Peavey Electronic Keyboard pRP 7 User Manual

OWNER’S MANUAL

English

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Contents

Introduction

Front and rear panel

Front Panel

Rear panel

Playing the pRP7

Connect the audio cables

Connect the power supply

Turn the instrument on

Adjust the overall volume

Headphone jack

Play using the Pitch/Modulation Joystick

Pedal Connection

Listen to the Demo songs

Select a single demonstration song

The pRP7 Presets

The Selection buttons

Preset selection

The CONTROL section

Realtime operations

Activate Split mode

Change the Split point setting

Activate Layer mode

Add effects to the selected Preset

Change the Volume Balance between two sounds

Transpose

Touch

The Functions of the pRP7

Tune

MIDI Channel

Midi Local

Midi Common channel

About MIDI

MIDI Applications

As a MIDI controlling device

As a Slave device

Midi Sequencer recording

Recording Studio

Recording a song

Recording a new song

Click (metronome)

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Song Library

Select a sequence from the Song Library

Panel Reset

Technical specifications pRP7

Technology

Index

Appendix

GM-GMX Sound tables

Preset table

A.1

A.2

A.3

A.4

A.7

A.8

Song Library tables

Drumkit tables

Midi Implementation chart

Recognized Control Change messages

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Introduction

ThankyouforpurchasingtheGEMpRP7,thenewportableDigitalPiano

belonging to the prestigious Real Piano Series by Generalmusic.

The new portable pRP7 Digital Piano features an 88 note, weighted

Hammer Action keyboard, 32 note polyphony and 48 Presets including

10 exclusive Piano sounds.

Also featured is an internal Sound Library consisting of 444 GM/GMX

compatible sounds, addressable via MIDI from any external MIDI

controlling device.

The 22 Reverb and 22 Delay/Modulation effects contained in the on-

board Digital Signal Processor add realism to the Preset sounds.

With its 8,000 event sequencer, (allowing you to record and play back

your own performances), and a Song Library of 96 songs, (featuring

famous classical pieces written for the piano), pRP7 is the perfect

partner for practising.

Through the stereo output jacks, you can connect your pRP7 to any

external amplification system to faithfully reproduce the complex sound

diffusion of an acoustic piano.

The pRP7 is very easy to use, but to make the most of the instrument’s

features, you are recommended to consult this manual whenever you

are not sure what to do.

Mostimportant, ofcourse, ishowyoutreatyourpRP7. Pleasetaketime

to read the General Safety Instructions to guarantee a long and trouble

free use of your instrument.

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Front and rear panel

Front Panel

1. VOLUME:

2. TRANSPOSE i /g

Slider that controls the main volume of the instrument.

Increases ( ) or decreases ( ) the overall pitch of the instrument in half-step

(semitone) increments.

3. SOUND VARIATIONS/DEMO:

4. SELECTION:

ThesebuttonsselectavariationofthecurrentPresetinincreasing(+)ordecreasing

(–) order. When pressed together at the same time, they activate the factory

programmed demonstration songs.

These buttons select Presets banks, (Piano, El-Piano, etc.), and are used in

conjunctionwiththeSoundVariationbuttonstoselectPresetsfromtheactivebank.

The Presets are recalled as single, layer or split sound combinations.

5. G^RANDPIANO:

6. CONTROL:

Press this button to select the GrandPiano Preset which instantly recalls the

GrandPiano Preset across the entire keyboard.

This section contains 4 buttons: Split, Layer, Reverb, Effect.

Split : Turning this button on will split the keyboard into separate left and right parts

and automatically recall the sound for the left hand.

Layer : Press this button to instantly activate two layered sounds which play at the

same time across the entire keyboard.

Reverb : Use this button to activate (LED on) or deactivate (LED off) the Reverb

effect recalled by the current Preset.

Effect : Use this button to activate (LED on) or deactivate (LED off) the Modulation/

Delay effect recalled by the current Preset.

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7. TOUCH:

Use this button to adjust the touch of the keyboard according to your playing style.

8. B^ALANCE/ :

These buttons regulate the volume balance between two sounds in either Layer or

Split modes.

9. D^ISPLAY:

A three-digit, Liquid Crystal Display (LCD).

10. T^EMPODATA +/–:

Use these buttons to modify the playing speed (Tempo) when using the Sequencer

and to select Songs from the Song Library when the Song Library button is active.

These buttons are also used to adjust the value of the currently selected parameter

in Function mode. The functions are selected with the last four notes of the highest

octave of the keyboard.

11. R^ECORDINGSTUDIO:

This section contains functions that control the on-board Sequencer.

Play\Stop : Press this button to playback what you have recorded, to stop the

playback or stop the recording.

Rec. : Press this button to record what you play.

Click. : Press this button to record or playback with or without the click of a

Metronome.

Song Library. : Press this button to gain access to the internal Song Library

consisting of 96 famous pieces of piano music, useful to practice with as well as

listen to.

12. J^OYSTICK:

Pitch Bend/Modulation joystick control

13. FUNCTION KEYS:

Notes G7-C8 of the highest octave are dedicated to the selection of the pRP7

functions. The function parameters are selected with the Data +/– buttons while

holding down a function key.

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Rear panel

1. MIDI IN/OUT:

These ports allow the instrument to be connected to other MIDI devices.

MidiInallowsthesoundsofthepRP7tobeplayedbyanexternalcontrollingdevice

e.g. a controller keyboard or a sequencer.

Midi Out sends MIDI information from the pRP7 to other MIDI external equipment.

2. P^EDALS:

Two pedal connectors (Damper and Soft) for optional switch-action pedals.

3. INPUT RIGHT/M-LEFT:

These two stereo inputs are used to connect another instrument to the pRP7. The

output of the other instrument will be mixed with the main signal of the pRP7 and

sent to the Output and Headphone jacks. If you are connecting a mono signal, then

you should use only the Right/Mono jack.

4. OUTPUT RIGHT/M-LEFT:

These two stereo outputs are used to connect the instrument to another amplifier,

mixer or recording device. If you are connecting to mono equipment, (e.g. a guitar

amplifier), then you should use only the Right/Mono jack.

5. P^HONES:

Plug a set of stereo headphones into this jack for private listening.

6. 12 V DC, POWER

ON/OFF: Connection for the power supply unit. Use only the unit supplied with your

instrument.

Press the switch to turn the instrument on and off.

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Playing the pRP7

Connect the audio cables

The pRP7 does not incorporate an internal amplification system, there-

fore you must either play using headphones or connect to a suitable

external amplification system.

Connect the audio outputs to your amp. system (mixer, powered

speakers, etc.) using audio cables with standard 1/4” jacks. Use RCA

jacks to connect to domestic stereo units. For mono reproduction,

connect to the Right/M jack.

Headphone jack

Ifyouarenotplayingconnectedtoanexternalamplficationsystem, plug

a set of headphones into the Phones jack to play in total silence without

disturbing others in the same room. Use a mini jack1/4” adapter for

Walkman or MidiDisc headphone sets. The Phones jack is located on

the rear connections panel.

Use the Volume control to adjust the Headphones volume.

Connect the power supply

Connect the Generalmusic power supply unit to the 12V. D.C. jack.

Turn the instrument on

To turn the pRP7 on, press the ON/OFF switch located on the rear

connections panel.

After a short period, the instrument will be ready to play the Grand Piano

preset. The LED of the Grand Piano Preset button will be on and the 3-

digit LCD display will show a tempo setting as an indication that the

instrument is on.

LED on

In this power up condition, you will be able to play a piano sound

(GrandPiano) across the entire keyboard without carrying out other

operations.

Adjust the overall volume

Use the VOLUME control knob to adjust the overall volume level.

Sliding the VOLUME control knob to the right will increase the overall

volume, while sliding to the left will decrease it.

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Play using the Pitch/ Modulation Joystick

MODULATION

While you play, you can apply Pitch Bend and Modulation to the Preset

sounds by using the Pitch/Modulation Joystick located on the extreme

left of the control panel.

•

To obtain Pitch Bend, move the Joystick Up or Down.

To obtain Modulation, move the Joystick in Left/Right directions.

PitchBendisa“glide”(orglissato)effectwhichsimulatestheeffectthat

certain instruments can produce (trombone, guitar, violin, etc.).

PITCH BEND

Modulation is an effect which simulates the natural vibrato of such

instruments as the violin, cello, human voice, etc..

Pedal Connection

The pRP7 has two connectors for the connection of optional, switch-

action pedals: SOFT and DAMPER.

