QSC Audio Portable Speaker HPR151W User Guide

1675 MacArthur Blvd., Costa Mesa, CA, 92626 USA  
Main Number (714) 754-6175 or toll free (USA only) (800) 854-4079  
Customer Service(714) 957-7150 or toll free (USA only) (800) 772-2834  
HPR Series Powered Loudspeaker Products  
User Manual  
HPR153F  
HPR152F  
HPR151W  
HPR181W  
15-inch three-way  
15-inch two-way  
15-inch subwoofer  
18-inch subwoofer  
*TD-000212-01*  
TD-000212-01 rev.D  
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Introduction  
Congratulations and thank you for your purchase of this professional, powered loudspeaker product. To get the most from your invest-  
ment, we recommend you review all the information provided in this User Manual.  
The HPR self-powered loudspeakers provide excellent sound quality, durable construction and clean, efficient, on-board amplification.  
Amplifiers are matched to the drivers with active equalization and precise crossover control. Active power limiting and thermal man-  
agement extends the life of drivers and the amplifier. The HPR series solves many application challenges with its great sound, built-in  
protection systems and self-contained portability. HPR is the perfect solution for public performances, corporate events and private par-  
ties demanding flexible and excellent sounding system solutions.  
All models are self-powered using efficient amplifiers. AC line connection is fast and easy; an IEC-style quick-disconnect ensures reli-  
able AC mains connection while providing an easy-to-remove power cord for cabinet mobility. Audio enters the self-powered loud-  
speaker via a female XLR connector with an additional parallel-wired male XLR output for daisy-chaining. No outboard signal  
processing is required as all models feature on-board filtering. The two-way and three-way full-range loudspeakers feature a switch-  
able 100 Hz low-cut filter for use when subwoofers are part of the system. Subwoofer models have two full-range input connectors (left  
and right) and two sets of output connectors; one pair featuring a 100 Hz low-cut filter and one pair passing full-range signal.  
Rear-panel LEDs alert the user to AC power status, input signal presence, and instances of clipping. Additionally, a blue front-panel  
“power on” LED provides valuable visual power confirmation. It can also be disabled for applications where light toward the audience  
may interfere with stage aesthetics. All models feature a 21-step detent Gain control allowing precise control and repeatable setup.  
The enclosures are made of high-quality plywood and are texture-coated in black. Features vary by model, so please refer to sales bro-  
chures or the specifications section of this manual for specific model information.  
HPR152F Features  
HPR153F Features  
1- Pole Cup (no pole cup on HPR153F)  
2- Handles (2 each)  
3- Grill  
4- Power Amplifier  
5- Slip-resistant Feet (4 each)  
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HPR151W Features  
HPR181W Features  
1- Pole Cup  
2- Handles (2 each)  
3- Grill  
4- Power Amplifier  
5- Slip-resistant Feet (4 each)  
6- Casters (HPR181W only)  
Full Range Amplifier Detail  
Subwoofer Amplifier Detail  
1- Input and Output Connector(s)  
6- Power Switch  
2- Gain Control  
3- Power, Signal, and Clip LED Indicators  
4- Front LED Switch  
7- Circuit Breaker  
8- Serial Number Plate  
9- IEC Power Inlet  
5- 100 Hz Low-Cut Filter Switch (Full Range Only) 10- Phase switch (Subwoofer Only)  
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Installation  
HPR152F WARNING! Do not use a loudspeaker support pole longer than 26” (660mm) when supported by the  
HPR151W or HPR181W subwoofer.  
Do not rig, fly or suspend this loudspeaker product!  
Before placing or installing any speaker product, inspect all hardware, suspension, cabinets, transducers,  
brackets and associated equipment for damage. Any missing, corroded, deformed, or non-factory component  
could significantly reduce the strength of the installation, placement or array. Any such condition severely  
reduces the safety of the installation and should be immediately corrected.  
Consult a licensed, Professional Engineer regarding physical equipment installation. Ensure that all local, state  
and national regulations regarding the safety and operation of loudspeakers and related equipment are under-  
stood and adhered to.  
HPR152F: The HPR152F was designed to sit on the floor, stage, subwoofer enclosure, or be pole mounted on a  
35mm diameter loudspeaker support pole. The pole can be part of a stand-alone loudspeaker stand or be inserted  
into the pole cup of the HPR151W or HPR181W. Pole length must be no longer than 26” (660mm) when supported by  
the HPR151W or HPR181W subwoofer.  
