected, you can adjust the sensitivity
of the rim response.
There are some cases that you have a rim sound unexpectedly when you hit the head strongly. You
can improve this situation with decreasing the value of “RimShot Adjust.”
When you set the value too small, it might be difficult to play the rim sound.
Rim Gain
0–8.0
0–8.0
RimShot Adj
[F3] (HI-HAT)
Parameter
Value
Description
Hi-Hat Type
VH11, FD8
Select the type of hi-hat controller you’re using.
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Optimizing the pad settings (Trigger parameters)
Connecting the VH-11 and making settings on the TD-9
7. Press [F3] (ADVNCD)-[F3] (HI-HAT).
Connections
The following screen will appear.
8. Verify the TD-9’s setting.
TRIGGER
OUT jack
Motion sensor
Parameter
Hi-Hat Type
Value
VH11
unit
CONTROL
OUT jack
9. While you watch the meter that’s displayed in the
right side of the screen, turn the VH-11’s VH offset
adjustment screw to adjust it.
Connect the
HHC cable
Connect the
HH cable
Adjust the screw so that the black
meter.
appears in the
Settings
1. Make sure that the VH-11 is correctly connected to
the TD-9.
2. Set up the hi-hat, take your foot off the pedal, and
power-on the TD-9.
* It will be impossible to make the adjustment correctly if the
hi-hat is touching the motion sensor when you turn on the
power.
VH Offset
Adjustment
Screw
3. Loosen the clutch screw, and allow the hi-hat to rest
naturally on top of the motion sensor unit.
OPEN
CLOSE
4. Press [SETUP]-[F1] (TRIG).
The “TRIGGER TYPE” screen will appear.
5. Use [CURSOR] to move the cursor to “H” (HI-HAT).
6. Use [+/-] or [VALUE] to choose “VH11.”
VH Offset Adjustment Points
If the closed hi-hat sound is difficult to attain, rotate the VH
offset adjustment screw towards “CLOSE.”
If the open hi-hat sound is difficult to attain, rotate the
screw towards “OPEN.”
If the sound cuts off when you strike the hi-hat
forcefully, rotate the VH Offset adjustment screw
towards “OPEN.”
10. Adjust other parameters as needed.
If you don’t set up the VH-11 correctly, it may not operate
correctly. For details, refer to the VH-11 owner’s manual.
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MIDI-related settings
There are many possibilities when using MIDI, such as:
1. Press [SETUP].
[SETUP] will light, and the “SETUP” screen will appear.
Use the pads to play external instruments
You can layer sounds on the TD-9 as well as play sounds from
MIDI sound modules and samplers.
Use the TD-9 as a sound module
If you’re using an external MIDI sequencer to perform with an
ensemble, you can use the TD-9 as a dedicated drum sound
module.
When used with a MIDI sound module, rather than just being
capable of using percussion sets, the TD-9 can handle an even
greater number of instruments simultaneously.
2. Press [F2] (MIDI).
The “MIDI” screen will appear.
3. Use CURSOR [ ] [ ] to select a parameter.
4. Use [+/-] or [VALUE] to edit the value.
5. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
MIDI settings for the entire TD-9 [F1] (GLOBAL)
Parameter
value
Description
Specifies the transmit/receive channel.
* If you set the drum part to “CH11,” it will be the same as the TD-9’s percussion part,
and the percussion part will no longer sound.
CH 1–CH16,
OFF
Tx/Rx Channel
Specifies whether program change messages will be transmitted to an external MIDI device
(ON) or not transmitted (OFF).
With the “ON” setting, a program number corresponding to the selected drum kit will be
transmitted when you switch drum kits on the TD-9.
Tx PC
OFF, ON
Specifies whether program change messages sent from an external MIDI device will be re-
ceived (ON) or not received (OFF).
With the “ON” setting, the TD-9 will switch to the drum kit corresponding to the received
program number.
Rx PC
OFF, ON
OFF, ON
Turns the Note Chase on/off.
This is convenient during the editing process. Received MIDI data will automatically call up
the settings screen for the relative instrument/pad, and automatically moves the cursor.
Note Chase
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MIDI-related settings
Parameter
value
Description
Turns the Local Control on/off.
This is required when you want to trigger sounds in an external sound module and/or record
your performance on an external MIDI sequencer, and NOT use the TD-9’s internal sounds.
If that is your need, then turn Local Control to “OFF.” When recording/using TD-9 perfor-
mances on an external sequencer, turn Local Control to “OFF” and be sure the sequence’s
MIDI OUT is connected to the TD-9’s MIDI In.
The trigger signals from the pads go directly to the MIDI OUT/THRU connector.
The TD-9’s default mode is with Local Control “ON.”
If you make connections and record as shown, with a setting of Local Control “ON,” dupli-
cate notes will be re-transmitted to the TD-9 and will not be played correctly.
Local Control
OFF, ON
Trigger
TD-9
OUT
IN
IN
Trigger → MIDI
Converter
Pad
Local Control:
OFF
OUT MIDI Sequencer
(Soft Thru: ON)
Internal Sound Generator
Turns the Soft Thru function on/off.
This explains how you can use the Roland SPD-20 (a MIDI controller) together with the TD-
9’s pads to play internal sounds and an external sound module.
When Soft Thru is set to “ON,” the messages received at MIDI IN will also be transmitted
from the MIDI OUT/THRU connector.
Pad or Pedal
MIDI
OUT/THRU
Soft Thru
OFF, ON
MIDI Sound Module
MIDI
IN
SPD-20
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MIDI-related settings
MIDI settings for precise expressiveness in performances [F2] (CTRL)
Parameter
PedalCC
value
Description
OFF,
MODULATION(1),
FOOT(4),
Specifies the MIDI control change message used to transmit/receive the depth to
which the hi-hat pedal is pressed.
GENERAL1(16)
This is a setting for the MIDI messages transmitted when you’re using an external MIDI
sound module to sound the notes played by the TD-9 and pads.
TD9/TD20:
Choose this setting if you’re using just the TD-9 and pads, or if you’re using a TD series
unit such as the TD-9 or TD-20 as your MIDI sound module.
MIDI messages appropriate for the TD series will be transmitted.
HH
TD-9/TD-20,
EXTERNAL
Compatibility
EXTERNAL:
Choose this setting if you’re using an external MIDI sound module other than the TD
series.
If you choose this setting, the display will indicate “HH Note# Border.”
This setting lets you transmit MIDI messages that are appropriate for the MIDI sound
module you're using.
The note number transmitted when you strike the hi-hat will change depending on the
amount of pressure on the hi-hat pedal.