SOFT: The Soft pedal is a switch control pedal (On/Off) which affects

the timbre of the instrument such that it plays softer, allowing you to

continue using the same playing style at a lower volume.

DAMPER: The Damper pedal applies the Sustain effect to all notes

released. If you release a note after depressing the Damper, the

note will proceed towards its natural decay according to the type of

sound played. The Damper is particularly effective with Piano type

sounds.

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Listen to the Demo songs

The pRP7 contains a selection of demonstration recordings of the

internal sounds.

1. Press both the [–] and [+] buttons of the SOUND VARIATIONS buttons at

the same time.

The LEDs of the SELECTION section start to flash.

Shortly after, all the LEDs turn off except the one corresponding

to the PIANO button and the first demo starts to play. When it

reaches the end, the second demo starts automatically, indicated

by the LED of the second SELECTION button, (El Piano) and so

on. The demonstration sequence consists of 8 recordings,

chained to play as a medley automatically.

2. To stop the current Demo song at any point without cancelling Demo

mode, press any of the buttons of the SELECTION section.

The Demo song stops instantly and the LEDS of the SELECTION

section start flashing. At this point, while the LEDs are still

flashing, you can select another Demo song by pressing the

corresponding button of the SELECTION section.

3. To Stop the Demo song and escape Demo mode, press both the [–] and

[+] buttons of the SOUND VARIATIONS buttons at the same time.

The LEDs of the SELECTION section turn off and the instrument

sets to the last selected PRESET prior to entering Demo mode.

Select a single demonstration song

It is possible select a single demonstration recording without acti-

vating the chain playback.

4. Press the [–] and [+] buttons of the SOUND VARIATIONS buttons at the

same time and press one of the buttons to trigger the demo song.

In this example, while the LEDs are still flashing, press the first

button marked PIANO. The LED remains on and the correspond-

ing demo will start to play.

The 3-digit display shows the number of the Demo song selected

for the entire duration of the playback.

Each button recalls a recording of a song using the instru-

ment’s internal library of Sounds.

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The pRP7 Presets

The pRP7 contains 48 Internal Presets, consisting of Single, Split and

Layered sound combinations. Each sound combination also recalls the

volume levels, a configuration of effects (Reverb and Delay/Modula-

tions) together with relative effect send levels

PRESET PRP7

• GROUP PIANO

1- GRANDPIANO

2- ELECT.GRAND

3- UPRIGHTPIANO

4- HONKY TONKY

5- STRING PIANO

6- JAZZ PIANO

ThePresetsareorganizedintheSELECTIONsection. Thetableshown

opposite lists the pRP7 Presets, grouped in sets of six, each group

corresponding to a button of the section.

• GROUP EL.PIANO

7- RHODEX 1

8- WURLIE

The Selection buttons

This section consists of a row of 8 Preset “family” Groups.

9- RHODEX 2

10- FM PIANO

11- RHODEX PAD

12- RHODEX BASS

• GROUP KEYBOARD

13- HARPSICHORD

14- CLAVINET

15- CELESTA

16- GRAND HARP

17- MIXED CELESTA

18- SPLIT HARP

• GROUP ORGAN

19- JAZZ ORGAN

20- JAZZ ORGAN 2

21- THEATRE ORGAN

22- PIPE ORGAN

23- DRAWBARS

24- ORGAN COMBO 1

• GROUP STRING

25- STRING1

The 8 Preset Group buttons are marked as follows: Piano, Electric

Piano, Keyboard, Organ, Strings, Choir\Pad, Guitar, Vibes.

Each button of the SELECTION section activates a Bank of 6 Presets.

Using the [–] and [+] buttons of the SOUND VARIATIONS buttons, it is

possibletoselectthe8Presetsofeachbanksequentially. The8Presets

of each bank are factory-set to recall Presets configured in the following

manner:

26- MELLOW STRING

27- SLOW STRING

28- OCTAVE STRING

29- STRINGBELL 1

30- CONCERTO

• GROUP CHOIR/PAD

31- CHOIR 1

Single Single Single Single Layer

Split

Each Preset of the current Group contains a memorized Layer and Split

sound combination which you can recall in real time by activating the

LAYER or SPLIT buttons in the CONTROL section accordingly.

32- SLOW CHOIR

33- ATTACK PAD

34- TAP PAD

35- MIXPAD 2

36- RAIN PAD

• GROUP GUITAR

37- NYLON GUITAR

38- STEEL GUITAR

39- JAZZ GUITAR

40- STRATO GUITAR

41- HARPTAR

Similarly, a Layer or Split Preset is easily converted to one of the other

modes by activating/deactivating the SPLIT or LAYER buttons accord-

ingly.

42- WES COMBO

• GROUP VIBES

43- VIBES 1

For example, if you have selected the Layer Preset 5 of a Preset Group,

simply press SPLIT to recall the memorized Split combination, or

deactivate LAYER to recall the memorized Single sound.

44- VIBES 2

45- VIBES 3

The 3 digit LCD display will show the current selection for about 4

seconds before returning to the Tempo display setting.

46- MARIMBA

47- VIBES PIANO

48- VIBES COMBO 2

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Preset selection

1. After turning the pRP7 on, press one of the SELECTION buttons.

In this example, we press the PIANO button.

You will recall the first Preset, “Grand Piano”, which plays across

the entire keyboard.

The display will show “P1” for an instant before returning to the

Tempo setting.

2. Pressthe[+]buttonoftheSOUNDVARIATIONStoselectthesecondpreset

ofthePianobank,anothervariationofapianosound,inthiscase,Electric

Grand.

The 3 digit display shows the selection as “P 2”:

The last Preset button selected for the current Preset Group

remains memorized. For example, if you select the Organ Group

button, Preset 1, (Jazz Organ), will be recalled. If you now select

the Piano Group button, you will recall the last Preset selected,

Preset 2, (Electric Grand), in this case.

This system of memorizing the last selection made will help you

recall your preferred Presets quickly.

3. Continue pressing the [+] button of the SOUND VARIATIONS to select the

Presets of the Piano bank in increasing order.

When you reach the last Preset of the current Bank, pressing the

[+] button will have no effect.

When you reach Preset n. 6 of the current Bank, you can use the

[–] button to select the Presets in reverse order.

4. To cancel the current Preset and return to the Grand Piano Preset, press

the Grand Piano button.

LED on

The Grand Piano button will always return to the Grand Piano

Preset active across the entire keyboard.

TheGrandPianoPresetisshowninthe3-digitdisplayas“GP”for

a short period before returning to the Tempo setting.

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The CONTROL section

Realtime operations

The pRP7 operating system has been conceived to permit several

simple and quick real time operations using the buttons of the CON-

TROL section.

Activate Split mode

Starting from the Single Preset “GrandPiano”, you can easily split the

keyboard by pressing the SPLIT button. This will divide the keyboard

into separate left and right sections.

<------- Ac. Bass ------><--------- GrandPiano ---------->

After pressing the SPLIT button (the LED turns on), the GrandPiano

sound remains active on the right side of the split. An Acoustic Bass

sound is automatically assigned on the left side of the split.

If you press the SPLIT button again, the LED will turn off and the

keyboard returns to the previous mode with the GrandPiano sound

active to play across the entire keyboard.

Change the Split point setting

ThedefaultsettingoftheSplitpointcorrespondstoF#3. Youcanquickly

modify the setting to suit your requirements.

1. Press and hold down the SPLIT button.

Flashing

The LED of the SPLIT button starts to flash and the display shows

the current split point setting expressed as the MIDI note number

(54 = F#3).

2. WhilestillholdingdowntheSPLITbutton, pressthenoteonthekeyboard

corresponding to the new split point required (B3 in the example).

The new split point is shown in the display as Midi note 59 (B3).

The setting remains memorized for all the Presets. It is not

possible to assign a different Split point setting for each Preset.

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Activate Layer mode

To mix or “layer” two sounds together, simply press the LAYER button.

After pressing the LAYER button (the LED turns on), a second sound is

activated layered with the first (in this case, Strings is added to the

GrandPiano sound).

<------------------------ GrandPiano ---------------------->

<-----------------------

Strings

---------------------->

IfyoupresstheLAYERbuttonagain, theLEDturnsoffandthekeyboard

returns to the previous mode with the GrandPiano sound active to play

across the entire keyboard.

Add effects to the selected Preset

You can easily add or cancel effects from the current Preset by

activating/deactivating the REVERB and EFFECTS buttons in the

CONTROL section.

The on/off status of these two buttons show whether or not the current

Preset is playing with or without one or both effects. When the LED of

a button is on, the preset is playing with the corresponding effect.

