Nady Systems Stereo Amplifier SPA 1400 User Manual

O W N E R ’ S M A N U A L  
SPA Series  
Stereo Power Amplifiers  
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WARNING  
An equilateral triangle enclosing a lightening flash/arrowhead symbol is  
intended to alert the user to the presence of uninsulated dangerous  
voltagewithin the products enclosure which may be of sufficient  
magnitude to constitute a risk of electric shock.  
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR  
An equilateral triangle enclosing an exclamation point is intended to alert  
the user to the presence of important operating and service instructions in  
the literature enclosed with this unit.  
IMPORTANT SAFETY INSTRUCTIONS  
When using this electronic device, basic precautions should always be taken, including the following:  
1. Read all instructions before using the product.  
2. Do not use this product near water (e.g., near a bathtub, washbowl, kitchen sink, in a wet basement, or near a  
swimming pool, etc.).  
3. This product should be used only with a cart or stand that will keep it level and stable and prevent wobbling.  
4. This product, in combination with headphones or speakers, may be capable of producing sound levels that  
could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a  
level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an  
audiologist.  
5. The product should be positioned so that proper ventilation is maintained.  
6. The product should be located away from heat sources such as radiators, heat vents, or other devices  
(including amplifiers) that produce heat.  
7. The product should be connected to a power supply only of the type described in the operating instructions or  
as marked on the product. Replace the fuse only with one of the specified type, size, and correct rating.  
8. The power supply cord should: (1) be undamaged, (2) never share an outlet or extension cord with other  
devices so that the outlet’s or extension cord’s power rating is exceeded, and (3) never be left plugged into  
the outlet when not being used for a long period of time.  
9. Care should be taken so that objects do not fall into, and liquids are not spilled through, the enclosure’s  
openings.  
10. The product should be serviced by qualified service personnel if:  
A.  
B.  
The power supply cord or the plug has been damaged.  
Objects have fallen into, or liquid has been spilled onto the product.  
C. The product has been exposed to rain.  
D. The product does not appear to operate normally or exhibits a marked change in performance.  
E.  
The product has been dropped, or the enclosure damaged.  
11. Do not attempt to service the product beyond what is described in the user maintenance instructions. All  
other servicing should be referred to qualified service personnel.  
4
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FRONT AND REAR CONTROLS  
4
1
2
3
5
FRONT PANEL  
1. POWER SWITCH  
amplifiers output are within 3DB of clipping. Occasional  
blinking of the LEDs are acceptable, but if they remain on  
more than intermittently you should turn down either the  
power amplifiers level controls or reduce the output level  
of the preceding component to avoid audible distortion.  
To turn the unit ON or OFF, press the upper or lower  
portion of this button. Before turning on the amplifier, check  
all connections and turn down the level controls. A  
momentary muting is normal when turning the amplifier on  
or off.  
4. SIGNAL LED INDICATORS  
(Caution: Always turn on your power amplifier last, after all  
your other connected equipment, and always turn off your  
power amplifier before your other connected equipment.)  
These LEDs illuminate to confirm the presence of an input  
signal greater than 100 mV at that channel of the amplifier  
5. LEVEL CONTROLS  
2. POWER LED INDICATOR  
This LED illuminates when the power is turned ON.  
These control the level of signal coming into each channel.  
The actual voltage gain of the amplifier is shown in dB.  
Turn these controls counterclockwise if the peak LEDs  
illuminate steadily (indicating too strong an input signal).  
3. CLIP (PEAK) LED INDICATORS  
These LEDs illuminate if any section of the power  
7
6
9
8
REAR PANEL  
6. CIRCUIT BREAKER  
9. AC VOLTAGE SELECTOR SWITCH:  
A bimetallic circuit breaker is provided for protection of the  
amplifier. Press to reset if it trips. If it continuously trips  
upon resetting, refer servicing to qualified personnel.  
Before plugging in the power cord, check to see that the  
unit is set for the proper voltage for your area: ~115V  
(60Hz) or ~230V (50Hz). A cover plate is provided to  
ensure that this switch is not accidently reset or tampered  
with between uses.  
7. POWER CONNECTOR  
The cord connector is used to connect the AC power  
source to your power amplifier.  
(CAUTION: DO NOT REMOVE THE CENTER  
GROUNDING PIN.)  
10. L/R CHANNEL OUTPUT CONNECTORS  
(Speakon™ & Binding Posts)  
The Speakonand binding post (banana jack) outputs are  
compatible with a speaker load of 2 or greater (4or  
greater for bridged operation). Connections are as  
depicted on the rear panel and in the following  
CONNECTIONS section on page 8 of this manual.  
