Infinity Speaker PSW310W User Manual

™

INFINITY CLASSIA

CoMPACT POWERED SUBWOOFER

’

OWNER S GUIDE

PSW310W (120V)

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™

’

INFINITY CLASSIA PSW310W OWNER S GUIDE

Table of Contents

ii Important Safety Precautions

Unpacking the Subwoofer

Placement

Controls and Connections

System Connections

Operation

Room Adaptive Bass Optimization System (R.A.B.O.S.)

Contents of the R.A.B.O.S.Test CD

The R.A.B.O.S. Sound-Level Meter (RSLM)

RSLM Placement

Initial System-Level Setting

Setting the Subwoofer Test Level

Performing Low-Frequency Measurements

What Does a Parametric Equalizer Do?

Completing the R.A.B.O.S. Measurement Template

Using the Width Selector

Level

What You Measure,What to Do

Adjusting the R.A.B.O.S. Equalizer

Final System Balance

16 Maintenance and Service

17 R.A.B.O.S. Measurement Templates

19 Specifications

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Here are several additional facts on installation that may prove

useful. It is generally believed by most audio authorities that low

frequencies (below 125Hz) are nondirectional and, therefore,

placement of a subwoofer within any listening room is not

critical.While in theory it is true that the larger wavelengths of

extremely low frequencies are basically nondirectional, the fact

is that, when installing a subwoofer within the limited confines

of a room, reflections, standing waves and absorptions generated

within the room will strongly influence the performance of any

subwoofer system.As a result, the specific location of the

subwoofer becomes important, and it is strongly recommended that

you experiment with placement before choosing a final location.

™

INFINITY CLASSIA PSW310W

The Infinity Classia PSW310W continues the legendary Infinity^®

dedication to accurate sound reproduction.The patented Ceramic

Metal Matrix Diaphragm (CMMD^®) drivers, high-powered amplifier

and proprietary Room Adaptive Bass Optimization System^™

(R.A.B.O.S.^™) technology, along with a rigid, well-braced

enclosure, combine to deliver uncompromised bass performance

in any stereo or multichannel home theater.

In addition, the PSW310W’s compact enclosure and

wireless capability allow for easy integration into any

residential environment.

Placement will depend upon your room and the amount and

quality of bass required (for example, whether or not your room

permits placement of the subwoofer near either satellite).

UNPACKING THE SUBWOOFER

SUB

If you suspect damage from transit, report it immediately to your

dealer. Keep the shipping carton and packing materials for

future use.

RIGHT-

CHANNEL

SPEAKER

Included

1 x Owner’s manual

1 x USA warranty sheet

1 x Subwoofer

1 x 15' (4.5m) Audio cable, RCA-RCA

4 x Spiked feet

1 x Transmitter module

PRIMARY

LISTENING

AREA

1 x Power supply for transmitter

1 x 120V two-prong AC power cord for transmitter power supply

1 x 6' Audio cable, RCA-RCA

1 x Wall-mount bracket for transmitter

2 x With two panhead M3 x 4 machine screws for attaching

wall-mount bracket to transmitter

4 x Small, round, self-adhesive feet – to be attached on

transmitter’s left-side panel if transmitter is to be

used vertically

Figure 1.This example shows the subwoofer positioned behind

the right-channel satellite speaker to re-create the actual

location of bass instruments in an orchestra and/or add impact

to movie soundtracks.

INSTALLING SPIKED FEET

Four metal spikes are supplied for use when the subwoofer is to

be placed on a carpeted surface to decouple the subwoofer from

the floor and prevent unwanted damping.To insert the spikes, gently

lay the subwoofer on its back (not on its front or side) on a soft,

nonabrasive surface. Each spike screws into the threaded insert.

Make sure all four spikes are screwed in completely for stability.

PLACEMENT

Since the installation of a subwoofer can be somewhat more

complicated than installing full-range speakers, it is essential

that you read this section very carefully prior to connecting the

subwoofer to your system. Should you have questions relating to

your installation, it is advisable to call either your dealer or the

Infinity Customer Service Department for advice.

NEVER drag the subwoofer to move it,as this will damage the spikes,

the feet, the wood cabinet itself and/or the floor. Always lift the

subwoofer and carry it to its new location.

The performance of the subwoofer is directly related to its

placement in the listening room and how you align the subwoofer

with its satellite speakers.The PSW310W’s wireless capability

makes it even easier to properly locate the subwoofer in your

room. Setting the volume of the subwoofer in relation to the left

and right speakers is also of critical importance because it is

essential that the subwoofer integrate smoothly with the entire

system. Setting the subwoofer’s volume level too high will result

in an overpowering, boomy bass. Setting the volume level too low

will negate the benefits of the subwoofer.

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CONTROLS AND CONNECTIONS

Rear Panel

™

∞

•

‚

Power Switch

Line-Level Inputs

LFE Input

‚

Power Indicator LED

Low-Pass Selector

ID-Code Selector

⁄

Off

Phase

Frequency

Antenna

Level

Crossover Adjustment Control

Subwoofer-Level (Volume) Control

Phase Switch

Width

Level

•

Crossover

[Hz]

Wireless Antenna

Room Adaptive Bass Optimization Controls (see page 5)

Wireless

Off

R.A.B.O.S. Selector

ID Code

∞

Low-Pass

LFE

Green: Sub On

R.A.B.O.S. Center-Frequency Adjustment

Red: Standby

Orange: Sub On and

Wireless Link Active

R.A.B.O.S. Bandwidth Adjustment

™

Sub In

R.A.B.O.S. Level Adjustment

Transmitter

PSW310W

Transmitter Antenna

Transmitter Power-Supply Input

Transmitter ID-Code Selector

Transmitter Sub Input

Power

Oﬀ

AC 120V~60Hz

CODE

DC18V

Sub In

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SYSTEM CONNECTIONS

Choose either Wireless or Wired connection, then follow the appropriate instructions.