In the following example, the REVERB and EFFECT buttons are both

on, meaning that the current Preset can be played with both effects.

When the LED of a button is off, the Preset can be played without the

corresponding effect (bypass).

In the following example, the REVERB button is off (LED off) and the

EFFECTbuttonison,meaningthatthecurrentPresetcanbeplayedwith

the recalled Delay/Modulation effect only.

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Change the Volume Balance between two sounds

If you are playing either in Layer or Split mode, you can regulate the

volume of the two sections in real time using the BALANCE buttons.

These buttons regulate the volume of one section with respect to the

other, creating a perfect balance between the two sections according to

your requirements.

1. Hold down the BALANCE button to increase the volume of the main

sound.

The volume of the main sound will increase while the second

sound (split or layer) will decrease automatically in proportion to

the main one. Release the Balance button when you obtain the

required setting. The 3 digit LCD display will show the current

setting for a short period before returning to the Tempo setting.

2. Conversely, hold down the BALANCE button to increase the volume of

the second sound.

The volume of the second sound will increase while the main

soundwilldecreaseautomaticallyinproportiontothesecondone.

Release the Balance button when you obtain the required setting.

The display will eventually show a negative value when the level

of the second sound is higher than the main one.

If you select a Single Preset (or deactivate the SPLIT or LAYER

button), the BALANCE buttons operate as normal Volume con-

trols for the main section.

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Transpose

Pressing either TRANSPOSE button will adjust the pitch of the instru-

ment in half-step (semitone) increments or decrements, through the

overall range of –/+ 12 semitones.

When both LEDs are off, the pitch of the instrument is set to normal

(Equal: C = C).

1. Press the TRANSPOSE # button once to raise the pitch of the instrument.

Play on the keyboard and you will hear that the pitch of the

instrument is raised one semitone. The LCD display shows the

current setting as a relative value, “01”, for a short period before

returning to the tempo setting.

The LED of the TRANSPOSE # button remains on to indicate the

changed status of the pitch. Every time you press the TRANS-

POSE # button, the pitch is raised by one semitone.

2. Press the TRANSPOSE b button to lower the pitch of the instrument.

Play on the keyboard and you will hear that the pitch of the

instrument is lowered one semitone. The LCD display shows the

current setting as a relative value, “–01” in this case, for a short

period. A negative transposition value indicates that the pitch is

one semitone lower than normal (00).

The LED of the TRANSPOSE b button remains on to indicate the

changed status of the pitch. Every time you press the TRANS-

POSE b button, the pitch is lowered by one semitone.

After about 5 seconds, if you fail to press either Transpose button,

the display returns to the previous situation and the instrument

remains at the last set pitch.

The current Transpose setting remains memorized even after

turningtheinstrumentoff. Whenyouturntheinstrumentonagain,

the LED of the Transpose buttons will indicate the changed status

of the pitch.

Reset

The current pitch setting can be cancelled instantly by pressing both

buttons together.

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Touch

ThepRP7offersthreedifferentkeyboardresponses,or“velocitycurves”,

whichaffecttheinstrumentasawhole. Whenyouturnontheinstrument

forthefirsttime, the“NORMAL”curvewillbeshownset, indicatedbythe

LED in correspondence to the NORMAL setting of the TOUCH button.

SOFT: This is useful for a player with a lighter touch or somebody

more accustomed to a synth action keyboard. It requires only a

relatively soft touch to achieve maximum volume.

NORMAL: This setting most accurately represents the touch

response of a piano.

HARD: This setting is for “stronger” players. It requires a fairly

powerful touch to achieve maximum volume.

The various curves can be selected by repeatedly pressing the TOUCH

button.

The selection of the Touch curves is cyclic; starting from Normal,

pressing TOUCH once selects HARD, followed by SOFT, then back to

NORMAL, and so on....

The selected response curve remains in memory even after turning the

instrument off. When you turn on again, you will be able to see at a

glance what the current Touch setting is by looking at the status of the

LED.

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The Functions of the pRP7

pRP7 features 4 functions which affect the instrument in various ways.

The Functions are activated using the last 4 notes of the highest octave

of the keyboard.

Toactivateafunctionandmodifyitsvalue, holddownthecorresponding

key and press the TEMPO/DATA +/– buttons.

The functions and corresponding notes are:

T^UNE(G7) :

H. (A7) :

fine tunes the instrument;

MIDI

sets the instrument’s MIDI Channel (for MIDI set-

ups);

MIDI LOCAL (B7) :

sets the instrument for MIDI Local operation (for

MIDI setups). Local disconnects the pRP7 sound

generation.

MIDI COMMON (C8) : sets the instrument’s MIDI Common channel (for

MIDI setups). The Common channel is useful to

control another MIDI device which has automatic

arrangements.

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Tune

The TUNE function allows you fine tune the instrument. The default

status of the instrument corresponds the equal standard A = 440 Hz,

shown in the display as the setting “00”. The TUNE value has a range

±63, corresponding to an excursion of approximately one semitone.

1. Press and hold the TUNE function key (G7) and press either the TEMPO/

DATA + or the – button to raise or lower the tuning accordingly.

ThefirsttimeyoupresstheTEMPO/DATA+or–button,the3digit

LCD display will show the current setting (00) and you will hear a

sinusoidal reference note A play at the standard pitch.

To raise the tuning

2. While still holding down the TUNE function key (G7), press the TEMPO/

DATA + button repeatedly until you obtain the required tuning.

The LCD display will show the current setting and the reference

sinusoidal sound will play with the current tuned pitch.

Release the TUNE function key (G7) to escape the function.

To lower the tuning

3. While holding down the TUNE function key (G7), press the TEMPO/DATA

– button repeatedly until you obtain the required tuning.

The LCD display will show the current setting and the reference

sinusoidal sound will play with the current tuned pitch.

Release the TUNE function key (G7) to escape the function.

ThecurrentTunesettingwillremainmemorizedevenafterturning

the instrument off.

To reset the tuning

4. Hold down the TUNE function key (G7) and press both the TEMPO/DATA

+/– buttons at the same time.

The LCD display will show the standard setting and the reference

sinusoidal sound will play with the standard pitch (C = C).

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MIDI Channel

pRP7 is able to transmit MIDI messages on up to three channels at the

same time, depending on the type of Preset recalled (single, layer or

split). In reception, pRP7 can receive on all 16 MIDI channels.

The MIDI function allows you to modify the MIDI transmission channels

of thepRP7, used by the pRP7 to communicate with other MIDI devices

through a MIDI cable.

The Midi Channel function does not play a reference note during the

setting operation.

1. PressandholdtheMIDIChannelfunctionkey(A7)andpresstheTEMPO/

DATA + button to increase the transmission channel by one unit.

TheLCDdisplaywillshowthenewchannelsettingcorresponding

to the main sound.

The MIDI channels of the Layer and Split sections will increase by

one unit automatically. For example, when the display shows the

Channel 2 setting, the Layer and Split sections will correspond to

channels 4 and 3 respectively.

EachtimeyoupresstheTEMPO/DATA+button,theMIDIchannel

setting for the main sound increases by one unit.

2. PressandholdtheMIDIChannelfunctionkey(A7)andpresstheTEMPO/

DATA – button to decrease the channel setting by one unit.

The LCD display will show the new channel setting correspond to

the main sound. If you started with the setting made in point 2

above, the display will show channel 1 for the main sound.

As a result of this setting, the MIDI channel of the Layer and Split

sections will be respectively set to channels 3 and 2.

EachtimeyoupresstheTEMPO/DATA–button,theMIDIchannel

setting decreases by one unit.

Resetting to the default MIDI channel configuration

3. Hold down the MIDI Ch. function key (A7) and press both the TEMPO/

DATA + and – buttons at the same time.

The display will show the default setting (Channel 1).

Release the MIDI channel function key to escape the function and

return to normal playing.

The setting remains memorized even after turning the instrument

off.

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Midi Local

If you are using your pRP7 via MIDI as a controlling device connected

to an external sound generator (expander, keyboard, etc.), when you

play, you will hear the expander’s sounds together with the pRP7

Sounds. If you prefer to listen to the expander’s sounds alone, you can

choose to exclude the pRP7 sounds by setting the MIDI Local function

to OFF.

Setting this function to OFF disconnects the keyboard from the internal

generator and transmits keyboard data via the pRP7 MIDI OUT only.

TheMidiLocalfunctiondoesnotplayareferencenoteduringthesetting

operation.

