Pentax KM
Camera Manual
Posted 12-10-'02
For reference use on many Chinon manual focus and metering cameras
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20. Self-timer (Start lever
underneath)
21. Focusing ring
22. Strap ring lug
23. X flash terminal
24. FP flash terminal
25. Accessory fitting groove
26. Film guide rail
27. Film rail
28. Viewfinder eyepiece
29. Film chamber
30. Battery chamber
31. Tripod receptacle
32. Shutter curtains
33. Film rewind button
34. Sprocket
35. Film take-up spool
36. Film roller
37. Back cover
38. Film pressure plate
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SPECIFICATIONS
Type
35mm SLR with built-in through-the-lens light meter.
Film and Picture Size 35mm film. 24mm x 36mm.
Standard Lenses
SMC Pentax 50mm f/i .2, 50mm f/i .4 and 55mm f/i .8 with fully-automatic diaphragm.
Filter size: 52mm. Focusing: 0.45m (1.5 ft.) to infinity.
Shutter
Horizontal run, focal-plane shutter of rubberized silk curtains. Speeds: B, 1 to i/l000sec.
Built-in self timer with interrupt function. Releases shutter in 5 -- 13 sec.
Pentaprism finder with cross-micro prism or split-image focusing screen. 0.87x
magnification with 50mm lenses (life-size with 55mm lens). Dioptry --1.0.
Turn focusing ring until viewfinder image comes into focus.
Instant-return type with special shock absorbers for minimum vibration.
Pentax bayonet mount.
Self-timer
Viewfinder
Focusing
Reflex Mirror
Lens Mount
Film Advance
Ratchet-type rapid-wind lever. 100 pre advance angle and 160° advance angle "Cocked"
indicator alongside shutter release button.
Exposure Counter
Film Rewind
Automatic re-set.
Rapid-rewind crank for speedy film take-up
Flash
Synchronization
X contact hot shoe for cordless flash connection. FP + X contacts for conventional flash cord
connection. X synchronization at 1/60 sec
S meter measures the average brightness of the ground glass at full aperture, and couples
directly to aperture, shutter and film speed settings. Center needle for correct exposures. Film
speed from 20 to 3200 ASA. EV3-- 18 for ASA 100 film with 50mm lens. Powered with one
1 .5V silver oxide battery. Meter on-off by extra CdS cell in body.
Exposure Meter
Reminder dial below film rewind knob, with settings for 20 or 36 (exposures), for daylight
Loaded Film Indicator
or tungsten color , or
black and white film.
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Dimensions
Weight
With50mm f/1.4 lens: width 143mm (5.6") x height 91 .4mm (3.6") x depth 94mm (3.7").
887g(31 ozs.) with 50mm f/1 .4 lens. 622g(21.8 ozs.) with no lens.
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LENS MOUNTING
1. Remove the rear lens and body caps.
2. Match the red dot (A) on the camera body with the red dot (B) on the lens.
Insert the lens into the body and turn it clockwise until the lens locks with a
click.
3. In the dark, when the red dots are difficult to see, align the white plastic
bump (C) on the lens barrel with the lens release lever (D) by touch. Then
turn and lock as above.
4. To detach, hold the camera with your left hand. Depress the lens release
lever (D) while turning the lens counterclockwise with your right hand.
CAUTION
If you have to put the lens down without the rear lens cap, place it only on its
front end, never on the rear. When changing lenses outdoors with film in the
camera, avoid direct sunlight.
A sliver oxide battery is packed separately. Be sure to insert it into the battery chamber before operating the camera.
BATTERY INSERTION
Open the battery chamber cover with a coin. Insert the battery with (+) side facing out. For replacement, use Eveready
S76E or Mallory MS76H or equivalent.
CAUTION
The battery is like a phonograph record. It can be damaged by skin acids. Handle by the edges with a dry cloth only.
Be sure the battery is cleaned with the cloth before insertion into the camera. The battery is not rechargeable. Do not
throw dead battery into a fire, as it may explode. Also, keep it beyond the reach of small children. When not actually
measuring the light, be sure that the lens is covered at all times. Leaving the lens cap off for an extended period will
exhaust the battery.
