DJ MIXER
DJM-909
Operating Instructions
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IMPORTANT NOTICE
The serial number for this equipment is located on the bottom
plate. Please write this serial number on your enclosed
warranty card and keep it in a secure area. This is for your
security.
WARNING:
Handling the cord on this product or cords associated with
accessories sold with the product will expose you to lead, a
chemical known to the State of California and other
governmental entities to cause cancer and birth defects or
other reproductive harm.
Wash hands after handling.
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CONTENTS
FEATURES
1) Designed for high sound quality
CAUTIONS REGARDING HANDLING ...................... 4
Location........................................................................... 4
Condensation .................................................................. 4
Cleaning the Unit ............................................................ 4
FEATURES ................................................................. 4
CHECKING ACCESSORIES ....................................... 5
CONNECTIONS ......................................................... 5
PART NAMES AND FUNCTIONS............................. 7
Top Panel ........................................................................ 7
Front Panel .................................................................... 12
Rear Panel ..................................................................... 13
Touch Panel Display Contents ...................................... 14
Touch Panel Display Selection...................................... 15
Electronic parts have been carefully selected and internal
circuitry redesigned to provide the shortest-possible signal
paths, thus realizing true club sound with power to spare.
2) Effects create new performance potential
1 50 effects in 2 systems: Each channel can be preset with
three of 50 possible effects. Sequential effects can be
called up seamlessly merely by touching the names of the
effects on the top panel’s LCD touch panel, creating a new
level of DJ performances.
2 Fader effects: an industry first, Pioneer’s “fader effects”
allow the user to change effect parameters by operating
the sliders for the cross fader or channel fader, thus
providing greater operating facility compared to
conventional rotating dials, while also allowing the DJ to
apply scratch sounds to effects and create other new
remix performances.
BPM COUNTING ..................................................... 16
FADER OPERATIONS.............................................. 17
EFFECT FUNCTIONS............................................... 19
Types of Effects ............................................................ 19
Using the Effect Functions ........................................... 22
Presetting Effects ......................................................... 23
Effect Parameters ......................................................... 24
TROUBLESHOOTING.............................................. 27
SPECIFICATIONS .................................................... 28
3 Beat effects: linked to track tempo (BPM: beats per
minute), “beat effects” allow the user to apply echo, delay
and other effects with perfect timing.
4 Effect frequency selection: effects can be targeted at HI,
MID, and LOW frequency ranges as desired; simultaneous
multiple frequency ranges can also be specified.
3) Ergonomic, user-customizable cross fader
1 Cross-fader “feeling” adjustment: the specific physical
sensation of cross fader operation is all-important to the
DJ; the “feeling” adjustment provided in this mixer is an
industry first, allowing the user to adjust the physical
sensation of the slider to personal preferences, for the
smoothest possible cross fader operation.
2 Independent cross fader lag cut: the mechanical play
(the lag distance before sound begins) at each end of the
cross fader slider can be adjusted using the fader lag cut
function, thus allowing adjustment of the sound cut when
performing scratch play.
3 Independent cross fader curve: an industry first, the
right-left independently adjustable (33 steps) cross fader
curve control goes beyond the symmetrical type of cross
fader curve on conventional mixers, thus broadening DJ
performance capabilities.
4 “Contactless fader” mechanism: based on Pioneer’s
own proprietary technology, this new contactless optical
fader assures durable and stable operation under the
severest of DJ performance conditions.
CAUTIONS REGARDING HANDLING
Location
Install the unit in a well-ventilated location where it will
not be exposed to high temperatures or humidity.
÷ Do not install the unit in a location which is exposed to
direct rays of the sun, or near stoves or radiators.
Excessive heat can adversely affect the cabinet and
internal components. Installation of the unit in a damp or
dusty environment may also result in a malfunction or
accident. (Avoid installation near cookers etc., where the
unit may be exposed to oily smoke, steam or heat.)
÷ When the unit is used inside a carrying case or DJ booth,
separate it from the walls or other equipment to improve
heat radiation.
4) Touch-panel display provides both wide
Condensation
information and ease of operation
When this unit is brought into a warm room from previously
cold surroundings or when the room temperature rises
sharply, condensation may form inside, and the unit may not
be able to attain its full performance. In cases like this, allow
the unit to stand for about an hour or raise the room
temperature gradually.
The top panel LCD display includes a fader edit monitor that
displays information about user fader settings (curve, reverse,
cut lag, etc.) together with other information necessary for
remix and DJ play. The use of a touch panel also makes it
possible to select effects easily with a single touch.
5) Other features
1 An industry first for DJ mixers, this unit supports use of an
optional foot switch to allow quick ON/OFF control of
effects.
2 When connected via a control cord to a Pioneer DJ CD
player (sold separately), operation of the fader can be used
for automatic “fader start” play.
Cleaning the Unit
÷ Use a polishing cloth to wipe off dust and dirt.
÷ When the surfaces are very dirty, wipe with a soft cloth
dipped in some neutral cleanser diluted five or six times
with water and wrung out well, then wipe again with a dry
cloth. Do not use furniture wax or cleaners.
÷ Never use thinners, benzene, insecticide sprays or other
chemicals on or near this unit, since these will corrode the
surfaces.
3 “Fader reverse” function allows reversing of the
directions of fader operation movement.
4 Delicate 33-step channel fader curve settings.
5 Can be connected in series to other mixers for “session”
output of mixed sounds.
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CHECKING ACCESSORIES
÷
÷
These operating instructions
Warranty
÷
Hexagonal Allen driver
(for cross fader operating load adjust screw)
CONNECTIONS
When connecting or changing the connection of units, make sure to first turn off the power switch and disconnect the power cord
from the outlet.
This mixer is not furnished with any connection cables; when performing connections, use the cables that came provided with your
player and other components, or purchase commercially available audio cables.
1. Connecting Input Components
[DJ CD Player]
CDJ-800, CDJ-1000, CDJ-1000MK2,
CDJ-100S, CDJ-700S, CDJ-500II,
CMX-3000, CMX-5000, DMP-555
Analog turntable 2
Cassette deck, etc.
Analog turntable 1
Player B
Player A
Cassette deck, etc.
Microphone
1
1
2
2
R
L
R
L
R
L
CONTRAST
BRIGHT
CH-2
SEND
RETURN
CH-1
MIC
R
L
R
L
R
L
R
L
3
CD
CD
L
MASTER 2
(MONO)
(MONO)
PHONO
/ LINE
PHONO
/ LINE
R
L
MASTER 1
R
L
R
PHONO
LINE
PHONO
3 COLD
1 GND
L
LINE
SIGNAL
GND
SIGNAL
GND
SESSION IN
CH-2 PLAYER
CONTROL
CH-1 PLAYER
CONTROL
R
2 HOT
L
BOOTH/
SESSION OUT
R
4
CH-2 PHONO/LINE
selector switch
CH-1 PHONO/LINE
selector switch
Other mixer output
Connect the analog turntable 2 output cables to the CH-2
PHONO/LINE jacks of the DJ mixer, and connect the ground
wire to the SIGNAL GND terminal. Set the CH-2 PHONO/
LINE selector switch to [PHONO]. When connecting a
cassette deck or other such component to these jacks, set
the CH-2 PHONO/LINE selector switch to [LINE].
* The PHONO input for this DJ mixer supports use of a MM
cartridge.
DJ CD Players 1
Connect the AUDIO OUT connectors from Player A to the
CH-1 CD input jacks of the DJ mixer, and connect the AUDIO
OUT connectors from Player B to the CH-2 CD input jacks.
When using one of the listed DJ CD players, the control cord
furnished with the CD player should be connected between
the player and the DJ mixer. In this way, the DJ mixer’s fader
lever can be operated to control operation of the DJ CD
player for fader start play and back cue.
MIC 3
The MIC jack on this unit supports use of either PHONE type
or XLR type plugs.
Analog turntable / Cassette deck, etc. 2
Connect the analog turntable 1 output cables to the CH-1
PHONO/LINE jacks of the DJ mixer, and connect the ground
wire to the SIGNAL GND terminal. Set the CH-1 PHONO/
LINE selector switch to [PHONO]. When connecting a
cassette deck or other such component to these jacks, set
the CH-1 PHONO/LINE selector switch to [LINE].
SESSION IN 4
When using multiple mixers simultaneously, use the
appropriate audio cables to connect the other mixer outputs
to these jacks.
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CONNECTIONS
2. Connecting Foot Switch and Headphones (front panel)
Headphones
FADER REVERSE
FADER START
PHONES
CH-1
C.F.
CH-2
C.F. 1 CH-1 C.F. 2 CH-2
ON
ON
ON
PROFESSIONAL 2CHANNEL MIXER
DJM-909
FADER CURVE
OFF
OFF
OFF
5
6
POWER
CH-1
CROSS FADER 1
CROSS FADER 2
CH-2
FOOT SW
FADER CUT LAG
CH-1
OFF
CH-2
MIN
MAX
Foot switch
(pedal switch)
Foot switch 5
Allows the connection of a foot switch with a 6.3 mm
monaural plug. The foot switch control effect ON/OFF.
Headphones 6
Use to connect headphones with a 6.3 mm diameter stereo
plug.
3. Output Connections
External effector
Power amplifier
(supporting RCA input)
7
CONTR
SEND
BRIGHT
CH-2
RETURN
CH-1
MIC
9
R
L
R
L
R
L
R
L
L
CD
CD
R
MASTER 2
(MONO)
(MONO)
PHONO
/ LINE
PHONO
/ LINE
R
L
MASTER 1
R
L
PHONO
LINE
PHONO
LINE
3 COLD
1 GND
p
R
L
SIGNAL
GND
SIGNAL
GND
SESSION IN
CH-2 PLAYER
CONTROL
CH-1 PLAYER
CONTROL
R
2 HOT
L
BOOTH/
SESSION OUT
Power amplifier
(supporting XLR input)
8
L
R
Power amplifier
(for booth monitor)
q
Power cord
Power outlet
To SESSION IN jacks of other mixer
MASTER 2 9
RCA type unbalanced output.
External effector 7
Use a 6.3 mm monaural plug to connect the external
effector’s input connectors to the DJ mixer’s SEND jacks.
When using an effector with a monaural input, connect it to
the L channel output only. The signal actually sent to the
effector will represent a mix of L and R signals.
Use a 6.3 mm monaural plug to connect the external effector’s
output connectors to the DJ mixer’s RETURN jacks.
When using an effector with monaural output, connect only
the L channel input. The signal received from the effector will
be input to both L and R channels.