1. Press and hold the MIDI Local function key (B7) and press the TEMPO/

DATA – button once.

The display will show the Local Off setting for a short period.

Play a note anywhere along the keyboard. You will not hear any

sound, because the MIDI LOCAL OFF setting disconnects the

keyboard from the internal sound engine. This setting will allow

you to play your external expander’s sounds via MIDI without

hearing the pRP7 sounds.

2. To return to MIDI LOCAL ON, press and hold the MIDI Local function key,

(B7) and press the TEMPO/DATA + button.

The display will show the Local On setting for a short period.

Play any note and you will hear that the connection with the

internal generator will be restored.

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Midi Common channel

The Common channel is a special channel that allows you to control

other MIDI devices that have automatic arrangements.

The Midi Common function does not play a reference note during the

setting operation.

PressandholdtheMIDICommonfunctionkey(C8)andpresstheTEMPO/

DATA + button to set the Common channel to ON.

The display will show the Common ON setting for a short period.

When on, the Common Channel is set to the value of 16 (fixed).

2. To deactivate the COMMON channel, press and hold the MIDI Channel

function key (C8) and press the TEMPO/DATA – button.

The display will show the Common Off setting for a short period.

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About MIDI

MIDI, the abbreviation for “Musical Instrument Digital Interface”, is a

world standard interface that allows MIDI compatible instruments and

other equipment to communicate with each other, in order to exchange

data and control one another. MIDI is now a very common feature and

a great deal of literature is available explaining all the standards

implemented by MIDI. You are recommended to consult other special-

ized literature if you wish to know more about the standards imple-

mented and how to apply them. This section limits itself to give some

examples regarding the simplest forms of MIDI applications for your

pRP7.

The MIDI ports

The pRP7 is fitted with two MIDI ports: MIDI IN and MIDI OUT.

The MIDI IN port receives MIDI data from an external MIDI device which

can be used to control the pRP7.

The MIDI OUT port transmits MIDI data generated by the pRP7 (for

example, note or velocity data generated by playing the keyboard).

MIDI channels

The “MIDI channels” used in the MIDI communication system is similar

to television broadcasting. Each channel can receive a different stream

of data with respect to the others. Exactly as occurs in television

broadcasts, in order to exchange data, the receiving and transmitting

devices must be tuned correctly. In other words, the MIDI controlling

device and the MIDI receiving device must both be set to the same MIDI

channel, selected from 16 possible channels.

Multiplechannelinstruments, calledmulti-timbralunits, canreceiveand

transmit across several different MIDI channels at the same time, but

each part must correspond to the same MIDI channel between the two

communicating units. pRP7 is able to transmit on up to three MIDI

channels. In reception, pRP7 can be used as a multi-timbral unit,

because it can receive MIDI on 16 channels.

Midi Common

If you set pRP7 to receive MIDI messages on the Common channel, all

programchangemessagesreceivedbypRP7areinterpretedasPreset

Changemessages,allowingyoutoplaythe48Presetsfromtheexternal

keyboard which emulates the pRP7 internal keyboard. Simply set the

external controlling device to transmit MIDI messages on the same

channel as the pRP7 Common channel (16).

The pRP7 MIDI Sounds and Banks

Via MIDI, your pRP7 offers some interesting features which cannot be

achieved using the instrument on its own. On its own, the maximum

number of Presets you can select on pRP7 are those listed on page 6,

a total of 48, some of which recall single sounds, some two layered

sounds across the keyboard and others two or three sounds on a split

keyboard.

When you use pRP7 as a slave device, a MIDI controller keyboard can

play the pRP7 internal Midi sounds which are organized in four banks,

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the first three housing 128 sounds organized in “family” groups, and the

fourth containing 60 sounds. The bank 1 sounds correspond to the

industry standard General MIDI sound library, while banks 2 and 3

containsoundstakenfromGeneralmusic’sownextensivesoundlibrary.

Bank 4 contains an additional 60 Sounds, but not organized in “family”

Groups like those in banks 1, 2 & 3. Banks 2 and 3 also contain a

Percussive family where you’ll find a selection of 16 Drumkits. Another

drumkit is also in Bank 4.

These sounds and sound banks can only be selected via MIDI, not from

the pRP7 control panel. To select these sounds via MIDI, you would

have to send a Midi message to the pRP7 consisting of two parts:

ControlChange/BankSelect(CC00-BankSelect)followedbyaProgram

Change (PC). Refer to the Midi sound tables in the Appendix for

information regarding the Banks and Program Change numbers of all

the sounds and Drumkits.

MIDI messages transmitted and received by pRP7

pRP7 transmits and receives the following type of MIDI information.

NoteandVelocitydata:Thisisinformationpertainingtothenoteplayed

and relative velocity value. The receiving device recognizes the note

because it is defined by the “MIDI note number”, and the velocity value

is defined by the “MIDI velocity value”. Whenever a key on the pRP7 is

pressed, the note and velocity information is transmitted from the

instrument’s MIDI OUT port to the receiving device. Conversely, pRP7

will play the corresponding notes whenever note and velocity data is

received at the instrument’s MIDI IN port.

Program Change numbers: This type of information relates to data

which identifies the pRP7 Preset. pRP7 transmits MIDI Program

Change numbers from 0 - 47, corresponding to the 48 Presets that can

be selected from the panel. Whenever you select a Preset, the

corresponding MIDI Program Change numbers are transmitted to the

receiving device, causing the correspondingly numbered voices to be

selected in the external MIDI unit, set to receive on the same MIDI

channels as the pRP7.

Conversely, whenever pRP7 receives Program Change number data

(for 0-47) from an external MIDI device, the correspondingly numbered

pRP7 Preset will be automatically selected, but only if received on the

Common channel, otherwise, the internal Midi Sounds will be selected.

Control Change messages: The Soft and Damper pedals of thepRP7

generate Control Change data which is transmitted from the instru-

ment’s MIDI Out port whenever the pedals are operated. The internal

tone generator of the receiving device will respond to the pedal solicita-

tions in the same way as the pRP7 Sound engine. Whenever the same

type of Control Change data is received by pRP7, it will respond

appropriately.

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MIDI Applications

ThefollowingexplainshowyourpRP7canbeusedinthemostcommon

MIDI setups suited to this instrument:

a) as a MIDI controlling device (Master);

b) as a tone generator (in other words, a Slave);

c) for MIDI sequence recording.

As a MIDI controlling device

pRP7, like most MIDI instruments, transmits note and

velocity information (touch response) via the MIDI OUT

port whenever notes are played on the keyboard.

If the MIDI OUT port is connected to the MIDI IN port of

another MIDI keyboard (synthesizer, etc.) or a tone

generator (more commonly called an “expander”, but essentially any

device with an internal sound engine), the external unit will respond

precisely to the notes played on the transmitting keyboard.

The result is that such a setup allows you to play two instruments at the

same time, using pRP7 as the controlling device (Master) and the other

as the device being controlled (Slave).

Quite simply, every time you select a Preset, you will send Program

change messages to the external device who will respond by playing a

second sound.

As a Slave device

As well as transmitting MIDI information, pRP7 recog-

nizes the same type of data if received at the MIDI IN port

from an external controlling device. In this case, the MIDI

IN port of the pRP7 is connected to the MIDI OUT port of

theexternalcontrollingunit. This, therefore, allowspRP7

to be controlled in exactly the same manner as described

above, only this time, thepRP7 behaves as the slave and

the external device the controller.

Midi Sequencer recording

The type of data transfer described above can be exploited

very efficiently for MIDI sequence recording. For this

connection, shown in the diagram, the pRP7 MIDI OUT is

connected to the Sequencer MIDI IN, and the Sequencer

MIDI OUT is connected to the pRP7 MIDI IN.

This

connection is more commonly know as a “MIDI Loop”.

Any instrument with a sequencer, or a Computer running sequencer

software, can be used to capture (record) the MIDI data transmitted by

the pRP7.

When the recorded data is played back, the pRP7 reproduces the

recorded sequence in exactly the same manner as it was recorded.

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Recording Studio

The pRP7 features a simple but powerful sequencer which allows you

to accurately record your playing or create simple songs. This section

takes a closer look at the controls and related functions.

The Recording Studio, located on the extreme right of the control panel,

consists of four buttons: Play\Stop, Rec, Click and Song Library.

Play/Stop :

Rec (Record) :

Click :

Starts and stops either playback or recording.

Activates “Record pending” mode.

Activate/deactivates the Metronome (click).

