Convertible Cam era
AW-E600
Before attempting to connect or operate this product,
please read these instructions completely.
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CONTENTS
PREFACE ................................................................................................................................................................................ 2
FEATURES .............................................................................................................................................................................. 2
SPECIAL NOTES ON OPERATION ......................................................................................................................................... 3
PRECAUTIONS ....................................................................................................................................................................... 4
MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS ................................................................................................. 6
MOUNTING ............................................................................................................................................................................ 10
FLANGE BACK ADJUSTMENT ............................................................................................................................................... 12
IRIS GAIN CONTROL IN A LENS ........................................................................................................................................... 13
CONNECTIONS ...................................................................................................................................................................... 14
ADJUSTMENT ........................................................................................................................................................................ 20
USE MODE SETTING ............................................................................................................................................................. 27
MENU ITEM SETTING ............................................................................................................................................................ 29
SETTING TO INITIAL SET ....................................................................................................................................................... 46
APPEARANCE ........................................................................................................................................................................ 49
SPECIFICATIONS ................................................................................................................................................................... 50
STANDARD ACCESSORIES ................................................................................................................................................... 52
OPTIONAL ACCESSORIES .................................................................................................................................................... 52
-1-
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PREFACE
The Panasonic AW-E600 is a digital signal processing
color video camera that incorporates three 1/2” CCDs.
A digital video signal processing system is packed in a
compact, lightweight body while assuring high picture
quality, high reliability and high performance.
by following the setup menu.
Connection to peripheral devices, such as a RCU, a
RCB and a lens and the camera pan/tilt unit enables a
wide variation of system configurations.
Option cards may also be installed.
System setup and adjustments can be easily performed
FEATURES
1. Digital video signal processing for high quality, high
reliability, high performance, lightweight and com-
pact size.
2. Resolution: 850 lines (HIGH BAND DTL: ON), S/N
ratio: 65 dB (DNR ON)
3. Minimum illumination: 0.25 lux (F1.4, Night eye
HIGH mode)
4. SET UP menu for system check and readjustments.
5. Built-in automatic controls, including ATW, ELC,
and AGC
7. The built-in synchronized scanning system reduces
noise in computer graphics.
8. Various correction circuits permit video reproduc-
tion with high fidelity.
9. Chroma detail correction enables clear shots of
dark color objects.
10. A dark detail circuit provides natural edge correc-
tion to any object in a dark scene.
6. CCD readout is switchable between field and frame
modes. Vertical resolution can be stepped up in
frame mode and it is effective for shooting still
objects.
-2-
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11. A digital highlight chroma circuit reproduces natural
dynamic ranges.
12. A digital color matrix enables high fidelity color
images.
13. Four use modes for each of your specific applica-
tions can be selected.
14. SMPTE color bar is indicated on the monitor screen.
15. Remote control with a RCU, RCB or a Hybrid con-
trol panel.
SPECIAL NOTES ON OPERATION
• Turn power off before connecting or disconnecting
cables.
• Connection or disconnection of any studio cable,
RCB cable or other cable to any unit of equipment
must be performed while power is off.
• While the camera is in automatic mode;
Shooting of bright objects in ELC operation mode
may result in a smeared picture unique to the CCD.
The ATW function under fluorescent illumination can
adversely change the white balance.
-3-
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PRECAUTIONS
DONT'S
• Do not attempt to disassemble the camera, Remote
Control Unit (RCU) or other units. In order to pre-
vent electric shock, do not remove screws or cov-
ers. There are no user-serviceable parts inside.
• Do not aim the camera toward the sun, no matter
whether it is turned on or not.
• Do not expose the camera or Remote Control Unit
(RCU) to rain or moisture, and do not try to operate
the equipment in wet conditions. Do not operate the
camera or RCU if it becomes wet.
• Do not abuse the camera. Avoid striking, shaking,
etc. The camera contains sensitive components
which could be damaged by improper handling or
storage.
• Do not operate the camera or Remote Control Unit
(RCU) outdoors during a lightning storm.
• Do not let the lens remain uncapped when the cam-
era is not in use. If the lens is not installed, do not
leave the lens mount hole uncovered.
• Do not use the camera in an extreme environment
where high temperatures or high humidity exist.
• Do not touch the surface of the lens or prism.
• Do not leave the camera and Remote Control Unit
(RCU) turned on when not in use. Do not unneces-
sarily turn the camera power on and off repeatedly.
Do not block the ventilation slots.
• Do not use strong of abrasive detergents when
cleaning the camera body.
-4-
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DO'S
• Take immediate action if ever the camera or RCU
should become wet. Turn the power off and have
the unit checked by an authorized service facility.
• Refer any servicing to qualified service personnel.
• Handle the camera with care.
• Protect the precision made lens by placing the lens
cap over when the camera is not in use. If the lens
is not installed, protect the surface of the prism by
placing the body cap into the lens mount hole.
• Follow normal safety precautions to avoid personal
injury.
• Use the camera in an environment where the tem-
perature is within −10°C - +45°C (14°F - 113°F),
and the relative humidity is within 30 % - 90 %.
• Use a mild blower or lens cleaning tissue designed
for coated lenses, to clean the surface of the lens or
prism in the event that it should become dirty.
• Always turn the power off when the camera is not
going to be used. Operate the camera and RCU
only when there is adequate ventilation.
• Use a dry cloth to clean the camera if it is dirty. In
case the dirt is hard to remove, use mild detergent
and wipe gently.
• Use caution when operating the camera in the
vicinity of spot lights or bright lights, as well as light
reflecting objects and surfaces.
-5-
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MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS
<Front View>
<Top View>
<Side View>
<Bottom View>
Convertible Camera AW-E600
-6-
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3. Lens fixing ring knob
Rotate the lens fixing ring knob counterclockwise
and remove the lens mount cap. Mount the lens on
the camera and rotate the lens fixing ring knob
clockwise in order to fix the lens securely.
OPTION CARD
VIDEO OUT
I/F REMOTE
4. MENU Switch (MENU/M)
MENU
ITEM/AWC
YES/ABC
NO/BAR
A menu will appear on the monitor screen when this
switch is pressed for about 5 seconds. This item
can be selected by pressing the switch while the
menu is on the screen.
G/L IN
IRIS
5. ITEM/AWC Switch (ITEM/AWC/<)
The item just below can be selected by pressing
this switch while the menu is on the screen. When
the menu is not displayed or the camera is in shoot-
ing mode, the automatic white balance control can
be set with this switch.
CAUTION
DC12V IN
CONNECT TO
SPECIFIED
CLASS 2 POWER
SUPPLY ONLY.
SEE MANUAL.
6. YES/ABC Switch (YES/ABC/+)
The Sub Menu for each item of the Main Menu is
displayed when this switch is pressed while the
Main Menu is on the screen.
While the Sub Menu is displayed, any setting can
be brought up to a higher value with this switch.
When the menu is not displayed or the camera is in
shooting mode, the automatic black balance control
can be set with this switch.
1. Lens Mount
1/2" Standard bayonet type lens or a microscope
adaptor can be mounted.
2. Mounting Adaptor
A screw hole (1/4” - 20 UNC) adaptor for mounting
the camera on a wall, ceiling with a mounting
bracket or tripod.
-7-
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7. NO/BAR Switch (NO/BAR/−)
Iris Connector (IRIS)
The item just below can be selected by pressing
this switch while the Sub Menu is on the screen.
While the Sub Menu is displayed any setting can be
brought down to a lower value with this switch.
When the menu is not displayed or the camera is in
shooting mode, the color bar and the shooting con-
ditions are alternately indicated by pressing the
switch.
q
w
i !
o
u
!
y
e
!
r
t
<Front View>
8. Video Output Connector (VIDEO OUT)
A composite video signal is provided at this con-
nector.
10. I/F Remote Connector (I/F REMOTE)
Input terminal dedicated to control signals from the
optional Remote Control Box (RCB) (WV-CB700A)
and the RCU (WV-RC700A, WV-RC550) and the
camera pan/tilt unit (AW-PH300).
9. Iris Connector (IRIS)
Input terminal for lens with an iris control function.
* WV-CB700A is connected through the optional RCB
cable (AW-CA50T10).
* WV-RC700A/WV-RC550 is connected through the
optional RCU cable (AW-CA50A26).
* AW-PH300 is connected through the optional pan/
tilt unit cable (AW-CA50T15).
Pin No.
Signal
Return Control
Not Used
Pin No.
Signal
Iris Follow
1
2
3
4
5
6
7
8
Auto/Remote Control
Not Used
GND
9
Auto/Manual Control
Iris Control
10
11
12
Not Used
Not Used
11. Power Indicator
Red LED lamp lights to indicate that the specified
DC power is supplied to the camera.
Lens Power
Not Used
-8-
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12. DC 12 V Input Connector (DC 12V IN)
12 V DC is supplied through the optional DC power
supply cable (AW-CA4T1).
13. Cable Clamp
Clamp the DC Power Supply Cable (AW-CA4T1)
connected to the DC 12 V Input Connector to pre-
vent it from slipping out.
14. G/L Input Connector (G/L IN)
Signals synchronized with the reference signal are
to be supplied to this connector when the camera is
to be synchronized with the reference signal BB.
15. Optional Card Slot
Slot for inserting an optional card. For details, refer
to the manual for optional cards.