HPR153F: The HPR153F was designed to sit on the floor, stage, or on top of the subwoofer enclosure. Do not  
attempt to pole mount this loudspeaker! There is no pole cup provided.  
HPR151W: The HPR151W was designed to sit on the floor or on the stage. A pole cup on the top of the enclosure  
accepts 35mm loudspeaker mounting poles. Rubber feet on the enclosures bottom help to minimize enclosure move-  
ment during operation. Do not pole mount or stack more than one enclosure on top of the HPR151W enclosure.  
HPR181W: The HPR181W was designed to sit on the floor or on the stage. A pole cup on the top of the enclosure  
accepts 35mm loudspeaker mounting poles. Rubber feet on the enclosures bottom help to minimize enclosure move-  
ment during operation. Do not pole mount or stack more than one enclosure on top of the HPR181W enclosure. As  
the casters will wear during normal use, it may be required to insert small foam pieces between the wheels and  
frames to minimize rattling at high output levels.  
Cooling  
This is a self-powered loudspeaker containing an internal power amplifier that produces heat. Allow a minimum of 6”  
(152mm) clearance at cabinet back for convection cooling. Keep anything that might restrict airflow away from the rear  
of the enclosure (i.e draperies, fabric, etc...).  
Do not use any HPR product oriented horizontally. Horizontal orientation can cause overheating and thermal lim-  
iting. The cooling fins on the amplifier module must be vertically oriented in order to efficiently dissipate the heat  
generated by the amplifier.  
Do not install enclosures with their rear panels exposed to direct sunlight. Direct sunlight will heat the amplifier  
module and reduce its ability to produce full output. Install sunshades if the application merits.  
Maximum ambient temperature for full performance to specification is 40° C. (104° F.).  
Do not install enclosures where exposed to rain or other water sources. The enclosure is not weatherproof. Out-  
door installations must provide protection from the elements.  
5
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AC Mains  
AC power switch  
Connect AC power to the IEC socket on the back of the amplifier by locating the IEC connector-end of  
the AC power cord and inserting it fully into the IEC inlet on the power amplifier module. NOTE: Turn off  
the AC power switch before connecting AC power.  
The correct AC line voltage is shown on the serial number label, on the rear panel. Connecting  
to the wrong line voltage may damage the amplifier or increase the risk of electric shock.  
AC Mains Disconnection  
Turn the AC power switch to the off position. To remove the AC mains cord, grasp the IEC connectors  
plastic body and pull, removing the connector form the socket.  
Power Switch  
Push in on the top of the rocker switch to apply AC mains power to the powered loudspeaker. Push in  
on the bottom of the rocker switch to turn the powered loudspeaker off.  
Power “on” indicator LED  
When turned on, the blue Power indicator LED and the red LIMIT (limiter) indicator LED will illuminate;  
after a few seconds the red LIMIT indicator will extinguish.  
LED Power Indicator  
The blue LED Power indicator will illuminate when the AC Power switch is in the “ON” position, the AC  
mains power cord is connected properly, and the AC mains are functioning properly. The LED Power  
indicator will extinguish when the AC Power switch is in the “off” position or AC mains power has been  
removed from the loudspeaker.  
If the Power indicator does not illuminate when the Power switch is placed in the “on” position, verify  
the AC mains line cord is properly attached to the loudspeaker and plugged into the AC outlet. Verify  
the outlet is functioning properly.  
If the AC mains cordset is serviceable and the AC mains outlet is operating properly, but the  
loudspeaker fails to operate, the loudspeaker may require servicing. Contact QSC’s Technical  
Services department.  
System Power Sequencing  
Proper power turn on sequence can help to prevent unexpected sounds from your system (pops, clicks,  
thumps). These unintended sounds can damage drivers and cause audience members to question the  
professionalism of the sound team. Turn on and off the system in the proper order to avoid unexpected  
sounds.  
Power On Sequence: Turn on all source devices (CD players, mixers), turn on subwoofer, then turn on  
the “top-boxes” (HPR152F and HPR153F).  
Power Off Sequence: Turn off the top-boxes, turn off the subwoofer, then turn off the source devices.  
Input Connections  
Full-range models have one female XLR line-level input marked FULL RANGE LINE IN.  
Subwoofers have a second set of connectors, one for the left channels audio and one for the right  
channels audio.  
We recommend balanced connections be used. Balanced connections will reduce AC hum and interfer-  
ence, especially with long cable runs. Unbalanced connections may be suitable for short cables. The  
input impedance is 22k ohm for balanced connections or 11k ohm for unbalanced connections. The sig-  
nal's source impedance should be less than 600 ohms.  
