Rockford Fosgate Stereo Amplifier 250, 360, 400, 500, 600, 800, 1000 User Guide |
Power 250 2-Channel
Power 360 2-Channel
Power 400 4-Channel
Power 500 2-Channel
Power 600 5-Channel
Power 800 2-Channel
Power 800 4-Channel
Power 1000 2-Channel
Installation
and
Operation
Power Amplifier
Páginas de Referencia para la Ins talación
Schéma d’Ins tallation
Ins tallations Beiblatt
Is truzioni di Ins tallation
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Dear Customer,
Congratulations on your purchase of the world's finest brand of car audio
amplifiers. At Rockford Fosgate we are fanatics about musical reproduction
at its best, and we are pleased you chose our product. Through years of
engineering expertise, hand craftsmanship and critical testing procedures,
we have created a wide range of products that reproduce music with all the
clarity and richness you deserve.
For maximum performance we recommend you have your new Rockford
Fosgate product installed by an Authorized Rockford Fosgate Dealer, as we
provide specialized training through Rockford Technical Training Institute
(RTTI).
Please read your warranty and retain your receipt and original carton for
possible future use.
Great product and competent installations are only a piece of the puzzle
when it comes to your system. Make sure that your installer is using 100%
authentic installation accessories from Connecting Punch in your installa-
tion. Connecting Punch has everything from RCA cables and speaker wire
to Power line and battery connectors. Insist on it! After all, your new system
deserves nothing but the best.
To add the finishing touch to your new Rockford Fosgate image order your
Rockford wearables, which include everything from T-shirts and jackets to
hats and sunglasses.
To get a free brochure on Rockford Fosgate products and Rockford acces-
sories, in the U.S. call 480-967-3565 or FAX 480-967-8132. For all other
countries, call +001-480-967-3565 or FAX +001-480-967-8132.
PRACTICE SAFE SOUND™
CONTINUOUS EXPOSURE TO SOUND PRESSURE LEVELS OVER 100dB
MAY CAUSE PERMANENT HEARING LOSS. HIGH POWERED AUTOSOUND
SYSTEMS MAY PRODUCE SOUND PRESSURE LEVELS WELL OVER 130dB.
USE COMMON SENSE AND PRACTICE SAFE SOUND.
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Specifications
POWER 250
2-channel
POWER 360
2-channel
POWER 400
4-channel
POWER 500
2-channel
POWER 600.5
5-channel
POWER 800
2-channel
POWER 800
4-channel
POWER 1000
2-channel
Dynamic Power Rating
(IHF-202 Standard) - Measured at 14.4 Volts
Bridged into a 4Ω Load
Per channel into a 2Ω Load
Per channel into a 4Ω Load
Front/Rear + Subwoofer
232 Watts x 2 + —
330 Watts x 2 120 Watts x 4 + 240 Watts x 1 480 Watts x 2
3
20 Watts x 1
160 Watts x 2
100 Watts x 2
481 Watts x 1
242 Watts x 2
154 Watts x 2
232 Watts x 2
127 Watts x 4
84 Watts x 4
710 Watts x 1
960 Watts x 1
525 Watts x 2
270 Watts x 4
150 Watts x 4
1460 Watts x 1
730 Watts x 2
450 Watts x 2
210 Watts x 2
75 Watts x 4 + 115 Watts x 1
240 Watts x 2
Continuous Power Rating
(Competition Standard)
Measured at 13.8 Battery Volts
RMS continuous power / channel,
both channels driven into a 4Ω
load from 20Hz to 20kHz with
62.5 Watts x 2
90 Watts x 2
50 Watts x 4
125 Watts x 2
50 Watts x 4 + 100 Watts x 1
200 Watts x 2
100 Watts x 4
250 Watts x 2
<
0.05% Total Harmonic Distortion (THD)
RMS continuous power / channel,
both channels driven into a 2Ω
load from 20Hz to 20kHz, with
125 Watts x 2
250 Watts x 1
180 Watts x 2
360 Watts x 1
100 Watts x 4
200 Watts x 2
250 Watts x 2 100 Watts x 4 + 200 Watts x 1 400 Watts x 2
200 Watts x 4
400 Watts x 2
500 Watts x 2
1000 Watts x 1
<
0.1% Total Harmonic Distortion (THD)
RMS continuous power bridged
into a 4Ω load from 20Hz to
20kHz, with <0.1% Total Harmonic
Distortion (THD)
500 Watts x 1
200 Watts x 2 + —
800 Watts x 1
Signal-to-Noise Ratio (A-weighted)
Crossover Slope (Butterworth)
Crossover Frequency
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
>100dB
24dB/octave
50Hz – 210Hz
Specifications are subject to change without notice.
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Specifications
POWER 250
2-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
POWER 360
2-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
12.4" (31.42cm) L
POWER 400
4-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
13.4" (33.96cm) L
POWER 500
2-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
13.4" (33.96cm) L
POWER 600.5
5-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
18.4" (46.74cm) L
POWER 800
2-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
18.4" (46.74cm) L
POWER 800
4-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
18.4" (46.74cm) L
POWER 1000
2-channel
2.4" (6.1cm) H
9.9" (25.06cm) W
18.4" (46.74cm) L
Dimensions (end caps installed)
11.4" (28.88cm)
L
Heatsink Type (internal use only)
Frequency Response (±0.5dB)
Bandwidth (±3dB)
#2
#3
#4
#4
#4
#6
#6
#6
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
20Hz - 20kHz
20Hz - 200kHz
>200
Damping Factor @ 4Ω
(at output connector)
Slew Rate
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
30 Volts/ ms
<0.05%
IM Distortion (IHF)
Source Unit Compatibility
(+15dB gain overlap)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
17V max. (RCA)
Input Sensitivity (+0dB gain overlap)
250mV~4V (RCA)
250mV~4V (RCA)
250mV~4V (RCA)
250mV~4V (RCA)
250mV~4V (RCA)
250mV~4V (RCA) 250mV~4V (RCA) 250mV~4V (RCA)
Protection NOMAD - Internal analog-computer output protection circuitry limits power in case of overload. Thermal switch shuts down the amplifier in case of overheating.
Battery Fuse Rating
(External to Amplifier)
30A
ATC
40A
ATC
50A
50A
50A
60A*
AGU
60A*
AGU
2-50A or 1-100A*
2-AGU OR 1- ANL
Fuse Type
AGU
AGU
AGU
Equalization (45Hz Punch Bass)
Input Impedance
Variable
(0 to +18dB)
20k ohms
Variable
(0 to +18dB)
20k ohms
Rear Variable
(0 to +18dB)
20k ohms
Variable
(0 to +18dB)
20k ohms
Variable
(0 to +18dB)
20k ohms
Variable
(0 to +18dB)
20k ohms
Rear Variable
(0 to +18dB)
20k ohms
Variable
(0 to +18dB)
20k ohms
* recommended fuse not supplied with amplifier
Specifications are subject to change without notice.
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Table of Contents
Specifications.............................................................................................. i
Introduction ................................................................................................1
Power Amplifier Accessory Pack ....................................................................1
Feature Chart ..............................................................................................2
Design Features ..........................................................................................3
Installation Considerations ............................................................................8
Mounting Location ......................................................................................9
Battery and Charging ................................................................................10
Wiring the System......................................................................................10
Using Passive Crossovers............................................................................12
Table of Component Values ........................................................................13
Installation ................................................................................................14
Operation..................................................................................................23
System Diagrams ......................................................................................26
Troubleshooting ........................................................................................30
Dynamic Power Measurements....................................................................32
Warranty Information ................................................................................34
International Information ............................................................................35
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Introduction
Rockford engineers designed the Power series amplifiers to withstand the
rugged automotive environment while delivering superior sound quality in
a flexible, reliable, and efficient package. TRANS• ana is a low voltage cir-
cuit in the preamp stage lets the music sound crystal clear and very real,
even when played at high volume levels. This is matched with TOPAZ, a
unique grounding circuit used to eliminate noise problems associated with
car audio systems and their installation. Flexibility is accomplished with the
use of a built-in variable crossover. The use of a protection circuit called
NOMAD, along with MOSFET and DSM (Discrete Surface Mount) technol-
ogies improve amplifier efficiency. The result of these components give the
Power amplifier awesome sound quality in a “Bullet Proof” package.