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Set the shutter speed dial to B (bulb) position. Turn the ASA dial to ASA 100. Look at the meter needle through the
viewfinder. If the needle is in "up" position and remains steady, the battery is good: if it does not, replace the battery.
Check the battery frequently. And take spares with you when traveling.
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BASIC OPERATING INSTRUCTIONS
1.TURN ON LIGHT METER
Remove the lens cap and the meter circuit is on. The CdS cells measure the
light coming through the lens for correct exposure.
2.SET FILM SPEED
Lift the outer ring of the shutter speed dial and turn it until the same number as
the ASA number of the film you're using appears next to the small oragne
index alongside the figure 1.
3.SET SHUTTER SPEED
Turn the shutter speed dial and set the speed you wish to use to the index.
Generally, you should use the fastest possible shutter speed to avoid blurred
pictures caused by camera movement. Try starting with 1/125 sec. outdoors in
daylight and 1/60 sec. indoors.
4.COMPOSE AND FOCUS
While viewing through the viewfinder, turn the focusing ring until your subject
comes into sharp focus.
5.ROTATE DIAPHRAGM RING
The needle moves as you turn the diaphragm ring. When the needle on the
right side of the viewfinder image is at the center, you will get correct
exposure. If the needle does not come to the center no matter how far you turn
the diaphragm ring, change the shutter speed. When the needle is close to the
(+) mark, you will get an over-exposure; change the shutter speed to a faster
setting. If the needle is closer to the (-) mark, you will get an under-exposure;
change the shutter speed to a slower setting.
6.RELEASE SHUTTER
Cock the rapid-wind lever. Hold your camera firmly and trip the shutter. Then
cock the rapid-wind lever for the next picture. (When taking a series of
pictures under the same lighting conditions, it is not necessary to repeat
instruction 5.
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FILM LOADING AND WINDING
Avoid direct light when loading your film.
1. Open the back by pulling up the rewind knob until the back opens.
2. Place the film cassette in the cassette chamber, and push down the rewind knob. Insert the film leader into the slot of th
3. Advance the film by alternately turning the rapid wind lever and depressing the shutter button until both sprockets engag
perforations, top and bottom. Close the back by pressing it firmly.
4. Cock the rapid-wind lever, and confirm that the film rewind knob turns counter-clockwise, indicating that the film is bei
loaded and is moving from cassette to take-up spool. Trip the shutter. Advance the film until the exposure counter turns
indicating that the first picture is ready to be taken.
FILM REMINDER DIAL
Use the film type dial as a reminder of what type of film is in your
camera.
The dial is marked
for black-and-white,
for daylight color
film, for tungsten color film, 20 and 36 exposures. To set the
dial, turn the outer ring so that both the type of film and its number
of exposures appear in the windows. To check whether the camera
is loaded, turn the film rewind knob clockwise. If it turns freely, the
camera is not loaded.
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SETTING ASA FILM SPEED
The ASA film speed rating of all 35mm films is given in the data sheet packed
with each roll of film. The higher the ASA number, the more sensitive the film
is to light. Lift the outer ring of the shutter speed dial and rotate it until the ASA
number of your film is opposite the orange dot alongside the figure 1. Be sure to
set your film speed on the shutter speed dial because the dial is connected to the
exposure meter.
While viewing through the viewfinder, turn the focusing ring until your subject comes
into sharp focus. Depending on the type of focusing screen you have, there are two ways
of doing this.
COMPOSE AND FOCUS
A cross-microprism focusing system consists of a Fresnel lens, made up of many
concentric rings, with a microprism center underneath the ground glass. With this system,
when your subject is in focus, the image in the microprism center will be sharp. If your
subject is not in focus, the microprism will break the image up into many small dots.
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A split-image focusing system consists of a Fresnel lens with a horizontally divided
screen under the ground glass. With this system, when your camera is held horizontally
and the image is not in sharp focus, all vertical lines seen through the viewfinder will
appear to be divided into upper and lower portions. To focus, simply adjust the focusing
ring until the upper and lower portions are in perfect alignment.
