Peavey Microphone PCX U302 User Manual

P
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PLL True  
diversity  
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UHF  
wireless  
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receiver  
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O P E R A T I N G G U I D E  
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INTRODUCTION  
Thank you for selecting a Peavey Pro Comm PCX-  
U302 quartz controlled single channel true diversity wireless  
microphone system. Before operating and installing this  
system please read this instruction manual carefully and  
thoroughly in order to attain the correct operating  
procedures and to achieve the best results.  
True Diversity Receiver  
The Peavey Pro Comm PCX-U302 quartz controlled  
receiver is a true diversity wireless system. This system is  
also equipped with “Superior frequency tracking and muting  
techniques” that is effective in eliminating the random noise  
interference when the receiver is in standby state. The  
Peavey Pro Comm PCX-U302 receiver is equipped with  
both balanced and unbalanced outputs.  
This system includes the following accessories:  
AC/DC Adapter  
Mic Clip  
Antenna (2)  
Instruction Manual  
1.  
UNIT FEATURES AND FUNCTIONS  
Front Panel  
A.  
5
3
6
1
2
4
7
8
9
10  
Figure 1  
3
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1.  
2.  
Antenna Input Connector A  
Power Switch and Indicator:  
When the switch is turned on the red indicator  
illuminates to denote normal power status.  
3.  
4.  
Group Selector:  
Selects a group of frequencies.  
Channel Selector:  
Selects a channel within a group. There are six  
group numbers available. Groups one through four  
each have six available channels (one through six).  
Groups five through six each have three available  
channels (one through three). All channels within the  
same group are non-interfering when used in multiple  
system installations (except group six).  
5.  
6.  
7.  
Group Indicator:  
Indicates the group selected.  
Channel Indicator:  
Indicates the channel selected.  
RF Signal Level Indicator:  
Indicates the RF signal strength received from the  
microphone. As soon as the signal is emitted from  
the microphone the LED indicator illuminates.  
8.  
9.  
Audio Signal Level Indicator:  
Indicates the audio signal level. As soon as the  
microphone signal is modulated, the LED indicator  
illuminates.  
Volume Control:  
Adjusts the AF output level of the receiver.  
4
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10.  
Antenna Input Connector B  
REAR PANEL  
12  
13  
14  
15  
11  
Figure 2  
B. Rear Panel  
11.  
12.  
13.  
14.  
DC 12V Input Jack:  
Connect the 12V DC plug from the AC/DC adapter.  
Balanced Audio Output Jack:  
XLR type connector  
Unbalanced Audio Output Jack:  
1/4" Phone Jack  
Unbalanced Level Switch:  
“LOW” selection is for “Microphone-Level” output.  
“HIGH” selection is for “Line-Out” level output.  
15.  
2.  
Squelch Adjustment:  
Adjust the squelch level to eliminate the RF noise  
interference at the receiver.  
INSTALLATION OF THE RECEIVER  
1.  
Install one of the antennas at the antenna  
input connector A. Then install the other  
antenna at the antenna input connector B.  
Make sure both antennas are in the vertical  
position.  
5
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2.  
AC/DC Power Connection:  
Fig. 3  
Connect the AC/DC adapter cable to the DC 12V  
input jack. Then plug the adapter unit into an  
appropriate AC outlet as shown in figure 3. Caution:  
Make sure the correct voltage is present at the AC  
outlet as indicated on the AC/DC adapter.  
3.  
AUDIO OUTPUT CONNECTION:  
a.  
Unbalanced Level Switch Setting Position:  
Make sure to match the unbalanced output  
setting to the device input setting. The  
incorrect setting could result in low sensitivity  
level or over load distortion. Ex. (If you are  
going into the “Line” input on a mixer or  
amplifier then the switch should be set to the  
high position. If you are going into the “Mic”  
input of an amplifier or mixer then the switch  
should be set to the low position.)  
b.  
Unbalanced Output:  
Connect the 1/4" phone plug of the audio  
cable into the unbalanced output connector on  
the back of the receiver. Connect the other  
end of the cable to the proper input of the  
6
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desired device. Make sure the unbalanced  
level switch is in the proper position before  
applying power.  
c.  