Explanations of these technologies, most of which are exclusively designed
and patented by Rockford, are described in the Technical Design Features.
Power Amplifier Accessory Pack
The accessory pack shipped with the Power amplifiers includes the mount-
ing hardware necessary to secure the amp to the vehicle.
Installation & Operation Manual
Punch Verification Certificate
(4) Amplifier mounting screws (#8 x 3/4" Phillips)
(4) Speaker/Power connector set screws (3/32" Allen)
(4) Endbell mounting screws (9/64" Allen)
(1) Allen wrench (3/32")
(1) Allen wrench (9/64")
(1) Inline fuseholder (Power 250, Power 360 & Power 400 amps)
(1) AGU 30 amp fuse (Power 250 2-channel amp)
(1) AGU 40 amp fuse (Power 360 2-channel amp)
(1) AGU 50 amp fuse (Power 400 4-channel & Power 600 5-channel amps)
(1) Remote Punch Bass (replacement part #WP-2429)
(1) 15' Remote Punch Bass cable (replacement part #CC-2421)
(2) Remote Punch Bass bracket screws (4 x 7/16" Phillips)
NOTE: Refer to the specifications section for recommended fuse sizes on
the Power 800 2-channel, Power 800 4-channel & Power 1000 2-channel
amps.
– 1 –
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Power Amplifier Feature Chart
POWER AMPLIFIER MODEL
Power
250
Power
360
Power
400
Power
500
Power
600
Power
800
Power
800
Power
1000
# of CHANNELS
2
2
4
2
5
2
4
2
Stable Into: (stereo/mono)
CIRCUITRY
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
2Ω/4Ω
1
TRANS• ana – circuit topology
TRANS• nova – patented circuit topology
DIAMOND – patented MOSFET driver stage
Class-G – high efficiency topology
MEHSA – heat dissipating technology
TOPAZ – patented noise eliminating circuitry
DSM – discrete surface mount
MOSFETs – power supply & output devices
NOMAD – protection circuit
FEATURES
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
x
–
–
–
x
x
x
x
x
–
x
x
–
x
x
x
x
x
2
3
4
Die Cast Heatsink
x
x
x
x
x
x
x
x
Hi-Level Inputs – for factory radios
RCA Inputs – for aftermarket radios
Input Switches – eliminates “Y” adaptors
Pass-Thru – feeds signal to aux. amp
Pwr/Spk Screw Terminals
–
x
–
x
–
x
–
x
–
x
x
x
–
x
–
x
–
x
–
x
–
x
–
x
–
x
x
x
–
x
–
x
–
–
–
–
–
–
–
–
Pwr/Spk Block Terminals
4 Gauge PWR/GND
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
Variable Punch Bass (0dB ~+18dB @ 45Hz)
Remote
Remote
Remote Rear
Remote
Remote
Remote
Rear
HP/FULL/LP
24dB
–
Remote
Rear
HP/FULL/LP
24dB
–
Remote
5
5
5
5
5
5
5
5
HP/FULL/ LP
Variable Xover (50Hz ~ 210Hz)
Crossover Slope (Butterworth)
Phase Warp
HP/FULL/LP
HP/FULL/LP
HP/FULL/LP
HP/FULL/LP
HP/FULL/LP
24dB
–
24dB
–
24dB
–
24dB
–
24dB
–
24dB
x
1
3
5
2
4
Trans• nova is patented under "U.S. Patent No. 4,467,288"
DIAMOND is patented under "U.S. Patent No. 5,673,000"
TOPAZ is patented under "U.S. Patent No. 5,751,823"
HP = 24dB/octave High-Pass / LP = 24dB/octave Low-Pass / FULL = Full Range
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Design Features
1. Cast Aluminum Heatsink – The cast aluminum heatsink of the Power amplifier
dissipates heat generated by the amplifier's circuitry. The inherent advantage of
casting provides a 30% improvement of cooling over conventional extrusion
heatsink designs.
2. Speaker/Power Terminals – The heavy duty, gold-plated terminal block con-
nectors (+ and –) will accept 4 gauge cable and are immune to corrosion that
can cause signal degradation.
3. REM Terminal – This spade terminal is used to remotely turn on and turn off the
amplifier when +12V DC is applied.
4. Signal Input Switch (Power 400, Power 800 4-channel & 600 5–channel
amplifiers) – This switch allows the amplifier to be driven with either 2 or 4
pairs of inputs.
5. RCA Input Jacks – The industry standard RCA jacks provide an easy connection
for signal level input. They are gold-plated to resist the signal degradation
caused by corrosion.
6. RCA Pass-Thru Jacks – The Pass-Thru provides a convenient source for daisy-
chaining an additional amplifier without running an extra set of RCA cables
from the front of the vehicle to the rear amplifier location.
7. Gain Control – The input gain control is preset to match the output of most
source units. It can be adjusted to match output levels from a variety of source
units.
8. Remote Punch Bass – The Punch Bass helps correct for acoustical deficiencies
in the listening environment by helping reproduce full range sound without
adding excessive boost. The Punch Bass control is a narrow band adjustment
centered at 45Hz variable from 0dB to +18dB. Connection is made with a
cable using RJ-45 and can be installed under the dash for remote control access.
9. Internal Crossover – The internal crossover is a 24dB/octave Butterworth filter
selectable for High-Pass (HP), Full Range (FULL), or Low-Pass (LP) operation
variable from 50Hz to 210Hz.
10. LED Power Indicator – The LED illuminates when the unit is turned on.
11. Phase Warp (Power 1000 2-channel amplifier) – The phase warp is a variable
control used to adjust the phase of the output signal relative to the phase of the
input signal. The phase warp is most noticable when the system is playing a
sine wave (test tone). When used with the proper test equipment, this feature
can increase the relative SPL in a system.
– 3 –
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Power 250
2-channel
9
7
8
9
1
7
5
2
2
6
3
10
2
Power 360
2-channel
9
7
7
1
2
5
8
9
2
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
6
3
10
REM
B+
GND
2
– 4 –
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Power 400
4-channel
9
4
7
9
9
1
5
9
7
8
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
6
2
3
2
10
LR+
LR-
RR+
RR-
B+
GND
LED
LF-
LF+
RF-
RF+
REM
2
Power 500
2-channel
9
7
7
1
2
5
8
9
2
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
L
Pass-Thru
+
R
-
6
3
10
REM
B+
GND
2
– 5 –
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Power 600
5-channel
9
10
9
9
9
4
5
8
1
R
L
R
L
Sub LP
Crossover Punch
Frequency Bass
Sub
Rear
Crossover Punch
Frequency Bass
Rear
Front
Crossover Punch
Frequency Bass
Front
Sub
Gain
Rear
Gain
Front
Gain
Remote
Punch Bass
Hz
Hz
210
210
HP-Full-LP
Rear
Crossover
50
HP-Full-LP
Front
Crossover
50
6/4/2
Input
190
145
190
145
55
65
55
65
110
110
80
80
Sub
Rear
Front
10
7
3
2
2
7
7
RR+
RR-
LR-
RF-
LF+
Sub-
REM
Sub-
RR+
RR-
LR-
RF-
LF+
LF-
LR+
RF+
LF-
Sub+
LR+
RF+
Sub+
B+
GND
Power 800
2-channel
9
7
7
1
2
5
8
9
2
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
Punch Bass
L
L
R
Crossover Frequency
Speaker
Speaker
+
L
-
Pass-Thru
R
+
R
-
6
3
10
REM
B+
GND
2
– 6 –
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Power 800
4-channel
7
9
4
7
9
9
9
8
1
5
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
6
Rear
3
2
2
10
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
Power 1000
2-channel
9
7
7
8
9
1
2
5
2
11
HP–Full–LP
Crossover
Input
Right
Gain
Phase Crossover Left
Warp Frequency Gain
Remote
L
R
Punch Bass
Hz
210
50
190
145
Pass-Thru
55
65
L
R
Speaker
Speaker
110
+
L
-
+
R
-
80
6
3
10
REM
B+
GND
2
– 7 –
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Installation Considerations
This is a list of tools you will need for installing the Power amplifier:
• Voltmeter
• Wire strippers
• Electric hand drill w/assorted bits
• 17' (5 m) Red Power Wire
• 12' (4 m) Remote Turn-On Wire
• 1.5' (45 cm) Black Grounding Wire
• Battery post wrench
• Wire cutters
• Assorted connectors
• Wire crimpers
This section focuses on some of the vehicle considerations for installing
your new Power amplifier. Checking your battery and present sound sys-
tem, as well as pre-planning your system layout and best wiring routes, will
save installation time. When deciding how to lay out your new system, be
sure that each component will be easily accessible for making adjustments.