Song Library :

GainsaccesstotheinternallibraryofSongswhich

you can select with the Tempo/Data +/– buttons

after activating the Song Library button.

Recording a song

The pRP7 sequencer (Recording Studio) allows you to record a simple

song just as you play it.

1. Select the Preset that you want to record.

Forexample,selectanORGANPRESETbypressingtheORGAN

button and using the SOUND VARIATIONS buttons to select the

required Preset.

2. Press the REC button.

The LED of the REC button turns on as well as the CLICK LED

(metronome).

3. Ifyouwanttochangetherecordingspeed, usetheTEMPO/DATAbuttons.

UsingtheTEMPO/DATA+/–buttonstotherightofthedisplay,you

can change the Tempo setting (the recording and playback

speed).

4. Press the PLAY/STOP button to start the recording.

The LED on the PLAY/STOP button starts to flash and the

metronome (Click) starts a one measure countdown into the

recording.

Flashing

If you prefer to play without the metronome, simply press the

CLICK button to deactivate it (LED off).

5. Start to play after the one measure countdown.

Play as you would normally play. The sequencer will record

everything that you play, just as you play it.

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6. When you have finished playing, press PLAY/STOP.

The LEDS of all the active buttons in the RECORDING STUDIO

turn off.

Playback

7. To playback your recording, press PLAY/STOP.

The sequencer will play your recorded song. The LED on the

PLAY/STOP button will flash during the playback.

Flashing

During the playback, you can select a different Preset and play

along with your recording.

Press PLAY/STOP to stop the recording at any point.

Recording a new song

To record a new song, simply repeat the procedure as already ex-

plained. The old song will be completely erased by the new the instant

you start the new recording. Therefore, if you accidentaly press the

RECORD button then escape, the song currently in memory will not be

erased.

Click (metronome)

This button allows you to activate/deactivate the Metronome at will.

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Song Library

pRP7containsalargelibraryofwellknowncompositionstakenfromthe

vast repertoire of classical and traditional music.

The songs contained in the Song Library have been recorded with the

scopeofbeingusedasstudypieces;theycontainlittleornoexpression.

These pieces are ideal for the student who can listen to and follow each

composition, slowing down the tempo, muting tracks and activating the

metronome.

Select a sequence from the Song Library

1. Press the Song Library button to access the main Song Library display.

The LED of the button turns on and the LCD display shows the

current library number, L01 in this case:

2. With the Tempo/Data +/– buttons you can scroll through the Songs, up

to L96.

For example, hold down the TEMPO/DATA + button and scroll to

Song number 34.

N.B. You can “jump” 10 songs at a time by pressing both Tempo/

Data +/– buttons at the same time.

For a complete list of the pieces contained in the Sound Library,

refer to the Appendix.

Flashing

3. Press the PLAY/STOP button to start the selected SONG.

Playback begins instantly.

If you want to listen to the playback with the metronome, simply

press the CLICK button to turn it on (LED on).

Duringplayback,youcanplayalongwiththesongwithanyPreset.

4. To stop the playback, press the PLAY/STOP button.

The LED of the SONG LIBRARY remains on to allow you to make

another selection with the TEMPO/DATA +/– buttons.

5. To escape the SONG LIBRARY, press the SONG LIBRARY button.

The LED turns off and the instrument returns to the last selected

PRESET.

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Panel Reset

pRP7 offers a Panel Reset function which allows you to restore the

factory settings without turning the instrument off. For example, should

youhavechangedseveralaspectsoftheinstrument(anewMidichannel

setting, a change of the tuning, a different Touch setting, etc.) and wish

to return to the factory settings in a single step, here’s how to do it:

•

Hold down the GRAND PÎANO button and press both the SOUND VARIA-

TIONS +/– buttons at the same time.

Alltheuser-programmedsettingswillbecancelledandthefactory

settings will be restored.

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Technical specifications pRP7

Keyboard

Cabinet

88 keys, Hammer action

Portable unit

3-digit, LCD

Display

Sounds

444 Sounds (MIDI addressable)

48 Presets - Single, Layer and Split, Grand Piano Preset,

22 Reverbs and 22 Effects (Delay/Modulations) memorized

to the Presets

Polyphony

Controls

32 notes maximum

Volume, Sound Variation/Demo, Transpose +/–, Sound Selection,

Split, Layer, Reverb, Effect, Touch, Balance, Tempo/Data +/–, Pitch/

Modulation Joystick

Recording Studio

8 demo songs, 8.000 event capacity, Play/Stop, Record, Click, Song

Library (96 Songs)

Pedals

Soft, Damper

Connections

Stereo In, Stereo Out, Phones, Pedals, Midi In, Midi Out, 12 V. D.C.

Technology

The pRP7 features a unique application of sound design technology patented by Generalmusic as “Damper

Physical Model”.

Damper Physical Model

The damper pedal accurately simulates the effect of the dampers being moved closer to or further away from the

strings of the piano. Because of this, effects such as partial or half damping can be achieved. The dampers can

even be slowly “squeezed” back against the strings. When the damper pedal (optional) is depressed, the damper

physicalmodelwillsimulatetheeffectofsympatheticresonancesbeingproducedbytheun-dampedstrings. Even

if you are using a standard switch type pedal, you can hear the effect of the Damper Physical Model by comparing

the sounds of notes played in the highest octave of the instrument with and without the damper pedal depressed.

Note: The Damper Physical Model is applied to the Grand Piano sound only.

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Index

Panel Reset 26

Pedal Connection 6

Pitch Bend 6

About MIDI 20

Adjust the volume 5

Pitch/Modulation Joystick 6

Power supply (12 V D.C.) 5

Preset selection 9

Balance buttons 12

Presets 8

Program Change numbers 21

pRP7 as a MIDI Controlling device 22

pRP7 as a Slave device 22

Change the Volume Balance 12

Click (metronome) 24

Connect the audio cables 5

Connect to an external amplification system 5

Control Change messages 21

CONTROL section 10

Raise the tuning 16

Realtime operations 10

Rear panel 4

Recording a song 23

Recording Studio 23

Reset the tuning 16

Reset Transpose 13

Damper pedal 6

Damper Physical Model 27

Demo songs 7

Front Panel 2

Functions of the pRP7 15

Selection buttons 8

Single demo song, selection 7

Soft pedal 6

Song Library 25

Song Library, select a sequence 25

Song Playback 24

Grand Piano Preset 9

Sound Banks 20

Headphone jack 5

Headphones 5

Split mode 10

Split point setting 10

Internal Presets 8

Introduction 1

Touch 14

Transpose 13

Tune 16

Turn the instrument on 5

Layer mode 11

Lower the tuning 16

Volume control 5

MIDI Applications 22

MIDI Channel 17

MIDI Channels 20

Midi Common 20

Midi Common channel 19

Midi Local 18

MIDI ports 20

MIDI Sequencer recording 22

MIDI Sounds 20

Modulation 6

Overall volume 5

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Appendix

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pRP7 MIDI Sound table (GM-GMX)

Midi

Bk 1 (Rom)

Bk 2 (Rom)

Bk 3 (Rom)

Midi

Bk 1 (Rom)

Bk 2 (Rom)

Bk 3 (Rom)

