Panasonic Security Camera AW E600 User Manual

Convertible Cam era  
AW-E600  
Before attempting to connect or operate this product,  
please read these instructions completely.  
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CONTENTS  
PREFACE ................................................................................................................................................................................ 2  
FEATURES .............................................................................................................................................................................. 2  
SPECIAL NOTES ON OPERATION ......................................................................................................................................... 3  
PRECAUTIONS ....................................................................................................................................................................... 4  
MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS ................................................................................................. 6  
MOUNTING ............................................................................................................................................................................ 10  
FLANGE BACK ADJUSTMENT ............................................................................................................................................... 12  
IRIS GAIN CONTROL IN A LENS ........................................................................................................................................... 13  
CONNECTIONS ...................................................................................................................................................................... 14  
ADJUSTMENT ........................................................................................................................................................................ 20  
USE MODE SETTING ............................................................................................................................................................. 27  
MENU ITEM SETTING ............................................................................................................................................................ 29  
SETTING TO INITIAL SET ....................................................................................................................................................... 46  
APPEARANCE ........................................................................................................................................................................ 49  
SPECIFICATIONS ................................................................................................................................................................... 50  
STANDARD ACCESSORIES ................................................................................................................................................... 52  
OPTIONAL ACCESSORIES .................................................................................................................................................... 52  
-1-  
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PREFACE  
The Panasonic AW-E600 is a digital signal processing  
color video camera that incorporates three 1/2” CCDs.  
A digital video signal processing system is packed in a  
compact, lightweight body while assuring high picture  
quality, high reliability and high performance.  
by following the setup menu.  
Connection to peripheral devices, such as a RCU, a  
RCB and a lens and the camera pan/tilt unit enables a  
wide variation of system configurations.  
Option cards may also be installed.  
System setup and adjustments can be easily performed  
FEATURES  
1. Digital video signal processing for high quality, high  
reliability, high performance, lightweight and com-  
pact size.  
2. Resolution: 850 lines (HIGH BAND DTL: ON), S/N  
ratio: 65 dB (DNR ON)  
3. Minimum illumination: 0.25 lux (F1.4, Night eye  
HIGH mode)  
4. SET UP menu for system check and readjustments.  
5. Built-in automatic controls, including ATW, ELC,  
and AGC  
7. The built-in synchronized scanning system reduces  
noise in computer graphics.  
8. Various correction circuits permit video reproduc-  
tion with high fidelity.  
9. Chroma detail correction enables clear shots of  
dark color objects.  
10. A dark detail circuit provides natural edge correc-  
tion to any object in a dark scene.  
6. CCD readout is switchable between field and frame  
modes. Vertical resolution can be stepped up in  
frame mode and it is effective for shooting still  
objects.  
-2-  
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11. A digital highlight chroma circuit reproduces natural  
dynamic ranges.  
12. A digital color matrix enables high fidelity color  
images.  
13. Four use modes for each of your specific applica-  
tions can be selected.  
14. SMPTE color bar is indicated on the monitor screen.  
15. Remote control with a RCU, RCB or a Hybrid con-  
trol panel.  
SPECIAL NOTES ON OPERATION  
• Turn power off before connecting or disconnecting  
cables.  
• Connection or disconnection of any studio cable,  
RCB cable or other cable to any unit of equipment  
must be performed while power is off.  
• While the camera is in automatic mode;  
Shooting of bright objects in ELC operation mode  
may result in a smeared picture unique to the CCD.  
The ATW function under fluorescent illumination can  
adversely change the white balance.  
-3-  
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PRECAUTIONS  
DONT'S  
• Do not attempt to disassemble the camera, Remote  
Control Unit (RCU) or other units. In order to pre-  
vent electric shock, do not remove screws or cov-  
ers. There are no user-serviceable parts inside.  
• Do not aim the camera toward the sun, no matter  
whether it is turned on or not.  
• Do not expose the camera or Remote Control Unit  
(RCU) to rain or moisture, and do not try to operate  
the equipment in wet conditions. Do not operate the  
camera or RCU if it becomes wet.  
• Do not abuse the camera. Avoid striking, shaking,  
etc. The camera contains sensitive components  
which could be damaged by improper handling or  
storage.  
• Do not operate the camera or Remote Control Unit  
(RCU) outdoors during a lightning storm.  
• Do not let the lens remain uncapped when the cam-  
era is not in use. If the lens is not installed, do not  
leave the lens mount hole uncovered.  
• Do not use the camera in an extreme environment  
where high temperatures or high humidity exist.  
• Do not touch the surface of the lens or prism.  
• Do not leave the camera and Remote Control Unit  
(RCU) turned on when not in use. Do not unneces-  
sarily turn the camera power on and off repeatedly.  
Do not block the ventilation slots.  
• Do not use strong of abrasive detergents when  
cleaning the camera body.  
-4-  
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DO'S  
• Take immediate action if ever the camera or RCU  
should become wet. Turn the power off and have  
the unit checked by an authorized service facility.  
• Refer any servicing to qualified service personnel.  
• Handle the camera with care.  
• Protect the precision made lens by placing the lens  
cap over when the camera is not in use. If the lens  
is not installed, protect the surface of the prism by  
placing the body cap into the lens mount hole.  
• Follow normal safety precautions to avoid personal  
injury.  
• Use the camera in an environment where the tem-  
perature is within 10°C - +45°C (14°F - 113°F),  
and the relative humidity is within 30 % - 90 %.  
• Use a mild blower or lens cleaning tissue designed  
for coated lenses, to clean the surface of the lens or  
prism in the event that it should become dirty.  
• Always turn the power off when the camera is not  
going to be used. Operate the camera and RCU  
only when there is adequate ventilation.  
• Use a dry cloth to clean the camera if it is dirty. In  
case the dirt is hard to remove, use mild detergent  
and wipe gently.  
• Use caution when operating the camera in the  
vicinity of spot lights or bright lights, as well as light  
reflecting objects and surfaces.  
-5-  
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MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS  
<Front View>  
<Top View>  
<Side View>  
<Bottom View>  
Convertible Camera AW-E600  
-6-  
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3. Lens fixing ring knob  
Rotate the lens fixing ring knob counterclockwise  
and remove the lens mount cap. Mount the lens on  
the camera and rotate the lens fixing ring knob  
clockwise in order to fix the lens securely.  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
4. MENU Switch (MENU/M)  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
A menu will appear on the monitor screen when this  
switch is pressed for about 5 seconds. This item  
can be selected by pressing the switch while the  
menu is on the screen.  
G/L IN  
IRIS  
5. ITEM/AWC Switch (ITEM/AWC/<)  
The item just below can be selected by pressing  
this switch while the menu is on the screen. When  
the menu is not displayed or the camera is in shoot-  
ing mode, the automatic white balance control can  
be set with this switch.  
CAUTION  
DC12V IN  
CONNECT TO  
SPECIFIED  
CLASS 2 POWER  
SUPPLY ONLY.  
SEE MANUAL.  
6. YES/ABC Switch (YES/ABC/+)  
The Sub Menu for each item of the Main Menu is  
displayed when this switch is pressed while the  
Main Menu is on the screen.  
While the Sub Menu is displayed, any setting can  
be brought up to a higher value with this switch.  
When the menu is not displayed or the camera is in  
shooting mode, the automatic black balance control  
can be set with this switch.  
1. Lens Mount  
1/2" Standard bayonet type lens or a microscope  
adaptor can be mounted.  
2. Mounting Adaptor  
A screw hole (1/4” - 20 UNC) adaptor for mounting  
the camera on a wall, ceiling with a mounting  
bracket or tripod.  
-7-  
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7. NO/BAR Switch (NO/BAR/)  
Iris Connector (IRIS)  
The item just below can be selected by pressing  
this switch while the Sub Menu is on the screen.  
While the Sub Menu is displayed any setting can be  
brought down to a lower value with this switch.  
When the menu is not displayed or the camera is in  
shooting mode, the color bar and the shooting con-  
ditions are alternately indicated by pressing the  
switch.  
q
w
i !  
o
u
!
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e
!
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t
<Front View>  
8. Video Output Connector (VIDEO OUT)  
A composite video signal is provided at this con-  
nector.  
10. I/F Remote Connector (I/F REMOTE)  
Input terminal dedicated to control signals from the  
optional Remote Control Box (RCB) (WV-CB700A)  
and the RCU (WV-RC700A, WV-RC550) and the  
camera pan/tilt unit (AW-PH300).  
9. Iris Connector (IRIS)  
Input terminal for lens with an iris control function.  
* WV-CB700A is connected through the optional RCB  
cable (AW-CA50T10).  
* WV-RC700A/WV-RC550 is connected through the  
optional RCU cable (AW-CA50A26).  
* AW-PH300 is connected through the optional pan/  
tilt unit cable (AW-CA50T15).  
Pin No.  
Signal  
Return Control  
Not Used  
Pin No.  
Signal  
Iris Follow  
1
2
3
4
5
6
7
8
Auto/Remote Control  
Not Used  
GND  
9
Auto/Manual Control  
Iris Control  
10  
11  
12  
Not Used  
Not Used  
11. Power Indicator  
Red LED lamp lights to indicate that the specified  
DC power is supplied to the camera.  
Lens Power  
Not Used  
-8-  
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12. DC 12 V Input Connector (DC 12V IN)  
12 V DC is supplied through the optional DC power  
supply cable (AW-CA4T1).  
13. Cable Clamp  
Clamp the DC Power Supply Cable (AW-CA4T1)  
connected to the DC 12 V Input Connector to pre-  
vent it from slipping out.  
14. G/L Input Connector (G/L IN)  
Signals synchronized with the reference signal are  
to be supplied to this connector when the camera is  
to be synchronized with the reference signal BB.  
15. Optional Card Slot  
Slot for inserting an optional card. For details, refer  
to the manual for optional cards.  
-9-  
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MOUNTING  
• Lenses of any make can be mounted on the cam-  
era as long as they are equipped with a 1/2” stan-  
dard bayonet.  