Before beginning any installation, be sure to follow these simple rules:
1. Be sure to carefully read and understand the instructions before
attempting to install the amplifier.
2. For safety, disconnect the negative lead from the battery prior to begin-
ning the installation.
3. For easier assembly, we suggest you run all wires prior to mounting
your amplifier in place.
4. Route all of the RCA cables close together and away from any high
current wires.
5. Use high quality connectors for a reliable installation and to minimize
signal or power loss.
6. Think before you drill! Be careful not to cut or drill into gas tanks, fuel
lines, brake or hydraulic lines, vacuum lines or electrical wiring when
working on any vehicle.
7. Never run wires underneath the vehicle. Running the wires inside the
vehicle provides the best protection.
8. Avoid running wires over or through sharp edges. Use rubber or plas-
tic grommets to protect any wires routed through metal, especially the
firewall.
9. ALWAYS protect the battery and electrical system from damage with
proper fusing. Install a fuseholder and appropriate fuse on the +12V
power wire within 18” (45 cm) of the battery terminal.
10. When grounding to the chassis of the vehicle, scrape all paint from the
metal to ensure a good, clean ground connection. Grounding connec-
tions should be as short as possible and always be connected to metal
that is welded to the main body, or chassis, of the vehicle.
– 8 –
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Mounting Location
The mounting location and position of your amplifier will have a great effect
on its ability to dissipate the heat generated during normal operation. The
design of our cast aluminum heatsink serves to easily dissipate the heat gen-
erated over a wide range of operating conditions. However, to maximize the
performance of your amplifier, care should be taken to ensure adequate
ventilation.
Trunk Mounting
Mounting the amplifier vertically on a surface with the fin grooves running
up and down will provide the best cooling of the amplifier.
Mounting the amplifier on the floor of the trunk will work but provides less
cooling capability than vertical mounting.
Mounting the amplifier upside down to the rear deck of the trunk will not
provide proper cooling and will severely affect the performance of the
amplifier and is strongly not recommended.
Passenger Compartment Mounting
Mounting the amplifier in the passenger compartment will work as long as
you provide a sufficient amount of air for the amplifier to cool itself. If you
are going to mount the amplifier under the seat of the vehicle, you must
have at least 1" (2.54cm) of air gap around the amplifier's heatsink.
Mounting the amplifier with less than 1" (2.54cm) of air gap around the
amplifier's heatsink in the passenger compartment will not provide proper
cooling and will severely affect the performance of the amplifier and is
strongly not recommended.
Engine Compartment Mounting
Rockford Fosgate amplifiers should never be mounted in the engine com-
partment. Not only will this void your warranty but could create an embar-
rassing situation caused by the ridicule from your friends.
– 9 –
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Battery and Charging
Amplifiers will put an increased load on the vehicle's battery and charging
system. We recommend checking your alternator and battery condition to
ensure that the electrical system has enough capacity to handle the
increased load of your stereo system. Stock electrical systems which are in
good condition should be able to handle the extra load of any Rockford
amplifier without problems, although battery and alternator life can be
reduced slightly. To maximize the performance of your Rockford Fosgate
amplifier, we suggest the use of a heavy duty battery and an energy storage
capacitor.
Wiring the System
CAUTION: Avoid running power wires near the low level input cables, antenna,
power leads, sensitive equipment or harnesses. The power wires carry sub-
stantial current and could induce noise into the audio system.
1. Plan the wire routing. Take care when running signal level RCA cables
to keep them close together but isolated from the amplifier's power
cables and any high power auto accessories, especially electric motors.
This is done to prevent coupling the noise from radiated electrical fields
into the audio signal. When feeding the wires through the firewall or
any metal barrier, protect them with plastic or rubber grommets to pre-
vent short circuits. Leave the wires long at this point to adjust for a pre-
cise fit at a later time.
2. Prepare the Power cable for attachment
INSULATION
STRIP WIRE
to the amplifier by stripping 5/8" of insu-
lation from the end of the wire. The use
of 8 gauge power cable can interfere
with the installation of the end caps.
Proper wire dress can prevent this from
occurring. To prevent the wire from fray-
ing, strip the insulation at a 45° angle.
Insert the bared wire into the B+ terminal
<
>
5/8"
AMP
with the long side of the insulation on the top. Bend the cable down at
a 90° angle. Tighten the set screw to secure the cable in place.
3. Strip 3/8" from the battery end of the power cable and crimp a large ring
terminal to the cable. Use the ring terminal to connect to the battery
positive terminal. Do not install the fuse at this time.
– 10 –
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4. Prepare a length of cable to be used for the ground connection. Strip
5/8" of insulation from the end of the cable as described above and
connect to the appropriate terminal of the amplifier. Prepare the chas-
sis ground by scraping any paint from the metal surface and thorough-
ly clean the area of all dirt and grease. Strip the other end of the wire
and attach a ring connector. Fasten the cable to the chassis using a non-
anodized screw and a star washer.
5. Prepare the REM turn-on wire for connection to the amplifier by strip-
ping 1/4" of insulation from the wire end and crimping an insulated
spade connector in place. Slide the connector over the REM terminal
on the amplifier. Connect the other end of the REM wire to a switched
12 volt positive source. The switched signal is usually taken from the
source unit's auto antenna or the accessory lead. If the source unit does
not have these outputs available, the recommended solution is to wire
a mechanical switch in line with a 12 volt source to activate the ampli-
fier.
6. Securely mount the amplifier (with supplied screws) to the vehicle or
amp rack. Be careful not to mount the amplifier on cardboard or plas-
tic panels. Doing so may enable the screws to pull out from the panel
due to road vibrations or sudden vehicle stops.
7. Determine the number of inputs needed to drive the amplifier and
move the input switch to the desired setting (Power 400 & Power 800
4-channel amplifiers only.).
8. Connect the source signal to the amplifier by plugging the RCA cables
into the input jack(s) at the amplifier.
9. Connect the speakers. Strip the speaker wires 5/8" and insert into the
appropriate terminal on the amplifier. Insert the bared wire into the
speaker terminal and tighten the set screw to secure into place. Be sure
to maintain proper speaker polarity. DO NOT chassis ground any of
the speaker leads as unstable operation may result.
10. Perform a final check of the completed system wiring to ensure that all
connections are accurate. Check all power and ground connections for
frayed wires and loose connections which could cause problems from
road vibrations.
– 11 –
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I
N
S
T
A
L
L
A
T
I
O
N
Using Passive Crossovers
+-
A passive crossover is a circuit that uses capacitors and/or coils
and is placed on speaker leads between the amplifier and speak-
er. The crossover delegates a specific range of frequencies to the speaker
for optimum driver performance. A crossover network can perform one of
three functions: High-Pass (capacitors), Low-Pass (inductors or coils) and
Bandpass (combination of capacitor and coil).
The most commonly used passive crossover networks are 6dB/octave sys-
tems. These are easy to construct and require one component per filter.
Placing this filter in series with the circuit will reduce power to the speak-
er by 6dB/octave above or below the crossover point depending on
whether it is a high-pass or low-pass filter. More complex systems such as
12dB/octave or 18dB/octave can cause impedance problems if not profes-
sionally designed.