6
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Input Connections (continued)  
Full-range loudspeakers Input (IN)  
and Output (OUT) Connectors  
HPR152F and HPR153F: Insert the male XLR input into the jack marked FULL RANGE  
LINE IN. Ensure the connector is fully seated.  
HPR151W and HPR181W: Insert the left channels XLR input into the left channels (L)  
FULL RANGE LINE IN connector. Insert the right channels XLR connector into the  
right channels (R) FULL RANGE LINE IN connector. If a single input signal is used,  
plug into either the L (left) or R (right) channels input. The subwoofers gain should  
be set within the “NORMAL” range when used with one input signal and one full-  
range loudspeaker.  
Subwoofer loudspeakers Input (IN)  
and Output (OUT) Connectors  
If two input signals are used, plug the left channels signal into the connector  
marked FULL RANGE LINE IN L (the top input connector) and the right channels sig-  
nal into the connector marked FULL RANGE LINE IN R (the bottom input connector).  
When two input signals are applied, the subwoofers gain is automatically  
increased 6dB as the subwoofer will likely be used with two full-range loudspeak-  
ers.  
Balanced inputs: Connect to the plug as shown.  
1= shield (ground)  
3= minus (-)  
2= plus (+)  
Unbalanced inputs: Connect to the plug as shown. Pin 3 and pin 1 must be connected  
with a jumper as shown.  
1= shield (ground)  
3= jumper to pin 1  
2= plus (+)  
Output Connections  
Full-range models have one XLR output connector marked FULL RANGE LINE OUT. The  
output connector is wired in parallel with the input enabling connection of multiple  
enclosures in a “daisy-chain” fashion.  
Subwoofer models have two sets of output connectors, one set for the left and one set  
for the right audio channel. Each channel has a FULL RANGE LINE OUT connector and a  
100 Hz LOW-CUT OUT connector (active 100 Hertz filter applied, non-defeatable).  
IMPORTANT! If using full  
range loudspeakers from  
another manufacturer, we rec-  
ommend they be connected to  
the QSC subwoofers 100 Hz  
LOW-CUT OUT. This will  
We recommend balanced connections be used. Balanced connections will reduce AC  
hum and interference, especially with long cable runs. Unbalanced connections may be  
suitable for short cables.  
ensure proper phasing of the  
full range loudspeaker with  
respect to the subwoofer.  
HPR152F and HPR153F: Insert the XLR connector into the jack marked FULL RANGE  
LINE OUT. Connect the other end of the cable to the next down-stream audio  
devices input connector. The output connector is wired in parallel with the input  
connector and is not effected by the 100 Hertz low-cut filter switch setting.  
7
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Output Connections (continued)  
HPR151W and HPR181W  
FULL RANGE LINE OUT: Use the outputs marked FULL RANGE LINE OUT (Left and/or Right) when connecting to  
down-stream powered loudspeakers which accept full-range audio or have their own filtering.  
100 Hz LOW-CUT: Use the outputs marked 100 Hz LOW-CUT OUT (L and/or R) when connecting to downstream  
powered loudspeakers that have no low-frequency filtering but the low-frequency roll-off is desired. Do not use  
the 100 Hz LOW-CUT OUT connectors for connecting to other subwoofers. Instead, use the FULL RANGE LINE  
OUT. Be sure to turn off any loudspeaker connected to the 100 Hz LOW-CUT OUT before turning off the sub-  
woofers AC power. This prevents any undesired turn-off transients (thumps, bumps) in the connected devices.  
If using the subwoofers 100 Hz LOW-CUT OUT connector to provide signal to the top-boxes (HPR152F and  
HPR153F), be sure the top-boxs low-cut filters are OFF. Do not apply a second filter as the sonic perfor-  
mance of the system will be notably degraded.  
Gain Control  
The Gain control is located on the rear panel and is easily adjusted without tools.The Gain control is marked in  
Gain control recommended  
dB and is adjustable from -20dB to +10dB. There are 21 detents for repeatable adjustments. Turn the gain control adjustment range  
clockwise to increase gain and counter clockwise to decrease gain.  
Initially, set all gain controls to 0dB. When used as a system, the subwoofers and full-range models are designed  
to provide the correct frequency (tonal) balance when both the subwoofers and the full-range loudspeakers are  
set to approximately 0dB. Final system adjustments should be made within the range of adjustment marked  
“NORMAL.  