• Use the lens extension cable WV-CA12T12 (6”/  
15 cm) if your lens cable is too short.  
1. Lens Mounting  
Rotate the lens fixing ring knob counterclockwise  
and remove the lens mount cap. Mount the lens on  
the camera and rotate the lens fixing ring knob  
clockwise in order to fix the lens securely. Connect  
the camera cable to the IRIS connector on the back  
panel of the camera.  
Control Cable  
To Lens I/F Connector of  
Camera Pan/tilt Unit  
Camera Cable  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
DC12V IN  
-10-  
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2. Camera Mounting  
1. Fix the mounting adaptor to the top or bottom of the  
camera.  
Mounting adaptor  
Camera Mounting Bracket (WV-831)  
2. Fix the camera mounting base, pan/tilt unit, and tri-  
pod securely in the screw hole (1/4-20UNC) of the  
camera mounting adaptor.  
3. If the camera cannot be securely fixed, stick the  
supplied rubber sheet to the mounting adaptor,  
then mount the camera.  
-11-  
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FLANGE BACK ADJUSTMENT (FOR ZOOM LENS)  
1. Fully open the iris by shooting a dark object. (Iris  
selection switch should be set to M.)  
FOCUS Ring  
Flange back lock knob  
2. Loosen the flange back lock knob.  
3. Aim the camera at any object over 2 meters away  
from the camera.  
Convertible Camera AW  
E600  
4. Set the lens to its TELE end first and adjust its focus  
with the focus ring.  
Flange back adjust ring  
5. Set the lens to its widest angle next and adjust its  
focus with the flange back adjust ring.  
6. Adjust the focus ring and the flange back adjust  
ring alternately for the best focus within the zoom-  
ing range.  
Tighten the flange back lock knob upon completion  
of focusing.  
7. Turn the iris selection switch to Position A.  
-12-  
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IRIS GAIN CONTROL IN A LENS  
An iris gain control hole is usually provided in the front  
of the lens. Adjustment of the iris gain, with a screwdriv-  
er through the hole may be done as follows. (Shape  
and location of the hole may vary depending on the  
type of lens.)  
Iris gain control (G, S)  
1. Turn the iris selection switch to Position A (AUTO).  
2. Rotate the iris gain control to the maximum gain,  
but in a range where no hunting or oscillating of the  
iris ring develops.  
Automatic iris power zoom lens  
-13-  
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CONNECTIONS  
Caution:  
The connection and installation should be done by qualified service personnel or system installers.  
Refer any servicing to qualified service personnel.  
CONNECTION OF DEVICE WITH A COMPOSITE INPUT CONNECTOR  
• Connection to any device which has a composite input connector, such as a video monitor or a VCR, must be made  
through the VIDEO OUT Connector.  
• Power supply to the camera must be through the optional DC power supply Cable AW-CA4T1.  
• For DC power supply, use the optional AC adaptor AW-PS505.  
VIDEO IN  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
75 coaxial cable  
VIDEO OUT  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
Video monitor  
Connector  
DC12V IN  
FUSE(POWER)  
POWER  
F U S E  
OFF  
O
I
ON  
FUSE  
125V 3.15A  
POWER  
AC Adaptor AW-PS505  
DC Power supply  
Cable AW-CA4T1  
AC Adaptor AW-PS505  
Cautions  
1. Connect this to a DC 12 V class 2 power supply only.  
2. To prevent fire or shock, the UL listed wire VW-1, style 1007 should be used as for the cable for DC 12 V Input  
Connector.  
-14-  
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CONNECTION OF A REMOTE CONTROL UNIT (RCU)  
Connection to the RCU (WV-RC700A,WV-RC550) is  
made through the optional RCU cable AW-CA50A26.  
1. Turn RCU power off before connecting cables.  
2. Set the cable selection switch of the RCU to MULTI  
(in case of using the WV-RC700A)  
Notes:  
• The maximum extension distance between the  
camera and WV-RC700A is 300 m. The maximum  
extension distance between the camera and WV-  
RC500 is 100 m.  
3. Connect the 50-pin connector of the RCU cable to  
the I/F REMOTE Connector of the camera.  
4. Turn RCU power on and the power indicator lamp  
will light. The camera can now be remote con-  
trolled by the RCU.  
• Use the following options for cable extension.  
Studio Cable  
WV-CA26U15 (15 m/50 ft)  
WV-CA26U30 (30 m/100 ft)  
WV-CA26U100 (100 m/330 ft)  
Cable Joint Adaptor  
WV-CA26T26  
WV-RC700A  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
O
UTPUT  
TALLY & INCOM  
G
EN-LOCK  
AUX  
R
/P  
R
/C  
V
IDEO 1  
S
-VID  
E
O
IN  
IN  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
A
U
T
O
A
UTO  
T
ALK  
75 /Hi-Z  
75 /Hi-Z  
G
/Y/Y  
V
IDEO 2  
1
2
4
3
TALLY  
INCOM  
G/L IN  
IRIS  
RECEIVE  
C
ONTROL  
MPX  
O
UT  
O
UT  
AUDIO  
B/P  
B
/B  
S
YNC  
SE  
E MA  
N
U
A
L
CAMERA (MULTI)  
250V 1.25A  
C
ABLE SELECT  
F
U
SE  
MULT  
I
O
VP  
MPX  
RCU Cable  
DC12V IN  
AW-CA50A26 (15 m)  
Set to MULTI  
-15-  
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CONNECTION OF A REMOTE CONTROL BOX (RCB)  
The RCB (WV-CB700A) and the camera must be con-  
nected with the optional RCB cable AW-CA50T10.  
1. Turn RCB power off before connecting cables.  
2. Connect the 50-pin connector of the RCB cable to  
I/F REMOTE connector of the camera. The 10-pin  
connector must be connected to the RCB.  
3. Turn RCB power on and the camera can be con-  
trolled remotely by the RCB.  
Notes:  
• The monitor output signals of the RCB attenuate  
and deteriorate with cable length. It is recommend-  
ed that the signals from the monitor output be used  
for monitoring purposes only.  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
• No gen-lock signal is available from the RCB.  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
RCB Cable AW-CA50T10 (3 m)  
DC12V IN  
Video signal IN  
MONITOR OUT  
RCB  
DC Power Cable  
AW-CA4T1  
FUSE(POWER)  
USER SET  
ALL  
POWER  
1
F U S E  
2
OFF  
O
I
ON  
FUSE  
POWER  
AC Adaptor AW-PS505  
AC Adaptor  
AW-PS505  
Cautions  
1. Connect this to a DC 12 V class 2 power supply  
only.  
RCB WV-CB700A  
2. To prevent fire or shock, the UL listed wire VW-1,  
style 1007 should be used as for the cable for DC  
12 V Input Connector.  
-16-  
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CONNECTION OF DEVICES WITH CAMERA PAN/TILT CONTROL SYSTEM  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
• To connect the pan/tilt unit to the camera, use the  
pan/tilt unit cable AW-CA50T15.  
• Power is supplied from the pan/tilt unit.  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
LENS  
IRIS Cable  
DC12V IN  
LENS  
ZOOM/FOCUS Cable  
1. Before connecting them, press the power  
switch on the pan/tilt unit AC adaptor and the  
ON/OFF switch on the hybrid control panel in  
the OFF position, respectively.  
Camera Mounting  
Hole Adaptor  
(Supplied)  
2. Fix the camera securely to the pan/tilt unit using  
the mounting adaptor.  
3. Connect the 50-pin end of the pan/tilt unit cable  
to the I/F Remote connector on the camera.  
Connect the 15-pin end of the cable to the  
pan/tilt unit.  
Pan/tilt unit Cable  
AW-CA50T15  
Pan/tilt unit  
AW-PH300  
FUSE(POWER)  
F U S E  
FUSE(LAMP)  
F U S E  
POWER  
OFF  
O
I
ON  
FUSE  
FUSE  
AC Adaptor  
AW-PS300  
POWER  
4. Connect the pan/tilt unit to the hybrid control  
panel with the 10BASE-T cable and coaxial  
cable. For details, refer to the manual for the  
hybrid control panel.  
5. First switch on the pan/tilt unit AC adaptor, then  
press the ON/OFF switch on the hybrid control  
panel in the ON position. The camera and pan/  
tilt unit can now be controlled from the hybrid  
control panel.  
Pan/tilt unit AC  
Adaptor AW-PS300  
Video  
Monitor  
Composite Video  
S VIDEO  
Hybrid control  
panel  
AW-RP501  
10BASE-T  
Cable  
G
/
L
I
N
B
R
E
V
I
E
W
M
O
N
I
T
O
R
O
U
T
S-VIDEO OUT  
D
C
1
2
V
I
N
T
D
M
U
L
T
I
P
O
R
T
H
U
B
A
U
X
C
O
N
T
R
O
L
T
A
L
L
Y
P
A
T
N
R
/
O
T
L
I
L
O
T
U
C
N
A
T
M
E
R
A
C
O
N
T
C
O
R
O
L
O
U
T
6
/
1
O
U
T
P
R
E
V
I
E
W
I
N
PAN/TILT CONTROL  
Control Panel  
AC Adaptor  
AW-PS301  
Coaxial  
Cable  
CAMERA CONTROL  
VIDEO  
Coaxial  
Cable  
-17-  
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CONNECTION WITH MULTIPLE CAMERAS (COLOR LOCK MODE)  
• Do not switch off the camera used for supplying the  
An example of connection for VBS/BB input (Color lock  
reference signals.  
mode).  
• Adjust the SC-phase and H-phase at the Video  
Output Connector.  
• One of the multiple cameras is used as the source of ref-  
erence signals.  
• Supply a synchronizing signal (BB) to the G/L Input  
Connectors of each cameras.  