Passive crossovers are directly dependent upon the speaker's impedance
and component value for accuracy. When passive crossover components
are used in multiple speaker systems, the crossover's effect on the overall
impedance should be taken into consideration along with the speaker's
impedance when determining amplifier loads. CAUTION: The Power
amplifiers are not recommended for impedance loads below 2Ω stereo
and 4Ω bridged (mono) loads.
– 12 –
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Table of Crossover Component Values
L
C
6dB/Octave High-Pass
6dB/Octave Low-Pass
Speaker Impedance
Freq.
Hertz
2 OHMS
8 OHMS
4 OHMS
C
L
C
L
C
L
80
100
130
4.1mH
3.1mH
2.4mH
1000µF
800µF
600µF
8.2mH
6.2mH
4.7mH
500µF
400µF
300µF
16mH
12mH
10mH
250µF
200µF
150µF
200
260
400
1.6mH
1.2mH
.8mH
400µF
3.3mH
2.4mH
1.6mH
200µF
6.8mH
4.7mH
3.3mH
100µF
300µF
150µF
75µF
200µF
100µF
50µF
600
800
1000
.5mH
.41mH
.31mH
136µF
100µF
78µF
1.0mH
.82mH
.62mH
68µF
50µF
39µF
2.0mH
1.6mH
1.2mH
33µF
26µF
20µF
1200
1800
4000
.25mH
.16mH
.08mH
66µF
.51mH
.33mH
.16mH
33µF
1.0mH
.68mH
.33mH
16µF
44µF
22µF
10µF
20µF
10µF
5µF
6000
9000
12000
51µH
34µH
25µH
14µF
9.5µF
6.6µF
.10mH
68µH
51µH
6.8µF
4.7µF
3.3µF
.20mH
.15mH
100µH
3.3µF
2.2µF
1.6µF
L = Low-Pass (Inductor)
C = High-Pass (Capacitor)
For more information, see your Authorized Rockford Fosgate Dealer.
– 13 –
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I
N
S
T
A
L
L
A
T
I
O
N
Installation
+-
Power 250 2-channel
Power 360 2-channel
Power 500 2-channel
Power 800 2-channel
Power 250 Power 360 Power 500 Power 800
Power Connections
2-channel
2-channel
2-channel
2-channel
LED
REM
B+
GND
Connect to remote
turn-on lead of
source unit
Connect to chassis
ground of vehicle*
Less than 18"
+
-
Connect to B+ of battery
with appropriate fuse
*Keep grounds as short as possible
Power 250 Power 360 Power 500 Power 800
Bridged/Mono Mode
2-channel
2-channel
2-channel
2-channel
RCA Input
Hz
50
210
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Crossover Frequency
Right
Gain
80
Remote
L
L
R
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
R
+
R
-
+
-
4Ω min.
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels are set equally to balance the subwoofer
Speaker Impedance should be 4Ω minimum
Variable Crossover can be set to High-Pass (HP), Low-Pass (LP) or
Full Range (FULL)
– 14 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
Power 250 Power 360 Power 500 Power 800
2-Channel Mode
2-channel
2-channel
2-channel
2-channel
RCA Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
Punch Bass
L
L
R
R
Crossover Frequency
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels operate independently
Speaker Impedance for each channel should be 2Ω minimum
Variable Crossover can be set to High-Pass (HP), Low-Pass (LP) or
Full Range (FULL)
Power 250 Power 360 Power 500 Power 800
3-Channel Mode
2-channel
2-channel
2-channel
2-channel
RCA Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
•
•
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels are set equally to balance the subwoofer
Speaker Impedance for each stereo channel should be 2Ω minimum
Speaker Impedance for bridged/mono channel should be 4Ω minimum
Variable Crossover must be set for Full Range (FULL)
Passive Crossovers must be used for proper stereo/mono operation
– 15 –
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I
N
S
T
A
L
L
A
T
I
O
N
Installation
Power 400 4-channel
Power 800 4-channel
+-
Power 400 Power 800
Power Connections
4 -channel
4 -channel
LED
REM
B+
GND
Connect to remote
turn-on lead of
source unit
Connect to chassis
ground of vehicle*
Less than 18"
+
-
Connect to B+ of battery
with appropriate fuse
*Keep grounds as short as possible
– 16 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
Power 400 Power 800
2-Channel Mode
4 -channel
4 -channel
RCA Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Front
Crossover
Frequency
Rear
Crossover
Frequency
Remote
Punch
Bass
Front
Pass-Thru
Rear
REM
LED
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
4Ω min.
Bridged
Left
4Ω min.
Bridged
Right
•
•
•
•
•
RCA Inputs are connected to front inputs
4-2 Input Switch is set to 2-channel input mode
Gain for front and rear channels must be set identical
Speaker Impedance for each bridged channel should be no less than 4Ω
Variable Crossovers for front and rear channels must be set to identical
frequency (i.e. both set to 60Hz) and operating mode (i.e. both set to LP)
– 17 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
3-Channel Mode
4 -cha nne l
Input
Power 400 Power 800
4-channel
4-channel
2 -cha nne l
Input
-or-
4-2
4-2
Input
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
65
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
*
+
-
+
-
+
-
2Ω min.
2Ω min.
4Ω min.
Bridged
•
•
•
•
•
•
RCA Inputs are connected to front -or- front/rear inputs
4-2 Input Switch is set to 2-channel -or- 4-channel input mode
Gain for front and rear channels operate independently
Speaker Impedance for each front stereo channel should be no less than 2Ω
Speaker Impedance for rear bridged/mono channel should be no less than 4Ω
Variable Crossovers for front & rear are variable from 50Hz~210Hz and can be
set to HP (High-Pass), LP (Low-Pass) or FULL (Full Range)
* Reverse polarity on subwoofer if front channel is set to HP (High-Pass) and
rear channel is set to LP (Low-Pass)
– 18 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
4-Channel Mode
Power 400 Power 800
4-channel
4-channel
4 -cha nne l
Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
•
•
•
•
•
RCA Inputs are connected to front & rear inputs
4-2 Input Switch is set to 4-channel input mode
Gain for front and rear channels operate independently
Speaker Impedance for all stereo channels should be no less than 2Ω
Variable Crossovers for front & rear are variable from 50Hz~210Hz and
can be set to HP (High-Pass), LP (Low-Pass) or FULL (Full Range)
– 19 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
Power 600
5-Channel Mode
5-channel
6 -cha nne l input
6/4/2
Input
R
L
R
Sub LP
Crossover Punch
Frequency Bass
Sub
Rear
Crossover Punch
Frequency Bass
Rear
Front
Crossover Punch
Frequency Bass
Front
Sub
Gain
Rear
Gain
Front
Gain
Remote
Punch Bass
Hz
Hz
210
210
HP-Full-LP
Rear
Crossover
50
HP-Full-LP
Front
Crossover
50
6/4/2
Input
190
145
190
145
55
65
55
65
110
110
80
80
Sub
Rear
Front
RR+
RR-
LR-
RF-
LF+
Sub-
REM
Sub-
RR+
RR-
LR-
RF-
LF+
LF-
LR+
RF+
LF-
Sub+
LR+
RF+
Sub+
B+
GND
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
2Ω min.
•
•
•
•
•
RCA Inputs are connected to front & rear inputs
6-4-2 Input Switch is set to 6-channel input mode
Gain for front and rear channels operate independently
Speaker Impedance for all stereo channels should be no less than 2Ω
Variable Crossovers for front & rear are variable from 50Hz~210Hz and
can be set to HP (High-Pass), LP (Low-Pass) or FULL (Full Range)
– 20 –
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I
N
S
T
A
L
L
A
T
I
O
N
Installation
+-
Power 1000 2-channel
Power 1000
Power Connections
2 -channel
REM
B+
GND
Connect to remote
turn-on lead of
source unit
Connect to chassis
ground of vehicle*
Less than 18"
+
-
Connect to B+ of battery
with appropriate fuse
*Keep grounds as short as possible
Power 1000
Bridged/Mono Mode
2 -channel
RCA Input
+
-
4Ω min.
