Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid-
ered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servic-
ing) instructions in the literature
accompanying the product.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the man-
ufacturer’s warranty, and are therefore the owners respon-
sibility. Please study this manual carefully and consult
your dealer before requesting service.
The lightning flash with arrowhead
symbol, within the equilateral trian-
gle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclo-
sure that may be of sufficient magni-
tude to constitute a risk of electrical
shock.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: AllYamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized byYamaha. Product perfor-
mance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
CVP-210
CVP-208
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However,Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
Model
Serial No.
ENVIRONMENTAL ISSUES: Yamaha strives to pro-
duce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Purchase Date
92-469 1(bottom)
Download from Www.Somanuals.com. All Manuals Search And Download.
èÓ‰Íβ˜ÂÌËÂ
àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË ÂÒÚ¸)
•
èꢀÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚꢀÛÏÂÌÚ Í ‰ꢀÛ„ËÏ ˝ÎÂÍÚꢀÓÌÌ˚Ï
ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂꢀ‰ ‚Íβ˜ÂÌËÂÏ
ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚꢀÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ
ÏËÌËχθÌ˚È ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡
‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË, Ë
‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ̇ ËÌÒÚꢀÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ꢀÓÏÍÓÒÚ¸
‰Ó ÌÛÊÌÓÈ.
•
•
ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚
ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.
ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄ꢀ‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ.
àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚꢀÂÏflÌÍË ËÎË ‰Îfl ËÌ˚ı
ˆÂÎÂÈ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Úꢀ‡‚ÏÂ.
•
•
ë͇ÏÂÈ͇ Ôꢀ‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇.
ç Ô˚Ú‡ÈÚÂÒ¸ ꢀ„ÛÎËꢀÓ‚‡Ú¸ ‚˚ÒÓÚÛ, Òˉfl ̇ Ò͇ÏÂÈÍÂ,
ÔꢀË·„‡ÂÏÓÈ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210, ÔÓÒÍÓθÍÛ ˝ÚÓ
ÔꢀË‚Ó‰ËÚ Í ÔÂꢀÂ̇ÔꢀflÊÂÌ˲ ꢀ„ÛÎËꢀÛ˛˘Â„Ó ÏÂı‡ÌËÁχ, ˜ÚÓ, ‚
Ò‚Ó˛ Ó˜Âꢀ‰¸, ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓ‚ꢀÂʉÂÌ˲ ÏÂı‡ÌËÁχ ËÎË
‰‡Ê Úꢀ‡‚ÏÂ.
ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ꢀ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl, Á‡ÚflÌËÚ Ëı ÓÚ‚ÂꢀÚÍÓÈ.
é·ÒÎÛÊË‚‡ÌËÂ
•
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èꢀÓÚËꢀ‡ÈÚ Ô˚θ Ë Û‰‡ÎflÈÚ „ꢀflÁ¸ Ò ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210
Ïfl„ÍÓÈ Ú̸͇˛. ç ÚꢀËÚ ÒÎ˯ÍÓÏ ÛÒÂꢀ‰ÌÓ, ÔÓÒÍÓθÍÛ Ì·Óθ¯ËÂ
˜‡ÒÚˈ˚ „ꢀflÁË ÏÓ„ÛÚ ÔÓˆ‡ꢀ‡Ô‡Ú¸ ÔÓÎËꢀÓ‚ÍÛ ËÌÒÚꢀÛÏÂÌÚ‡.
ÑÎfl ˜ËÒÚÍË ËÌÒÚꢀÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇
‚·ÊÌÓÈ Ú̸͇˛. ç ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË,
ꢀ‡ÒÚ‚ÓꢀËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò
ÔꢀÓÔËÚÍÓÈ.
•
ëÓıꢀ‡ÌÂÌË ‰‡ÌÌ˚ı
ëÓıꢀ‡ÌÂÌËÂ Ë ꢀÂÁÂꢀ‚ÌÓ ÍÓÔËꢀÓ‚‡ÌË ‰‡ÌÌ˚ı
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èꢀË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÌÒÚꢀÛÏÂÌÚ‡ ÌÂÍÓÚÓꢀ˚ ‰‡ÌÌ˚Â
ÚÂÍÛ˘ÂÈ Ô‡ÏflÚË ·Û‰ÛÚ ÔÓÚÂꢀflÌ˚ (ÒÏ. ÒÚꢀ. 43). ëÓıꢀ‡ÌflÈÚ ‰‡ÌÌ˚Â
̇ ‰ËÒÍÂÚ ËÎË ‚ ꢀ‡Á‰ÂΠԇÏflÚË User (ÒÏ. ÒÚꢀ. 40, 48).
ÇÓÁÏÓÊ̇ ÔÓÚÂꢀfl ÒÓıꢀ‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔꢀ‡‚ÌÓÒÚË ËÎË
ÌÂÔꢀ‡‚ËθÌÓÈ ꢀ‡·ÓÚ˚ ËÌÒÚꢀÛÏÂÌÚ‡. ëÓıꢀ‡ÌflÈÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â
̇ ‰ËÒÍÂÚÂ.
åÂꢀ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔꢀË ˝ÍÒÔÎÛ‡Ú‡ˆËË
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ÅÛ‰¸Ú ÓÒÚÓꢀÓÊÌ˚, ÒΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Íꢀ˚¯Í‡ Í·‚ˇÚÛꢀ˚ ÌÂ
Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚, Ë Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ꢀÛÍË ‚
ÓÚ‚ÂꢀÒÚËfl ̇ ËÌÒÚꢀÛÏÂÌÚÂ.
çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ꢀÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍË Ë
ÔꢀӘˠÔꢀ‰ÏÂÚ˚ ‚ ÓÚ‚ÂꢀÒÚËfl ̇ Íꢀ˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛꢀÂ.
ÖÒÎË ˝ÚÓ ÔꢀÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË Ë
ÓÚÒÓ‰ËÌËÚ ËÌÒÚꢀÛÏÂÌÚ ÓÚ ˝ÎÂÍÚꢀÓÒÂÚË. á‡ÚÂÏ Ó·ꢀ‡ÚËÚÂÒ¸ Á‡
ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚꢀ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl
ÍÓꢀÔÓꢀ‡ˆËË Yamaha.
èꢀË ËÁÏÂÌÂÌËË Ô‡ꢀ‡ÏÂÚꢀÓ‚ ̇ ÒÚꢀ‡Ìˈ ˝Íꢀ‡Ì‡ ‰‡ÌÌ˚ Ó
̇ÒÚꢀÓÈÍ ÒËÒÚÂÏ˚ (ÔÂꢀ˜ËÒÎÂÌÌ˚ ‚ Ú‡·Îˈ ԇꢀ‡ÏÂÚꢀÓ‚
ÔÓÒÚ‡‚ÎflÂÏÓ„Ó ÓÚ‰ÂθÌÓ Ò·ÓꢀÌË͇ Ú‡·Îˈ) ‡‚ÚÓχÚ˘ÂÒÍË
ÒÓıꢀ‡Ìfl˛ÚÒfl ÔÓÒΠ‚˚ıÓ‰‡ Ò ˝ÚÓÈ ÒÚꢀ‡Ìˈ˚. é‰Ì‡ÍÓ ÂÒÎË
ÔÂꢀ‰ ÓÚÍβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl Ì ·˚· ‚˚ÔÓÎÌÂ̇
̇‰ÎÂʇ˘‡fl Ôꢀӈ‰Ûꢀ‡ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
˝Íꢀ‡Ì‡, ‚Ò ˝ÚË ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚꢀ‡˜ÂÌ˚.
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ç Í·‰ËÚ ̇ ËÌÒÚꢀÛÏÂÌÚ Ôꢀ‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË
ꢀÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë
Í·‚ˇÚÛꢀ˚.
쉇ꢀ˚ ÏÂÚ‡Î΢ÂÒÍËÏË, Ù‡ꢀÙÓꢀÓ‚˚ÏË ËÎË ‰ꢀÛ„ËÏË ÊÂÒÚÍËÏË
Ôꢀ‰ÏÂÚ‡ÏË ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ Úꢀ¢ËÌ˚ ËÎË ¯ÂÎÛ¯ÂÌË ÔÓÎËꢀÓ‚ÍË
ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210. åÂꢀ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔꢀË
˝ÍÒÔÎÛ‡Ú‡ˆËË.
êÂÁÂꢀ‚ÌÓ ÍÓÔËꢀÓ‚‡ÌË ‰ËÒÍÂÚ˚
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óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔꢀÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ꢀÂʉÂÌËfl ÌÓÒËÚÂÎfl,
ꢀÂÍÓÏẨÛÂÚÒfl ÒÓıꢀ‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı
‰ËÒÍÂÚ‡ı.
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ç ҇‰ËÚÂÒ¸ ̇ ËÌÒÚꢀÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚Â
Ôꢀ‰ÏÂÚ˚, ‡ Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ꢀÂÁÏÂꢀÌ˚ı ÛÒËÎËÈ ÔꢀË
ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ꢀ‡Á˙ÂχÏË.
ç ÒΉÛÂÚ ‰ÓÎ„Ó ËÒÔÓθÁÓ‚‡Ú¸ ‚˚ÒÓÍËÈ ËÎË ꢀ‡Á‰ꢀ‡Ê‡˛˘ËÈ
ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓÚÂꢀ ÒÎÛı‡. èꢀË
ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·ꢀ‡ÚËÚÂÒ¸ Í ‚ꢀ‡˜Û.
åÂꢀ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔꢀË ꢀ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË
äÓ„‰‡ ̇ ‰ËÒÍ USER/ÑàëäéÇéÑÖ ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔÂꢀ‡ˆËË Ò ‰‡ÌÌ˚ÏË, ̇ÔꢀËÏÂꢀ ÒÓıꢀ‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËꢀÓ‚‡ÌËÂ, çàäéÉÑÄ Ì ‚˚Íβ˜‡ÈÚÂ
ÔËÚ‡ÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‰Ó ÔÓÎÌÓ„Ó Á‡‚Âꢀ¯ÂÌËfl ÓÔÂꢀ‡ˆËË. (é·flÁ‡ÚÂθÌÓ ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ ÔÓfl‚Ë‚¯ÂÂÒfl ÒÓÓ·˘ÂÌËÂ.)
éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ꢀÂÏfl ˝ÚËı ÓÔÂꢀ‡ˆËÈ ÔꢀË‚Ó‰ËÚ Í ÔÓÚÂꢀ ‰‡ÌÌ˚ı, ÒÓıꢀ‡ÌflÂÏ˚ı ËÎË ÍÓÔËꢀÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÌÓÒËÚÂθ.
ÇÓ ‚ꢀÂÏfl Ú‡ÍËı ÓÔÂꢀ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓıꢀ‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER. éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ꢀÂÏfl ÒÓıꢀ‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËꢀÓ‚‡ÌËfl
‰‡ÌÌ˚ı ̇ ‰ËÒÍ USER ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓÚÂꢀ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔꢀË ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓꢀ˚ÏË
‚˚ÔÓÎÌfl·Ҹ ÓÔÂꢀ‡ˆËfl. ÑꢀÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ÔÓÎÌflfl ÓÔÂꢀ‡ˆËË ÒÓıꢀ‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËꢀÓ‚‡ÌËfl ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ Ì‡ ‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚
ÔËÚ‡ÌË ‰Ó Á‡‚Âꢀ¯ÂÌËfl ÓÔÂꢀ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂꢀflÚ¸ ÇëÖ ‰‡ÌÌ˚ ̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·ꢀ˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚꢀÓÈÍË
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓꢀ˚ ·˚ÎË ÒÓıꢀ‡ÌÂÌ˚ ̇ ‰ËÒÍ USER.
ùÚË ÏÂꢀ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔÂꢀ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ̇ÒÚꢀÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (ÒÚꢀ. 154).
äÓꢀÔÓꢀ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ꢀÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔꢀ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚꢀÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡
ÔÓÚÂꢀflÌÌ˚ ËÎË ËÒÔÓꢀ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚꢀÛÏÂÌÚ ÔÓÒΠÓÍÓ̘‡ÌËfl ꢀ‡·ÓÚ˚.
(1)B-7
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CVP-210/208
4
Download from Www.Somanuals.com. All Manuals Search And Download.
Å·„Ó‰‡ꢀËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÍÓꢀÔÓꢀ‡ˆËË Yamaha!
êÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÓÁ̇ÍÓÏËÚ¸Òfl Ò ‰‡ÌÌ˚Ï ꢀÛÍÓ‚Ó‰ÒÚ‚ÓÏ,
˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ̇˷ÓΠÔÓÎÌÓ Ôꢀ‰ÒÚ‡‚ÎÂÌË ӷ Ò‡Ï˚ı ÒÓ‚ꢀÂÏÂÌÌ˚ı
Ë Û‰Ó·Ì˚ı ÙÛÌ͈Ëflı ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
ç‡ÒÚÓflÚÂθÌÓ ꢀÂÍÓÏẨÛÂÏ ıꢀ‡ÌËÚ¸ ˝ÚÓ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚ꢀÂı ÓÒÌÓ‚Ì˚ı ꢀ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «äꢀ‡ÚÍÓ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó», «éÒÌÓ‚Ì˚Â
ÓÔÂꢀ‡ˆËË» Ë «ëÔꢀ‡‚Ó˜ÌËÍ». äꢀÓÏ ÚÓ„Ó, ÔÓÒÚ‡‚ÎflÂÚÒfl ÓÚ‰ÂθÌ˚È Ò·ÓꢀÌËÍ Ú‡·Îˈ.
ǂ‰ÂÌË (ÒÚꢀ. 2): ë ˝ÚËÏ ꢀ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂꢀ‚Û˛ Ó˜Âꢀ‰¸.
äꢀ‡ÚÍÓ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚꢀ. 20): ùÚÓÚ ꢀ‡Á‰ÂÎ ÒÓ‰ÂꢀÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı
ËÌÒÚꢀÛÏÂÌÚ‡.
éÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË (ÒÚꢀ. 39): ùÚÓÚ ꢀ‡Á‰ÂÎ Ó·˙flÒÌflÂÚ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ÓÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË, ‚ ÚÓÏ ˜ËÒΠ˝Íꢀ‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚
ÛÔꢀ‡‚ÎÂÌËfl.
ëÔꢀ‡‚Ó˜ÌËÍ (ÒÚꢀ. 56): ùÚÓÚ ꢀ‡Á‰ÂÎ ÒÓ‰ÂꢀÊËÚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍ ꢀ‡Á΢Ì˚ı ÙÛÌ͈ËÈ
ËÌÒÚꢀÛÏÂÌÚ‡.
ë·ÓꢀÌËÍ Ú‡·Îˈ: ÒÔËÒÓÍ ÚÂÏ·ꢀÓ‚, ÙÓꢀÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú.Ô.
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åÓ‰ÂÎË CVP-210/208 ‚ ‰‡ÌÌÓÏ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡˛ÚÒfl Í‡Í «CVP/Clavinova».
àÎβÒÚꢀ‡ˆËË Ë ÒÌËÏÍË ÊˉÍÓÍꢀËÒÚ‡Î΢ÂÒÍËı ˝Íꢀ‡ÌÓ‚ Ôꢀ˂‰ÂÌ˚ ‚ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔꢀËÏÂꢀÓ‚, ‚
‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
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ëÌËÏÍË ˝Íꢀ‡ÌÓ‚ Operation Guide, Ôꢀ˂‰ÂÌÌ˚ ‚ ‰‡ÌÌÓÏ ꢀÛÍÓ‚Ó‰ÒÚ‚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CVP-210 Ë Ôꢀ‰ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ
flÁ˚ÍÂ.
äÓÔËꢀÓ‚‡ÌË ÔꢀÓ„ꢀ‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Ëϲ˘Â„ÓÒfl ‚ ÔꢀÓ‰‡ÊÂ, ꢀ‡Áꢀ¯ÂÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl.
Ç ˝ÚÓÏ ÔꢀÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂꢀÌ˚ ÔꢀÓ„ꢀ‡ÏÏ˚ Ë ÒÓ‰ÂꢀÊËÏÓÂ, ‡‚ÚÓꢀÒÍË Ôꢀ‡‚‡ ̇ ÍÓÚÓꢀ˚ ÔꢀË̇‰ÎÂÊ‡Ú ÍÓꢀÔÓꢀ‡ˆËË Yamaha ËÎË
Ôꢀ‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓꢀ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰ꢀÛ„Ëı ÙËꢀÏ. ä Ú‡ÍËÏ Ï‡ÚÂꢀˇ·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓꢀÒÍËÏË Ôꢀ‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ
Ó„ꢀ‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂꢀÌÓ ÔꢀÓ„ꢀ‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·ÓÂ
ÌÂÒ‡Ì͈ËÓÌËꢀÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔꢀÓ„ꢀ‡ÏÏ Ë ÒÓ‰ÂꢀÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ꢀ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ôꢀ¢ÂÌÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ꢀÛ¯ÂÌË ‡‚ÚÓꢀÒÍËı Ôꢀ‡‚ ÔꢀÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ
àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ‚‡ꢀÌ˚ Á̇ÍË:
• Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡ꢀÌ˚ÏË Á͇̇ÏË ÍÓÏÔ‡ÌËË Apple Computer, Inc.
• IBM-PC/AT fl‚ÎflÂÚÒfl ÚÓ‚‡ꢀÌ˚Ï Á̇ÍÓÏ ÍÓꢀÔÓꢀ‡ˆËË International Business Machines.
• Windows fl‚ÎflÂÚÒfl Óıꢀ‡ÌflÂÏ˚Ï ÚÓ‚‡ꢀÌ˚Ï Á̇ÍÓÏ ÍÓꢀÔÓꢀ‡ˆËË Microsoft®.
• ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡ꢀÌ˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
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îÓÚÓ„ꢀ‡ÙËË Í·‚ÂÒË̇, ·‡Ì‰ÓÌÂÓ̇, ꢀ‡Á΢Ì˚ı ‚ˉӂ ˆËÏ·‡Î Ë ÏÛÁ˚͇θÌÓÈ ¯Í‡ÚÛÎÍË, ËÁÓ·ꢀ‡Ê‡ÂÏ˚ ̇ ˝Íꢀ‡Ì‡ı ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
CVP-210/208, β·ÂÁÌÓ Ôꢀ‰ÓÒÚ‡‚ÎÂÌ˚ ÏÛÁÂÂÏ Gakkigaku Shiryokan (ëÓ·ꢀ‡ÌË ÒÚ‡ꢀËÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚), ÏÛÁ˚͇θÌÓ„Ó
ÍÓÎΉʇ Kunitachi.
ëÎÂ‰Û˛˘Ë ËÌÒÚꢀÛÏÂÌÚ˚, ËÁÓ·ꢀ‡Ê‡ÂÏ˚ ̇ ˝Íꢀ‡Ì‡ı ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ‰ÓÒÚÛÔÌ˚ ‰Îfl Ó·ÓÁꢀÂÌËfl ‚ ÏÛÁ ÏÛÁ˚͇θÌ˚ı
ËÌÒÚꢀÛÏÂÌÚÓ‚ Hamamatsu: ·‡Î‡ÙÓÌ, ‰ÊẨÂꢀ, ͇ÎËÏ·‡, ͇ÌÛÌ, Ò‡ÌÚÛꢀ, „‡Ï·Ì, ‡ꢀÙ‡, ÍÓÎÓÍÓθ˜ËÍ, ‚ÓÎ˚Ì͇, ·‡Ì‰ÊÓ, ͇ꢀËθÓÌ, χ̉ÓÎË̇,
Û‰, ÙÎÂÈÚ‡ è‡Ì‡, ÔÛ̉ÊË, ꢀ‡·‡·, ¯‡Ì‡Ë, ÒËÚ‡ꢀ, ÒڇθÌÓÈ ·‡ꢀ‡·‡Ì, ڇϷꢀ‡.
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чÌÌ˚È ÔꢀÓ‰ÛÍÚ ÔꢀÓËÁ‚‰ÂÌ ÔÓ ÎˈÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊ ԇÚÂÌÚÓÏ No.5567901,
ÔꢀË̇‰ÎÂʇ˘ËÏ IVL Technologies Ltd.
ê‡ÒÚꢀÓ‚˚ ¯ꢀËÙÚ˚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ËÌÒÚꢀÛÏÂÌÚÂ, Ôꢀ‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓꢀÔÓꢀ‡ˆËÂÈ Ricoh Co., Ltd. Ë fl‚Îfl˛ÚÒfl  ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛.
CVP-210/208
5
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ÑÓÔÓÎÌËÚÂθÌ˚ ÔꢀË̇‰ÎÂÊÌÓÒÚË
■ 燷Óꢀ ‰ËÒÍÓ‚ Ë Ô‡ꢀÚËÚÛꢀ «50 greats for the Piano»
■ á‡ÔËÒ˚‚‡ÂÏ˚È ‰ËÒÍ
àÒÔÓθÁÛÈÚ ˝ÚÓÚ ‰ËÒÍ ‰Îfl ÒÓıꢀ‡ÌÂÌËfl ̇ ÌÂÏ Ò‚ÓËı Á‡ÔËÒÂÈ.
■ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Ç ˝ÚÓÏ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂꢀʇÚÒfl ÔÓÎÌ˚ ËÌÒÚꢀÛ͈ËË ÔÓ ꢀ‡·ÓÚÂ Ò ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ Clavinova.
■ ë·ÓꢀÌËÍ Ú‡·Îˈ
Ç ˝ÚÓÏ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂꢀʇÚÒfl ÒÔËÒÍË ÚÂÏ·ꢀÓ‚, ÒÚËÎÂÈ, Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ë Ú.‰.
■ ë͇ÏÂÈ͇
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ
íÂıÌË͇ ·ÂÁÓÔ‡ÒÌÓÒÚË
ÅÂꢀÂÊÌÓ Ó·ꢀ‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓÎÌflÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂꢀ˚ Ôꢀ‰ÓÒÚÓꢀÓÊÌÓÒÚË.
óÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘ËÂ
‰ÂÈÒÚ‚Ëfl:
ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ
èꢀÂʉ ˜ÂÏ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸, ˜ÚÓ Ì‡ Ì ÌÂ
Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â.
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åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.
ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ÚÂÍÛ˘ÂÈ ÓÔÂꢀ‡ˆËË,
̇ ˝Íꢀ‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Now executing» («à‰ÂÚ
Á‡ÔËÒ¸»), «Now copying» («à‰ÂÚ ÍÓÔËꢀÓ‚‡ÌË») ËÎË «Now
formatting» («à‰ÂÚ ÙÓꢀχÚËꢀÓ‚‡ÌË»).
ìÒÚ‡Ìӂ͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ
• èÂꢀÂÏ¢ÂÌËÂ, ÍÓÔËꢀÓ‚‡ÌËÂ, ‚ÒÚ‡‚͇, ÒÓıꢀ‡ÌÂÌË Ë
Û‰‡ÎÂÌË ‰‡ÌÌ˚ı (ÒÚꢀ. 46 - 48).
• Ç˚·Óꢀ ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚꢀ. 45); ÒÓÁ‰‡ÌË ÌÓ‚ÓÈ
Ô‡ÔÍË (ÒÚꢀ. 48).
• äÓÔËꢀÓ‚‡ÌË ‰ËÒÍÂÚ˚ ̇ ‰ꢀÛ„Û˛ ‰ËÒÍÂÚÛ (ÒÚꢀ. 153);
ÙÓꢀχÚËꢀÓ‚‡ÌË ‰ËÒÍÂÚ˚ (ÒÚꢀ. 153).
óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ
‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl:
•
ÑÂꢀÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âꢀı, ¯ÚÓꢀÍÓÈ ‚ÔÂꢀ‰ ÔÓ
̇Ôꢀ‡‚ÎÂÌ˲ Í ÔꢀÓꢀÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓꢀÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ
‰ËÒÍÂÚÛ ‚ ˘Âθ Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚ÔÂꢀ‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚÂ
˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡.
äÌÓÔ͇ ËÁ‚ΘÂÌËfl
‰ËÒÍÂÚ˚
à̉Ë͇ÚÓꢀ ‰ËÒÍÓ‚Ó‰‡
äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓꢀ ‰ËÒÍÓ‚Ó‰‡
(Ò΂‡ ‚ÌËÁÛ) „ÓꢀËÚ, Û͇Á˚‚‡fl, ˜ÚÓ ‰ËÒÍÓ‚Ó‰
ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸.
CVP-210/208
6
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çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ ËÎË ‚˚Íβ˜‡Ú¸
ÔËÚ‡ÌË ‚Ó ‚ꢀÂÏfl Á‡ÔËÒË ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ ÔÓ‚ꢀ‰ËÚ¸
‰ËÒÍÂÚÛ, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰. å‰ÎÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ
‰ËÒÍÓ‚Ó‰‡ ‰Ó ÛÔÓꢀ‡ — Ë ‰ËÒÍÂÚ‡ ‚˚ÒÍÓ˜ËÚ ‡‚ÚÓχÚ˘ÂÒÍË.
äÓ„‰‡ ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ÓÒ‚Ó·Ó‰ËÚÒfl, ÓÒÚÓꢀÓÊÌÓ ‚˚̸ÚÂ
ÂÂ.
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÒÎ˯ÍÓÏ ·˚ÒÚꢀÓ
ËÎË Ì‡Ê‡Ú¸  ̠‰Ó ÛÔÓꢀ‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË
ÌÂÔꢀ‡‚ËθÌÓ. äÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡ ÏÓÊÂÚ Á‡ÒÚꢀflÚ¸ ̇
ÔÓÎÔÛÚË, Ë ‰ËÒÍÂÚ‡ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡ ÚÓθÍÓ Ì‡
ÌÂÒÍÓθÍÓ ÏËÎÎËÏÂÚꢀÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ì Ô˚Ú‡ÈÚÂÒ¸
‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ. èꢀËÏÂÌÂÌË ÒËÎ˚ ÏÓÊÂÚ ÔÓ‚ꢀ‰ËÚ¸
‰ËÒÍÓ‚Ó‰ ËÎË Ò‡ÏÛ ‰ËÒÍÂÚÛ. óÚÓ·˚ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ,
ÔÓÔꢀÓ·ÛÈÚ ̇ʇڸ ÍÌÓÔÍÛ Â˘Â ꢀ‡Á ËÎË ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ
Ó·ꢀ‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓꢀËÚ Ôꢀӈ‰ÛꢀÛ.
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ç ÓÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ
ÔÓ‰‚Âꢀ„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓꢀÓ‚,
ÍÓÎÓÌÓÍ, ˝ÎÂÍÚꢀÓÏÓÚÓꢀÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚꢀÓÈÒÚ‚.
凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛
ÛÚꢀ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ, ҉·‚ ÂÂ
ÌÂÔꢀË„Ó‰ÌÓÈ Í ËÒÔÓθÁÓ‚‡Ì˲.
çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓꢀÏËꢀÓ‚‡ÌÌÓÈ
¯ÚÓꢀÍÓÈ ËÎË ÍÓꢀÔÛÒÓÏ.
ç ÔꢀËÍꢀÂÔÎflÈÚÂ Í ‰ËÒÍÂÚ Ì˘„Ó, ÍꢀÓÏ ÒÔˆˇθÌ˚ı
̇ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎflÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË. èꢀËÍꢀÂÔÎflÈÚÂ
̇ÍÎÂÈÍË ‚ ÒÔˆˇθÌÓ Ôꢀ‰̇Á̇˜ÂÌÌÓ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÓ.
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ᇢËÚ‡ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ (Á‡˘ÂÎ͇ ‰Îfl Á‡˘ËÚ˚ ÓÚ
Á‡ÔËÒË):
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èꢀÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ ÌÂ
ÓÒڇ·Ҹ ‚ ‰ËÒÍÓ‚Ó‰Â. ÑËÒÍÂÚ‡, ̇ıÓ‰fl˘‡flÒfl ‚ ‰ËÒÍÓ‚Ó‰Â
‰ÎËÚÂθÌÓ ‚ꢀÂÏfl, ÏÓÊÂÚ ÔÓÍꢀ˚Ú¸Òfl Ô˚θ˛ Ë „ꢀflÁ¸˛, ˜ÚÓ
Ôꢀ˂‰ÂÚ Í Ó¯Ë·Í‡Ï ÔꢀË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.
óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚËꢀ‡ÌËfl,
ÔÂꢀÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂꢀÒÚËÂ
ÓÚÍꢀ˚ÚÓ).
é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/
Á‡ÔËÒË ‰‡ÌÌ˚ı
ᇢÂÎ͇ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË
‚ ÓÚÍꢀ˚ÚÓÈ ÔÓÁˈËË
(Á‡ÔËÒ¸ Á‡Ôꢀ¢Â̇)
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•
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çÂÓ·ıÓ‰ËÏÓ ꢀ„ÛÎflꢀÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË
‰‡ÌÌ˚ı. àÌÒÚꢀÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ
ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓꢀÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl
͇̇ÔÎË‚‡ÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ
ÒÓ ‚ꢀÂÏÂÌÂÏ ÔꢀË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔꢀË ˜ÚÂÌËË Ë Á‡ÔËÒË
‰‡ÌÌ˚ı.
êÂÁÂꢀ‚ÌÓ ÍÓÔËꢀÓ‚‡ÌË ‰‡ÌÌ˚ı
óÚÓ·˚ ÔÓ‰‰ÂꢀÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ꢀ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË,
ÍÓꢀÔÓꢀ‡ˆËfl Yamaha ꢀÂÍÓÏẨÛÂÚ ꢀ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸
Ëϲ˘Û˛Òfl ‚ ÔꢀÓ‰‡Ê ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡
‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔꢀÓ‰‡Ê ڇÍËÂ
‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ôꢀ‰ÒÚ‡‚ËÚÂÎfl ÍÓꢀÔÓꢀ‡ˆËË
Yamaha.
Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎflÚ¸ ÚÓθÍÓ ‰ËÒÍÂÚ˚ Û͇Á‡ÌÌ˚ı
‚˚¯Â ÚËÔÓ‚. èÓÒÚÓꢀÓÌÌË Ôꢀ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚ꢀ‰ËÚ¸
‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ.
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ÑÎfl Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı
ÍÓꢀÔÓꢀ‡ˆËfl Yamaha ꢀÂÍÓÏẨÛÂÚ ıꢀ‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓÎÂÂ
‚‡ÊÌ˚ı ‰‡ÌÌ˚ı ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ÔꢀË ÔÓÚÂꢀ ËÎË ÔÓ‚ꢀÂʉÂÌËË Ó‰ÌÓÈ
ËÁ ‰ËÒÍÂÚ. ÑÎfl ÒÓÁ‰‡ÌËfl ꢀÂÁÂꢀ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÈÚÂ
ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ ̇
ÒÚꢀ. 153.
낉ÂÌËfl Ó ‰ËÒÍÂÚ‡ı
éÒÚÓꢀÓÊÌÓ ӷꢀ‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË Ôꢀ‰ÔÓ·„‡ÂÚ
Òӷβ‰ÂÌË ÒÎÂ‰Û˛˘Ëı ÏÂꢀ:
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ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ôꢀ‰ÏÂÚ˚, Ì ҄˷‡ÈÚ Ëı Ë
Ì ÔꢀËÏÂÌflÈÚ ÒËÎÛ ÔꢀË Ó·ꢀ‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚
Ì ËÒÔÓθÁÛ˛ÚÒfl, ıꢀ‡ÌËÚ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎflꢀ‡ı.
ç ÔÓ‰‚Âꢀ„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔꢀflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó
Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔÂꢀ‡ÚÛꢀ, ËÁ·˚ÚÓ˜ÌÓÈ
‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë
ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË.
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ç ÒΉÛÂÚ ÓÚÍꢀ˚‚‡Ú¸ ¯ÚÓꢀÍÛ ‰ËÒÍÂÚ˚ Ë ÔꢀË͇҇ڸÒfl Í
‚ÌÛÚꢀÂÌÌÂÈ ÔÓ‚ÂꢀıÌÓÒÚË ‰ËÒ͇.
CVP-210/208
7
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ëÓÓ·˘ÂÌËfl ̇ ˝Íꢀ‡ÌÂ
àÌÓ„‰‡ ‰Îfl ӷ΄˜ÂÌËfl ‚˚ÔÓÎÌÂÌËfl ÓÔÂꢀ‡ˆËË Ì‡ ˝Íꢀ‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓꢀχˆËfl ËÎË
èêàåÖóÄçàÖ
‚ÓÔꢀÓÒ).
ç‡ ˝Íꢀ‡Ì Help ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸
flÁ˚Í ÒÓÓ·˘ÂÌËÈ (ÒÚꢀ. 53).
èꢀË ÔÓfl‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËfl ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔꢀÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚Ò ËÌÒÚꢀÛ͈ËË Ì‡ ˝Íꢀ‡ÌÂ, ̇ʇ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.
F
Ç Ôꢀ˂‰ÂÌÌÓÏ ÔꢀËÏÂꢀÂ
G
ÒΉÛÂÚ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [G]
(YES) ‰Îfl ‚˚ÔÓÎÌÂÌËfl
ÙÓꢀχÚËꢀÓ‚‡ÌËfl.
I
J
«Clavinova-Computer Connection» — ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓꢀÓÏ ꢀ‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, ͇Í
ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂꢀÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂꢀÓÏ Ë Ì‡ÒÚꢀÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-äÓÏÔ¸˛ÚÂꢀ
(ꢀÛÍÓ‚Ó‰ÒÚ‚Ó Ì ꢀ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ͇ÍÛ˛-ÎË·Ó ÍÓÌÍꢀÂÚÌÛ˛ ÏÓ‰Âθ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ
flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ꢀÂÒÛ ‚ àÌÚÂꢀÌÂÚÂ:
ÑÓχ¯Ìflfl ÒÚꢀ‡Ìˈ‡ Clavinova..............................................http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂ͇ ꢀÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔꢀÓ‰ÛÍÚ‡Ï ÍÓꢀÔÓꢀ‡ˆËË Yamaha
(ùÎÂÍÚꢀÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚꢀÛÏÂÌÚ˚).......................http://www2.yamaha.co.jp/manual/english/
é·ÒÎÛÊË‚‡ÌËÂ
ÑÎfl ˜ËÒÚÍË ËÌÒÚꢀÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ (ıÓꢀÓ¯Ó ÓÚʇÚÓÈ) Ú̸͇˛.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ‰Îfl Ó˜ËÒÚÍË ·ÂÌÁËÌ, ꢀ‡ÒÚ‚ÓꢀËÚÂθ, ÒÚËꢀ‡Î¸Ì˚È ÔÓꢀÓ¯ÓÍ ËÎË ıËÏ˘ÂÒÍË ꢀ‡„ÂÌÚ˚. ç ÒÚ‡‚¸Ú ̇
ËÌÒÚꢀÛÏÂÌÚ ‚ËÌËÎÓ‚˚Â, Ô·ÒÚχÒÒÓ‚˚Â Ë ꢀÂÁËÌÓ‚˚ Ôꢀ‰ÏÂÚ˚.
ùÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË ËÎË Í·‚˯.
ÇçàåÄçàÖ!
èꢀÂʉ ˜ÂÏ ÔꢀËÒÚÛÔ‡Ú¸ Í ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÌÒÚꢀÛÏÂÌÚ‡ Clavinova, ÔꢀÓ˜ËÚ‡ÈÚ ꢀ‡Á‰ÂÎ «íÂıÌË͇ ·ÂÁÓÔ‡ÒÌÓÒÚË» ̇ ÒÚꢀ. 3 — 4.