-9-
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MOUNTING
• Lenses of any make can be mounted on the cam-
era as long as they are equipped with a 1/2” stan-
dard bayonet.
• Use the lens extension cable WV-CA12T12 (6”/
15 cm) if your lens cable is too short.
1. Lens Mounting
Rotate the lens fixing ring knob counterclockwise
and remove the lens mount cap. Mount the lens on
the camera and rotate the lens fixing ring knob
clockwise in order to fix the lens securely. Connect
the camera cable to the IRIS connector on the back
panel of the camera.
Control Cable
To Lens I/F Connector of
Camera Pan/tilt Unit
Camera Cable
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
DC12V IN
-10-
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2. Camera Mounting
1. Fix the mounting adaptor to the top or bottom of the
camera.
Mounting adaptor
Camera Mounting Bracket (WV-831)
2. Fix the camera mounting base, pan/tilt unit, and tri-
pod securely in the screw hole (1/4-20UNC) of the
camera mounting adaptor.
3. If the camera cannot be securely fixed, stick the
supplied rubber sheet to the mounting adaptor,
then mount the camera.
-11-
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FLANGE BACK ADJUSTMENT (FOR ZOOM LENS)
1. Fully open the iris by shooting a dark object. (Iris
selection switch should be set to M.)
FOCUS Ring
Flange back lock knob
2. Loosen the flange back lock knob.
3. Aim the camera at any object over 2 meters away
from the camera.
Convertible Camera AW
–
E600
4. Set the lens to its TELE end first and adjust its focus
with the focus ring.
Flange back adjust ring
5. Set the lens to its widest angle next and adjust its
focus with the flange back adjust ring.
6. Adjust the focus ring and the flange back adjust
ring alternately for the best focus within the zoom-
ing range.
Tighten the flange back lock knob upon completion
of focusing.
7. Turn the iris selection switch to Position A.
-12-
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IRIS GAIN CONTROL IN A LENS
An iris gain control hole is usually provided in the front
of the lens. Adjustment of the iris gain, with a screwdriv-
er through the hole may be done as follows. (Shape
and location of the hole may vary depending on the
type of lens.)
Iris gain control (G, S)
1. Turn the iris selection switch to Position A (AUTO).
2. Rotate the iris gain control to the maximum gain,
but in a range where no hunting or oscillating of the
iris ring develops.
Automatic iris power zoom lens
-13-
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CONNECTIONS
Caution:
The connection and installation should be done by qualified service personnel or system installers.
Refer any servicing to qualified service personnel.
■ CONNECTION OF DEVICE WITH A COMPOSITE INPUT CONNECTOR
• Connection to any device which has a composite input connector, such as a video monitor or a VCR, must be made
through the VIDEO OUT Connector.
• Power supply to the camera must be through the optional DC power supply Cable AW-CA4T1.
• For DC power supply, use the optional AC adaptor AW-PS505.
VIDEO IN
OPTION CARD
VIDEO OUT
I/F REMOTE
75 Ω coaxial cable
VIDEO OUT
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
Video monitor
Connector
DC12V IN
FUSE(POWER)
POWER
F U S E
OFF
O
I
ON
FUSE
125V 3.15A
POWER
AC Adaptor AW-PS505
DC Power supply
Cable AW-CA4T1
AC Adaptor AW-PS505
Cautions
1. Connect this to a DC 12 V class 2 power supply only.
2. To prevent fire or shock, the UL listed wire VW-1, style 1007 should be used as for the cable for DC 12 V Input
Connector.
-14-
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■ CONNECTION OF A REMOTE CONTROL UNIT (RCU)
Connection to the RCU (WV-RC700A,WV-RC550) is
made through the optional RCU cable AW-CA50A26.
1. Turn RCU power off before connecting cables.
2. Set the cable selection switch of the RCU to MULTI
(in case of using the WV-RC700A)
Notes:
• The maximum extension distance between the
camera and WV-RC700A is 300 m. The maximum
extension distance between the camera and WV-
RC500 is 100 m.
3. Connect the 50-pin connector of the RCU cable to
the I/F REMOTE Connector of the camera.
4. Turn RCU power on and the power indicator lamp
will light. The camera can now be remote con-
trolled by the RCU.
• Use the following options for cable extension.
Studio Cable
WV-CA26U15 (15 m/50 ft)
WV-CA26U30 (30 m/100 ft)
WV-CA26U100 (100 m/330 ft)
Cable Joint Adaptor
WV-CA26T26
WV-RC700A
OPTION CARD
VIDEO OUT
I/F REMOTE
O
UTPUT
TALLY & INCOM
G
EN-LOCK
AUX
R
/P
R
/C
V
IDEO 1
S
-VID
E
O
IN
IN
MENU
ITEM/AWC
YES/ABC
NO/BAR
A
U
T
O
A
UTO
T
ALK
75 ¶/Hi-Z
75 ¶/Hi-Z
G
/Y/Y
V
IDEO 2
1
2
4
3
TALLY
INCOM
G/L IN
IRIS
RECEIVE
C
ONTROL
MPX
O
UT
O
UT
AUDIO
B/P
B
/B
S
YNC
SE
E MA
N
U
A
L
CAMERA (MULTI)
250V 1.25A
C
ABLE SELECT
F
U
SE
MULT
I
O
VP
MPX
RCU Cable
DC12V IN
AW-CA50A26 (15 m)
Set to MULTI
-15-
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■ CONNECTION OF A REMOTE CONTROL BOX (RCB)
The RCB (WV-CB700A) and the camera must be con-
nected with the optional RCB cable AW-CA50T10.
1. Turn RCB power off before connecting cables.
2. Connect the 50-pin connector of the RCB cable to
I/F REMOTE connector of the camera. The 10-pin
connector must be connected to the RCB.
3. Turn RCB power on and the camera can be con-
trolled remotely by the RCB.
Notes:
• The monitor output signals of the RCB attenuate
and deteriorate with cable length. It is recommend-
ed that the signals from the monitor output be used
for monitoring purposes only.
OPTION CARD
VIDEO OUT
I/F REMOTE
• No gen-lock signal is available from the RCB.
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
RCB Cable AW-CA50T10 (3 m)
DC12V IN
Video signal IN
MONITOR OUT
RCB
DC Power Cable
AW-CA4T1
FUSE(POWER)
USER SET
ALL
POWER
1
F U S E
2
OFF
O
I
ON
FUSE
POWER
AC Adaptor AW-PS505
AC Adaptor
AW-PS505
Cautions
1. Connect this to a DC 12 V class 2 power supply
only.
RCB WV-CB700A
2. To prevent fire or shock, the UL listed wire VW-1,
style 1007 should be used as for the cable for DC
12 V Input Connector.
-16-
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■ CONNECTION OF DEVICES WITH CAMERA PAN/TILT CONTROL SYSTEM
OPTION CARD
VIDEO OUT
I/F REMOTE
• To connect the pan/tilt unit to the camera, use the
pan/tilt unit cable AW-CA50T15.
• Power is supplied from the pan/tilt unit.
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
LENS
IRIS Cable
DC12V IN
LENS
ZOOM/FOCUS Cable
1. Before connecting them, press the power
switch on the pan/tilt unit AC adaptor and the
ON/OFF switch on the hybrid control panel in
the OFF position, respectively.
Camera Mounting
Hole Adaptor
(Supplied)
2. Fix the camera securely to the pan/tilt unit using
the mounting adaptor.
3. Connect the 50-pin end of the pan/tilt unit cable
to the I/F Remote connector on the camera.
Connect the 15-pin end of the cable to the
pan/tilt unit.
Pan/tilt unit Cable
AW-CA50T15
Pan/tilt unit
AW-PH300
FUSE(POWER)
F U S E
FUSE(LAMP)
F U S E
POWER
OFF
O
I
ON
FUSE
FUSE
AC Adaptor
AW-PS300
POWER
4. Connect the pan/tilt unit to the hybrid control
panel with the 10BASE-T cable and coaxial
cable. For details, refer to the manual for the
hybrid control panel.
5. First switch on the pan/tilt unit AC adaptor, then
press the ON/OFF switch on the hybrid control
panel in the ON position. The camera and pan/
tilt unit can now be controlled from the hybrid
control panel.
Pan/tilt unit AC
Adaptor AW-PS300
Video
Monitor
Composite Video
S VIDEO
Hybrid control
panel
AW-RP501
10BASE-T
Cable
G
/
L
I
N
B
R
E
V
I
E
W
M
O
N
I
T
O
R
O
U
T
S-VIDEO OUT
D
C
1
2
V
I
N
T
D
M
U
L
T
I
P
O
R
T
H
U
B
A
U
X
C
O
N
T
R
O
L
T
A
L
L
Y
P
A
T
N
R
/
O
T
L
I
L
O
T
U
C
N
A
T
M
E
R
A
C
O
N
T
C
O
R
O
L
O
U
T
6
/
1
O
U
T
P
R
E
V
I
E
W
I
N
PAN/TILT CONTROL
Control Panel
AC Adaptor
AW-PS301
Coaxial
Cable
CAMERA CONTROL
VIDEO
Coaxial
Cable
-17-
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■ CONNECTION WITH MULTIPLE CAMERAS (COLOR LOCK MODE)
• Do not switch off the camera used for supplying the
● An example of connection for VBS/BB input (Color lock
reference signals.
mode).