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels are set equally to balance the subwoofer
Speaker Impedance should be 4Ω minimum
Variable Crossover can be set to High-Pass (HP), Low-Pass (LP) or
Full Range (FULL)
– 21 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
2-Channel Mode
Power 1000
2 -channel
RCA Input
Speaker
Speaker
+
L
-
+
R
-
–
–
2Ω min.
2Ω min.
+
+
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels operate independently
Speaker Impedance for each channel should be 2Ω minimum
Variable Crossover can be set to High-Pass (HP), Low-Pass (LP) or
Full Range (FULL)
Power 1000
3-Channel Mode
RCA Input
2 -channel
Speaker
Speaker
+
L
-
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
•
•
•
•
•
•
RCA Inputs connect to both left and right channels
Gain for left and right channels are set equally to balance the subwoofer
Speaker Impedance for each stereo channel should be 2Ω minimum
Speaker Impedance for bridged/mono channel should be 4Ω minimum
Variable Crossover must be set for Full Range (FULL)
Passive Crossovers must be used for proper stereo/mono operation
– 22 –
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I
N
S
T
A
L
L
A
T
I
O
N
Operation
+-
Crossover Operation
All Models
•
•
•
HP Operation enables frequencies above the cut-off point to pass to the speaker
FULL Operation enables all frequencies to pass to the speaker
LP Operation enables frequencies below the cut-off point to pass to the speaker
– 23 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
All Models
Remote Punch Bass
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
Punch Bass
L
L
R
R
Crossover Frequency
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
+18
+12
+6
Install Punch Bass in
convenient location
under vehicle’s dash
a
+3
0dB
33Hz 45Hz 67.5Hz
33Hz 45Hz
67.5Hz
-0
+18
-0
+18
Minimum
Flat
Maximum
Boost
•
•
Carefully increase potentiometer to add Punch to your bass frequencies
Exercise caution when increasing Punch Bass. Maximum boost can cause
potential woofer damage caused by overexcursion
Pass-Thru
All Models
Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
Punch Bass
L
L
R
R
Crossover Frequency
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
Connect Pass-Thru to
input of secondary
amplifier if needed.
Left Right
1
See Note
•
•
Pass-Thru feeds signal to secondary amplifier
Signal from Pass-Thru remains stereo
1
Note : If using High Level Inputs causes engine whine in an amplifier connected
to the Pass-Thru, the Pass-Thru amplifier should have its RCA input
shield connected to the radio chassis ground. Refer to the
Troubleshooting section of this manual for more information.
– 24 –
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I
N
S
T
A
L
L
A
T
I
O
N
+-
Power 1000
Phase Warp
2-channel
The Phase Warp is a variable control used to adjust the phase of the out-
put signal relative to the phase of the input signal. This "phase alignment"
is most noticable when used with an array of woofers whose vertical or
horizontal planes are staggered (not eminating from the same point.)
Adjusting the Phase Warp can electrically realign the signal fed to each
woofer as if all woofers were aligned on a common ZDP. In SPL systems,
a desired ZDP (Zero Delay Plane) is the point source where all speaker's
voice coils are aligned on the same imaginary plane, thus allowing the
signals to arrive at the microphone at the same time.
The phase warp is most noticable when the system is playing a sine wave
(test tone), not music. When used with the proper test equipment, this
feature can increase the relative SPL in a system.
If the Phase Warp is not used (like with a competitive SPL vehicle,) each
amplifier's Phase Warp should be set to (0˚) or (-).
All waveforms are ”phase aligned” at
the targeted microphone position
-
-
~
~
Phase
Warp
Phase
Warp
-
~
Phase
Warp
•
•
•
- Phase Warp enables the sine wave to remain unchanged
~ Phase Warp delays the sine wave in order to "adjust phase"
Amount of Phase Warp depends upon frequency being played
– 25 –
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System Diagrams
400 Watt 3-Way System
BAND
MUTE
PUSH
CO
MPACT DISC PLAYER WITH DIGITAL TUNE
R
C
D CHANG
E
R C
O
NTRO
L
SEL
VOL
DISP
ST
LOCAL LOUD
RPT
RDM
/
AS PS
MODE
TRACK
SEEK
LOUD
DISC
SCAN
RPT
RDM
1
2
3
4
5
6
TUNE
MENU
Front
Rear
Power
4-Channel
Amplifier
Fanatic
Component
System
Punch Woofers
–
–
+
+
+
–
+
+
–
–
8Ω
–
+
+
–
+
–
8Ω
80Hz - 20kHz
24dB/octave HP
20Hz - 80Hz
24dB/octave LP
– 26 –
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650 Watt 4-Way System
BAND
MUTE
P
U
S
H
CO
MPAC
T
DISC PLAYE
R
WITH DIGITAL TUNE
R
CD
C
HANG
E
R
C
O
NTRO
L
SE
VO
L
L
ST
LOCAL LOUD
RPT
RDM
/
DISP
AS PS
MODE
TRAC
SE
LOUD
DISC
K
SCAN
RPT
RDM
1
2
3
4
5
6
TUNE
E
K
MENU
Pass-Thru
Front
Rear
Power
4-Channel
Amplifier
Punch
Midbass
+
+
Fanatic
Component
System
–
–
4Ω
4Ω
–
–
+
+
+
+
–
–
–
+
80Hz - 275Hz
12dB/octave LP
12dB/octave HP
+
–
275Hz - 20kHz
24dB/octave HP
Punch Woofers
+
+
8Ω
8Ω
Power
2-Channel
Amplifier
–
–
20Hz - 80Hz
24dB/octave LP
– 27 –
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BAND
MUTE
P
U
S
H
CO
MP
A
C
T
D
ISC PLA
Y
E
R
W
IT
H
D
IGIT
A
L
T
U
N
E
R
CD
C
H
A
N
G
E
R
C
O
N
T
R
O
L
SE
VO
L
L
ST
LOCAL LOUD
RPT
RDM
/
DISP
AS PS
MODE
TRAC
SE
LOUD
DISC
K
SCAN
RPT
RDM
E
K
1
2
3
4
5
6
TUNE
MENU
Front
Rear
Pass-Thru
Power
4-Channel
Amplifier
Power
4-Channel
Amplifier
+
+
+
+
Punch
Midbass
Punch
Midbass
Fanatic
Component
System
Fanatic
Component
System
–
–
–
–
4Ω
4Ω
4Ω
4Ω
–
–
–
+
–
+
+
+
+
+
+
–
+
–
–
–
–
–
+
+
80Hz - 275Hz
12dB/octave LP
12dB/octave HP
80Hz - 275Hz
12dB/octave LP
12dB/octave HP
+
+
–
–
275Hz - 20kHz
275Hz - 20kHz
24dB/octave HP
24dB/octave HP
Punch Woofers
+
+
8Ω
8Ω
Power
2-Channel
Amplifier
20Hz-80Hz
–
–
24dB/octave LP
RFA-812
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B
A
N
D
MU
T
E
P
U
S
H
CO
MP
A
C
T
D
ISC PLA
Y
E
R
W
IT
H
D
IGIT
A
L
T
U
N
E
R
CD
C
H
A
N
G
E
R
C
O
N
T
R
O
L
SE
VO
L
L
ST
LOCAL LOUD
RPT
RDM
DISP
AS/PS
LOUD
IS
MODE
T
R
A
CK
S
C
A
N
R
P
T
R
D
M
D
C
SE
E
K
1
2
3
4
5
6
TUNE
ME
N
U
Front
Rear
Pass-Thru
Pass-Thru
Power
4-Channel
Amplifier
Power
4-Channel
Amplifier
+
+
+
+
Fanatic
Component
System
Fanatic
Component
System
Punch
Midbass
Punch
Midbass 4Ω
–
–
–
–
4Ω
4Ω
4Ω
–
–
–
+
–
+
+
+
+
+
+
–
+
–
–
–
–
–
+
+
80Hz - 275Hz
12dB/octave LP
12dB/octave HP
80Hz - 275Hz
12dB/octave LP
12dB/octave HP
+
+
–
–
275Hz - 20kHz
24dB/octave HP
275Hz - 20kHz
24dB/octave HP
Punch Woofers
Punch Woofers
+
+
+
+
8Ω
8Ω
8Ω
8Ω
–
–
–
–
Power
2-Channel
Amplifier
Power
2-Channel
Amplifier
20Hz-80Hz
24dB/octave LP
20Hz-80Hz
24dB/octave LP
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TROUBLE
S
H
O
O
T
I
Installation Troubleshooting
N
G
If you are having problems after installation follow the
Troubleshooting procedures below.