■ ç‡ÒÚꢀÓÈ͇ ËÌÒÚꢀÛÏÂÌÚ‡
Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓꢀÚÂÔˇÌÓ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ÌÛʉ‡ÂÚÒfl ‚ ̇ÒÚꢀÓÈÍÂ. éÌÓ ‚Ò„‰‡ ̇ÒÚꢀÓÂÌÓ.
■ íꢀ‡ÌÒÔÓꢀÚËꢀӂ͇
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂꢀ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰ꢀÛ„ËÏË ‚¢‡ÏË. èÂꢀ‚ÓÁËÚ¸ ËÌÒÚꢀÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·ꢀ‡ÌÌÓÏ, Ú‡Í
Ë ‚ ꢀ‡ÁÓ·ꢀ‡ÌÌÓÏ ‚ˉ (Í‡Í ÔꢀË ÔÓÍÛÔÍÂ). ä·‚ˇÚÛꢀÛ ÒΉÛÂÚ Úꢀ‡ÌÒÔÓꢀÚËꢀÓ‚‡Ú¸ ‚ „ÓꢀËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔꢀËÒÎÓÌflÈÚÂ
ÂÂ Í ÒÚÂÌÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ.
ç ÔÓ‰‚Âꢀ„‡ÈÚ ËÌÒÚꢀÛÏÂÌÚ ˜ꢀÂÁÏÂꢀÌÓÈ ‚Ë·ꢀ‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡ꢀ‡Ï.
èꢀË Úꢀ‡ÌÒÔÓꢀÚËꢀÓ‚Í ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓ·ꢀ‡ÌÌÓÏ ‚ˉ ۷‰ËÚÂÒ¸, ˜ÚÓ ‚Ò ‚ËÌÚ˚ ÚÛ„Ó Á‡ÚflÌÛÚ˚ Ë ÌÂ
ꢀ‡Á·ÓÎÚ‡ÎËÒ¸ ‚Ó ‚ꢀÂÏfl Úꢀ‡ÌÒÔÓꢀÚËꢀÓ‚ÍË.
CVP-210/208
8
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é„·‚ÎÂÌËÂ
ÑÓÔÓÎÌËÚÂθÌ˚ ÔꢀË̇‰ÎÂÊÌÓÒÚË ........................................ 6
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ....................................... 6
é·ÒÎÛÊË‚‡ÌËÂ............................................................................. 8
à„ꢀ‡ ̇ ÙÓꢀÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ................................... 59
ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ꢀ‡ÁÌ˚ı ÚÂÏ·ꢀÓ‚ ............................... 60
ç‡ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................32
îÛÌ͈Ëfl Music Finder .............................................................. 33
èÓËÒÍ ÒꢀÂ‰Ë Á‡ÔËÒÂÈ Music Finder............................................34
èÓ‰˚„ꢀ˚‚‡ÂÏ ÔÂÒÌÂ Ë Ôꢀ‡ÍÚËÍÛÂÏÒfl................................... 36
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl.......................................................... 63
(ÓÒÌӂ̇fl), INTRO (ËÌÚꢀÓ‰Û͈Ëfl), ENDING (ÙË̇Î),
éÒÚ‡Ìӂ͇ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔꢀË ÒÌflÚËË ꢀÛÍ Ò
Ç˚·Óꢀ ÚËÔÓ‚ ËÌÚꢀÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)........ 70
˜‡ÒÚË Í ‰ꢀÛ„ÓÈ: Auto Fill In ..................................................... 70
Ç˚·Óꢀ ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ..............................................45
èÂꢀÂıÓ‰ ̇ ÒÚꢀ‡Ìˈ˚ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛꢀÓ‚Ìfl........................48
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌË Á̇˜ÍÓ‚.......................................48
àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ [DATA ENTRY].................................... 50
îÛÌ͈Ëfl Direct Access: ·˚ÒÚꢀ˚È ‚˚·Óꢀ ˝Íꢀ‡Ì‡ ................ 51
ëÔꢀ‡‚ÍË ...................................................................................... 53
àÒÔÓθÁÓ‚‡ÌË ÏÂÚꢀÓÌÓχ..................................................... 54
ê„ÛÎËꢀӂ͇ ÚÂÏÔ‡................................................................... 54
îÛÌ͈Ëfl Tap Tempo ...................................................................55
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ .......................................... 80
èꢀӘˠÓÔÂꢀ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂÏ ............... 80
èꢀË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ – ‰ÓꢀÓÊ͇1/‰ÓꢀÓÊ͇2/
‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓꢀÓÊÍË.................................................. 81
èÓ‚ÚÓꢀ ÓÔꢀ‰ÂÎÂÌÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡ ÔÂÒÌË........................... 81
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl: êÛÍÓ‚Ó‰ÒÚ‚Ó............. 82
îÛÌ͈ËË Ó·Û˜ÂÌËfl......................................................................82
ê‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔꢀÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛
ۘ·Ì˚ı ÙÛÌ͈ËÈ ...................................................................83
CVP-210/208
9
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éÚÓ·ꢀ‡ÊÂÌË ÌÓÚ: Ô‡ꢀÚËÚÛꢀ‡ ................................................ 84
éÚÓ·ꢀ‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË.................................................... 87
àÁÏÂÌÂÌË ı‡ꢀ‡ÍÚÂꢀ‡ ÚÂÏ·ꢀ‡ — Filter................................ 125
Á‚Û͇ — Tune........................................................................ 125
Ô‡ꢀ‡ÏÂÚꢀÓ‚: ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl
ê„ËÒÚꢀ‡ˆËfl ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl
ëÓıꢀ‡ÌÂÌË ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚.............................................89
ëÚꢀÛÍÚÛꢀ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚................................................ 129
Ç˚·Óꢀ ÚËÔ‡ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·...................................... 131
èÓꢀfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ....................................................................133
ç‡ÒÚꢀÓÈ͇ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·ꢀ‡·ÓÚÍË
ç‡ÒÚꢀÓÈ͇ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍꢀÓÙÓ̇:
Sound Creator......................................... 91
è‡ꢀ‡ÏÂÚꢀ˚ SOUND CREATOR (íÂÏ·ꢀ˚ „ꢀÛÔÔ˚
ç‡ÒÚꢀÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·ꢀÓ‚ – Master Tune................... 138
Å˚ÒÚꢀ‡fl Á‡ÔËÒ¸......................................................................... 98
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ...............................................101
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓÂ
ꉇÍÚËꢀÓ‚‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï –
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë Split Point............ 141
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Í·‚ˇÚÛꢀ˚ Ë Ô‰‡ÎÂÈ –
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ô‰‡ÎÂÈ............................................. 142
Ô‡ꢀ‡ÏÂÚꢀÓ‚ Úꢀ‡ÌÒÔÓÁˈËË – Keyboard/Panel..................... 144
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ ̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ ËÁ
Channel..................................................................................107
ꉇÍÚËꢀÓ‚‡ÌË ‡ÍÍÓꢀ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD.......................111
ꉇÍÚËꢀÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 114
á‡ÔËÒ¸ ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË: Basic..................................... 115
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ .................................................................. 116
ë·Óꢀ͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly......................... 117
ꉇÍÚËꢀÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡........................... 118
àÁÏÂÌÂÌË ꢀËÚχ: ÙÛÌ͈ËË Groove Ë Dynamics....................118
ꉇÍÚËꢀÓ‚‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚ ͇̇·.....................................120
ìÒÚ‡Ìӂ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ هȷ SMF – Parameter...................121
éÚÓ·ꢀ‡ÊÂÌË ˝Íꢀ‡Ì‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ – Video Out ................................... 147
ìÒÚ‡Ìӂ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI.................................................. 148
é·˘‡fl ̇ÒÚꢀÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡ꢀ‡ÏÂÚꢀ˚ Local Control,
Clock Ë Ú. ‰.) – System..........................................................148
èÂꢀ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit.................................... 149
èꢀËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive .......................................... 150
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root................. 150
CVP-210/208
10
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ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÂȉËÌ„‡, ÏÂÚꢀÓÌÓχ, ‡ Ú‡ÍÊÂ
ÙÛÌ͈ËÈ ·ÎÓÍËꢀÓ‚ÍË Ô‡ꢀ‡ÏÂÚꢀ‡ Ë Û͇Á‡ÌËfl ÚÂÏÔ‡ –
CONFIG 1 ..............................................................................151
ÌÓÏÂꢀÓ‚ ÚÂÏ·ꢀÓ‚ – CONFIG 2.............................................152
äÓÔËꢀÓ‚‡ÌËÂ Ë ÙÓꢀχÚËꢀÓ‚‡ÌË ‰ËÒÍÂÚ – Disk....................153
Ç‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Óꢀ flÁ˚͇ – Owner ..............154
System Reset.........................................................................154
ǂ‰ÂÌËÂ
äꢀ‡ÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í
éÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË – Óꢀ„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚꢀ‡ˆËÈ
(ꢀ‡Á˙ÂÏ MIC./LINE IN) ..........................................................155
èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚꢀÓÈÒÚ‚ (MIDI-ÔÓꢀÚ˚)...........157
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂꢀÛ (USB-ÔÓꢀÚ, MIDI-ÔÓꢀÚ).............157
óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI? .....................................................161
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı................................................ 162
îÓꢀÏ‡Ú ‰ËÒÍÂÚ .........................................................................162
îÓꢀÏ‡Ú ÒÂÍ‚Â̈ËË ...................................................................162
íÂÏ·ꢀ˚
ëÚËÎË
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
Í·‚ˇÚÛꢀ˚ .......................................... 164
ëÓıꢀ‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı
̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ - Registration Memory
ìÒÚꢀ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ...................... 166
íÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË........... 168
èꢀ‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ...................... 170
ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚ - Sound Creator
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ
ÔÂÒÂÌ - Song Creator
ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
- Style Creator
ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇
ÚÂÏ·ꢀÓ‚ - Mixing Console
àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇ - MIC.
ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚
èÓ‰Íβ˜ÂÌËÂ Í Clavinova ‰ꢀÛ„Ëı ÛÒÚꢀÓÈÒÚ‚
èꢀËÎÓÊÂÌËÂ
CVP-210/208
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ëÔËÒÓÍ ÔꢀËÏÂÌÂÌËÈ
ùÚÓÚ Û͇Á‡ÚÂθ ÏÓÊÂÚ ÔꢀË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚꢀÓ Ì‡ÈÚË ÒÚꢀ‡Ìˈ˚ Ò
ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔꢀÓÒ‡.
èꢀÓÒÎۯ˂‡ÌËÂ
èꢀÓÒÎۯ˂‡ÌË ‚ÒÚꢀÓÂÌÌ˚ı ÔÂÒÂÌ..........................................................................................................................................ÒÚꢀ. 78
èꢀÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ........................................................................«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» ̇ ÒÚꢀ. 80
èꢀÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................................................................................................................ÒÚꢀ. 56
èꢀÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚꢀ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ ÚÂÏ·ꢀ‡..........................................................................................................ÒÚꢀ. 58
èꢀÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·ꢀÓ‚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova...........................................................ÒÚꢀ. 124
Ç˚ÁÓ‚ ̇ÒÚꢀÓÂÍ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ.......................................................................................................................................ÒÚꢀ. 59
àÒÔÓθÁÓ‚‡ÌË ÚꢀÂı Ô‰‡ÎÂÈ ÛÔꢀ‡‚ÎÂÌËfl ËÒÔÓÎÌÂÌËÂÏ .......................................................................................................ÒÚꢀ. 62
Ç˚·Óꢀ ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡....................................................................................................«Transpose» ̇ ÒÚꢀ. 144
..........................«íÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË: ìÒÚ‡Ìӂ͇ ꢀ‡Á΢Ì˚ı ÚÂÏ·ꢀÓ‚ ‰Îfl ΂ÓÈ Ë Ôꢀ‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚» ̇ ÒÚꢀ. 61
àÁÏÂÌÂÌË Á‚Û͇
....................................................................................................................... «èꢀËÏÂÌÂÌË ÚÂÏ·ꢀ‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚» ̇ ÒÚꢀ. 61
«ç‡ÒÚꢀÓÈ͇ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚꢀ. 126
ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË ...........................................................................................................................................................ÒÚꢀ. 124
ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·ꢀÓ‚...........................................................................«ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ꢀ‡ÁÌ˚ı ÚÂÏ·ꢀÓ‚» ̇ ÒÚꢀ. 60
ê‡ÁÌ˚ ÚÂÏ·ꢀ˚ ‰Îfl Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍ
..........................«íÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË: ìÒÚ‡Ìӂ͇ ꢀ‡Á΢Ì˚ı ÚÂÏ·ꢀÓ‚ ‰Îfl ΂ÓÈ Ë Ôꢀ‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚» ̇ ÒÚꢀ. 61
ëÓÁ‰‡ÌË ÚÂÏ·ꢀÓ‚ .....................................................................................................................................................................ÒÚꢀ. 91
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................................................ÒÚꢀ. 63
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................................................................................ÒÚꢀ. 73
à„ꢀ‡ ̇ Í·‚ˇÚÛꢀÂ
éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ꢀÚËË Î‚ÓÈ ËÎË Ôꢀ‡‚ÓÈ ꢀÛÍË..........................................................................................................ÒÚꢀ. 83
ÄÍÍÛꢀ‡Ú̇fl Ë„ꢀ‡ Òӄ·ÒÌÓ ˜ÂÚÍÓÏÛ ꢀËÚÏÛ.......................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚꢀÓÌÓχ» ̇ ÒÚꢀ. 54
á‡ÔËÒ¸
á‡ÔËÒ¸ Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀ ................................................................................................................................................ÒÚꢀ. 98, 99
ëÓÁ‰‡ÌË ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂθÌ˚ı ÌÓÚ .......................................................................................................................ÒÚꢀ. 101
ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚꢀÓÂÍ
ëÓÁ‰‡ÌË ÚÂÏ·ꢀÓ‚ .....................................................................................................................................................................ÒÚꢀ. 91
ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.........................................................................................................................................ÒÚꢀ. 113
CVP-210/208
12
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇
èÓ‰Íβ˜ÂÌË ÏËÍꢀÓÙÓ̇ .......................................«èÓ‰Íβ˜ÂÌË ÏËÍꢀÓÙÓ̇ ËÎË „ËÚ‡ꢀ˚ (ꢀ‡Á˙ÂÏ MIC./LINE IN)» ̇ ÒÚꢀ. 155
Ä‚ÚÓχÚ˘ÂÒ͇fl „‡ꢀÏÓÌËÁ‡ˆËfl ÔÂÌËfl ..................................................................................................................................ÒÚꢀ. 131
ç‡ÒÚꢀÓÈÍË
ç‡ÒÚꢀÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇/‚˚·Óꢀ ÒÚꢀÓfl...................................................................................................................................ÒÚꢀ. 138
íÓÌ͇fl ̇ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl.................................................................................................................ÒÚꢀ. 140
íÓÌ͇fl ̇ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...........................................................................................................ÒÚꢀ. 141
̇ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ô‰‡ÎÂÈ............................................................................ «ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ô‰‡ÎÂÈ» ̇ ÒÚꢀ. 142
éÚÓ·ꢀ‡ÊÂÌË ˝Íꢀ‡Ì‡ ̇ ÏÓÌËÚÓꢀ ÚÂ΂ËÁÓꢀ‡
...................................«éÚÓ·ꢀ‡ÊÂÌË ˝Íꢀ‡Ì‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ – Video Out» ̇ ÒÚꢀ. 147
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI...................................................................................................................................................ÒÚꢀ. 148
èÓ‰Íβ˜ÂÌË Clavinova Í ‰ꢀÛ„ËÏ ÛÒÚꢀÓÈÒÚ‚‡Ï
éÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó MIDI ............................................................................................................... «óÚÓ Ú‡ÍÓ MIDI?» ̇ ÒÚꢀ. 159
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl........... «ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÚÂÏ·ꢀÓ‚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂꢀÂÓÒËÒÚÂÏ˚
Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚꢀÓÈÒÚ‚Ó (ꢀ‡Á˙ÂÏ˚ AUX OUT)» ̇ ÒÚꢀ. 156
ì‚Â΢ÂÌË „ꢀÓÏÍÓÒÚË ....... «ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÚÂÏ·ꢀÓ‚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂꢀÂÓÒËÒÚÂÏ˚
Ç˚‚Ó‰ Á‚ÛÍÓ‚ ‰ꢀÛ„Ëı ËÌÒÚꢀÛÏÂÌÚÓ‚ ̇ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ............................... «Ç˚‚Ó‰ Á‚Û͇ ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡
˜ÂꢀÂÁ ‚ÒÚꢀÓÂÌÌ˚ ‰Ë̇ÏËÍË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ꢀ‡Á˙ÂÏ˚ AUX IN)» ̇ ÒÚꢀ. 156
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂꢀ‡....................................................... «èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂꢀ‡ (USB-ÔÓꢀÚ, MIDI-ÔÓꢀÚ)» ̇ ÒÚꢀ. 157
äÓÏÔÓÌӂ͇
Å˚ÒÚꢀÓ ꢀ¯ÂÌË ÔꢀÓ·ÎÂÏ˚
éÒÌÓ‚Ì˚ ÙÛÌ͈ËË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë ‚ÓÁÏÓÊÌÓÒÚË Â„Ó Ï‡ÍÒËχθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ...................ÒÚꢀ. 12, 14
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
................................................................. «ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ CVP-210/208 – System Reset» ̇ ÒÚꢀ. 154
éÚÓ·ꢀ‡ÊÂÌË ÒÓÓ·˘ÂÌËÈ............................................................................................................ «ëÓÓ·˘ÂÌËfl ̇ ˝Íꢀ‡Ì» ̇ ÒÚꢀ. 8
ç‡ÒÚꢀÓÈ͇ ÍÓÌÚꢀ‡ÒÚÌÓÒÚË/flꢀÍÓÒÚË..................................................................................«ç‡ÒÚꢀÓÈ͇ ˝Íꢀ‡Ì‡, ÒËÒÚÂÏ˚ ‰Ë̇ÏËÍÓ‚
Ë ÓÚÓ·ꢀ‡ÊÂÌËfl ÌÓÏÂꢀÓ‚ ÚÂÏ·ꢀÓ‚: CONFIG 2» ̇ ÒÚꢀ. 152
ìÒÚꢀ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................................................................................................................ÒÚꢀ. 166
CVP-210/208
13
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SONG
VOCAL HARMONY
DEMO
ÇÓÒÔꢀÓËÁ‚‰ÂÌË Ôꢀ‰‚‡ꢀËÚÂθÌÓ
Ä‚ÚÓχÚ˘ÂÒ͇fl ÔÓ‰Ô‚͇
ÑÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ÂÏÂÎÓ‰ËË
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚꢀ. 21, 36, 77)
èꢀ‰·„‡ÂÚÒfl ·Óθ¯ÓÈ ‚˚·Óꢀ ‚ÒÚꢀÓÂÌÌ˚ı
ÔÂÒÂÌ. åÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË Ò
‰ËÒÍÓ‚, ÔꢀËÓ·ꢀÂÚÂÌÌ˚ı ‚ χ„‡ÁË̇ı.