BOOTH/SESSION OUT p
These jacks are provided for booth monitor output.
The sound volume here is controlled by the booth monitor
level dial, regardless of the setting of the MASTER LEVEL
dial.
When using this unit in tandem with another mixer, connect
these jacks to the other mixer’s session input connectors.
Power cord q
Master output
MASTER 1 8
XLR type balanced output.
After completing all other connections, connect the power
plug to a standard power outlet or to the auxiliary power
outlet of an amplifier.
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PART NAMES AND FUNCTIONS
Top Panel (1)
2 1
10 11
PHONO 1
PHONO 2
CH-1 /LINE 2 CD 2
MIC
/LINE 1 CD 1
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
MASTER LEVEL
MIC LEVEL
TRIM
TRIM
12
13
14
3
4
–
0
–
0
HI
BOOTH/SESSION OUT
–
+
+
+
–
+
+
+
+
9
6
6
6
9
6
6
6
HI
HI
+
+
–
–
0
-12
-12
12
12
LOW
PHONES
-26
-26
-26
-26
FADER
CURVE
FADER
CURVE
MID
LOW
MID
LOW
0
BANK
EDIT
BANK
EDIT
5
6
SELECT
MIC SEND
MASTER
EFFECT
CUE
PROFESSIONAL 2CHANNEL MIXER
-26
TIME/SELECT
TIME/SELECT
15
16
DJM-909
EFFECT
EFFECT
SESSION IN
LOCK ON
OFF
CH-1
CH-2
MIX/DEPTH
MIX/DEPTH
+
-26
ON
7
–
0
EQ
EQ
17
18
19
CH-1 SEND
CH-2 SEND
OFF
ON
OFF
ON
MIN
MAX
MIN
MAX
TAP
TAP
8
9
TRANSFORM
TRANSFORM
FADER START
FADER START
20
21
30
MASTER LEVEL
REVERSE
CH-1
REVERSE
31
32
33
L
R
14
9
14
9
CH-2
10
9
8
7
6
5
4
3
2
1
0
5
5
10
9
8
7
6
5
4
3
2
1
0
22
23
24
3
3
1
1
34
35
0
0
–
–
–
–
–
–
–
–
–
–
–
–
1
1
3
3
CH-2 FADER START
CH-1 FADER START
6
6
9
9
15
15
22
22
dB
dB
CH-1
CH-2
REVERSE
36
25
26
C.F.2 FADER START
C.F.1 FADER START
1
2
FEELING
ADJ.
PHONES
POWER
FOOT SW
27
28
29
3 Microphone level dial (MIC LEVEL)
Use to adjust the microphone level (range of adjustment:
0 dB to –∞).
1 CH-1 input selector switch
(MIC – PHONO 1/LINE 1 – CD 1)
Use to select input signal from MIC jack, CH-1 PHONO/LINE
input jacks, or CH-1 CD input jacks, and send them to the
TRIM control.
* When [MIC] is selected, the MIC signals are sent directly to
the TRIM section without passing through the microphone
level and microphone equalizer circuits.
4 Microphone equalizer dials (HI/LOW)
HI
Use to adjust microphone treble response (range of
adjustment: 10 kHz, 12 dB).
LOW
Use to adjust microphone bass response (range of
adjustment: 100 Hz, 12 dB).
2 CH-1 TRIM dial
Use to adjust the CH-1 input signal level (range of
adjustment: +9 dB to –∞).
7
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PART NAMES AND FUNCTIONS
5 CH-1 equalizer dials (HI/MID/LOW)
HI
15 Monitor SELECT switch
MASTER position
Use to adjust CH-1 input treble response (range of adjustment:
13 kHz, +6 dB to –26 dB).
MID
selects MASTER output. (This setting allows output
regardless of the setting of the MASTER LEVEL dial.)
EFFECT position
Use to adjust CH-1 input midrange response (range of
adjustment: 1 kHz, +6 dB to –26 dB).
LOW
Regardless of the [ON/OFF] setting of the EFFECT switch,
the output is the signal selected with CUE, with effects
added.
Use to adjust CH-1 input bass response (range of adjustment:
70 Hz, +6 dB to –26 dB).
CUE position
selects the channel adjusted with the headphone mixing
lever (17).
6 MIC SEND button and indicator
16 CH-2 equalizer dials (HI/MID/LOW)
HI
Use to adjust CH-2 input treble response (range of
adjustment: 13 kHz, +6 dB to –26 dB).
MID
Use to adjust CH-2 input midrange response (range of
adjustment: 1 kHz, +6 dB to –26 dB).
LOW
When set to On, the indicator lights, and microphone signals
are output at the SEND jacks. This function is disabled when
the CH-1 input selector switch is set to [MIC].
7 Session input level dial (SESSION IN)
Use to adjust the session input volume (range of adjustment:
0 dB to –∞).
Use to adjust CH-2 input bass response (range of
adjustment: 70 Hz, +6 dB to –26 dB).
8 CH-1 SEND button and indicator
When set to On, the indicator lights, and CH-1 signals are
output at the SEND jacks.
17 Headphone mixing lever (CH-1 – CH-2)
This lever does not function when the monitor SELECT
switch (15) is set to [MASTER].
9 CH-1 EQ ON/OFF switch and indicator
When set to [ON], the indicator lights and CH-1 equalizer is
enabled.
When set to [OFF], the indicator goes out and the equalizer
circuit is bypassed.
When the monitor SELECT switch (15) is set to [EFFECT] or
[CUE], moving the lever to the left side produces CH-1
monitor output, while moving it to the right produces CH-2
monitor output. Centering the lever at the center detent
position produces balanced output of CH-1 and CH-2 signals.
10 CH-2 input selector switch
(CH-1 – PHONO 2/LINE 2 – CD 2)
18 CH-2 SEND button and indicator
When set to On, the indicator lights, and CH-2 signals are
output at the SEND jacks.
Use to select input signal from CH-1 (component selected
with CH-1 input selector switch), CH-2 PHONO/LINE input
jacks, or CH-2 CD input jacks, and send them to the TRIM
control.
* When [CH-1] is selected, signals are sent to the CH-2 TRIM
control without being sent through the CH-1 TRIM control.
19 CH-2 EQ ON/OFF switch and indicator
When set to [ON], the indicator lights and the CH-2 equalizer
is enabled.
When set to [OFF], the indicator goes out and the equalizer
circuit is bypassed.
11 CH-2 TRIM dial
Use to adjust the CH-2 input signal level (range of
adjustment: +9 dB to –∞).
20 CH-1 FADER START button
When this button is set to On, fader start and back cue can be
performed on the CH-1 CD player.
12 MASTER LEVEL dial
User to adjust the master output volume level (range of
adjustment: 0 dB to –∞).
Whether the operation is initiated by operation of the CH-1
fader lever, or by the cross fader lever is determined by the
position of the front panel’s FADER START selector switch;
the selection is indicated by the lighting of the top panel’s
CH-1 FADER START indicator or C.F.1 FADER START
indicator.
13 Booth monitor level dial
(BOOTH/SESSION OUT)
Use to adjust the volume level of signals at the BOOTH/
SESSION OUT jacks (range of adjustment: 0 dB to –∞).
This level can be set independently of the setting of the
MASTER LEVEL dial.
* For DJ CD players supporting the fader start/back cue
function, see page 5, “1. Connecting Input Components”.
21 CH-1 output On/Off lever (TRANSFORM)
Use to set CH-1 output to On or Off (Mute).
The lever’s setting angle can be changed in 45° increments
(changing of the angle should be performed by an authorized
Pioneer service technician).
14 Headphones level dial (PHONES)
Use to adjust the volume level of the headphones output
(range of adjustment: 0 dB to –∞).
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PART NAMES AND FUNCTIONS
32 CH-2 REVERSE indicator
When lighted, indicates that the front panel’s FADER
REVERSE switch has been set so that the CH-2 fader lever
operates in the reverse direction (see front panel item 52).
22 CH-1 REVERSE indicator
When lighted, indicates that the front panel’s FADER
REVERSE switch has been set so that the CH-1 fader lever
operates in the reverse direction (see front panel item 52).
23 CH-1 fader lever
33 MASTER LEVEL display button and indicator
When depressed to the On position, the indicator lights and
the level meters display the master output (stereo) peak
levels. When turned Off, the level meters display the peak
levels for CH-1 (left) and CH-2 (right) (see also item 26).
The CH-1 fader lever is used to control the level of signals
sent to the cross fader. Signal level is maximum at scale mark
“10,” and minimum at scale mark “0”.
When the front panel CH-1 FADER REVERSE switch is set to
[ON], the signal level is maximum at scale mark “0,” and
minimum at scale mark “10”.
34 CH-2 fader lever
* The channel fader curve can be adjusted by means of the
front panel FADER CURVE dials.
The CH-2 fader lever is used to control the level of signals
sent to the cross fader. Signal level is maximum at scale mark
“10,” and minimum at scale mark “0”.
24 CH-1 FADER START indicator
Lights when the CH-1 fader start/back cue function is
enabled (see also top panel item 20 and front panel item 53).
When the front panel CH-2 FADER REVERSE switch is set to
[ON], the signal level is maximum at scale mark “0,” and
minimum at scale mark “10”.
* The channel fader curve can be adjusted by means of the
front panel FADER CURVE dials.
25 C.F.1 FADER START indicator
Lights when CH-1 cross-fader start/back cue function is
enabled (see also top panel item 20 and front panel item 53).
35 CH-2 FADER START indicator
Lights when the CH-2 fader start/back cue function is
enabled (see also top panel item 30 and front panel item 53).
26 Level meters
Displays CH-1 and CH-2 peak levels or master output (stereo)
peak levels (see also item 33).
36 C.F.2 FADER START indicator
Lights when CH-2 cross-fader start/back cue function is
enabled (see also top panel item 30 and front panel item 53).
27 Cross fader REVERSE indicator
Indicates that the front panel’s FADER REVERSE switch has
been set so that the cross fader now operates in reverse (left
side is CH-2, right side is CH-1) (see also front panel item 52).
28 Cross fader lever
When the lever is moved to the left side, CH-1 is at maximum
output and CH-2 is at minimum. When moved to the right
side, CH-2 is at maximum output and CH-1 is at minimum.
* The cross fader curve can be adjusted individually for CH-1
and CH-2 by means of the front panel FADER CURVE dials.
29 Operating load adjust screw (FEELING ADJ.)
The hexagonal Allen screw located next to the panel’s slider
opening can be rotated with a hexagonal Allen driver to adjust
the sliding resistance of the cross fader lever. (See page 17,
“Operating load adjust screw”.)