• Adjust the SC-phase and H-phase at the Video
Output Connector.
• One of the multiple cameras is used as the source of ref-
erence signals.
• Supply a synchronizing signal (BB) to the G/L Input
Connectors of each cameras.
CAMERA
VIDEO OUT
Convertible Camera AW
–
E600
G/L IN
Convertible Camera AW
–
E600
External Sync
Signal (BB)
VIDEO OUT
Convertible Camera AW
–
E600
Camera for External Sync
(or Special Effect Generator)
OUTPUT
INPUT
INPUT
OUTPUT
A
1
OUTPUT
B
A
1
Video
THR SEP
Distributor
WJ-300C
2
3
2
3
75Ω HI-Z
B
Video Output
To Special Effect Generator or Monitoring System
-18-
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■ CONNECTION OF COMPUTER
The system shown here can remotely control this camera by using a computer.
The software and the cable for RS-232C required for this operation should be obtained locally.
Please contact qualified service personnel for this software.
Video Monitor
75 Ω Coaxial Cable
Composite Video
VIDEO OUT Connector
Input Connector
(VIDEO IN)
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
PC Control Cable AW-CA50T9 (10m)
DC12V IN
DC Power Cable
AW-CA4T1
FUSE(POWER)
POWER
F U S E
OFF
O
I
ON
FUSE
RS-232C
POWER
AC Adaptor AW-PS505
Computer
AC ADAPTOR AW-PS505
-19-
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ADJUSTMENT
Color temperature and adjustment of white balance
When carbon is burnt, it develops various colors of light
depending on the temperature. Natural light can be
specified by color temperature referring to the color
developed when carbon is burnt.
Therefore, there is a need to adjust the white balance in
order to correct differences between color tempera-
tures.
NOTE: Color temperature outdoors may vary depend-
The light of 3 200K (K=Kelvin, −273C equals to abso-
lute zero temperature 0K) represents the same value
(color) as what develops when carbon is burnt at
3 200K (2 927C). The relationship between the color
temperature of the light source and weather condition is
indicated in the right figure. Let’s study the difference
of shooting an indoor object from shooting one out-
doors. Studios are usually lighted with incandescent
lamps and the color temperature of a white object in a
studio is around 3 000K. The color temperature of a
white object outdoors is around 6 500 K. The former
may look a little yellowish while the latter appears
somewhat bluish when they are shot by a camera.
However, the human eye does not recognize color dif-
ferences among these objects even under different
ambient lighting conditions, because of their adaptabili-
ty to light. The video camera reproduces color differ-
ences with high fidelity and the color of an object some-
what different from what appears to the human eye.
ing on weather conditions.
Blue sky
Rainy
Cloudy
AWC
Partly cloudy
ATW
Fine
Fluorescent lamp
Halogen lamp
Tungsten lamp
Candle
-20-
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■ AUTOMATIC WHITE BALANCE
CONTROL (AWC)
OPTION CARD
VIDEO OUT
I/F REMOTE
ITEM/AWC
Switch
There are two white balance memories, “AWC A” or
“AWC B” for two different light sources color tempera-
tures, with the automatic white balance setting. Then,
when the two different light sources are encountered,
you may operate the camera properly by simply
change the white balance mode to either AWC A or
AWC B. There is no need to readjust the camera to the
ambient conditions.
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
DC12V IN
CAMERA
* The preset conditions will be renewed whenever
you input new conditions.
[ADJUSTMENT with the RCU (RCB, Hybrid control
panel)]
1. Turn the white balance selection switch to either
“AWC A” or “AWC B” of RCU or select the white
balance mode either AWC A or AWC B by menu.
2. Aim the camera at a white object (a white wall or a
white handkerchief) and zoom in to enlarge the
image as much as possible.
4. When the AUTO set switch is turned to AWC, the
white balance will be automatically set. While the
system is being set, auto warning indicator (LED)
blinks and it goes out when the white balance set-
ting is completed. If the lamp remains lit, the set-
ting must be tried again.
[ADJUSTMENT by CAMERA]
RCU (RCB)
3. In normal shooting mode:
PAINTING
Press the Item/AWC switch for over 2 second.
AUTO/ATW
GAIN
R
B
B
ATW
TOTAL
PED
A
B
AUTO
AWC
HOLD
ABC
PED
AUTO LED
R
AUTO set switch
-21-
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Notes:
■ AUTOMATIC TRACKING WHITE
• For white balance setting aim the camera at a
white object and try to position it in the center of
the monitor screen. The object must appear in
over 10 % of the total monitor screen area. Try
to avoid overly bright objects in the scene.
• White balance may not be correctly set if the
lighting of the object is too weak.
BALANCE SETTING (ATW)
White balance will be automatically set to continuously
match changes of light source and color temperature
while the white balance setting is set to ATW.
Note: White balance may not be accurately set if there
is no white object in the scene being shot.
The white object must occupy over
10 % of the monitor screen area.
■ MANUAL WHITE BALANCE SETTING
[ADJUSTMENT by CAMERA]
Manual setting is possible in USER MODE only.
1. Select the white balance mode either AWC A or
AWC B by menu.
2. Aim the camera at a large white object. Press the
Item/AWC switch for over 2 second.
3. Adjust the red gain/blue gain control in the PAINT-
ING item of Color Set sub menu of USER MODE
until the carrier wave of the white portion of the
video signal is at the minimum width or the white
object in the monitor screen appears pure white.
(Use an oscilloscope or a waveform monitor for pre-
cise adjustment.)
• Since the camera has a built-in memory, the set
white balance will remain in the memory even if
power is turned off. Therefore, it is not neces-
sary to reset the white balance if the color tem-
perature of those objects remains unchanged.
However, it must be reset if the color tempera-
ture changes, such as when you move from
indoors to outside, or vice versa.
• When the camera is used without a RCU or
RCB red/blue gain adjustment of painting set-
ting will be automatically reset to ±0 after set-
ting the white balance. (painting setting in only
USER MODE.)
[ADJUSTMENT with the RCU (RCB)]
After AWC setting, adjust the R/B GAIN controller in the
same way as described in Step 3 above.
-22-
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Minimize the carrier wave using
the red & blue gain controls
In user mode, black balance fine adjustment can be
performed with the red pedestal/blue pedestal setting
after setting the black balance.
[ADJUSTMENT with the RCU (RCB, Hybrid control
panel)]
Set the AUTO set switch to ABC and the black balance
will be automatically set. While the system is being set,
the auto warning indicator (LED) blinks and it goes out
when the black balance setting is completed. If the
lamp remains lit, ABC should be tried again.
Waveform for white
balance set chart
■ RESET TO 3 200K OR 5 600K WHITE
BALANCE
When the white balance setting is set to either “P SET
3 200K” or “P SET 5 600K” the white balance will be
automatically set to the color temperature 3 200K or
5 600K, respectively.
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
■ BLACK BALANCE ADJUSTMENT
YES/ABC Switch
• Close the lens.
DC12V IN
If the motor drive lens is controlled from the cam-
era, the lens is automatically closed when the black
balance is adjusted.
• When the camera is used without a RCU or RCB,
R/B pedestal adjustment of painting setting will be
automatically reset to ±0 after setting the black bal-
ance. (painting setting in only USER MODE.)
AUTO LED
PAINTING
GAIN
AUTO/ATW
R
R
B
B
ATW
A
TOTAL
PED
B
AUTO
PED
AWC
HOLD
ABC
AUTO
[ADJUSTMENT by CAMERA]
Press the YES/ABC Switch for over 2 seconds and the
black balance will be set automatically in 10 seconds.
set switch
ABC
-23-
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■ TOTAL PEDESTAL LEVEL ADJUST-
MENT
**Brightness Set**
Picture Level
Light PEAK/AVG
Light Area
(Use an oscilloscope or a waveform monitor for this
adjustment.)
This step is to adjust the black levels (pedestal levels)
of two or more cameras to be the same.
±0
0
Top cut
OFF
Auto ND (ELC)
Auto Gain Up
Manu Gain Up
Pedestal
OFF
0dB
±0
Contrast(Gamma)
MID
[ADJUSTMENT by CAMERA]
Return
1. Close the lens.
2. Select Pedestal item in the brightness setting Sub
Menu (Select [Pedestal] in the [Iris, Shutter, Gain
Set] sub menu in USER MODE.)
3. Set the pedestal level to 5 IRE (0.035 V) with the
YES/ABC switch or the NO/BAR switch.
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
DC12V IN
5 IRE
(0.035 V)
NO/BAR switch
YES/ABC switch
PAINTING
GAIN
[ADJUSTMENT with RCU (RCB, Hybrid control panel)]
Adjust the pedestal level to 5 IRE with the total pedestal
adjustment.
AUTO/ATW
R
R
B
B
ATW
A
TOTAL
PED
B
AUTO
PED
AWC
HOLD
ABC
TOTAL PEDESTAL
-24-
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■ GEN-LOCK ADJUSTMENT
OPTION CARD
VIDEO OUT
I/F REMOTE
**G/L. @Color Bar Set**
H Phase
Phase adjustments must be performed with the camera
or the RCU (RCB) when external synchronizing signals
are supplied to the system in cases where multiple
cameras are used or peripheral devices are connected.