Procedure 1: Check Amplifier for proper connections.
Verify that POWER light is on. If POWER light is on skip to Step 2, if not
continue.
1. Check in-line fuse on battery positive cable. Replace if necessary.
2. Verify that Ground connection is connected to clean metal of the vehi-
cle’s chassis. Repair/replace if necessary.
3. Verify there is 10.5 - 15.5 Volts of current present at the positive battery
and remote turn-on cable. Verify quality connections for both cables at
amplifier, stereo, and battery/fuseholder. Repair/replace if necessary.
Procedure 2: Check Amplifier for audio output.
1. Connect a single 4 or 8 ohm test speaker directly to each output chan-
nel amplifier. Verify speakers in car are good and wiring between
amplifier and speakers, including connectors are good. Repair/replace
if necessary.
2. Verify good RCA/high-level input connections at stereo and amplifier.
Check entire length of cables for kinks, splices, etc. Test RCA/high-level
inputs for AC current with stereo on. Repair/replace if necessary.
3. Disconnect RCA/high-level input from amplifier. Connect RCA/high-
level input from test stereo directly to amplifier input.
Procedure 3: Check Amplifier if you experience Turn-on Pop.
1. Disconnect input signal to amplifier and turn amplifier on and off.
2. If the noise is eliminated, connect the REM lead of amplifier to source
unit with a delay turn-on module.
OR
1. Use a different 12 Volt source for REM lead of amplifier (i.e. battery
direct).
2. If the noise is eliminated, use a relay to isolate the amplifier from noisy
turn-on output.
– 30 –
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TROUBLE
S
H
O
O
T
I
Installation Troubleshooting
N
G
Procedure 4: Check Amplifier if you experience excess Engine
Noise.
1. Route all signal carrying wires (RCA, Speaker cables) away from power
and ground wires.
OR
2. Bypass any and all electrical components between the stereo and the
amplifier(s). Connect stereo directly to input of amplifier. If noise goes
away the unit being bypassed is the cause of the noise.
OR
3. Remove existing ground wires for all electrical components. Reground
wires to different locations. Verify that grounding location is clean,
shiny metal free of paint, rust etc.
OR
4. Add secondary ground cable from negative battery terminal to the
chassis metal or engine block of vehicle.
OR
5. Have alternator and battery load tested by your mechanic. Verify good
working order of vehicle electrical system including distributor, spark
plugs, spark plug wires, voltage regulator etc.
– 31 –
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Dynamic Power Measurements
About the Dynamic Power Measurements
The Audio Graph PowerCube is a test instrument used to measure the output of an
amplifier in accordance with IHF-202 industry standards. The IHF-202 standard is a
dynamic power measurement and was developed as a means of measuring power
in a manner that best represents the Real World operation of an amplifier. Many
manufacturers, including Rockford Fosgate, at times will measure amplifier power
into a fixed resistor (4 ohm, 2 ohm). While this method is useful in some types of
evaluation and testing, it is not representative of an amplifier that is connected to a
speaker and playing music.
Music
Music is dynamic; the sound waves are complex and constantly changing. In order
to simulate this, the IHF-202 standard calls for the input signal to the amplifier to be
a 1kHz bursted tone. This signal is input (on for 20 milliseconds) and reduced 20dB
for 480 milliseconds. The signal is gradually increased in level until the amplifier's
output exceeds 1% Total Harmonic Distortion (THD). At 1% distortion becomes
audible, therefore, any power produced above that level is considered unusable.
Many manufacturers represent their amplifiers' output power in excess of 10% dis-
tortion. They use many names for this measurement, such as Total Maximum Power
or Maximum Output Power. This is not indicative of the actual usable output power.
Listening to Loudspeakers - Not Resistors
A loudspeaker is not a resistor. A resistor's value (resistance measured in ohms) is
fixed. A loudspeaker's impedance is dynamic. It is constantly changing in value,
dependent upon the frequency of the input signal. Therefore, measuring power with
the amplifier loaded into a 4 ohm resistor is not the same as measuring power with
the amplifier connected to a 4 ohm speaker. Most people do not listen to music
through a resistor.
A 4 ohm speaker may experience a drop in impedance 4-6 times lower than its nom-
inal (printed) impedance. A speaker will also create phase shifts in the signal that is
passed through it. These phase shifts happen because a speaker is an inductor (voice
coil) and a capacitor (compliance of the surround/spider), as well as a resistor (voice
coil wire).
To simulate a speaker the Audio Graph PowerCube measures output power into 20
different loads. It tests at 8 ohms, 4 ohms, 2 ohms and 1 ohm. Each of these imped-
ances is also tested at –60°, –30°, 0°, +30° and +60° phase angles. These different
impedances and phase angles represent the shifts in impedance and phase that can
occur in a typical loudspeaker.
– 32 –
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Information Cubed
The data acquired in the testing procedure is then graphed in the form of a
3-dimensional cube, hence the name PowerCube.
The Phase Angle is expressed on the horizontal axis, the Output Voltage is
presented on the vertical axis and the Impedance is displayed on the Z axis.
Output Power, in watts, is listed on the left hand side for each impedance
at each phase angle.
Audio Graph – The PowerCube™
MODEL BEING
TESTED
VOLTAGE FROM
BATTERY
x2 = STEREO
MONO = BRIDGED MONO
Amplifier: PUNCH 200.2 14.4V x 2
Serial No:
Rated Power : 100 W @ 4 Ohms
Owner
:
ROCKFORD CORPORATION
8Ω –60° 85
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
W
*
–30° 84
0° 84
POWER
IN
50V
30V
30° 84
60° 86
WATTS
{
4Ω –60° 162
*
–30° 157
0° 156
30° 157
60° 162
10V
2Ω –60° 273
*
–30° 258
0° 251
8Ω
4Ω
30° 256
60° 271
2Ω
–60° (Cap)
0°
1Ω
1Ω –60° 390
*
{
(Ind) +60°
–30° 356
0° 346
PHASE ANGLES
30° 352
60° 390
• Example of a Punch Amplifier PowerCube
What is an Amplifier?
An amplifier by definition is a voltage generating device, recreating the sig-
nal which is input to it identically but with increased volume. It will be con-
nected to a reactive load (the speaker). The impedance of this load and
phase of the signal passing through the load will vary, dependent upon the
frequency of the input signal (music).
Therefore, a perfect amplifier will be able to maintain the same output volt-
age regardless of load characteristics and will not alter the signal it is repro-
ducing. A perfect amplifier when measured by the Audio Graph PowerCube
would present data that forms a perfect cube. Unfortunately, amplifiers are
not perfect. The laws of physics generally prevent it. A great amplifier is
about the best one can hope to attain.
As you can see by the PowerCube and as you will experience by listening,
your Punch amplifier is a GREAT AMPLIFIER!
– 33 –
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Limited Warranty Information
Rockford Corporation offers a limited warranty on Rockford Fosgate products on the
following terms:
•
•
Length of Warranty
3 years on electronics-90 days on electronic B-stock (receipt required)
1 years on source units
1 year on speakers-90 days on speaker B-stock (receipt required)
What is Covered
This warranty applies only to Rockford Fosgate products sold to consumers by
Authorized Rockford Fosgate Dealers in the United States of America or its pos-
sessions. Product purchased by consumers from an Authorized Rockford Fosgate
Dealer in another country are covered only by that country’s Distributor and not
by Rockford Corporation.