HH Border allows you to adjust the pedal position at which the note number switches
from the open hi-hat to the closed hi-hat.
As you monitor the note number transmitted by the TD-9 and the Control Change mes-
sage value, adjust the setting until the note number is switched at the pedal position
you want.
HH
0–127
Note# Border
When using a VH-11 for the hi-hat, setting this value to around 80 allows you to trans-
mit the closed hi-hat note
number when the pedal is slightly above the fully depressed position.
If you change the HH Border setting, the hi-hat of a pattern that was recorded
onto the internal sequencer by playing the pads may play back in a way that is
different from the actually recorded performance.
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MIDI-related settings
Editing a percussion set [F3] (PERC)
A collection of different percussion instruments is called a percussion set. A different percussion instrument is assigned to each note
number, and multiple instruments can be used together.
The percussion part is to CH11 (fixed).
Editing the Percussion Set
Select an instrument for each note number.
1. Press [SETUP]-[F2] (MIDI).
3. Use CURSOR [ ] [ ] to select a note number.
4. Use [+/-] or [VALUE] to select an instrument.
The “MIDI” screen will appear.
2. Press [F2] (PERC).
The “PERCUSSION SET EDIT” screen appears.
You can get a preview by holding down [SHIFT] and
pressing [KIT].
Individual Percussion Instrument Parameters
Set the volume, pan, pitch, decay, etc. for each percussion instrument.
1. In the “PERCUSSION SET EDIT” screen, select the
instrument whose settings you want to edit.
3. Use CURSOR [ ] [ ] to select the parameter.
* You can use CURSOR [ ] [ ] to switch note numbers.
2. Press [F1] (EDIT).
4. Use [+/-] or [VALUE] to edit the value.
The “PERCUSSION INST EDIT” screen appears.
You can get a preview by holding down [SHIFT] and
pressing [KIT].
5. Press [EXIT] several times to return to the “DRUM
KIT” screen or just press [KIT].
Parameter
Instrument
Volume
value
Description
001–523
0–100
Selects the instrument that will be assigned to the currently selected note number.
Specifies the volume of each instrument.
Pan
L15–CENTER–R15
-240– +240
1–100
Specifies the panning of each instrument.
Pitch
Specifies the pitch of each instrument.
Decay
Specifies the duration (decay time) of each instrument.
Specifies the ambience depth of each instrument.
Amb Send Level
0–100
Adjusts the openness of the hi-hat.
* This is valid only if the Instrument is “HH.”
CC
0–127
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Other settings (Utility)
1. Press [SETUP]-[F3] (UTIL).
2. Press [F1]–[F3] to choose the item you want to edit.
The “UTILITY” menu screen appears.
Overall settings for the TD-9 [F1] (UTILITY)
“UTILITY” screen
Adjusting the display contrast (LCD Contrast)
The visibility of the display can be affected by the viewing
angle or the brightness of the room. If you have difficulty
reading the display, adjust the contrast as follows.
1. Use CURSOR [ ] [ ] to move the cursor “LCD
Contrast.”
2. Use [+/-] or [VALUE] to adjust the contrast.
Using a pad as a switch (Pad Switch)
Value: 1–16
A pad connected to the TRIGGER IN AUX jack can function as
a switch to change drum kits or to start/stop a song.
You can also adjust the contrast by holding down [KIT]
and turning [VALUE].
* This setting is valid only in the DRUM KIT screen and the
SONG screen.
You must select the correct trigger type (p. 46) for the pad
that’s connected.
Setting the preview velocity (Preview Velocity)
By holding down [SHIFT] and pressing [KIT] you can play an
instrument to preview (audition) its settings.
Here’s how to set the velocity (volume) of the preview function.
1. Use CURSOR [ ] [ ] to move the cursor to “AUX
Head” or “AUX Rim.”
2. Use [+/-] or [VALUE] to select the function that you
want to control.
1. Use CURSOR [ ] [ ] to move the cursor to
“Preview Velocity.”
2. Use [+/-] or [VALUE] to adjust the preview velocity.
Function
Description
Value: 1–127
OFF
KIT INC
Disables the pad switch function.
Selects the next kit.
KIT DEC
SONG START
SONG STOP
Selects the previous kit.
Starts song playback.
Stops song playback.
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Other settings (Utility)
Using USB memory [F2] (USB)
“USB UTILITY” screen
* If you select a number where data has already been saved
and then press [F3] (SAVE), a message will ask you to
confirm it’s OK to overwrite the existing data. If you want
to overwrite the existing data, press [F3] (OK). If you
decide to cancel, press [F1] (CANCEL) and select a
different save-destination number.
Next you may assign a name to the data that will be
saved. If you don’t need to assign a name, proceed to step
9.
Saving data to a USB memory key (SAVE)
5. Press [F2] (NAME).
The “BACKUP DATA NAME” screen will appear.
You can assign a name (backup name) of up to eight
characters.
Here’s how to save TD-9 data to a USB memory key.
Data that will be saved
• Backup data: TD-9 settings (drum kit and setup settings)
• Performance data recorded using Quick Rec function
Saving backup data
1. In the “USB UTILITY” screen, press [F1] (SAVE).
The “UTILITY USB SAVE” screen appears.
6. Use CURSOR [ ] [ ] to move the cursor to the
character that you want to change.
7. Use [+/-] or [VALUE] to select the desired character.
Function buttons
Function
Description
Inserts a space at the cursor location
[F1] (INSERT) and moves the subsequent characters
2. Press [F1] (BACKUP).
one place to the right.
The “SAVE BACKUP DATA” screen appears.
Deletes the character at the cursor loca-
[F2] (DELETE)
[F3] (CHAR)
tion, and moves the subsequent char-
acters one place to the left.
Switches the type of character at the
cursor location between uppercase,
lowercase, and numerals and symbols.
8. When you’ve completed the name, press [EXIT] to
return to the previous screen.
3. Use [+/-] or [VALUE] to specify the save-destination
number.
9. Press [F3] (EXEC).
Vacant numbers are indicated as (EMPTY).
If you decide to cancel, press [F1] (CANCEL).
When data has been saved, the display says “Completed”
and you’ll return to the “DRUM KIT” screen.
4. Press [F3] (SAVE).
A confirmation screen appears.
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Other settings (Utility)
5. Press [F2] (NAME).
Saving data recorded by Quick Rec
The “QUICK REC DATA NAME” screen will appear.
You can write a name of up to eight characters.
1. In the “USB UTILITY” screen, press [F1] (SAVE).
The “UTILITY USB SAVE” screen appears.
6. Use CURSOR [ ] [ ] to move the cursor to the
character that you want to change.
2. Press [F2] (Q REC).
The “SAVE QUICK REC DATA” screen appears.