WIRED

WIRELESS

Connecting the Subwoofer for Wired Applications

Connecting the Subwoofer for Wireless Applications

If you have a Dolby^®Digital or DTS^®receiver/processor with

a low-frequency effects (LFE) or subwoofer output:

Level

Crossover

[Hz]

CODE

DC18V

Sub In

Wireless

OOffff

Onn

ID Code

Low-Pass

Step 1.

Green: Sub On

Red: Standby

Connect a subwoofer cable from the subwoofer or LFE output of

Orange: Sub On and

Wireless Link Active

your receiver to the Sub In

on the transmitter.

LFE

Sub In

Line In

Step 2.

Plug the transmitter module into the wall outlet, and connect the

included power supply and power cord to the transmitter . Make

sure the Transmitter Antenna

is extended upward.

If your receiver/processor does not contain a Dolby Digital

or DTS processor but has subwoofer outputs:

Step 3.

Set the ID code on the transmitter and subwoofer ( and ) to

the same position, as described on page 4.When connected properly,

the LED

on the rear of the subwoofer will be orange.

Step 4.

∞

Set the Low-Pass Selector

to the“Off”position.

Level

NOTE: Some receivers have two subwoofer outputs. In that case, use

either one of the connectors.

Crossover

[Hz]

Wireless

Off

Low-Pass

ID Code

Green: Sub On

Red: Standby

Orange: Sub On and

Wireless Link Active

LFE

Sub In

Line In

NOTE: If your receiver/processor has only one sub out, you

may use either the L or R input.

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OPERATION

Once you have a green or orange LED on the subwoofer, turn your

Power On

•

Subwoofer-Level Control up halfway so that the knob indicator

Connect your signal source (such as an A/V receiver or preamplifier)

to the transmitter (if using wireless connection) or to the subwoofer

(if using wired connection).Two single-RCA cords are provided.While

you would ordinarily use the short cable to connect to the transmitter

or the long one to connect to the subwoofer, either cable can be

used, depending on proximity to the signal source.There is no need

or benefit gained from connecting the same source to both the

transmitter and the subwoofer. However, you could connect two

separate sources to this subwoofer by utilizing both its wired and

wireless connections. Both signals will essentially be mixed and

outputted by the subwoofer. Plug your transmitter’s (if using wireless

connection) and subwoofer’s AC cord into a wall outlet. Do not use the

outlets on the back of the receiver for the subwoofer.

points up.You should now be hearing bass information coming from

the subwoofer.

Adjust Level

Set the overall volume control of the preamplifier or stereo to a

•

comfortable level.Adjust the Subwoofer-Level Control until you

obtain a pleasing blend of bass. Bass response should not overpower

the room but rather be adjusted so there is a harmonious blend across

the entire musical range. Many users have a tendency to set the

subwoofer volume too loud, adhering to the belief that a subwoofer

is there to produce lots of bass.This is not entirely true.A subwoofer

should enhance bass, extending the response of the entire system

so the bass can be felt as well as heard. However, overall balance

must be maintained or the music will not sound natural.An experienced

listener will set the volume of the subwoofer so its impact on bass

response is always there but is never obtrusive.

•

Initially set the Subwoofer-Level Control to the“Min”position.

Turn on your sub by pressing the Power Switch on the rear panel.

Turn on your entire audio system and start a CD or movie soundtrack

at a moderate level.

Phase Control

Auto On/Standby

The Phase Switch determines whether the subwoofer driver’s

Transmitter (wireless connection only):The Power Indicator LED

(not shown) will be lit in red when the unit is in standby.When the

transmitter receives an audio signal from the source, it will immediately

turn on and the LED will turn to blinking green or solid green:

piston-like action moves in and out with the main speakers, 0˚, or

opposite the main speakers, 180˚. Proper phase adjustment depends

on several variables such as room size, subwoofer placement and

listener position.Adjust the Phase Switch to maximize bass output

at the listening position.

RED = STANDBY (No signal detected, transmitter off)

GREEN (BLINKING) = Transmitter is on but has not established a link

with the wireless sub.

GREEN (SOLID) = Transmitter is on and has already established a link

with the wireless sub.

Crossover Adjustment

The Crossover Adjustment Control determines the highest frequency

at which the subwoofer reproduces sounds. If your main speakers can

comfortably reproduce some low-frequency sounds, set this control

to a lower frequency setting, between 50Hz and 100Hz.This will

concentrate the subwoofer’s efforts on the ultradeep bass sounds required

by today’s films and music. If you are using smaller bookshelf speakers

that do not extend to the lower bass frequencies, set the Crossover

The transmitter will automatically enter Standby mode after approximately

10 minutes when no signal is detected from your system.

Subwoofer:With the Power Switch ¡ in the“On”position, the Power

Indicator LED ¢ on the back panel will remain lit to indicate the

On/Standby mode of the subwoofer.

Adjustment Control to a higher setting, between 120Hz and 150Hz.

RED = STANDBY (No signal detected, amp off)

NOTE: This control will have no effect if the LFE Input £ is used

GREEN = SUB ON (Wired signal detected, amp on)

ORANGE = SUB ON (Wireless link with transmitter active)

∞

(wired connection) or if the Low-Pass Selector is in the“OFF”position

(wireless connection). If you have a Dolby Digital or DTS processor/

receiver, the low-pass frequency is set by the processor/receiver. Consult

your owner’s manual to learn how to view or change this setting.