(ÒÚꢀ. 131)
(ÒÚꢀ. 20, 56)
ÑÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË
ÔÓ͇Á˚‚‡˛Ú Ì ÚÓθÍÓ
‚ÓÁÏÓÊÌÓÒÚË ÚÂÏ·ꢀÓ‚ Ë ÒÚËÎÂÈ
ËÌÒÚꢀÛÏÂÌÚ‡, ÌÓ Ú‡ÍÊ ꢀ‡Á΢Ì˚Â
ÙÛÌ͈ËË Ë Òꢀ‰ÒÚ‚‡ ÛÔꢀ‡‚ÎÂÌËfl.
éÌË ÔÓÁ‚ÓÎfl˛Ú ÔÓÎÛ˜ËÚ¸
Ôꢀ‡ÍÚ˘ÂÒÍËÈ ÓÔ˚Ú Ë„ꢀ˚ ̇
ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova!
ùÚ‡ ÒÎÓÊ̇fl ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍË
‰Ó·‡‚ÎflÂÚ Í ‚‡¯ÂÏÛ ÔÂÌ˲
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ „‡ꢀÏÓÌ˲.
METRONOME
START STOP
MIC.
IGNAL
OVER
POWER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
MIC. SETTING
MENU
DEMO
SONG
ON
OFF
EXTRA TRACKS
STYLE
TRACK 2
L
TRACK 1
R
A
B
C
D
E
MASTER VOLUME
HELP
GUIDE
REC
TOP
START STOP
SYNC. START
REW
FF
REPEAT
FADE IN OUT
FUNCTION
NEW SONG
TEMPO
DIGITAL
STUDIO
MIN
MAX
TRANSPOSE
SOUND
CREATOR
TAP TEMPO
RESET
T
DIGITAL
RECORDING
STYLE
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYRT START STOP
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACC
1
2
3
4
5
STYLE
GUIDE
DIGITAL RECORDING
ëÓÁ‰‡ÌË ÒÓÔꢀÓ‚ÓʉÂÌËfl Ò
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto
ì˜ËÚÂÒ¸ Ë ÛÔꢀ‡ÊÌflÈÚÂÒ¸ Ò
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Guide
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl
(ÒÚꢀ. 97, 113)
ùÚË ÏÓ˘Ì˚Â Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ
Accompaniment (ÒÚꢀ. 28, 63)
(ÒÚꢀ. 38, 82)
ÔꢀÓÒÚ˚ Òꢀ‰ÒÚ‚‡ Á‡ÔËÒË ÔÓÁ‚ÓÎfl˛Ú
Á‡ÔËÒ˚‚‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌË Ë
ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÔÓÎÌÓÒÚ¸˛
ÓꢀÍÂÒÚꢀÓ‚‡ÌÌ˚ ÍÓÏÔÓÁˈËË,
ÍÓÚÓꢀ˚ ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‰Îfl
ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚
ꢀ‡Á‰ÂΠԇÏflÚË USER ËÎË Ì‡
‰ËÒÍÂÚÂ.
ÖÒÎË ‚ÁflÚ¸ ‡ÍÍÓꢀ‰ ΂ÓÈ ꢀÛÍÓÈ, Ô‡ꢀÚËfl
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ
á‡ÔÛÒÚËÚ ‚ÒÚꢀÓÂÌÌ˚ ÔÂÒÌË ËÎË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÔꢀÓ„ꢀ‡ÏÏÌÓÂ
Ó·ÂÒÔ˜ÂÌËÂ; ˝Íꢀ‡Ì˚ Ë Ë̉Ë͇ÚÓꢀ˚
Û͇ÊÛÚ, ÍÓ„‰‡ Ë „‰Â Ë„ꢀ‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚. ê‡Áۘ˂‡ÌËÂ
ÌÓ‚˚ı ÔꢀÓËÁ‚‰ÂÌËÈ ÌËÍÓ„‰‡ ¢ ÌÂ
·˚ÎÓ Ú‡ÍËÏ ÔꢀÓÒÚ˚Ï Ë
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË.
Ç˚·ÂꢀËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
̇ÔꢀËÏÂꢀ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á,
·ÚËÌÓ‡ÏÂꢀË͇ÌÒÍÛ˛ ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova Á‡ÏÂÌËÚ
‚‡Ï ˆÂÎ˚È ÓꢀÍÂÒÚꢀ!
Á‡ÌËχÚÂθÌ˚Ï!
CVP-210/208
14
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VOICE
Üä-‰ËÒÔÎÂÈ
MUSIC FINDER
ÅÓθ¯ÓÈ ÊˉÍÓÍꢀËÒÚ‡Î-
΢ÂÒÍËÈ ˝Íꢀ‡Ì (‚ÏÂÒÚ Ò
ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔ͇ÏË Ì‡
ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔ˜˂‡ÂÚ
ÛÌË‚Âꢀ҇θÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ
ÔꢀÓÒÚÓ ÛÔꢀ‡‚ÎÂÌË ‚ÒÂÏË
ÓÔÂꢀ‡ˆËflÏË Ì‡ ˆËÙꢀÓ‚ÓÏ
ÔˇÌËÌÓ Clavinova.
é„ꢀÓÏÌ˚È ‚˚·Óꢀ ꢀ‡ÎËÒÚ˘Ì˚ı
ÚÂÏ·ꢀÓ‚ (ÒÚꢀ. 25, 58)
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
Ôꢀ‰·„‡ÂÚ ˆÂÎ˚È ꢀfl‰ ËÒÍβ˜ËÚÂθÌÓ
ꢀ‡ÎËÒÚ˘Ì˚ı Ë ‰Ë̇Ï˘Ì˚ı ÚÂÏ·ꢀÓ‚
(·ÓΠ800), ‚Íβ˜‡fl ÙÓꢀÚÂÔˇÌÓ,
ÒÚꢀÛÌÌ˚Â, ‰Âꢀ‚flÌÌ˚ ‰ÛıÓ‚˚Â
ËÌÒÚꢀÛÏÂÌÚ˚ Ë ÏÌÓ„ÓÂ ‰ꢀÛ„ÓÂ!
Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó ÒÚËÎfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 33, 73)
ÖÒÎË ‚˚ ꢀ¯ËÎË ËÒÔÓÎÌËÚ¸ ͇ÍÛ˛-ÚÓ ÔÂÒÌ˛, ÌÓ
Ì Á̇ÂÚÂ, ͇ÍÓÈ ÒÚËθ ËÎË ÚÂÏ·ꢀ ÔÓ‰ÓȉÂÚ ‰Îfl
Ì ÎÛ˜¯Â ‚Ò„Ó, ‚‡Ï ÔÓÏÓÊÂÚ Òꢀ‰ÒÚ‚Ó Music
Finder. èꢀÓÒÚÓ ‚˚‰ÂÎËÚ ̇Á‚‡ÌË ÔÂÒÌË, Ë
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË
ÔÓ‰·ÂꢀÂÚ Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ Ë ÚÂÏ·ꢀ.
VOICE EFFECT
REVERB
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
VOICE
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
F
G
H
I
VOICE PART
ON OFF
BRASS
WOODWIND
LAYER
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
2
3
4
J
REGISTRATION MEMORY
FREEZE
PIANO
DATA
ENTRY
1
2
3
4
5
6
7
8
ORY
EXIT
4
5
6
7
8
ê‡Á˙ÂÏ USB
éꢀ„‡ÌÌ˚ ÚÂÏ·ꢀ˚
ëÓÁ‰‡ÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛
ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı
ÍÓÏÔ¸˛ÚÂꢀ‡: ΄ÍÓ Ë ·˚ÒÚꢀÓ (ÒÚꢀ. 157)
èÓ„ꢀÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙flÚÌ˚È ÏËꢀ
Óꢀ„‡ÌÌ˚ı ÚÂÏ·ꢀÓ‚ (ÒÚꢀ. 96)
ùÚ‡ ÒÔˆˇθ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
ËÒÔÓθÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Óꢀ „ÎÛ·ÓÍËı Ë
˝ÙÙÂÍÚÌ˚ı Óꢀ„‡ÌÌ˚ı ÚÂÏ·ꢀÓ‚, ÍꢀÓÏÂ
ÚÓ„Ó, Ó̇ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË
ÒÓ·ÒÚ‚ÂÌÌ˚ Óꢀ„‡ÌÌ˚ „ÓÎÓÒ‡, Ú‡Í ÊÂ
Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ Óꢀ„‡ÌÂ, Û‚Â΢˂‡fl
ËÎË ÛÏÂ̸¯‡fl ‰ÎËÌÛ ÚꢀÛ·, Ë ‰Ó·‡‚ÎflÚ¸
Á‚ÛÍË Û‰‡ꢀÌ˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚.
PIANO
ÍÓÏÔ¸˛ÚÂꢀÌÓÈ ÏÛÁ˚ÍË Ë ËÒÔÓθÁÛÈÚ „Ó
ÔꢀÂËÏÛ˘ÂÒÚ‚‡. àÒÍβ˜ËÚÂθÌÓ ÔꢀÓÒÚÓÂ
ÔÓ‰Íβ˜ÂÌËÂ Ë Ì‡ÒÚꢀÓÈ͇, ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ , Á‡ÔËÒ‡ÌÌ˚ı ̇
ÍÓÏÔ¸˛ÚÂꢀÂ, ‚ ꢀ‡Á΢ÌÓÈ ÓꢀÍÂÒÚꢀÓ‚Í – Ë ‚ÒÂ
˝ÚÓ Ò ÔÓÏÓ˘¸˛ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova!
ç‡ÒÚꢀÓÈÚ ÔˇÌËÌÓ –
Ï„ÌÓ‚ÂÌÌÓ (ÒÚꢀ. 59)
é‰ÌËÏ Ì‡Ê‡ÚËÂÏ Í·‚˯Ë
ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÓÔÚËχθÌ˚Â
̇ÒÚꢀÓÈÍË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova Ë ‚ÓÒÔꢀÓËÁ‚ÂÒÚË
ÌÂÓ·˚˜‡ÈÌÓ ꢀ‡ÎËÒÚ˘Ì˚È
ÚÂÏ·ꢀ ꢀÓflÎfl.
AUX PEDAL
USB
MIDI
OUT
THRU
IN
(LEVEL FIXED)
L/L+R
R
L/L+R
R
L
R
VIDEO OUT
AUX IN
AUX OUT
CVP-210/208
15
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ç‡ÒÚꢀÓÈ͇ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
■ óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚꢀ:
äꢀ˚¯Í‡ Í·‚ˇÚÛꢀ˚
ç‡ÍÎÓÌËÚ ԲÔËÚꢀ ̇ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
1
■ óÚÓ·˚ ÓÚÍꢀ˚Ú¸ Íꢀ˚¯ÍÛ Í·‚ˇÚÛꢀ˚:
éÒÚÓꢀÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚꢀ ̇Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛
çÂÏÌÓ„Ó ÔꢀËÔÓ‰ÌËÏËÚ Íꢀ˚¯ÍÛ Ë ÔꢀÓ‰‚Ë̸ڠ ‚ÔÂꢀ‰.
2 Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ.
■ óÚÓ·˚ Á‡Íꢀ˚Ú¸ Íꢀ˚¯ÍÛ Í·‚ˇÚÛꢀ˚:
èÓÚflÌËÚ Íꢀ˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓꢀÓÊÌÓ ÓÔÛÒÚËڠ ̇
Í·‚ˇÚÛꢀÛ.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ԲÔËÚꢀ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚꢀ, ÌÂ
‚˚ÔÛÒ͇ÈÚÂ Â„Ó ËÁ ꢀÛÍ, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ.
ÇçàåÄçàÖ!
äÓ„‰‡ ‚˚ ÓÚÍꢀ˚‚‡ÂÚ ËÎË Á‡Íꢀ˚‚‡ÂÚÂ
Íꢀ˚¯ÍÛ, ·Û‰¸Ú ÓÒÚÓꢀÓÊÌ˚, ˜ÚÓ·˚ ÌÂ
ÔÓ‚ꢀ‰ËÚ¸ ԇθˆ˚.
îËÍÒ‡ÚÓꢀ ‰Îfl ÌÓÚ
ÇçàåÄçàÖ!
ùÚË ÙËÍÒ‡ÚÓꢀ˚ Û‰ÂꢀÊË‚‡˛Ú ÒÚꢀ‡Ìˈ˚ ÌÓÚ Ì‡ ÏÂÒÚÂ.
éÚÍꢀ˚‚‡fl Ë Á‡Íꢀ˚‚‡fl Íꢀ˚¯ÍÛ, ‰ÂꢀÊËڠ ‰‚ÛÏfl ꢀÛ͇ÏË. ç ÓÚÔÛÒ͇ÈÚÂ
Íꢀ˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍꢀÓÂÚÒfl ËÎË Ì Á‡ÍꢀÓÂÚÒfl ÔÓÎÌÓÒÚ¸˛. ç Á‡˘ÂÏËÚÂ
Ò‚ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Íꢀ˚¯ÍÓÈ Ë ÍÓꢀÔÛÒÓÏ.
■ èÓ‰ÌflÚ¸
ÇçàåÄçàÖ!
ç Í·‰ËÚ ̇ Íꢀ˚¯ÍÛ Í·‚ˇÚÛꢀ˚ ÏÂÚ‡Î΢ÂÒÍË Ôꢀ‰ÏÂÚ˚ ËÎË ·Ûχ„Û.
äÓ„‰‡ Íꢀ˚¯Í‡ ÓÚÍꢀ˚Ú‡, ÏÂÎÍË Ôꢀ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚꢀ¸ ÍÓꢀÔÛÒ‡, Ë
ÚÓ„‰‡ ËÁ‚Θ¸ Ëı ·Û‰ÂÚ Ôꢀ‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í
ÔÓꢀ‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓꢀÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓʇꢀÛ Ë ‰ꢀÛ„ËÏ
ÒÂꢀ¸ÂÁÌ˚Ï ÔÓ‚ꢀÂʉÂÌËflÏ ËÌÒÚꢀÛÏÂÌÚ‡.
è˛ÔËÚꢀ
■ éÔÛÒÚËÚ¸
■ óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚꢀ:
ç‡ÍÎÓÌËÚ ԲÔËÚꢀ ̇ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
1
2
éÔÛÒ͇ÈÚ ԲÔËÚꢀ ‰Ó ÚÂı ÔÓꢀ, ÔÓ͇ ÓÌ Ì Á‡ÙËÍÒËꢀÛÂÚÒfl.
CVP-210/208
16
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ç‡ÒÚꢀÓÈ͇ „ꢀÓÏÍÓÒÚË
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌËÂ
ËÌÒÚꢀÛÏÂÌÚ‡
Ç˚·ÂꢀËÚ „ꢀÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [MASTER VOLUME].
MASTER VOLUME
èÓ‰Íβ˜ÂÌË ͇·ÂÎfl ÔËÚ‡ÌËfl
ÇÒÚ‡‚¸Ú ӉËÌ ÍÓ̈ ͇·ÂÎfl ‚ ꢀ‡Á˙ÂÏ AC INLET
FADE IN / OUT
1 ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‡ ‰ꢀÛ„ÓÈ — ‚ ꢀÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓꢀ˚ı ÒÚꢀ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸
ÔÂꢀÂıÓ‰ÌËÍ ‰Îfl ꢀÓÁÂÚÓÍ Ò ‰ꢀÛ„ËÏ ꢀ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
MIN
MAX
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ÔˇÌËÌÓ Clavinova ÔꢀË ‚˚ÒÓÍÓÏ ÛꢀÓ‚Ì „ꢀÓÏÍÓÒÚË ‰ÎËÚÂθÌÓÂ
‚ꢀÂÏfl. ùÚÓ ÏÓÊÂÚ ÔÓ‚ꢀ‰ËÚ¸ ÒÎÛı.
àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚
èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ꢀ‡Á˙ÂÏÓ‚ [PHONES].
ç‡ ËÌÒÚꢀÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ꢀ‡Á˙Âχ [PHONES].
ä ÌËÏ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ‰‚ Òڇ̉‡ꢀÚÌ˚ı Ô‡ꢀ˚
ÒÚÂꢀÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÚÓθÍÓ Ó‰Ì‡ Ô‡ꢀ‡
̇ۯÌËÍÓ‚, ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌflÚ¸ ÂÂ Í Î˛·ÓÏÛ ËÁ ꢀ‡Á˙ÂÏÓ‚.)
(îÓꢀχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ ÒÚꢀ‡Ì˚.)
ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER].
2 ■ ç‡ Üä-‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl „·‚Ì˚È ˝Íꢀ‡Ì. à̉Ë͇ÚÓꢀ
‰ËÒÍÓ‚Ó‰‡ ÔÓ‰ Ôꢀ‡‚˚Ï ÍÓ̈ÓÏ Í·‚ˇÚÛꢀ˚ Ú‡ÍÊÂ
„ÓꢀËÚ.
