KODAK VISION3 500T Color
Negative Film 5219 / 7219 / SO-219
November 2007 • H-1-5219t
TECHNICAL DATA / COLOR NEGATIVE FILM
The first in a new family of films, VISION3 500T Film gives
you more control and flexibility at every phase of the
filmmaking process—from capture through post, in both
digital and traditional workflows.
EXPOSURE INDEXES
Tungsten (3200K) - 500 Daylight1 - 320
Use these indexes with incident- or reflected-light
exposure meters and cameras marked for ISO or ASA
speeds or exposure indexes. These indexes apply for meter
readings of average subjects made from the camera
position or for readings made from a gray card of
18-percent reflectance held close to and in front of the
subject. For unusually light- or dark-colored subjects,
decrease or increase the exposure indicated by the meter
accordingly.
VISION3 500T Film retains the overall look and image
structure of KODAK VISION2 Films—then adds technical
innovations that provide improved exposure latitude—at
both ends of the curve. Proprietary, advanced Dye Layering
Technology (DLT) gives you noticeably reduced grain in
shadows, so you can shoot at higher speeds, with less light,
in darker corners, and know you can capture an amazing
amount of shadow detail with noticeably lower grain.
VISION3 500T Film also features extended highlight
latitude, so you can follow the action into bright light-in a
single shot-without worrying about blown-out details.
When the film is scanned and digitized, you'll find you can
recover two stops of highlight detail. This technology is
enabled by the use of sub-micron imaging sensors.
VISION3 500T Film fits seamlessly into your digital
workflow. And when scanning low-light scenes, VISION3
500T Film yields higher signal-to-noise ratios for
unprecedented image quality.
COLOR BALANCE
These films are balanced for exposure with tungsten
illumination (3200K). You can also expose them with
tungsten lamps that have slightly higher or lower color
temperatures (+/- 150K) without correction filters, since
final color balancing can be done in printing. For other light
sources, use the correction filters in the table below.
KODAK Filters
on Camera *
Exposure
Index
Light Source
BASE
Tungsten (3000 K)
WRATTEN Gelatin No.
82B
320
500
500
320
200
KODAK VISION3 500T Color Negative Films 5219 and
7219 have an acetate safety base with rem-jet backing.
KODAK VISION3 500T Color Negative Film SO-219 has
an ESTAR Safety Base with rem-jet backing
Tungsten (3200 K)
None
Tungsten photoflood
(3400 K)
None
Daylight (5500 K)
White-Flame Arcs
WRATTEN Gelatin No. 85
STORAGE
WRATTEN Gelatin No.
85B
Store unexposed film at 13°C (55°F) or lower. For extended
storage, store at -18°C (0°F) or lower. Process exposed film
promptly. Store processed film according to the
Yellow-Flame Arcs
OPTIMA 32
Color Compensating 20Y
None
320
500
320
recommendations in ANSI/PIMA IT9.11-1998: for
medium-term storage (minimum of ten years), store at
10°C (50°F) or lower at a relative humidity of 20 to 30
percent; for extended-term storage (for preservation of
material having permanent value), store at 2°C (35°F) or
lower at a relative humidity of 20 to 30 percent. For active
use, store at 25°C (77°F) or lower, at a relative humidity of
50 +/- 5 percent. This relates to optimized film handling
rather than preservation; static, dust-attraction and
curl-related problems are generally minimized at the
higher relative humidity. After usage, the film should be
returned to the appropriate medium- or long-term storage
conditions as soon as possible.
VITALITE
WRATTEN Gelatin No. 85
Fluorescent, Cool
White †
WRATTEN Gelatin No. 85
+ 10M
200
Fluorescent, Deluxe
Cool White †
WRATTEN Gelatin No.
85C + 10R
320
320
Metal Halide
WRATTEN Gelatin No. 85
* These are approximate corrections only. Make final corrections during
printing.
† These are starting-point recommendations for trial exposures. If the kind of
lamp is unknown, a KODAK Color Compensating Filter CC 40R can be used
with an exposure index (EI) of 250.
Note: Consult the manufacturer of high-intensity
ultraviolet lamps for safety information on ultraviolet
radiation and ozone generation.
For more information about medium- and long-term
storage, see ANSI/PIMA IT9.11-1998, SMPTE RP131-2002,
and KODAK Publications No. H-1, KODAK Motion Picture
Film and No. H-23, The Book of Film Care.