30 CH-2 FADER START button
When this button is set to On, fader start and back cue can be
performed on the CH-2 CD player.
Whether the operation is initiated by operation of the CH-2
fader lever, or by the cross fader lever is determined by the
position of the front panel’s FADER START selector switch;
the selection is indicated by the lighting of the top panel’s
CH-2 FADER START indicator or C.F.2 FADER START
indicator.
* For DJ CD players supporting the fader start/back cue
function, see page 5, “1. Connecting Input Components”.
31 CH-2 output On/Off lever (TRANSFORM)
Use to set CH-2 output to On or Off (Mute).
This lever’s setting angle can be changed in 45° increments
(changing of the angle should be performed by an authorized
Pioneer service technician).
9
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PART NAMES AND FUNCTIONS
Top Panel (2)
37
PHONO 1
PHONO 2
MIC
/LINE 1 CD 1
CH-1 /LINE 2 CD 2
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
MASTER LEVEL
MIC LEVEL
TRIM
TRIM
38
45
–
0
+
+
–
0
HI
BOOTH/SESSION OUT
–
+
+
+
–
+
+
+
+
9
6
6
6
9
6
6
6
HI
HI
–
–
0
-12
-12
12
12
LOW
PHONES
39
40
46
47
-26
-26
-26
-26
FADER
CURVE
FADER
CURVE
MID
LOW
MID
LOW
0
BANK
EDIT
BANK
EDIT
SELECT
MIC SEND
MASTER
EFFECT
CUE
PROFESSIONAL 2CHANNEL MIXER
-26
TIME/SELECT
TIME/SELECT
DJM-909
EFFECT
EFFECT
41
42
48
49
SESSION IN
LOCK ON
OFF
CH-1
CH-2
MIX/DEPTH
MIX/DEPTH
+
-26
ON
–
0
EQ
EQ
CH-1 SEND
CH-2 SEND
OFF
ON
OFF
ON
MIN
MAX
MIN
MAX
TAP
TAP
43
44
50
51
TRANSFORM
TRANSFORM
FADER START
FADER START
37 Touch Panel
40 Fader curve display and CH-1 effect select
Touch this screen to set effects in accordance with the
displayed menus.
* The panel’s screen contrast and backlight luminance can
be adjusted (see rear panel items 61 and 63).
button (FADER CURVE/BANK EDIT)
Press to display the fader curve on the touch panel. Holding
the button depressed for about one second will cause the
touch panel to display the CH-1 effect select menu.
38 CH-1 effect bank buttons and indicators
41 CH-1 effect time adjust/select dial
(BANK 1, 2, 3)
(TIME/SELECT)
When one of these buttons is pressed, the indicator lights
and the corresponding preset effect is enabled. Each BANK
button can be recorded with three effects for CH-1 (at time of
shipping, the buttons have been factory preset with typically
used effects). BANK 1 is selected in the default condition
after power is initially turned on.
Use to adjust the time parameters of effects applied to CH-1
(rotate clockwise to lengthen, counterclockwise to shorten).
When the effect select menu is displayed, causes the effects
list to scroll.
42 CH-1 effect mix ratio/depth adjust dial
(MIX/DEPTH)
39 CH-1 effect parameter adjust button (FX ADJ.)
Press to display the touch panel’s CH-1 effect parameter
adjust menu.
Use to adjust the volume (amount) of effects applied to CH-1
(rotate clockwise to increase effects, counterclockwise to
reduce).
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PART NAMES AND FUNCTIONS
43 CH-1 effect switch and indicator
49 CH-2 effect mix ratio/depth adjust dial
(EFFECT LOCK ON/OFF/ON)
(MIX/DEPTH)
To turn effects [ON], either pull switch forward (switch
returns automatically to [OFF] when released) or slide to far
side to the [LOCK ON] position. When effects are [ON], the
indicator flashes and effects are applied to CH-1.
Use to adjust the volume (amount) of effects applied to CH-2
(rotate clockwise to increase effects, counterclockwise to
reduce).
50 CH-2 effect switch and indicator
44 CH-1 TAP button
(EFFECT LOCK ON/OFF/ON)
Under normal conditions, the automatic BPM counter
operates to display the track’s BPM value on the touch panel.
Automatic BPM counting may be difficult with some tracks,
however. In such cases, or if you wish to deliberately set a
different BPM, use the TAP button.
To turn effects [ON], either pull switch forward (switch
returns automatically to [OFF] when released) or slide to far
side to the [LOCK ON] position. When effects are [ON], the
indicator flashes and effects are applied to CH-2.
• The BPM value can be changed by rotating the TIME/
SELECT dial while holding the TAP button depressed.
• Tapping the button in time with the beat will cause the
function to switch to the manual BPM count mode; the
tapped beat will be counted and displayed as the BPM
value. Returning to the auto BPM mode is performed from
the effect parameter adjust screen (see page 16,
“Automatic Mode BPM Counting”) .
51 CH-2 TAP button
Under normal conditions, the automatic BPM counter
operates to display the track’s BPM value on the touch panel.
Automatic BPM counting may be difficult with some tracks,
however. In such cases, or if you wish to deliberately set a
different BPM, use the TAP button.
• The BPM value can be changed by rotating the TIME/SELECT
dial while holding the TAP button depressed.
• Tapping the button in time with the beat will cause the
function to switch to the manual BPM count mode; the
tapped beat will be counted and displayed as the BPM
value. Returning to the auto BPM mode is performed from
the effect parameter adjust screen (see page 16,
“Automatic Mode BPM Counting”) .
45 CH-2 effect bank buttons and indicators
(BANK 1, 2, 3)
When one of these buttons is pressed, the indicator lights
and the corresponding preset effect is enabled. Each BANK
button can be recorded with three effects for CH-2 (at time of
shipping, the buttons have been factory preset with typically
used effects). BANK 1 is selected in the default condition
after power is initially turned on.
46 CH-2 effect parameter adjust button (FX ADJ.)
Press to display the touch panel’s CH-2 effect parameter
adjust menu.
47 Fader curve display and CH-2 effect select
button (FADER CURVE/BANK EDIT)
Press to display the fader curve on the touch panel. Holding
the button depressed for about one second will cause the
touch panel to display the CH-2 effect select menu.
48 CH-2 effect time adjust/select dial
(TIME/SELECT)
Use to adjust the time parameters of effects applied to CH-2
(rotate clockwise to lengthen, counterclockwise to shorten).
When the effect select menu is displayed, causes the effects
list to scroll.
11
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PART NAMES AND FUNCTIONS
Front Panel
52
53
FADER REVERSE
C.F.
FADER START
PHONES
CH-1
CH-2
C.F. 1 CH-1 C.F. 2 CH-2
ON
ON
ON
54
55
PROFESSIONAL 2CHANNEL MIXER
DJM-909
FADER CURVE
OFF
OFF
OFF
POWER
CH-1
CROSS FADER 1
CROSS FADER 2
CH-2
FOOT SW
FADER CUT LAG
CH-1
OFF
CH-2
MIN
MAX
58 57
56
52 FADER REVERSE switches
CH-1 ON/OFF
54 Headphone output jack (PHONES)
Accepts a 6.3 mm stereo headphones plug.
When set to [ON], the top panel’s CH-1 REVERSE indicator
lights, and the CH-1 fader lever operates in the reverse
direction (scale mark “0” becomes 0 dB attenuation, and
“10” becomes minus infinity). The fader start function also
operates in reverse.
55 POWER switch
56 Fader attenuation dials (FADER CURVE)
CH-1
Use to adjust CH-1’s fader attenuation curve.
CH-2
Use to adjust CH-2’s fader attenuation curve.
CROSS FADER 1
Use to adjust cross fader’s CH-1 attenuation curve.
CROSS FADER 2
Use to adjust cross fader’s CH-2 attenuation curve.
FADER CUT LAG
Use to adjust mechanical play at both extremes of the cross
fader movement (the range in which lever movement
produces no effect).
CH-2 ON/OFF
When set to [ON], the top panel’s CH-2 REVERSE indicator
lights, and the CH-2 fader lever operates in the reverse
direction (scale mark “0” becomes 0 dB attenuation, and
“10” becomes minus infinity). The fader start function also
operates in reverse.
C.F. ON/OFF
When set to [ON], the top panel’s cross fader REVERSE
indicator lights, and the cross fader lever operates in the
reverse direction (left side becomes CH-2, and right side
becomes CH-1). The fader start function also operates in
reverse.
(See page 17, “Fader attenuation curve adjustment”.)
53 FADER START selector switches
C.F.1 / CH-1
57 Foot switch channel select switch
This switch determines whether the fader start operation for
the CD player connected to CH-1 is activated by the cross
fader lever, or by the CH-1 fader lever.
When the top panel’s CH-1 FADER START button is set to
On, selecting [C.F.1] causes the top panel’s C.F.1 FADER
START indicator to light, and selecting [CH-1] causes the top
panel’s CH-1 FADER START indicator to light.
C.F.2 / CH-2
This switch determines whether the fader start operation for
the CD player connected to CH-2 is activated by the cross
fader lever, or by the CH-2 fader lever.
When the top panel’s CH-2 FADER START button is set to
On, selecting [C.F.2] causes the top panel’s C.F.2 FADER
START indicator to light, and selecting [CH-2] causes the top
panel’s CH-2 FADER START indicator to light.
(FOOT SW CH-1/OFF/CH-2)
Use to select whether the Effect On/Off foot switch function
operates on channel 1 [CH-1], channel 2 [CH-2]. When the
switch is in the center position, both CH-1 and CH-2 are
[OFF].
58 Foot switch jack (FOOT SW)
This 6.3 mm RCA jack can be used to connect an On/Off type
pedal switch used to turn effects On and Off.
Various types of foot switch are available; some turn On
when pressed, some turn Off when pressed, and others
have locking mechanisms (alternate On/Off with successive
presses). Select the type in accordance with your own
preferences.
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PART NAMES AND FUNCTIONS
Rear Panel
59 60 61 62
63
64
65
CONTRAST
BRIGHT
CH-2
SEND
RETURN
CH-1
MIC
R
L
R
L
R
L
R
L
CD
CD
MASTER 2
(MONO)
(MONO)
PHONO
/ LINE
PHONO
/ LINE
R
L
75
74
MASTER 1
66
R
L
PHONO
LINE
PHONO
LINE
3 COLD
1 GND
SIGNAL
GND
SIGNAL
GND
SESSION IN
CH-2 PLAYER
CONTROL
CH-1 PLAYER
CONTROL
R
2 HOT
L
BOOTH/
SESSION OUT
73 72 71
70
69
68 67
59 CH-2 input jacks
CD
Connect to audio output from CH-2 CD player.