The range below -4 dB should not be used for normal program levels, as the input headroom could be exceeded,  
but can be used for testing at reduced levels. If the input signal is extraordinarily strong, it may be required to  
adjust the gain control in the range below -4dB. A better solution might be to reduce the input signal strength to  
the powered loudspeaker(s).  
The range above +4dB should not be used for normal program levels, as the loudspeaker may be more easily  
driven into clipping (distortion due to overdriving the amplifier). If the input signal is extremely weak, it may be  
required to adjust the gain control(s) into the range above +4dB. A better solution would be to increase the input  
signal strength to the powered loudspeaker system.  
At the -20dB setting, the signal is not completely cut off. To fully cut off the signal, fully reduce the input signal  
to the powered loudspeaker(s).  
Subwoofer Gain Notes  
Scenario: One input signal only to the subwoofer, one full-range loudspeaker for each subwoofer-  
The HPR loudspeakers are designed to be used as a system, typically using one subwoofer for each full-range  
loudspeaker. If the subwoofer and the full-range loudspeaker have their Gain controls set to 0dB, the tonal bal-  
ance will be correct (or very close to correct).  
Scenario: Two input (L+R) signals to the subwoofer, and two full-range loudspeakers per subwoofer-  
When two inputs (L+R) are applied to the subwoofer, an additional gain of 6dB is automatically applied to the  
subwoofer. The additional gain is added to the subwoofer to keep the tonal balance correct for use with two full-  
range loudspeakers.  
8
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100 Hertz Low-Cut Filter Switch (HPR152F and HPR153F)  
100 Hertz low-cut filter  
switch off and on positions  
Below the LED indicators is a small recessed slide-switch that enables or disables a 100 Hertz low-cut filter.  
Filter OFF (Full Range)  
Turn the filter OFF when using without subwoofers or dedicated low-frequency enclosures.  
Filter ON (100 Hz Low-Cut)  
Turn the filter ON when using with optional subwoofers or low-frequency systems. This results in less distor-  
tion at low frequencies and provides improved clarity in the low-mid frequencies.  
Front LED Switch  
The Front LED Switch, located on the rear panel, is used to enable or disable the LED located on the front of  
the enclosure near the bottom of the grill. Slide the switch to the ON position to enable the front LED and  
slide it to the OFF position to disable the front LED.  
Front LED switch off  
and on positions  
Most applications merit the use of the Front LED so power status can be visually confirmed, easily and  
quickly. For applications where the LED may distract audience members, it is easily disabled by sliding the  
FRONT LED switch to the OFF position.  
Phase Switch (HPR151W and HPR181W)  
When all loudspeakers in system are properly phased, a positive polarity drive signal results in a forward  
excursion of all loudspeaker cones. This, in turn, sets up a positive reinforcement of the sound wavefront  
(each loudspeaker reinforces the actions of the other loudspeakers). This effect is most pronounced at low  
(bass) frequencies.  
Phase switch normal and  
reverse positions  
If a loudspeaker is not properly phased, its cone moves inward while the properly phased loudspeakers  
cones move outward. The inward movement will effectively cancel the bass response of a similarly-sized  
driver in the system, resulting in a reduction in the bass content.  
It is critically important to maintain correct phasing in a loudspeaker system in order to realize maximum per-  
formance. Phasing can be altered by miswired input cables, interconnecting cables, mixer phase switches set  
incorrectly, just to name a few likely culprits.  
To make matters a bit more complicated, phasing is also influenced by the position of loudspeakers with  
respect to one another and by their position in a given room. It is possible to have all loudspeakers phased  
properly (electrically) and yet achieve better bass response by having the subwoofer reverse phased. It is  
even possible to achieve improved bass response from the system with multiple subwoofers phased differ-  
ently. Be aware that perceived bass response also will change with the listeners position, so move around  
the room (venue) when testing your setup.  
Because phasing problems can so drastically effect the bass output of a system, the subwoofers are  
equipped with a switch marked PHASE. When set to NORMAL, the phase is such that a positive going input  
will cause the cone to move outward. When set to REVERSE, the input signal has its polarity reversed and a  
positive going input will cause the loudspeakers cone to move inward.  
IMPORTANT! If using full  
range loudspeakers from  
another manufacturer,  
we recommend they be  
connected to the QSC  
subwoofers 100 Hz LOW-  
CUT OUT. This will  
ensure proper phasing of  
the full range loud-  
speaker with respect to  
the subwoofer.  