8. GROUND LIFT SWITCH:  
Switch to right to disconnect the chassis from ground if  
necessary to eliminate hum caused by ground loops.  
5
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FRONT AND REAR CONTROLS  
11. BALANCED INPUT CONNECTORS  
(Note: Do not use both unbalanced and balanced  
cables in the same set-up as that can unbalance all  
the connections when daisy-chaining, resulting in  
hum.)  
(1/4” TRS & XLR)  
These 1/4(6.3mm) TRS (Tip/Ring/Sleeve) phone jacks  
and XLR jacks are compatible with balanced inputs and  
are wired as Tip/Pin 3 = (+), Ring/Pin 2 = (-), and  
Sleeve/Pin 1 = Ground. Normal maximum input level at  
clipping is 1.15V RMS (+ 4dB). Input impedance is 10K  
Ohms. Since the TRS phone jacks and XLR jacks are  
wired internally in parallel, you can parallel this unit with  
another amplifier by using either the LINE 1/4jack or the  
XLR jack (depending on which youre using to input your  
signal) to output the signal to the input jack of the other  
amplifier.  
• STEREO INPUT This is the most common  
mode generally used, and allows independent  
control of 2 separate signals such as stereo  
playback, main and monitor live mixes, and bi-amp  
operation (highs in one channel and lows in the  
other).  
• BRIDGED MONO This mode combines the  
power of both channels to drive a single speaker. In  
this mode the amp produces 4 times the peak power  
and 3 times the sustained power into a 4 or 8 ohm  
speaker than each channel can deliver separately in  
stereo or parallel mode.  
(CAUTION: In this mode the amplifier can deliver  
high power into a speaker. Make sure that the  
speaker, connectors and wiring can handle this  
output. Note that for prolonged overdriven outputs  
into a 4 ohm speaker the breaker may trip, so care  
must be taken not to overload the amplifier in such  
operation.)  
The 1/4TRS phone jacks can also be used for  
unbalanced inputs. For TRS phone plugs, simply connect  
the unused side of the balanced input to ground. For 1/4”  
TS phone plugs, no change is necessary for compatibility  
with this input. Balanced input signals are recommended  
as they are less prone to AC hum. For long cable runs a  
source of less than 600 ohms output impedance is needed  
to avoid signal loss. For short cable runs an unbalanced  
signal input should be suitable.  
For stereo (two-channel) operation, use the inputs for both  
CH-A and CH-B; for parallel or bridged mono operation,  
use only CH-A input. (See 13-MODE SELECTOR  
SWITCHES below for more explanation.)  
Connect the input signal to CH-A input for bridged  
mono operation.  
14. LF FILTER (30HZ) SWITCH  
12. CLIP LIMITER SWITCH  
The low frequency LF filter rolls off frequencies below  
30Hz when this switch is turned to the ON position. This  
filter improves the audio by limiting unwanted inaudible low  
frequency speaker cone movement. Unless a preceding  
device, such as a mixer, already has such a 30Hz roll-off,  
this filter should generally be employed for optimum audio  
and to protect your speaker from excessive cone  
excursions beyond its rated limit at sub-audio frequencies.  
Generally this switch should only be left OFFif you are  
monitoring the whole signal for frequency content, such as  
for studio playback.  
This switches the internal Clip Limiter ON or OFF for both  
channels. The limiter prevents excessive signals from  
overloading the amplifier (and thus flattening the peaks of  
the waveform and introducing distortion) by automatically  
lowering the amplifier gain to minimize overdrive. This  
limiting is primarily used to protect full-range speakers  
from high frequency distortion or damage to the horns  
caused by bass overdrive. However, when driving a  
subwoofer, defeating the limiter can produce a desired  
extra punchto bass instruments, such as kick drums.  
13. MODE SELECTOR SWITCH  
15. FAN  
The SPA Series amplifiers offer 3 modes of operation:  
PARALLEL, STEREO & BRIDGED. Slide the switch to  
one of the three positions for you application.  
The fan speed is varied continuously automatically to  
maintain the proper internal operating temperature. Rear-  
to-front airflow keeps amps and racks cool.  
• PARALLEL (MONO) INPUT  
This mode allows  
both channels to operate in parallel with the same  
signal and without requiring a Y-cord. In this mode  
the inputs for both channels are internally connected,  
so that you only need to feed a signal into one of the  
channels. This still allows independent control of  
each channel. It also enables easy daisy-chaining”  
with other amps by using the other set of input  
connectors.  
(Note: Do not select this “Parallel” mode when  
feeding the amplifier 2 separate signals.)  