The subwoofer will automatically enter Standby mode after

approximately 10 minutes when no signal is detected from your

system.The subwoofer will then power on instantly when a signal is

ID Codes

detected. During periods of normal use, the Power Switch can be

In the unlikely event that you experience interference when operating

the system, or if you have more than one set of subwoofer transmitters

and receivers in operation, you may change the channel in which the

system operates. On the transmitter module and the subwoofer, there is

left on.You may turn off the Power Switch for extended periods of

nonoperation, e.g., when you are away on vacation.

Getting Started

a four-position ID-Code Selector ( and ). Simply set the selectors

Confirm that the Status LED on the transmitter (not shown) is on (red

)

to one of the other positions.The transmitter and subwoofer ( and

or green) and the Status (Power Indicator) LED on the subwoofer

selectors must be set to the same position for the system to function

correctly.You can also set up a maximum of two subwoofers to be

receiving from the same transmitter by setting the channel selector

on the transmitter and both of the subwoofers to the same channel.

is on (red, orange or green) and that an RCA cable is connected

from a source unit to either the LFE Input of the subwoofer or

™

transmitter or L and R inputs on the subwoofer. Play a CD or

video. Use a selection that has ample bass information. If using a

wireless connection, the Status LED on the transmitter should be lit

A Word About Wireless Products

The Infinity Classia PSW310W wireless subwoofer utilizes advanced

wireless transceivers operating in the 2.4GHz frequency band.This is

the same frequency band that is used for wireless home networks and

high-quality cordless phones. It also allows for the transmission of high-

performance, full-spectrum sound to remote locations, wirelessly.

in solid green, and the Status LED on the subwoofer should turn

orange if connected wirelessly. If the LED on the transmitter is blinking

in green and the LED on the subwoofer is in red or green, a wireless

link has not been established between the transmitter and the

subwoofer. If connecting directly to the subwoofer without using the

wireless link, the Status LED on the subwoofer should be lit green.

If the LED on the subwoofer remains red, check that the RCA cable from

the source to the subwoofer (wired connection) or transmitter (wireless

connection) is functioning properly (wired connection) and that it is

Like all wireless devices, the Infinity PSW310W wireless subwoofer’s

operating range may vary, depending upon variables such as building

construction methods and materials, atmospheric conditions and other

sources of interference. Please consult your Infinity dealer or distributor,

or visit www.infinitysystems.com, for further information or assistance.

fully inserted at both ends, or that the Transmitter ID-Code Selector

and the Subwoofer ID-Code Selector are set to the same channel.

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Wall-Mounting the Transmitter Module

NOTE: The customer is responsible for the correct selection and

use of mounting hardware (available through hardware stores) that

will ensure the proper and safe wall-mounting of the transmitter.

The R.A.B.O.S. Goal

It is a fact of audio that what we hear at low frequencies is

determined as much or more by the listening room than by the

loudspeaker itself. Placement of the loudspeakers and listeners

and the acoustical characteristics of the room surfaces are all

important determinants of bass quantity and quality. In most

practical situations, there is little that can be done about this,

except for patient trial-and-error repositioning of the loud-

speakers and listeners. Usually, the practical constraints

of a living space and the impracticality of massive acoustical

treatment mean that equalization is the only practical solution.

Step 1.

Insert the two M3 x 4 machine screws through the wall bracket and

into the rear of the transmitter module, as shown in the figure below.

Step 2.

Attach the transmitter module with wall bracket to the wall,

using suitable hardware and, if necessary, wall anchors.

Professional sound engineers routinely employ sophisticated

measurement systems and equalizers to optimize speakers to

the installation.This has never been practical for the home

audiophile.This is why R.A.B.O.S. technology was created. It

enables you to identify the dominant low-frequency response

characteristic of your room. Once you know the problem, the

R.A.B.O.S. system provides the tools needed to optimize the

low-frequency characteristics of the speakers to the room they

are in, exactly as the professional sound engineers do it.

Performing R.A.B.O.S.Tests

These instructions assume you have already installed your subwoofer

according to the information provided in the owner’s guide. It is

also assumed that all equipment in your entertainment system is

interconnected properly and is in good operating condition.

ROOM ADAPTIVE BASS OPTIMIZATION SYSTEM^™

Preparations

™

Before beginning R.A.B.O.S. tests, please check the following:

The Infinity R.A.B.O.S. technology is a simple-to-use, yet

⁄

sophisticated, low-frequency calibration system. It is designed

to work in conjunction with the Infinity Classia PSW310W

powered sub.The subwoofer contains a parametric equalizer

that you will adjust as indicated by the R.A.B.O.S. test results.

By following these instructions, you will optimize the subwoofer’s

response characteristics to complement the sub’s environment.

This will dramatically improve the sound of your system.The

optimization process takes less than 30 minutes.

• Set R.A.B.O.S. System Selector

• Make sure all three R.A.B.O.S. controls (

on the subwoofer are turned fully clockwise.

to the“On”position.

¤ C

and

)

• Make sure the loudness contour (if any) on your receiver/

processor/preamp is turned off.

• Set the tone controls (Bass and Treble) to their center or

flat positions.

• Bypass all surround and effects features of your receiver/

processor/preamp or set to“Stereo Bypass.”

• If you are using a multichannel surround processor or receiver,

make sure all bass-management features are properly set.The

Audio channels should all be set to“Small”or“High-Pass” and

the subwoofer set to“On.”