67 CH-1 PHONO/LINE selector switch
Use to set the input sensitivity at the CH-1 PHONO/LINE
connectors. The [PHONO] position supports an MM type
cartridge.
PHONO / LINE
Connect to audio output from CH-2 analog turntable,
cassette deck or other line signal level component.
* When no analog turntable is used, set this switch to the
[LINE] side.
60 External effector output jacks (SEND)
68 CH-1 signal ground (SIGNAL GND)
Connect to the CH-1 analog turntable’s ground wire. Note
that this is not meant as a safety ground.
Connect to the input connectors of an external effector.
When the top panel switches (MIC SEND, CH-1 SEND, and
CH-2 SEND) are set to On, these jacks output the MIC, CH-1,
and CH-2 signals to the external effector.
When using an effector with a monaural input, connect it to
the L channel output only. The signal actually sent to the
effector will represent a mix of L and R signals.
69 CH-1 PLAYER CONTROL jack
When a Pioneer DJ CD player is connected to the CH-1 CD
jacks, a special control cord can be used to connect this jack to
the player’s control jack, thus enabling the fader start function.
61 Touch panel screen contrast control (CONTRAST)
Use to adjust the top panel’s touch panel contrast.
70 MASTER 1 jacks
XLR type balanced output. Connect to the power amplifier’s
balanced input jacks.
62 External effector return jacks (RETURN)
Connect to the output connectors of the external effector.
When using an effector with monaural output, connect only
to the L channel input. The signal received from the effector
will be input to both L and R channels.
71 CH-2 PLAYER CONTROL jack
When a Pioneer DJ CD player is connected to the CH-2 CD
jacks, a special control cord used to connect this jack to the
player’s control jack, thus enabling the fader start function.
63 Touch panel backlight control (BRIGHT)
Use to adjust the top panel’s touch panel backlight
luminance.
72 CH-2 PHONO/LINE selector switch
Use to set the input sensitivity at the CH-2 PHONO/LINE
connectors. The [PHONO] position supports an MM type
cartridge.
64 CH-1 input jacks
CD
* When no analog turntable is used, set this switch to the
[LINE] side.
Connect to the audio output of the CH-1 CD player.
PHONO / LINE
Connect to audio output from CH-1 analog turntable,
cassette deck or other line signal level component.
73 CH-2 signal ground (SIGNAL GND)
Connect to the CH-2 analog turntable’s ground wire. Note
that this is not meant as a safety ground.
65 Microphone input jack (MIC)
74 BOOTH/SESSION OUT jacks
Connect to a microphone with XLR type or PHONE type plug.
When applying effects to the microphone sound, set the top
panel’s CH-1 input selector switch (MIC–PHONO 1/LINE 1–
CD1) to the [MIC] position.
Connector jacks for booth monitor output. When using this
unit in tandem with another mixer, connect these jacks to the
other mixer’s session input jacks.
75 MASTER 2 jacks
RCA type unbalanced output. Connect to the power
amplifier’s unbalanced input jacks.
66 Session input jacks (SESSION IN)
When using multiple mixers simultaneously, connect the
other mixer outputs to these jacks.
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PART NAMES AND FUNCTIONS
Touch Panel Display Contents
B. Effect select display
Hold the FADER CURVE/BANK EDIT button depressed for
about one second to change the screen to the main page
effect select menu (settable independently for each channel).
Rotate the TIME/SELECT dial to select the effect to be
allocated to each button from the list of 50 effects displayed
(see page 23, “Presetting effects”).
BANK 1
BANK 1
BANK 2
BANK 3
FX ADJ.
EDIT 1 CH FOOT EDIT 2 CH
TIME
LOW MID HI LOW MID HI
ms PICH
%
2000
0
BANK 2
BANK 3
FX ADJ.
AUTO
AUTO
BPM
BPM
120
120
Effect list (ECHO)
(Example): CH-1 side.
≠
CH 1 BANK EDIT
FADER
CURVE
FADER
CURVE
BANK
EDIT
BANK
EDIT
PROFESSIONAL 2CHANNEL MIXER
1 . DEL
2 . ECHO
3 . P
A
Y
TIME/SELECT
TIME/SELECT
The button being
edited (here, ECHO)
appears highlighted.
DJM-909
=
A
N
EC
EFFECT
EFFECT
4 . P I T EC
LOCK ON
OFF
5 . R
V
D
L
Y
MIX/DEPTH
MIX/DEPTH
6 . DK EC
7 . ROL L
ON
MIN
MAX
MIN
MAX
TAP
TAP
C. Effect parameter adjust display
Press the FX ADJ. button to display the effect parameter
adjust menu (settable independently for each channel). From
this menu, BPM AUTO can be selected. Also, effect
selection (cross fader / channel fader) can be selected for
fader type.
The touch panel display has four basic patterns (A-D). The
screen contents shown in the accompanying illustrations
depict one example of the basic patterns, while actual
displays may differ, depending on the kind of settings and
status involved.
ECHO
Select frequency band
for effect (HI, MID,
LOW).
=
FOOT
ms
AUTO
TIME
CH1
A. Effect type display (main page)
BPM
120
2000
This display appears when the power is first turned on, or
when one of the BANK (1-3) buttons is pressed.
The effects for each channel are displayed as buttons, with
the currently selected button displayed in reverse
illumination (in this manual, indicated as black characters
against white background). Other displays show status of
foot switch, selected effect parameters, frequency bands
subject to effects, TIME display and BPM display.
Select effect
parameter (4/1).
=
Select method of BPM
count (BPM AUTO).
CH-1 side EFFECT + | = CH-2 side EFFECT
When a foot switch is
connected, FOOT is
displayed.
The frequency band
subjected to effects is
highlighted (HI, MID,
LOW).
EDIT 1 CH FOOT EDIT 2 CH
D. Fader status display
TIME
LOW MID HI LOW MID HI
ms PICH
%
2000
0
Press the FADER CURVE/BANK EDIT button to view the
fader status in a graphic display. By rotating the front panel
FADER CURVE dial, the various attenuation responses can
be set in 33 steps, and each step number also displayed. The
amount of cross fader lag is also given a numerical display.
AUTO
AUTO
BPM
BPM
120
120
BPM count method is
displayed (AUTO).
Currently selected
effect is highlighted
(ECHO, PITCH
FADER CURVE
CH 1
16 CH 2
16
+ CH-2 fader
data
CH-1 fader data =
SHIFTER).
CF 1
CF 2
32
32
+ Cross fader
data
FADER CUT LAG : 1 .0 mm
Cross fader lag data
(FADER CUT LAG)
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PART NAMES AND FUNCTIONS
Touch Panel Display Selection
Changing between the touch panel’s four basic display
patterns (A, B, C, D) is performed by pressing the operating
buttons at the panel’s sides.
Effect parameter adjust
display
Effect select display
B
C
ECHO
CH 1 BANK EDIT
FADER
CURVE
Hold FADER CURVE/BANK
EDIT button depressed.
BANK
EDIT
FOOT
ms
AUTO
TIME
CH1
BPM
120
2000
1 . DEL
2 . ECHO
3 . P
A
Y
Hold FADER CURVE/
BANK EDIT button
depressed.
Press FX ADJ.
button.
A
N
EC
4 . P I T EC
Effect type display
(main page)
5 . R
V
D
L
Y
FADER
CURVE
A
6 . DK EC
7 . ROL L
FX ADJ.
EDIT 1 CH FOOT EDIT 2 CH
TIME
LOW MID HI LOW MID HI
BANK
EDIT
ms PICH
%
2000
0
FADER
CURVE
FX ADJ.
Press FX
AUTO
AUTO
BPM
BPM
120
120
ADJ. button.
BANK
EDIT
BANK 1
Press FADER CURVE/
BANK EDIT button.
Press
BANK 2
BANK
POWER
buttons.
BANK 3
Press FADER CURVE/
BANK EDIT button.
Turn power ON
FADER
CURVE
FADER
CURVE
Press FADER CURVE/
BANK EDIT button.
BANK
EDIT
BANK
EDIT
FX ADJ.
Press FX ADJ.
button.
FADER
CURVE
FADER
CURVE
FADER CURVE
16 CH 2
Hold FADER CURVE/BANK
EDIT button depressed.
Press FADER CURVE/
BANK EDIT button.
CH 1
16
32
BANK
EDIT
BANK
EDIT
CF 1
CF 2
32
FADER CUT LAG : 1 .0 mm
D Fader status display
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BPM COUNTING
7 Selecting Auto Mode
1. Press the FX ADJ. button to cause the touch
panel screen to display the effect parameter
Automatic Mode BPM Counting
This function automatically counts the track’s speed in BPM
(Beats Per Minute), displaying the results as a numerical
value. The functions does not merely count the bass beat,
but uses a computer to calculate the track’s original BPM
required by the DJ. The display provides a visual standard in
addition to the human ear, thus allowing the DJ to quickly
match two tracks possessing differing speeds.
When auto mode is used to count BPM, the calculated BPM
value is displayed on the LCD panel, allowing quick matching
of tracks with differing speeds. (Counting range: 70.0 to
180.0 BPM)
adjust menu.
If the CH-1 FX ADJ. button is pressed, the CH-1 display
appears; if the CH-2 FX ADJ. button is pressed, the CH-2
display appears.
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
ECHO
TIME
FOOT
ms
TAP
CH1
The display flashes during BPM counting.
* Some tracks may not be counted properly, in which case
manual count should be used.
BPM
120
2000
(See page 11, top panel items 44, 51)
1
FADER
CURVE
FADER
CURVE
Touch panel (main page)
BANK
EDIT
BANK
EDIT
AUTO lights in
EDIT 1 CH FOOT EDIT 2 CH
BPM value
TIME
ms PICH
%
2000
0
auto mode.
display
LOW MID HI LOW MID HI
AUTO
TAP
BPM
BPM
120
120
2. Press the BPM TAP button (displayed in manual
mode), to display the BPM AUTO button.
BPM value
display
TAP lights
during manual
count mode
(TAP button
input)
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
ECHO
FOOT
ms
TAP
TIME
CH1
BPM
120
2000
¶ The BPM value can be input directly by rotating
the TIME/SELECT dial while holding the TAP
button depressed.
FADER
CURVE
FADER
CURVE
BANK
EDIT
BANK
EDIT
2
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FADER OPERATIONS
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
Adjusting Fader Lever Operating Sensation
FADER CURVE
16 CH 2
Operating load adjust screw
CH 1
16
32
(FEELING ADJ.)