How to Use the Phase Switch  
When using QSC subwoofers and QSC full range loudspeakers, NORMAL phase will result in the best bass  
response IF the full range loudspeakers are sitting on or very close to the subwoofers. If the subwoofers are  
some distance away from the full range loudspeakers, phase change may be of benefit.  
Start with all subwoofer PHASE switches in the NORMAL position. This applies to systems with one sub-  
woofer as well. Then, with your system at or near expected operating levels, change the phasing of each  
subwoofer INDIVIDUALLY. Then walk around the venue and assess the overall bass response. Select the  
phasing that results in the best overall system bass response.  
9
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SIGNAL Indicator LED  
The green SIGNAL indicator alerts the user to the presence of an input signal to the HPR loud-  
speaker.  
Normal Indication  
The green SIGNAL indicator illuminates when the input signal exceeds -25 dB.  
If No Indication  
Check Gain settings and increase gain if necessary. Check input connections and audio source  
for signal. If the red LIMIT LED illuminates, refer to the LIMIT indicator section, below.  
Abnormal Indication  
If the green SIGNAL LED illuminates with no signal input, there may be system oscillations or  
some other malfunction. Disconnect the input or fully reduce the gain. If the green SIGNAL LED  
remains on, the amp may need servicing.  
LIMIT Indicator LED  
The red LIMIT indicator alerts the user to several abnormal conditions within the HPR loud-  
speaker:  
Continuous Bright Red Light  
Indicates protective mute mode.  
The speaker normally passes through muting for several seconds after applying power, after  
which the light should go out, and sound should be heard.  
If the speaker enters Mute during operation, it has either overheated or developed a fault.  
Overheating should correct itself within 1-2 minutes, after which sound should resume. See  
below for a full explanation of thermal protection.  
Short periods of muting indicate a component fault. In this case AC power should be removed  
and the speaker serviced.  
Momentary Bright Red Flashes  
During operation, bright flashing indicates clipping (overdrive distortion).  
This is normally due to excessive volume, and will likely be accompanied by audible distortion.  
If the speaker mutes repeatedly during peaks, there may be a component fault. AC power should  
be removed and the speaker serviced.  
Continuous Half-bright Light  
Indicates that the internal limiter is reducing gain, due to prolonged clipping and/or excessive  
temperature.  
After several seconds of severe clipping, the limiter will reduce power to protect the speaker  
and improve the sound. This results in a steady, half-bright red indication. Any further clipping  
will still result in bright flashes on top of the steady half-bright indication. When the program  
level is reduced, the limiter will clear after several seconds, and the red indicator will go out.  
If the power module overheats, the first response is to trigger limiting, to reduce volume and  
limit further temperature rise. This results in a steady half-bright illumination that does not clear  
even after reducing program level. It may take several minutes for temperature to drop and clear  
the limiter. During this time, the exposed heat sink will feel uncomfortably hot to the touch. If  
overheating continues, the amplifier will ultimately mute, resulting in a full-bright red indication.  
When muting clears, the amplifier will resume operation, with thermal limiting still active until  
it further cools off.  
Overheating is usually caused by excessive ambient temperature, since the internal temperature  
rise of the power module is relatively low. Protect the speaker from excessive temperatures,  
such as being placed over a heater vent, or allowing direct sunlight to impinge upon the heat  
sink surface.  
10  
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Application Example #1  
Application Example #1 physical diagram.  
This example shows a two-channel (stereo) setup utilizing two  
top-boxes.  
Audio signals for the Left and Right channels are supplied by  
the mixer console. This signal source can be just about any  
variable-output level audio source, such as DJ mixers, profes-  
sional CD players, or computer-based audio signal sources.  
Channel 1  
or  
Left Channel  
Channel 2  
or  
Right Channel  
Audio output from the mixers Left channel is connected to the  
Left top-boxs FULL RANGE LINE IN connector. Audio output  
from the mixers Right channel is connected to the Right top-  
boxs FULL RANGE LINE IN connector. Turn off each top-boxs  
100 Hz LOW-CUT FILTER. This will provide more low-frequency  
content (bass) in the absence of a subwoofer.  
Application Example #1 hookup diagram.  
Use only high-quality balanced cables for interconnecting  
the audio equipment.  
Ensure the top-boxes have their 100 Hz LOW-CUT FILTER  
switched OFF when using without a subwoofer or other  
dedicated low-frequency enclosure.  
HPR152F or HPR153F  
HPR152F or HPR153F  
Mixer or Other Audio Source  
11  
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Application Example #2  
Application Example #2 physical diagram.  