MENU
ITEM/AWC
YES/ABC
NO/BAR
±0
1
G/L IN
IRIS
SC Coarse
SC Fine
±0
Color Bar Set
7.5IRE
DC12V IN
● HORIZONTAL PHASE CONTROL
NO/BAR switch
YES/ABC switch
Return
Observe the waveform of the external synchronizing
input signal (black burst signal) and video output signal
on a two-channel oscilloscope. Then match the hori-
zontal phase of both signals by adjusting them with the
cameras or RCU's horizontal phase control.
[ADJUSTMENT with RCU (RCB, Hybrid control panel )]
Use the horizontal phase control.
External gen-lock input signal
(black burst output of special
effect generator)
ENC
OFF
PAGE ITEM
UP
DOWN
VF
ON
Video signal
SC PHASE
COARSE
FINE
USER SET
H.PHASE
Adjust the horizontal phase
270°
90° 180°
0°
[ADJUSTMENT by CAMERA]
1. Press the NO/BAR switch for over 5 seconds to dis-
play the color bar.
Horizontal phase
control
Subcarrier phase
fine control
2. Select [G/L. Color Bar Set] on the main menu, then
select [H PHASE] on the submenu.
3. Adjust the horizontal phase with the YES/ABC and
NO/BAR switch.
Subcarrier phase
coarse control
-25-
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● COLOR PHASE ADJUSTMENT
Supply the output signal (split color bar) from the color
special effect generator to a color monitor or vec-
torscope. Adjust the color phase of the camera.
**G/L. @Color Bar Set**
H Phase
±0
1
SC Coarse
SC Fine
±0
Color Bar Set
7.5IRE
Color bar of
camera
Return
Sprit line
[ADJUSTMENT with RCU (RCB, Hybrid control panel)]
Use the subcarrier phase coarse adjustment control
and subcarrier phase fine control.
Color bar of special
effects generator
* It is recommended that a vectorscope be used for
maximum accuracy in color phase adjustment.
[ADJUSTMENT by CAMERA]
1. Press the NO/BAR switch for over 5 seconds for the
color bar mode.
2. Select [G/L. Color Bar Set] on the main menu, then
select [SC Coarse] on the sub menu.
3. Make coarse adjustment with the YES/ABC switch
and the NO/BAR switch.
4. Select [SC Fine] on the sub menu. Perform fine
adjustment with the YES/ABC switch and the
NO/BAR switch.
-26-
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USE MODE SETTING
2. Press the MENU switch, ITEM/AWC switch, or
NO/BAR switch to let the desired use mode blink.
MENU switch (M): The blinking item moves up by
one.
■ Use Mode Setting
The camera has four use modes, and various functions
for four use modes have been preset.
Functions can be set as best suited to each use mode.
• Halogen mode
ITEM/AWC switch (<), NO/BAR switch (–): The
blinking item moves down by one.
Suited to indoor shooting, such as at weddings,
parties, lecture meetings, events, etc.
Settings can be changed using a simple menu.
• Fluorescent mode
Suited to indoor shooting under fluorescent lighting.
Settings can be changed using a simple menu.
• Outdoor mode
**Use Mode Set**
Halogen
Fluorescent
Outdoor
User
Suited to outdoor shooting.
Settings can be changed using a simple menu.
• User mode
Settings can be changed using a detail menu.
3. Press the YES/ABC switch.
■ SETTING BY CAMERA
The blinking use mode comes into effect. After the
use mode setting menu is shown for about 5 sec-
onds, the camera returns to be ready for operation.
Then, the camera operates in the selected use
mode.
1. Turn the camera on while keeping the MENU switch
depressed.
The use mode setting menu shown at right appears
on the monitor screen and one of the use mode
blinks.
-27-
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■ SETTING BY RCU (RCB) OR HYBRID
CONTROL PANEL
An operation mode is selected depending on the posi-
tion of the scene file switch.
Scene File
Scene File
Switch
Switch
Position of
RCU (RCB)
Operation mode
Position of
Hybrid control
panel
Halogen Mode
Fluorescent Mode
Outdoor Mode
User's Mode
1
1
2
3
4
2
3
USER SET
Hybrid Control Panel
CAMERA
RCU (RCB)
PAINTING
GAIN
AUTO/ATW
R
B
OPTION CARD
VIDEO OUT
I/F REMOTE
ATW
A
MENU
TOTAL
PED
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW
A T
A
W
C
A
B
C
MENU
ITEM/AWC
YES/ABC
NO/BAR
HIGH
LOW
AGC
OPERATE
ON
SC
H
B
W
9 0 °
0 °
1 8 0 °
2 7 0 °
G/L IN
IRIS
MID
ITEM/AWC
YES/ABC
NO/BAR
POWER
ON
AUTO
AWC
HOLD
ABC
PED
R
B
OFF
MANU
A
T. P E D
C A B L E C O M P
MODE
BAR
SHUTTER
SCENE
FILE
ELC
/ 100
B
Y
C
.
SHUTTER
500 1000
SCENE
1
1
IRIS
MAN
AUTO
.
.
.
2
2
3
4
DC12V IN
USER
SET
100
OFF
S/S
ELC
1
OFF
3
SCENE
FILE
CAM
OFF
Switch
SCENE FILE Switch
-28-
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MENU ITEM SETTING
● MAIN MENU SCREEN
■ MENU ITEM SETTING
• Each of the four use modes of the camera has a
main menu. (Shown at right)
Main Menu of Halogen,
Fluorescent, Outdoor Mode
• Each item of the main menu has a submenu, which
consists of several settings.
• These settings have been preset to the optimum
values to suit each use mode, and can be changed
to suit actual shooting conditions.
Use Mode
Blinking
**Halogen Mode Set**
Brightness Set
Color Set
G/L. Color Bar Set
Sharpness Set
Other Set
• They can be set from the camera and RCU (RCB).
They can also be set from the hybrid control panel
using the switches, but the setting items are limited
because the menu is not shown.
Initialize Data
End
Notes:
Main Menu of User Mode
• Composite signals are output from the video
output regardless of the position ENC/VF of the
RCU (RCB) user set switch.
• [End] is displayed only in setting from the cam-
era alone.
**User Mode Set**
Iris, Shutter, Gain Set
Color Set
G/L. Color Bar Set
Detail Set1 Detail Set2
Color Matrix Set
Other Set
Initialize Data
End
-29-
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RCU (RCB): Set the user set switch in the pocket to
the OFF position.
The camera will now operate according to the new
settings.
■ SETTING
1. From the camera alone:
Keep the MENU switch depressed for 5 sec-
onds or more.
From RCU (RCB):
Set the user set switch in the pocket to the ON
position.
CAMERA
The main menu appears on the monitor screen.
2. Each time the MENU switch (M), ITEM/AWC switch
(<), or NO/BAR switch (−) is pressed, the blinking
item moves up or down.
3. When the YES/ABC switch is pressed after select-
ing the desired item to blink, the submenu for the
selected item appears on the screen.
4. Select the desired item to be changed in its settings
using the the MENU switch (M) and ITEM/AWC
switch (<).
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
MENU
G/L IN
IRIS
ITEM/AWC
YES/ABC
NO/BAR
DC12V IN
5. Press the YES/ABC switch (+) or NO/BAR switch (–)
to change the settings.
6. Select [Return] using the MENU switch and ITEM/
AWC switch, then press the YES/ABC switch to
return to the main menu.
RCU (RCB)
USER SET SWITCH
7. After changing the settings, take the following
steps.
ENC
OFF
PAGE ITEM
UP
SC PHASE
COARSE
DOWN
VF
ON
Camera alone: Select [End] using the MENU
switch and ITEM/AWC switch and press the
YES/ABC switch.
FINE
USER SET
H.PHASE
270°
0°
90° 180°
-30-
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■ SUB MENU (Halogen Mode, Fluorescent Mode, Outdoor Mode)
**Brightness Set**
Picture Level
Light PEAK/AVG
Light Area
**G/L. Color Bar Set**
H Phase
**Other Set**
Shutter Speed
Syncro Scan
V Resolution
Baud Rate
±0
0
±0
(OFF)
---
Normal
9600bps
Posi
SC Coarse
(1)
Top cut
(OFF)
(OFF)
(0dB)
(±0)
SC Fine
(±0)
Auto ND (ELC)
Auto Gain Up
Manu Gain Up
Pedestal
Color Bar Set
(7.5IRE)
Nega/Posi
Contrast(Gamma)
MID
Return
Return
Return
**Color Set**
Chroma Level
Flesh Tone
**Sharpness (DTL) Set**
±0
±0
DTL Select
Level
Sharpness
(HIGH)
OFF
White Bal
(AWC A)
OFF
Noise Suppress
Clean DNR
Highlight Chroma
OFF
MID
DTL Flesh Tone
Return
Return
• Settings enclosed in parentheses can be set with the RCU (RCB) switch or VR in RCU (RCB) mode.
• To return to the initial settings, refer to page 46.
-31-
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R/L cut: About one-third of both the right and left
portions of the screen are excluded from mea-
surement.