CAMERA  
VIDEO OUT  
Convertible Camera AW  
E600  
G/L IN  
Convertible Camera AW  
E600  
External Sync  
Signal (BB)  
VIDEO OUT  
Convertible Camera AW  
E600  
Camera for External Sync  
(or Special Effect Generator)  
OUTPUT  
INPUT  
INPUT  
OUTPUT  
A
1
OUTPUT  
B
A
1
Video  
THR SEP  
Distributor  
WJ-300C  
2
3
2
3
75HI-Z  
B
Video Output  
To Special Effect Generator or Monitoring System  
-18-  
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CONNECTION OF COMPUTER  
The system shown here can remotely control this camera by using a computer.  
The software and the cable for RS-232C required for this operation should be obtained locally.  
Please contact qualified service personnel for this software.  
Video Monitor  
75 Coaxial Cable  
Composite Video  
VIDEO OUT Connector  
Input Connector  
(VIDEO IN)  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
PC Control Cable AW-CA50T9 (10m)  
DC12V IN  
DC Power Cable  
AW-CA4T1  
FUSE(POWER)  
POWER  
F U S E  
OFF  
O
I
ON  
FUSE  
RS-232C  
POWER  
AC Adaptor AW-PS505  
Computer  
AC ADAPTOR AW-PS505  
-19-  
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ADJUSTMENT  
Color temperature and adjustment of white balance  
When carbon is burnt, it develops various colors of light  
depending on the temperature. Natural light can be  
specified by color temperature referring to the color  
developed when carbon is burnt.  
Therefore, there is a need to adjust the white balance in  
order to correct differences between color tempera-  
tures.  
NOTE: Color temperature outdoors may vary depend-  
The light of 3 200K (K=Kelvin, 273C equals to abso-  
lute zero temperature 0K) represents the same value  
(color) as what develops when carbon is burnt at  
3 200K (2 927C). The relationship between the color  
temperature of the light source and weather condition is  
indicated in the right figure. Let’s study the difference  
of shooting an indoor object from shooting one out-  
doors. Studios are usually lighted with incandescent  
lamps and the color temperature of a white object in a  
studio is around 3 000K. The color temperature of a  
white object outdoors is around 6 500 K. The former  
may look a little yellowish while the latter appears  
somewhat bluish when they are shot by a camera.  
However, the human eye does not recognize color dif-  
ferences among these objects even under different  
ambient lighting conditions, because of their adaptabili-  
ty to light. The video camera reproduces color differ-  
ences with high fidelity and the color of an object some-  
what different from what appears to the human eye.  
ing on weather conditions.  
Blue sky  
Rainy  
Cloudy  
AWC  
Partly cloudy  
ATW  
Fine  
Fluorescent lamp  
Halogen lamp  
Tungsten lamp  
Candle  
-20-  
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AUTOMATIC WHITE BALANCE  
CONTROL (AWC)  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
ITEM/AWC  
Switch  
There are two white balance memories, “AWC A” or  
“AWC B” for two different light sources color tempera-  
tures, with the automatic white balance setting. Then,  
when the two different light sources are encountered,  
you may operate the camera properly by simply  
change the white balance mode to either AWC A or  
AWC B. There is no need to readjust the camera to the  
ambient conditions.  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
DC12V IN  
CAMERA  
* The preset conditions will be renewed whenever  
you input new conditions.  
[ADJUSTMENT with the RCU (RCB, Hybrid control  
panel)]  
1. Turn the white balance selection switch to either  
“AWC A” or “AWC B” of RCU or select the white  
balance mode either AWC A or AWC B by menu.  
2. Aim the camera at a white object (a white wall or a  
white handkerchief) and zoom in to enlarge the  
image as much as possible.  
4. When the AUTO set switch is turned to AWC, the  
white balance will be automatically set. While the  
system is being set, auto warning indicator (LED)  
blinks and it goes out when the white balance set-  
ting is completed. If the lamp remains lit, the set-  
ting must be tried again.  
[ADJUSTMENT by CAMERA]  
RCU (RCB)  
3. In normal shooting mode:  
PAINTING  
Press the Item/AWC switch for over 2 second.  
AUTO/ATW  
GAIN  
R
B
B
ATW  
TOTAL  
PED  
A
B
AUTO  
AWC  
HOLD  
ABC  
PED  
AUTO LED  
R
AUTO set switch  
-21-  
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Notes:  
AUTOMATIC TRACKING WHITE  
• For white balance setting aim the camera at a  
white object and try to position it in the center of  
the monitor screen. The object must appear in  
over 10 % of the total monitor screen area. Try  
to avoid overly bright objects in the scene.  
• White balance may not be correctly set if the  
lighting of the object is too weak.  
BALANCE SETTING (ATW)  
White balance will be automatically set to continuously  
match changes of light source and color temperature  
while the white balance setting is set to ATW.  
Note: White balance may not be accurately set if there  
is no white object in the scene being shot.  
The white object must occupy over  
10 % of the monitor screen area.  
MANUAL WHITE BALANCE SETTING  
[ADJUSTMENT by CAMERA]  
Manual setting is possible in USER MODE only.  
1. Select the white balance mode either AWC A or  
AWC B by menu.  
2. Aim the camera at a large white object. Press the  
Item/AWC switch for over 2 second.  
3. Adjust the red gain/blue gain control in the PAINT-  
ING item of Color Set sub menu of USER MODE  
until the carrier wave of the white portion of the  
video signal is at the minimum width or the white  
object in the monitor screen appears pure white.  
(Use an oscilloscope or a waveform monitor for pre-  
cise adjustment.)  
• Since the camera has a built-in memory, the set  
white balance will remain in the memory even if  
power is turned off. Therefore, it is not neces-  
sary to reset the white balance if the color tem-  
perature of those objects remains unchanged.  
However, it must be reset if the color tempera-  
ture changes, such as when you move from  
indoors to outside, or vice versa.  
• When the camera is used without a RCU or  
RCB red/blue gain adjustment of painting set-  
ting will be automatically reset to ±0 after set-  
ting the white balance. (painting setting in only  
USER MODE.)  
[ADJUSTMENT with the RCU (RCB)]  
After AWC setting, adjust the R/B GAIN controller in the  
same way as described in Step 3 above.  
-22-  
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Minimize the carrier wave using  
the red & blue gain controls  
In user mode, black balance fine adjustment can be  
performed with the red pedestal/blue pedestal setting  
after setting the black balance.  
[ADJUSTMENT with the RCU (RCB, Hybrid control  
panel)]  
Set the AUTO set switch to ABC and the black balance  
will be automatically set. While the system is being set,  
the auto warning indicator (LED) blinks and it goes out  
when the black balance setting is completed. If the  
lamp remains lit, ABC should be tried again.  
Waveform for white  
balance set chart  
RESET TO 3 200K OR 5 600K WHITE  
BALANCE  
When the white balance setting is set to either “P SET  
3 200K” or “P SET 5 600K” the white balance will be  
automatically set to the color temperature 3 200K or  
5 600K, respectively.  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
BLACK BALANCE ADJUSTMENT  
YES/ABC Switch  
• Close the lens.  
DC12V IN  
If the motor drive lens is controlled from the cam-  
era, the lens is automatically closed when the black  
balance is adjusted.  
• When the camera is used without a RCU or RCB,  
R/B pedestal adjustment of painting setting will be  
automatically reset to ±0 after setting the black bal-  
ance. (painting setting in only USER MODE.)  
AUTO LED  
PAINTING  
GAIN  
AUTO/ATW  
R
R
B
B
ATW  
A
TOTAL  
PED  
B
AUTO  
PED  
AWC  
HOLD  
ABC  
AUTO  
[ADJUSTMENT by CAMERA]  
Press the YES/ABC Switch for over 2 seconds and the  
black balance will be set automatically in 10 seconds.  
set switch  
ABC  
-23-  
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TOTAL PEDESTAL LEVEL ADJUST-  
MENT  
**Brightness Set**  
Picture Level  
Light PEAK/AVG  
Light Area  
(Use an oscilloscope or a waveform monitor for this  
adjustment.)  
This step is to adjust the black levels (pedestal levels)  
of two or more cameras to be the same.  
±0  
0
Top cut  
OFF  
Auto ND (ELC)  
Auto Gain Up  
Manu Gain Up  
Pedestal  
OFF  
0dB  
±0  
Contrast(Gamma)  
MID  
[ADJUSTMENT by CAMERA]  
Return  
1. Close the lens.  
2. Select Pedestal item in the brightness setting Sub  
Menu (Select [Pedestal] in the [Iris, Shutter, Gain  
Set] sub menu in USER MODE.)  
3. Set the pedestal level to 5 IRE (0.035 V) with the  
YES/ABC switch or the NO/BAR switch.  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
DC12V IN  
5 IRE  
(0.035 V)  
NO/BAR switch  
YES/ABC switch  
PAINTING  
GAIN  
[ADJUSTMENT with RCU (RCB, Hybrid control panel)]  
Adjust the pedestal level to 5 IRE with the total pedestal  
adjustment.  
AUTO/ATW  
R
R
B
B
ATW  
A
TOTAL  
PED  
B
AUTO  
PED  
AWC  
HOLD  
ABC  
TOTAL PEDESTAL  
-24-  
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GEN-LOCK ADJUSTMENT  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
**G/L. @Color Bar Set**  
H Phase  
Phase adjustments must be performed with the camera  
or the RCU (RCB) when external synchronizing signals  
are supplied to the system in cases where multiple  
cameras are used or peripheral devices are connected.  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
±0  
1
G/L IN  
IRIS  
SC Coarse  
SC Fine  
±0  
Color Bar Set  
7.5IRE  
DC12V IN  
HORIZONTAL PHASE CONTROL  
NO/BAR switch  
YES/ABC switch  
Return  
Observe the waveform of the external synchronizing  
input signal (black burst signal) and video output signal  
on a two-channel oscilloscope. Then match the hori-  
zontal phase of both signals by adjusting them with the  
cameras or RCU's horizontal phase control.  