The supplied hexagonal Allen driver can be used to adjust the
hexagonal Allen screw located next to the top panel’s cross
fader slider opening, thus modifying the sliding resistance of
the lever. Rotate the screw clockwise to increase sliding
resistance and counterclockwise to reduce resistance.
CF 1
CF 2
32
Press FADER
CURVE/BANK
EDIT button.
FADER
CURVE
FADER
CURVE
FADER CUT LAG : 1 .0 mm
BANK
EDIT
BANK
EDIT
REVERSE
Cross fader cut lag dimension
display
1
2
FEELING
ADJ.
FADER REVERSE
FADER START
PHONES
CH-1
C.F.
CH-2
C.F. 1 CH-1 C.F. 2 CH-2
ON
ON
ON
PROFESSIONAL 2CHANNEL MIXER
OFF
OFF
OFF
Cross fader lag adjustment
DJM-909
FADER CURVE
POWER
The mechanical play (the lag or range of movement in which
no functional effect takes place) at the two extreme ends of
the top panel cross fader lever movement can be adjusted by
using the front panel’s FADER CUT LAG dial, within a range
of 1-6 mm.
CH-1
CROSS FADER 1
CROSS FADER 2
CH-2
FOOT SW
FADER CUT LAG
CH-1
OFF
CH-2
MIN
MAX
Lag
Lag
Fader reverse function
REVERSE
FADER CURVE
S FADER 1 CROSS
The operating directions of the CH-1, CH-2 and cross fader
levers can be reversed by setting the front panel’s FADER
REVERSE switches to their [ON] positions.
FADER CUT LAG
1
2
When the CH-1 (or CH-2) FADER REVERSE switch is set to
[ON], the top panel CH-1 (or CH-2) REVERSE indicator lights,
and the corresponding lever’s operating direction is reversed
(scale mark “0” becomes attenuation 0 dB, while scale mark
“10” becomes minus infinity). The fader start function also
operates in reverse.
When the C.F. FADER REVERSE switch is set to [ON], the
top panel’s cross fader REVERSE indicator lights, and the
lever operating direction is reversed (left side becomes CH-2
and right side becomes CH-1). The fader start function also
operates in reverse.
MIN
MAX
FEELING
ADJ.
»
Fader attenuation curve adjustment
The front panel’s FADER CURVE dials can be used to adjust
the attenuation curve response of the cross fader and
channel fader. The cross fader can be adjusted independently
for CH-1 and CH-2 sides. By pressing the top panel’s FADER
CURVE/BANK EDIT button, the adjustment status can be
displayed on the touch panel.
7 Channel fader curve adjustment (CH-1, CH-2)
FADER REVERSE
CH-1
C.F.
CH-2
ON
ON
ON
OFF
OFF
OFF
LEVEL
Fader Start Function
When the CH-1 and CH-2 jacks of this unit are connected to a
separately sold Pioneer DJ CD player (models CDJ-1000,
CDJ-1000MK2, CDJ-800, CDJ-100S, CDJ-700S, CDJ-500II,
CMX-3000, CMX-5000 or DMP-555), the channel fader and
cross fader functions can be used to automatically start
playback of the connected CD player (the applicable control
cord must be connected). By moving the mixer’s channel
fader or cross fader lever, the CD player’s pause function is
released and play starts instantly. Also, by returning the fader
lever to its original position, the CD player can be returned to
its cue point (back cue function), thus allowing sampling
playback.
0 1 2 3 4 5 6 7 8 910
0 1 2 3 4 5 6 7 8 910
0 1 2 3 4 5 6 7 8 910
Channel fader lever positions
7
Cross fader curve adjustment (CROSS FADER 1, 2)
LEVEL
Cross fader lever positions
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FADER OPERATIONS
÷ If the cue point has already been set, there is no need to
set the CD player again for standby at the cue point.
÷ After playback has once begun, moving the channel fader
lever back to the “0” scale mark will cause the CD player to
return to its cue point and enter the standby mode again
(back cue).
Cross fader start play and back cue play
When the CH-1 CD player is held in standby at the cue point,
merely moving the cross fader lever from the right (CH-2)
side to the left (CH-1) side will cause the CH-1 CD player to
begin playback.
When the cross fader lever reaches the left (CH-1) side, CH-2
CD player performs back cue (returns to its cue point).
Likewise, when the CH-2 CD player is in standby at its cue
point, moving the cross fader lever from the left (CH-1) side
to the right (CH-2) side causes CH-2 CD player to begin
playback. When the cross fader lever reaches the right (CH-2)
side, CH-1 CD player performs back cue.
Start playback with cross fader
1 To control a connected CD player, set the front
panel FADER START selector switch for the
corresponding channel to its [C.F.1] or [C.F.2]
position.
* Back cue is performed even if the input selector switch is
not set to CD.
When using cross fader lever to start the CH-1 CD player,
set the front panel C.F.1/CH-1 switch to the [C.F.1]
position; when using the cross fader lever to start the
CH-2 CD player, set the front panel C.F.2/CH-2 switch to
[C.F.2] position.
Start playback with channel fader
1 To control a connected CD player, set the front
panel FADER START selector switch for the
corresponding channel to its [CH-1] or [CH-2]
FADER START
C.F. 1 CH-1 C.F. 2 CH-2
position.
When using the CH-1 fader lever to start the CH-1 CD
player, set the front panel C.F.1/CH-1 switch to the [CH-1]
position; when using the CH-2 fader lever to start the
CH-2 CD player, set the front panel C.F.2/CH-2 switch to
[CH-2] position.
2 Press the top panel FADER START button so that
the indicator lights.
FADER START
When the CH-1 FADER START button is pressed, the
C.F.1 FADER START indicator lights.
C.F. 1 CH-1 C.F. 2 CH-2
When the CH-2 FADER START button is pressed, the
C.F.2 FADER START indicator lights.
3 Move the cross fader lever to the side opposite
from the channel you wish to start.
4 Adjust the CD player to its cue point and set for
cue point standby.
5 Begin moving the cross fader lever with the
timing you wish, thereby beginning playback on
the CD player.
2 Press the top panel FADER START button so that
the indicator lights.
When the CH-1 FADER START button is pressed, the
CH-1 FADER START indicator lights.
When the CH-2 FADER START button is pressed, the CH-
2 FADER START indicator lights.
3 Set the channel fader lever to the [0] scale mark.
4 Adjust the CD player to its cue point and set for
cue point standby.
FADER START
5 Begin moving the channel fader lever with the
timing you wish, thereby beginning playback on
the CD player.
REVERSE
C.F.1 FADER START
FADER START
FADER START
1
2
FEELING
ADJ.
REVERSE
REVERSE
÷ If the cue point has already been set, there is no need to
set the CD player again for standby at the cue point.
÷ If the cross fader lever is moved fully after the beginning of
playback, the opposite channel’s CD player will return to its
cue point and enter standby there (back cue).
CH-1
CH-2
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
CH-2 FADER START
CH-1 FADER START
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EFFECT FUNCTIONS
Types of Effects
This unit is equipped with a beat effector linked to the BPM, and fader effector linked to the channel or cross fader, producing a total
of 50 basic effects, but an even wider variety of effects can be produced by varying the parameters of each effect.
Beat Effector (effects linked to BPM)
Name
Function
FX ADJ. Parameter (touch panel)
Set delay time of 1/8 to 8/1 of each beat of BPM.
Set delay time of 1/8 to 8/1 of each beat of BPM.
1
2
DELAY (*1)
In time with BPM, outputs repeat sound once.
ECHO (*1)
In time with BPM, outputs repeat sound
several times, while diminishing.
3
4
5
6
7
PAN ECHO (*1)
PITCH ECHO (*1)
REVERSE DELAY (*1)
DUCKING ECHO (*1)
ROLL (*2)
In time with BPM, outputs repeat sound,
alternately to left and right.
Set delay time of 1/8 to 8/1 of each beat of BPM.
In time with BPM, outputs repeat sound
while changing pitch.
Set delay time of 1/8 to 2/1 of each beat of BPM; and
set pitch shifter up or down.
In time with BPM, outputs repeat sound in
reverse of playback direction.
Set delay time of 1/8 to 8/1 of each beat of BPM.
Set delay time of 1/8 to 8/1 of each beat of BPM.
Set effect time of 1/8 to 8/1 of each beat of BPM.
Outputs repeat sound when input sound level
drops below a certain point.
With the turning ON of the EFFECT switch as
a trigger, the input sound is recorded, and the
recorded sound is repeated in units of
individual beat.
8
9
HOLD ECHO (*1) (*2)
MULTI TAP DELAY (*1)
In time with BPM, outputs repeat sound several
times while diminishing. Repeat sound is
preserved even if EFFECT switch is turned OFF.
Set delay time of 1/8 to 8/1 of each beat of BPM.
Output delay sound in time with beat, at
intervals of preset delay time.
Set delay time of 1/4 to 1/1 of each beat of BPM; select
delay pattern; and set feedback ON/OFF.
10 RAIN (*1)
Outputs sound with feeling of being in water.
Set delay time of 1/8 to 8/1 of each beat of BPM.
8 patterns can be set based on different filters.
11 REVERB1 (*1)
Produces reverberation sound similar to that
of a garage-sized room.
12 REVERB2 (*1)
13 REVERB3 (*1)
14 PITCH SHIFTER1
15 PITCH SHIFTER2
16 PAN
Produces reverberation sound similar to that
of a large hall.
8 patterns can be set based on different filters.
Set delay time of 1/8 to 4/1 of each beat of BPM.
Set amount of pitch shift.
Hall reverberation (echo) is added to sound
lag timed to BPM.
Allows changing of pitch within range of
octave.
1
Outputs three types of pitches together with
preset pitches.
Set type of changing pitch harmonies.
In time with BPM, outputs sound alternately
to left and right.
Set right-left allocation time in units of 1/8 to 8/1 of each
beat of BPM.
17 TRANS
In time with BPM, cut sound.
Set cut time in units of 1/8 to 8/1 of each beat of BPM.
18 RHYTHM TRANS
Cut sound in time with BPM and preset
pattern.
Set effect time of 1/2 to 2/1 of each beat of BPM; and
select cut pattern.
19 TRANS PAN
20 TREMOLO
21 VIBRATO
In time with BPM, cut long-period PAN
outputs at set time.
Set cut time in units of 1/16 to 1/1 of each beat of BPM;
and set PAN period.
Produces wavering sound by applying tonal
modulation.
Set modulation period based on beats calculated from
BPM.