The Optional R.A.B.O.S. Kit Includes

the Following Components:

• Specialized Sound-Level Meter

• Test CD

• Instructions

• Measurement Templates

• Width Selector

You must have a CD player in the system.A CD player remote

control is quite convenient but not essential.

For best results, it is recommended that all major furnishings are in

place and that all doors and windows in the listening area are in

their normal positions.That is, if you normally listen to music with all

doors closed, then this is how they should be during this procedure.

• Adjustment“Key”

What R.A.B.O.S.Technology Does

The Test CD provides specially designed signals you will use

while performing measurements.The sound-level meter provided

is used to“acquire”the information needed for adjustments.

You will create a response plot on the R.A.B.O.S. Measurement

Template. Using the Width Selector, you will then determine the

appropriate equalizer settings.The Adjustment“Key”is used to

adjust the parametric equalizer built into the PSW310W.After

adjustment, the test sequence is repeated to confirm your settings.

Try to minimize ambient noise while running tests.Turn off all major

appliances and any air conditioning or furnace fans.These can

create significant subsonic noise that may be barely perceptible but

which can wreak havoc on low-frequency measurements.

Critical information is highlighted with this mark:

Helpful hints are marked with this symbol:

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Contents of the R.A.B.O.S. Test CD

Power is switched on or off by pressing the button directly below

the bar-graph window.When the unit is on, one or more LEDs will

always be illuminated.The function of the LEDs is described in

the following section.

Track Title

Quick Retest 80Hz

Welcome

Set System Test Level

Set Subwoofer Test Level

100Hz Test

95Hz Test

90Hz Test

85Hz Test

80Hz Test

77Hz Test

72Hz Test

66Hz Test

63Hz Test

56Hz Test

52Hz Test

49Hz Test

46Hz Test

43Hz Test

40Hz Test

38Hz Test

35Hz Test

30Hz Test

26Hz Test

24Hz Test

22Hz Test

21Hz Test

20Hz Test

Intro to Quick Retest

Quick Retest 100Hz

Quick Retest 95Hz

Quick Retest 90Hz

Quick Retest 85Hz

Quick Retest 77Hz

Quick Retest 72Hz

Quick Retest 66Hz

Quick Retest 63Hz

Quick Retest 56Hz

Quick Retest 52Hz

Quick Retest 49Hz

Quick Retest 46Hz

Quick Retest 43Hz

Quick Retest 40Hz

Quick Retest 38Hz

Quick Retest 35Hz

Quick Retest 30Hz

Quick Retest 26Hz

Quick Retest 24Hz

Quick Retest 22Hz

0dB

-1

-2

0dB

-1

-2

0dB

-1

-2

0dB

-1

-2

-3

-4

-3

-4

-3

-4

-3

-4

-5

-6

-5

-6

-5

-6

-5

-6

-7

-8

-7

-8

-7

-8

-7

-8

-9

-10

-12

-14

-16

Batt

-10

-12

-14

-16

Batt

-10

-12

-14

-16

Batt

-10

-12

-14

-16

Batt

Quick Retest 21Hz

Quick Retest 20Hz

Final System-Level Adjustment

Final Subwoofer-Level Adjustment

Wide Band Pink Noise, Left

Wide Band Pink Noise, L+R

Wide Band Pink Noise, Right

Wide Band Pink Noise, L-R

Wide Band Pink Noise, Uncorrelated

1 to 4kHz Pink Noise, Left

1 to 4kHz Pink Noise, L+R

1 to 4kHz Pink Noise, Right

1 to 4kHz Pink Noise, Left-R

1 to 4kHz Pink Noise, Uncorrelated

Low

Battery

Over-Range

Measurement

In-Range

Under-Range

Figure 3. RSLM bar-graph indications

• Power-On/Low Signal: This is indicated by the illumination of

any LED on the bar graph. If the sound level in the room is

below the measurement range of the instrument, a green LED

near the bottom of the bar graph will be illuminated.

• Normal Measurements:When the sound level is within the

range of the RSLM, the green LED will be off and one of the

red LEDs in the bar graph will be illuminated, indicating the

relative sound level, in decibels (dB).

Tracks 53–62 of the R.A.B.O.S.Test CD are test tones that can be

used for general diagnostics of your system.They are not used for

R.A.B.O.S. settings.

• Over-Range: If the sound level exceeds the range of the meter,

0dB through –5dB will all light simultaneously.

• Low Battery:When the battery voltage is too low for accurate

measurements, an LED at the bottom of the bar graph will be

illuminated. Replace the battery.

THE R.A.B.O.S. SOUND-LEVEL METER (RSLM)

The RSLM is a battery-operated, handheld, acoustic measurement

device specifically designed for the Infinity R.A.B.O.S. system. On the

face of the instrument is a light-emitting diode (LED) bar graph that

indicates relative sound level.There are also indicators for power-on,

out-of-range signals and a low battery.

Do not attempt measurements when the Low Battery light is on.

RSLM Placement

Determine where in the room you are most likely to sit when

listening to music or watching a movie.This is where you will

want to hold the RSLM during measurements.The RSLM should

be oriented so it can be easily read and held at your seated

ear level during tests.

-1

-2

-3

-4

-5

-6

-7

-8

-9

-10

-11

-13

-15

-18

You must use this same position for all tests.

U-R

Batt

The RSLM can be mounted on a standard camera tripod.

This will ensure the best results.

Power

Figure 2. R.A.B.O.S. Sound-Level Meter

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sound bad; they can cause measurement errors. If you hear a

buzz or rattle during this test, it is highly recommended that you

locate the source and eliminate its effects.This is actually a

valuable room-diagnostic tool.

Initial System-Level Setting

The following steps will set the playback level of the system to

the correct level for all tests that follow.