6
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INSTALLATION  
Rack Mounting  
The SPA Series amplifiers are designed for standard 19”  
rack mounting as well as stackmounting without a  
cabinet. Use 4 screws and washers for mounting to the  
front rack rails. It is also a good idea to support the amps  
also in the rear, especially for mobile use where the amps  
will be subjected to shocks.  
Internal Fuses for SPA 850/1400  
Amplifier Cooling  
Also pay close attention to the cooling requirements. Since  
the airflow is from the rear to the front, it is important to  
keep both the inlet in the rear and the output in the front  
clear of obstructions to enable efficient cooling airflow.  
Since the amp exhausts to the front it does not contribute  
to heat buildup in the rear of the rack. It is important,  
however, that the other devices used in the rack allow  
plenty of cool air in the rear to enable proper cooling of the  
amp. Never block the air vents in the sides and front of the  
amplifier if the load seen by amplifier is less than 4 ohms  
and the amplifier is being run at high output levels. For  
best results, in such high output power applications you  
should augment the amplifiers air flow with a rack cooling  
system.  
SPA 850 10A/250V (x2)  
SPA 1400 12A/250V (x2)  
both 3AG Fast Blow  
Internal Fuse Protection  
Each of the SPA Series amplifiers has backup internal  
fuse protection on each channel on the secondary output  
circuitry of the power transformer. In almost all cases of  
power overload the external back panel circuit breaker,  
which is wired in the primary power input circuit of the  
power transformer, will trip before the internal fuses blow.  
Nevertheless, these fuses are valuable in that they can  
sometimes isolate the problem to a single channel,  
allowing operation of the other channel. Also, because  
they require added effort to rectify, they increase the  
vigilance of the operator in correctly eliminating the cause  
of the overload problem before further use. These fuses  
are located inside the units and require removal of the top  
of the chassis.  
Internal Fuses for SPA 2400  
CAUTION: Never open the unit when connected to AC  
power as you can be severely shocked resulting in serious  
injury or even death. Please wait at least 5 minutes after  
disconnecting the unit from AC power to let any internal  
capacitors discharge before opening. )  
SPA 2400 25A/250V (x2)  
both 3AG Fast Blow  
Replace the fuse with the same type, size and power  
rating as noted in the illustration for your SPA Series amp.  
If it continuously blows, stop replacing the fuse and refer  
servicing to qualified personnel.  
7
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CONNECTIONS  
The following instructions describe the most common ways to install your amplifier into a sound system.  
1. Turn off the amplifier power switch before making any connections.  
2. The SPA Series amplifiers maybe operated in one of three modes (stereo, bridged-mono, and parallel mono).  
Refer to the following wiring diagrams for the speaker connections you wish to make.  
(Note: Nady Systems assumes no liability for damaged speakers resulting from improper wiring, careless amplifier  
use, or over powering.)  
Input Wiring Tips  
UNBALANCED USE OF  
MONO 1/4” PLUGS  
BALANCED USE OF  
STEREO 1/4” PLUGS  
MICROPHONE INPUTS  
Tip =  
Signal  
Tip =  
hot (+)  
2
1
1
2
Ground (Screen)  
3
3
Ring =  
cold (-)  
Cold (-)  
(Out of Phase Signal)  
Sleeve =  
Ground/Shield  
Hot (+)  
(In Phase Signal)  
Sleeve =  
Ground/Shield  
Socket (female)  
Plug (male)  
Tip  
Tip  
Ring  
Sleeve  
Sleeve  
Strain relief  
clamp  
Strain relief  
clamp  
• Stereo (Two-Channel) Mode  
To put the amplifier into stereo mode, first turn the amplifier off, then slide the mode selector switch (13) to the center  
STEREOposition, and properly connect the input/output wiring as shown.  
(Note: Do not connect a speaker load less than 2 ohms as it can damage your amplifier.)  
CHANNEL B  
CHANNEL A  
CHANNEL B  
PIN 1+  
+
(Note: You can also connect  
both channel outputs to the  
-
PIN 1-  
CHANNEL A  
Channel A Speakon™. Ch A  
Pin2+ = ChB Pin1+ and Ch A  
Pin2- = Ch B Pin1-)  
PIN 1+  
+
-
PIN 1-  
8
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CONNECTIONS  
• Parallel (Mono) Mode  
To put the amplifier in parallel-mono mode, first turn the amplifier off, then slide the mode selector switch (13) to the  
left PARALLEL (MONO)position and properly connect the input/output wiring as shown. A signal into any input jack  
will drive both channels directly. You can patch the input signal on to any other amps suing any of the remaining input  
jacks.  
(Note: Do not connect a speaker load less than 2 ohms as it can damage your amplifier.)  
[Note: Do not use the “PARALLEL (MONO)” switch when feeding the amp 2 separate signals.]  