Balanced Output:  
Connect the male XLR connector into the  
balanced output connector on the back of the  
receiver. Connect the other end of the cable  
into the “Mic/Balanced” input of the desired  
device. The characteristics of the 3-pin XLR  
connector are shown below in figure 4.  
GND PIN 1  
PIN 2  
PIN 3  
Fig. 4  
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3.  
TWO 19/2-INCH UNITS RECEIVER INSTALLATION  
A. Setup for single half-rack receiver  
1.  
Push the rack mount brackets (RM-11)  
upwards until it is firmly attached to the  
receiver. (Figure 5)  
Fig. 5  
B.  
SETUP FOR DUAL HALF-RACK RECEIVERS  
1.  
Remove the screws at the top and bottom of  
the receiver where they will be joined together.  
Remove one steel plate from each receiver.  
Push the receivers next to each other. Refer  
to figure 6.  
2.  
3.  
Insert the steel plate in between the two  
receivers (top and bottom). Align and fasten  
the screws tightly as shown in figure 6.  
Align and fasten the rack mount brackets  
(RM-12) on the outer sides of both receivers  
as shown in figure 6.  
8
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Fig. 6  
After completion, it can be rackmounted into  
4.  
5.  
an EIA standard rack case. Shown in figure 7.  
Make sure that the system performs correctly  
by placing the system away from noise  
sources. Place the receiver at least one meter  
above the ground and one meter away from  
noise sources. Place the microphone at least  
one meter away from the receiving antenna,  
as shown in figure 8.  
Fig. 7  
Fig. 8  
9
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4.  
OPERATION INSTRUCTIONS  
1.  
Turn the volume controls of the receiver and  
device in use to a minimum setting before  
turning on the microphone transmitter. After  
the receivers power switch is set to the on  
position, the power switch’s red indicator  
illuminates to denote normal power status.  
2.  
If the SIGNAL LED indicators of the receiver  
are illuminated before switching on the  
microphone or transmitter, it indicates the  
receiver is receiving interference signals. The  
more LEDs that illuminate the more severity of  
interference. This system has “Pilotone” and  
“NoiseLock” dual-squelch features so noise  
output will not occur. If multiple channels are  
used and both SIGNAL and AUDIO LEDs  
illuminate before the transmitter is turned on,  
simply adjust the Squelch controls clockwise  
until the AUDIO signal indicators extinguish.  
(Figure 9). However, by adjusting the squelch  
controls it affects the sensitivity level of the  
receiver, therefore, shortening the operating  
distance and decreasing the stability.  
Figure 9  
3.  
Under normal circumstances, the SIGNAL  
indicator lights up when a microphone or  
transmitter is turned on near the receiver to  
indicate the receiver is ready for normal  
operation. Once sounds enter into the  
microphone the AUDIO LED indicators will  
10  
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illuminate according to the strength of sound  
level. If the LEDs do not illuminate or sound is  
not present at the output, the system is not  
functioning properly and must be checked.  
4. RECEIVER AND AMPLIFIER VOLUME ADJUSTMENT:  
a.  
Unbalanced Audio Output: Switch the level  
switch on the rear panel of the receiver to the  
left “LOW” Position, then adjust the volume  
control to twelve o’clock position. Adjust the  
volume control of the amplifier or mixer to an  
appropriate sound level. The volume control is  
used for fine adjustment of the microphone  
sensitivity. When the knob is turned to the  
twelve o’clock position the output sensitivity  
level of the wireless microphone is the same  
as a normal dynamic microphone. Once the  
receiver output level is appropriately adjusted,  
do not adjust the volume control again. Adjust  
the mixer or amplifier volume control if the  
sound level needs to increase or decrease.  
b.  
c.  
Balanced Audio Output: Adjust according to  
the unbalanced audio output method in the  
previous step. (Note: The level switch does  
not effect the balanced output.)  
To obtain the same sensitivity level when  
using a wireless microphone and a wired  
microphone with one amplifier or mixer  
connect both the receiver output and the wired  
output to a “MIC-IN” input jack of the amplifier  
or mixer. Adjust the volume controls of the  
amplifier or mixer to the same desired level,  
then properly fine adjust the receiver volume  
control to match the same sensitivity as the  
wired microphone.  
11  
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d.  
If the receiver output level is adjusted to a  
level that is near the maximum input level of  
the desired device, it will cause saturation  
distortion of the device when the receiver  
output level is increased due to a increase in  
level by the sound source. Conversely, S/N  
ratio will decrease if the receiver volume  
control is adjusted too low.  