Turn the system volume to minimum.

Press Play

›.As Track 3 plays, watch the RSLM carefully.Watch

for peak readings.The peak reading may be no more than a brief

Cue the R.A.B.O.S.Test CD to Track 2 and press Pause II.This

track will produce band-limited pink noise in both the left and

right channels.

•

flash. Readjust the subwoofer’s Subwoofer-Level Control

until

the peak level observed is 0dB without triggering the over-range

indication. See Figure 5.

Press Play ›. With the RSLM positioned as described above,

increase the system volume until the RSLM display indicates –10dB.

See Figure 4.

0dB

-1

-2

-3

-4

-5

-6

-7

-8

-9

-10

-12

-14

-16

0dB

-1

-2

-3

-4

-5

-6

-7

-8

-9

-10

-12

-14

-16

0dB

-1

-2

-3

-4

-5

-6

-7

-8

-9

-10

-12

-14

-16

0dB

-1

-2

-3

-4

-5

-6

-7

-8

ꢀ ꢀ

-9

-10

-12

-14

Batt

-16

Batt

Figure 4. RSLM indicating the

correct system level to

begin tests (–10dB)

Too High

Correct

Level

Too Low

Figure 5.Adjusting the subwoofer levels for a 0dB peak

When you have completed this adjustment, press Pause II.

When finished, press Pause II.

Setting the Subwoofer Test Level

Performing Low-Frequency Measurements

Each of the following test tracks is about one minute

long.This is normally much longer than required. Press Pause II

or advance to the next test as soon as you are ready.

Read the following instructions fully before beginning tests.

For the following steps, you will need a R.A.B.O.S. Measurement

Template and a pencil.

This step will set the subwoofer levels for measurement

purposes.The objective is to scale the subwoofer’s output to

make full use of the RSLM indicator range. Scaling is optimum

when a 0dB reading is observed on the highest peak without

triggering the over-range indication. Later, you will rebalance

the subwoofer to the main speakers.

¤ C

and , should be

The three R.A.B.O.S. controls,

set to fully clockwise positions, and all measurements should be

conducted with their level controls in this position. Confirm this

•

setting before you begin this test.The Subwoofer-Level Control

should be set to the mid position.

Cue Track 3 and Pause II.Track 3 continuously steps through all

subwoofer test tones for approximately one minute. Each tone will

play just long enough for the RSLM to give a stable reading.

To get accurate measurements, it is necessary to play

the subwoofer quite loud.The 0dB indication is about 94dB.At

this level, frequencies below 100Hz can cause doors, windows,

furnishings and other objects in the room to vibrate.This

frequently results in clearly audible buzzes and/or rattles that

come and go as each test tone plays. Strong buzzes not only

Figure 6. R.A.B.O.S. Measurement Template

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››

Each of the following tracks produces a low-frequency test

tone.The range of these tests is from 100Hz down to 20Hz.The

frequency of each test is announced before it begins.The first

test is the highest frequency (100Hz); therefore, you will be

marking the template from right to left. Each frequency point is

listed across the bottom of the R.A.B.O.S. Measurement Template

(this is called the X-axis). See Figure 6 on the previous page.

The vertical scale on the left side of the template indicates

relative level, in dBs (the Y-axis).The template’s vertical scale

matches that of the RSLM bar graph.

When finished, press Skip

I to advance to the next test. Repeat

the process described above for Tracks 5 through 26.

When you have completed the 23 measurements, you are ready to

analyze the data and make corrective adjustments.The completed

R.A.B.O.S. Measurement Template will look something like the

example in Figure 9.

Cue Track 4 and Pause II.

From now on, you will want to keep your CD player’s

remote control handy.

›

Press Play . As Track 4 plays, observe the level indicated on

the RSLM.

EXAMPLE:The test frequency is 100Hz and the level indicated is

–2dB. Find the intersection of 100Hz (X-axis) and –2dB (Y-axis).

Place a dot at that point. See Figure 7.

Figure 9. Completed R.A.B.O.S. template

Now connect the dots as shown in Figure 10.This will make

interpretation of the data much easier.

Figure 7. Locating a test point

It takes a few seconds for the RSLM reading to stabilize,

especially at very low frequencies. Don’t rush. Give each test

adequate time for the meter to stabilize.

At the bottom of the bar graph is a green“On”LED.This LED is

illuminated whenever the sound level is below the measuring

range of the RSLM. If this occurs during a test, place a dot at

the intersection of the test frequency and the bottom frame of

the template. See Figure 8.

Figure 10.Test example with dots connected

Figure 8. Indicating an under-range test

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At this point, you may simply enter the data you just

measured into the R.A.B.O.S. calculator, found on the

Infinity Web site at www.infinitysystems.com .After

Width

The frequency range of the R.A.B.O.S. equalizer may be set from

5% to 50% of an octave in 21 steps.This setting defines how

much of the PSW310W’s output will be equalized.

STOP

entering the data, this R.A.B.O.S. wizard will return the correct

¤ C

settings for all three R.A.B.O.S. controls:

and . Skip

to page 14 and adjust these controls as described, and finish

the R.A.B.O.S. setup. If you would like to manually calculate the

R.A.B.O.S. settings, simply continue following the instructions

from this point.

What Does a Parametric Equalizer Do?

The R.A.B.O.S. system uses one band of parametric equalization

for response correction. Parametric equalizers are the most

versatile class of filters.The effect an equalizer will have on the

signal is dependent on three parameters.

Frequency: The equalizer will have maximum effect at one

frequency, usually described as the center frequency.

Level: This refers to the amount of cut (in dBs) for which the

equalizer is set.