INPUT
VOLUME LINE IN
MIN MAX
MIC.
MIC. LINE PHONES
POWER
ON
OFF
äꢀ˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚
à̉Ë͇ÚÓꢀ ‰ËÒÍÓ‚Ó‰‡
„ÓꢀËÚ.
äꢀ˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ
CVP-210/208 Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓꢀÔÛÒ.
á‡ÍꢀÂÔËÚ Íꢀ˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓꢀÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ꢀËÒÛÌÍÂ.
BACK
A
B
C
D
E
BALANCE
CHANNEL
ÇçàåÄçàÖ!
ON ⁄ OFF
PART
ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Íꢀ˛˜ÓÍ Ì˘„Ó, ÍꢀÓÏ ̇ۯÌËÍÓ‚. à̇˜Â ÏÓÊÌÓ
ÔÓ‚ꢀ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Íꢀ˛˜ÓÍ.
ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [POWER].
■ ùÍꢀ‡Ì Ë Ë̉Ë͇ÚÓꢀ ‰ËÒÍÓ‚Ó‰‡ (‚ÌËÁÛ ÒÔꢀ‡‚‡) ÔÓ„‡ÒÌÛÚ.
CVP-210/208
17
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è‡ÌÂθ ÛÔꢀ‡‚ÎÂÌËfl Ë ꢀ‡Á˙ÂÏ˚
75
74
73
AUX PEDAL
USB
MIDI
OUT
THRU
IN
69 70 71 72
INPUT
VOLUME LINE IN
MIN MAX
MIC.
MIC. LINE PHONES
(LEVEL FIXED)
L/L+R
R
L/L+R
R
L
R
VIDEO OUT
AUX IN
AUX OUT
76
77
78
79
METRONOME
MIC.
SIGNAL
OVER
TALK
POWER
START ⁄ STOP
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
5
6
7
8
9
MENU
DEMO
1
2
SONG
42
36
37
38
ON
OFF
EXTRA TRACKS
STYLE
TRACK 2
L
TRACK 1
R
A
B
C
D
E
MASTER VOLUME
HELP
10
11
12
GUIDE
REC
TOP
START⁄STOP
REW
FF
REPEAT
FADE IN ⁄ OUT
FUNCTION
13 14
15 16 17
18
19
3
4
NEW SONG
TEMPO
SYNC. START
DIGITAL
STUDIO
MIN
MAX
TRANSPOSE
SOUND
CREATOR
TAP TEMPO
39
RESET
RESET
DIGITAL
ECORDING
20
21
22
STYLE
40
41
ACMP
AUTO FILL IN
BREAK
INTRO
MAIN
MIXING
CONSOLE
43
44
BALANCE
24
OTS LINK
PART
CHANNEL
ON ⁄ OFF
23
26
27 28 29 30 31 32
33 34
35
25
PART
50
45
DIRECT ACCESS
1
2
3
4
5
27 äÌÓÔ͇ [INTRO]...............................................................................ëÚꢀ. 31, 70
28 äÌÓÔ͇ MAIN [A] ...................................................................................ëÚꢀ. 68
29 äÌÓÔ͇ MAIN [B] ...................................................................................ëÚꢀ. 68
30 äÌÓÔ͇ MAIN [C] ...................................................................................ëÚꢀ. 68
31 äÌÓÔ͇ MAIN [D] ...................................................................................ëÚꢀ. 68
32 äÌÓÔ͇ [ENDING / rit.].....................................................................ëÚꢀ. 31, 70
33 äÌÓÔ͇ [SYNC.STOP]...........................................................................ëÚꢀ. 69
34 äÌÓÔ͇ [SYNC.START].........................................................................ëÚꢀ. 64
POWER
1
äÌÓÔ͇ [ON / OFF] (POWER)............................................................... ëÚꢀ. 17
METRONOME
2
äÌÓÔ͇ [START / STOP] (METRONOME) ........................................... ëÚꢀ. 54
MASTER VOLUME
3
4
ÑËÒÍ ÛÔꢀ‡‚ÎÂÌËfl „ꢀÓÏÍÓÒÚ¸˛ [MASTER VOLUME] .......................... ëÚꢀ. 17
äÌÓÔ͇ [FADE IN / OUT] ...................................................................... ëÚꢀ. 69
MIC.
5
6
7
8
9
äÌÓÔ͇ [VOCAL HARMONY].............................................................. ëÚꢀ. 131
36 äÌÓÔ͇ [DEMO].....................................................................................ëÚꢀ. 56
37 äÌÓÔ͇ [HELP] ......................................................................................ëÚꢀ. 53
38 äÌÓÔ͇ [FUNCTION] ...........................................................................ëÚꢀ. 136
äÌÓÔ͇ [TALK] .................................................................................... ëÚꢀ. 131
äÌÓÔ͇ [EFFECT] ............................................................................... ëÚꢀ. 131
äÌÓÔ͇ [VH TYPE SELECT]............................................................... ëÚꢀ. 131
äÌÓÔ͇ [MIC. SETTING] .................................................................... ëÚꢀ. 131
41 äÌÓÔ͇ [MIXING CONSOLE] ..............................................................ëÚꢀ. 123
SONG
10 äÌÓÔ͇ [EXTRA TRACKS (STYLE)]..................................................... ëÚꢀ. 81
11 äÌÓÔ͇ [TRACK 2 (L)]........................................................................... ëÚꢀ. 81
12 äÌÓÔ͇ [TRACK 1 (R)].......................................................................... ëÚꢀ. 81
13 äÌÓÔ͇ [REC]........................................................................................ ëÚꢀ. 97
14 äÌÓÔ͇ [TOP]........................................................................................ ëÚꢀ. 80
15 äÌÓÔ͇ [START / STOP] (SONG)......................................................... ëÚꢀ. 78
16 äÌÓÔ͇ [REW]....................................................................................... ëÚꢀ. 80
17 äÌÓÔ͇ [FF]........................................................................................... ëÚꢀ. 80
18 äÌÓÔ͇ [REPEAT]................................................................................. ëÚꢀ. 81
19 äÌÓÔ͇ [GUIDE].................................................................................... ëÚꢀ. 82
42 äÌÓÔÍË [A] - [J] ......................................................................................ëÚꢀ. 44
43 äÌÓÔ͇ [BALANCE]...............................................................................ëÚꢀ. 65
44 äÌÓÔ͇ [CHANNEL ON / OFF]........................................................ëÚꢀ. 65, 80
46 äÌÓÔ͇ [BACK]................................................................................ëÚꢀ. 44, 50
47 äÌÓÔ͇ [NEXT] ................................................................................ëÚꢀ. 44, 50
51 äÌÓÔ͇ [ENTER]....................................................................................ëÚꢀ. 50
TEMPO
20 äÌÓÔÍË [E] [F] (TEMPO) ............................................................. ëÚꢀ. 54
21 äÌÓÔ͇ [TAP TEMPO] .......................................................................... ëÚꢀ. 55
ÑËÒÍ ÛÔꢀ‡‚ÎÂÌËfl [DATA ENTRY]........................................................ëÚꢀ. 50
äÌÓÔ͇ [EXIT]........................................................................................ëÚꢀ. 44
52
53
TRANSPOSE
22 äÌÓÔÍË [E] [F] (TRANSPOSE).................................................. ëÚꢀ. 144
VOICE EFFECT
äÌÓÔ͇ [REVERB].................................................................................ëÚꢀ. 61
54
55
56
57
58
59
STYLE
äÌÓÔ͇ [DSP] ........................................................................................ëÚꢀ. 61
äÌÓÔ͇ [VARIATION] ............................................................................ëÚꢀ. 61
äÌÓÔ͇ [HARMONY / ECHO]................................................................ëÚꢀ. 62
äÌÓÔ͇ [MONO].....................................................................................ëÚꢀ. 62
äÌÓÔ͇ [LEFT HOLD]............................................................................ëÚꢀ. 62
23 äÌÓÔ͇ [ACMP]..................................................................................... ëÚꢀ. 64
24 äÌÓÔ͇ [AUTO FILLIN] ......................................................................... ëÚꢀ. 70
25 äÌÓÔ͇ [OTS LINK]............................................................................... ëÚꢀ. 72
26 äÌÓÔ͇ [BREAK]................................................................................... ëÚꢀ. 68
CVP-210/208
18
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68
54
80
67
82
81
VOICE EFFECT
REVERB
DSP
VARIATION
HARMONY ⁄ ECHO
MONO
LEFT HOLD
BACK
NEXT
46
42
47
55
56
57
58
59
VOICE
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
F
G
H
I
VOICE PART
ON ⁄ OFF
60
BRASS
WOODWIND
STRINGS
CHOIR & PAD
LAYER
48
49
51
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
2
3
4
62
61
63
J
REGISTRATION MEMORY
FREEZE
PIANO
DATA
ENTRY
1
3
4
5
6
7
8
MEMORY
65
64
66
52
50
53
EXIT
4
5
6
7
8
VOICE
ãÓ„ÓÚËÔ˚, ̇Ô˜‡Ú‡ÌÌ˚ ̇ Ô‡ÌÂÎË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÒÓ‰ÂꢀʇÚ
҂‰ÂÌËfl Ó ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ı Òڇ̉‡ꢀÚ‡ı/ÙÓꢀχڇı Ë Ó· ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚflı
äÌÓÔÍË VOICE...................................................................................... ëÚꢀ. 58
60
MUSIC FINDER
äÌÓÔ͇ [MUSIC FINDER] ..................................................................... ëÚꢀ. 73
61
ëڇ̉‡ꢀÚ GM System Level 1 fl‚ÎflÂÚÒfl ‰ÓÔÓÎÌÂÌËÂÏ Í Òڇ̉‡ꢀÚÛ MIDI Ë
„‡ꢀ‡ÌÚËꢀÛÂÚ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ Òڇ̉‡ꢀÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ
‚ÓÒÔꢀÓËÁ‚‰ÂÌ˚ ̇ β·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀÂ Ë ˆËÙꢀÓ‚ÓÏ
ONE TOUCH SETTING
62 äÌÓÔÍË [1] – [4] (ONE TOUCH SETTING)............................................ ëÚꢀ. 71
ç‡ÒÚꢀÓÈ͇ PIANO
XG – ˝ÚÓ ÌÓ‚‡fl ÒÔˆËÙË͇ˆËfl MIDI ÍÓꢀÔÓꢀ‡ˆËË Yamaha. é̇ Á̇˜ËÚÂθÌÓ
ꢀ‡Ò¯ËꢀflÂÚ Ë ÛÎÛ˜¯‡ÂÚ Òڇ̉‡ꢀÚ GM System Level 1 Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl
˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ó·ÂÒÔ˜˂‡ÂÚ ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ Òڇ̉‡ꢀÚÓÏ
äÌÓÔ͇ [PIANO].................................................................................... ëÚꢀ. 59
63
REGISTRATION MEMORY
äÌÓÔ͇ [FREEZE]................................................................................. ëÚꢀ. 90
äÌÓÔÍË [1] – [8] (REGISTRATION MEMORY)...................................... ëÚꢀ. 88
äÌÓÔ͇ [MEMORY]............................................................................... ëÚꢀ. 88
64
65
66
îÓꢀÏ‡Ú XF ÍÓꢀÔÓꢀ‡ˆËË Yamaha ÛÒÓ‚Âꢀ¯ÂÌÒÚ‚ÛÂÚ Òڇ̉‡ꢀÚ SMF (Standard MIDI
File) Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ÙÛÌ͈ËÓ̇θÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂȯ„Ó
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ ̇ ˝Íꢀ‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ. (îÓꢀχÚ
SMF fl‚ÎflÂÚÒfl ̇˷ÓΠꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌÌ˚Ï ÙÓꢀχÚÓÏ Ù‡ÈÎÓ‚ MIDI. ñËÙꢀÓ‚ÓÂ
ÑËÒÍÓ‚Ó‰ (‰Îfl ‰ËÒÍÂÚ ꢀ‡ÁÏÂꢀÓÏ 3,5 ‰˛Èχ) ...................................... ëÚꢀ. 6
à̉Ë͇ÚÓꢀ˚ Í·‚ˇÚÛꢀ˚ .................................................................... ëÚꢀ. 82
67
68
ê‡Á˙ÂÏ˚ ̇ۯÌËÍÓ‚ Ë ÏËÍꢀÓÙÓ̇
ê„ÛÎflÚÓꢀ [INPUT VOLUME] ............................................................. ëÚꢀ. 155
ê‡Á˙ÂÏ [MIC. LINE IN] ....................................................................... ëÚꢀ. 155
Ç˚Íβ˜‡ÚÂθ [MIC. LINE] ................................................................. ëÚꢀ. 155
ê‡Á˙ÂÏ˚ [PHONES]........................................................................... ëÚꢀ. 155
69
70
71
72
îÛÌ͈Ëfl Vocal Harmony ËÒÔÓθÁÛÂÚ ‚ÒÚꢀÓÂÌÌÛ˛ ÚÂıÌÓÎӄ˲ ˆËÙꢀÓ‚ÓÈ Ó·ꢀ‡·ÓÚÍË
Á‚Û͇ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ꢀÏÓÌËË Í ‚Â‰Û˘ÂÏÛ
ÚÂÏ·ꢀÛ ÔꢀË ËÒÔÓÎÌÂÌËË ÔÂÒÌË. íÂıÌÓÎÓ„Ëfl Vocal Harmony ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸
ı‡ꢀ‡ÍÚÂꢀ Ë ꢀÓ‰ ‚Â‰Û˘Â„Ó ÚÂÏ·ꢀ‡, ‡ Ú‡ÍÊ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÚÂÏ·ꢀÓ‚ ‰Îfl ÒÓÁ‰‡ÌËfl
ê‡Á˙ÂÏ˚
èÓꢀÚ˚ MIDI [THRU] [OUT] [IN]........................................................... ëÚꢀ. 157
73
74
75
76
77
78
79
Yamaha Ë ÛÒÚꢀÓÈÒÚ‚ MIDI.
èÓꢀÚ [USB].......................................................................................... ëÚꢀ. 157
ê‡Á˙ÂÏ [AUX PEDAL]......................................................................... ëÚꢀ. 157
ê‡Á˙ÂÏ [VIDEO OUT]......................................................................... ëÚꢀ. 156
ê‡Á˙ÂÏ˚ AUX IN [L / L+R] [R]............................................................ ëÚꢀ. 156
ê‡Á˙ÂÏ˚ AUX OUT [L / L+R] [R]........................................................ ëÚꢀ. 156
ê‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ....................................... ëÚꢀ. 156
îÓꢀÏ‡Ú Style File Format
îÓꢀÏ‡Ú Style File Format (SFF) Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓꢀË„Ë̇θÌ˚È ÙÓꢀÏ‡Ú Ù‡È·
ÒÚËÎfl, ꢀ‡Áꢀ‡·ÓÚ‡ÌÌ˚È ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓꢀÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl
ÒËÒÚÂχ ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸
‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚
‡ÍÍÓꢀ‰Ó‚. Ç ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÂÚÒfl ÙÓꢀÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È
‚ Ô‡ÏflÚ¸, ÔꢀË ˝ÚÓÏ Ò˜ËÚ˚‚‡˛ÚÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ËÒÍË ÒÓ ÒÚËÎflÏË SFF Ë
ÒÓÁ‰‡˛ÚÒfl ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ Òꢀ‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂθ ÒÚËÎÂÈ).
艇ÎË
ょfl Ô‰‡Î¸....................................................................................... ëÚꢀ. 62
ëꢀ‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») .......................................................... ëÚꢀ. 62
èꢀ‡‚‡fl Ô‰‡Î¸..................................................................................... ëÚꢀ. 62
80
81
82
USB
USB – ˝ÚÓ ÒÓÍꢀ‡˘ÂÌË ÓÚ Universal Serial Bus (ÛÌË‚Âꢀ҇θ̇fl ÔÓÒΉӂ‡ÚÂθ̇fl
¯Ë̇). ùÚÓ ÔÓÒΉӂ‡ÚÂθÌ˚È ËÌÚÂꢀÙÂÈÒ ‰Îfl Ò‚flÁË ÍÓÏÔ¸˛ÚÂꢀ‡ Ò
ÔÂꢀËÙÂꢀËÈÌ˚ÏË ÛÒÚꢀÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ «„Óꢀfl˜Û˛» Á‡ÏÂÌÛ
ÔÂꢀËÙÂꢀËÈÌ˚ı ÛÒÚꢀÓÈÒÚ‚ (·ÂÁ ‚˚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ÍÓÏÔ¸˛ÚÂꢀ‡).
CVP-210/208
19
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äꢀ‡ÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 56
èꢀÓË„ꢀ˚‚‡ÌË ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÒÓ‰ÂꢀÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚꢀÓÂÌÌ˚ı
äÌÓÔ͇ Demo
‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÔÓÁ‚ÓÎfl˛˘Ëı ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë
ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û˜‡ÌËfl Â„Ó ÚÂÏ·ꢀÓ‚, ꢀËÚÏÓ‚ Ë ÒÚËÎÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÅÓΠÚÓ„Ó, ̇ÏË ·˚Î ꢀ‡Áꢀ‡·ÓÚ‡Ì ꢀfl‰ ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı
ÙÛÌ͈ËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ̇ Ôꢀ‡ÍÚËÍ ÓÁ̇ÍÓÏËÚ¸Òfl
ÒÓ ‚ÒÂÏË ‚‡ÊÌÂȯËÏË ÙÛÌ͈ËflÏË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova Ë Ò‡ÏÓÒÚÓflÚÂθÌÓ Ì‡Û˜ËÚ¸Òfl ˝ÙÙÂÍÚË‚ÌÓÏÛ
ÔꢀËÏÂÌÂÌ˲ ‚ ÔꢀÓˆÂÒÒ ÒÓÁ‰‡ÌËfl ÏÛÁ˚ÍË.