This example shows a two-channel (stereo) setup utilizing one  
subwoofer and two top-boxes.  
Audio signals for the Left and Right channels are supplied by  
the mixer console. This signal source can be just about any  
variable-output level audio source, such as DJ mixers, profes-  
sional CD players, or computer-based audio signal sources.  
Channel 2  
or  
Right Channel  
Channel 1  
or  
Left Channel  
Audio output from the mixer is connected to the subwoofers  
Left (L) and Right (R) channels. The subwoofers R and L FULL  
RANGE LINE OUT connectors are used to connect to its respec-  
tive top-box. Turn ON each top-boxs 100 Hz LOW-CUT FILTER.  
Alternately, the top-boxes could be connected to the sub-  
woofers 100 Hz LOW-CUT OUT and the top-boxes 100 Hz  
LOW-CUT FILTERs turned off. The only possible issue with this  
method of connection is unexpected noises (turn-off thumps) if  
the subwoofer is powered down before the top-boxes. If con-  
nected as shown, power sequencing is not an issue.  
HPR151W or HPR181W  
HPR152F or HPR153F  
HPR152F or HPR153F  
Application Example #2 hookup diagram.  
Mixer or Other Audio Source  
Use only high-quality balanced cables for interconnecting the  
audio equipment.  
Ensure the top-boxes have their 100 Hz LOW-CUT FILTER  
switched ON when connecting to the subwoofers FULL  
RANGE LINE OUT as a signal source.  
Also, be sure to keep Left and Right (marked L or R) channels  
segregated properly so that sound-stage imaging remains  
consistent.  
12  
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Application Example #3  
Application Example #3 physical diagram.  
This example shows a two-channel (stereo) setup utiliz-  
ing two subwoofers and two top-boxes.  
Audio signals for the Left and Right channels are supplied  
by the mixer console. This signal source can be just about  
any variable-output level audio source, such as DJ mix-  
ers, professional CD players, or computer-based audio  
signal sources.  
Audio output from the mixer is connected to the sub-  
woofer input of each channel. Each subwoofers FULL  
RANGE LINE OUT connector is used to connect to its  
respective top-box. Turn ON the top-boxs 100 Hz LOW-  
CUT FILTER.  
Alternately, the top-boxes could be connected to the sub-  
woofers 100 Hz LOW-CUT OUT and the top-box 100 Hz  
LOW-CUT FILTER turned off. The only possible issue with  
this method of connection is unexpected noises (turn-off  
thumps) if the subwoofer is powered down before the  
top-boxes. If connected as shown, power sequencing is  
not an issue.  
Channel 1  
or  
Left Channel  
Channel 2  
or  
Right Channel  
HPR152F or  
HPR153F  
HPR152F or  
HPR153F  
Application Example #3 hookup  
diagram.  
Use only high-quality balanced  
cables for interconnecting the  
audio equipment.  
HPR151W or HPR181W  
HPR151W or HPR181W  
Ensure the top-boxes have their  
100 Hz LOW-CUT FILTER switched  
ON when connecting to the sub-  
woofers FULL RANGE LINE OUT as  
a signal source.  
Mixer or Other Audio Source  
Also, be sure to use either the Left  
or Right (marked L or R) on the  
subwoofers. If the subwoofers  
input is connected to the Right (R)  
channel connector and the output  
to the top-boxes is connected to  
the Left (L) channel connector, no  
signal will reach the top-box (no  
sound from the top-box).  
13  
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Application Example #4  
This example shows a two-channel  
(stereo) setup utilizing two sub-  
woofers and multiple top-boxes.  
Channel 2  
or  
Right Channel  
Channel 1  
or  
Left Channel  
This is the same as Application  
Example #3 except an additional  
top-box has been added to each  
channel (and more could be added).  
To connect to additional top-boxes,  
connect a cable from the last top  
boxs FULL RANGE LINE OUT con-  
nector to the next top-boxs FULL  
RANGE LINE IN connector. Up to 20  
top-boxes could be “daisy-chained”  
without degrading signal quality.  
Application Example #4 hookup diagram.  
Use only high-quality balanced cables for interconnecting the audio equipment.  
Ensure the top-boxes have their 100 Hz LOW-CUT FILTER switched on when connecting to the subwoofers FULL RANGE LINE OUT as a signal source.  