■ Setting and Changing of the
Setting (Halogen Mode, Fluores-
cent Mode, Outdoor Mode)
All
Center
Top cut
BTM cut
R/L cut
q Video Level Adjustment
[Picture Level: –50 - +50]
Convergence level of AUTO IRIS/AUTO GAIN UP/
AUTO ND (ELC) can be adjusted.
r Auto ND (ELC) Setting [Auto ND (ELC): ON/OFF]
ON: The electronic shutter is controlled to automati-
cally adjust the luminance.
w Detecting Ratio Adjustment [Light PEAK/AVG:
P50 - A50]
OFF: Luminance is not automatically adjusted by
the electronic shutter.
The ratio of AUTO IRIS/AUTO GAIN UP/AUTO ND
(ELC) detected peak to average can be adjusted
within a predetermined range.
Notes
• ON is automatically selected when the electronic
shutter @ on the submenu [Other Set] is set to
[Auto ND]. OFF is selected when other than [Auto
ND] is selected.
• ON is selected when the SHUTTER switch is set
to [ELC] in RCU (RCB) mode, and OFF is select-
ed when it is set to other than [ELC].
e Photometric Measurement Method Setting [Light
Area: All, Center, Top cut, BTM cut, R/L cut
A photometric measurement method can be select-
ed for AUTO IRIS/AUTO GAIN UP/AUTO ND (ELC).
All: All the screen area is measured.
Center: The screen is measured mainly in the cen-
ter area, about one-third of both the top and bot-
tom and one-third of both the right and left por-
tions of the screen are excluded from measure-
ment.
PAINTING
AUTO/ATW
GAIN
ATW
R
B
B
TOTAL
PED
A
B
AUTO
PED
R
AWC
HOLD
ABC
Top cut: About one-third of the top part of the
screen is excluded from measurement.
BTM cut: About one-third of the bottom portion of
the screen is excluded from measurement.
SHUTTER
500 1000
SCENE
2
IRIS
MAN
AUTO
1
USER
100
S/S
ELC
3
SET
OFF
SHUTTER
RCU (RCB)
-32-
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y Manual Gain Up Control Setting [Manu Gain Up:
0 dB - 30 dB / N/Eye L / N/Eye H]
t Auto Gain Up Control Setting [Auto Gain Up:
OFF/ LOW/HIGH]
LOW: The Auto Gain Up control with a maximum
gain increase of about 18 dB adjust the lumi-
nance automatically.
HIGH: The Auto Gain Up control with a maximum
gain increase of about 30 dB operates. If the
luminance is still insufficient, the Night Eye also
operates to adjust the luminance automatically.
OFF: No auto gain up takes place. (Gain can be
increased manually.)
Manual setting is possible only when the Auto Gain
Up control is in the OFF position.
0 dB: 0 dB should be selected in normal cases.
1 dB - 30 dB: Use this range if sufficient video out-
put cannot be obtained even when the lens iris
is opened in shooting dark scenes.
N/Eye L / N/Eye H (Night Eye L/H): Use this mode
if sufficient video output cannot be obtained
even if 30 dB gain up should be selected.
Night Eye can be selected to any of two (L or H)
levels.
Notes
• In case of settings on the camera alone or when
the iris switch on the RCU (RCB) is at [AUTO], the
Auto Gain Up control may not operate if the lens
iris switch is in the manual position.
• When the AGC switch on the hybrid control panel
is set to AGC, the Auto Gain Up control operates
in the HIGH position.
Notes
• Only 0 dB, 9 dB, or 18 dB can be selected in
case of using the RCU (RCB).
• 0 dB when the manual GAIN switch on the hybrid
control panel is at LOW, 9 dB when it is at MID, or
18 dB when it is at HIGH.
Manual GAIN
AGC
G
/
L
P
H
A
S
E
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW
A T
A
W
C
A
B
C
G
A
I
N
AUTO/AIW
A T
A
W
C
A
B
C
HIGH
AGC
OPERATE
ON
SC
H
HIGH
LOW
AGC
W
9 0 °
0 °
1 8 0 °
2 7 0 °
OPERATE
ON
SC
H
W
9 0 °
0 °
1 8 0 °
2 7 0 °
MID
MID
POWER
ON
POWER
ON
OFF
LOW
MANU
OFF
A
MANU
A
T. P E D
C A B L E C O M P
T. P E D
C A B L E C O M P
MODE
BAR
SHUTTER
SCENE
FILE
MODE
BAR
SHUTTER
SCENE
FILE
ELC
/ 100
B
Y
C
ELC
/ 100
B
.
Y
C
.
1
1
.
.
.
.
.
.
2
3
4
2
3
4
1
1
OFF
OFF
CAM
OFF
CAM
OFF
Hybrid Control Panel
Hybrid Control Panel
-33-
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Fine color adjustment can be made after setting
AWC by red/blue gain adjustment in user mode
or from the RCU (RCB).
u Black Level Setting [Pedestal: –30 - +30]
The black level (pedestal) of the luminance (Y) sig-
nal can be set. Used in adjusting the black levels
of two or more cameras.
P SET 3 200K: The white balance is adjusted to
3 200K illumination.
P SET 5 600K: The white balance is adjusted to
5 600K illumination.
i Contrast Adjustment [Contrast (Gamma):
LOW/MID/HIGH]
Contrast can be adjusted to any of three levels.
Note
o Chroma Level Adjustment
[Chroma Level: –3 - +3]
Neither P SET 3 200K nor P SET 5 600K can be set
from the RCU (RCB) or the hybrid control panel.
Chroma Level can be decreased or increased to
any of three levels each.
! Highlight Chroma Setting [Highlight Chroma:
OFF/LOW/HIGH]
! Skin Color Adjustment [Flesh Tone: –3 - +3]
Skin color can be decreased or increased to any of
three levels each.
At LOW or HIGH, the color dynamic range widens
to prevent highlighted white portions from suppres-
sion.
! White Balance Setting [White Bal: ATW/AWC A/
AWC B/P SET 3 200K/P SET 5 600K]
! Horizontal Phase Adjustment
[H Phase: –206 - +49]
ATW: The white balance is automatically adjusted
to be always right.
Horizontal phase can be adjusted when a genlock
signal is supplied.
AWC A, AWC B: Once the white balance is adjust-
ed with the ITEM/AWC switch on the back of the
camera, it is no longer necessary to set the
white balance again if you simply select AWC A
or AWC B, provided that the camera is used
under the same conditions.
! Sub Carrier Phase Coarse Adjustment
[SC Coarse: 1/2/3/4]
Coarse adjustment of subcarrier phase can be
made when a genlock signal is supplied.
-34-
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! Subcarrier Phase Fine Adjustment [SC Fine:
–511 - +511]
RCU (RCB)
DTL
GAIN
AGC
DTL
Fine adjustment of subcarrier phase can be made
when a genlock signal is supplied.
RCBON
OFF
+18
+9
+6
BAR
CAM
HIGH
LOW
OFF
OFF
0(dB)
−6(dB)
PAINTING
GAIN
AUTO/ATW
R
B
B
ATW
A
TOTAL
PED
! Color Bar Setup Setting [Color Bar Set:
0.0IRE/7.5IRE]
B
AUTO
PED
R
AWC
HOLD
ABC
The setup level of color bar can be adjusted.
SHUTTER
SCENE
IRIS
MAN
AUTO
500 1000
1
2
USER
SET
ELC
120
OFF
S/S
3
! Detail Select Setting [DTL Select: Sharpness/
Super DTL]
If contour correction is not sufficient at the
Sharpness position when Detail Level setting ! is
set to LOW or HIGH, select the Super DTL position.
! Noise Suppress Level Setting [Noise Suppress:
OFF/LOW/HIGH]
Note
Screen noise can be reduced when Detail Level
setting !is at HIGH or LOW.
Neither Sharpness nor Super DTL is valid for con-
tour correction if Detail Level setting ! is in the
OFF position.
@ Clean DNR Setting [Clean DNR: OFF/LOW/HIGH]
Clean DNR effect can be selected.
! Detail Level Setting [Level: OFF/LOW/HIGH]
Detail level can be adjusted when Detail Select set-
ting ! is at Sharpness. Super DTL level can be
adjusted when it is at Super DTL.
@ Detail Flesh Tone Level Setting [DTL Flesh Tone:
LOW/MID/HIGH]
LOW:
MID:
Skin color coarseness is suppressed.
Standard
In case of using the RCU (RCB), the above can be
adjusted with the contour correction switch (DTL).
HIGH:
Skin color is emphasized.
-35-
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@ Electronic Shutter Synchro-Scan Setting
[Synchro Scan: 60.34 Hz - 15.75 kHz]
This setting is possible only when Electronic Shutter
setting @is at S/Scan.
@ Electronic Shutter Setting [Shutter Speed: OFF/
1/100 to 1/10 000 / S/Scan / Auto ND]
OFF: Electronic shutter is turned off.
1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000, 1/10 000:
Electronic shutter operates at one of these
speeds as selected.
S/Scan (Synchro Scan): Electronic shutter oper-
ates at the speed set with the electronic shutter
synchro-scan setting @.
Horizontal bar noise can be reduced by synchro-
scan adjustment in shooting workstation scenes, for
example.
For luminance settings at each shutter speed and
*
synchro-scan shutter speed, refer to the table
below.