1
ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ‰Îfl
‚˚ÁÓ‚‡ ÏÂÌ˛ ‚˚·Óꢀ‡
‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌÓÈ ÔÂÒÌË.
2
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚꢀ‡ˆËË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸
ÍÌÓÔ͇ÏË [BACK]/[NEXT].
BACK
NEXT
MENU
DEMO
HELP
FUNCTION
èêàåÖóÄçàÖ
ÑÂÏÓÌÒÚꢀ‡ˆËË ÙÛÌ͈ËÈ ËÎβÒÚꢀËꢀÛ˛Ú
‚ÓÁÏÓÊÌÓÒÚË ꢀ‡Á΢Ì˚ı ÙÛÌ͈ËÈ
ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
ÑÂÏÓÌÒÚꢀ‡ˆËË ÒÚËÎÂÈ ÔÓÁ‚ÓÎfl˛Ú
ÔÓÎÛ˜ËÚ¸ Ôꢀ‰ÒÚ‡‚ÎÂÌËÂ Ó ‰ÓÒÚÛÔÌ˚ı ‚
ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 ꢀËÚχı
Ë ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 56).
Ç ˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚·ꢀ‡Ì‡ ‚Í·‰Í‡
VOICE. ÑÂÏÓÌÒÚꢀ‡ˆËË ÚÂÏ·ꢀÓ‚
ËÎβÒÚꢀËꢀÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË
ËÒÔÓθÁÓ‚‡ÌËfl ÚÂÏ·ꢀÓ‚ CVP-210/208.
3
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J] ËÎË ÍÌÓÔÍÛ [8
ÚÓθÍÓ Ì‡ ÒÚꢀ‡Ìˈ FUNCTION).
ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ‰ÂÏÓÌÒÚꢀ‡ˆË˛ ÔÂÒÌË GrandPiano(C).
■] (AUTO) (ËÏÂÂÚÒfl
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
‰ÂÏÓÌÒÚꢀ‡ˆËflı Ôꢀ˂‰ÂÌ˚ ̇
ÒÚꢀ. 56.
A
B
C
D
E
F
G
H
I
VOICE PART
ON ⁄ OFF
LAYER
LEFT
J
1
2
3
4
5
6
7
8
ÍÌÓÔÍÛ [EXIT].
èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÓÁ̇ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚꢀ‡ˆËflÏË, ÒÚÓËÚ ꢀ‡ÁÓ·ꢀ‡Ú¸Òfl Â˘Â Ò ‰‚ÛÏfl ÙÛÌ͈ËflÏË, ÍÓÚÓꢀ˚ ÔÓÏÓ„ÛÚ ‚‡Ï
ÎÛ˜¯Â ÛÁ̇ڸ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova.
• ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‚ÒÚꢀÓÂÌÌÓÈ ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ) (ÒÚꢀ. 21)
• ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ (ÒÚꢀ. 21)
• ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÍÓꢀÓÚÍÓ„Ó ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·ꢀ‡ÌÌÓ„Ó ÚÂÏ·ꢀ‡ (̇ ˝Íꢀ‡Ì Voice
Open; ÒÚꢀ. 26).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
20
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 77
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÒ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚꢀflÒ‡˛˘Ëı ÚÂÏ·ꢀÓ‚, ˝ÙÙÂÍÚÓ‚, ꢀËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰ꢀÛ„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓꢀËÚÏÓ‚ ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova ÔꢀÓfl‚Îfl˛ÚÒfl ‚ Ó‰ÌÓÏ – ‚ ÔÂÒÌÂ!
ä‡Í ‚˚ ÒÎ˚¯‡ÎË ‚ ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÌflı, ‚ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚꢀÓÂÌÓ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó Á‡ÔËÒÂÈ. çÓ ËϲÚÒfl Ë
‰ÓÔÓÎÌËÚÂθÌ˚Â. Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì Song Open (PRESET). á‰ÂÒ¸ ‚˚ ̇ȉÂÚ ¢ ·Óθ¯Â ꢀ‡ÁÌÓÓ·ꢀ‡ÁË ÔÂÒÂÌ, ÍÓÚÓꢀ˚ ‚˚ ÏÓÊÂÚÂ
ËÒÔÓθÁÓ‚‡Ú¸ ̇ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova – ·Óθ¯ËÌÒÚ‚Ó Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ, Ëϲ˘ËıÒfl ‚ ÔꢀÓ‰‡ÊÂ.
èêàåÖóÄçàÖ
èꢀÓ‚Âꢀ¸ÚÂ, ˜ÚÓ·˚ ̇ÒÚꢀÓÈ͇
flÁ˚͇ ‰Îfl ËÌÒÚꢀÛÏÂÌÚ‡
(ÒÚꢀ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
̇ÒÚꢀÓÈÍ ËÏÂÌË Ù‡È·
ÔꢀÓË„ꢀ˚‚‡ÂÏÓÈ ÔÂÒÌË.
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í
ÔÂÒÌÂ
äÌÓÔÍË BALANCE Ë
CHANNEL
ÑËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ
Ç CVP-210/208 ÔÓ‰‰ÂꢀÊË‚‡ÂÚÒfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ ‚ Û͇Á‡ÌÌ˚ı ÌËÊ ÙÓꢀχڇı. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓꢀχˆË˛ Ó
ÎÓ„ÓÚËÔ‡ı ÒÏ. ̇ ÒÚꢀ. 77, 162.
èêàåÖóÄçàÖ
èÂÒÌË Ò ·Óθ¯ËÏ ÍÓ΢ÂÒÚ‚ÓÏ
‰‡ÌÌ˚ı ËÌÓ„‰‡ Ì ÏÓ„ÛÚ ·˚Ú¸
Ò˜ËÚ‡Ì˚ ËÌÒÚꢀÛÏÂÌÚÓÏ, Ë
‚˚·ꢀ‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ
Ì‚ÓÁÏÓÊÌÓ. å‡ÍÒËχθ̇fl
ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚ 200–300ä·,
ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡ꢀÚ GM.
ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡ꢀÚ XG. XG — ˝ÚÓ ꢀ‡Ò¯ËꢀÂÌËÂ
Òڇ̉‡ꢀÚ‡ GM, ÔÓ‰‰ÂꢀÊË‚‡˛˘Â ·Óθ¯Â ˜ËÒÎÓ ÚÂÏ·ꢀÓ‚ Ë Ôꢀ‰ÓÒÚ‡‚Îfl˛˘Â ÏÛÁ˚͇ÌÚÛ
·ÓΠÔÓÎÌ˚È ÍÓÌÚꢀÓθ Á‡ Ô‡ꢀ‡ÏÂÚꢀ‡ÏË Á‚Û͇.
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ ꢀ‡Áꢀ‡·ÓÚ‡ÌÌÓÏ ÍÓꢀÔÓꢀ‡ˆËÂÈ
Yamaha Òڇ̉‡ꢀÚ DOC.
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂꢀÊËÏÓ„Ó
͇ʉÓÈ ÔÂÒÌË.
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ
1
ÖÒÎË Úꢀ·ÛÂÚÒfl ÔꢀÓË„ꢀ‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
ÇçàåÄçàÖ!
•
é·flÁ‡ÚÂθÌÓ ÓÁ̇ÍÓϸÚÂÒ¸ Ò
ꢀ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» ̇
ÒÚꢀ. 6.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
21
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
2
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì Song Open, ̇ÊÏËÚ ÍÌÓÔÍÛ [A].
ÖÒÎË „·‚Ì˚È ˝Íꢀ‡Ì (MAIN) Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
A
èêàåÖóÄçàÖ
É·‚Ì˚È ˝Íꢀ‡Ì (‰Ë‡ÎÓ„Ó‚ÓÂ
ÓÍÌÓ, ÔÓfl‚Îfl˛˘ÂÂÒfl ̇ ˝Íꢀ‡ÌÂ
ÔꢀË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl)
C
ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ÔÂÒÌË,
D
ÚÂÏ·ꢀ˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ë Ú.‰.
E
PRESET
FLOPPY DISK
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
[BACK]/[NEXT].
3
ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚·ꢀ‡Ú¸ ‚ÒÚꢀÓÂÌÌ˚ ÔÂÒÌË (Ô‡Ô͇ äÌË„‡ ÔÂÒÂÌ).
A
C
D
E
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
22
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
4
5
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J].
óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
èêàåÖóÄçàÖ
REC
TOP
START / STOP
•
•
óÚÓ·˚ ÔÂꢀÂÏÓÚ‡Ú¸ ÔÂÒÌ˛ ‚ÔÂꢀ‰ ËÎË Ì‡Á‡‰, ̇ÊÏËÚ ÍÌÓÔÍÛ [REW] ËÎË [FF].
ÖÒÎË Ù‡ÈÎ ÔÂÒÌË ÒÓ‰ÂꢀÊËÚ ÚÂÍÒÚ (ÚËÔ Ù‡È· – Standard MIDI format 0), Â„Ó ÏÓÊÌÓ ÔꢀÓÒχÚꢀË‚‡Ú¸ ̇
˝Íꢀ‡Ì ‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊ ÔꢀÓÒÏÓÚꢀÂÚ¸ Ô‡ꢀÚËÚÛꢀÛ. èÓ‰ꢀÓ·ÌÓÒÚË
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 84 Ë 87.
NEW SONG
SYNC.STAR
6
èÓÔꢀÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔꢀË„ÎÛ¯ÂÌËfl ͇̇· ‚Ó ‚ꢀÂÏfl ÔꢀÓË„ꢀ˚‚‡ÌËfl ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï
ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘Ì˚ ‡ꢀ‡ÌÊËꢀÓ‚ÍË ·ÛÍ‚‡Î¸ÌÓ Ì‡ ÎÂÚÛ!
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF].
2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8■■], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ͇̇ÎÛ, ÍÓÚÓꢀ˚È Úꢀ·ÛÂÚÒfl ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸.
CHANNEL
ON / OFF
PAR
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
ÖÒÎË ‚˚·ꢀ‡Ì‡ ‚Í·‰Í‡ STYLE,
ÒÌÓ‚‡ ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
23
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
7
à, ̇ÍÓ̈, ÔÓÔꢀÓ·ÛÈÚ Ò·fl ‚ ꢀÓÎË Á‚ÛÍÓꢀÂÊËÒÒÂꢀ‡, ÍÓÚÓꢀÓÏÛ Ôꢀ‰ÒÚÓËÚ ÒÏËͯËꢀÓ‚‡Ú¸ ÚÓθÍÓ ˜ÚÓ
Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔꢀ‡‚ÎÂÌËfl ÔÓÁ‚ÓÎfl˛Ú ̇ÒÚꢀ‡Ë‚‡Ú¸ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ÓÚ‰ÂθÌ˚ı
Ô‡ꢀÚËÈ: ÔÂÒÌË, ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚‡¯Â„Ó ÚÂÏ·ꢀ‡ Ë ÒÓÎÓ Ì‡ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ.
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE].
2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8■■], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ꢀÚËË, „ꢀÓÏÍÓÒÚ¸ ÍÓÚÓꢀÓÈ Úꢀ·ÛÂÚÒfl ̇ÒÚꢀÓËÚ¸.
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚ÂÒ¸ ̇·Óꢀ
BALANCE
‰ÓÒÚÛÔÌ˚ı ˝ÎÂÏÂÌÚÓ‚
ÛÔꢀ‡‚ÎÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ
[MIXING CONSOLE] (ÒÚꢀ. 123).
1
2
3
4
5
6
7
8
8
óÚÓ·˚ ÔꢀÂꢀ‚‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
èêàåÖóÄçàÖ
REC
TOP
START / STOP
•
äÌÓÔ͇ [FADE IN/OUT]
(ÒÚꢀ. 69) ÔÓÁ‚ÓÎflÂÚ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ
‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË.
èꢀË ˝ÚÓÏ „ꢀÓÏÍÓÒÚ¸ ‚ ̇˜‡ÎÂ
ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ
NEW SONG
SYNC.STAR
̇ꢀ‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ –
ÒÌËʇڸÒfl.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
24
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à„ꢀ‡ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÚÂÏ·ꢀÂ
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 58
à„ꢀ‡ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÚÂÏ·ꢀÂ
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ ÒÓ‰ÂꢀÊËÚ ·ÓΠ800 ‰Ë̇Ï˘Ì˚ı, ꢀ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·ꢀÓ‚ Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ.
èÓÔꢀÓ·ÛÈÚ ÔÓË„ꢀ‡Ú¸ ÌÂÒÍÓθÍËÏË ÚÂÏ·ꢀ‡ÏË, ˜ÚÓ·˚ ÔÓÌflÚ¸, Í‡Í Ëı ÏÓÊÌÓ ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‚‡¯Ëı
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÍÓÏÔÓÁˈËflı. Ç‡Ï Ôꢀ‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚·Ëꢀ‡Ú¸ ÓÚ‰ÂθÌ˚ ÚÂÏ·ꢀ˚, Ò‚flÁ˚‚‡Ú¸ ‰‚‡ ÚÂÏ·ꢀ‡ ‚ ÒÎÓÈ Ë Ì‡Á̇˜‡Ú¸
ꢀ‡ÁÌ˚ ÚÂÏ·ꢀ˚ ‰Îfl Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍ.
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÚÂÏ·ꢀÛ
à„ꢀ‡ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÚÂÏ·ꢀÂ
1
ç‡ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÏÂÌ˛ ‚˚·Óꢀ‡ „·‚ÌÓ„Ó ÚÂÏ·ꢀ‡.
ÖÒÎË „·‚Ì˚È ˝Íꢀ‡Ì (MAIN) Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
Ç˚·ꢀ‡ÌÌ˚È ‚ ÏÂÌ˛ ÚÂÏ·ꢀ
ÓÚÌÓÒËÚÒfl Í „·‚ÌÓÈ ˜‡ÒÚË Ë
ÌÓÒËÚ Ì‡Á‚‡ÌË „·‚ÌÓ„Ó
ÚÂÏ·ꢀ‡. (ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl ÒÏ. ̇ ÒÚꢀ. 60.)
F
H
I
VOICE PART
ON OFF
LAYER
LEFT
J
ÖÒÎË Úꢀ·ÛÂÚÒfl ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ
„·‚Ì˚È ÚÂÏ·ꢀ, ‚˚Íβ˜ËÚÂ
‰ÓÔÓÎÌËÚÂθÌ˚ ÚÂÏ·ꢀ˚ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ LAYER Ë LEFT.
2
Ç˚·ÂꢀËÚÂ „ꢀÛÔÔÛ ÚÂÏ·ꢀÓ‚.
VOICE
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
BRASS
WOODWIND
Ç ˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚·ꢀ‡Ì ÚÂÏ·ꢀ
STRINGS (ÒÚꢀÛÌÌ˚Â).
óÚÓ·˚ ‚˚·ꢀ‡Ú¸
ÏÂÒÚÓ̇ıÓʉÂÌË ÚÂÏ·ꢀ‡,
‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
[BACK]/[NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ
·Û‰ÂÚ ‚Í·‰Í‡ PRESET.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
25
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à„ꢀ‡ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÚÂÏ·ꢀÂ
3
Ç˚·ÂꢀËÚÂ ÚÂÏ·ꢀ.
èêàåÖóÄçàÖ
åÓÊÌÓ ÏÓÏÂÌڇθÌÓ ‚ÂꢀÌÛÚ¸Òfl
Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ, ‰‚‡Ê‰˚
̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J].
A
B
D
E
Ç ˝ÚÓÏ ÔꢀËÏÂꢀÂ
‚˚·ꢀ‡Ì ÚËÔ Orchestra.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8■], ˜ÚÓ·˚ ̇˜‡Ú¸
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó ÚÂÏ·ꢀ‡.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚꢀ‡ˆË˛, ¢ ꢀ‡Á
̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. ÑÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚Â
‚ÓÁÏÓÊÌÓÒÚË Ì ӄꢀ‡Ì˘ÂÌ˚ Ó‰ÌËÏË Î˯¸
ÚÂÏ·ꢀ‡ÏË. èÓ‰ꢀÓ·ÌÓÒÚË ÒÏ. ̇ ÒÚꢀ. 56.
óÚÓ·˚ ÔÓÔ‡ÒÚ¸ ̇ ‰ꢀÛ„Ë ÒÚꢀ‡Ìˈ˚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÍÌÓÔÍË. ä‡Ê‰‡fl ڇ͇fl ÒÚꢀ‡Ìˈ‡ ÒÓ‰ÂꢀÊËÚ ÒÔËÒÓÍ ÌÓ‚˚ı, ¢Â
ÌÂËÁ‚‰‡ÌÌ˚ı ÚÂÏ·ꢀÓ‚.
4
éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·ꢀÓ‚.
äÓ̘ÌÓ, ‚˚ ÏÓÊÂÚ ҇ÏË ÔÓÔꢀÓ·Ó‚‡Ú¸ ÔÓË„ꢀ‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï ÚÂÏ·ꢀÓÏ. é‰Ì‡ÍÓ
ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰ꢀÛ„‡fl ‚ÓÁÏÓÊÌÓÒÚ¸: Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚꢀ‡ˆË˛ Ë ÔÓÒÎÛ¯‡Ú¸, ͇Í
ꢀ‡ÒÍꢀ˚‚‡ÂÚÒfl ÔÓÚÂ̈ˇΠÚÂÏ·ꢀ‡. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔꢀÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [8■] ̇
ËÁÓ·ꢀ‡ÊÂÌÌÓÏ ‚˚¯Â ˝Íꢀ‡ÌÂ, Ë ‰ÂÏÓÌÒÚꢀ‡ˆËfl ÚÂÏ·ꢀ‡ Á‡ÔÛÒÚËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
à„ꢀ‡ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·ꢀ‡ÏË
1
óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE
PART ON/OFF [LAYER].
VOICE PART
ON OFF
G
H
LAYER
2
3
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ [G].