7. Use [+/-] or [VALUE] to select the desired character.
Function buttons
Function
Description
Inserts a space at the cursor location
[F1] (INSERT) and moves the subsequent characters
one place to the right.
Deletes the character at the cursor loca-
tion, and moves the subsequent char-
acters one place to the left.
Switches the type of character at the
cursor location between uppercase,
lowercase, and numerals and symbols.
[F2] (DELETE)
[F3] (CHAR)
3. Use [+/-] or [VALUE] to select the save-destination
number.
Vacant numbers are indicated as (EMPTY).
4. Press [F3] (SAVE).
A confirmation screen appears.
8. When you’ve completed the name, press [EXIT] to
return to the previous screen.
9. Press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
When data has been saved, the display says “Completed”
and you’ll return to the “DRUM KIT” screen.
* If you select a number where data has already been saved
and then press [F3] (SAVE), a message will ask you to
confirm it’s OK to overwrite the existing data. If you want
to overwrite the existing data, press [F3] (OK). If you
decide to cancel, press [F1] (CANCEL) and select a
different save-destination number.
Next you may write a name about the data that will be
saved. If you don’t need a comment, proceed to step 9.
57
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Other settings (Utility)
Loading data from a USB memory key back into the TD-9 (LOAD)
Data you’ve saved on a USB memory key can be loaded back
into the TD-9. This is called “Load.”
Loading Quick Rec data
1. In the “USB UTILITY” screen, press [F2] (LOAD).
The “UTILITY USB LOAD” screen appears.
Loading backup data
1. In the “USB UTILITY” screen, press [F2] (LOAD).
The “UTILITY USB LOAD” screen appears.
2. Press [F2] (Q REC).
The “LOAD QUICK REC DATA” screen appears.
2. Press [F1] (BACKUP).
The “LOAD BACKUP DATA” screen appears.
3. Use CURSOR [ ] [ ] to move the cursor
“Number.”
4. Use [+/-] or [VALUE] to select the specific data that
will be loaded into the TD-9.
3. Use CURSOR [ ] [ ] to move the cursor to “Load
Data.”
5. Press [F3] (LOAD).
4. Use [+/-] or [VALUE] to select the specific data that
will be loaded into the TD-9.
A confirmation screen appears.
ALL:
All settings
KIT:
Drum kits
SETUP: Setup settings
5. Use CURSOR [ ] [ ] to move the cursor to
“Number.”
6. Use [+/-] or [VALUE] to select the specific data that
will be loaded into the TD-9.
6. To load the data, press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
When data has been loaded, the display says
“Completed” and you’ll return to the “DRUM KIT” screen.
7. Press [F3] (LOAD).
A confirmation screen appears.
8. To load the data, press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
When data has been loaded, the display says
“Completed” and you’ll return to the “DRUM KIT” screen.
58
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Other settings (Utility)
Deleting data from a USB memory key / Formatting a USB memory key (DL/FMT)
How to delete saved data from USB memory key and formatting
the USB memory key.
Deleting Quick Rec data
1. In the “USB UTILITY” screen, press [F3] (DL/FMT).
The “USB DELETE/FORMAT” screen appears.
Deleting backup data
1. In the “USB UTILITY” screen, press [F3] (DL/FMT).
The “USB DELETE/FORMAT” screen appears.
2. Press [F2] (Q REC).
The “DELETE QUICK REC DATA” screen appears.
2. Press [F1] (BACKUP).
The “DELETE BACKUP DATA” screen appears.
3. Use [+/-] or [VALUE] to select the specific data that
you want to delete.
4. Press [F3] (DELETE).
3. Use [+/-] or [VALUE] to select the specific data that
you want to delete.
A confirmation screen appears.
4. Press [F3] (DELETE).
A confirmation screen appears.
5. To delete the data, press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
When data has been deleted, the display says
“Completed” and you’ll return to the “DRUM KIT” screen.
5. To delete the data, press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
When data has been deleted, the display says
“Completed” and you’ll return to the “DRUM KIT” screen.
59
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Other settings (Utility)
Formatting a USB memory key
Restoring the factory settings
[F3] (RESET)
The “Factory Reset” operation returns all settings of all pads
and instruments stored in the TD-9 to their factory-set condition.
When executing the Format operation, all data on the USB
memory key (backup data, Quick Rec data, and audio
files) will be lost.
1. In the “USB UTILITY” screen, press [F3] (DL/FMT).
• All data and settings in the TD-9 will be lost. If you want to
keep any of your data or settings, save them to USB
memory before you continue.
The “USB DELETE/FORMAT” screen appears.
• If you want to retain the Song Volume and Type settings (p.
37) of the audio files in USB memory key, disconnect the
USB memory key before you execute the Factory Reset. If
you execute the Factory Reset while USB memory key is
connected, the audio file settings will be lost.
2. Press [F3] (FORMAT).
1. In the “UTILITY” menu screen, press [F3] (RESET).
The “USB FORMAT” screen appears.
The “FACTORY RESET” screen appears.
3. Press [F3] (EXEC).
2. Press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
A confirmation screen appears.
If you decide to cancel, press [F1] (CANCEL).
A confirmation screen appears.
4. To execute the Format operation, press [F3] (OK).
3. To execute the factory reset, press [F3] (OK).
If you decide to cancel, press [F1] (CANCEL).
When formatting is done, the screen will indicate
“Completed” and you will return to the “DRUM KIT”
screen.
If you decide to cancel, press [F1] (CANCEL).
When the factory reset is finished, the screen will indicate
“Completed” and you will return to the “DRUM KIT”
screen.
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Other settings (Utility)
Changing the default trigger type
You can change the default trigger type values that will be
assigned when a Factory Reset is executed.
Normally, you will not need to change this, but if the drum
system you’re using has different pads and trigger types,
you can change the settings as follows.
1. Turn off the power.
2. Press [POWER] to turn on the power. Then,
while “Roland” is showing in the screen, press
both [SHIFT] and [SETUP] simultaneously.
The “DEFAULT TRIG SETTING” screen appears.
3. Use [+/-] or [VALUE] to select the drum system
you're using.
4. Press [F3] (WRITE).
If you decide to cancel, press [F1] (CANCEL).
A confirmation screen appears.
5. To carry out the change in default trigger type,
press [F3] (EXEC).
If you decide to cancel, press [F1] (CANCEL).
Once the change has been completed, you’re
returned to the “DRUM KIT” screen.
TD-9KX default values
TD-9K default values
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MEMO
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Error Messages
If an error message appears in the TD-9’s screen, the TD-9 has failed to operate correctly for some reason, or an incorrect operation
has been performed. Please take the appropriate action described here.