Apply modulation to frequency, thus
producing tonal variation.
Set modulation period based on beats calculated from
BPM.
(*1) When the channel fader or cross fader is used to lowering sound volume, no effect sounds will be heard, even if monitor
SELECT switch is set to the [EFFECT] position.
(*2) When EFFECT switch is turned OFF, no effect sounds will be heard even if the monitor SELECT switch is set to the [EFFECT]
position.
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EFFECT FUNCTIONS
Name
Function
FX ADJ. Parameter (touch panel)
22 CHORUS1
Produces broadened musical effect
resembling the production of same pitch
sounds from multiple sources.
Set period of chorus wavers based on beats calculated
from BPM.
23 CHORUS2
24 CHORUS3
25 FLANGER1
Produces even broader musical effect than
CHORUS1.
Set period of chorus wavers based on beats calculated
from BPM.
Changes degree of waver in chorus sound.
Set period of chorus waver based on beats calculated
from BPM, and set degree of chorus sound waver.
Produce flange effect by adding delayed
sound. In time with BPM, change frequency
band receiving flange effect.
Set period of flange effect shift based on beats
calculated from BPM.
26 FLANGER2
In time with BPM, change frequency band
receiving flange effect, thus producing either
undulating or rotating effect.
Set period of flange effect shift based on beats
calculated from BPM.
27 PHASER1
Phase effect is produced by adding sound
with delayed phase. The phase-affected
frequency band changes in time with BPM.
Set period of phase effect shift based on beats
calculated from BPM.
28 PHASER2
Phase-affected frequency band changes in
time with BPM. Phase effect change is
inverted between L and R.
Set period of phase effect shift based on beats
calculated from BPM.
29 TOUCH PHASER
30 TOUCH PHASER2
Phase effect is produced in correspondence to
input volume. The higher the input volume, the
higher the frequencies producing the effect.
Set the number of filter stages producing the phase
effect. Greater numbers of stages produce deeper
effects.
Phase effect is produced in correspondence to
input volume. The higher the input volume, the
lower the frequencies producing the effect.
Set the number of filter stages producing the phase
effect. Greater numbers of stages produce deeper
effects.
31 FILTER (LPF)
32 FILTER (HPF)
33 FILTER (BPF)
34 FILTER PAN
35 COMPRESSOR
Change low-pass filter’s cutoff frequency in
time with BPM.
Set period of cutoff frequency shift based on beats
calculated from BPM.
Change high-pass filter’s cutoff frequency in
time with BPM.
Set period of cutoff frequency shift based on beats
calculated from BPM.
Change band pass filter’s center frequency in
time with BPM.
Set period of center frequency shift based on beat
calculated from BPM.
In time with BPM, bass and treble sounds
pan in opposite directions.
Set period of cutoff frequency shift based on beats
calculated from BPM.
Inputs above the threshold level are
compressed before output.
Set degree of compression.
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EFFECT FUNCTIONS
Fader Effector (effects linked to channel or cross fader)
Name
Function
FX ADJ. Parameter (touch panel)
36 FADER ROLL (*2)
EFFECT switch turn ON or fader position is
used as trigger to record input sound, and
then output the sound repeatedly within
range of 1/1 to 1/16 beat.
Select either channel fader or cross fader.
Set base ROLL time to 1/2, 1/1, or 2/1.
37 FADER MULTI TAP DELAY At preset intervals repeat sound is output at
Select either channel fader or cross fader.
Set basic beat time of 1/2 to 2/1 for each BPM beat, and
set delay pattern selection.
(*1)
1/1 to 1/16 beat set with fader.
38 FADER TRANS PAN
In time with the BPM, long-period PAN
output is cut at time corresponding to fader
position.
Select either channel fader or cross fader.
Set PAN operation period and basic effect time to be cut
with fader.
39 FADER PITCH SHIFTER
40 FADER RING
In response to fader position, pitch of input
sounds is changed.
Select either channel fader or cross fader.
Set type of pitch change.
Produces metallic bass sound effect.
Select either channel fader or cross fader.
Set frequency of sound effect.
41 FADER VOCODER1
42 FADER VOCODER2
Vocoder effect; modulates internal oscillator
sound in response to input sound. Depending
on fader position, changes internal oscillator
sound’s fundamental frequency. 7 code
sounds can be added.
Select either channel fader or cross fader.
Set code type.
43 FADER FILTER (LPF)
44 FADER FILTER (HPF)
45 FADER FILTER (BPF)
46 FADER FLANGER
47 FADER PHASER
Changes low-pass filter’s cutoff frequency,
depending on fader position.
Select either channel fader or cross fader.
Select either channel fader or cross fader.
Select either channel fader or cross fader.
Select either channel fader or cross fader.
Changes high-pass filter’s cutoff frequency,
depending on fader position.
Changes band-pass filter’s center frequency
depending on fader position.
Changes frequency band subjected to flanger
effect, depending on fader position.
Changes frequency band subjected to phaser
effect, depending on fader position.
Select either channel fader or cross fader.
Set number of filter stages producing phase effect.
Greater numbers of stages produce deeper effects.
48 FADER SYNTHE1
49 FADER SYNTHE2
50 FADER SYNTHE3
Outputs sine wave sound source.
Outputs sawtooth wave sound source.
Outputs square wave sound source.
Select either channel fader or cross fader.
Select frequency equivalent to note “DO”.
Select either channel fader or cross fader.
Select frequency equivalent to note “DO”.
Select either channel fader or cross fader.
Select frequency equivalent to note “DO”.
(*1) When the channel fader or cross fader is used to lowering sound volume, no effect sounds will be heard, even if monitor
SELECT switch is set to the [EFFECT] position.
(*2) When EFFECT switch is turned OFF, no effect sounds will be heard even if the monitor SELECT switch is set to the [EFFECT]
position.
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EFFECT FUNCTIONS
[Example 2] Apply fader roll to CH-1 track
1. Touch the touch panel’s CH-1 (left side) FADER
Using the Effect Functions
The basic procedures is as follows: [Select effect type] =
[Set parameters (while monitoring through headphones]
=[Set EFFECT switch to ON].
ROLL button (select effect type).
• If the FADER ROLL button is not displayed, select and
display the button as follows:
1Hold the CH-1 (left side) FADER CURVE/BANK EDIT
button depressed for about 1 second to set the touch
panel to the effect select menu.
Below are examples of this basic operation procedure; other
effects are produced in much the same way:
[Example 1] Apply delay to CH-1 track:
2Of the touch panel’s three buttons, select (touch) the
one in which you wish to record the FADER ROLL.
3Rotate the TIME/SELECT dial to select FADER ROLL.
4Press (touch) the MEMORY button.
5Press the FADER CURVE/BANK EDIT button to leave
the effect select menu.
• If FADER ROLL is preset in the BANK 1, 2, or 3 buttons,
FADER ROLL can be selected by pressing the
corresponding button (see page 23 “Presetting
Effects.”)
1. Touch the touch panel’s CH-1 (left side) DELAY
button (select effect type).
• If the DELAY button is not displayed, select and display
the button as follows:
1Hold the CH-1 (left side) FADER CURVE/BANK EDIT
button depressed for about 1 second to set the touch
panel to the effect select menu.
2Of the touch panel’s three buttons, select (touch) the
one in which you wish to record the DELAY.
3Rotate the TIME/SELECT dial to select DELAY.
4Press (touch) the MEMORY button.
2. Press the CH-1 (left side) FX ADJ. button to
diplay the effect parameter adjust menu on the
touch panel.
5Press the FADER CURVE/BANK EDIT button to leave
the effect select menu.
• If DELAY is preset in the BANK 1, 2, or 3 buttons,
DELAY can be selected by pressing the corresponding
button (see page 23 “Presetting Effects.”)
2. Press the CH-1 (left side) FX ADJ. button to
3. Use the touch panel’s LOW, MID, and HI buttons
to select the frequency ranges for the effect.
• The selected range button will appear highlighted.
* It may not be possible to select the frequency range,
depending on the type of effect.
display the effect parameter adjust menu on the
touch panel.
4. Press the touch panel’s 1/2, 1/1, and 2/1 buttons
3. Use the touch panel’s LOW, MID, and HI buttons
as desired to select the roll time (parameter
to select the frequency ranges for the effect.
• The selected range button will appear highlighted.
* It may not be possible to select the frequency range,
depending on the type of effect.
value setting).
• Standard roll times can be set as 1/2, 1/1, or 2/1.
• Set monitor SELECT switch to [EFFECT] to confirm the
effect sound through the headphones (effects marked
with the note *1 on the effects chart cannot be heard
unless the EFFECT switch is set to [ON]).
• The TIME/SELECT dial can be rotated to produce even
finer roll time settings. Setting roll time to 1/1 per beat
of tempo (BPM) will cause the touch panel’s 1/1 button
to be highlighted, and this can be used as a general
reference when adjusting the parameter.
4. Press the touch panel’s 1/8 to 8/1 buttons as
desired to select the delay time (parameter value
setting).
• Set delay time of 1/8 to 8/1 for each beat of BPM.
• Set monitor SELECT switch to [EFFECT] to confirm the
effect sound through the headphones (effects marked
with the note *1 on the effects chart cannot be heard
unless the EFFECT switch is set to [ON]).
5. Use the MIX/DEPTH dial to set the roll sound
level.
• The TIME/SELECT dial can be rotated to produce even
finer delay time settings. Setting delay time of 1/2 per
beat of tempo (BPM) will cause the touch panel’s 1/2
button to be highlighted, and this can be used as a
general reference when adjusting the parameter.
5. Use the MIX/DEPTH dial to set the level balance
• Rotate to left to reduce, and rotate to right to increase
the roll sound.
6. Use touch panel’s CROSS FADER button to
select fader.
• The fader used for fader effects can be set to either
channel fader or cross fader.
between sound source and delay sound.
• Rotate to left to reduce, and rotate to right to increase
the delay sound.
7. Set EFFECT switch to [ON] or [LOCK ON].
• The EFFECT indicator will begin flashing red, and the
effect will be applied to the master output.
• When the EFFECT switch is set to [ON] by pulling the
switch forward, the switch will automatically return to
[OFF] when released.
6. Set EFFECT switch to [ON] or [LOCK ON].
• The EFFECT indicator will begin flashing red, and the
effect (delay) will be applied to the master output.
• When the EFFECT switch is set to [ON] by pulling the
switch forward, the switch will automatically return to
[OFF] when released.
Note:
• Make selection of effects and type of fader (channel or cross)
only when the EFFECT switch is in the [OFF] position. If
effects are selected when the EFFECT switch is in the [LOCK
ON] position, noise may be produced.