Auto ND: Electronic shutter is controlled to auto-
matically adjust the luminance. (ELC)
Shutter Speed
OFF
Synchro-scan Required luminance ratio
1
1/100
99.68 Hz
250.0 Hz
492.2 Hz
984.4 Hz
1.969 kHz
3.938 kHz
7.875 kHz
2
4
Notes
1/250
• In case of using the RCU (RCB), none of the shut-
ter speeds-1/250, 1/2 000, 1/4 000, and 1/10 000
can be selected.
1/500
8
1/1 000
1/2 000
1/4 000
1/10 000
16
32
64
160
• In case of using the hybrid control panel, only
OFF, 1/100, or Auto ND (ELC) can be selected.
• If the lens iris switch is at M (Manual) when oper-
ating the camera alone or when the iris switch on
the RCU (RCB) is at AUTO, Auto ND may not
function. Set the lens iris switch to A (Auto).
• Flickering may increase at Auto ND under fluores-
cent lights.
@ CCD Read Out Mode Setting [V Resolution:
Normal/Fine]
Normal: Normal image. (CCD storage will be by
field storage.)
Fine: Vertical resolution increases. (Vertical resolu-
tion is raised without increasing residual images
by frame storage and electronic shutter.
Normal is recommended for general use be-
cause sensitivity will decrease at the Fine set-
ting.
• Auto ND is automatically selected if Auto ND
(ELC) setting ris set to ON.
-36-
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@ PC Control Access Speed Setting [Baud Rate:
1 200 bps/2 400 bps/4 800 bps/9 600 bps]
Select a communication speed in controlling the
camera from the computer.
@ Negative/Positive Selection
[Nega/Posi: Posi/Nega]
Posi: Normal image
Nega: Image is shown reversed in darkness and
color.
Note
When an option card is added, only the composite
output and Y/C output will be reproduced in nega-
tive image.
-37-
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■ Sub Menu (User Mode)
**Iris, Shutter, Gain Set**
**Detail Set1**
Detail
H Detail Level H
V Detail Level H
H Detail Level L
V Detail Level L
Detail Band
Noise Suppress
Level Dependent
Dark Detail
**Color Matrix Set**
Matrix(R-G)
Picture Level
Light PEAK/AVG
Light Area
Auto Iris Adjust
Shutter Mode
Step
±0
(HIGH)
+11
+12
+7
±0
±0
±0
±0
±0
±0
0
Matrix(R-B)
Top cut
OFF
Matrix(G-R)
Matrix(G-B)
(Step)
(OFF)
---
Field
(0dB)
(±0)
+6
Matrix(B-R)
2
Matrix(B-G)
Syncro Scan
Field/Frame
Gain
3
0%
0
Pedestal
Return
Return
Return
**Color Set**
Chroma Level
White Bal
Highlight Chroma
Painting
**Detail Set2**
Chroma Detail
DTL Flesh Tone
Corner Detail
Precision Detail
**Other Set**
Gamma
Knee Point
White Clip
Flare R
Flare G
Flare B
Black Stretch
Clean DNR
Baud Rate
Nega/Posi
Return
±0
(AWC A)
OFF
0
MID
OFF
OFF
0.45
88%
110%
0
R Gain
(±0)
(±0)
(±0)
(±0)
OFF
0
B Gain
0
OFF
OFF
R Pedestal
B Pedestal
2D LPF
9600bps
Posi
Return
Return
**G/L. Color Bar Set**
H Phase
(±0)
SC Coarse
SC Fine
(1)
(±0)
Color Bar Set
7.5IRE
• Settings enclosed in parentheses can be set with the RCU (RCB)
switch or VR in RCU (RCB) mode.
• To return to the initial settings, refer to page 46.
Return
-38-
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R/L cut: About one-third of both the right and left
portions of the screen are excluded from mea-
surement.
■ Setting and Changing of the
Setting Items (User Mode)
@ Video Level Adjustment [Picture Level:
–50 - +50]
All
Center
Top cut
BTM cut
R/L cut
Convergence level of AUTO IRIS/AGC/ELC can be
adjusted.
@ Detecting Ratio Adjustment [Light PEAK/AVG:
P50 - A50]
# Auto Iris Level Fine Adjustment [Auto Iris
Adjust: ON/OFF]
The ratio of AUTO IRIS/AGC/ELC detected peak to
average can be adjusted within a range.
ON:
Fine adjustment of auto iris convergence
level can be made with the iris control when
the iris switch on the RCU (RCB) or on the
hybrid control panel is in the AUTO posi-
tion.
@ Photometric Measurement Method Setting
[Light Area: All, Center, Top cut, BTM cut, R/L
cut]
OFF: The iris control is invalid when the iris
switch on the RCU (RCB) or on the hybrid
control panel is in the AUTO position.
A photometric measurement method can be select-
ed for AUTO IRIS/AGC/ELC.
All: All the screen area is measured.
Center: The screen is measured mainly in the cen-
ter area, about one-third of both the top and bot-
tom and one-third of both the right and left por-
tions of the screen are excluded from measure-
ment.
RCU (RCB)
PAINTING
AUTO/ATW
GAIN
R
B
ATW
TOTAL
PED
A
B
AUTO
AWC
HOLD
ABC
PED
R
B
Top cut: About one-third of the top portion of the
screen is excluded from measurement.
BTM cut: About one-third of the bottom portion of
the screen is excluded from measurement.
SHUTTER
500 1000
SCENE
1
IRIS
MAN
AUTO
2
USER
100
S/S
ELC
3
SET
OFF
Iris Control
Iris Switch
-39-
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Notes
# Electronic Shutter Mode Setting [Shutter Mode:
Step/ ELC/ S/Scan]
• In case of using the RCU (RCB), none of the shut-
ter speeds–1/250, 1/2 000, 1/4 000, and 1/10 000
can be selected.
• In case of using the hybrid control panel, only
OFF, 1/100, or ELC can be selected.
• If the lens iris switch is at M (Manual) when oper-
ating the camera alone or when the iris switch on
the RCU (RCB) is at AUTO, ELC may not function.
Set the lens iris switch to A (Auto).
Step: Electronic shutter operates at the speed
selected by the Electronic Shutter Step Setting
#.
ELC: Electronic shutter is controlled to automatical-
ly adjust the luminance.
S/Scan (Synchro Scan): Electronic shutter oper-
ates at the speed selected in Electronic Shutter
Synchro-Scan Setting #.
• Flickering may increase at ELC under fluorescent
lights.
Note
If Frame 1 is selected in CCD Read Out Mode
Setting #, Electronic Shutter Mode Setting cannot
be added.
# Electronic Shutter Synchro-Scan Setting
[Synchro Scan: 60.34 Hz - 15.75 kHz]
This setting is possible only when Electronic Shutter
# Electronic Shutter Step Setting
[Step: OFF/1/100 - 1/10 000]
Mode Setting # is at S/Scan.
1
Bar noise can be reduced by synchro-scan adjust-
ment in shooting workstation scenes, for example.
For luminance setting at each shutter speed and
synchro-scan shutter speed, refer to the table on the
next page.
This setting is possible only when Step is selected
in Electronic Shutter Mode Setting #.
OFF: Electronic shutter is turned off.
1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000,
1/10000: Electronic shutter operates at one of these
speeds as selected.
*
-40-
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1 dB - 30 dB: Use this range if sufficient video out-
put cannot be obtained even when the lens iris
is opened in shooting dark scenes.
N/Eye L / N/Eye H (Night Eye L/H): Use this mode
if sufficient video output cannot be obtained
even if 30 dB gain up should be selected.
Night Eye can be selected to any of two (L or H)
levels.
Shutter Speed
OFF
Synchro-scan Required luminance ratio
1
1/100
99.68 Hz
250.0 Hz
492.2 Hz
984.4 Hz
1.969 kHz
3.938 kHz
7.875 kHz
2
4
1/250
1/500
8
1/1 000
1/2 000
1/4 000
1/10 000
16
32
64
160
Notes
# CCD Read Out Mode Setting [Field/Frame:
Field/Frame 1/Frame 2]
• Only 0 dB, 9 dB, or 18 dB, AGC LOW, AGC HIGH
can be selected in case of using the RCU (RCB).
If the lens iris switch is at MANUAL, when operat-
ing the camera alone or when the iris switch on
the RCU (RCB, Hybrid control panel) is at AUTO,
AGC may not function.
Field: CCD storage will be by field storage.
Frame 1: Vertical resolution increases in frame stor-
age.
Frame 2: Vertical resolution is raised without
increasing residual images by frame storage
and electronic shutter.
• AGC HIGH when the AGC selection switch on the
hybrid control panel is at AGC.
• 0 dB when the manual gain switch on the hybrid
control panel is at LOW, 9 dB when it is at MID, or
18 dB when it is at HIGH.
# Gain Up Setting [Gain: AGC HIGH / AGC LOW /
0 dB - 30 dB / N/Eye L / N/Eye H]
AGC LOW: The Auto Gain Up control with a maxi-
mum gain increase of about 18 dB adjusts the
luminance automatically.
AGC HIGH: The Auto Gain Up control with a maxi-
mum gain increase of about 30 dB operates. If
the luminance is still insufficient, the Night Eye
also adjusts the luminance automatically.
0 dB: 0 dB should be selected in normal cases.