Message
Meaning
Action
MIDI-related error messages
A MIDI cable was disconnected. (Or communi-
cation with the external MIDI device stopped
for some reason.)
Make sure that MIDI cables have not been
pulled out or broken.
MIDI Offline!
A problem has occurred with the internal sys-
tem.
Contact your dealer or a nearby Roland ser-
vice center.
MIDI Com Error!!
Receive buffer full!
Transmit buffer full!
A large amount of MIDI messages were re-
ceived in a short time, and could not be pro-
cessed completely.
Confirm that the external MIDI device is prop-
erly connected. If the problem persists, reduce
the amount of MIDI messages sent to the TD-9.
The TD-9 was attempting to transmit more data
than could be correctly output from MIDI OUT.
Reduce the amount of data that is being trans-
mitted.
USB-related error messages
Connect your USB memory key to the USB
memory connector.
USB memory not Ready!
No file!
USB memory key is not connected.
The specified data does not exist in USB memory key.
The USB memory key does not have sufficient
free space.
USB Memory Full
Broken Data!!
Delete unneeded data.
The saved data is damaged.
The speed of access to USB memory key has
slowed down because the number of files has
increased.
Decrease the number of
wav files.
Decrease the number of files.
Check the USB memory key.
Check USB memory!
The USB memory key is not operating correctly.
Either a USB device not usable by the TD-9 is
connected, or foreign matter has entered the
USB memory connector, causing a short.
Immediately disconnect the device, and check
that no foreign matter has entered the USB
memory connector.
Remove the USB device!
QUICK REC-related error messages
Save your recording data on the USB memory
key, and then start further recording.
Memory Full!
No more memory capacity for Quick Rec.
System-related error messages
A problem has occurred with the internal sys-
tem.
Contact your dealer or a nearby Roland ser-
vice center.
Unknown System Error
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Preset Drum Kit List
No.
Name
No.
Name
No.
Name
V-Tour
Studio
JazzFunk
Samba
Batucada
1
21
41
CoolJazz
90’sRock
80’sRock
70’sRock
Dry Pop
Lo-Fi
Symphony
2
3
4
5
6
7
8
9
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
42
43
44
45
46
47
48
49
50
OrchHits
Double
BASS
SteelDrm
CMajorScale
Compact
18”Kick
Trancy
Acoustic
Electron
Electronica
House
+LatinPerc
EleDrums
ClassicElec
Ambient
ChillOut
FunkyDry
NewDisco
TripHop
TR-808
TR-909
Junk
INDUSTRIAL
TightHit
2ndHi-Hat
Voices
HumanBeatBox
Brushes
HipHop
OldSchool
User Kit
10
Ballad
Reverb
Drum'nBs
11
12
13
14
15
16
17
18
19
20
Big Rock
Stadium
Break
BEAT
Modern
JAZZ
Nu Jazz
BrokenBeat
JazzyBop
Sizzle
Abstract
Fusion
Gimmick
BreakBeat
Alterna
Rock/Punk
Minimal
HOUSE
Blast
Reggae
+Timbale
Mixture
Groove
Latin
FootClave
World1
Cajon,Djembe
Vintage
30’s-40’s
World2
Tabla,Baya
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Preset Song List
No.
1
No.
Name
Name
Alterna Rock
Cool Jazz
26
FunkSolo Ptn
ProgSolo Ptn
MedPops Ptn
70’sHard Ptn
ContempJzPtn
Mixture Ptn
HeavyRockPtn
AcidJazz Ptn
R&B Ptn
2
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
3
Neo Funk
4
Medium Pops
New Disco
Heavy Rock
Rock Ballad
Mixture Rock
70’s Hard
Prog Rock
ShuffleBlues
Acid Jazz
5
6
7
8
9
10
BreakBeatPtn
NorthSoulPtn
Ska Ptn
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Contemp Jazz
Jazzy Funk
Fusion
Alt Rock Ptn
SouthSoulPtn
BossaNovaPtn
Samba
Urban R&B
NorthernSoul
SouthernSoul
Break Beat
Jump’n Bass
Post Punk
Flamenco12/8
Djembe
AfroCuban6/8
Salsa
Mambo
Thrash Metal
Ska
Son 3-2
Son 2-3
Bossa Nova
JazzSolo Ptn
Rumba 3-2
Rumba 2-3
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Drum Instrument List
No. Name
No. Name
No. Name
No. Name
39 Ninja K
40 80'sHard K
41 Gate K
78 WhiteAsh S
79 WhiteAsh SR *X
80 PiccoloSt S
117 Clap S
118 Punch S
119 Radio S
KICK
1
2
3
4
5
6
7
8
9
Maple K
Custom K
Birch K
Shallow K
Medium K
Studio K
Wood K
Soft K
42 Phase K
81 PiccoloSt SR
82 PiccoloBr S
83 PiccoloBr SR
84 13" S
85 13" SR
86 Dry S
87 Dry SR
88 Fat S
89 Fat SR
90 FatBr S
91 FatBr SR
92 Heavy S
93 Heavy SR
94 Dirty S
95 Dirty SR
96 Brush S
97 Brush SR
98 Copper S
99 Copper SR
100 Reggae S
101 Reggae SR
102 CrossStick1
103 CrossStick2
104 CrossStick3
105 CrossStick4
106 CrossStick5
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
*X
120 NoisyXStick S
121 DenseClick S
122 Gate S
123 Reverse S
124 Industrial S
125 Voice S
126 TR808 S
127 TR808 SR
128 TR808 XStick
129 TR909 S
130 TR909 SR
131 TR909 XStick