[ADJUSTMENT with RCU (RCB, Hybrid control panel )]  
Use the horizontal phase control.  
External gen-lock input signal  
(black burst output of special  
effect generator)  
ENC  
OFF  
PAGE ITEM  
UP  
DOWN  
VF  
ON  
Video signal  
SC PHASE  
COARSE  
FINE  
USER SET  
H.PHASE  
Adjust the horizontal phase  
270°  
90° 180°  
0°  
[ADJUSTMENT by CAMERA]  
1. Press the NO/BAR switch for over 5 seconds to dis-  
play the color bar.  
Horizontal phase  
control  
Subcarrier phase  
fine control  
2. Select [G/L. Color Bar Set] on the main menu, then  
select [H PHASE] on the submenu.  
3. Adjust the horizontal phase with the YES/ABC and  
NO/BAR switch.  
Subcarrier phase  
coarse control  
-25-  
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COLOR PHASE ADJUSTMENT  
Supply the output signal (split color bar) from the color  
special effect generator to a color monitor or vec-  
torscope. Adjust the color phase of the camera.  
**G/L. @Color Bar Set**  
H Phase  
±0  
1
SC Coarse  
SC Fine  
±0  
Color Bar Set  
7.5IRE  
Color bar of  
camera  
Return  
Sprit line  
[ADJUSTMENT with RCU (RCB, Hybrid control panel)]  
Use the subcarrier phase coarse adjustment control  
and subcarrier phase fine control.  
Color bar of special  
effects generator  
* It is recommended that a vectorscope be used for  
maximum accuracy in color phase adjustment.  
[ADJUSTMENT by CAMERA]  
1. Press the NO/BAR switch for over 5 seconds for the  
color bar mode.  
2. Select [G/L. Color Bar Set] on the main menu, then  
select [SC Coarse] on the sub menu.  
3. Make coarse adjustment with the YES/ABC switch  
and the NO/BAR switch.  
4. Select [SC Fine] on the sub menu. Perform fine  
adjustment with the YES/ABC switch and the  
NO/BAR switch.  
-26-  
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USE MODE SETTING  
2. Press the MENU switch, ITEM/AWC switch, or  
NO/BAR switch to let the desired use mode blink.  
MENU switch (M): The blinking item moves up by  
one.  
Use Mode Setting  
The camera has four use modes, and various functions  
for four use modes have been preset.  
Functions can be set as best suited to each use mode.  
• Halogen mode  
ITEM/AWC switch (<), NO/BAR switch (–): The  
blinking item moves down by one.  
Suited to indoor shooting, such as at weddings,  
parties, lecture meetings, events, etc.  
Settings can be changed using a simple menu.  
• Fluorescent mode  
Suited to indoor shooting under fluorescent lighting.  
Settings can be changed using a simple menu.  
• Outdoor mode  
**Use Mode Set**  
Halogen  
Fluorescent  
Outdoor  
User  
Suited to outdoor shooting.  
Settings can be changed using a simple menu.  
• User mode  
Settings can be changed using a detail menu.  
3. Press the YES/ABC switch.  
SETTING BY CAMERA  
The blinking use mode comes into effect. After the  
use mode setting menu is shown for about 5 sec-  
onds, the camera returns to be ready for operation.  
Then, the camera operates in the selected use  
mode.  
1. Turn the camera on while keeping the MENU switch  
depressed.  
The use mode setting menu shown at right appears  
on the monitor screen and one of the use mode  
blinks.  
-27-  
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SETTING BY RCU (RCB) OR HYBRID  
CONTROL PANEL  
An operation mode is selected depending on the posi-  
tion of the scene file switch.  
Scene File  
Scene File  
Switch  
Switch  
Position of  
RCU (RCB)  
Operation mode  
Position of  
Hybrid control  
panel  
Halogen Mode  
Fluorescent Mode  
Outdoor Mode  
User's Mode  
1
1
2
3
4
2
3
USER SET  
Hybrid Control Panel  
CAMERA  
RCU (RCB)  
PAINTING  
GAIN  
AUTO/ATW  
R
B
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
ATW  
A
MENU  
TOTAL  
PED  
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW  
A T  
A
W
C
A
B
C
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
HIGH  
LOW  
AGC  
OPERATE  
ON  
SC  
H
B
W
9 0 °  
0 °  
1 8 0 °  
2 7 0 °  
G/L IN  
IRIS  
MID  
ITEM/AWC  
YES/ABC  
NO/BAR  
POWER  
ON  
AUTO  
AWC  
HOLD  
ABC  
PED  
R
B
OFF  
MANU  
A
T. P E D  
C A B L E C O M P  
MODE  
BAR  
SHUTTER  
SCENE  
FILE  
ELC  
/ 100  
B
Y
C
.
SHUTTER  
500 1000  
SCENE  
1
1
IRIS  
MAN  
AUTO  
.
.
.
2
2
3
4
DC12V IN  
USER  
SET  
100  
OFF  
S/S  
ELC  
1
OFF  
3
SCENE  
FILE  
CAM  
OFF  
Switch  
SCENE FILE Switch  
-28-  
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MENU ITEM SETTING  
MAIN MENU SCREEN  
MENU ITEM SETTING  
• Each of the four use modes of the camera has a  
main menu. (Shown at right)  
Main Menu of Halogen,  
Fluorescent, Outdoor Mode  
• Each item of the main menu has a submenu, which  
consists of several settings.  
• These settings have been preset to the optimum  
values to suit each use mode, and can be changed  
to suit actual shooting conditions.  
Use Mode  
Blinking  
**Halogen Mode Set**  
Brightness Set  
Color Set  
G/L. Color Bar Set  
Sharpness Set  
Other Set  
• They can be set from the camera and RCU (RCB).  
They can also be set from the hybrid control panel  
using the switches, but the setting items are limited  
because the menu is not shown.  
Initialize Data  
End  
Notes:  
Main Menu of User Mode  
• Composite signals are output from the video  
output regardless of the position ENC/VF of the  
RCU (RCB) user set switch.  
• [End] is displayed only in setting from the cam-  
era alone.  
**User Mode Set**  
Iris, Shutter, Gain Set  
Color Set  
G/L. Color Bar Set  
Detail Set1 Detail Set2  
Color Matrix Set  
Other Set  
Initialize Data  
End  
-29-  
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RCU (RCB): Set the user set switch in the pocket to  
the OFF position.  
The camera will now operate according to the new  
settings.  
SETTING  
1. From the camera alone:  
Keep the MENU switch depressed for 5 sec-  
onds or more.  
From RCU (RCB):  
Set the user set switch in the pocket to the ON  
position.  
CAMERA  
The main menu appears on the monitor screen.  
2. Each time the MENU switch (M), ITEM/AWC switch  
(<), or NO/BAR switch () is pressed, the blinking  
item moves up or down.  
3. When the YES/ABC switch is pressed after select-  
ing the desired item to blink, the submenu for the  
selected item appears on the screen.  
4. Select the desired item to be changed in its settings  
using the the MENU switch (M) and ITEM/AWC  
switch (<).  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
MENU  
G/L IN  
IRIS  
ITEM/AWC  
YES/ABC  
NO/BAR  
DC12V IN  
5. Press the YES/ABC switch (+) or NO/BAR switch (–)  
to change the settings.  
6. Select [Return] using the MENU switch and ITEM/  
AWC switch, then press the YES/ABC switch to  
return to the main menu.  
RCU (RCB)  
USER SET SWITCH  
7. After changing the settings, take the following  
steps.  
ENC  
OFF  
PAGE ITEM  
UP  
SC PHASE  
COARSE  
DOWN  
VF  
ON  
Camera alone: Select [End] using the MENU  
switch and ITEM/AWC switch and press the  
YES/ABC switch.  
FINE  
USER SET  
H.PHASE  
270°  
0°  
90° 180°  
-30-  
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SUB MENU (Halogen Mode, Fluorescent Mode, Outdoor Mode)  
**Brightness Set**  
Picture Level  
Light PEAK/AVG  
Light Area  
**G/L. Color Bar Set**  
H Phase  
**Other Set**  
Shutter Speed  
Syncro Scan  
V Resolution  
Baud Rate  
±0  
0
±0  
(OFF)  
---  
Normal  
9600bps  
Posi  
SC Coarse  
(1)  
Top cut  
(OFF)  
(OFF)  
(0dB)  
(±0)  
SC Fine  
(±0)  
Auto ND (ELC)  
Auto Gain Up  
Manu Gain Up  
Pedestal  
Color Bar Set  
(7.5IRE)  
Nega/Posi  
Contrast(Gamma)  
MID  
Return  
Return  
Return  
**Color Set**  
Chroma Level  
Flesh Tone  
**Sharpness (DTL) Set**  
±0  
±0  
DTL Select  
Level  
Sharpness  
(HIGH)  
OFF  
White Bal  
(AWC A)  
OFF  
Noise Suppress  
Clean DNR  
Highlight Chroma  
OFF  
MID  
DTL Flesh Tone  
Return  
Return  
• Settings enclosed in parentheses can be set with the RCU (RCB) switch or VR in RCU (RCB) mode.  
• To return to the initial settings, refer to page 46.  
-31-  
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R/L cut: About one-third of both the right and left  
portions of the screen are excluded from mea-  
surement.  
Setting and Changing of the  
Setting (Halogen Mode, Fluores-  
cent Mode, Outdoor Mode)  
All  
Center  
Top cut  
BTM cut  
R/L cut  
q Video Level Adjustment  
[Picture Level: –50 - +50]  
Convergence level of AUTO IRIS/AUTO GAIN UP/  
AUTO ND (ELC) can be adjusted.  
r Auto ND (ELC) Setting [Auto ND (ELC): ON/OFF]  
ON: The electronic shutter is controlled to automati-  
cally adjust the luminance.  
w Detecting Ratio Adjustment [Light PEAK/AVG:  
P50 - A50]  
OFF: Luminance is not automatically adjusted by  
the electronic shutter.  