PIANO group

BRASS group

Piano1

PianoMk1

PianoW2

PickPiano²

Pianoctave²

E.G.Piano2²

Western²

Trumpet

FlugelAttk

Trombone3

ShortTuba

MutedTrp2

Dyn.FrHorn^*

Brass2²

FlugelHorn

WowTromb2

WowTuba

Dyn.MtTrp^*

TotoHorns²

BrassRips

SyntHorn²

AttkHorn²

Piano2

Trombone

Tuba

Piano3

E.G.Piano1²

DetPiano²

ThinRhodx²

E.Piano3²

Harpsich2²

SynClav

HonkyTonk²

E.Piano1^*

E.Piano2^*

Harpsichor

Clavinet

MutedTrp1

FrenchHorn

Brass

SynBrass1²

SynBrass2²

E.Piano4

E.Piano5

SynBras2²

SlowHorn²

Harpsich3

WowClav

CHROMATIC group

REED group

Celesta²

CelestaPlk²

GlockVibes²

WineGls1²

Vibes2

Marimba2²

Xylophone2

SoftBell²

ToyPiano²

GlockChoir²

MusicBell

SynVibes

Mallet

XyloTribal²

Oohlalaa

Climbing²

Soprano

Soprano2

SaxNoise²

OctaveSax²

BaritDet²

OboeChiff²

EngHorn2²

Bassoon2

ClarSolo

SoprFilter

SoftFilt

Glockenspl

MusicBox

Vibraphone

Marimba

SoftSax

TenorSax

BaritonSax

Oboe

EnglisHorn²

Bassoon

Clarinet

TenFilter

BariFilter

OboeFilter

HornFilter

BassoonFlt

ClarFilter

Xylophone

TubularBel

Santur

BarChimes

ORGAN group

PIPE group

Organ1 ²

16’1’Draw²

16’8’5’Drw

SwOrgan^*

Church2²

PipeOrgan²

Accord1

Organ1WX²

JazzOrgan3²

SynOrg1²

Organ3WX²

Organ4²

Piccolo

HardFlute1²

Dyn.Flute1^*

HardFlute2²

PanFlute2

HardFlt2²

DynHiFlute²

Bubbler

Organ2

Flute

Recorder²

PanFlute

BottleBlow

Shakuhachi²

Whistle

Organ3

ChurchOrg1²

ReedOrgan

Musette²

Dyn.Pan

BottleNois

Tube

Accord2²

Shakupad²

Whistle1WX

OcarinaPan²

ShakuVoice²

Whistle3WX²

OcarinaSyn²

Harmonica

Bandoneon

Blusette

WestHarmon

OrganLfo²

Cassotto

Ocarina

GUITAR group

SYN LEAD group

Pulse2²

Lyle²

SynLead1²

Digital²

SoundTrk²

FiltRes2²

Decay2²

Obx3²

NylonGtr

SoloGtr

VocalGtr²

SteelGtr1

Hawaiian

ChorusGtr²

Dyn.Muted^*

5thOverdr²

HeavyGt²

HarmGtr3²

SquareWave²Pulse1²

12StrGtr²

OctJzGtr²

ElGuitar1

Muted2

SawWave

SynCalliop²

ChiffLead²

Charang

ObxFilter²

Azimut²

Chopper²

Jump²

SteelGtr

JazzGtr1

CleanGtr

MutedGtr

Overdrive

DistGtr

SoloVox

5thSawWave²Decay1²

FiltRes1²

WhaGtr1

FuzzGtr

SlowHarmx²

BassLead

Obx2²

HarmonxGtr

BASS group

SYN PAD group

AcoustcBs1

AcoustcBs2

Dyn.Fingrd^*

Dyn.Bass2^*

AcidBass1

Dyn.Bass3^*

WXBass²

AcousticBs3

Dyn.Bass1^*

PckBass2²

Flanged

Fantasia²

NewAge²

Obx1²

Fantasy2²

VocBells²

PPG²

AnlgPad²

Fantasy3²

Angels²

Prophet2²

Analogic²

Atmosphere²

Decay3²

FingeredBs

PickBass

Fretless

WarmPad

Polysynth²

SpaceVoice

SlapBass1

SlapBass2

SynBass1

SynBass2

SlapSynBs²

BowedGlass²Prophet1²

MetalPad²

HaloPad²

SweepPad

Bright2²

Slave²

Machiner²

StopBass

SynBass3

SynBass4

TecknoBass²

RaveBass2

STRINGS group

SYN SFX group

IceRain²

Soundtrack²

Noiseres

MoonWind²

Wind²

BigRoom

Slope²

SynLead2²

GlockAthm²

PopUp²

NoGravity²

Synthex2²

Violin

SlowViolin

BowedViola

SlowCello

BowedBass

OctTremolo²

OctPizz²

ViolinOrch²

ViolaPad²

CelloEns²

Staccato

Plectra

Viola

Cello

Crystal

Atmosphere²

Brightness

Goblin

Arp26000

WithGas²

Resonance²

Synthex1²

Contrabass

TremoloStr

Pizzicato

Harp

100

101

102

103

EchoPizz

Spacehar²

HarpDelay²

TimpaniEFX²Dyn.Orch I’I^*

EchoDrops

StarTheme²

StarTheme2²PowerBad²

Timpani

ENSEMBLE group

ETHNIC group

SitarDet²

SynSitar²

EthnicGtr²

SynSham

TrpClarin

Strings

StereoStrg²

StrgOrch²

SynStrg3²

SynStrg4²

VoiceUuh²

VoiceAah²

SkatVoices^*

Rave²

StrgGlock²

St.SlwStrg

SynStrg5²

Strings3

104

105

106

107

108

109

110

111

Sitar

BanjoOct²

ShamSitar²

Kanoun²

SlwStrings

SynStrg1

SynStrg2

Choir

Banjo

Shamisen

Koto

SlowUuh

SlowAah²

Vocoder²

Dyn.St.Hit

Kalimba

Bagpipe

Fiddle

ShrtKalimb

BagpipeEns²

Hukin

SaxTrumpt

BrassEns²

FiddleBell²

VoiceSpect

VoxOoh

SynVox

OrchHits²

Shanai

BacktoWS²

Appendix A•1

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Midi

Bk 1 (Rom)

Bk 2 (Rom)

Bk 3 (Rom)

ROM Bk 4 (MIDI)

DetuneEP1 ²

PRESET PRP7

• GROUP PIANO

pRP7 Presets

112

PERCUSSIVE group

DetuneEP2 ²

CpHarpsy ²

ChurcBel ²

DetnOrg1 ²

DetnOrg2 ²

ChurOrg2 ²

ItAccord

1- GRANDPIANO

2- ELECT.GRAND

3- UPRIGHTPIANO

4- HONKY TONKY

5- STRING PIANO

6- JAZZ PIANO

112

113

TinkleBell²

Agogo

SteelDrums²

Woodblock

Taiko

Dk_Stand.1^D

Dk_Room^D

Dk_Power^D

Dk_Elect.^D

Dk_House^D

Dk_Jazz1^D

Dk_Brush^D

Dk_Orch^D

Dk_Stand.2^D

Dk_WS^D

114

Dk_Std.1WX^D

Dk_Dance^D

Dk_Techno^D

Dk_Jazz2^D

Dk_M1^D

115

116

117

Melo.Tom1

SynthDrum

ReverseCym

• GROUP EL.PIANO

7- RHODEX 1

118

Ukulele

119

Dk_SY77^D

8- WURLIE

12StGuit

SFX group

120

9- RHODEX 2

Mandolin

HawGuitr

GtFretNois

BreathNois

Seashore²

Bird

Gtr.WhaWha

Zapp

GtrNoise

KeyClick

Drop

10- FM PIANO

121

11- RHODEX PAD

12- RHODEX BASS

• GROUP KEYBOARD

13- HARPSICHORD

14- CLAVINET

ChoGuitr

122

TickTack

FnkGuitr

FbkGuitr

GuitarFb

S.Bass3

S.Bass4 ²

Orchestr ²

123

Scratch1

Water

124

Telephone1

Helicopter²

Applause

GunShot

Telephone2

SynPerc3²

HeartBeat

Explosion²

Door

125

Clackson²

PickScrape

Bomb

126

15- CELESTA

127

16- GRAND HARP

17- MIXED CELESTA

18- SPLIT HARP

• GROUP ORGAN

19- JAZZ ORGAN

20- JAZZ ORGAN 2

21- THEATRE ORGAN

22- PIPE ORGAN

23- DRAWBARS

24- ORGAN COMBO 1

• GROUP STRING

25- STRING1

S.Strng3

BrassTr2 ²

S.Brass3

S.Brass4

TaisKoto

Castanet

ConcerBd

MeloTom2

808_Tom

GtCutNse

StrnSlap

Rain ²

26- MELLOW STRING

27- SLOW STRING

28- OCTAVE STRING

29- STRINGBELL 1

30- CONCERTO

• GROUP CHOIR/PAD

31- CHOIR 1

Thunder

Wind

Stream

Bubble ²

Dog

Horse

32- SLOW CHOIR

33- ATTACK PAD

34- TAP PAD

Telephon

DoorCrak

Door

35- MIXPAD 2

Scratch

WdChimes

CarEngin

Car Stop ²

Car Pass ²

CarCrash

Siren

36- RAIN PAD

• GROUP GUITAR

37- NYLON GUITAR

38- STEEL GUITAR

39- JAZZ GUITAR

40- STRATO GUITAR

41- HARPTAR

Train

42- WES COMBO

• GROUP VIBES

43- VIBES 1

Jetplane ²

Starship ²

BurstNse

44- VIBES 2

Laughing ²

45- VIBES 3

Screamin

46- MARIMBA

Punch

47- VIBES PIANO

48- VIBES COMBO 2

Heart Bt

FootStep

MachiGun

LaserGun ²

Explosin ²

DrumSFX

Sounds without a suffix

Sounds with suffix ²

Sounds with suffix ^*

Sounds with suffix ^D

Single

Layer

Switch

Drumkit

A•2 Appendix

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pRP7 Song Library

Composer-Autore

Song Title-Titolo del brano

Sonata N.1 Allegro

Sonata N.16 Allegro

Sonata N.5 Allegro

Sonata N.1 Allegro 3

Rondò alla Turca

Sonata N.11 Andante

Sonata N.1 Andante

Sonata N.16 Andante

Sonata N.5 Andante

Studio N.1

Composer-Autore

J.S. BACH

Song Title-Titolo del brano

Invenzione a Due Voci N.14

Invenzione a Due Voci N.15

Invenzione a Due Voci N.16

Minuetto

W.A. MOZART

CESI MARCIANO

J.S. BACH

4 9

5 0

5 1

5 2

J.S. BACH

5 3 L.VAN BEETHOVEN

5 4 KUHLAU

Sonata "Al chiaro di Luna"