Figure 11. Effect of adjustable width

Bandwidth: Defines the range of frequencies over which the

equalizer will have an effect. On the PSW310W, this adjustment

is abbreviated as“Width.”

Width is expressed as a percentage of an octave. For example, a

width setting of 25% means the equalizer will affect a frequency

band of 1/4 of an octave; 1/8 of an octave above and 1/8 of an

octave below the center frequency.

Only parametric equalizers allow independent adjustment of all

three parameters.

The octave is a logarithmic expression. From any point

in the spectrum, one octave above or below that point is always

double or half the frequency.Therefore, one octave above 100Hz

would be 200Hz. One octave below 100Hz is 50Hz.

These will be explained more fully in the sections that follow.

Completing the R.A.B.O.S. Measurement Template

Along the bottom of the R.A.B.O.S. Measurement Template are

three fields where you will enter the equalizer settings needed to

complete system optimization.

In the section that follows, we will discuss the use of the

Width Selector.

These instructions are based on the example in Figure 11. Use

this tutorial to become familiar with the process. Strategies for

several other test results will be presented later.After you have

completed these three entry fields, you will be ready to perform

the adjustments, completing R.A.B.O.S. optimization.

Frequency

The frequency of the R.A.B.O.S. equalizer may be adjusted to

any one of nineteen frequencies from 20Hz to 80Hz.This defines

where you are going to apply equalization.

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Using the Width Selector

Read the following instructions carefully.The example

presented may not look like the graph you just created.

Focus on the concepts and techniques presented. Specific

cases will be discussed later.

Figure 13. Placement of the Bandwidth Selector

Apply pressure to the upper and lower left corners of the Width

Selector using the thumb and forefinger of your left hand. Now

gently slide the tab up or down until the adjustable slice most

closely fits the response data. See Figure 14.

Figure 12.Width Selector

You will use the R.A.B.O.S. Measurement Template just completed

and the Width Selector to determine the correct width setting.

The Width Selector graphically depicts a single resonant peak.

The peak looks similar to a slice of a pie. See Figure 12.At the

top of the Selector is a pull tab.When you slide the tab up and

down, the width of the pie slice becomes narrower and wider,

respectively.The pointers on the sides of the button point to the

bandwidth that corresponds to the width of the slice.

Place the Width Selector over the R.A.B.O.S. Measurement

Template, positioning the center rivet of the Selector over

the response peak, as shown in Figure 13. Be sure to align

the horizontal lines of the Width Selector with those of the

R.A.B.O.S. Measurement Template.

Figure 14. Selector adjusted for the“best fit”

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The pointer on the slider will indicate the correct width setting.

Enter this number in the Width field of the R.A.B.O.S.

Example 1. Single Dominant Peak:

Measurement Template. In our example, the width is 12.5%.

It is not realistic to expect a perfect fit.Acoustic

measurements encompass the behavior of not only the speakers

but of the room and its contents as well. Reflected energy,

standing waves and ambient noise all add their part. Determining

the best width setting nearly always requires compromise.

Level

This setting will define the amount (level) you want to reduce the

peak, in decibels.

The R.A.B.O.S. level adjustment is limited to attenuation only, and

is adjustable from 0dB to –14dB.After optimization, the

R.A.B.O.S. equalizer will eliminate the largest low-frequency peak;

therefore, the broadband bass level can be increased without

overpowering the midrange frequencies.The R.A.B.O.S. system

applies this compensation automatically.

Figure 15. Single dominant peak

This is the most common result of speaker/room interaction.

You will use the Width Selector as an aid in determining the

correct level setting. Place the Width Selector as described

above and adjust it to the correct width. Observe the first

frequency point on the high-frequency side of the peak that no

longer follows the slope of the Width Selector. In this example,

this is 56Hz. Calculate the average level of the readings from

56Hz up to 100Hz; that is, 10 data points in this example.

Apply the Width Selector as described in Figure 13.Align the

center-line of the Selector over the center of the peak, as shown

in Figure 14. Now adjust the Selector until you have achieved the

“best fit.”The slider now points to the correct bandwidth setting.

In this example, the frequency is 43Hz and the best-fit width is

12.5%. Fill in the Width and Frequency fields provided on the

template.

Determine the appropriate level using the technique described

earlier. In this example, –9dB would be best. Enter the level in

the field provided.

56Hz 63Hz 66Hz 72Hz 77Hz 80Hz 85Hz 90Hz 95Hz 100Hz

–9 –10 –8

–9 –10

–9

–8 –10 –10

–9 – 92 ÷ 10 = –9.2

Whenever your answer has a remainder, always round down

(disregarding the negative [–]) to the next whole number.

Skip to the“Adjusting the R.A.B.O.S. Equalizer”section on page 14.

In our example, you would enter 9 in the attenuation field.

This may not be the best method in all cases.The next section

contains several other examples.

What You Measure,What to Do

As stated earlier, it is not possible to anticipate the effect of

every possible listening environment. However, most residential

sound rooms share many characteristics, and their dimensions

fall into a range that make some response irregularities far more

likely than others. On the following pages are examples of what

you may encounter. Following each example is a strategy for

correction. Compare your measurement results with the following

examples. Find the one that best fits your graph and follow the

instructions presented for that scenario.

Remember, when looking for a match, look at the

descriptive characteristics, not any specific frequency or level.

Each of these examples can occur at any frequency, bandwidth

and level. It is unlikely that your test results will be exactly as

depicted in these examples.