Also, be sure to use either the Left or Right (marked L or R) on the subwoofers. If the subwoofers input is connected to the Right (R) channel connec-  
tor and the output to the top-boxes is connected to the Left (L) channel connector, no signal will reach the top-box (no sound from the top-box).  
HPR152F or HPR153F  
HPR152F or HPR153F  
HPR151W or HPR181W  
HPR151W or HPR181W  
Mixer or Other Audio Source  
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Dimensions, HPR152F  
Dimensions, HPR153F  
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Dimensions, HPR151W  
Dimensions, HPR181W  
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Specifications, Full Range Models  
HPR152F  
HPR153F  
42-19k Hz  
Frequency Response, ±6dB  
Frequency Range, -10dB limit  
Maximum Peak SPL  
53-18k Hz  
50-20k Hz  
135dB  
90°x60°  
9.4  
38-20k Hz  
133dB  
90°x40°  
11.1  
Nominal coverage, H x V  
Directivity Index  
Directivity Factor  
8.7  
12.9  
Transducer Description  
15” (381mm) transducer with 3” (76mm) voice coil  
1” (25mm) throat compression driver  
15” (381mm) transducer with 3” (76mm) voice coil  
6.5” (165mm) transducer with 1” (25mm) voice coil  
1” (25mm) throat compression driver  
Acoustic Crossover Freq.  
Amp Power  
2,000 Hz  
500 and 2,000 Hz  
400 Watts, low frequency  
100 Watts, high frequency  
400 Watts, low frequency  
100 Watts, mid frequency  
100 Watts, high frequency  
Input Sensitivity  
0.775 V (+0dBu)  
0.775 V (+0dBu)  
rms  
rms  
Input Headroom/Clipping  
Input Connector/Impedance  
10 V (+22.2dBu)  
10 V (+22.2dBu)  
rms  
rms  
XLR female, 22k Ohm, balanced, line-level input  
(unbalanced, 11k Ohm)  
XLR female, 22k Ohm, balanced, line-level input  
(unbalanced, 11k Ohm)  
Output Connector  
XLR male, wired in parallel with Input connector  
XLR male, wired in parallel with Input connector  
Controls, Indicators, and  
Adjustments  
Gain control, 100 Hz low-cut filter switch, Front LED on/off switch, Limit/Clip (red LED), Signal presence (green LED), AC Power (blue LED),  
AC Power switch, AC circuit breaker  
Protection, Agency certs.  
AC Power Requirements  
Thermal limiting, On/Off muting, power limiting, DC protection, short circuit protection, ultrasonic protection, RF protection, UL/CE listed  
AC Power Connector and Cordset  
Dimensions (height, width, depth)  
Installation Clearance  
Weight  
Factory supplied IEC cordset: 6’ (2m) #18AWG 120V North American or European 230V cordset  
32” (813mm) x 19” (485mm) x 18” (455mm) 45” (1137mm) x 19” (485mm) x 18” (455mm)  
Allow for 6.0” (152mm) of free space behind the enclosure to assure proper amplifier cooling  
100 lb/45.4 kg 118 lb/53.5 kg  
Wear-resistant textured paint finish on plywood enclosure and powder-coated perforated steel grill  
Finish and Grill  
Notes:  
1- Maximum Peak SPL: Calculated by adding the loudspeakers sensitivity (1W at 1m) to the peak power (dBw) of the amplifier provided.  
2- Directivity Index (DI): Difference between on-axis SPL and average SPL (considering all axes) for the specified coverage range. DI= 10 log Q  
3- Directivity Factor (Q): Directivity index expressed as a power ratio Q=10 exp DI/10  
4- Amplifier Power: The maximum sustained power at less than 1% clipping, averaged over the intended frequency range,  
5- Input Sensitivity: The sine-wave input voltage required to reach amplifier clipping, measured within the frequency range used to determine Maximum Peak SPL, with the gain on “normal” and no gain reduction  
due to limiting.  
6- Input Headroom/Clipping: Maximum input voltage.  
7- Input Connector/Impedance: RF shunt capacitance should not reduce impedance by more than 30% at 20k Hz.  