The ratio of AUTO IRIS/AUTO GAIN UP/AUTO ND  
(ELC) detected peak to average can be adjusted  
within a predetermined range.  
Notes  
• ON is automatically selected when the electronic  
shutter @ on the submenu [Other Set] is set to  
[Auto ND]. OFF is selected when other than [Auto  
ND] is selected.  
• ON is selected when the SHUTTER switch is set  
to [ELC] in RCU (RCB) mode, and OFF is select-  
ed when it is set to other than [ELC].  
e Photometric Measurement Method Setting [Light  
Area: All, Center, Top cut, BTM cut, R/L cut  
A photometric measurement method can be select-  
ed for AUTO IRIS/AUTO GAIN UP/AUTO ND (ELC).  
All: All the screen area is measured.  
Center: The screen is measured mainly in the cen-  
ter area, about one-third of both the top and bot-  
tom and one-third of both the right and left por-  
tions of the screen are excluded from measure-  
ment.  
PAINTING  
AUTO/ATW  
GAIN  
ATW  
R
B
B
TOTAL  
PED  
A
B
AUTO  
PED  
R
AWC  
HOLD  
ABC  
Top cut: About one-third of the top part of the  
screen is excluded from measurement.  
BTM cut: About one-third of the bottom portion of  
the screen is excluded from measurement.  
SHUTTER  
500 1000  
SCENE  
2
IRIS  
MAN  
AUTO  
1
USER  
100  
S/S  
ELC  
3
SET  
OFF  
SHUTTER  
RCU (RCB)  
-32-  
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y Manual Gain Up Control Setting [Manu Gain Up:  
0 dB - 30 dB / N/Eye L / N/Eye H]  
t Auto Gain Up Control Setting [Auto Gain Up:  
OFF/ LOW/HIGH]  
LOW: The Auto Gain Up control with a maximum  
gain increase of about 18 dB adjust the lumi-  
nance automatically.  
HIGH: The Auto Gain Up control with a maximum  
gain increase of about 30 dB operates. If the  
luminance is still insufficient, the Night Eye also  
operates to adjust the luminance automatically.  
OFF: No auto gain up takes place. (Gain can be  
increased manually.)  
Manual setting is possible only when the Auto Gain  
Up control is in the OFF position.  
0 dB: 0 dB should be selected in normal cases.  
1 dB - 30 dB: Use this range if sufficient video out-  
put cannot be obtained even when the lens iris  
is opened in shooting dark scenes.  
N/Eye L / N/Eye H (Night Eye L/H): Use this mode  
if sufficient video output cannot be obtained  
even if 30 dB gain up should be selected.  
Night Eye can be selected to any of two (L or H)  
levels.  
Notes  
• In case of settings on the camera alone or when  
the iris switch on the RCU (RCB) is at [AUTO], the  
Auto Gain Up control may not operate if the lens  
iris switch is in the manual position.  
• When the AGC switch on the hybrid control panel  
is set to AGC, the Auto Gain Up control operates  
in the HIGH position.  
Notes  
• Only 0 dB, 9 dB, or 18 dB can be selected in  
case of using the RCU (RCB).  
• 0 dB when the manual GAIN switch on the hybrid  
control panel is at LOW, 9 dB when it is at MID, or  
18 dB when it is at HIGH.  
Manual GAIN  
AGC  
G
/
L
P
H
A
S
E
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW  
A T  
A
W
C
A
B
C
G
A
I
N
AUTO/AIW  
A T  
A
W
C
A
B
C
HIGH  
AGC  
OPERATE  
ON  
SC  
H
HIGH  
LOW  
AGC  
W
9 0 °  
0 °  
1 8 0 °  
2 7 0 °  
OPERATE  
ON  
SC  
H
W
9 0 °  
0 °  
1 8 0 °  
2 7 0 °  
MID  
MID  
POWER  
ON  
POWER  
ON  
OFF  
LOW  
MANU  
OFF  
A
MANU  
A
T. P E D  
C A B L E C O M P  
T. P E D  
C A B L E C O M P  
MODE  
BAR  
SHUTTER  
SCENE  
FILE  
MODE  
BAR  
SHUTTER  
SCENE  
FILE  
ELC  
/ 100  
B
Y
C
ELC  
/ 100  
B
.
Y
C
.
1
1
.
.
.
.
.
.
2
3
4
2
3
4
1
1
OFF  
OFF  
CAM  
OFF  
CAM  
OFF  
Hybrid Control Panel  
Hybrid Control Panel  
-33-  
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Fine color adjustment can be made after setting  
AWC by red/blue gain adjustment in user mode  
or from the RCU (RCB).  
u Black Level Setting [Pedestal: –30 - +30]  
The black level (pedestal) of the luminance (Y) sig-  
nal can be set. Used in adjusting the black levels  
of two or more cameras.  
P SET 3 200K: The white balance is adjusted to  
3 200K illumination.  
P SET 5 600K: The white balance is adjusted to  
5 600K illumination.  
i Contrast Adjustment [Contrast (Gamma):  
LOW/MID/HIGH]  
Contrast can be adjusted to any of three levels.  
Note  
o Chroma Level Adjustment  
[Chroma Level: –3 - +3]  
Neither P SET 3 200K nor P SET 5 600K can be set  
from the RCU (RCB) or the hybrid control panel.  
Chroma Level can be decreased or increased to  
any of three levels each.  
! Highlight Chroma Setting [Highlight Chroma:  
OFF/LOW/HIGH]  
! Skin Color Adjustment [Flesh Tone: –3 - +3]  
Skin color can be decreased or increased to any of  
three levels each.  
At LOW or HIGH, the color dynamic range widens  
to prevent highlighted white portions from suppres-  
sion.  
! White Balance Setting [White Bal: ATW/AWC A/  
AWC B/P SET 3 200K/P SET 5 600K]  
! Horizontal Phase Adjustment  
[H Phase: –206 - +49]  
ATW: The white balance is automatically adjusted  
to be always right.  
Horizontal phase can be adjusted when a genlock  
signal is supplied.  
AWC A, AWC B: Once the white balance is adjust-  
ed with the ITEM/AWC switch on the back of the  
camera, it is no longer necessary to set the  
white balance again if you simply select AWC A  
or AWC B, provided that the camera is used  
under the same conditions.  
! Sub Carrier Phase Coarse Adjustment  
[SC Coarse: 1/2/3/4]  
Coarse adjustment of subcarrier phase can be  
made when a genlock signal is supplied.  
-34-  
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! Subcarrier Phase Fine Adjustment [SC Fine:  
–511 - +511]  
RCU (RCB)  
DTL  
GAIN  
AGC  
DTL  
Fine adjustment of subcarrier phase can be made  
when a genlock signal is supplied.  
RCBON  
OFF  
+18  
+9  
+6  
BAR  
CAM  
HIGH  
LOW  
OFF  
OFF  
0(dB)  
6(dB)  
PAINTING  
GAIN  
AUTO/ATW  
R
B
B
ATW  
A
TOTAL  
PED  
! Color Bar Setup Setting [Color Bar Set:  
0.0IRE/7.5IRE]  
B
AUTO  
PED  
R
AWC  
HOLD  
ABC  
The setup level of color bar can be adjusted.  
SHUTTER  
SCENE  
IRIS  
MAN  
AUTO  
500 1000  
1
2
USER  
SET  
ELC  
120  
OFF  
S/S  
3
! Detail Select Setting [DTL Select: Sharpness/  
Super DTL]  
If contour correction is not sufficient at the  
Sharpness position when Detail Level setting ! is  
set to LOW or HIGH, select the Super DTL position.  
! Noise Suppress Level Setting [Noise Suppress:  
OFF/LOW/HIGH]  
Note  
Screen noise can be reduced when Detail Level  
setting !is at HIGH or LOW.  
Neither Sharpness nor Super DTL is valid for con-  
tour correction if Detail Level setting ! is in the  
OFF position.  
@ Clean DNR Setting [Clean DNR: OFF/LOW/HIGH]  
Clean DNR effect can be selected.  
! Detail Level Setting [Level: OFF/LOW/HIGH]  
Detail level can be adjusted when Detail Select set-  
ting ! is at Sharpness. Super DTL level can be  
adjusted when it is at Super DTL.  
@ Detail Flesh Tone Level Setting [DTL Flesh Tone:  
LOW/MID/HIGH]  
LOW:  
MID:  
Skin color coarseness is suppressed.  
Standard  
In case of using the RCU (RCB), the above can be  
adjusted with the contour correction switch (DTL).  
HIGH:  
Skin color is emphasized.  
-35-  
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@ Electronic Shutter Synchro-Scan Setting  
[Synchro Scan: 60.34 Hz - 15.75 kHz]  
This setting is possible only when Electronic Shutter  
setting @is at S/Scan.  
@ Electronic Shutter Setting [Shutter Speed: OFF/  
1/100 to 1/10 000 / S/Scan / Auto ND]  
OFF: Electronic shutter is turned off.  
1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000, 1/10 000:  
Electronic shutter operates at one of these  
speeds as selected.  
S/Scan (Synchro Scan): Electronic shutter oper-  
ates at the speed set with the electronic shutter  
synchro-scan setting @.  
Horizontal bar noise can be reduced by synchro-  
scan adjustment in shooting workstation scenes, for  
example.  
For luminance settings at each shutter speed and  
*
synchro-scan shutter speed, refer to the table  
below.  
Auto ND: Electronic shutter is controlled to auto-  
matically adjust the luminance. (ELC)  
Shutter Speed  
OFF  
Synchro-scan Required luminance ratio  
1
1/100  
99.68 Hz  
250.0 Hz  
492.2 Hz  
984.4 Hz  
1.969 kHz  
3.938 kHz  
7.875 kHz  
2
4
Notes  
1/250  
• In case of using the RCU (RCB), none of the shut-  
ter speeds-1/250, 1/2 000, 1/4 000, and 1/10 000  
can be selected.  