To additional amplifier(s)  
for “daisy-chaining  
CHANNEL A  
CHANNEL B  
PIN 1+  
+
(Note: You can also connect  
both channel outputs to the  
-
PIN 1-  
CHANNEL A  
Channel A Speakon™. Ch A  
Pin2+ = ChB Pin1+ and Ch A  
Pin2- = Ch B Pin1-)  
PIN 1+  
+
-
PIN 1-  
• Bridged Mono Mode  
To put the amplifier in bridged mono mode, turn the amplifier off and slide the mode selector switch (13) toward the  
right BRIDGEDposition and properly connect the input/output wiring as shown. The signal is input into CH-A. Keep  
the level control of channel Bturned completely down (counter clock wise).  
(Note: Do not connect a speaker load of less than 4 ohms as it can damage your amplifier.)  
(Note: This mode produces a large amount of power. Be sure that your wiring and speaker can handle it.)  
Do Not Use  
CHANNEL A  
Do Not Use This Speakon™  
for Bridge Mode  
CHANNEL A  
PIN 1+  
+
-
PIN 2+  
9
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BLOCK DIAGRAM  
10  
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SPECIFICATIONS  
POWER SPECIFICATIONS  
SPA 850  
SPA 1400  
800  
SPA 2400  
1400  
2  
425  
350 + 350  
200 + 200  
600  
EIA out power  
4Ω  
8Ω  
500 + 500  
300 + 300  
1000  
750 + 750  
500 + 500  
1600W  
1Hz, THD maximum 1%  
Both channels  
Bridged 8Ω  
4Ω  
850  
1400  
2400  
ELECTRICAL SPECIFICATIONS  
SPA 850  
SPA 1400  
SPA 2400  
INPUT SENSITIVITY  
1.15V (+3.4dBU)  
1.15V (+3.4dBU)  
1.15V (+4dBU)  
INPUT IMPEDANCE  
10KUnbalanced & Balanced  
25Hz~25KHz +0/-1dB  
FREQUENCY RESPONSE  
(at 10dB below rated output power  
-3dB points: 5Hz~50KHz  
VOLTAGE GAIN  
DISTORTION (SMPTE-1M)  
S/N ratio  
30dB  
<0.03%  
100dB  
32dB  
<0.03%  
100dB  
34dB  
<0.03%  
100dB  
GENERAL SPECIFICATIONS  
SPA 850  
SPA 1400  
SPA 2400  
Full short circuit, open circuit, thermal, ultrasonic, and RF  
protection; stable into reactive or mismatched loads;  
ON/OFF muting; current limiter (crowbar)  
Front: Power switch, 40 detent input level control for each  
channel. Rear: Parallel/Mono/Bridge selector, 30Hz filter  
selector, clip ON/OFF selector, ground lift switch,  
AC voltage selector switch, AC breaker  
SIGNAL: 2 x green LED  
PROTECTIONS  
CONTROLS  
INDICATORS  
CONNECTORS  
CLIP: 2 x red LED  
POWER: 1 green LED  
POWER: IEC power cord jack  
INPUT: Active balanced XLR and 1/4(6.3mm) TRS  
OUTPUT: Touch-proofbinding posts  
SPEAKONConnectors  
POWER SUPPLY  
Voltage selectable: 110-120V or 220~240V AC 50/60Hz  
FUSES  
AC Primary Rear Panel Breakers  
11A  
15A  
20A  
10A/250V, 3AG,  
Fast Blow (x 2)  
12A/250V, 3AG,  
Fast Blow (x 2)  
25A/250V, 3AG,  
Fast Blow (x 2)  
AC Secondary Internal Fuses  
DIMENSIONS  
WEIGHT  
19.0x 15.7x 3.5(483 x 400 x 88.8mm)  
29.9lb (13.6Kg) 34.3lb (15.6Kg)  
41.8lb (19Kg)  
The specifications above are correct at the time of printing of this manual. For improvement purposes, all specifications for this unit,  
including design and appearance, are subject to change without prior notice.  
11  
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SERVICE FOR YOUR NADY AUDIO PRODUCT  
(U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via  
telephone at (510) 652-2411, or e-mail at [email protected].  
(International) For service, please contact the NADY AUDIO distributor in your country through the dealer from  
whom you purchased this product.  
DO NOT ATTEMPT TO SERVICE THIS UNIT  
YOURSELF AS IT CAN BE DANGEROUS  
AND WILL ALSO VOID THE WARRANTY.  
NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET, EMERYVILLE, CA 94608  
Tel: 510.652.2411 • Fax: 510.652.5075 • www.nadywireless.com  
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