SHUTTER
Turn the shutter speed dial clockwise or counter-clockwise to
the shutter speed desired. The shutter speed can be set either
before or after cocking the rapid-wind lever. As you cock the
shutter by turning the rapid-wind lever, the "cocked" indicator
turns to red showing that the shutter is cocked. For use of the
X setting (next to the 60) on the shutter speed dial, refer to
page 19. With the shutter speed dial set on B (bulb), the
shutter will stay open as long as you keep the shutter button
depressed. As you release your finger from the shutter button,
the shutter closes. For particularly long exposures ("time
exposure"). use a cable release with a locking device.
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Vertical Position
Hold you camera
tightly to your
forehead with
your left hand,
raise you right
arm and draw
your left arm to
you body
Horizontal Position
Hold teh camera firmly
with your left hand, and
draw your arms close to
your body.
Vertical Position
Hold your camera tightly to your forehead with your left hand, and
draw your right arm close to your body.
CAMERA HOLDING
As a general rule, your camera should be held more firmly in the left hand, which
does not release the shutter. If you hold your camera with the right hand - the
hand that releases the shutter it may cause camera movement. Often, blurred
pictures are due to camera movement.
FILM UNLOADING
After the final picture on the roll has been taken, the
rapid wind lever will not turn, indicating that the
film must be rewound. Lift the rewind crank up.
Depress the film rewind release button and turn the
rewind crank as indicated to rewind the film into its
cassette. Rewind until the tension on the crank
lessens, indicating that the leader end of the film has
been released from the take-up spool. Pull out the
film rewind knob (the back will open automatically),
and remove the film cassette.
AVOID DIRECT LIGHT WHEN UNLOADING THE
FILM.
SELF-TIMER
The self-timer delays shutter release between 5 and 13 seconds,
depending upon how far counter-clockwise you have turned the
cocking lever. When using the self-timer, do not depress the
shutter release button...it will immediately release the
shutter without delayed action. Turn the cocking lever down
90°--i80°. Move the small light-colored self-timer start lever as
indicated . . . the self-timer will start. This self-timer also has an
interrupt function. Even after the self-timer has started to run,
you can stop it by moving the start lever back to normal
position, as long as the cocking lever has not been moved back
past the 90° position. You can re-start the self-timer by pushing
the cocking lever down again and moving the start lever again.
Do not leave the cocking lever in "interrupt" position for an
extended period, as this may weaken the spring.
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FLASH SYNCHRONIZATION
The KM has FP and X terminals on the front of the camera
body, and
a separate X contact on the built-in hot shoe. The table on
the next page
shows which flash contact, which shutter speed and which
flash bulb may
be combined for maximum lamp efficiency. Unless these
combinations are
rigidly followed, there will be a failure in flash
synchronization. Note the "X" setting is exactly at the 60
marked on the speed dial. This indicates the
highest shutter speed at which electronic flash units may
be used. Use the hot shoe flash contact when using a shoe-
mount electronic flash like the Pentax Autorobo which has
a flash contact on the shoe bracket. When using the hot
shoe, there is no need to plug the flash cord into the X
terminal on the body front. The hot shoe flash contact
turns to "hot" (switched on) only when you insert a shoe-
mount electronic flash. It remains "cold" (disconnected)
even when using an electronic flash with its cord plugged
into the X terminal on the body front. This eliminates the
danger of electric shocks.
There are basically two types of flash bulb attachments on
the market: clip-on types and bracket types. Either can be
used with your camera. The clip-on types are attached to
the hot shoe and the bracket types are screwed into the
tripod screw hole. Use one of these three bulb types: M,
MF or FP. The correct terminal and the correct shutter
speed to use for each of these three types are outlined in
the table below. Before attaching the flash unit to the
camera, you must remove the protective plug from the
proper terminal. When not using the terminals, keep the
plugs inserted.