132 Elec1 S
43 Reverse K
44 Industrial K
45 Door K
46 Chunk K
47 Voice K
48 TR808 K
49 TR808Boom K
50 TR909 K
51 TR909Wood K
52 TR909Hard K
53 Elec K
54 ElecBend K
55 Elephant K
56 Gabba K
57 Space K
Vintage K
*X
*X
10 Oak K
11 RoseWood K
12 26"Deep K
13 18"Hybrid K
14 OnePly K
15 Plugged K
16 Heavy K
17 Dry K
18 Meat K
19 Buzz K
20 Bop K
133 Elec2 S
TOM
134 10"Maple T1
135 10"Maple T1R
136 12"Maple T2
137 12"Maple T2R
138 14"Maple T3
139 14"Maple T3R
140 16"Maple T4
141 16"Maple T4R
142 10"Birch T1
143 10"Birch T1R
144 12"Birch T2
145 12"Birch T2R
146 14"Birch T3
147 14"Birch T3R
148 16"Birch T4
149 16"Birch T4R
150 12"Custom T1
151 12"CustomT1R
152 14"Custom T2
153 14"CustomT2R
154 16"Custom T3
155 16"CustomT3R
SNARE
58 Custom S
59 Custom SR
60 VintMaple S
61 VintMaple SR *X
62 SolidMaple S
63 SolidMapleSR *X
64 30'sBrass S
65 30'sBrass SR *X
66 Medium S
67 Medium SR
68 MediumSt S
69 MediumSt SR *X
70 MediumBr S
71 MediumBr SR *X
72 Vintage S
73 Vintage SR
21 R8Low K
22 R8Dry K
23 Blast K
*X
KICK OTHER
24 Tight K
25 ShortNoise K
26 Dance K
27 House K
28 Hip K
29 NuHip K
30 Dirty K
31 Rap K
32 Giant K
33 Lo-Fi K
34 Blow K
35 Dororo K
36 Rumble K
37 Ambient K
38 Destroyer K
SNARE OTHER
107 Whack S
108 Cruddy S
109 HardComp S
110 ShortBuzz S
111 Dance S
112 Hip S
113 BreakBeat S
114 House S
*X
*X
74 VintCustom S
75 VintCustomSR *X
76 Birch S
77 Birch SR
115 Garage S
116 HouseDpn S
*X
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Drum Instrument List
No. Name
No. Name
No. Name
No. Name
156 18"Custom T4
157 18"CustomT4R
158 12"Coated T1
159 12"CoatedT1R
160 14"Coated T2
161 14"CoatedT2R
162 16"Coated T3
163 16"CoatedT3R
164 18"Coated T4
165 18"CoatedT4R
166 Beech T1
167 Beech T2
168 Beech T3
169 Beech T4
170 Oyster T1
171 Oyster T2
172 Oyster T3
173 Oyster T4
174 Rose T1
199 12"Roto T2
200 14"Roto T3
201 19"Roto T4
202 Oct T1
203 Oct T2
204 Oct T3
240 Jet T3
241 Jet T4
281 HandCym HH
282 Voice HH
283 Voice HHE
284 TR808 HH
285 TR909 HH
286 CR78 HH
287 Metal78 HH
288 Maracas HH
242 Voice T1
243 Voice T2
244 Voice T3
245 Voice T4
246 TR808 T1
247 TR808 T2
248 TR808 T3
249 TR808 T4
250 TR909 T1
251 TR909 T2
252 TR909 T3
253 TR909 T4
254 Elec T1
255 Elec T2
256 Elec T3
257 Elec T4
258 ElecBend T1
259 ElecBend T2
260 ElecBend T3
261 ElecBend T4
262 Custom HH
205 Oct T4
206 Brush T1
207 Brush T2
208 Brush T3
209 Brush T4
210 10"PluggedT1
211 12"PluggedT2
212 13"PluggedT3
213 16"PluggedT4
214 Buzz T1
215 Buzz T2
216 Buzz T3
217 Buzz T4
218 Big T1
219 Big T2
220 Big T3
221 Big T4
222 TomRimClick1
223 TomRimClick2
224 TomRimClick3
225 TomRimClick4
CRASH
289 16"Dark CrBw
290 16"Dark CrE
291 18"Dark CrBw
292 18"Dark CrE
293 16"Thin CrBw
294 16"Thin CrE
295 18"Thin CrBw
296 18"Thin CrE
297 16"PaperCrBw
298 16"Paper CrE
299 18"PaperCrBw
300 18"Paper CrE
301 16"Fast CrBw
302 16"Fast CrE
303 18"Fast CrBw
304 18"Fast CrE
305 16"PowerCrBw
306 16"Power CrE
307 18"PowerCrBw
308 18"Power CrE
309 16"Mallet Cr
310 16"Brush Cr
311 18"Brush Cr
312 18"BrshSzlCr
313 10"Medium Sp
175 Rose T2
176 Rose T3
177 Rose T4
178 Vintage T1
179 Vintage T2
180 Vintage T3
181 Vintage T4
182 Booth T1
183 Booth T2
184 Booth T3
185 Booth T4
186 Dry T1
187 Dry T2
188 Dry T3
189 Dry T4
190 Fiber T1
191 Fiber T2
192 Fiber T3
193 Fiber T4
194 Slap T1
195 Slap T2
196 Slap T3
197 Slap T4
198 10"Roto T1
HI-HAT
263 Custom HHE
264 Dark HH
265 Dark HHE
266 Oldies HH
267 Oldies HHE
268 Brush HH
269 TambourineHH
270 TambourinHHE
271 Clave HH
272 Clave HHE
273 Club HH
274 Club HHE
275 Industry HH
276 Industry HHE
277 Lo-Fi HH
TOM OTHER
226 Gate T1
227 Gate T2
228 Gate T3
229 Gate T4
230 Dirty T1
231 Dirty T2
232 Dirty T3
233 Dirty T4
234 Lo-Fi T1
235 Lo-Fi T2
236 Lo-Fi T3
237 Lo-Fi T4
238 Jet T1
SPLASH/CHINA
314 10"MediumSpE
315 10"Rude Sp
316 10"Rude SpE
317 12"Thin Sp
318 6"Cup
278 Lo-Fi HHE
279 Jingle HH
280 Jingle HHE
319 18"Medium Ch
320 18"MediumChE
239 Jet T2
68
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Drum Instrument List
No. Name
No. Name
No. Name
No. Name
321 20"Heavy Ch
322 16"Swish
323 19"PiggyBack
324 Piggy-Crash
361 Voice Cr
362 TR808 Cr
363 Elec Cr
364 Bongo Hi
402 Agogo Hi
403 Agogo Lo
404 Whistle
405 WhistleShort
406 Caxixi
407 Cuica Hi
408 Cuica Lo
409 Djembe
410 Djembe Slap
411 Djembe Bass
412 MetalCrasher
413 AfricaJingle
414 Bendir
445 TreeChimes
446 TinyGong
447 Gong
448 SteelDrum
449 Glockenspiel
450 Kalimba
451 Marimba
452 Vibraphone
453 808Cowbell1
454 808Cowbell2
455 808Maracas
456 808Claves
457 808Conga
458 78Cowbell
459 78Guiro