Sonatina

Romanza

5 5 L.VAN BEETHOVEN

5 6 L.VAN BEETHOVEN

5 7 W.A. MOZART

5 8 MENDELLSOHN

5 9 W.A. MOZART

6 0 W.A. MOZART

6 1 SCARLATTI

6 2 SCARLATTI

6 3 SCARLATTI

6 4 SCARLATTI

6 5 BOCCHERINI

6 6 P.D. PARADISI

6 7 F. CHOPIN

6 8 F. CHOPIN

6 9 F. CHOPIN

7 0 F. CHOPIN

7 1 CIAJKOWSKI

7 2 DELIBES

7 3 E. SATIE

7 4 E. SATIE

7 5 E. SATIE

"Per Elisa"

Sonata N.11 Minuetto

Rondò Capriccioso

Sonata N.16 Rondò

Sonata N.5 Presto

Sonata in Si min.

Sonata in Mi magg.

Sonata in Re min.

Sonata in Sol magg.

Minuetto

Toccata

Preludio in Mi min.

Etude N.12

Etude N.4

Etude N.5

Danza della Fata

Valzer Coppelia

Gymnopedie N.1

Gymnopedie N.2

Gymnopedie N.3

Le Vent Ans

Promenade

Habanera

Marcia Trionfale

Ouverture

Silent Night

1 0

1 1

1 2

1 3

1 4

1 5

1 6

1 7

1 8

1 9

2 0

2 1

2 2

2 3

2 4

2 5

2 6

2 7

2 8

2 9

3 0

3 1

3 2

3 3

3 4

3 5

3 6

3 7

3 8

3 9

4 0

4 1

4 2

4 3

4 4

4 5

4 6

4 7

4 8

Studio N.2

Studio N.3

Studio N.4

Studio N.5

Studio N.6

Studio N.7

Studio N.8

Studio N.9

Studio N.10

Studio N.11

Studio N.12

Studio N.13

Studio N.14

Studio N.15

Studio N.16

Studio N.17

Studio N.18

Studio N.19

7 6 C. DEBUSSY

7 7 MUSSKORSKY

7 8 BIZET

7 9 VERDI

8 0 BIZET

Studio N.20

Studio N.21

Studio N.22

Studio N.23

Studio N.24

8 1 TRADITIONAL

8 2 TRADITIONAL

8 3 TRADITIONAL

8 4 SCOTT JOPLIN

8 5 TRADITIONAL

8 6 TRADITIONAL

8 7 TRADITIONAL

8 8 TRADITIONAL

8 9 TRADITIONAL

9 0 SCOTT JOPLIN

9 1 TRADITIONAL

9 2 TRADITIONAL

9 3 TRADITIONAL

9 4 TRADITIONAL

9 5 TRADITIONAL

9 6 TRADITIONAL

Studio N.25

Rock-a-bye Baby

God Rest Ye Merry Gentlemen

The Entertainer

Mu Old Ky Home

Nearer My God

Power in the Bld.

When the Saints

Brahms Lullaby

Maple Leaf Rag

Oh Holy Night

Studio N.26

Invenzione a Due Voci N.1

Invenzione a Due Voci N.2

Invenzione a Due Voci N.3

Invenzione a Due Voci N.4

Invenzione a Due Voci N.5

Invenzione a Due Voci N.6

Invenzione a Due Voci N.7

Invenzione a Due Voci N.8

Invenzione a Due Voci N.9

Invenzione a Due Voci N.10

Invenzione a Due Voci N.11

Invenzione a Due Voci N.12

Invenzione a Due Voci N.13

J.S. BACH

Blessed Assurance

Oh Canada

Amazing Grace

America

J.S. BACH

Twinkle Twinkle

Appendix A•3

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DRUMKIT TABLES

DK_STAND1 113-2

ROLLSNARE

FINGERSNAP

ZAPP

DK_ROOM 114-2

DK_POWER 115-2

DK_ELECT. 116-2

DK_HOUSE 117-2

DK_JAZZ 118-2

DK_SFX 112-4 (Bk6 via MIDI)