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DEPTH FIELD PREVIEW BUTTON AND GUIDE
Depth of field is the range between the nearest and farthest distances which are in
focus at a given lens aperture. If you want to know how great the depth of field is
at a certain aperture, focus on a subject and see through the viewfinder while
depressing the depth-of-field preview button (A) . Or, after focusing, look at the
depth-of-field preview button (A) Or after focusing look at teh depth-of-field
guide on the lens. In the photograph below, the distance scale is set at 5 meters . .
. the lens is focused on a subject 5 meters away the calibrations on each side of
the distance index correspond to the diaphragm setting and indicate the range of
in-focus distance for different lens apertures. For example, if a lens opening of
f/4 is to be used, the range on the distance scale ring covered within the figure 4
on the depth-of-field guide indicates the area in focus at that lens opening. You
will note from the depth-of-field guide in the photograph that the range from
approximately 4.5 to 6.5 m is in focus. Note that as the lens apertures change, the
effective depth of field also changes. For the depths of field at different apertures
and distances, refer to the next page.
DEPTH OF FIELD TABLE SMC PENTAX 50mm LENS
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HELPFUL HINTS ON EXPOSURE PROBLEMS
The light meter built into your KM correctly reads the average of the light reflected from the entire scene as seen
through the viewfinder --with a little extra importance, or weight, given to what is in the center. Sometimes, however,
there is a great difference between the light reflected from the background and the light reflected from the subject. In
such a case, to achieve a really good photo, you must compensate for the difference by opening or closing down the
aperture 1 or 2 steps.
As a general rule, when the subject is darker than the background, you compensate by opening your aperture 1 or 2
steps further.
For example: on a bright day, when your subject has his back to the sun and you are shooting directly toward the sun
. . . or when you are shooting a subject against snow or light-colored sand . . . or when you are copying a page of
black letters on white paper, increase the size of the aperture somewhat.
When your subject is brighter than the background -- if he is standing in a spotlight, for example -- you make the
aperture 1 or 2 steps smaller to compensate.
MANUAL SHUTTER OPERATION
The silver oxide battery in your KM is used only for
powering the exposure meter; the shutter mechanism is a
totally manual operation. Therefore, your camera can still
be operated even if the battery has worn out. (A good sign
of a worn-out battery is that the black meter needle does
not move when you remove the lens cap.)
If the battery has worn out and the exposure meter is no
longer functioning, you must determine the correct
combination of shutter speed and aperture size yourself,
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from your own experience. Also, packed in with most
types of 35mm film is a data sheet of suggestions for
determining the correct exposure in a variety of situations.
INFRA-RED PHOTOGRAPHY
If you intend to take infra-red photographs, remember to use the infra-red index marked with an orange line on the
depth-of-field guide. First, bring your subject into clear focus. Then determine the lens-to-subject distance from the
distance scale on the lens. Then match your lens-to-subject distance to the infrared index by turning the distance scale
accordingly. For instance, if your subject is in focus at infinity, turn the distance ring and move the infinity (00) mark
to the index.
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MULTIPLE EXPOSURE
For deliberate multiple exposures,
make the first exposure in the
normal way. Then tighten the film
by turning the rewind knob (A),
and keep hold of the rewind knob.
Depress the film rewind release
button (B) and cock the rapid-wind
lever.
This cocks the shutter without advancing the film. Finally, release the shutter to
make the second exposure. Then make one blank exposure, before taking the next
picture, to avoid overlapping. Exposure counter registration may not be exact.
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RANGE OF LIGHT MEASUREMENT
The exposure meter of the KM measures the brightness of
the ground glass. Therefore, the meter needle should be
centered after you have focused your subject on the ground
glass. The area (A) in the table indicates the reading range of
the meter, and should not be interpreted as the cameras total
range of f/stop-shutter speed combinations. As you will note
from the table, with an ASA 100 film, you may use any
shutter speed from 1/4 sec. to 1/1000 sec. in combination
with any aperture that will bring the meter needle to the
midpoint in the viewfinder.
The total range of the aperture settings is, of course,
determined by the minimum and maximum apertures of the
lens being used. For example, with the 50mm
f/1 .4 lens and ASA 100 film, any aperture from ff1.4 (the
maximum aperture of this lens) to ff16 may be used with any
shutter speed from 1/4 sec. to 1/1000 sec. that will bring the
meter needle to midpoint. However, the combination of ff22
(minimum aperture) and 1/1000 sec. is beyond the
measurability range (B), as shown in the table. As the ASA
film speed changes, the measurability range varies.