Note:
• Select effects only when the EFFECT switch is in the [OFF]
position. If effects are selected when the EFFECT switch is in
the [LOCK ON] position, noise may be produced.
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EFFECT FUNCTIONS
Presetting Effects
Of the effects displayed on the touch panel’s main page
(effect type menu), three types can be set for each channel
CH-1 and CH-2 in the BANK buttons (1/2/3). The preset
effects can then be called up at a single touch.
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
EDIT 1 CH FOOT EDIT 2 CH
TIME
ms PICH
LOW MID HI LOW MID HI
%
2000
0
BANK 2
AUTO
AUTO
BPM
BPM
120
120
1. Select the channel (CH-1/CH-2) whose preset
BANK 3
FX ADJ.
value you wish to change.
• Press and hold depressed for about one second the
FADER CURVE/BANK EDIT button corresponding to
the channel (CH-1/CH-2) in which you wish to change
the effect setting. The touch panel will change to show
the effect selection menu for the chosen channel.
2. Change the effect
FADER
CURVE
FADER
CURVE
BANK
EDIT
BANK
EDIT
PROFESSIONAL 2CHANNEL MIXER
TIME/SELECT
TIME/SELECT
1Press the BANK button (1/2/3) whose setting you wish
to change.
DJM-909
EFFECT
EFFECT
2Of the three touch panel buttons, press (touch) the one
in which you wish to record a new effect.
3Rotate the TIME/SELECT dial to select effect.
4Press (touch) the touch panel’s MEMORY button.
If a different BANK button is pressed or EFFECT switch
operated without first pressing the MEMORY button,
no effect will be recorded.
LOCK ON
OFF
MIX/DEPTH
MIX/DEPTH
ON
MIN
MAX
MIN
MAX
TAP
TAP
• Up to three effects can be recorded in a single BANK
button. Repeat steps 2–4 to record the presets.
BANK 1
BANK 2
BANK 3
FX ADJ.
BANK 1
BANK 2
BANK 3
FX ADJ.
3. Leave the effect selection (BANK EDIT) menu
• Press the FADER CURVE/BANK EDIT button to leave
the effect selection menu.
CH 1 BANK EDIT
1 . DEL
A
Y
2 . ECHO
3 . P
A
N
EC
4 . P I T EC
5 . R
V
D
E
L
C
Y
6 . DK
7 . ROL L
8 .
H
L
D
EC
L
N
B
B
9 . TP
10 . R
D
Y
A
I
V
V
FADER
CURVE
FADER
CURVE
1 1 . RE
1 2 . RE
1
2
BANK
EDIT
BANK
EDIT
PROFESSIONAL 2CHANNEL MIXER
TIME/SELECT
TIME/SELECT
DJM-909
EFFECT
EFFECT
LOCK ON
OFF
MIX/DEPTH
MIX/DEPTH
ON
MIN
MAX
MIN
MAX
TAP
TAP
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EFFECT FUNCTIONS
Effect Parameters
The 50 built-in effects can be modified by parameters for time and amount to produce a wider variety of effects. Operate the TIME/
SELECT dial to adjust time parameters (parameter 1), and use the MIX/DEPTH dial to adjust amount parameters (parameter 2).
Also with fader effects, the position of the fader lever can be used to produce changes resulting in an even wider range of effects.
7 Beat effects
Parameter 1 (TIME/SELECT dial)
Explanation Setting range (unit)
Parameter 2 (MIX/DEPTH dial)
Explanation
No.
Name
1
DELAY (*1)
Set delay time.
1 – 10000 (msec)
1 – 10000 (msec)
1 – 10000 (msec)
40 – 10000 (msec)
10 – 10000 (msec)
1 – 10000 (msec)
Set balance between source and delay
sounds.
2
3
4
5
6
ECHO (*1)
Set delay time.
Set delay time.
Set delay time.
Set delay time.
Set delay time.
Set balance between source and echo
sounds.
PAN ECHO (*1)
Set balance between source and echo
sounds.
PITCH ECHO (*1)
REVERSE DELAY (*1)
DUCKING ECHO (*1)
Set balance between source and echo
sounds.
Set balance between source and delay
sounds.
Set balance between source and echo
sounds. No effect sounds will be heard if the
input sounds are above a certain level even
when the dial is rotated fully to the right.
7
8
9
ROLL (*2)
Set effect time.
Set delay time.
10 – 10000 (msec)
2 – 10000 (msec)
8 – 1200 (msec)
Set balance between source and ROLL
sounds.
HOLD ECHO (*1) (*2)
Set balance between source and echo
sounds.
MULTI TAP DELAY (*1) Set effect time.
Set balance between source and delay
sounds.
10 RAIN (*1)
Set effect time.
40 – 10000 (msec)
10 – 200 (%)
Rotate to right to increase effect.
Change amount of reverberation.
Change amount of reverberation.
Change volume of echo sound + reverb sound.
11 REVERB1 (*1)
12 REVERB2 (*1)
13 REVERB3 (*1)
14 PITCH SHIFTER1
Reverberation time
Reverberation time
Delay time
10 – 200 (%)
10 – 5000 (msec)
–100 to +100 (%)
Set pitch to be changed.
Set balance between source and pitch-shifted
sounds.
15 PITCH SHIFTER2
16 PAN
Set type of harmonization.
Set effect time.
1 – 5
Set balance between source and pitch-shifted
sounds.
10 – 16000 (msec)
10 – 16000 (msec)
10 – 8000 (msec)
10 – 2000 (msec)
10 – 16000 (msec)
Set balance between source and effect
sounds.
17 TRANS
Set effect time.
Set balance between source and effect
sounds.
18 RHYTHM TRANS
19 TRANS PAN
20 TREMOLO
Set effect time.
Set balance between source and effect
sounds.
Set effect time.
Set balance between source and effect
sounds.
Fine setting of modulation
period.
Change the sound volume waver.
21 VIBRATO
22 CHORUS1
23 CHORUS2
24 CHORUS3
25 FLANGER1
Fine setting of modulation period.
Set period of chorus modulation.
Set period of chorus modulation.
Set period of chorus modulation.
1 – 16000 (msec)
10 – 32000 (msec)
10 – 32000 (msec)
10 – 32000 (msec)
10 – 32000 (msec)
Change the frequency waver.
Change the chorus sound volume.
Change the chorus sound volume.
Change the chorus sound volume.
Rotate to right for stronger effect.
Set period of flange effect
frequency shift.
26 FLANGER2
Set period of flange effect
frequency shift.
10 – 32000 (msec)
Rotate to right for stronger effect.
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EFFECT FUNCTIONS
Parameter 1 (TIME/SELECT dial)
Parameter 2 (MIX/DEPTH dial)
Explanation
No.
Name
Explanation
Setting range (unit)
27 PHASER1
Set period of phase effect
frequency shift.
10 – 32000 (msec)
10 – 32000 (msec)
1 – 100 (%)
Rotate to right for stronger effect.
28 PHASER2
Set period of phase effect
frequency shift.
Rotate to right for stronger effect.
Rotate to right for stronger effect.
Rotate to right for stronger effect.
29 TOUCH PHASER1
30 TOUCH PHASER2
31 FILTER (LPF)
32 FILTER (HPF)
33 FILTER (BPF)
34 FILTER PAN
35 COMPRESSOR
Set sensitivity corresponding to
input volume.
Set sensitivity corresponding to
input volume.
1 – 100 (%)
Set period of cutoff frequency
shift.
10 – 32000 (msec)
10 – 32000 (msec)
10 – 32000 (msec)
10 – 32000 (msec)
1 – 100 (msec)
Rotate to right for increased resonance and
more unusual sound.
Set period of cutoff frequency
shift.
Rotate to right for increased resonance and
more unusual sound.
Set period of center frequency
shift.
Rotate to right for increased resonance and
more unusual sound.
Set period of cutoff frequency
shift.
Rotate to right for increased resonance and
more unusual sound.
Set time until completely
compressed. The time required
to return to the original state is
simultaneously set at the same
value.
Change threshold level. Rotate to right for
stronger effect.
(*1) When the channel fader or cross fader is used to lowering sound volume, no effect sounds will be heard, even if monitor
SELECT switch is set to the [EFFECT] position.
(*2) When EFFECT switch is turned OFF, no effect sounds will be heard even if the monitor SELECT switch is set to the [EFFECT]
position.
7 Fader effects
Parameter 1 (TIME/SELECT dial)
Parameter 2 (MIX/DEPTH dial)
Explanation
Fader lever
Explanation
No.
Name
Explanation
Setting range (unit)
36 FADER ROLL (*2)
Set reference
ROLL time
40 – 10000 (msec)
Set balance between source and
ROLL sounds.
Change roll time
Change reference
beat time.
37 FADER MULTI TAP
DELAY (*1)
Set reference
effect time
8 – 1200 (msec)
40 – 2000 (msec)
1 – 3
Set balance between source and
delay sounds.
Change cut time
38 FADER TRANS PAN
39 FADER PITCH SHIFTER
40 FADER RING
Set reference
effect time.
Set balance between source and
effect sounds.
Set type of pitch
change.
Set balance between source and
pitch-shifted sounds.
Change pitch of
input sound.
Change frequency
of effect sound
Change
500 – 8000 (Hz)
Change effect sound level.
fundamental
frequency of
effect sound.
Change fundamental
frequency of
oscillating sound.
41 FADER VOCODER1
42 FADER VOCODER2
43 FADER FILTER (LPF)
Set sensitivity
corresponding to
input volume
1 – 100 (%)
Adjust volume of code selected on
panel menu.
—
—
—
—
—
—
Rotate to right for increased
resonance and more unusual
sound.
Changes cutoff
frequency of low-
pass filter.
Changes cutoff
frequency of high-
pass filter.
44 FADER FILTER (HPF)
45 FADER FILTER (BPF)
Rotate to right for increased
resonance and more unusual
sound.
Changes band-pass
filter’s center
frequency.
Rotate to right for increased
resonance and more unusual
sound.
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EFFECT FUNCTIONS
Fader lever
Explanation
Parameter 1 (TIME/SELECT dial)
Explanation Setting range (unit)
Parameter 2 (MIX/DEPTH dial)
Explanation
No.
Name
Changes frequency
band subject to
flange effect.
46 FADER FLANGER
—
—
Rotate to right for increased effect.
47 FADER PHASER
—
—
Rotate to right for increased effect.
Changes frequency
band subject to
phase effect.
Changes to stair-
stepped sound.