1. With a KODAK WRATTEN Gelatin Filter No. 85.
©Eastman Kodak Company, 2007
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supplied by Eastman Kodak Company. The TAF consists of
a neutral density scale and an eight-bar color test pattern
with a LAD gray surround.
CURVES
Sensitometric Curves
LOG EXPOSURE (lux-seconds)
-4.0
3.0
-3.0
-2.0
-1.0
0.0
1.0
The TAF gray scale provides the telecine operator
(colorist) with an effective way to adjust subcarrier
balance and to center the telecine controls before timing
and transferring a film. The TAF color bars provide the
utility of electronic color bars, even though they do not
precisely match the electronically generated color bars.
Using the TAF will help obtain optimum quality and
consistency in the film-to-tape transfer. For more
information regarding TAF, see KODAK Publication No.
H-9, TAF User's Guide.
B
Exposure: 3200K Tungsten 1/50 sec
Process: ECN-2
Densitometry: ECN-2
G
2.0
1.0
R
IMAGE STRUCTURE
The modulation-transfer and diffuse rms granularity
curves were generated from samples of 5219 Film exposed
with tungsten light and processed as recommended in
Process ECN-2 chemicals. For more information on
image-structure characteristics, see KODAK Publication
No. H-1, KODAK Motion Picture Film available online at
http://www.kodak.com/US/en/motion/support/h1.
0.0
-8 -7 -6 -5 -4 -3 -2 -1
0
1
2
3
4
5
6
7
8
Camera Stops
TI2647F
The curves describe this film's response to red, green,
and blue light. Sensitometric curves determine the change
in density on the film for a given change in log exposure.4
Modulation Transfer Function
Note: The exposure scale for VISION3 5219 / 7219 Film is
longer than previous VISION and VISON2 Films. Because
of the extended highlight latitude of and because we need
to measure in this region, we expanded the exposure scale
from a zero to four increment to a zero to five scale. In
addition to the longer exposure scale, we are plotting
twenty-one steps instead of twenty.
The "perceived" sharpness of any film depends on various
components of the motion picture production system. The
camera and projector lenses and film printers, among other
factors, all play a role. But the specific sharpness of a film
can be measured and is charted in the Modulation Transfer
Function Curve.
NOTICE: The sensitometric curves and data in this
publication represent product tested under the conditions
of exposure and processing specified. They are
representative of production coatings, and therefore do
not apply directly to a particular box or roll of photographic
material. They do not represent standards or specifications
that must be met by Eastman Kodak Company. The
company reserves the right to change and improve
rms Granularity:
Refer to curve.
Read with a microdensitometer, (red, green, blue) using
a 48-micrometer aperture.
The "perception" of the graininess of any film is highly
dependent on scene content, complexity, color, and
density. Other factors, such as film age, processing,
exposure conditions, and telecine transfer may also have
significant effects.
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 • H-1-5219t
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Modulation-Transfer Function Curves
Spectral Sensitivity Curves
200
100
70
50
4.0
3.0
2.0
1.0
0.0
Yellow-
Forming
Layer
R
G
30
20
Magenta-
Forming
Layer
Cyan-
Forming
Layer
B
10
7
5
Exposure: 3200K Tungsten
Process: ECN-2
Densitometry: Status M
Effective Exposure: 1/25 sec
Process: ECN-2
Densitometry: Status M
Densitry: 0.2>D-min
3
2
1
250 300 350 400 450 500 550 600 650 700 750
WAVELENGTH (nm)
1
2
3
4 5
10
20
50
100 200
600
SPATIAL FREQUENCY (cycles/mm)
TI2647B
*Sensitivity = reciprocal of exposure (erg/cm2 ) required
TI2647D
to produce specified density
This graph shows a measure of the visual sharpness of
this film. The x-axis, "Spatial Frequency," refers to the
number of sine waves per millimeter that can be resolved.
The y-axis, "Response," corresponds to film sharpness.
The longer and flatter the line, the more sine waves per
millimeter that can be resolved with a high degree of
sharpness—and, the sharper the film.
These curves depict the sensitivity of this film to the
spectrum of light. They are useful for determining,
modifying, and optimizing exposure for blue- and
green-screen special-effects work.