1/500  
8
1/1 000  
1/2 000  
1/4 000  
1/10 000  
16  
32  
64  
160  
• In case of using the hybrid control panel, only  
OFF, 1/100, or Auto ND (ELC) can be selected.  
• If the lens iris switch is at M (Manual) when oper-  
ating the camera alone or when the iris switch on  
the RCU (RCB) is at AUTO, Auto ND may not  
function. Set the lens iris switch to A (Auto).  
• Flickering may increase at Auto ND under fluores-  
cent lights.  
@ CCD Read Out Mode Setting [V Resolution:  
Normal/Fine]  
Normal: Normal image. (CCD storage will be by  
field storage.)  
Fine: Vertical resolution increases. (Vertical resolu-  
tion is raised without increasing residual images  
by frame storage and electronic shutter.  
Normal is recommended for general use be-  
cause sensitivity will decrease at the Fine set-  
ting.  
• Auto ND is automatically selected if Auto ND  
(ELC) setting ris set to ON.  
-36-  
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@ PC Control Access Speed Setting [Baud Rate:  
1 200 bps/2 400 bps/4 800 bps/9 600 bps]  
Select a communication speed in controlling the  
camera from the computer.  
@ Negative/Positive Selection  
[Nega/Posi: Posi/Nega]  
Posi: Normal image  
Nega: Image is shown reversed in darkness and  
color.  
Note  
When an option card is added, only the composite  
output and Y/C output will be reproduced in nega-  
tive image.  
-37-  
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Sub Menu (User Mode)  
**Iris, Shutter, Gain Set**  
**Detail Set1**  
Detail  
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
Detail Band  
Noise Suppress  
Level Dependent  
Dark Detail  
**Color Matrix Set**  
Matrix(R-G)  
Picture Level  
Light PEAK/AVG  
Light Area  
Auto Iris Adjust  
Shutter Mode  
Step  
±0  
(HIGH)  
+11  
+12  
+7  
±0  
±0  
±0  
±0  
±0  
±0  
0
Matrix(R-B)  
Top cut  
OFF  
Matrix(G-R)  
Matrix(G-B)  
(Step)  
(OFF)  
---  
Field  
(0dB)  
(±0)  
+6  
Matrix(B-R)  
2
Matrix(B-G)  
Syncro Scan  
Field/Frame  
Gain  
3
0%  
0
Pedestal  
Return  
Return  
Return  
**Color Set**  
Chroma Level  
White Bal  
Highlight Chroma  
Painting  
**Detail Set2**  
Chroma Detail  
DTL Flesh Tone  
Corner Detail  
Precision Detail  
**Other Set**  
Gamma  
Knee Point  
White Clip  
Flare R  
Flare G  
Flare B  
Black Stretch  
Clean DNR  
Baud Rate  
Nega/Posi  
Return  
±0  
(AWC A)  
OFF  
0
MID  
OFF  
OFF  
0.45  
88%  
110%  
0
R Gain  
(±0)  
(±0)  
(±0)  
(±0)  
OFF  
0
B Gain  
0
OFF  
OFF  
R Pedestal  
B Pedestal  
2D LPF  
9600bps  
Posi  
Return  
Return  
**G/L. Color Bar Set**  
H Phase  
(±0)  
SC Coarse  
SC Fine  
(1)  
(±0)  
Color Bar Set  
7.5IRE  
• Settings enclosed in parentheses can be set with the RCU (RCB)  
switch or VR in RCU (RCB) mode.  
• To return to the initial settings, refer to page 46.  
Return  
-38-  
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R/L cut: About one-third of both the right and left  
portions of the screen are excluded from mea-  
surement.  
Setting and Changing of the  
Setting Items (User Mode)  
@ Video Level Adjustment [Picture Level:  
–50 - +50]  
All  
Center  
Top cut  
BTM cut  
R/L cut  
Convergence level of AUTO IRIS/AGC/ELC can be  
adjusted.  
@ Detecting Ratio Adjustment [Light PEAK/AVG:  
P50 - A50]  
# Auto Iris Level Fine Adjustment [Auto Iris  
Adjust: ON/OFF]  
The ratio of AUTO IRIS/AGC/ELC detected peak to  
average can be adjusted within a range.  
ON:  
Fine adjustment of auto iris convergence  
level can be made with the iris control when  
the iris switch on the RCU (RCB) or on the  
hybrid control panel is in the AUTO posi-  
tion.  
@ Photometric Measurement Method Setting  
[Light Area: All, Center, Top cut, BTM cut, R/L  
cut]  
OFF: The iris control is invalid when the iris  
switch on the RCU (RCB) or on the hybrid  
control panel is in the AUTO position.  
A photometric measurement method can be select-  
ed for AUTO IRIS/AGC/ELC.  
All: All the screen area is measured.  
Center: The screen is measured mainly in the cen-  
ter area, about one-third of both the top and bot-  
tom and one-third of both the right and left por-  
tions of the screen are excluded from measure-  
ment.  
RCU (RCB)  
PAINTING  
AUTO/ATW  
GAIN  
R
B
ATW  
TOTAL  
PED  
A
B
AUTO  
AWC  
HOLD  
ABC  
PED  
R
B
Top cut: About one-third of the top portion of the  
screen is excluded from measurement.  
BTM cut: About one-third of the bottom portion of  
the screen is excluded from measurement.  
SHUTTER  
500 1000  
SCENE  
1
IRIS  
MAN  
AUTO  
2
USER  
100  
S/S  
ELC  
3
SET  
OFF  
Iris Control  
Iris Switch  
-39-  
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Notes  
# Electronic Shutter Mode Setting [Shutter Mode:  
Step/ ELC/ S/Scan]  
• In case of using the RCU (RCB), none of the shut-  
ter speeds–1/250, 1/2 000, 1/4 000, and 1/10 000  
can be selected.  
• In case of using the hybrid control panel, only  
OFF, 1/100, or ELC can be selected.  
• If the lens iris switch is at M (Manual) when oper-  
ating the camera alone or when the iris switch on  
the RCU (RCB) is at AUTO, ELC may not function.  
Set the lens iris switch to A (Auto).  
Step: Electronic shutter operates at the speed  
selected by the Electronic Shutter Step Setting  
#.  
ELC: Electronic shutter is controlled to automatical-  
ly adjust the luminance.  
S/Scan (Synchro Scan): Electronic shutter oper-  
ates at the speed selected in Electronic Shutter  
Synchro-Scan Setting #.  
• Flickering may increase at ELC under fluorescent  
lights.  
Note  
If Frame 1 is selected in CCD Read Out Mode  
Setting #, Electronic Shutter Mode Setting cannot  
be added.  
# Electronic Shutter Synchro-Scan Setting  
[Synchro Scan: 60.34 Hz - 15.75 kHz]  
This setting is possible only when Electronic Shutter  
# Electronic Shutter Step Setting  
[Step: OFF/1/100 - 1/10 000]  
Mode Setting # is at S/Scan.  
1
Bar noise can be reduced by synchro-scan adjust-  
ment in shooting workstation scenes, for example.  
For luminance setting at each shutter speed and  
synchro-scan shutter speed, refer to the table on the  
next page.  
This setting is possible only when Step is selected  
in Electronic Shutter Mode Setting #.  
OFF: Electronic shutter is turned off.  
1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000,  
1/10000: Electronic shutter operates at one of these  
speeds as selected.  
*
-40-  
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1 dB - 30 dB: Use this range if sufficient video out-  
put cannot be obtained even when the lens iris  
is opened in shooting dark scenes.  
N/Eye L / N/Eye H (Night Eye L/H): Use this mode  
if sufficient video output cannot be obtained  
even if 30 dB gain up should be selected.  
Night Eye can be selected to any of two (L or H)  
levels.  
Shutter Speed  
OFF  
Synchro-scan Required luminance ratio  
1
1/100  
99.68 Hz  
250.0 Hz  
492.2 Hz  
984.4 Hz  
1.969 kHz  
3.938 kHz  
7.875 kHz  
2
4
1/250  
1/500  
8
1/1 000  
1/2 000  
1/4 000  
1/10 000  
16  
32  
64  
160  
Notes  
# CCD Read Out Mode Setting [Field/Frame:  
Field/Frame 1/Frame 2]  
• Only 0 dB, 9 dB, or 18 dB, AGC LOW, AGC HIGH  
can be selected in case of using the RCU (RCB).  
If the lens iris switch is at MANUAL, when operat-  
ing the camera alone or when the iris switch on  
the RCU (RCB, Hybrid control panel) is at AUTO,  
AGC may not function.  
Field: CCD storage will be by field storage.  
Frame 1: Vertical resolution increases in frame stor-  
age.  
Frame 2: Vertical resolution is raised without  
increasing residual images by frame storage  
and electronic shutter.  
• AGC HIGH when the AGC selection switch on the  
hybrid control panel is at AGC.  
• 0 dB when the manual gain switch on the hybrid  
control panel is at LOW, 9 dB when it is at MID, or  
18 dB when it is at HIGH.  
# Gain Up Setting [Gain: AGC HIGH / AGC LOW /  
0 dB - 30 dB / N/Eye L / N/Eye H]  
AGC LOW: The Auto Gain Up control with a maxi-  
mum gain increase of about 18 dB adjusts the  
luminance automatically.  
AGC HIGH: The Auto Gain Up control with a maxi-  
mum gain increase of about 30 dB operates. If  
the luminance is still insufficient, the Night Eye  
also adjusts the luminance automatically.  
0 dB: 0 dB should be selected in normal cases.  
Manual GAIN  
AGC  
G
/
L
P
H
A
S
E
G
A
I
N
AUTO/AIW  
A T  
A
W
C
A
B
C
HIGH  
AGC  
OPERATE  
ON  
SC  
H
W
9 0 °  
0 °  
1 8 0 °  
2 7 0 °  
MID  
POWER  
ON  
OFF  
LOW  
MANU  
A
T. P E D  
C A B L E C O M P  
MODE  
BAR  
SHUTTER  
SCENE  
FILE  
ELC  
/ 100  
B
Y
C
.