Manual GAIN
AGC
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW
A T
A
W
C
A
B
C
HIGH
AGC
OPERATE
ON
SC
H
W
9 0 °
0 °
1 8 0 °
2 7 0 °
MID
POWER
ON
OFF
LOW
MANU
A
T. P E D
C A B L E C O M P
MODE
BAR
SHUTTER
SCENE
FILE
ELC
/ 100
B
Y
C
.
1
.
.
.
2
3
4
1
OFF
CAM
OFF
Hybrid Control Panel
-41-
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Note
# Black Level Setting [Pedestal: –30 - +30]
The black level (pedestal) of the luminance (Y) sig-
nal can be set. Used in adjusting the black levels
of two or more cameras.
Neither P SET 3 200K nor P SET 5 600K can be set
from the RCU (RCB) or the hybrid control panel.
# Highlight Chroma Setting [Highlight Chroma:
OFF/LOW/HIGH]
# Chroma Level Adjustment
[Chroma Level: –3 - +3]
At LOW or HIGH, the color dynamic range widens to
prevent highlighted white portions from suppres-
sion.
Chroma Level can be decreased or increased to
three levels.
# White Balance Setting [White Bal: ATW/AWC A/
AWC B/P SET 3 200K/P SET 5 600K]
$ Painting Setting [Painting: R Gain, B Gain,
R Pedestal, B Pedestal: –30 - +30]
ATW: The white balance is automatically adjusted
to the optimum position.
R Gain, B Gain:
Fine adjustment of the white balance can be
made after AWC setting when AWC A or AWC B
is selected in White Balance Setting #. In case
of using the RCU (RCB), use the R/B gain con-
trols for this purpose. The set value returns to
±0 after AWC setting in using the camera alone.
R Pedestal, B Pedestal:
AWC A, AWC B: Color temperature conditions at
two points can be stored at AWC A and AWC B.
Once the white balance is adjusted with the
Item/AWC switch on the back of the camera, it
is no longer necessary to set the white balance
again if you simply select AWC A or AWC B,
provided that the camera is used under the
same conditions.
Fine adjustment of the black balance can be
made after ABC setting.
In case of using the RCU (RCB), use the R/B
pedestal controls for this purpose. The set
value returns to ±0 after ABC setting in using the
camera alone.
Fine color adjustment can be made after setting
AWC by red/blue gain adjustment in Painting
Setting $or from the RCU (RCB).
P SET 3 200K: The white balance is adjusted to
3 200K illumination.
P SET 5 600K: The white balance is adjusted to
5 600K illumination.
-42-
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$ Color Bar Setup Setting [Color Bar Set: 0.0IRE/
7.5IRE]
PAINTING
GAIN
AUTO/ATW
R
R
B
B
ATW
A
TOTAL
PED
R/B Gain
Control
B
The setup level of color bar can be adjusted.
AUTO
AWC
HOLD
ABC
PED
R/B Pedestal
Control
SHUTTER
500 1000
SCENE
1
IRIS
MAN
AUTO
2
USER
100
S/S
ELC
3
SET
OFF
$ Detail Level Setting [Detail: OFF/LOW/HIGH]
Contour correction quantity can be selected.
Detail settings made using the Horizontal/Vertical
Detail Level HIGH/LOW Setting $.
RCU (RCB)
$ 2-dimensional Lowpass Filter Setting [2D LPF:
OFF/ LOW/ HIGH]
$ Horizontal/Vertical Detail Level HIGH/LOW
Setting
The 2D lowpass filter that reduces moire and cross
color can be set.
[H Detail Level H: +1 - +63]
[V Detail Level H: +1 - +31]
[H Detail Level L: 0 - +62]
[V Detail Level L: 0 - +30]
Detail level can be set in horizontal (H) and vertical
(V) directions with the Detail Level Setting $ at
HIGH or LOW.
Whichever the direction, H or V, the set level at
HIGH must be at least one position higher than that
at LOW.
$ Horizontal Phase Adjustment [H Phase:
–206 - +49]
Horizontal phase can be adjusted when a genlock
signal is supplied.
$ Subcarrier Phase Coarse Adjustment
[SC Coarse: 1/2/3/4]
Coarse adjustment of subcarrier phase can be
made when a genlock signal is supplied.
$ Detail Band Setting [Detail Band: 1 - 5]
A contour correction band can be set with the
Detail Level Setting $at HIGH or LOW. The higher
setting, the finer will be the detail.
$ Subcarrier Phase Fine Adjustment [SC Fine:
–511 - +511]
Fine adjustment of subcarrier phase can be made
when a genlock signal is supplied.
-43-
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$ Noise Suppress Compensation Level Setting
[Noise Suppress: 1 - 10]
% Skin Color Detail Level Setting [DTL Flesh Tone:
LOW/MID/HIGH]
Screen noise can be reduced with the Detail Level
Setting $ at HIGH or LOW. If the noise suppress
compensation level is set too high, a fine object will
be reproduced less sharply.
LOW:
MID:
HIGH:
Skin color coarseness is suppressed.
Standard
Skin color is emphasized.
% Corner Detail Setting [Corner Detail: OFF/ON]
Corner detail, which improves the resolution of cor-
ners, can be turned on or off when the Detail Level
Setting $is at HIGH or LOW.
% Level Dependent Compensation Level Setting
[Level Dependent: 0 % - 25 %]
Screen noise due to the detail of dark parts of an
object can be reduced.
If level dependent compensation level is set too
high, however, hair, for example, will be reproduced
less sharply.
% Precision Detail Level Setting [Precision Detail:
OFF/LOW/HIGH]
This setting is to narrow detail width and suppress
detail glare.
% Dark Detail Compensation Level Setting [Dark
Detail: 0 - 5]
The contours of the darker portions of an object can
be emphasized.
This setting is possible only when the Level
Dependent Compensation Level Setting % is set to
0 %.
% Chroma Detail Compensation Level Setting
[Chroma Detail: 0 - 15]
The contours of high-hue portions of an object can
be emphasized.
-44-
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% Color Matrix Compensation Level Setting
[Matrix (R-G)/(R-B)/(G-R)/(G-B)/(B-R)/(B-G):
–31 - +31]
^ Flare Correction Level Setting [Flare R/G/B:
0 - 100]
Flare correction level can be adjusted.
* Flare correction level has already been adjusted
prior to shipment from the factory.
Color Matrix compensation level can be adjusted.
(R-G): To increase or decrease the intermediate
color between red and magenta
(R-B): To increase or decrease the intermediate
color between red and yellow
^ Black Stretch Setting [Black Stretch: ON/OFF]
Black stretch to correct the suppression of black
portions at low luminance can be set to ON or OFF.
(G-R): To increase or decrease the intermediate
color between green and cyan
^ Clean DNR Setting [Clean DNR: HIGH/LOW/OFF]
(G-B): To increase or decrease yellowish green
(B-R): To increase or decrease the intermediate
color between blue and cyan
Clean DNR effect can be selected.
^ PC Control Access Speed Setting [Baud Rate:
1 200bps/2 400bps/4 800bps/9 600bps]
(B-G): To increase or decrease purple
This setting is to select a communication speed in
controlling the camera from the computer.
% Gamma Correction Level Setting
[Gamma: 0.35 - 0.55]
^ Negative/Positive Selection [Nega/Posi:
Gamma correction level can be set.
Posi/ Nega]
% Knee Compensation Level Setting [Knee Point:
88 % - 98 % / Dynamic]
Posi: Normal image
Nega: Image is shown reversed in darkness and
88 % - 98 %: The level of video signals subject to
knee compensation (knee point) can be set.
Dynamic: Knee compensation level is automatically
adjusted according to the scene.
color.
Note
When an option card is added, only the composite
output and Y/C output will be reproduced in nega-
tive image.
% White Clip Level Setting [White Clip:
95 % - 110 %]
The peak level of video signals to be white-clipped
can be set.
-45-
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SETTING TO INITIAL SET
■ Setting to initial set
In case of the wrong setting in any use mode, take the
following steps to return to the initial settings.
are initialized, the screen shown at w, and the cam-
era returns to main menu.
(1) Select [Initialize Data] on the main menu screen of
each Use Mode. (See page 29.)
(3) If the NO/BAR switch is pressed, or if the YES /ABC
switch is not pressed, within about 10 seconds, the
screen shown at e, and the camera returns to main
menu, and the existing settings are not initialized.
Press the YES/ABC switch, then [Initialize Data]
screen shown for about 10 seconds.
Note
(2) Press the YES/ABC switch within about 10 seconds
to return to the initial settings, the existing settings
If you are using an option card, the Option Card
Setting Submenu will not be initialized even if
“Return to Initialize” is performed.
q
w
e
** Initialize Data **
(Halogen Mode)
Do you want to
initialize Halogen
Mode settings?
Halogen Mode
Initialized
Halogen Mode
unchanged
O.K.