•
Who is Covered
This warranty covers only the original purchaser of Rockford product purchased
from an Authorized Rockford Fosgate Dealer in the United States. In order to
receive service, the purchaser must provide Rockford with a copy of the receipt
stating the customer name, dealer name, product purchased and date of pur-
chase.
•
•
Products found to be defective during the warranty period will be repaired or
replaced (with a product deemed to be equivalent) at Rockford's discretion.
What is Not Covered
1. Damage caused by accident, abuse, improper operations, water, theft
2. Any cost or expense related to the removal or reinstallation of product
3. Service performed by anyone other than Rockford or an Authorized Rockford
Fosgate Service Center
4. Any product which has had the serial number defaced, altered, or removed
5. Subsequent damage to other components
6. Any product purchased outside the U.S.
7. Any product not purchased from an Authorized Rockford Fosgate Dealer
Limit on Implied Warranties
•
•
Any implied warranties including warranties of fitness for use and merchantabil-
ity are limited in duration to the period of the express warranty set forth above.
Some states do not allow limitations on the length of an implied warranty, so this
limitation may not apply. No person is authorized to assume for Rockford
Fosgate any other liability in connection with the sale of the product.
How to Obtain Service
Please call 1-800-669-9899 for Rockford Customer Service. You must obtain an
RA# (Return Authorization number) to return any product to Rockford Fosgate.
You are responsible for shipment of product to Rockford.
Ship to: Electronics
Rockford Corporation
Warranty Repair Department
2055 E. 5th Street
Ship to: Speakers
Rockford Acoustic Design
(Receiving-speakers)
609 Myrtle N.W.
Tempe, AZ 85281
RA#:_________________
Grand Rapids, MI 49504
RA#:_________________
– 34 –
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International Information
ESPAÑOL
LEA DETENIDAMENTE LAS SIGUIENTES INSTRUCCIONES DE INSTALACION DEL
PRODUCTO. EVITARA POSIBLES DAÑOS A VD., AL VEHICULO O AL PRODUCTO.
Introduccion
Los ingenieros de Rockford han diseñado los amplificadores Power para
ofrecer en el dificil entorno de un automóvil una calidad de sonido superi-
or en un producto flexible, fiable y eficiente. Trans• ana es un circuito de
baja tensión en la etapa de preamplificación de los amplificadores Power
que permite que la musica suene limpia y cristalina y muy real, incluso a
altos niveles de audicion. Esto se complementa con el TOPAZ, un circuito
exclusivo de masa utilizado para eliminar los ruidos asociados con las insta-
laciones de car-audio. La flexibilidad esta garantizada con el uso de la
XCard incorporada. La fiabilidad se refuerza con el uso de un circuito de
proteccion llamado NOMAD, mientras que los MOSFET y la tecnologia
DSM (montaje discreto en superficie) aumentan la eficiencia del amplifi-
cador. La combinacion de todos estos componentes dan al amplificador
Power una impresionante calidad de sonido en un chasis discreto. Mas ade-
lante encontrará mas explicaciones de todas estas tecnologías, la mayoria
de ellas usados en exclusiva y patentadas por Rockford.
Montaje en el Malatero
Monte el amplificador verticalmente con las lineas del radiador orientadas
de arriba hacia abajo. De esta manera conseguira la mejor ventilacion.
Montaje en el Compartimento de Pasajeros
El montaje en el compartimento de pasajeros sera eficiente en funcion de la
ventilacion que tenga el amplificador. Si va a instalar el amplificador bajo
un asiento deberá dejar al menos 2.5cm libres sobre la carcasa del amplifi-
cador.
Instalacion
Por seguridad, desconecte el terminal negativo de la bateria antes de
comenzar la instalacion.
Terminal B+
El cable B+ debe ir provisto de un fusible a una distancia no mayor de 45cm
de la bateria. Prepare el cable e instale el portafusibles en el compartimen-
to del motor. Las conexiones han de ser impermeables.
– 35 –
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ESPAÑOL
Terminal GND
Prepare un trozo de cable para usarlo como toma de masa. Prepare un
punto de masa en el chasis rascando y eliminando la pintura de la supericie
de metal y limpielo de toda suciedad asegure el cable al chasis con un
tornillo.
Terminal REM
Conecte el cable REM a un punto de +12V con mutable. La señal se suele
coger de la salida auto antena del radio cassette si este no tiene salida
remote.
Funcionamiento Estereo/Mono
Power 250
Power 360
2-canales
2-canales
Power 500
2-canales
Power 800
Power 1000
2-canales
2-canales
RCA Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
– 36 –
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ESPAÑOL
Power 400
Power 800
Funcionamiento Estereo
4-canales
4-canales
4 -cha nne l
Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
– 37 –
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FRANÇAIS
ATTENTION: Veuillez lire les instructions suivantes pour l'installation de cet
amplificateur. Ne pas les suivre pourrait causer des blessures ou endommager
le véhicule.
Introduction
Les ingénieurs de Rockford Fosgate ont conçu l'amplificateur Power pour
supporter l'environnement rude de l'automobile en délivrant une qualité de
son supérieure dans un ensemble efficace, fiable et flexible.
Trans• ana/Trans• nova est un circuit de bas voltage dans l'étage de préam-
plification de tous les amplificateurs Punch qui reproduit un son musical
clair comme du cristal et très réel, même à très haut volume. Ceci est
accompagné du TOPAZ, un circuit unique employé pour éliminer les prob-
lèmes de bruits parasites associés aux systémes audiomobile et leur instal-
lation.
La fiabilité est garantie grâce au circuit de protection NOMAD, la tech-
nologie MOSFET et DSM (Composants Montés en Surface) améliorent l'ef-
ficacité de l'amplificateur.
L'ensemble de ces atouts donne à l'amplificateur Power une qualité de son
inégalable sous une carrosserie “pare-balles.”
Montage
Montage dans le coffre
Monter l'amplificateur verticalement avec les rainures de haut en bas ce qui
lui permet de refroidir plus facilement.
Montage dans l'habitacle
Monter l'amplificateur dans l'habitacle ne pose aucun problème, du
moment qu'il y ait assez d'air pour le refroidir. Si vous montez l'ampli en
dessous du siège, prévoyez 2.5 cm d'air autour du radiateur.
Installation
Pour votre sécurité, déconnectez la borne négative de la batterie du
véhicule avant de commencer l'installation.
Terminal B+
Il est impératif qu'il y ait un fusible sur le câble pour la connexion à la
masse. Préparez le châssis en grattant la peinture de la surface métallique et
nettoyez la saleté et l'huile. Attachez le câble au châssis avec une vis.
– 38 –
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FRANÇAIS
Terminal GND
Préparez une longueur de câble pour la connexion à la masse. Préparez le
châssis en grattant la peinture de la surface métallique et nettoyez la saleté
et l'huile. Attachez le câble au châssis avec une vis.
Terminal REM
Connectez le fil REM à une commande 12 volts positive de la source. La
commande 12 volts est habituellement prise sur la sortie antenne électrique
de la source ou la commande accessoire. Si la source ne dispose pas de ces
sorties, nous vous recommandons d'installer un interrupteur qui fournira un
positif 12 volts au REM de l'amplificateur.
Opération stéréo/mono
Power 250
Power 360
2-canales
2-canales
Power 500
2-canales
Power 800
Power 1000
2-canales
2-canales
RCA Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
– 39 –
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FRANÇAIS
Opération stéréo
Power 400
Power 800
4-canales
4-canales
4 -cha nne l
Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Front
Crossover
Frequency
Rear
Crossover
Frequency
Remote
Punch
Bass
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
– 40 –
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DEUTSCH
BITTE LESEN SIE DIESE GEBRAUCHSANLEITUNG ZUERST SORGFÄLTIG DURCH.
DAS KANN SIE VOR DEM FALSCHEN EINSATZ, AUSFALLEN ODER SOGAR
BESCHÄDIGUNG DES PRODUKTES ODER IHRES FAHRZEUGES SCHÜTZEN.