460 78Maracas
461 78Tambourine
462 78Bongo
463 78Claves
464 Sticks
RIDE
PERCUSSION
365 Bongo Lo
325 20"Custom Rd
326 20"CustomRdE
327 20"CustomRdB
328 22"Clean Rd
329 22"Clean RdE
330 22"Clean RdB
331 20"Bright Rd
332 20"BrightRdE
333 20"BrightRdB
334 24"Heavy Rd
335 24"Heavy RdE
336 24"Heavy RdB
337 20"Oldies Rd
338 20"OldiesRdE
339 20"OldiesRdB
340 20"Sizzle Rd
341 20"SizzleRdE
342 20"SizzleRdB
343 20"Brush Rd
344 20"Brush RdE
345 20"Brush RdB
346 18"Crash Rd
347 18"Crash RdE
348 ShortTail Rd
349 ShortTailRdE
350 ShortTailRdB
351 Lo-Fi Rd
366 Conga Open
367 Conga Mute
368 Conga Slap
369 Conga Lo
370 Timbale Hi
371 Timbale Rim
372 Timbale Lo
373 TimbalePaila
374 Cajon Open
375 Cajon Slap
376 Cajon Bass
377 Cowbell1
378 Cowbell1 Tip
379 Cowbell2
380 Cowbell3
381 Claves
382 Maracas
415 PotDrum
416 PotDrum Mute
417 Tabla Na
418 Tabla Te
419 Tabla Ti
420 Tabla Tin
421 Tabla Tun
422 Baya Ge
423 Baya Gin
424 Baya Ka
425 Baya Slide
426 Sagat Mt/Op
427 TempleBell
428 TempleBlock
429 Taiko
430 Wa-Daiko
431 ConcertBD
432 ConcertBD Mt
433 Timpani G
434 Timpani C
435 HandCymbal
436 HandCym Mute
437 Castanet
SOUND EFFECT
465 Click
466 TekClick
467 Metro Click
468 Metro Bell
469 Beep
470 Pyon
471 HI-Q
472 MetalNoise
473 MetalPhase
474 SuperLow
475 Clap1
383 Shaker
384 SmallShaker
385 Tambourine1
386 Tambourine2
387 Tambourine3
388 Guiro Long
389 Guiro Short
390 RainStick
391 VibraSlap
392 Quijada
393 Cabasa
394 Surdo Open
395 Surdo Mute
396 SurdoL Mt/Op
397 PandeiroThmb
398 PandeiroSlap
399 PandeiroJngl
400 RepiniqueM/O
401 RepiniqueRim
352 Lo-Fi RdE
353 Lo-Fi RdB
476 Clap2
477 HouseClap
478 BuzzClap
479 NoizeClap
480 MetalClap
481 MetalSlap
482 Snaps
483 Snappin'
484 Scratch1
485 Scratch2
CYMBAL OTHER
354 Lo-Fi Cr
438 WoodBlock Hi
439 WoodBlock Lo
440 Triangle
441 TrianglCl/Op
442 Crotale
355 Sweep Cr
356 Phase Cr
357 Ambient Cr
358 Reverse Cr
359 Reverse Ch
360 Reverse Rd
443 BellTree
444 Sleighbell
69
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Drum Instrument List
About Remarks
No. Name
*X (Cross Stick):
Copyright
When you purchase the TD-9
486 Scratch3
487 Stamp
488 Ratchet
489 AirDrive
490 Hammer
491 Barrel
492 TrashCan
493 CoroCoro
494 Bubbles
When the XSTICK is turned ON, it makes
possible to use both “Rim Shot” and “Cross
Stick” on the rim.
percussion sound module from an
authorized Roland dealer, the included
sounds are licensed, not sold, to you
by Roland Corporation, for
commercial use in music production,
public performance, broadcast, etc.
About Snare/Tom Instruments
The last letter of each instrument name
means the sound of head shot, or rim shot.
You may use any of the included
sounds in a commercial or non-
commercial recording without paying
any additional license fees. However,
you must strictly adhere to the
following crediting guidelines on any
music recording that utilize material
from TD-9.
(Example)
S:
head sound of Snare
rim sound of Snare
head sound of Tom 1
rim sound of Tom 1
495 Punch
SR:
T1:
T1R:
496 HeartBeat
497 AfroStomp
498 CarDoor
499 RandomProp
500 Bomb
501 Thunder
502 Laser
503 Martian
504 Nantoka!
505 Hoo...
About Cymbal Instruments
The last letter of each instrument name
means the sound of bow shot, edge shot, or
bell shot.
Reproduction or duplication of any of
the sound contained in the TD-9, either
as they exist on this sound module or
by any means of reformatting, mixing,
filtering, re-synthesizing, processing or
otherwise editing for use in another
product or for re-sale, is strictly
prohibited without the express written
consent of Roland. All unauthorized
giving, trading, lending, renting, re-
issue, re-distribution or re-sale of the
sounds included in the TD-9 are
(Example)
HH:
bow sound of hi-hat
edge sound of hi-hat
bow sound of crash
edge sound of crash
bow sound of ride
bell sound of ride
HHE:
CrBw:
CrE:
Rd:
RdB:
RdE:
506 Mystery
507 Chemistry
508 OrchHit Maj
509 OrchHit Min
510 Reverse Bell
511 Reverse Voco
512 Voice-Yeah
513 Voice-Ahhh
514 Voice-Haaa
515 Voice-Dat
516 Voice-Doot
517 Voice-Boom
518 Voice-Tun
519 808Clap
520 909Clap
521 78MBeat
522 Sin 440Hz
expressly prohibited.
edge sound of ride
In Plain English: Be creative in your
application of the TD-9 sounds, and
keep this sounds for your use only. DO
NOT COPY IT.
OFF
523 OFF
70
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Preset Percussion Set List
Amb
Amb
Send
Name
Volume Pan
Pitch decay
CC
Name
Volume Pan
CENTER
Pitch decay
CC
Note No.
Send
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Note No.