GunShot

SCRATCH2

SCRATCH1

STICK

SQCLICK

HOUSERIM

MUTBELL

BDSTD2

BDSTD1

RIMSHOT1

SDSTD1

HOUSECLAP

SDSTD4

TOMLOW

HHCLO1S

TOMLOW

HHPEDAL

TOMLOW

HHOPEN2

TOMLOW

TOMHIGH

CRASH

TOMHIGH

RIDECYM

CHINA

RIDECUP

TAMBSLP

SPLASH

COWBELL

CRASH

VIBRASLAP

RIDECYM

CONGASLAP

BONGOLOW

CONGAHSLAP

CONGAHIGH

CONGALOW

TIMBALES

TIMBLOW

AGOGO

CABASA

MARACAS

WHISTLE

GUIROSHORT

GUIROLONG

CLAVES

WOODBLOCK

QUICAHIGH

QUICALOW

TRIANSHORT

TRIANLONG

SHAKER

JINGLEBELL

WINDCHIMES

CASTANETS

MTSURDO

OPSURDO

BDROOM1

SDROOM1

SDROOM2

TOMROOM

HHTGHT1

TOMROOM

BDELECT1

BDROOM1

SDROOM2

SDSTD3

BDELECT1

SDELECT

SDROOM1

TOMELEC

BDHOUSE2

BDHOUSE

HOUSERIM

C2 36

BDJAZZ

SDJAZZ3

SDSTD3

TOMJAZZ

HHTGHT1

TOMJAZZ

HIGH Q

SLAP

SCRATCH PUSH

SCRATCH PULL

STICKS

HOUSESD2

HOUSETCON

HOUSEHH

HOUSETCON

HOUSEHH

HOUSETCON

HOUSERIDE

HOUSETCON

HOUSERIDE

HOUSETCON

HOUSECOWB

HOUSETCON

HHTGHT1

TOMELEC

HHOPEN1

TOMELEC

ReverseCym

SQUARE CLICK

METRO CLICK

METRO BELL

GUIT FRET N

GUIT CUT N UP

GUIT CUT N DW

STRING SLAP

FL.KEY CLICK

LAUGHING

SCREAMIN

PUNCH

HEART BT

FOOTSTEP1

FOOTSTEP2

APPLAUSE

DOOR CRAK

DOOR

SCRATCH

WIND CHIMES

CAR-ENGINE

CAR-STOP

CAR-PASS

CAR-CRASH

SIREN

TOMJAZZ

HHOPEN1

TOMJAZZ

C3 48

TOMROOM

TOMJAZZ

C4 60

TRAIN

JETPLANE

HELICOPTER

STARSHIP

GUN SHOT

MACHINE GUN

LASER GUN

EXPLOSION

DOG

HORSE

BIRDS

RAIN

THUNDER

WIND

VOXHHCL

C5 72

SEASHORE

STREAM

BUBBLE

C6 84

C7 96

100

101

103

102

104

106

105

107

C8 108

“<“ = as DK_STAND1 113-2

A•4 Appendix

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Drumkit tables

DK_BRUSH 119-2

DK_ORCH. 120-2

DK_STAND.2 113-3

DK_WS 114-3

DK_STD.1WX 115-3 DK_DANCE 116-3

HHTGHT1

HHPEDAL

HHOPEN2

RIDECYM

C2 36

BDSTD3

BDORCH

SDORCH

CASTANETS

BDSTD3

SDSTD4

BDELECT1

BDROOM1

SDROOM2

BDELECT1

SDELECT

BDJAZZ

BRUSHTAP

BRUSHSLP

BDPOWER

SDELECT

SDROOM2

SDSTD3

BRUSREV

TOMBRUSH

HHTGHT1

TOMBRUSH

SDORCH

TIMPANI

SDSTD3

HHCLO2

TOMHIGH

CABASA

SDSTD3

HHTGHT1

SDROOM1

TOMELEC

HHOPEN1

TOMELEC

ReverseCym

TAMBSLP

COWBELL

RIMSHOT2

BDJAZZ

BRUSRIG

DYNSDJAZZ

BRUSHTAP

TOMJAZZ

HHCLO1S

TOMJAZZ

HHPEDAL

WOODBLOCK

HHOPEN2

HOUSCLAP

BDSTD1

RIDECYM

SDSTD1

RIDECUP

TOMROOM

SPLASH

TOMROOM

CRASH

VIBRASLAP

CHINA

FINGERSNAP

BONGOLOW

CONGASLAP

CONGAHIGH

CONGALOW

GUIROLONG

QUICALOW

TIMBALES

AGOGO

TRIANLONG

WHISTLE

BDHOUSE1

NOISEPERC

HOUSSD1

VOICES1

VOICES 3

VOICES2

VOXHHCL

VOICES2

VOXHHCL

VOXTIP

TOMBRUSH

C3 48

TOMBRUSH

C4 60

CRASHORCH

C5 72

C6 84

Applause

VOXTAP

C7 96

CLAKSON

DOLLYVOX

TAMBSLP

ROLLSNARE

SDORCH

HHCLO1S

CLAVES

CONGALOW

QUICAHIGH

AGOGO

100

101

103

102

104

106

105

STICK

107

C8 108

STICK

“<“ = as DK_STAND1 113-2

Appendix A•5

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Drumkit tables

DK_TECHNO 117-3 DK_JAZZ2 118-3

DK_M1 119-3

DK_SY77. 120-3

BDTEKNO

BDJAZZ

HOUSERIM

HOUSSD1

C2 36

BDJAZZ

RIMSHOT2

SDJAZZ3

BDSTD2

BDROOM1

BDELECT1

BDHOUSE1

BDPOWER

SDSTD1

BDROOM1

BDELECT1

BDPOWER

TOMLOW

TOMHIGH

BDHOUSE1

BDSTD2

HOUSESD2

HOUSETCON

HHCLO2

HOUSETCON

HHTGHT1

HOUSETCON

HOUSERIDE

HOUSETCON

HHOPEN2

HOUSETCON

ReverseCym

HOUSECOWB

HOUSETCON

DYNSDJAZZ

SDJAZZ2

DYNSDJAZZ

TOMJAZZ

HHTGHT1

TOMJAZZ

SDORCH

SDSTD3

HOUSSD1

SDROOM2

RIMSHOT1

SDROOM2

TOMLOW

TOMJAZZ

HHOPEN1

TOMJAZZ

SDSTD1

TOMROOM

SDSTD3

TOMROOM

RIMSHOT1

SDELECT

TOMROOM

HOUSECLAP

COWBELL

CABASA

C3 48

TOMROOM

TOMLOW

TOMJAZZ

TOMROOM

TOMHIGH

HHCLO1S

HOUSEHH

HHPEDAL

HOUSERIDE

HHOPEN2

TAMBOURINE

HOUSEHH

CRASH

HHCLO1S

TAMBOURINE

HHOPEN2

CRASH

C4 60

CHINA

RIDECYM

RIDECUP

ROLLSNARE

RIDECYM

RIDECUP

TubularBel

KITCHEN

DARBKLOW

DARBKHIGH

BreathNois

VIBRASLAP

VOICES1

CABASA

VOXHHCL

HOUSCLAP

BONGOLOW

DARBKLOW

DARBKHIGH

CONGALOW

CONGAHIGH

TIMBALES

TRIANSHORT

TIMBALES

TRIANLONG

NOISEPERC

DOOR

VOXHHCL

C5 72

NOISEPERC

SDSTD2

ROLLSNARE

SDSTD3

C6 84

C7 96

100

101

103

102

104

106

105

107

C8 108

“<“ = as DK_STAND1 113-2

A•6 Appendix

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Midi Implementation Chart

Manufacturer: Generalmusic

Model: pRP7

Vers.:1.00

F u n c t i o n

T r a n s m i t t e d

R e c o g n i s e d

R e m a r k s

Basic

C h a n n e l

Mode

Default

Changed

Default

Messages

Altered

1-16

Mode 3

* * * * *

0-127

* * * * *

1-16

1 midi In; 1 midi Out; Extra

Common

Mode 3

0-127

Note

N u m b e r

Velocity

True voice

True voice on banks

3-5-6

1-2-

Note ON

Note OFF

Key’s

After

Touch

Pit/Mod

Ch’s

Control

Change

0,32

Bank change

Foot Controller

Data Entry

Volume

0,32

Bank change

Modulation

Foot Controller

Data Entry

Bank change recognised

on common channel, only

in reception:

Pan

16,48 *

18,50 *

Volume

Pan

Express.Controller

Effects selection

Oriental Control

Damper pedal

Sustain

Bank

48-55 *

P. Change

0-47 Preset

Damper Pedal

Soft Pedal

Reverb depth

Chorus depth

100,101

RPN

98,99

100,101

Soft pedal

Release time

Attack time

Filter 1 cut-off freq.

Reverb depth

Chorus depth

NRPN

RPN

Cntrl 80 (ONE SHOT)

61 *

Rotary slow/fast

68,69 * Preset inc./dec.

Cntrl 81 [ON 0-63]

[OFF 64-127]

61 *

Rotary (OFF=slow)

P r o g r a m

Change

System

True number

0-127

* * * * *

0-127

Exclusive

System

Song Position

Song Select

Tune

Clock

Commands

Common

System

Real Time

Aux Messages Active

s e n s i n g

All Sound Off

Reset All

Contr

Local ON/OFF

All Note Off

Notes: * These messages

travel on the Common

channel only

O:YES X:NO

Mode 1:OMNI ON, POLY

Mode 2:OMNI ON, MONO

Mode 3:OMNI OFF, POLY

Mode 4:OMNI OFF, MONO

Appendix A•7

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Recognized Control Change messages

(MIDI Controllers)

AControlChange message activates a Controlller, determined

by the first ControlChange value.

Control Change on tracks

CC00,32

Bank change.

CC01

Modulation.

CC06,38

CC07

Data Entry.

Main Volume.

Pan (panorama).

Expression.

The ControlChange consists of three parts:

CC10

•

status byte - (status) determines the status of the

ControlChange message.

CC11

CC16,48† Effects selection

•

data byte 1 - (value 1) MIDI Controller activated by the

ControlChange message. This is the number by which the

ControlChanges are identified in the following tables.

CC17,49† Effects volume

CC18,50† General Purpose (Tuning control)

CC32

CC64

CC66

CC67

CC71

CC72

CC73

CC74

CC80

CC81

CC91

CC93

CC98,99

BankSelect LSB.

Damper pedal.

•

data byte 2 - (value 2) value of the activated MIDI Con-

troller.

Sostenuto (sustain) pedal.

Soft pedal.

Resonance.

Release Time.

Attack Time.

Filter Cutoff Frequency.

One Shot control

On/Off control

Effect 1 send (E1, reverb depth).

Effect 2 send (E2, chorus depth).

NRPN

CC100-101 RPN

A•8 Appendix

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FEDERAL COMMUNICATIONS COMMISSION

Note: This equipment has been tested and found to comply with the limits for a Class B

digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide

reasonable protection against harmful interference in a residential installation. This

equipment generates, uses, and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio

communications. However, there is no guarantee that interference will not occur in a

particular installation. If this instrument does cause harmful interference to radio or

television reception, which can be determined by turning the instrument off and on, the

user is encouraged to try to correct the interference by one or more of the following

measures:

- Reorient or relocate the receiving antenna.

- Increase the separation between the equipment and the receiver.

- Connecttheequipmentintoanoutletonacircuitdifferentfromthattowhichthereceiver

is connected.

- Consult the dealer or an experienced radio/TV technician for help.

CAUTION:

Changes or modifications to this product not expressly approved by the

manufacturer could void the user’s authority to operate this product.

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GENERALMUSIC Code 271314

Specifications are subject to change without prior notice.

PRINTED IN ITALY

Sales Division: I -47048 S.Giovanni in Marignano (RN) - Italy – Via delle Rose, 12 – tel. +39 541 959511 – fax +39 541 957404 – tlx 550555 GMUSIC I

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