Einleitung
Rockford Ingenieure haben die Power Verstärker entwickelt. Mit höchstem
Technologie-Standart,
hervorragender
Klangqualität,
einfacher
Handhabung und bester Servicefreundlichkeit Trans• ana/Trans• nova ist
eine Nieder-Volt Schaltung im Vorverstärkerteil aller Pünch Verstärker die
für kristallklaren Klang auch bei sehr hohen Lautstärken sorgt. TOPAZ, eine
einzigartige Erdungsschaltung verhindert und unterdrückt Einstreuungen
und Störungen die nur allzu oft Car Audio Systeme beeinträchtigen.
Flexibilität durch die Vielfalt der Aktivweiche mit ihren Lebensdauer durch
die Schutzschaltung NOMAD und der Einsatz von MOSFET Transistoren
und DSM (Discrete Surface Mount), machen diese Verstärker so effizient.
Das Ergebnis all dieser Komponenten machen Power-Verstärker so einzi-
gartig und in ihrer Klangqualität nahezu unschlagbar.
Einbauort
Im Fahrzeugkofferraum
Der vertikale Einbau der Endstufen, das bedeutet, dab die Kühlrippen von
oben nach unten verlaufen, gibt dem Verstärker die beste Kühlung.
Auf der Beifahrerseite
Sollte der Verstärker auf der Beifahrerseite montiert werden, so ist es sehr
wichtig, für eine ausreichende Kühlung zu sorgen. Sollte der Verstärker z.B.
unter dem Beifahrersitz montiert werden, sollte dem Kühlkörper mindestens
ein Luftspalt von 2.5 cm bleiben, um so für eine ausreichende Kühlung zu
sorgen.
Einbau
Zur Sicherheit klemmen Sie den Negativ-Pol der Batterie während des
gesamten Einbaues ab.
B+ Anschlub
Die Plus-Leitung MUb ca. 45 cm nach dem Plus-Pol der Batterie
abgesichert sein. Preparieren Si die Kabellängen und montieren Sie den
Sicherungshalter im Motorraum. ALLE Verbindungen müssen wasserdicht
sein.
– 41 –
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DEUTSCH
GND Anschlub
Preparieren Sie Ihr Kabel für die Negativ Leitung (Erdung). Preparieren Sie
die Anschlubstelle des Erdungskabels, indem Sie das Metall gründlich reini-
gen und vom Lack befreien. Befestigen Sie nun die Erdung an dieser Stelle
mit einer Schraube.
REM Anschlub
Verbinden Sie das Ein-und Ausschaltungskontroll-Kabel mit Ihrem Radio
(12 Volt positiv). Normalerweise verwenden Sie hierfür die Ant.-Remote
Ihres Radios oder ein eigens dafür vorgesehenes Kabel (Amp-Remote).
Sollte Ihr Radio diesen Anschlub nicht besitzen, so verwenden Sie eine 12
Volt Spannung, die Sie durch einen Schalter ein- und ausschalten können.
Stereo/Mono Operation
Power 250
Power 360
2-canales
2-canales
Power 500
2-canales
Power 800
Power 1000
2-canales
2-canales
RCA Input
Hz
80
210
50
190
145
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
– 42 –
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DEUTSCH
Stereo Operation
Power 400
Power 800
4-canales
4-canales
4 -cha nne l
Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
65
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
– 43 –
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ITALIANO
ATTENZIONE: SI PREGA DI LEGGERE LE SEGUENTI ISTRUZIONI PER L'INSTAL-
LAZIONE DI QUESTO PRODOTTO. IL NON SEGUIRLE POTREBBE RISULTARE SERI-
AMENTE DANNOSO PER LA PERSONA O PER IL VEICOLO.
Introduzione
Gli ingenieri Rockford hanno progettato la serie di amplificatori Power per
resistere all'ostico ambiente automobilistico mentre suonano con una musi-
calitá superiore, offrendo un insieme versatile, affidabile ed efficiente.
Trans• ana/Trans• nova é un circuito a bassa tensione dello stadio preampli-
ficatore del Punch che permette al suono di essere cristallino e reale anche
in presenza di volumi molto elevati…tutto questo é accoppiato TOPAZ, un
exclusivo circuito di massa impiegato per eliminare i problemi di rumore
comunemente presenti negli impianti car audio. L'affidabilitá é completa-
mente garantita dall'impiego di un circuito di protezione chiamato
NOMAD, mentre l'uso di MOSFET e della tecnologia DSM (Discrete
Surface Mount) permette di raggiungere efficienze elevatissime. Il risultato
finale di tutte queste tecnnologie moderne é che gli amplificatori Power
suonano meravigliosamente e sono indistruttibili, a “prova di proiettile.”
Dove Posizionarlo
Nel Bagagliaio
Montando l'amplificatore su una superficie in verticale con le alette
direzionate dall'alto verso il basso si garantirá un miglior raffreddamento
dell'amplificatore.
Nell'abitacolo
Montare l'amplificatore nell'abitacolo si avrá un funzionamento regolare se
si garantisce un flusso d'aria sufficiente. Per l'installazione sotto un sedile,
é necessario avere uno spazio di almeno 2.5 cm attorno a tutto l'amplifica-
tore.
Installazione
Per sicurezza, scollegare il polo negativo della batteria dell'auto prima di
iniziare l'installazione.
Terminale B+ (cavo positivo)
Il cavo positivo deve essere protetto da un fusibile a non piú di 45 cm dalla
batteria. Terminare il cavo e installare il fusibile nel vano motore. Tutte le
connessioni devono essere a prova d'acqua.
– 44 –
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ITALIANO
Terminale GND (cavo negativo)
Decidere la lunghezza del cavo e terminarlo. Preparare la massa grattando
la vernice dal telaio dell'auto ed eliminando tracce di olio o sporco. Fissare
il cavo di massa al telaio con una vite.
Terminale REM (Consenso di accensione)
Collegare il cavo REM ad un positivo presente solo ad autoradio accesa
(normalmente il cavo pilota dell'antenna elettrica o il cavo accessori del-
l'autoradio). Se la sorgente non dovesse essere equipaggiata con queste
uscite, la soluzione raccomandabile é di inserire un interruttore su un cavo
positivo e connettersi all'amplificatore.
Power 250
Power 360
2-canales
Stereo/Mono Operation
2-canales
Power 500
2-canales
Power 800
Power 1000
2-canales
2-canales
RCA Input
Hz
80
210
190
145
50
55
HP-Full-LP
Crossover
Input
110
65 Left Gain
Right
Gain
Remote
L
L
R
R
Crossover Frequency
Punch Bass
Speaker
Speaker
+
L
-
Pass-Thru
+
R
-
–
–
2Ω min.
2Ω min.
+
+
+
-
4Ω min.
– 45 –
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ITALIANO
Stereo Operation
Power 400
Power 800
4-canales
4-canales
4 -cha nne l
Input
4-2
Input
Hz
80
210
Hz
80
210
50
50
190
145
190
145
55
65
55
R
L
R
L
Front
Crossover
HP-Full-LP
4/2
Input
Rear
Crossover
HP-Full-LP
110
110
65
Front
Gain
Rear
Gain
Rear
Remote
Punch
Bass
Front
Crossover
Frequency
Rear
Crossover
Frequency
Front
Pass-Thru
Rear
REM
LR+
LR-
RR+
RR-
B+
GND
LF-
LF+
RF-
RF+
+
-
+
-
+
-
+
-
2Ω min.
2Ω min.
2Ω min.
2Ω min.
– 46 –
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Notes
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Notes
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Notes
– 49 –
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MADE IN THE USA
This product is designed, developed and assembled in
the USA by a dedicated group of American workers. The
majority of the components used in the construction of
this product are produced by American companies.
However, due to the global nature of their manufacturing
facilities and the loudspeaker parts industry in general,
some parts may be manufactured in other countries.
Rockford Corporation
546 South Rockford Drive
Tempe, Arizona 85281 U.S.A.
In U.S.A., (480) 967-3565
In Europe, Fax (49) 8503-934014
In Japan, Fax (81) 559-79-1265
2/01 S.M.
MAN-3274-B
– 50 –
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