Spectral Dye Density Curves
1.8
Diffuse rms Granularity Curves
Process: ECN-2; D-mins subtracted
1.6
3.0
Process: ECN-2
B
1.4
Blue Density
Green Density
Midscale Neutral
1.2
G
Red Density
Blue Grain
Green Grain
Red Grain
Magenta
Yellow
Cyan
1.0
0.8
R
2.0
1.0
0.0
0.10
0.05
0.04
0.03
0.6
0.4
0.2
B
0.02
Minimum Density
0.01
G
R
0.006
0.005
0.004
0.003
0.0
-0.2
400
TI2647E
0.002
450
500
550 600
650
700 750
800
WAVELENGTH (nm)
.001
2.0
3.0
4.0
5.0
0.0
1.0
TI2647C
LOG RELATIVE EXPOSURE
These curves depict the spectral absorptions of the dyes
formed when the film is processed. They are useful for
adjusting or optimizing any device that scans or prints the
film.
To find the rms Granularity value for a given density, find
the density on the left vertical scale and follow horizontally
to the characteristic curve and then go vertically (up or
down) to the granularity curve. At that point, follow
horizontally to the Granularity Sigma D scale on the right.
Read the number and multiply by 1000 for the rms value.
Note: Cyan, Magenta, and Yellow Dye Curves are
peak-normalized.
Note: This curve represents granularity based on modified
measuring techniques.4
4. Sensitometric and Diffuse RMS Granularity curves are produced on
different equipment. A slight variation in curve shape may be noticed.
4
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 • H-1-5219t
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SIZES AVAILABLE
Standard Products Available
Length in
Metres (Feet)
Identification No.
Core
Description
Perforations
65 mm SP332
35 mm SP417
35 mm SP718
35 mm SP718
35 mm SP718
16 mm SP449
16 mm SP451
16 mm SP578
16 mm SP445*
16 mm SP455
16 mm SP457
16 mm SP458
16 mm SP462N
S8 mm SP464
305 (1000)
30 (100)
61 (200)
122 (400)
305 (1000)
30 (100)
122 (400)
122 (400)
61 (200)
30 (100)
122 (400)
244 (800)
15 (50)
P
Emulsion In
KS-4740 (KS-1866)
BH-4740 (BH-1866)
BH-4740 (BH-1866)
BH-4740 (BH-1866)
BH-4740 (BH-1866)
2R-7605 (2R-2994)
2R-7605 (2R-2994)
2R-7605 (2R-2994)
1R-7620 (1R-3000)
1R-7605 (1R-2994)
1R-7605 (1R-2994)
1R-7605 (1R-2994)
2R-7605 (2R-3000)
S-83 100-ft. spool
U
U
U
R-90 100-ft. spool
T
S-153 400-ft. spool
A
Winding A
Winding B
Winding B
Winding B
R-90 100-ft. spool
T
Z
R-236 50-ft.spool
15 (50)
Super 8 cartridge
*for AATON A-MINIMA Cameras
MORE INFORMATION
Outside the United States and Canada, please contact your Kodak representative.
You can also visit our web site at www.kodak.com/go/motion for further information. You may want to bookmark our
location so you can find us easily the next time.
Films
Film for the Cinematographer
KODAK Publication No. H-5
Image Structure
Storage
KODAK Motion Picture Film
KODAK Publication No. H-1
KODAK Motion Picture Film
KODAK Publication No. H-1
The Book of Film Care
KODAK Publication No. H-23
Processing
Manual for Processing KODAK Motion Picture Films, Process
ECN-2 Specifications, Module 7
KODAK Publication No. H-24.07
LAD
LAD—Laboratory Aim Density
KODAK Publication No. H-61
Transfer
KODAK Telecine Analysis Film User’s Guide
KODAK Publication No. H-822
KODAK Telecine Exposure Calibration Film User’s Guide
KODAK Publication No. H-807
KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 • H-1-5219t
5
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KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219
FOR DIRECT ORDERING IN THE UNITED STATES AND CANADA: 1-800-621-FILM
KODAK SHOOTSAVER Film Delivery Service (U.S. only) 1-800-404-2016
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KODAK VISION3 500T Color
Negative Film 5219 / 7219 / SO-219
KODAK Publication No. H-1-5219t
Kodak, Eastman, Keykode, Vision, and Wratten are trademarks.
New 11-07
Printed in U.S.A.
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