5.  
Plug the cable of the mains unit into DC  
socket on the receiver’s back panel. Thread  
the cable through the cable grip as shown in  
the figure below (Figure 10). The cable grip  
prevents the connector from being pulled off  
by accident.  
Fig. 10  
5.  
Caution  
1.  
Since the installation of the antenna influences  
the operating efficiency of the receiver, the  
most important rule is to minimize the distance  
as much as possible between the receiving  
antenna and the microphone for the best  
reception and performance.  
2.  
The output voltage of the external DC power  
supply should not be below 12V, otherwise it  
will not work properly. If the voltage is over  
15V some components of the receiver will be  
damaged due to excessive current draw. Use  
a power supply with a 1A minimum rating.  
12  
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SELECTING A FREQUENCY CHANNEL ON THE RECEIVER  
Your local dealer/distributor should be able to advise  
you on the best frequency selection for your area and help  
with selecting combinations of non interfering frequencies  
for multi channel installations. Interference is the most  
commonly reported “fault” with wireless microphone  
systems; we offer thirty channels from which to choose to  
help solve the problem. If you are interfered with, please try  
changing the group/channel combination before picking up  
the phone. Remember a group/channel combination which  
works in one venue will not necessarily work in another  
venue but the solution could be no more than the turn of a  
dial away. Cross frequency interference is not a fault, it is a  
merely a symptom of some form of outside interference or  
incorrect frequency selection.  
Make your choice of group and channel. (Ensure that  
the same combination is selected at the transmitter). If a “-”  
symbol is displayed, it means that your choice of switch  
position has no connection (only thirty of the possible switch  
settings are used so there will be some blanks). A two digit,  
numeric display is required for an operational group/channel  
combination. There are six group numbers available.  
Groups one through four each have six available channels,  
one through six. Groups five through six each have three  
available channels, one through three. All channels within  
the same group are non-interfering (except Group six) when  
used in multiple system installations. Move through the  
groups and channels until you come to a clear combination.  
Please take care when changing the switch settings, the  
switches are fragile components. Your local dealer/  
distributor will be able to help you with advice as to the  
specific frequencies represented by the various group/  
channel combinations available to you. This information  
may be useful, particularly in a multi use venue.  
13  
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HANDHELD WIRELESS MICROPHONE TRANSMITTER  
Like the receiver, the hand held microphone features  
advanced synthesized PLL design. It is preprogrammed  
with 30 user selectable frequencies and incorporates  
“Superior frequency tracking and muting techniques” dual  
squelch circuitry. The unique soft velvet rubber finish and  
overall balance of the microphone offers comfort and  
durability for the user.  
The strong mechanical design and construction of the  
microphone guarantees robust performance and a long  
life of general wear and tear.  
1.  
Unit Features and Functions  
5
4
1
2
3
Figure 11  
6
1.  
2.  
Grill/Ball Screen: incorporates a combination  
pop/wind filter and protects the microphone  
capsule.  
Battery compartment: Accepts a standard/  
universal 9-volt. Simply unscrew the grill/ball  
screen to access this compartment.  
3.  
4.  
Housing/handle: finished in a durable rubber  
velvet material for operator comfort.  
Battery status indicator: A ‘flash’ at turn on  
indicates that the batter is OK. No flash at turn  
14  
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on indicates that the battery is either dead or  
not installed. A constant glow indicates a weak  
batter that should be replaced.  
5.  
On-Of switch. Push forward to turn the  
transmitter on and slide back to turn the  
transmitter off. RF signal is transmitted almost  
immediately the switch is turned on (and the  
corresponding RF present lamp will glow on  
the receiver), setting the receiver in to ‘stand  
by’ mode. AF signal is only transmitted when a  
RF link is active and the microphone threshold  
is opened, i.e. by speech.  
6.  
7.  
8.  
Group and channel selector cover: push this  
cover down and back as indicated to access  
the group and channel selector switches.  
Group selector switch: make sure this setting  
matches the group selection on the receiver.  
(Under group and channel selector cover.)  
Channel selector switch: make sure this  
setting matches the channel selection on the  
receiver. (Under group and channel selector  
cover.)  
9.  