Tambourine1
Tambourine2
AfricaJingle
MetalCrasher
Bendir
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
CENTER
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
127
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
127
0
80
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Bongo Hi
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
40
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
100
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
C-1
0
1
2
3
4
C4 60
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
Bongo Lo
Conga Open
Conga Slap
Conga Lo
Timbale Hi
Timbale Lo
Agogo Hi
Agogo Lo
Cabasa
Maracas
WhistleShort
Whistle
Guiro Short
Guiro Long
Claves
WoodBlock Hi
WoodBlock Lo
Cuica Hi
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
CENTER
61
63
62
64
65
67
69
71
72
74
76
77
79
81
83
RainStick
78Guiro
5
6
66
68
70
78Tambourine
808Clap
808Cowbell1
808Maracas
909Clap
HI-Q
MetalSlap
Scratch1
Scratch3
Sticks
Click
Metro Click
Metro Bell
Clap1
VibraSlap
Custom HHE
OFF
Beep
Crotale
Custom HHE
16"Maple T4
16"Maple T4R
Guiro Short
Guiro Long
Cuica Hi
Cuica Lo
Cowbell1
Cowbell2
Custom K
Maple K
7
8
9
10
11
12
13
14
15
16
C0
C5
73
75
17
18
78
80
82
Cuica Lo
TrianglCl/Op
Triangle
Shaker
Sleighbell
BellTree
19
20
21
22
23
C1 24
26
C6 84
86
Castanet
25
27
85
87
Surdo Mute
Surdo Open
RepiniqueRim
RepiniqueM/O
Conga Mute
Conga Lo
PandeiroJngl
PandeiroThmb
PandeiroSlap
TreeChimes
Crotale
28
88
29
89
30
32
34
90
92
94
31
91
33
93
35
95
C2 36
38
C7 96
98
CrossStick1
Custom S
Gong
37
39
97
99
Cajon Bass
Cajon Open
Cajon Slap
Cowbell1 Tip
WoodBlock Hi
Caxixi
16"Maple T4R
Custom SR
16"Maple T4
Custom HH
14"Maple T3
Custom HHE
12"Maple T2
Custom HH
12"Maple T2R
10"Maple T1
16"Fast CrBw
10"Maple T1R
20"Custom Rd
18"Power CrE
20"CustomRdB
Tambourine1
16"Fast CrE
Cowbell3
40
100
101
103
105
41
42
44
46
102
43
104 Timbale Rim
45
TimbalePaila
Cuica Hi
Surdo Open
Surdo Mute
PotDrum
Quijada
106
47
107
108
C3 48
50
C8
49
51
109
110
111 PotDrum Mute
Djembe
52
112
113
Djembe Slap
Djembe Bass
Taiko
Wa-Daiko
Tabla Na
Tabla Te
Tabla Ti
Tabla Tun
Baya Ge
Baya Gin
53
54
56
58
114
116
118
115
117
55
57
18"PowerCrBw
14"Maple T3R
20"CustomRdE
59
119
120
C9
121
122
123 Baya Ka
Baya Slide
ConcertBD
126 HandCymbal
OFF
124
125
127
71
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MIDI Implementation Chart
PERCUSSION SOUND MODULE
Model TD-9
Date : Dec. 1, 2007
Version : 1.00
MIDI Implementation Chart
Function...
Transmitted
Recognized
Remarks
Basic
Default
1–16, OFF
1–16, OFF
*1
Channel Changed
1–16, OFF
1–16, OFF
Memorized
Default
Messages
Altered
Mode 3
X
**************
Mode 3
X
**************
Mode
Note
Number :
0–127
0–127
0–127
Memorized
True Voice
**************
Note On
Note Off
O 9nH, v = 1–127
O 8nH, v = 64
O
O
Velocity
After
Touch
Key’s
Channel’s
O
X
O
X
Pitch Bend
X
X
0, 32
1
O
O
O
O
*2
*3
*3
*3
O
O
O
O
*2
*3
*3
*3
Bank Select
Modulation
4
Foot Controller
16
General Purpose
Controller 1
Control
Change
Program
Change
O 0–49
O 0–49
0–49
*2 *4
Program No. 1–50 (fixed)
: True Number
**************
System Exclusive
O
O
Device ID = 17 (10H)
: Song Position
: Song Select
: Tune Request
X
X
X
X
X
X
System
Common
System
Real Time : Commands
: Clock
X
X
X
X
X
X
X
X
O
X
O (120)
: All Sound Off
O
: Reset All Controllers
Aux
Messages
X
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
O (123–127)
O
X
*1 The channel of percussion part is fixed at 11.
*2 DRUM part only.
Notes
*3 One is selected as the hi-hat control pedal.
*4 O X is selectable.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
72
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Specifications
TD-9: Percussion Sound Module
● Instruments
● Quick Rec
● Weight
Drum Instruments: 522
Resolution: 480 ticks per quarter note
850 g / 1 lb 14 oz
(excluding AC Adaptor)
Recording Method: Real-time
● Drum Kits
Maximum Note Storage:
approx. 32,000 notes
● Accessories
50
Owner’s Manual
Quick Start
● Instrument Parameters
● File Format
AC Adaptor (PSB-1U)
Special Connection Cable
Wing Bolt (M5 x 10) x 2
Sound Module Mounting Plate
KICK:
Head Tuning, Muffling
Audio File: WAV
● Display
SNARE:
Head Tuning, Muffling
64 x 128 dots Graphic Type LCD
(backlit LCD)
● Options
TOM:
Head Tuning, Muffling
Pads:
● Connectors
PD-8, PDX-8, PD-85, PD-105, PD-125
HI-HAT:
Cymbal Size, Fixed Hi-Hat
Trigger Input connector (DB-25 type)
Cymbals:
CY-5, CY-8, CY-12R/C, CY-14C,
CY-15R
(Kick, Snare, Tom1, Tom2, Tom3,
Hi-Hat, Crash1, Ride, Ride Bell,
Hi-Hat Control)
CYMBAL:
Cymbal Size, Sustain
Kick Triggers: KD-8, KD-85, KD-120
Hi-Hats: VH-11
Extra Trigger Input Jacks: 2
(CRASH2,AUX)
Others:
Pitch, Decay
(Stereo 1/4 inch phone type)
Hi-Hat Control Pedal: FD-8
Stand: MDS-9
Output Jacks (L (MONO), R)
(Stereo 1/4 inch phone type)
● Effect Types
Ambience (9 Types)
2-Band Equalizer
Cymbal Mount: MDY-10U
Pad Mount: MDH-10U
Phones Jack
(Stereo 1/4 inch phone type)
● Ambience Parameters
Mix in Jack
Acoustic Drum Trigger:
RT-10K, RT-10S, RT-10T
(stereo miniature phone type)
Room Type, Room Size, Wall Type,
Mic Position, Room Shape
MIDI Connectors (IN, OUT/THRU)
Personal Drum Monitor:
PM-10, PM-30
USB Connector (for USB memory key)
● Mixer Parameters
V-Drums Accessory Package: DAP-3
V-Drums Mat: TDM-20, TDM-10
Volume, Pan
● Output Impedance
1.0 kΩ
● Percussion Set
* In the interest of product improvement,
the specifications and/or appearance
of this unit are subject to change
without prior notice.