Ç˚·ÂꢀËÚÂ „ꢀÛÔÔÛ ÚÂÏ·ꢀÓ‚.
óÚÓ·˚ ‰Ó·ËÚ¸Òfl ÒÓ˜ÌÓ„Ó Á‚Û˜‡ÌËfl, ‚˚·ÂꢀÂÏ Í‡ÍÓÈ-ÌË·Û‰¸ «ÔÎÓÚÌ˚È» ÚÂÏ·ꢀ. Ç˚ÁÓ‚ËÚ „ꢀÛÔÔÛ «CHOIR & PAD» (ıÓꢀ˚ Ë
ÔӉͷ‰˚).
VOICE
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
BRASS
WOODWIND
4
5
Ç˚·ÂꢀËÚÂ ÚÂÏ·ꢀ.
ç‡ÔꢀËÏÂꢀ, ‚˚·ÂꢀËÚ «Hah Choir».
éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·ꢀÓ‚.
íÂÔÂꢀ¸ ‚˚ ÏÓÊÂÚ ˄ꢀ‡Ú¸ ‰‚ÛÏfl ÚÂÏ·ꢀ‡ÏË, Ó·˙‰ËÌÂÌÌ˚ÏË ‚
ÓÔËÒ‡Ì ‚ Ôꢀ‰˚‰Û˘ÂÏ ꢀ‡Á‰ÂΠꢀÛÍÓ‚Ó‰ÒÚ‚‡, Ë ÚÂÏ·ꢀÓÏ ÒÎÓfl,
çÓ ˝ÚÓ ÚÓθÍÓ Ì‡˜‡ÎÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰ꢀÛ„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË, ÓÚÌÓÒfl˘ËÏËÒfl Í ÚÂÏ·ꢀÛ:
• å„ÌÓ‚ÂÌ̇fl ̇ÒÚꢀÓÈ͇ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ꢀÂÊËÏ ÙÓꢀÚÂÔˇÌÓ – ̇ʇÚËÂÏ Ó‰ÌÓÈ ÍÌÓÔÍË (ÒÚꢀ. 59).
• ëÓÁ‰‡ÈÚ ҂ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â, ÓꢀË„Ë̇θÌ˚ ÚÂÏ·ꢀ˚. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ΄ÍÓ Ë ÔꢀÓÒÚÓ, ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ËÁÏÂÌËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚
ÒÛ˘ÂÒÚ‚Û˛˘Ëı ÚÂÏ·ꢀÓ‚ (ÒÚꢀ. 91).
• ëÓÒÚ‡‚¸Ú ÒÔËÒÓÍ ‚‡¯Ëı β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·ꢀÓ‚, ÒÚËÎÂÈ Ë Ú. ‰.) Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó ÔꢀË ÔÂꢀ‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË
(ÒÚꢀ. 88).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
26
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à„ꢀ‡ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÚÂÏ·ꢀÂ
ê‡ÁÌ˚ ÚÂÏ·ꢀ˚ ‰Îfl Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍË
1
óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART
ON/OFF [LEFT].
VOICE PART
ON OFF
G
H
LAYER
LEFT
2
3
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌÓÔÍÛ [H].
Ç˚·ÂꢀËÚÂ „ꢀÛÔÔÛ ÚÂÏ·ꢀÓ‚.
Ç ‰‡ÌÌÓÏ ÔꢀËÏÂꢀ Ï˚ Ò ‚‡ÏË ‚˚·ÂꢀÂÏ „ꢀÛÔÔÛ «STRINGS» (ÒÚꢀÛÌÌ˚Â), ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË ·ꢀ‡Ú¸ ΂ÓÈ ꢀÛÍÓÈ ‡ÍÍÓꢀ‰˚ Ò
·Ó„‡Ú˚Ï ÓꢀÍÂÒÚꢀÓ‚˚Ï Á‚Û˜‡ÌËÂÏ.
VOICE
PIANO & HARPSI.
BRASS
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
WOODWIND
4
5
Ç˚·ÂꢀËÚ ÚÂÏ·ꢀ, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ÏÂÌ˛.
èÛÒÚ¸ ˝ÚÓ ·Û‰ÂÚ «Symphon. Str» („ꢀÛÔÔ‡ ÒÚꢀÛÌÌ˚ı ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓꢀÍÂÒÚꢀ‡).
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì SPLIT POINT, ̇ÊÏËÚ ÍÌÓÔÍÛ [I]. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Íꢀ‡Ì‡ ÏÓÊÌÓ Ì‡Á̇˜ËÚ¸ Í·‚˯Û,
ꢀ‡Á‰ÂÎfl˛˘Û˛ ‚˚·ꢀ‡ÌÌ˚ ÚÂÏ·ꢀ˚, ÍÓÚÓꢀ‡fl ·Û‰ÂÚ Ì‡Á˚‚‡Ú¸Òfl ÚÓ˜ÍÓÈ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ (Split Point). ÑÎfl
˝ÚÓ„Ó Ì‡ÊÏËÚ Úꢀ·ÛÂÏÛ˛ Í·‚˯Û, Û‰ÂꢀÊË‚‡fl ÔꢀË ˝ÚÓÏ ÍÌÓÔÍÛ [F] ËÎË [G]. (ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 141.)
F
G
H
I
F
G
I
J
6
7
éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·ꢀÓ‚.
àÚ‡Í, ΂‡fl ꢀÛ͇ Ë„ꢀ‡ÂÚ Ó‰ÌËÏ ÚÂÏ·ꢀÓÏ, ‡ Ôꢀ‡‚‡fl – ‰ꢀÛ„ËÏ(Ë).
íӘ͇
ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚
MAIN/LAYER
LEFT
É·‚Ì˚È (MAIN) ÚÂÏ·ꢀ Ë ÚÂÏ·ꢀ ÒÎÓfl (LAYER) Ë„ꢀ‡˛ÚÒfl Ôꢀ‡‚ÓÈ ꢀÛÍÓÈ. íÂÏ·ꢀ LEFT Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl Ë„ꢀ˚ ΂ÓÈ ꢀÛÍÓÈ.
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
EXIT
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
27
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 63
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ӷ·‰‡ÂÚ Ó„ꢀÓÏÌ˚Ï ÍÓ΢ÂÒÚ‚ÓÏ ÏÛÁ˚͇θÌ˚ı «ÒÚËÎÂÈ», ÍÓÚÓꢀ˚ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ÒÓÔꢀÓ‚ÓʉÂÌËfl. á‰ÂÒ¸ ÂÒÚ¸ ‚ÒÂ: ÓÚ ÔꢀÓÒÚÓ„Ó, ÌÓ ˝ÙÙÂÍÚÌÓ„Ó ÒÓÔꢀÓ‚ÓʉÂÌËfl Ò
ÔÓÏÓ˘¸˛ ÙÓꢀÚÂÔˇÌÓ ËÎË ÔÂꢀÍÛÒÒËË ‰Ó ÓꢀÍÂÒÚꢀ‡ Ë ·Ë„-·˝Ì‰‡.
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÒÚËβ
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl
1
ç‡ÊÏËÚ ÍÌÓÔÍÛ [D], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ „ꢀÛÔÔÛ ÒÚËÎÂÈ.
ÖÒÎË „·‚Ì˚È ˝Íꢀ‡Ì (MAIN) Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
óÚÓ·˚ ‚˚·ꢀ‡Ú¸
ꢀ‡Á‰ÂÎ Ô‡ÏflÚË, ‚
ÍÓÚÓꢀÓÏ
ꢀ‡ÒÔÓÎÓÊÂÌ ÒÚËθ,
‚ÓÒÔÓθÁÛÈÚÂÒ¸
ÍÌÓÔ͇ÏË [BACK]/
[NEXT]. ÑÓÔÛÒÚËÏ,
˝ÚÓ ·Û‰ÂÚ ‚Í·‰Í‡
PRESET.
A
B
C
D
2
Ç˚·ÂꢀËÚ „ꢀÛÔÔÛ ÒÚËÎÂÈ Ë ÒÚËθ.
A
A
B
C
D
E
B
C
E
Ç ˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚·ꢀ‡Ì‡ „ꢀÛÔÔ‡
ÒÚËÎÂÈ Dance (ڇ̈‚‡Î¸Ì˚Â).
Ç „ꢀÛÔÔÂ Dance ‚˚·ÂꢀÂÏ
ÒÚËθ EuroTrance.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
28
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
3
ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.
ᇉ‡ÌÌ˚È Î‚˚È ꢀ‡Á‰ÂÎ Í·‚ˇÚÛꢀ˚ ÓÚ‚Ó‰ËÚÒfl ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÇÁflÚ˚ ‚ ÌÂÏ ‡ÍÍÓꢀ‰˚ ‡‚ÚÓχÚ˘ÂÒÍË
ꢀ‡ÒÔÓÁ̇˛ÚÒfl Ë ÒÎÛÊ‡Ú ÓÒÌÓ‚ÓÈ ‰Îfl ÒÓÁ‰‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔꢀˉÂꢀÊË‚‡˛˘Â„ÓÒfl
‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl.
èêàåÖóÄçàÖ
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
•
ä·‚˯‡, ꢀ‡Á‰ÂÎfl˛˘‡fl
‚˚·ꢀ‡ÌÌ˚ ÚÂÏ·ꢀ˚,
ACMP
̇Á˚‚‡ÂÚÒfl ÚÓ˜ÍÓÈ
ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ (Split
Point). àÌÒÚꢀÛ͈ËË ÔÓ
ÛÒÚ‡ÌÓ‚Í ڇÍÓÈ ÚÓ˜ÍË
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 141.
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
4
5
ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC.START.
SYNC.START
ëÚËθ Á‡ÔÛÒ͇ÂÚÒfl Òꢀ‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ·ÂꢀÂÚ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÇÓÁ¸ÏËÚÂ, Í ÔꢀËÏÂꢀÛ, ‰Ó-χÊÓꢀÌÓ ÚꢀÂÁ‚ۘˠ(ÒÏ. ÌËÊÂ).
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
6
èꢀË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚꢀ„ÛÎËꢀÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ].
èêàåÖóÄçàÖ
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ, ̇ÊÏËÚ ӉÌÓ‚ꢀÂÏÂÌÌÓ Ó·Â ÍÌÓÔÍË TEMPO [
]. óÚÓ·˚ ‚˚ÈÚË ËÁ ˝Íꢀ‡Ì‡ TEMPO, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
]
íÂÏÔ ÏÓÊÌÓ Ú‡ÍÊ ËÁÏÂÌflÚ¸ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO]
(ÒÚꢀ. 55).
[
7
8
èÓÔꢀÓ·ÛÈÚ Ò˚„ꢀ‡Ú¸ ¢ ÌÂÒÍÓθÍÓ ‡ÍÍÓꢀ‰Ó‚ ΂ÓÈ ꢀÛÍÓÈ.
Ç ꢀ‡Á‰ÂΠ«ÄÍÍÓꢀ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛꢀ‡» ̇ ÒÚꢀ. 66 ‚˚ ̇ȉÂÚ ҂‰ÂÌËfl Ó Ôꢀ‡‚Ë·ı ‚ÁflÚËfl ‡ÍÍÓꢀ‰Ó‚.
óÚÓ·˚ ÔꢀÂꢀ‚‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE [START/STOP].
ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â ÏÌÓ„ÓÂ, ˜ÚÓ ‚‡Ï Ôꢀ‰ÒÚÓËÚ ÓÒ‚ÓËÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰ꢀÛ„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË,
ÓÚÌÓÒfl˘ËÏËÒfl Í ÒÚËβ:
• èꢀÓÒÚÓÈ ÒÔÓÒÓ· ÒÓÁ‰‡ÌËfl ÓꢀË„Ë̇θÌ˚ı ÒÚËÎÂÈ (ÒÚꢀ. 113).
• åÂÚÓ‰ ÒÓÒÚ‡‚ÎÂÌËfl ÒÔËÒ͇ β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·ꢀÓ‚, ÒÚËÎÂÈ Ë Ú.‰.), ÍÓÚÓꢀ˚È ÏÓÊÌÓ ‚˚Á˚‚‡Ú¸ ÔꢀË ÔÂꢀ‚ÓÈ
ÌÂÓ·ıÓ‰ËÏÓÒÚË (ÒÚꢀ. 88).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
29
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
é·Ó„‡ÚËÚÂ Ë ÛÍꢀ‡Ò¸ÚÂ Ò‚Ó˛ ÏÛÁ˚ÍÛ Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓχÚ˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚ Harmony („‡ꢀÏÓÌËÁ‡ˆËfl) Ë Echo
(˝ıÓ).
ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË „‡ꢀÏÓÌËÁËꢀÓ‚‡Ú¸ ÏÂÎÓ‰ËË, ÍÓÚÓꢀ˚ ‚‰ÂÚ Ôꢀ‡‚‡fl ꢀÛ͇, ̇ ÓÒÌÓ‚Â ‡ÍÍÓꢀ‰Ó‚,
ÍÓÚÓꢀ˚ ·ÂꢀÂÚ Î‚‡fl. èÓÏËÏÓ ‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ˝ÙÙÂÍÚ‡ÏË ÚꢀÂÏÓÎÓ, ˝ı‡ Ë Ú.‰.
1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ [HARMONY/ECHO].
VOICE EFFECT
REVERB
DSP
VARIATION
HARMONY / ECHO
MONO
LEFT HOLD
2 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (ÒÚꢀ. 28).
3 ÇÓÁ¸ÏËڠ΂ÓÈ ꢀÛÍÓÈ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ôꢀ‡‚ÓÈ Ò˚„ꢀ‡ÈÚÂ
ÌÂÒÍÓθÍÓ ÌÓÚ ‚ Ôꢀ‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
‚ˉ‡ı „‡ꢀÏÓÌËÁ‡ˆËË/˝ı‡
ÒÓ‰ÂꢀʇÚÒfl ‚ ÓÚ‰ÂθÌÓÏ ÒÔËÒÍÂ.
CVP-210/208 ꢀ‡ÒÔÓ·„‡ÂÚ ꢀ‡Á΢Ì˚ÏË ÚËÔ‡ÏË „‡ꢀÏÓÌËÁ‡ˆËË/˝ı‡ (ÒÚꢀ. 146).
ùÚË ÚËÔ˚ ÏÓ„ÛÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó „·‚ÌÓ„Ó ÚÂÏ·ꢀ‡.
•
ɇꢀÏÓÌËÁ‡ˆËfl/˝ıÓ — ˝ÚÓ ÚÓθÍÓ Ó‰ËÌ ËÁ ÏÌÓÊÂÒÚ‚‡ Ëϲ˘ËıÒfl ÚÂÏ·ꢀÓ‚˚ı ˝ÙÙÂÍÚÓ‚.
èÓÔꢀÓ·ÛÈÚ ÔꢀËÏÂÌËÚ¸ ͇ÍËÂ-ÎË·Ó ‰ꢀÛ„Ë ˝ÙÙÂÍÚ˚, ˜ÚÓ·˚ ÛÁ̇ڸ, ˜ÂÏ ÓÌË ÒÏÓ„ÛÚ ÔÓÏÓ˜¸ ÔꢀË ‚˚ÒÚÛÔÎÂÌËË (ÒÚꢀ. 61).
ó‡ÒÚË ÒÚËÎfl
ä‡Ê‰˚È ÒÚËθ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÓÒÚÓËÚ ËÁ «˜‡ÒÚÂÈ». èÓÒÍÓθÍÛ Í‡Ê‰‡fl ËÁ ÌËı fl‚ÎflÂÚÒfl ꢀËÚÏ˘ÂÒÍÓÈ ‚‡ꢀˇˆËÂÈ ·‡ÁÓ‚Ó„Ó
ÒÚËÎfl, Ëı ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ôꢀˉ‡ÌËfl ‚˚ÒÚÛÔÎÂÌ˲ ÓÒÚꢀÓÚ˚ Ë Òϯ˂‡Ú¸ ꢀËÚÏ˚, Ì ÓÚ‚ÎÂ͇flÒ¸ ÓÚ Ë„ꢀ˚. ÇÒÂ„Ó ÒÛ˘ÂÒÚ‚ÛÂÚ
˜ÂÚ˚ꢀ ꢀ‡ÁÌӂˉÌÓÒÚË ˜‡ÒÚÂÈ: ËÌÚꢀÓ‰Û͈Ëfl, ÙË̇Î, ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ë ·ꢀÂÈÍ. ùÚÓ Ú ‰Ë̇Ï˘ÂÒÍË ˝ÎÂÏÂÌÚ˚, ÍÓÚÓꢀ˚Â Ë ÔÓÁ‚ÓÎfl˛Ú
ÒÓÁ‰‡‚‡Ú¸ ÔꢀÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡˘Ë ‡ꢀ‡ÌÊËꢀÓ‚ÍË.
INTRO
MAIN
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ̇˜‡Î ÔÂÒÌË. èÓÒΠÓÍÓ̘‡ÌËfl ËÌÚꢀÓ‰Û͈ËË Ì‡˜Ë̇ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ÒÂꢀ‰ËÌ ÔÂÒÌË. é̇ ÒÓÒÚÓËÚ ËÁ ꢀËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍËı ÙË„Ûꢀ ‰ÎËÌÓÈ ‚ ÌÂÒÍÓθÍÓ Ú‡ÍÚÓ‚,
ÍÓÚÓꢀ˚ ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ‰Ó ÚÂı ÔÓꢀ, ÔÓ͇ Ì ·Û‰ÂÚ Ì‡Ê‡Ú‡ ÍÌÓÔ͇ ÒÎÂ‰Û˛˘ÂÈ ˜‡ÒÚË.
BREAK
ùÚ‡ ˜‡ÒÚ¸ ÔÓÁ‚ÓÎflÂÚ Ó·Ó„‡ÚËÚ¸ ꢀËÚÏ˘ÂÒÍËÈ ÛÁÓꢀ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰Ë̇Ï˘ÂÒÍËÏË ‚‡ꢀˇˆËflÏË Ë ·ꢀÂÈ͇ÏË, ˜ÚÓ ‰Â·ÂÚ
Á‚Û˜‡ÌË ·ÓΠÔꢀÓÙÂÒÒËÓ̇θÌ˚Ï.