OPEN-APERTURE OR STOP-DOWN METERING
Open-aperture SMC Pentax lenses have a diaphragm
coupling lever 0 on the back of the lens which locks into the
camera body to permit open-aperture metering. The super
telephotos do not have a diaphragm coupler, so they must be
used with the stop-down metering system. Use of the Auto-
Extension Tube Set K permits open-aperture metering. It can
also be set to stop down the diaphragm automatically. Use of
other K Series accessories -- standard Extension Tube Set K,
Helicoid Extension Tube K, AutoBellows K and Bellows
Unit K -- requires stop-down metering. Whenever any one of
these is used between the camera body and an SMC Pentax
lens, the stop-down metering system must be used.
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USING CONVENTIONAL SCREW-MOUNT TAKUMAR
LENSES
Conventional screw-mount Taku mar lenses (both Super-Takumar
and SMC Takumar) can be easily mounted onto your camera by
attaching them first to a Mount Adaptor K. Use of the Mount
Adaptor K does not affect any aspect of normal lens function
except as regards the following two points:
1. Due to the difference in coupling systems, the automatic
diaphragm will not function.
2. Full-aperture metering lenses will function as stop-down
metering lenses.
P.S. This can also be used with the Pentax Digital cameras to use
thread mount lenses. Change the camera to manual mode and
press the exposure lock button to obtain an exposure reading. You
need to press the exposure lock button each time you fire. This
checks the exposure should it change even slightly.
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HOW TO USE MOUNT ADAPTOR K
1. Screw the conventional Takumar lens into the
Mount Adaptor K.
2. Attach the Adaptor/lens unit to the camera
body by aligning the red dots (A) and (B) and
turning the lens clockwise until it locks with a
click. (This takes slightly less than a quarter of a
revolution.)
3. To remove only the lens, leaving the Mount
Adaptor K attached to the camera body, simply
unscrew the lens counter-clockwise. Other screw-
mount Takumar lenses can then be attached in the
normal way.
1. To remove the Mount Adaptor K from the
camera body, first remove the screw-mount lens.
Then press, with your thumbnail or a pointed
object such as a ballpoint pen, against the spring
pin (C).
2. Turn the Mount Adaptor K counter-clockwise
until you fell it release, and take it out.
3. Since the mechanism for locking in the Mount
Adaptor K is totally different from that which
locks in an SMC Pentax bayonet-mount lens, the
lock lever (D) on the camera body plays no part at
all.
RESISTANCE TO TEMPERATURE EXTREMES AND CHANGES
Sudden changes in temperature will often cause moisture to
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condense inside or outside your camera. This is a possible
source of rust, which may be extremely damaging to the
mechanism. Furthermore, if the camera goes from a warm
temperature to a sub-freezing one, and if tiny drops of
moisture freeze, further damage may be done by their
expansion.
The temperature range at which your camera will
continue to function properly stretches from 50°C to -
20°C. However, resistance to cold could be hampered
by oil which has become dirty. Therefore, if the
camera is to operate at full efficiency in very cold
conditions, it must be overhauled and all oil must be
replaced.
Thus, sudden temperature changes should be avoided as much
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as possible. As a guide, a temperature change of 10°C should
be allowed to take place gradually over a period of at least 30
minutes. If this is not possible, keeping the camera in its case
or bag will help somewhat in minimizing the effects of a rapid
temperature change.
Extremely low temperature reduces the efficiency of the
battery. Therefore, the camera should be protected against low
temperature. Put the batteries into the camera right before
shooting. For extremely low temperature, use new batteries.
CAMERA MAINTENANCE
1. Always keep the viewfinder eyepiece, lens and filter as clean as
possible. To remove loose dust and dirt, first use the blower and then the
brush of a lens brush. Do not try to wipe off granular dirt or dust -- its an
excellent way of scratching the glass.