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Specifications, Subwoofer Models  
HPR151W  
47-110 Hz  
HPR181W  
42-110 Hz  
Frequency Response, ±6dB  
Frequency Range, -10dB limit  
Maximum Peak SPL  
43-140 Hz  
39-140 Hz  
133dB  
134dB  
Nominal coverage, H x V  
Directivity Index  
Not applicable (N/A)  
Not applicable (N/A)  
0
0
Directivity Factor  
1
1
Transducer Description  
15” (381mm) transducer with 3” (76mm) voice coil  
18” (457mm) transducer with 4” (102mm) voice coil  
Amp Power  
700 Watts  
700 Watts  
Input Sensitivity  
0.775 V (+0dBu)  
0.775 V (+0dBu)  
rms  
rms  
Input Headroom/Clipping  
10 V (+22.2dBu)  
10 V (+22.2dBu)  
rms  
rms  
Input Connectors/Impedance  
Output Connectors  
Two XLR female, 22k Ohm, balanced, left and right (L+R) inputs (11k Ohms unbalanced)  
Four XLR male: two wired in parallel with Input connector (full range), two post-100 Hz low-cut filters  
Controls, Indicators, and  
Adjustments  
Gain control, Phase switch (normal/reverse), Front LED on/off switch, Limit/Clip (red LED), Signal presence (green LED), AC Power (blue LED)  
AC Power switch, AC circuit breaker  
Protection, Agency certs.  
AC Power Requirements  
Thermal limiting, On/Off muting, power limiting, DC protection, short circuit protection, ultrasonic protection, RF protection, UL/CE listed  
AC Power Connector and Cordset  
Dimensions  
Factory supplied IEC cordset: 6’ (2m) #18AWG 120V North American or European 230V cordset  
25” (635mm) x 22” (559mm) x 21” (525mm)  
98 lb/44.5 kg  
28” (711mm) x 24” (595mm) x 23” (582mm)  
127 lb/57.6 kg  
Weight  
Finish and Grill  
Wear-resistant textured paint finish with powder-coated perforated steel grill  
Notes:  
1- Maximum Peak SPL: Calculated by adding the loudspeakers sensitivity (1W at 1m) to the peak power (dBw) of the amplifier provided.  
2- Directivity Index (DI): Difference between on-axis SPL and average SPL (considering all axes) for the specified coverage range. DI= 10 log Q  
3- Directivity Factor (Q): Directivity index expressed as a power ratio Q=10 exp DI/10  
4- Amplifier Power: The maximum sustained power at less than 1% clipping, averaged over the intended frequency range,  
5- Input Sensitivity: The sine-wave input voltage required to reach amplifier clipping, measured within the frequency range used to determine Maximum Peak SPL, with the gain on “normal” and no gain reduction  
due to limiting.  
6- Input Headroom/Clipping: Maximum input voltage.  
7- Input Connector/Impedance: RF shunt capacitance should not reduce impedance by more than 30% at 20k Hz.  
18  
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Notes:  
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Warranty (USA only; other countries, see your dealer or distributor)  
Disclaimer  
QSC Audio Products, Inc. is not liable for any damage to amplifiers or any other equipment that is caused by negligence or improper  
installation and/or use of this loudspeaker product.  
QSC Audio Products 3 Year Limited Warranty  
QSC Audio Products, Inc. (“QSC) guarantees its products to be free from defective material and / or workmanship for a period of three  
(3) years from date of sale, and will replace defective parts and repair malfunctioning products under this warranty when the defect  
occurs under normal installation and use - provided the unit is returned to our factory or one of our authorized service stations via pre-  
paid transportation with a copy of proof of purchase (i.e., sales receipt). This warranty provides that the examination of the return prod-  
uct must indicate, in our judgment, a manufacturing defect. This warranty does not extend to any product which has been subjected to  
misuse, neglect, accident, improper installation, or where the date code has been removed or defaced. QSC shall not be liable for inci-  
dental and/or consequential damages. This warranty gives you specific legal rights. This limited warranty is freely transferable during  
the term of the warranty period.  
Customer may have additional rights, which vary from state to state.  
In the event that this product was manufactured for export and sale outside of the United States or its territories, then this limited war-  
ranty shall not apply. Removal of the serial number on this product, or purchase of this product from an unauthorized dealer, will void  
this limited warranty.  
Periodically, this warranty is updated. To obtain the most recent version of QSCs warranty statement, please visit www.qscaudio.com.  
1675 MacArthur Blvd., Costa Mesa, CA, 92626 USA  
Main Number (714) 754-6175 or toll free (USA only) (800) 854-4079  
Customer Service(714) 957-7150 or toll free (USA only) (800) 772-2834  
© Copyright 2005, 2006, QSC Audio Products, Inc.  
QSC® is a registered trademark of QSC Audio Products, Inc.  
QSCand the QSC logo are registered with the U.S. Patent and Trademark Office  
All trademarks are the property of their respective owners.  
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