Unavailable setting indicator. This led glows  
(when the transmitter has been powered on) if  
you select a switch combination that has no  
connection. (Under group and channel  
selector cover..)  
15  
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2.  
BATTERY INSTALLATION  
Fig.12  
Unscrew the grill/ball screen assembly at the  
collar to expose the battery compartment.  
1.  
2.  
Insert the 9-volt battery taking care to observe  
the correct polarity. If the polarity is correct,  
the battery status indicator lamp will flash  
briefly. If no flash is observed, then it is likely  
the polarity is incorrect or the battery is dead  
flat and needs to be replaced.  
3.  
Replace the grill/ball screen assembly, taking  
care to line up the 3 pins and polarizing lug  
with the 3 contractor plates. Screw the grill/ball  
screen back in to place, taking care not to  
force the turns. The turns should be smooth  
and easy. If the grill/ball screen assembly  
appears to either not engage, or tries to cross  
thread, remove it and check for the correct  
alignment of the pins.  
2.  
OPERATION OF THE HAND HELD TRANSMITTER  
When the microphone is switched on, the led indicator will  
flash briefly to indicate that the battery is OK and that the  
transmitter is powered up. At the receiver, the RF indicator  
will illuminate almost immediately to indicate that a RF link  
has been established and the AF indicator will illuminate  
16  
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once audio is present. As mentioned previously, the level of  
these two indicators will indicate their signal strength at the  
receiver. When the microphone is not in use, please switch  
it off to conserve the battery  
BELT PACK TRANSMITTER  
1
2
3
4
5
7
10  
8
6
9
Figure 14  
Like the receiver, the belt pack transmitter features  
advanced synthesized PLL design. It is preprogrammed  
with 30 user selectable frequencies and incorporates  
Pilotone and Noise Lock dual squelch circuitry. The  
transmitter is capable of connection to a variety of input  
sources including lapel microphones, headworn  
microphones, guitars and other line level output devices.  
1.  
Audio input connector. This accepts a variety  
of input levels and types. Please refer to page  
21 for details of the various connections  
options available. It is important that the right  
17  
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connection is used. If you are having problems  
with a system, this is one of the first places to  
look for the solution.  
2.  
3.  
Transmit antenna: 1/4 wave  
GT/MT level selector switch: This switch works  
in combination with the way you have wired  
the input device (as detailed above). Set this  
switch in the GT position if you are connecting  
to the output of and electric guitar. Set the  
switch to the MT position for all other  
connections.  
4.  
Gain control: this control works when the  
GT/MT selector switch is in the MT position  
only. It provides the user with a small range of  
independent system level control. Once set, it  
should be left alone to avoid the user causing  
self inflicted embarrassment by crossing the  
threshold of feedback or reducing the output  
to an inaudible level.  
5.  
6.  
Transmitter housing: made from heavy duty  
poly-plastic with a discreet low profile and  
smooth contoured shape for wearer comfort.  
Battery status indicator: A ‘flash’ at turn on  
indicates that the batter is OK. No flash at turn  
on indicates that the battery is dead or not  
installed. A constant glow indicates a weak  
battery that should be replaced.  
7.  
Power switch: turns power to the transmitter  
on and off. A RF link (if available) is opened  
immediately the transmitter is switched on. An  
AF link is established when a suitable audio  
18  
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signal is present at the input (from a lapel  
microphone, guitar etc)  
8.  
Unused status indicator: this illuminates when  
the combination of group and channel you  
have selected is not connected.  
9.  
Group selector switch: make sure this setting  
matches the group selection on the receiver.  
10.  
Channel selector switch: make sure this  
setting matches the channel selection on the  
receiver.  
11.  
Battery compartment and cover: accepts one  
standard 9V battery. (Figure 14)  
2.  
OPERATION OF THE BELT PACK TRANSMITTER  
11  
Figure 14  
1.  
2.  
Push ‘down and out’ to open the battery  
compartment.  
Insert the battery making sure that correct  
polarity is observed. Close the battery cover  
as shown in figure 15.  
19  
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3.  
4.  
5.  
Select a group/channel combination, making  
sure that it matches the combination already  
set on the receiver.  
Connect your lapel microphone, guitar lead, or  
other input. Connection details are as per  
figure 15.  
Adjust the gain control on the belt pack to the  
desired level.  