Smudges, such as fingerprints, should be carefully wiped away with either
a lens tissue or a clean, soft cloth. Clean, plain cotton handkerchiefs that
have already been washed a few times are particularly good for this.
Breathing on the lens before wiping is effective; but be sure to wipe away
all moisture completely. Commercial lens cleaners are also effective.
2. Never touch the mirror or the shutter curtain with your hands. (The
natural acids on your skin are very damaging.) Minor dirt or spots on the
mirror will not affect the clarity of your pictures.
3. Take care not to drop the camera or knock it against anything solid.
Accidents or rough handling can easily damage the internal mechanism,
even though extremely nothing seems to have been hurt.
4. Your camera is not waterproof. There are several places where
water can get inside and do a great deal of damage. Take care to
protect both body and lens from rain or splashing water. If your camera
should get wet, dry it off immediately with a clean, soft cloth. Once a
camera has become completely soaked, there is often nothing that can be
done to make it right again. However, in such a case, take your camera as
soon as possible to an authorized Asahi Pentax Service Center.
5. Where to keep your camera while you are not using it is an important point. The best storage place is cool, dry,
clean and well ventilated. Because of the possible build-up of humidity, it is risky to store your camera in a cabinet or
closet. Its also a good idea to keep your camera in its bag or case while you are not using it.
6. When mounting your camera on a tripod, be sure the tripod screw is no longer than 5.5mm. This is the depth of the
tripod screw hole on your camera. If you use a longer screw, you will probably puncture the bottom of the hole, after
which the camera will not function properly.
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WARRANTY POLICY (FIX TEXT BELOW)
All Asahi Pentax cameras purchased through authorized bona fide photographic distribution channels are guaranteed
against defects of material or workmanship for a period of twelve months from date of purchase. Service will be
rendered and defective parts will be replaced without cost to You within that period, provided the equipment has not
been abused, altered, or operated contrary to instruction. Because the tolerances, quality, and design compatibility of
lenses other than Pentax lenses are beyond our control, damage caused by use of such lenses will not be covered by
this warranty policy, The manufacturer or its authorized representatives shall not be liable for any repair or
alternations except those made with its written consent and shall not be liable for damages from delay or loss of use or
from other indirect or consequential damages of any kind, whether caused by defective material or workmanship or
otherwise; and it is expressly agreed that the liability of the manufacturer or its representatives under all guarantees or
warranties, whether expressed or implied, is strictly limited to the replacement of parts as hereinbefore provided.
PROCEDURE DURING 12-MONTH WARRANTY PERIOD
Any Asahi Pentax which proves defective during the 12-month warranty period should be returned to the dealer from
whom you purchased the equipment or to the manufacturer. If there is no representative of the manufacturer in your
country, send the equipment to the manufacturer, with postage prepaid. In this case, it will take a considerable length
of time before the equipment can be returned to you owing to the complicated customs procedures required in Japan
in importing and re-exporting photographic equipment. If the equipment is covered by warranty, repairs will be made
and parts replaced free of charge, and the equipment will be returned to you upon completion of servicing. If the
equipment is not covered by warranty, regular charges of the manufacturer or of its representatives will apply.
Shipping charges are to be horned by the owner. If your Asahi Pentax was purchased outside of the country where
you wish to have serviced during the warranty period, regular handling and servicing fees may by charged by the
manufacturer's representatives in that country. Notwithstanding this, your Asahi Pentax returned to the manufacturer
will be serviced free of charge according to this procedure and warranty policy. In any case, however, shipping
charges and customs clearance fees are to be horned by the sender. To prove the date of your purchase when required,
please keep the receipts or bills covering the purchase of your equipment for at least a year. Before sending your
equipment for servicing, please make sure that you are sending it to the manufacturer's authorized representatives or
their accredited repair shops, unless you are sending it directly to the manufacturer. Always obtain a quotation of the
service charge, and only after you accept the quoted service charge, instruct the service station to proceed with the
servicing. This warranty policy does not apply to Asahi Pentax cameras purchased in the U.S.A. For these cameras,
please refer to the separate Warranty Policy Card enclosed here.
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