1
.
.
.
2
3
4
1
OFF  
CAM  
OFF  
Hybrid Control Panel  
-41-  
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Note  
# Black Level Setting [Pedestal: –30 - +30]  
The black level (pedestal) of the luminance (Y) sig-  
nal can be set. Used in adjusting the black levels  
of two or more cameras.  
Neither P SET 3 200K nor P SET 5 600K can be set  
from the RCU (RCB) or the hybrid control panel.  
# Highlight Chroma Setting [Highlight Chroma:  
OFF/LOW/HIGH]  
# Chroma Level Adjustment  
[Chroma Level: –3 - +3]  
At LOW or HIGH, the color dynamic range widens to  
prevent highlighted white portions from suppres-  
sion.  
Chroma Level can be decreased or increased to  
three levels.  
# White Balance Setting [White Bal: ATW/AWC A/  
AWC B/P SET 3 200K/P SET 5 600K]  
$ Painting Setting [Painting: R Gain, B Gain,  
R Pedestal, B Pedestal: –30 - +30]  
ATW: The white balance is automatically adjusted  
to the optimum position.  
R Gain, B Gain:  
Fine adjustment of the white balance can be  
made after AWC setting when AWC A or AWC B  
is selected in White Balance Setting #. In case  
of using the RCU (RCB), use the R/B gain con-  
trols for this purpose. The set value returns to  
±0 after AWC setting in using the camera alone.  
R Pedestal, B Pedestal:  
AWC A, AWC B: Color temperature conditions at  
two points can be stored at AWC A and AWC B.  
Once the white balance is adjusted with the  
Item/AWC switch on the back of the camera, it  
is no longer necessary to set the white balance  
again if you simply select AWC A or AWC B,  
provided that the camera is used under the  
same conditions.  
Fine adjustment of the black balance can be  
made after ABC setting.  
In case of using the RCU (RCB), use the R/B  
pedestal controls for this purpose. The set  
value returns to ±0 after ABC setting in using the  
camera alone.  
Fine color adjustment can be made after setting  
AWC by red/blue gain adjustment in Painting  
Setting $or from the RCU (RCB).  
P SET 3 200K: The white balance is adjusted to  
3 200K illumination.  
P SET 5 600K: The white balance is adjusted to  
5 600K illumination.  
-42-  
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$ Color Bar Setup Setting [Color Bar Set: 0.0IRE/  
7.5IRE]  
PAINTING  
GAIN  
AUTO/ATW  
R
R
B
B
ATW  
A
TOTAL  
PED  
R/B Gain  
Control  
B
The setup level of color bar can be adjusted.  
AUTO  
AWC  
HOLD  
ABC  
PED  
R/B Pedestal  
Control  
SHUTTER  
500 1000  
SCENE  
1
IRIS  
MAN  
AUTO  
2
USER  
100  
S/S  
ELC  
3
SET  
OFF  
$ Detail Level Setting [Detail: OFF/LOW/HIGH]  
Contour correction quantity can be selected.  
Detail settings made using the Horizontal/Vertical  
Detail Level HIGH/LOW Setting $.  
RCU (RCB)  
$ 2-dimensional Lowpass Filter Setting [2D LPF:  
OFF/ LOW/ HIGH]  
$ Horizontal/Vertical Detail Level HIGH/LOW  
Setting  
The 2D lowpass filter that reduces moire and cross  
color can be set.  
[H Detail Level H: +1 - +63]  
[V Detail Level H: +1 - +31]  
[H Detail Level L: 0 - +62]  
[V Detail Level L: 0 - +30]  
Detail level can be set in horizontal (H) and vertical  
(V) directions with the Detail Level Setting $ at  
HIGH or LOW.  
Whichever the direction, H or V, the set level at  
HIGH must be at least one position higher than that  
at LOW.  
$ Horizontal Phase Adjustment [H Phase:  
–206 - +49]  
Horizontal phase can be adjusted when a genlock  
signal is supplied.  
$ Subcarrier Phase Coarse Adjustment  
[SC Coarse: 1/2/3/4]  
Coarse adjustment of subcarrier phase can be  
made when a genlock signal is supplied.  
$ Detail Band Setting [Detail Band: 1 - 5]  
A contour correction band can be set with the  
Detail Level Setting $at HIGH or LOW. The higher  
setting, the finer will be the detail.  
$ Subcarrier Phase Fine Adjustment [SC Fine:  
–511 - +511]  
Fine adjustment of subcarrier phase can be made  
when a genlock signal is supplied.  
-43-  
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$ Noise Suppress Compensation Level Setting  
[Noise Suppress: 1 - 10]  
% Skin Color Detail Level Setting [DTL Flesh Tone:  
LOW/MID/HIGH]  
Screen noise can be reduced with the Detail Level  
Setting $ at HIGH or LOW. If the noise suppress  
compensation level is set too high, a fine object will  
be reproduced less sharply.  
LOW:  
MID:  
HIGH:  
Skin color coarseness is suppressed.  
Standard  
Skin color is emphasized.  
% Corner Detail Setting [Corner Detail: OFF/ON]  
Corner detail, which improves the resolution of cor-  
ners, can be turned on or off when the Detail Level  
Setting $is at HIGH or LOW.  
% Level Dependent Compensation Level Setting  
[Level Dependent: 0 % - 25 %]  
Screen noise due to the detail of dark parts of an  
object can be reduced.  
If level dependent compensation level is set too  
high, however, hair, for example, will be reproduced  
less sharply.  
% Precision Detail Level Setting [Precision Detail:  
OFF/LOW/HIGH]  
This setting is to narrow detail width and suppress  
detail glare.  
% Dark Detail Compensation Level Setting [Dark  
Detail: 0 - 5]  
The contours of the darker portions of an object can  
be emphasized.  
This setting is possible only when the Level  
Dependent Compensation Level Setting % is set to  
0 %.  
% Chroma Detail Compensation Level Setting  
[Chroma Detail: 0 - 15]  
The contours of high-hue portions of an object can  
be emphasized.  
-44-  
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% Color Matrix Compensation Level Setting  
[Matrix (R-G)/(R-B)/(G-R)/(G-B)/(B-R)/(B-G):  
–31 - +31]  
^ Flare Correction Level Setting [Flare R/G/B:  
0 - 100]  
Flare correction level can be adjusted.  
* Flare correction level has already been adjusted  
prior to shipment from the factory.  
Color Matrix compensation level can be adjusted.  
(R-G): To increase or decrease the intermediate  
color between red and magenta  
(R-B): To increase or decrease the intermediate  
color between red and yellow  
^ Black Stretch Setting [Black Stretch: ON/OFF]  
Black stretch to correct the suppression of black  
portions at low luminance can be set to ON or OFF.  
(G-R): To increase or decrease the intermediate  
color between green and cyan  
^ Clean DNR Setting [Clean DNR: HIGH/LOW/OFF]  
(G-B): To increase or decrease yellowish green  
(B-R): To increase or decrease the intermediate  
color between blue and cyan  
Clean DNR effect can be selected.  
^ PC Control Access Speed Setting [Baud Rate:  
1 200bps/2 400bps/4 800bps/9 600bps]  
(B-G): To increase or decrease purple  
This setting is to select a communication speed in  
controlling the camera from the computer.  
% Gamma Correction Level Setting  
[Gamma: 0.35 - 0.55]  
^ Negative/Positive Selection [Nega/Posi:  
Gamma correction level can be set.  
Posi/ Nega]  
% Knee Compensation Level Setting [Knee Point:  
88 % - 98 % / Dynamic]  
Posi: Normal image  
Nega: Image is shown reversed in darkness and  
88 % - 98 %: The level of video signals subject to  
knee compensation (knee point) can be set.  
Dynamic: Knee compensation level is automatically  
adjusted according to the scene.  
color.  
Note  
When an option card is added, only the composite  
output and Y/C output will be reproduced in nega-  
tive image.  
% White Clip Level Setting [White Clip:  
95 % - 110 %]  
The peak level of video signals to be white-clipped  
can be set.  
-45-  
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SETTING TO INITIAL SET  
Setting to initial set  
In case of the wrong setting in any use mode, take the  
following steps to return to the initial settings.  
are initialized, the screen shown at w, and the cam-  
era returns to main menu.  
(1) Select [Initialize Data] on the main menu screen of  
each Use Mode. (See page 29.)  
(3) If the NO/BAR switch is pressed, or if the YES /ABC  
switch is not pressed, within about 10 seconds, the  
screen shown at e, and the camera returns to main  
menu, and the existing settings are not initialized.  
Press the YES/ABC switch, then [Initialize Data]  
screen shown for about 10 seconds.  
Note  
(2) Press the YES/ABC switch within about 10 seconds  
to return to the initial settings, the existing settings  
If you are using an option card, the Option Card  
Setting Submenu will not be initialized even if  
Return to Initialize” is performed.  
q
w
e
** Initialize Data **  
(Halogen Mode)  
Do you want to  
initialize Halogen  
Mode settings?  
Halogen Mode  
Initialized  
Halogen Mode  
unchanged  
O.K.  