Figure 15  
20  
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1.  
AF 4-PIN INPUT CONNECTION METHODS  
1. 2-Wire Electret condenser microphone Capsule  
2. 3-Wire Electret condenser microphone Capsule  
3. Dynamic Microphone  
4. Electric Guitar  
5. Line-in (Impedance 8KAttenuated 10 dB)  
21  
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SPECIFICATIONS  
1. Overall: UHF PCX-U302  
1.  
2.  
3.  
4.  
5.  
6.  
7.  
8.  
9.  
Carrier Frequency Range: UHF Band 790~960 MHz  
Oscillation Mode: PLL synthesized  
Frequency: Pre-programmed 30 switchable frequencies  
Stability: + 0.005 %  
Max. Deviation: + 56 KHz with level limiting  
Dynamic Range: > 119 dB  
S/N Ratio: > 100 dB  
T.H.D.: < 0.4 %  
Squelch: “Superior frequency tracking and muting  
techniques” dual-squelch  
10.  
Frequency Response: 60 Hz~18 KHz + 3 dB  
2. Receiver: UHF PCX-U302  
1.  
Receiving Method: PLL true diversity single-channel  
receiving  
2.  
3.  
4.  
5.  
Sensitivity: 6 dBuV at S/N > 74 dB  
Image Rejection: > 62 dB  
Spurious Rejection: > 79 dB  
Audio Output: can switch between –2 dB/5 K and  
-12 dB/600 unbalanced and balanced  
Power Supply: 12~15 VDC/1 A  
Panel: 19/2-inch, half-rack size  
Dimensions (m/m): 210(L) x 175(W) x 44(H)  
Weight: Approx. 1.0 Kgs  
6.  
7.  
8.  
9.  
3. Transmitter: UHF PCX-U302  
1.  
2.  
3.  
4.  
5.  
6.  
7.  
8.  
Mic Element: Condenser Microphone Capsule  
Antenna: Built-in  
RF Output: 10~50 mW (according to regulation)  
Spurious: < -60 dBc  
Battery: One 9-Volt Battery  
Dimensions (m/m): 49 x 234(L)  
Weight: 250 grams (without battery)  
20-hour battery life per single 9-volt alkaline  
22  
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TROUBLESHOOTING GUIDE  
Symptom  
Distance  
Possible  
Cause  
Possible  
Solution  
No AF signal  
and no RF signal  
Any  
long  
low transmitter  
battery voltage  
replace battery  
No AF signal  
and no RF signal  
out of range  
move transmitter  
closer to receiver or  
obstecles  
No AF signal  
but normal RF signal  
any  
any  
any  
microphone or  
other input source  
check input source  
replace battery  
Distortion with no  
AF peak indication  
low transmitter  
battery voltage  
Noise with low AF  
signal and normal  
RF signal  
strong RFI  
identify source and  
eliminate, or change  
frequency of wireless  
microphone system  
Intermittent AF signal  
low RF signal  
long  
out of range  
move transmitter and  
closer to RCV  
Intermittent AF and  
RF signals  
average  
obstructions  
in signal path  
remove obstructions  
or reposition transmitter  
and/or RCV  
MULITPLE SYSTEM  
Symptom  
Distance  
Possible  
Action  
Cause  
Distortion on two  
or more systems without  
any  
units on same  
frequency  
change frequencies  
Distortion on one  
or more systems without  
transmitter-  
transmitter short  
transmitter + transmitter change frequencies  
intermod  
Distortion on one  
transmitter-  
transmitter + transmitter increase transmitter  
or more systems without  
transmitter short  
intermod  
to transmitter distance  
transmitter-receiver  
short  
transmitter +transmitter change frequencies  
receiver intermod  
Distortion on one or more  
systems without  
transmitter-rreceiver  
short  
transmitter +transmitter increase transmitter  
receiver intermod  
to receive distance  
AF peak indication  
23  
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NOTES:  
24  
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NOTES:  
25  
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PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY  
Effective Date: July 1, 1998  
What This Warranty Covers  
Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the  
U.S.A. and Canada.  
What This Warranty Does Not Cover  
The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental,  
product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service per-  
formed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or  
removed; (5) products not purchased from an Authorized Peavey Dealer.  
Who This Warranty Protects  
This Warranty protects only the original retail purchaser of the product.  