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Example 2. Two Response Peaks:

Example 3. Peak Adjacent to a Dip:

Figure 16.Two response peaks

Characterized by two response peaks, approximately equal in

amplitude and width.This requires that you make a choice

between the two peaks. In situations like this, the higher

frequency peak will always be more audible and objectionable.

Response peaks below 45Hz, unless extreme, can actually be

beneficial toward achieving visceral impact. Perform corrections

on the upper frequency peak.

Apply the Width Selector as described above.Align the center-line

of the Selector over the center of the higher frequency peak. Now

adjust the Selector until you have achieved the“best fit.”The

slider now points to the correct width setting. In this example,

this is at 52Hz.The best-fit width is 28%. Fill in the Width and

Frequency fields provided on the template.

Determine the appropriate level using the technique described

earlier.This calculation will indicate a –8dB setting. However,

this peak does not reach the 0dB level as the lower peak does.

Therefore, a –8dB setting would be excessive.The 52Hz peak

stops at –2dB. Subtracting 2 from 8 yields the correct setting,

–6dB. Enter –6 in the Level field.

Figure 17. Dip above or below peak

Response dips can occur at any frequency, sometimes

immediately adjacent to the peak you want to correct.Two

examples are shown, one immediately above and one immediately

below the peak. Deep response dips such as these are caused

by destructive wave interference. Destructive interference dips

occur only in one spot within the room. It is not uncommon to

completely eliminate the effect by moving the RSLM to a different

location. Note that this does not eliminate the dips; you have

simply moved away from them. Sometimes only a few inches are

required. Do not attempt to correct this condition with equalization.

If you encounter dips like this, follow the steps on page 13:

Skip to the“Adjusting the R.A.B.O.S. Equalizer”section on page 14.

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1. Select a new test position: Cue the test track corresponding to

the center frequency of the dip. In the first example in Figure

18, you would play Track 13 (56Hz). Press Play .You will see

Although it looks as though this system is quite bass-deficient,

this is actually indicative of a single, very narrow peak in excess

of 10dB high.

›

a reading very close to what you had before. Now, slowly move

the RSLM around the area, if possible remaining within about a

foot of the original test point.As you move the RSLM, watch the

bar graph.You will observe large level fluctuations. Find a

position that restores the level to approximately that of the

adjacent test points.You may find it helpful to move the RSLM

vertically. Dips can be oriented in any axis.The position that

restores the level to about that of the adjacent test points is

your new test position.

Apply the Width Selector as described above.Align the center-line

of the Selector over the center of the peak, as shown in Figure

13. Now adjust the Selector until you have achieved the“best fit.”

The slider now points to the correct width setting. In this example,

the frequency is 40Hz and the best-fit width is 10%. Fill in the

Width and Frequency fields provided on the template.

Determine the appropriate level using the technique described

earlier. In this example, –13dB is indicated. Enter 13 in the field

provided.

2. Reset the test level: Return to the section“Setting the

Subwoofer Test Level”on page 7. Perform the procedure

as described.

Skip to the“Adjusting the R.A.B.O.S. Equalizer”section on page 14.

3. Repeat the measurements: Now that you are familiar with the

measurement process, you can go much faster by using Tracks

27–50.These tracks contain all the test tones necessary for

measurement. However, each test is only about three seconds,

and there is no frequency announcement.The first test is

100Hz. Just place each test mark in order until finished.

Connect the dots.

Example 5. One or More Narrow Dips:

Your second measurement will no longer exhibit the deep

response dip. However, the peak will still be evident.Without the

influence of the response dip, the amplitude and center of the

peak may have changed. Compare your new data to the examples

given in this section of the manual. Follow the instructions for the

example that most closely matches your new measurement.

Example 4. Narrow Response:

Figure 19. Example of two narrow dips

Response dips can occur at any frequency, sometimes

immediately adjacent to the peak you want to correct. In this

example, there are two such dips on either side of the peak. Deep

response dips such as these are caused by destructive wave

interference. Destructive interference dips occur only in one spot

within the room. It is not uncommon to completely eliminate their

effect by moving the RSLM to a different location. Note that this

does not eliminate the dips; you have simply moved away from

them. Sometimes only a few inches are required. Do not attempt

to correct this condition with equalization. If you encounter dips

like this, follow the steps on page 14:

Figure 18. Narrow Response

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1. Select a new test position: Cue the test track corresponding to

the center frequency of the dip. In the example in Figure 19

you would play Tracks 14 (52Hz) and 18 (40Hz). Press Play ›.

You will see a reading very close to what you had before. Now,

slowly move the RSLM around the area, if possible remaining

within about a foot of the original test point.As you move the

RSLM, watch the bar graph.You will observe large level

fluctuations. Find a location for the subwoofer or a test

location that raises the response at these frequencies.You may

find it helpful to move the RSLM vertically. Dips can be

oriented in any axis.The position that restores the level to

about that of the adjacent test points is your new test position.

If your test data looks similar to the example in Figure 21, you

have a very favorable setup. Skip to the“Final System Balance”

section, page 15.

Adjusting the R.A.B.O.S. Equalizer

Now that you have performed the measurements and interpreted

the data, you have the information needed to adjust the

subwoofer’s equalizer.

There are three equalizer adjustments on the subwoofer. Left

to right, they are marked Frequency, Level and Width. Each

control has 21 positions.These are numbered from left to right.

Therefore, Position 1 is the full counterclockwise position.The

following table illustrates all switch positions.

2. Reset the test level: Return to the section“Setting the

Subwoofer Test Level”on page 7. Perform the procedure

as described.