48 FADER SYNTHE1
49 FADER SYNTHE2
Base frequency
Base frequency
40 – 23999 (Hz)
Left half changes volume, right half
changes volume of the set frequency.
40 – 23899 (Hz)
Left half changes volume, right half
changes volume of neighboring
frequency.
Changes to stair-
stepped sound.
Changes to stair-
stepped sound.
50 FADER SYNTHE3
Base frequency
40 – 23899 (Hz)
Left half changes volume, right half
changes volume of neighboring
frequency.
(*1) When the channel fader or cross fader is used to lowering sound volume, no effect sounds will be heard, even if monitor
SELECT switch is set to the [EFFECT] position.
(*2) When EFFECT switch is turned OFF, no effect sounds will be heard even if the monitor SELECT switch is set to the [EFFECT]
position.
BLOCK DIAGRAM
SEND
MIC, CH-1, CH-2 SEND OFF OFF ON ON
MIC SEND
MIX
H.P.
MIC
LEVEL
MASTER
RETURN IN
OFF ON OFF ON
ON ON ON OFF
OFF OFF OFF ON
2-BAND EQ.
B
A
LEVEL
MASTER
B
MIC
H.P.F.
MASTER
LEVEL
H.P. EFX
CH-1
MASTER 1
MASTER 2
EFFECT
MIC
EQ
ON
CH-1 SEND
RIAA
PHONO
LINE
PHONO
/LINE
3-BAND EQ.
BOOTH/SESSION
OUT
PHONO
/LINE
CH-1
TRIM
BOOTH/
SESSION
OUT
CD
OFF
H.P.
B
CH-1
CH-1
CD
H.P. EFX
CH-2
LEVEL
CH-1
MASTER
H.P.
PHONES
PHONES
MASTER
EFFECT
EFFECT
CUE
CH-1
PHONO
/LINE
EQ
ON
H.P. EFX
CH-1
CH-2 SEND
RIAA
PHONO
LINE
3-BAND EQ.
CH-2
TRIM
CH-1
PHONO
/LINE
H.P.
CH-1
CD
OFF
H.P.
B
CH-2
H.P. EFX
CH-2
CH-2
CD
LEVEL
CH-2
LEVEL METER
H.P.
CH-2
L
R
CH-2
14
9
14
9
5
3
1
0
1
3
6
9
5
3
SESSION
IN
SESSION IN
CH-1/CH-2
1
LEVEL
CH-1
0
–
–
–
–
–
–
–
–
–
–
1
3
6
LEVEL
CH-2
EFX CONTROL
9
15
–15
22
dB
–22
dB
LEVEL
MASTER
LEVEL(L/R)
CH-1
CH-2
MASTER
FOOT SW
SEND
FADER CURVE
VCA CONTROL
A
EFFECTOR
CH-1, CH-2, CROSS
VOLTAGE
CONTROL
SIGNAL
CH-1
FOOT SW
OFF
RETURN
FADER REVERSE
CH-1, CH-2, CROSS
TRANS CH-1, CH-2
LAG CUT
CONTROL
CH-2
CROSS FADER
26
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TROUBLESHOOTING
Incorrect operations are often mistaken for trouble and malfunctions. If you think there is something wrong with this component,
check the points below. Sometimes the trouble may originate from another component. Thus, also check the other electrical
appliances also in use.
If the trouble cannot be rectified even after checking the following items, contact your dealer or nearest PIONEER service center.
Problem
Possible Cause
Countermeasure
The power does not turn on.
There is little or no sound.
÷ The power cord has not been connected.
÷ Connect the cord to a power outlet.
÷ The Input selector switch is in the wrong
position.
÷ Set the Input selector switch to the device
currently playing.
÷ The rear panel’s PHONO/LINE selector switch is
set to [LINE] when a analog turntable is
connected to the input connectors.
÷ The connection cable hasn’t been connected
properly or has been disconnected.
÷ The terminal or plug is dirty.
÷ Set the PHONO/LINE selector switch to
[PHONO].
÷ Connect it properly.
÷ Clean and reconnect.
÷ The TRANSFORM lever is tripped.
÷ Return the TRANSFORM lever to its upright
position.
Sound is distorted.
÷ Master output level is too high.
÷ Adjust MASTER LEVEL dial.
÷ Input level is too high.
÷ Adjust the TRIM dial so that the input level
approaches 0 dB on the peak level meter.
÷ Set the PHONO/LINE selector switch to [LINE].
÷ The rear panel’s PHONO/LINE selector switch is
set to [PHONO] when a cassette deck or other
line component is connected to the input
connectors.
CD player’s fader won’t start.
Effects don’t work.
÷ The top panel’s FADER START button is set to Off.
÷ The rear panel’s PLAYER CONTROL jack hasn’t
been connected.
÷ Set the top panel’s FADER START button to On.
÷ Use the control cord to connect the unit and CD
player.
÷ EFFECT switch is [OFF]. (If hand is released
when switch is in [ON] position, it will return to
[OFF].)
÷ Either hold EFFECT switch at [ON] position, or
set to [LOCK ON].
÷ The effect MIX/DEPTH dial is set to [MIN].
÷ Adjust effect MIX/DEPTH dial properly.
External effector’s sound
distorted.
÷ The input level from the external effector is too
high.
÷ Lower the external effector’s output level.
External effector don’t work.
÷ The top panel’s SEND buttons (MIC SEND, CH-1
SEND, CH-2 SEND) are set to Off.
÷ Turn on the top panel’s SEND button
corresponding to the channel you wish to apply
external effects to (indicator will light).
÷ Connect an external effector’s output coupler to
the RETURN jacks.
÷ An external effector’s output coupler is not
connected to the RETURN jacks.
BPM can’t be measured, or
value is strange.
÷ Input level is too high or too low.
÷ Adjust TRIM dial to set input level around 0 dB
on the peak level meter.
÷ Set other channels so that input level is around 0
dB.
÷ BPM may not measure properly with some
÷ Strike TAP switch to count BPM manually.
tracks.
The counted BPM differs from ÷ Different counting methods are used, resulting in ÷ No response necessary.
the CD’s published value.
some variation in values.
÷ Improper contrast adjustment.
÷ Backlight is too dark.
Can’t see touch panel display.
÷ Adjust touch panel CONTRAST control on rear-
panel.
÷ Adjust the rear panel’s touch panel backlight
control (BRIGHT).
Static electricity or other external interference may cause the unit to malfunction. To restore normal operation, turn the power off
and then on again.
27
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SPECIFICATIONS
Audio Section
Microphone equalizer (MIC)
HI .............................................................+12 dB to –12 dB
LOW ........................................................+12 dB to –12 dB
Input terminal (input level/impedance)
CD 1, 2....................................... –14 dBV (200 mV) / 22 kΩ
LINE 1, 2.................................... –14 dBV (200 mV) / 22 kΩ
PHONO 1, 2 .................................. –54 dBV (2 mV) / 47 kΩ
MIC .................................................. –54 dBV (2 mV) / 3 kΩ
SESSION IN............................... –14 dBV (200 mV) / 22 kΩ
RETURN .................................... –14 dBV (200 mV) / 22 kΩ
Electrical Section, etc.
Power supply voltage ...................................AC 120 V, 60 Hz
Power consumption ...................................................... 31 W
Operating temperature ........+5 °C to +35 °C (41 °F to 95 °F)
Operating humidity ...............................................5% to 85%
External dimensions ..... 251 (W) x 381.6 (D) x 107.9 (H) mm
9-7/8 (W) x 15 (D) x 4-1/4 (H) in
Output terminal (output level/impedance)
MASTER OUT 1 (XLR).......................... 0 dBV (1 V) / 600 Ω
MASTER OUT 2 (RCA) ........................... 0 dBV (1 V) / 1 kΩ
BOOTH / SESSION OUT ........................ 0 dBV (1 V) / 1 kΩ
SEND ........................................... –14 dBV (200 mV) / 1 kΩ
PHONES ..................................... 6 dBV (2 V) / 22 Ω or less
(Rated load impedance 32 Ω)
Weight .......................................................................... 6.5 kg
14 lbs 5 oz
Accessories
Frequency characteristics
CD, LINE, MIC ........................................... 20 Hz to 20 kHz
PHONO (RIAA) .......................................... 20 Hz to 20 kHz
÷ Hexagonal Allen driver ...................................................... 1
÷ These operating instructions............................................. 1
÷ Warranty ............................................................................ 1
SN ratio
CD, LINE............................... 93 dB or more (EFFECT OFF)
PHONO......................................................... 78 dB or more
MIC ............................................................... 64 dB or more
For improvement purposes, specifications and design may
be subject to modification without notice.
Total harmonic distortion rate
CD, LINE........................................................0.02% or less
Cross talk (1 kHz) ............................................. 77 dB or more
Channel equalizer (CD, LINE/PHONO)
HI ...............................................................+6 dB to –26 dB
MID............................................................+6 dB to –26 dB
LOW ..........................................................+6 dB to –26 dB
Should this product require service in Canada, please contact a
Pioneer Canadian Authorized Dealer to locate the nearest Pio-
neer Authorized Service Company in Canada.
Alternatively, please contact the Customer Service Department
at the following address:
Should this product require service in the U.S.A. and you wish
to locate the nearest Pioneer Authorized Independent Service
Company, or if you wish to purchase replacement parts,
operating instructions, service manuals, or accessories, please
call the number shown below.
800 – 782 – 7210
Please do not ship your product to Pioneer without first calling
the Customer Support Division at the above listed number for
assistance.
PIONEER ELECTRONICS (USA), INC.
CUSTOMER SUPPORT DIVISION
Pioneer Electronics of Canada, Inc.
300 Allstate Parkway
Markham, ON L3R OP2
(905) 479-4411
1 (877) 283-5901
P.O. BOX 1760, LONG BEACH,
CA 90801-1760, U.S.A.
For warranty information please see the Limited Warranty
sheet included with your product.
For warranty information please see the Limited Warranty
sheet included with your product.
Published by Pioneer Corporation.
Copyright © 2003 Pioneer Corporation.
All rights reserved.
PIONEER CORPORATION 4-1, Meguro 1-Chome, Meguro-ku, Tokyo 153-8654, Japan
PIONEER ELECTRONICS (USA) INC.
Multimedia and Mass Storage Division: 2265 East 220th Street, Long Beach, CA 90810, U.S.A. TEL: 800-444-OPTI (6784)
PIONEER ELECTRONICS OF CANADA, INC.
Industrial Products Department: 300 Allstate Parkway, Markham, Ontario L3R OP2, Canada TEL: 905-479-4411
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