How Long This Warranty Lasts  
The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as fol-  
lows:  
Product Category  
Duration  
Guitars/Basses, Amplifiers, Pre-Amplifiers, Mixers, Electronic  
Crossovers and Equalizers  
2 years *(+ 3 years)  
2 years *(+ 1 year)  
3 years *(+ 2 years)  
1 year *(+ 1 year)  
2 years  
Drums  
Enclosures  
Digital Effect Devices and Keyboard and MIDI Controllers  
Microphones  
Speaker Components (incl. speakers, baskets, drivers,  
diaphragm replacement kits and passive crossovers)  
and all Accessories  
1 year  
Tubes and Meters  
90 days  
[*denotes additional warranty period applicable if optional Warranty Registration Card is completed and  
returned to Peavey by original retail purchaser within 90 days of purchase.]  
What Peavey Will Do  
We will repair or replace (at Peavey's discretion) products covered by warranty at no charge for labor or materials. If  
the product or component must be shipped to Peavey for warranty service, the consumer must pay initial shipping  
charges. If the repairs are covered by warranty, Peavey will pay the return shipping charges.  
How To Get Warranty Service  
(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey  
Dealer or Authorized Peavey Service Center.  
OR  
(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 &  
80 East, Meridian, MS 39301 or Peavey Canada Ltd., 95 Shields Court, Markham, Ontario, Canada L3R 9T5. Include a  
detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evi-  
dence of warranty coverage. Also provide a complete return address.  
Limitation of Implied Warranties  
ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICU-  
LAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY.  
Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not  
apply to you.  
Exclusions of Damages  
PEAVEY'S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE  
PRODUCT, AT PEAVEY'S OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A  
RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS  
OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE  
OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF  
PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.  
Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limi-  
tation or exclusion may not apply to you.  
This Warranty gives you specific legal rights, and you may also have other rights which vary from state to  
state.  
If you have any questions about this warranty or service received or if you need assistance in locating an Authorized  
Service Center, please contact the Peavey International Service Center at (601) 483-5365 / Peavey Canada Ltd. at  
(905) 475-2578.  
Features and specifications subject to change without notice.  
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IMPORTANT SAFETY INSTRUCTIONS  
WARNING: When using electric products, basic cautions should always be followed, including the following:  
1.  
2.  
3.  
4.  
5.  
6.  
7.  
Read these instructions.  
Keep these instructions.  
Heed all warnings.  
Follow all instructions.  
Do not use this apparatus near water. For example, near or in a bathtub, swimming pool, sink, wet basement, etc.  
Clean only with a damp cloth.  
Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions. It should not be placed flat against a  
wall or placed in a built-in enclosure that will impede the flow of cooling air.  
8.  
9.  
Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.  
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A  
grounding type plug has two blades and a third grounding plug. The wide blade or third prong is provided for your safety. When the pro-  
vided plug does not fit into your inlet, consult an electrician for replacement of the obsolete outlet. Never break off the grounding. Write  
for our free booklet “Shock Hazard and Grounding”. Connect only to a power supply of the type marked on the unit adjacent to the power  
supply cord.  
10.  
Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from the  
apparatus.  
11. Only use attachments/accessories provided by the manufacturer.  
12. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution  
when moving the cart/apparatus combination to avoid injury from tip-over.  
13. Unplug this apparatus during lightning storms or when unused for long periods of time.  
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-  
supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or  
moisture, does not operate normally, or has been dropped.  
15. If this product is to be mounted in an equipment rack, rear support should be provided.  
16. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced  
hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government’s  
Occupational and Health Administration (OSHA) has specified the following permissible noise level exposures:  
Duration Per Day In Hours  
Sound Level dBA, Slow Response  
8
6
90  
92  
4
95  
3
97  
2
100  
102  
105  
110  
115  
1 1/2  
1
1/2  
1/4 or less  
According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the ear  
canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure is in excess  
of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons  
exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while  
this unit is in operation.  
SAVE THESE INSTRUCTIONS!  
27  
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Features and specifications subject to change without notice.  
Peavey Electronics Corporations • 711 A Street • Meridian  
MS • 39301 • (601) 483-5365 • Fax 486-1278  
©2000  
Download from Www.Somanuals.com. All Manuals Search And Download.  

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