Position

1 CCW

F (Hz)

L (dB)

3. Repeat the measurements: Now that you are familiar with the

measurement process, you can go much faster by using Tracks

27–50.These tracks contain all the test tones necessary for

measurement. However, each test is only about three seconds,

and there is no frequency announcement.The first test is

100Hz. Just place each test mark in order until finished.

Connect the dots.

0.0

–14.1

–13.9

–13.5

–13.1

–12.7

–11.7

–11.0

–10.2

–9.5

–8.9

–8.3

–7.9

–6.4

–4.4

–2.9

–1.9

–1.1

–0.5

0.0

49.5%

4.5%

7.5%

10%

12.5%

16.5%

20.5%

23%

26%

28%

29.5%

31%

34%

Your second measurement will no longer exhibit the deep

response dips. However, the peak will still be evident.Without

the influence of the response dips, the amplitude and center

of the peak may have changed.

21 CW80

4. Interpret the new data: Compare your new data to the examples

given in this section of the manual. Follow the instructions for

the example that most closely matches your new measurement.

39%

41.5%

43.5%

45%

46.5%

48%

Example 6. Ideal Response:

49%

Figure 20. Ideal response, no EQ needed

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If using more than one subwoofer, always adjust both subwoofers

together.Adjust the controls as indicated by the Measurement

Template. Each value shown in the table is represented by detents

in the R.A.B.O.S. controls. Simply count the number of detents

necessary, indicated by the results of your R.A.B.O.S.Test.

Final System Balance

›

Cue Track 51 of the R.A.B.O.S.Test CD. Press Play . Increase

the system volume until the RSLM indicates –10dB. Now play

Track 52.Adjust the subwoofer gain control until –10dB

is indicated on the RSLM. Of course, you may fine-tune the

subwoofer gain control to your listening preference.

PSW310W R.A.B.O.S. Controls

This concludes the R.A.B.O.S. process. It is recommended that

you remove the battery from the RSLM. Store the Test CD,Width

Selector, Adjustment Key and the RSLM together.

Off

Frequency

Width

Level

After performing these adjustments, you may skip forward to

the“Final System Balance”section. It is recommended that you

perform a second measurement to confirm that the settings

are correct.

If you are going to retest the system after EQ adjustments,

repeat the“Setting the Subwoofer Test Level”section on page 7.

Retesting the system will go much faster if you use

Tracks 27–50.These tracks contain all the same test tones you

just used. However, each tone plays for only a few seconds and

there is no frequency announcement. If you are uncomfortable

operating at this pace, you may, of course, perform measure-

ments with the original test tracks.

Your first interpretation of the data and choice of settings may

not be optimum.You can repeat the test-adjust-test cycle as often

as needed to get the desired results.To do this, return to page 7,

“Setting the Subwoofer Test Level.”You may prefer to retest

using the same template. Doing so makes it easy to evaluate

the improvement.

When you are satisfied with the results, go to“Final

System Balance.”

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MAINTENANCE AND SERVICE

The enclosure and grille may be cleaned using a soft cloth to

remove fingerprints or to wipe off dust.

All wiring connections should be inspected and cleaned or

remade periodically.The frequency of maintenance depends on

the metals involved in the connections, atmospheric conditions,

and other factors, but once per year is the minimum.

If a problem occurs, make sure that all connections are properly

made and clean. If a problem exists in one loudspeaker, reverse

the connection wires to the left and right system. If the problem

remains in the same speaker, then the fault is with the loudspeaker.

If the problem appears in the opposite speaker, the cause is in

another component or cable. In the event that your subwoofer ever

needs service, contact your local Infinity dealer or distributor or

visit www.infinitysystems.com for a service center near you.

IMPORTANT: Please attach your sales receipt to this manual

and store in a safe place. In the event that your Infinity speaker

requires warranty service, you’ll need to provide your sales receipt.

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Frequency

Width

Frequency

Width

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Frequency

Width

Frequency

Width

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SPECIFICATIONS

Infinity Classia^™PSW310W

Frequency Response:

32Hz – 150Hz (–3dB)

28Hz – 150Hz (–6dB)

Amplifier RMS Power:

400 Watts RMS

700 Watts

Amplifier Peak Dynamic Power^†:

Crossover Frequencies:

50Hz – 150Hz,

continuously adjustable when activated

Driver:

10" (250mm) CMMD

Dual 10" (250mm) CMMD passive radiators

RF Operating Frequency:

Operating Range:

2.4GHz

Up to 75' (22m),

depending upon conditions

Subwoofer Dimensions (H x W x D):

17-1/2" x 14" x 16-3/4"

(445mm x 356mm x 426mm)

Subwoofer Weight:

49.8 lb (22.6kg)

Transmitter Dimensions:

3-3/4" x 4-7/8" x 3-15/16"

(95mm x 124mm x 100mm)

Transmitter Weight:

0.5 lb (0.2kg)

^†The peak dynamic power is measured by recording the highest center-to-peak

voltage measured across the output of a resistive load equal to minimum impedance

of the transducer, using a 50Hz sine wave burst, 3 cycles on, 17 cycles off.

Features, specifications and appearance are subject to change without notice.

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NOTES

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Harman Consumer Group, Inc., 250 Crossways Park Drive,Woodbury, NY 11797 USA 516.674.4463 (USA only)

www.infinitysystems.com

Infinity and CMMD (patent nos. 6,327,372 and 6,404,897) are trademarks of Harman International Industries, Incorporated, registered in the United States and or/other countries. Infinity Classia,

Room Adaptive Bass Optimization System and R.A.B.O.S. are trademarks of Harman International Industries, Incorporated.

Dolby is a registered trademark of Dolby Laboratories. DTS is a registered trademark of DTS, Inc.

Part No. 406-000-05338-E 6/08

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