: YES SW
Cancel : NO SW
-46-
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■ INITIAL SETTINGS OF THE SETTING ITEMS
(Factory preset values)
● Halogen, Fluorescent, Outdoor Mode
Item
Halogen mode
Fluorescent mode
±0
Outdoor mode
±0
Picture Level
Light PEAK/AVG
Light Area
Auto ND (ELC)
Auto Gain Up
Manu Gain Up
Pedestal
±0
0
0
0
Top cut
OFF
OFF
0dB
±0
Top cut
OFF
OFF
0dB
±0
Top cut
ON
HIGH
---
Brightness
Set
–10
Contrast (Gamma)
MID
MID
MID
Chroma Level
Flesh Tone
White Bal
±0
±0
AWC A
OFF
+1
±0
AWC A
OFF
+2
±0
ATW
OFF
Color Set
High-light Chroma
H Phase
±0
±0
±0
SC Coarse
SC Fine
1
±0
1
±0
1
±0
G/L. Color
Bar Set
Color Bar Set
7.5 IRE
7.5 IRE
7.5 IRE
DTL Select
Level
Noise Suppress
Clean DNR
DTL Flesh Tone
Sharpness
HIGH
OFF
OFF
MID
Sharpness
HIGH
OFF
OFF
MID
Sharpness
HIGH
OFF
OFF
MID
Sharpness
(DTL) Set
Shutter Speed
Synchro Scan
V Resolution
Baud Rate
OFF
---
Normal
9600bps
Posi
OFF
---
Normal
9600bps
Posi
Auto ND
---
Normal
9600bps
Posi
Other Set
Nega/Posi
-47-
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● User Mode
Item
User mode
Item
User mode
Picture Level
Light PEAK/AVG
Light Area
Auto Iris Adjust
Shutter Mode
Step
±0
0
Top cut
OFF
Step
OFF
---
Field
0dB
±0
Chroma Detail
Flesh DTL Level
Corner Detail
0
MID
OFF
OFF
Detail Set 2
Precision Detail
Iris, Shutter,
Gain Set
Matrix(R-G)
Matrix(R-B)
Matrix(G-R)
Matrix(G-B)
Matrix(B-R)
Matrix(B-G)
±0
±0
±0
±0
±0
±0
Synchro Scan
Field/Frame
Gain
Color
Matrix Set
Pedestal
Chroma Level
White Bal
High-light Chroma
Painting R Gain
B Gain
±0
Gamma
0.45
88%
110%
0
0
0
OFF
OFF
9600bps
Posi
AWC A
OFF
±0
Knee Point
White Clip
Flare R
Color Set
±0
Flare G
Flare B
Black Stretch
Clean DNR
Baud Rate
Nega/Posi
R Pedestal
B Pedestal
±0
Other Set
±0
2D LPF
OFF
H Phase
SC Coarse
SC Fine
±0
1
G/L. Color
Bar Set
±0
Color Bar Set
7.5IRE
Detail
HIGH
+11
+12
+7
+6
2
H Detail Level H
V Detail Level H
H Detail Level L
V Detail Level L
Detail Band
Detail Set 1
Noise Suppress
Level Dependent
Dark Detail
3
0%
0
-48-
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APPEARANCE
Unit: mm (inch)
OPTION CARD
VIDEO OUT
I/F REMOTE
MENU
ITEM/AWC
YES/ABC
NO/BAR
G/L IN
IRIS
CAUTION
DC12V IN
CONNECT TO
SPECIFIED
POWER
CLASS
2
SUPPLY ONLY.
SEE MANUAL.
Convertible Camera AW-E600
84 (3-5/16")
12 (15/32")
155 (6-3/32")
10 (25/64")
-49-
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SPECIFICATIONS
Pickup element:
Pixels:
Scanning:
1/2" interline, supersensitive CCDx3
768 (H) x 494 (V) pixels
2:1 interlace
System:
Scanning frequency:
Lens mount:
NTSC
15.734 kHz (horizontal), 59.94 Hz (vertical)
1/2" Standard byonet mount
Synchronizing:
External sync input:
Sensitivity:
Minimum illumination:
Signal-to-noise ratio:
Horizontal resolution:
Registration:
Internal or external
BB, (BNC,50P D subconnector)
2 000 lx, F11, 3 200 K
0.25 lx, F1.4, Night Eye HIGH mode
65 dB (DNR ON)
850 TV lines (high band, DTL ON)
0.05 %
Contour correction:
White balance:
Black balance:
Color bar:
Horizontal and vertical
Auto (2 memories), 3 200 K,5 600 K, FINE MANU, ATW
AUTO
SMPTE color bar (Setup 0/7.5)
Synchro Scan: 60.34 Hz-15.75 kHz
Step shutter: OFF 1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000, 1/10 000s
ELC
Shutter speed:
Gain:
Iris:
AGC LOW/HIGH, 0 - 30 dB, NIGHT EYE LOW/HIGH
AUTO, MANU
Video output:
Composite: 1 V[p-p] (75 Ω) (BNC, 50P D subconnector)
Y: 1 V[p-p] (75 Ω) (50P D subconnector)
C: Same as VBS chroma level (75 Ω) (50P D subconnector)
Halogen, Fluorescent, Outdoor, User
Use mode:
-50-
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Switches:
BACK PANEL: MENU, ITEM/AWC, YES/ABC, NO/BAR
MENU ITEM SETTING: Gain, Shutter, White Balance, Detail Level (OFF/LOW/HIGH),
Corner Detail, Precision Detail Level, Black Stretch, High Light Chroma, Skin Color
Detail, Photometric Measurement Method (ALL/CENTER/TOP CUT/BOTTOM CUT/R/L
CUT) CCD Read Out Mode (FIELD/FRAME 1/FRAME 2) Clean DNR, Color Bar Setup,
Use Mode, Nega/Posi, PC Control Access Speed
Adjustment function:
MENU ADJUSTMENT: R/B Gain, R/B Pedestal, Black Level, Video Level, Detecting
Ratio, Genlock Horizontal Phase/Color Phase, Gamma Compensation Level, Knee
Compensation Level, White Clip Level, Horizontal Detail Level, Vertical Detail Level,
Detail Band Level, Noise Suppress Compensation Level, Level Dependent
Compensation Level, Chroma Detail Compensation Level, Dark Detail Compensation
Level, Matrix Compensation Level, Flare Correction Level
DC 12 V
Source voltage:
Power consumption:
Operating temperature:
Operating humidity:
Dimensions:
9.6 W
−10°C to +45°C (14°F to +113°F)
30 % to 90 %
84 (W) x 77 (H) x 155 (D) mm [3-5/16” x 3-1/32” x 6-3/32”]
0.86 kg
Weight:
Finish:
AV ivory painting (Munsell 7.9Y 6.8/0.8 or equivalent
Weight and dimensions indicated are approximate.
Specifications are subject to change without notice.
-51-
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STANDARD ACCESSORIES
Body cap ..................................................................... 1
Rubber Sheet ............................................................... 1
OPTIONAL ACCESSORIES
Studio Cable
WV-CA26U15
WV-CA26U30
WV-CA26U100
WV-CA26T26
AW-CA50T10
AW-CA50A26
AW-CA50T15
Pan/Tilt Unit
AW-PH300
AW-PS300
AW-RP501
AW-RP505
AW-HB505
AW-PS301
AW-PS505
WV-RC700A
WV-RC550
WV-CB700A
WV-831
Pan/Tilt Unit AC Adaptor
Hybrid Control Panel
Multi Hybrid Control Panel
Multi Port Hab
Control Panel AC Adaptor
AC Adaptor
Cable Joint Adaptor
RCB Cable
RCU Cable
Pan/Tilt Unit Cable
PC Control Camera Pan/Tilt Unit Cable AW-CA50A15
PC Control Pan/Tilt Unit Cable
PC Control Cable
DC Power Cable
RGB Cable
Studio Card
(RGB, YPr-YPb Outputs)
Studio Card
Remote Control Unit
AW-CA28T9
AW-CA50T9
AW-CA4T1
AW-CA50T6
Remote Control Box
Camera Mounting Bracket
RCU Rack Mount Frame
VF Mounting Bracket
Connection Cable
WV-Q70
AW-Q40
WV-CA9T5
(D sub
AW-PB301
AW-PB305
RGB Card
AW-PB302
9p-BNC,
1/2” Byonet Zoom Lens (14X)
AW-LZ14XBMD
approx. 5 m)
-52-
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PANASONIC BROADCAST & DIGITAL SYSTEMS COMPANY
DIVISION OF MATSUSHITA ELECTRIC CORPORATION OF AMERICA
Executive Office:
3330 Cahuenga Blvd W., Los Angeles, CA 90068
(323) 436-3500
EASTERN ZONE:
Mid-Atlantic:
Southeast Region:
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7621
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7621
1225 Northbrook Parkway, Ste 1-160 Suwanee, GA 30024
(770) 338-6845
Central Region:
WESTERN ZONE:
Dallas Region:
1707 N Randall Road E1-C-1, Elgin, IL 60123 (847) 468-5200
3330 Cahuenga Blvd W., Los Angeles, CA 90068 (323) 436-3500
6226 Abington Way, Houston, TX 77008 (713) 802-2726
Government Marketing Department: 52 West Gude Drive, Rockville, MD 20850 (301) 738-3840
PANASONIC CANADA INC.
5770 Ambler Drive, Mississauga, Ontario, L4W 2T3 (905) 238-2115
PANASONIC SALES COMPANY
DIVISION OF MATSUSHITA ELECTRIC OF PUERTO RICO, INC.
San Gabriel Industrial Park, 65th Infantry Ave., KM9.5 Carolina, Puerto Rico 00630 (809) 750-4300
NM1298-0
7J1A256A
Printed in Japan
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