1
● Power Supply
AC Adaptor (DC 9 V)
● Song
Preset Songs: 50
Parts: 4
● Current Draw
500 mA
Play Functions:
One shot, Loop, Repeat
● Dimensions
160 (W) x 88.5 (D) x 259.5 (H) mm
6-5/16 (W) x 3-1/2 (D) x 10-1/4 (H)
inches
Tempo: 20–300
73
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Block Diagram
KIT/
KIT/
KIT/
KIT/
EDIT/
MIXER/
Volume
EDIT/
EDIT/
MIXER/
Pan
KIT/
EDIT/
Inst
EDIT/
Drum Kit
AMB/EQ/
AMB SEND
KITVOL/
Kit Volume
Head
Head
Rim
Inst
Inst
Volume
Volume
Volume
KICK
Amb Send Level
Amb Send Level
Amb Send Level
SNARE
Inst
XStick
KIT/
EDIT/
MIXER/
KITVOL/
XStick Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Head
Rim
Inst
Inst
Inst
Inst
Inst
Inst
TOM1
TOM2
TOM3
HI-HAT
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Head
Rim
Head
Rim
Head
Rim
Inst
Inst
KIT
Volume
Pedal
KIT/
EDIT/
KITVOL/
Pedal HH Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Volume
Head
Rim
Inst
Inst
Inst
Inst
Inst
Inst
Inst
Inst
Inst
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
CRASH1
CRASH2
Head
Rim
Head
Rim
RIDE
BELL
AUX
Rim
Head
Rim
SETUP/
MIDI/
SETUP/
MIDI/
PERC/
EDIT/
Pan
PERC/
EDIT/
Volume
Percussion
Song
Perc Set
Volume
Amb Send Level
SONG/
INFO/
*1
KIT
Song Volume
Amb Send Level
*1
Drum
Others
Volume
Bass
*1 The settings of the currently selected drum kit are used.
Percussion
EXTERNAL SONG/
INFO/
Song Volume
External Song
Click
Volume
TEMPO/
INST/
Pan
TEMPO/
INST/
Inst
Inst
TEMPO/
INST/
Volume
Volume
74
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MIX IN
KIT/
INST/
AMB/EQ/
EQ
Equalizer
L/MONO
Volume
High Freq
High Gain
Low Freq
Low Gain
OUTPUT
R
KIT/
INST/
AMB/EQ/
AMB
Ambience
Type
Size
Wall
Mic
PHONES
Shape
Level
TD-9
Block Diagram
75
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Drum Instrument ............................ 67
DRUM KIT .................................... 22
A
Kit Volume .................................... 27
AMB/EQ ..................................... 28
Ambience .................................... 28
AMBIENCE SEND ........................ 28
Loading
E
Edge Shot ............................... 23–24
Quick Rec data .......................... 58
B
Basic Trigger Parameters ............... 47
Bass Part ............................... 34, 36
Bell Shot ...................................... 23
F
Factory Reset ................................ 60
Fixed Hi-Hat ................................. 26
M
Mask Time .................................... 49
C
CHAR .............................. 29, 56–57
Copying
HH Open (Edge) .......................... 32
HH Pedal ..................................... 32
High Freq .................................... 28
Crosstalk ..................................... 49
Cursor ......................................... 14
Cursor Buttons (
Naming
Quick Rec data .......................... 57
Note Chase .................................. 51
NOTE NUMBER ............................ 32
Note Number ............................... 71
/
/
/
) ... 12, 14
I
D
INSERT ............................. 29, 56–57
INST ........................................... 25
Inst ....................................... 25, 40
DC IN ......................................... 13
Decay ................................... 26, 54
Default Trigger Type ..................... 61
76
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O
ONESHOT .................................. 37
Open Hi-Hat ................................ 24
OTHERS ...................................... 36
Saving
Song Information .......................... 37
Song Settings ............................... 37
Song Volume ............................... 37
XSTICK ................................... 22–23
Xstick ........................................... 32
XStick Threshold ............................ 27
P
Percussion Instruments ................... 54
Pitch ..................................... 26, 54
ZOOM - ....................................... 43
ZOOM + ...................................... 43
Playback
Total Time .................................... 37
Trig Type ................................ 47–48
Playing
Quick Rec data ......................... 42
Song ....................................... 35
POWER ....................................... 12
Q
QUICK PLAY ................................ 12
Quick Play ................................... 41
QUICK REC ................................. 12
Quick Rec .................................... 41
R
Retrig Cancel ............................... 48
Rim Gain ..................................... 49
Rim Shot ...................................... 23
RimShot Adj ................................. 49
Rx PC .......................................... 51
VALUE Dial .................................. 13
VALUE dial .................................. 14
VH-11 ......................................... 50
VOLUME ............................... 12, 27
Volume .................................. 40, 54
77
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar Al Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (022)-418-5531
Curacao, Netherland Antilles
TEL:(305)5926866
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 899 9801
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Al-Yousifi Service Center
P.O.Box 126 (Safat) 13002
KUWAIT
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
TEL: (022) 679 4419
TEL: 00 965 802929
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
LEBANON
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
REUNION ISLAND
TEL: (0262) 218-429
TEL:(593-4)2302364
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
EUROPE
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: (02) 2561 3339
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
THAILAND
Theera Music Co. , Ltd.
100-108 Soi Verng
OMAN
Austrian Office
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
TEL: (011)417 3400
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
Nakornkasem, New
TEL: 262-0788
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL: (02) 224-8821
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
TEL: (266) 364 609
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
AUSTRALIA/
NEW ZEALAND
TEL:(502) 599-2888
ASIA
CHINA
Roland Shanghai Electronics
TEL: 4423-554
SLOVAKIA
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
TEL: (014) 575811
DAN Acoustic s.r.o.
Povazská 18.
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
SAUDI ARABIA
aDawliah Universal
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
Electronics APL
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952
SAUDI ARABIA
TEL: (03) 8643601
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
CZECH REP.
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
SWEDEN
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: (2) 830 20270
TEL: (010) 6426-5050
CENTRAL/LATIN
AMERICA
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
TEL: (011) 223-5384
MEXICO
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: 3916 6200
TEL: 2415 0911
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Parsons Music Ltd.
TEL: (55) 5668-6699
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
TEL: (03131) 414-40
TEL: (04) 3360715
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
UNITED KINGDOM
TEL: (505)277-2557
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NORTH AMERICA
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
UNITED KINGDOM
TEL: (01792) 702701
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
MIDDLE EAST
HUNGARY
TEL: (604) 270 6626
KOREA
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
BAHRAIN
Moon Stores
No.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (23) 511011
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: 17 813 942
TEL: (574)3812529
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
MALAYSIA
TEL: (905) 362 9707
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
U. S. A.
Lima - Peru
TEL: (511) 4461388
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
TEL: (021)-2285-4169
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
TEL: (323) 890 3700
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
TEL: 9316540
As of Oct. 1, 2007 (ROLAND)
78
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For EU Countries
For China
Download from Www.Somanuals.com. All Manuals Search And Download.
C5100064
08-02-2YG
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