: YES SW  
Cancel : NO SW  
-46-  
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INITIAL SETTINGS OF THE SETTING ITEMS  
(Factory preset values)  
Halogen, Fluorescent, Outdoor Mode  
Item  
Halogen mode  
Fluorescent mode  
±0  
Outdoor mode  
±0  
Picture Level  
Light PEAK/AVG  
Light Area  
Auto ND (ELC)  
Auto Gain Up  
Manu Gain Up  
Pedestal  
±0  
0
0
0
Top cut  
OFF  
OFF  
0dB  
±0  
Top cut  
OFF  
OFF  
0dB  
±0  
Top cut  
ON  
HIGH  
---  
Brightness  
Set  
–10  
Contrast (Gamma)  
MID  
MID  
MID  
Chroma Level  
Flesh Tone  
White Bal  
±0  
±0  
AWC A  
OFF  
+1  
±0  
AWC A  
OFF  
+2  
±0  
ATW  
OFF  
Color Set  
High-light Chroma  
H Phase  
±0  
±0  
±0  
SC Coarse  
SC Fine  
1
±0  
1
±0  
1
±0  
G/L. Color  
Bar Set  
Color Bar Set  
7.5 IRE  
7.5 IRE  
7.5 IRE  
DTL Select  
Level  
Noise Suppress  
Clean DNR  
DTL Flesh Tone  
Sharpness  
HIGH  
OFF  
OFF  
MID  
Sharpness  
HIGH  
OFF  
OFF  
MID  
Sharpness  
HIGH  
OFF  
OFF  
MID  
Sharpness  
(DTL) Set  
Shutter Speed  
Synchro Scan  
V Resolution  
Baud Rate  
OFF  
---  
Normal  
9600bps  
Posi  
OFF  
---  
Normal  
9600bps  
Posi  
Auto ND  
---  
Normal  
9600bps  
Posi  
Other Set  
Nega/Posi  
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User Mode  
Item  
User mode  
Item  
User mode  
Picture Level  
Light PEAK/AVG  
Light Area  
Auto Iris Adjust  
Shutter Mode  
Step  
±0  
0
Top cut  
OFF  
Step  
OFF  
---  
Field  
0dB  
±0  
Chroma Detail  
Flesh DTL Level  
Corner Detail  
0
MID  
OFF  
OFF  
Detail Set 2  
Precision Detail  
Iris, Shutter,  
Gain Set  
Matrix(R-G)  
Matrix(R-B)  
Matrix(G-R)  
Matrix(G-B)  
Matrix(B-R)  
Matrix(B-G)  
±0  
±0  
±0  
±0  
±0  
±0  
Synchro Scan  
Field/Frame  
Gain  
Color  
Matrix Set  
Pedestal  
Chroma Level  
White Bal  
High-light Chroma  
Painting R Gain  
B Gain  
±0  
Gamma  
0.45  
88%  
110%  
0
0
0
OFF  
OFF  
9600bps  
Posi  
AWC A  
OFF  
±0  
Knee Point  
White Clip  
Flare R  
Color Set  
±0  
Flare G  
Flare B  
Black Stretch  
Clean DNR  
Baud Rate  
Nega/Posi  
R Pedestal  
B Pedestal  
±0  
Other Set  
±0  
2D LPF  
OFF  
H Phase  
SC Coarse  
SC Fine  
±0  
1
G/L. Color  
Bar Set  
±0  
Color Bar Set  
7.5IRE  
Detail  
HIGH  
+11  
+12  
+7  
+6  
2
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
Detail Band  
Detail Set 1  
Noise Suppress  
Level Dependent  
Dark Detail  
3
0%  
0
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APPEARANCE  
Unit: mm (inch)  
OPTION CARD  
VIDEO OUT  
I/F REMOTE  
MENU  
ITEM/AWC  
YES/ABC  
NO/BAR  
G/L IN  
IRIS  
CAUTION  
DC12V IN  
CONNECT TO  
SPECIFIED  
POWER  
CLASS  
2
SUPPLY ONLY.  
SEE MANUAL.  
Convertible Camera AW-E600  
84 (3-5/16")  
12 (15/32")  
155 (6-3/32")  
10 (25/64")  
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SPECIFICATIONS  
Pickup element:  
Pixels:  
Scanning:  
1/2" interline, supersensitive CCDx3  
768 (H) x 494 (V) pixels  
2:1 interlace  
System:  
Scanning frequency:  
Lens mount:  
NTSC  
15.734 kHz (horizontal), 59.94 Hz (vertical)  
1/2" Standard byonet mount  
Synchronizing:  
External sync input:  
Sensitivity:  
Minimum illumination:  
Signal-to-noise ratio:  
Horizontal resolution:  
Registration:  
Internal or external  
BB, (BNC,50P D subconnector)  
2 000 lx, F11, 3 200 K  
0.25 lx, F1.4, Night Eye HIGH mode  
65 dB (DNR ON)  
850 TV lines (high band, DTL ON)  
0.05 %  
Contour correction:  
White balance:  
Black balance:  
Color bar:  
Horizontal and vertical  
Auto (2 memories), 3 200 K,5 600 K, FINE MANU, ATW  
AUTO  
SMPTE color bar (Setup 0/7.5)  
Synchro Scan: 60.34 Hz-15.75 kHz  
Step shutter: OFF 1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000, 1/10 000s  
ELC  
Shutter speed:  
Gain:  
Iris:  
AGC LOW/HIGH, 0 - 30 dB, NIGHT EYE LOW/HIGH  
AUTO, MANU  
Video output:  
Composite: 1 V[p-p] (75 ) (BNC, 50P D subconnector)  
Y: 1 V[p-p] (75 ) (50P D subconnector)  
C: Same as VBS chroma level (75 ) (50P D subconnector)  
Halogen, Fluorescent, Outdoor, User  
Use mode:  
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Switches:  
BACK PANEL: MENU, ITEM/AWC, YES/ABC, NO/BAR  
MENU ITEM SETTING: Gain, Shutter, White Balance, Detail Level (OFF/LOW/HIGH),  
Corner Detail, Precision Detail Level, Black Stretch, High Light Chroma, Skin Color  
Detail, Photometric Measurement Method (ALL/CENTER/TOP CUT/BOTTOM CUT/R/L  
CUT) CCD Read Out Mode (FIELD/FRAME 1/FRAME 2) Clean DNR, Color Bar Setup,  
Use Mode, Nega/Posi, PC Control Access Speed  
Adjustment function:  
MENU ADJUSTMENT: R/B Gain, R/B Pedestal, Black Level, Video Level, Detecting  
Ratio, Genlock Horizontal Phase/Color Phase, Gamma Compensation Level, Knee  
Compensation Level, White Clip Level, Horizontal Detail Level, Vertical Detail Level,  
Detail Band Level, Noise Suppress Compensation Level, Level Dependent  
Compensation Level, Chroma Detail Compensation Level, Dark Detail Compensation  
Level, Matrix Compensation Level, Flare Correction Level  
DC 12 V  
Source voltage:  
Power consumption:  
Operating temperature:  
Operating humidity:  
Dimensions:  
9.6 W  
10°C to +45°C (14°F to +113°F)  
30 % to 90 %  
84 (W) x 77 (H) x 155 (D) mm [3-5/16” x 3-1/32” x 6-3/32”]  
0.86 kg  
Weight:  
Finish:  
AV ivory painting (Munsell 7.9Y 6.8/0.8 or equivalent  
Weight and dimensions indicated are approximate.  
Specifications are subject to change without notice.  
-51-  
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STANDARD ACCESSORIES  
Body cap ..................................................................... 1  
Rubber Sheet ............................................................... 1  
OPTIONAL ACCESSORIES  
Studio Cable  
WV-CA26U15  
WV-CA26U30  
WV-CA26U100  
WV-CA26T26  
AW-CA50T10  
AW-CA50A26  
AW-CA50T15  
Pan/Tilt Unit  
AW-PH300  
AW-PS300  
AW-RP501  
AW-RP505  
AW-HB505  
AW-PS301  
AW-PS505  
WV-RC700A  
WV-RC550  
WV-CB700A  
WV-831  
Pan/Tilt Unit AC Adaptor  
Hybrid Control Panel  
Multi Hybrid Control Panel  
Multi Port Hab  
Control Panel AC Adaptor  
AC Adaptor  
Cable Joint Adaptor  
RCB Cable  
RCU Cable  
Pan/Tilt Unit Cable  
PC Control Camera Pan/Tilt Unit Cable AW-CA50A15  
PC Control Pan/Tilt Unit Cable  
PC Control Cable  
DC Power Cable  
RGB Cable  
Studio Card  
(RGB, YPr-YPb Outputs)  
Studio Card  
Remote Control Unit  
AW-CA28T9  
AW-CA50T9  
AW-CA4T1  
AW-CA50T6  
Remote Control Box  
Camera Mounting Bracket  
RCU Rack Mount Frame  
VF Mounting Bracket  
Connection Cable  
WV-Q70  
AW-Q40  
WV-CA9T5  
(D sub  
AW-PB301  
AW-PB305  
RGB Card  
AW-PB302  
9p-BNC,  
1/2” Byonet Zoom Lens (14X)  
AW-LZ14XBMD  
approx. 5 m)  
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PANASONIC BROADCAST & DIGITAL SYSTEMS COMPANY  
DIVISION OF MATSUSHITA ELECTRIC CORPORATION OF AMERICA  
Executive Office:  
3330 Cahuenga Blvd W., Los Angeles, CA 90068  
(323) 436-3500  
EASTERN ZONE:  
Mid-Atlantic:  
Southeast Region:  
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7621  
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7621  
1225 Northbrook Parkway, Ste 1-160 Suwanee, GA 30024  
(770) 338-6845  
Central Region:  
WESTERN ZONE:  
Dallas Region:  
1707 N Randall Road E1-C-1, Elgin, IL 60123 (847) 468-5200  
3330 Cahuenga Blvd W., Los Angeles, CA 90068 (323) 436-3500  
6226 Abington Way, Houston, TX 77008 (713) 802-2726  
Government Marketing Department: 52 West Gude Drive, Rockville, MD 20850 (301) 738-3840  
PANASONIC CANADA INC.  
5770 Ambler Drive, Mississauga, Ontario, L4W 2T3 (905) 238-2115  
PANASONIC SALES COMPANY  
DIVISION OF MATSUSHITA ELECTRIC OF PUERTO RICO, INC.  
San Gabriel Industrial Park, 65th Infantry Ave., KM9.5 Carolina, Puerto Rico 00630 (809) 750-4300  
NM1298-0  
7J1A256A  
Printed in Japan  
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