ENDING
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË. èÓ Á‡‚Âꢀ¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl.
1-4
Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ‡Ì‡Îӄ˘Ì˚ ÓÔËÒ‡ÌÌ˚Ï ‚ ꢀ‡Á‰ÂΠ«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇ ÒÚꢀ. 28 Ë 29.
5
ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO].
BREAK
INTRO
MAIN
ENDING / rit.
A
B
C
D
6
àÌÚꢀÓ‰Û͈Ëfl Á‡ÔÛÒÚËÚÒfl Òꢀ‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÇÓÁ¸ÏËÚÂ, Í ÔꢀËÏÂꢀÛ, ‰Ó-χÊÓꢀÌÓ ÚꢀÂÁ‚ۘˠ(ÒÏ. ÌËÊÂ).
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èÓ Á‡‚Âꢀ¯ÂÌËË ËÌÚꢀÓ‰Û͈ËË ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒÚÛÔ‡ÂÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸.
7
ç‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË [A] — [D] ËÎË
ÍÌÓÔÍÛ [BREAK]. (ëÏ. ꢀ‡Á‰ÂÎ «ëÚꢀÛÍÚÛꢀ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡» ̇
ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡ÌˈÂ.)
BREAK
MAIN
ENDING / rit.
A
B
C
D
ËÎË
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
8
9
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO
FILL IN].
ÇÒÚ‡‚ÍË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂꢀÂꢀ˚‚‡ı ÏÂʉÛ
ÙË„Ûꢀ‡ÏË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË.
AUTO FILLIN
ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENDING].
燘ÌÂÚÒfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÍÓ̈ӂÍË. äÓ„‰‡ ÍÓ̈ӂ͇ Á‡ÍÓ̘ËÚÒfl,
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË ÔꢀÂÍꢀ‡ÚËÚÒfl.
BREAK
INTRO
MAIN
ENDING / rit.
A
B
C
D
■ ëÚꢀÛÍÚÛꢀ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
INTRO (ÒÚꢀ. 70)
INTRO A
INTRO B
INTRO C
(χÍÒËÏÛÏ 3 Ùꢀ‡Á˚)
MAIN VARIATION
˜ÂꢀÂÁ BREAK
MAIN
VARIATION
B
MAIN
VARIATION
A
MAIN
VARIATION
C
˜ÂꢀÂÁ BREAK
˜ÂꢀÂÁ BREAK
MAIN
VARIATION
D
˜ÂꢀÂÁ BREAK
ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENDING].
èÓÒÚÂÔÂÌÌÓ Á‡Ï‰ÎÂÌËÂ
(ꢀËÚ‡ꢀ‰‡Ì‰Ó) ‰ÓÒÚË„‡ÂÚÒfl
ÔÛÚÂÏ ÔÓ‚ÚÓꢀÌÓ„Ó Ì‡Ê‡ÚËfl
ÍÌÓÔÍË [ENDING] ‚Ó ‚ꢀÂÏfl
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ
˜‡ÒÚË.
ENDING A
ENDING B
ENDING C
ENDING (ÒÚꢀ. 70)
(χÍÒËÏÛÏ 3 Ùꢀ‡Á˚)
èêàåÖóÄçàÖ
•
•
àÌÚꢀÓ‰Û͈Ëfl Ì ӷflÁ‡ÚÂθÌÓ ‰ÓÎÊ̇ Á‚Û˜‡Ú¸ ‚ ̇˜‡ÎÂ! èꢀË Ê·ÌËË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ËÚ¸  ‚ ÒÂꢀ‰ËÌ ËÒÔÓÎÌÂÌËfl, ̇ʇ‚ ‚ ÌÛÊÌ˚È ÏÓÏÂÌÚ ÍÌÓÔÍÛ
INTRO].
èꢀË ËÒÔÓθÁÓ‚‡ÌËË ·ꢀÂÈÍÓ‚ ÌÂÓ·ıÓ‰ËÏÓ ÒΉËÚ¸ Á‡ ‚ꢀÂÏÂÌÂÏ Ëı ‚Íβ˜ÂÌËfl. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ÒÎ˯ÍÓÏ ·ÎËÁÍÓ Í ÍÓÌˆÛ Ú‡ÍÚ‡ (̇ÔꢀËÏÂꢀ
ÔÓÒΠÔÓÒΉÌÂÈ ‚ÓÒ¸ÏÓÈ), ·ꢀÂÈÍ ·Û‰ÂÚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ‡‚ÚÓχÚ˘ÂÒÍËÏ ‚ÒÚ‡‚Í‡Ï (Auto Fill-In).
èꢀË Ê·ÌËË ‚ ̇˜‡Î ÍÓÏÔÓÁˈËË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ ËÌÚꢀÓ‰Û͈ËÈ ËÎË ‚ÓÓ·˘Â ҉·ڸ ‚‚Ó‰ÌÓÈ Î˛·Û˛ ˜‡ÒÚ¸.
ÖÒÎË Úꢀ·ÛÂÚÒfl Ì ÔꢀÂꢀ˚‚‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚ˚„ꢀ‡ÂÚ ÙË̇Î, ÔꢀÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO] ‚ ıӉ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ
˜‡ÒÚË.
•
•
•
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÙË̇·, ·ꢀÂÈÍ Ì‡˜ÌÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ, ‡ ‚ÒΉ Á‡ ÌËÏ ‚ÒÚÛÔËÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸.
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ÑꢀÛ„Ë ˝ÎÂÏÂÌÚ˚ ÛÔꢀ‡‚ÎÂÌËfl
FADE IN/OUT
äÌÓÔ͇ [FADE IN/OUT] ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË. èꢀË ˝ÚÓÏ
„ꢀÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ Ì‡ꢀ‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ – ÒÌËʇڸÒfl (ÒÚꢀ. 69).
FADE IN / OUT
TAP TEMPO
TAP TEMPO
ëÚËθ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ò Î˛·˚Ï ÚÂÏÔÓÏ. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡‰‡Ú¸ ÒÍÓꢀÓÒÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl, Û‰‡ꢀË‚ ÌÂÒÍÓθÍÓ ꢀ‡Á ÔÓ ÍÌÓÔÍ [TAP
TEMPO] ‚ Ê·ÂÏÓÏ ÚÂÏÔÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 55.
SYNC.STOP
SYNC.STOP
êÂÊËÏ ÒËÌıꢀÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË (Synchro Stop) ÔÓÁ‚ÓÎflÂÚ Ì‡˜Ë̇ڸ Ë ÔꢀÂÍꢀ‡˘‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔꢀÓÒÚÓ Ì‡ÊËχfl Í·‚Ë¯Ë ‚
ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÓÚÔÛÒ͇fl Ëı. ùÚÓ Á‡Ï˜‡ÚÂθÌ˚È ÏÂÚÓ‰ ÛÒËÎÂÌËfl ‰ꢀ‡Ï‡ÚËÁχ ‚˚ÒÚÛÔÎÂÌËfl Á‡ Ò˜ÂÚ ÔꢀËÏÂÌÂÌËfl Ô‡ÛÁ Ë
‰Ë̇Ï˘ÂÒÍËı ‡ÍˆÂÌÚÓ‚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 69.
äÌÓÔ͇ ONE TOUCH
SETTING
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
ÒÚËβ (ÌÓÏÂꢀ ÚÂÏ·ꢀ‡ Ë Ú.‰.), ̇ʇÚËÂÏ Ó‰ÌÓÈ-‰ËÌÒÚ‚ÂÌÌÓÈ ÍÌÓÔÍË. ç‡ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡Ï˜‡ÚÂθ̇ ÚÂÏ, ˜ÚÓ Ó̇
ÔÓÁ‚ÓÎflÂÚ ÏÓÏÂÌڇθÌÓ ËÁÏÂÌËÚ¸ ‚Ò ԇꢀ‡ÏÂÚꢀ˚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ú‡Í, ˜ÚÓ·˚ ÓÌË Ì‡ËÎÛ˜¯ËÏ Ó·ꢀ‡ÁÓÏ ÔÓ‰ıÓ‰ËÎË Í
1
2
Ç˚·ÂꢀËÚ ÒÚËθ (ÒÚꢀ. 28).
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [ONE TOUCH SETTING].
èꢀË ˝ÚÓÏ ÔꢀÓËÒıÓ‰ËÚ Ì ÚÓθÍÓ Ï„ÌÓ‚ÂÌÌ˚È ‚˚ÁÓ‚ (ÒÏ.
ÒÚꢀ. 71) ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÚÂÏ·ꢀÓ‚,
˝ÙÙÂÍÚÓ‚ Ë Ú.Ô.), ÌÓ Ë ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ
ꢀÂÊËÏÓ‚ ACMP Ë SYNC. START, ˜Ú·˚ ÌÂωÎÂÌÌÓ
‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÒÚËθ.
ONE TOUCH SETTING
1
2
3
4
3
4
ëÚËθ Á‡ÔÛÒÚËÚÒfl Òꢀ‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íӘ͇
ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚
èÓÔꢀÓ·ÛÈÚ Ò˚„ꢀ‡Ú¸ ÏÂÎӉ˲ Ôꢀ‡‚ÓÈ ꢀÛÍÓÈ, ‡ ‡ÍÍÓꢀ‰˚ — ΂ÓÈ.
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
5
èÓÔꢀÓ·ÛÈÚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ͇ÍËÂ-ÌË·Û‰¸ ‰ꢀÛ„ËÂ
̇ÒÚꢀÓÈÍË.
åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚꢀÓÈÍË One Touch
Setting.
ONE TOUCH SETTING
1
2
3
4
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 72.
•
ëÛ˘ÂÒÚ‚ÛÂÚ ÒÔÓÒÓ·, ÔÓÁ‚ÓÎfl˛˘ËÈ Â˘Â ·ÓΠ‡‚ÚÓχÚËÁËꢀÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ë ÓÊË‚ËÚ¸ ‚˚ÒÚÛÔÎÂÌËÂ. ÑÎfl
˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚꢀÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»). ì‰Ó·ÒÚ‚Ó
ÙÛÌ͈ËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚꢀÓÈÍË ÔꢀË ÔÂꢀÂıӉ ÓÚ Ó‰ÌÓÈ ÙË„Ûꢀ˚ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ
(ÒÚꢀ. 72).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
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îÛÌ͈Ëfl Music Finder
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 73
îÛÌ͈Ëfl Music Finder
äÌÓÔ͇ MUSIC FINDER
ÖÒÎË Úꢀ·ÛÂÚÒfl ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÓÔꢀ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ Ì Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚꢀÓËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ÚÂÏ·ꢀ‡ Ë
ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ‚˚·ꢀ‡Ú¸ ̇Á‚‡ÌË ÍÓÏÔÓÁˈËË ‚ ÓÍÌ Music Finder —
Ë CVP-210/208 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚꢀÓËÚ ‚Ò ԇꢀ‡ÏÂÚꢀ˚, ÌÂÓ·ıÓ‰ËÏ˚ ‰Îfl Ë„ꢀ˚ ‚ ‚˚·ꢀ‡ÌÌÓÏ ÒÚËÎÂ!
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder
1
2
ç‡ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER].
MUSIC FINDER
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸.
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛
ÒÚꢀ‡ÌˈÛ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸
ÍÌÓÔ͇ÏË [BACK]/[NEXT]. Ç
˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚·ꢀ‡Ì‡ ‚Í·‰Í‡
ALL (‚ÒÂ).
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸.
1
2
3
4
5
6
7
8
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲, Í‡Í ‚ ̇¯ÂÏ ÔꢀËÏÂꢀÂ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1 - 3■■].
3
èÓÔꢀÓ·ÛÈÚ ÔÓ‰˚„ꢀ‡Ú¸ ÔÂÒÌÂ Ò ‚Íβ˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚ ҉·ڸ Ú‡Í, ˜ÚÓ
ÚÂÏ·ꢀ Ë ‰ꢀÛ„Ë ‚‡ÊÌ˚Â
Ô‡ꢀ‡ÏÂÚꢀ˚ ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË
ËÁÏÂÌflÚ¸Òfl ÔꢀË ËÁÏÂÌÂÌËË
ÒÚËÎfl. ÑÎfl ˝ÚÓ„Ó ‚Íβ˜ËÚÂ
ÙÛÌÍˆË˛ OTS LINK (ÒÚꢀ. 72) Ë
ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «REAL
TIME» ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ OTS LINK
TIMING (ÒÚꢀ. 141).
íӘ͇
ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
33
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îÛÌ͈Ëfl Music Finder
èÓËÒÍ ÒꢀÂ‰Ë Á‡ÔËÒÂÈ Music Finder
Music Finder, ÔÓÏËÏÓ ÔꢀӘ„Ó, ӷ·‰‡ÂÚ Û‰Ó·ÌÓÈ ÙÛÌ͈ËÂÈ ÔÓËÒ͇. Ç˚ Á‡‰‡ÂÚ ̇Á‚‡ÌË ÔÂÒÌË ËÎË Íβ˜Â‚Ó ÒÎÓ‚Ó Ë Òꢀ‡ÁÛ ÊÂ
‚ˉËÚ ̇ ˝Íꢀ‡Ì Á‡ÔËÒË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍꢀËÚÂꢀ˲ ÔÓËÒ͇.
1
2
ç‡ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER].
MUSIC FINDER
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì MUSIC FINDER SEARCH 1, ̇ÊÏËÚ ÍÌÓÔÍÛ [I].
èêàåÖóÄçàÖ
êÂÁÛθڇÚ˚ ÔÂꢀ‚Ó„Ó Ë ‚ÚÓꢀÓ„Ó
ÔÓËÒ͇ (Search 1 Ë Search 2)
‚˚‚Ó‰flÚÒfl ̇ Ó‰ÌÓËÏÂÌÌ˚ı
˝Íꢀ‡Ì‡ı.
F
G
H
I
èêàåÖóÄçàÖ
àÌÒÚꢀÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 49.
A
F
G
H
I
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[A], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸
˝Íꢀ‡Ì ‚‚Ó‰‡
4
C
D
̇Á‚‡ÌËfl ÔÂÒÌË.
E
J
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ
3
Û‰‡ÎËÚ¸ ꢀ‡ÌÂÂ
Á‡‰‡ÌÌ˚ ÛÒÎÓ‚Ëfl
ÔÓËÒ͇, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [F], [G] ËÎË
[H].
Ç ‰‡ÌÌÓÏ ÔꢀËÏÂꢀÂ
‚˚·ꢀ‡Ì‡ ‚Í·‰Í‡
ANY (β·ÓÈ ꢀ‡ÁÏÂꢀ).
1
2
3
4
5
6
7
8
ǂ‰ËÚ ̇Á‚‡ÌË ÔÂÒÌË,
‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ
[8■] (OK).
5
Ç ˝ÚÓÏ ÔꢀËÏÂꢀÂ
‚˚·ꢀ‡Ì‡ ‚Í·‰Í‡
ALL (‚ÒÂ).
ç‡ÊÏËÚ ÍÌÓÔÍÛ the [8■] (START
SEARCH).
ç‡ ˝Íꢀ‡Ì ÓÚÓ·ꢀ‡ÁflÚÒfl ‚ÒÂ
ÍÓÏÔÓÁˈËË, ÒÓ‰Âꢀʇ˘Ë Á‡‰‡ÌÌÓÂ
ÒÎÓ‚Ó (ÒÎÓ‚‡).
6
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
34
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îÛÌ͈Ëfl Music Finder
7
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸ (ÒÏ. ¯‡„ 2 ̇ ÒÚꢀ. 33) Ë ÔÓÔꢀÓ·ÛÈÚ ÔÓË„ꢀ‡Ú¸ Ò ‚Íβ˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
íӘ͇
ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚꢀÓÈÍË ÙÛÌ͈ËË Music Finder Ë ÒÓıꢀ‡ÌflÚ¸ Ëı ̇ ‰ËÒÍÂÚ (ÒÏ. ÒÚꢀ. 40 Ë 48). ùÚÓ
ÔÓÁ‚ÓÎflÂÚ ꢀ‡Ò¯ËꢀËÚ¸ ÍÓÎÎÂÍˆË˛ Á‡ÔËÒÂÈ, Ó·ÏÂÌË‚‡flÒ¸ ËÏË Ò ‰ꢀÛ„ËÏË ÔÓθÁÓ‚‡ÚÂÎflÏË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
ëÓıꢀ‡ÌÂÌËÂ Ë Á‡„ꢀÛÁ͇ ‰‡ÌÌ˚ı ÔÓËÒ͇
óÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ ‰‡ÌÌ˚ ÔÓËÒ͇, ‚˚ÁÓ‚ËÚ ÓÍÌÓ MUSIC FINDER Open/Save ËÁ ÒÚꢀ‡Ìˈ˚
SYSTEM RESET (ÒÚꢀ. 154) ˝Íꢀ‡Ì‡ UTILITY Ë ‚˚ÔÓÎÌËÚ ÚÛ Ê ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ,
˜ÚÓ Ë ÔꢀË ꢀ‡·ÓÚÂ Ò ‡Ì‡Îӄ˘Ì˚Ï ˝Íꢀ‡ÌÓÏ ‰Îfl ÚÂÏ·ꢀ‡ (ÒÚꢀ. 40, 48). óÚÓ·˚ Á‡„ꢀÛÁËÚ¸
ÒÓıꢀ‡ÌÂÌÌ˚ ‰‡ÌÌ˚Â, ‚˚ÔÓÎÌËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÓÔÂꢀ‡ˆË˛ ̇ ˝Íꢀ‡Ì MUSIC FINDER Open/
Save. á‡ÔËÒË ÏÓÊÌÓ Á‡ÏÂÌflÚ¸ Ë ‰Ó·‡‚ÎflÚ¸ (ÒÚꢀ. 75).
éÔÂꢀ‡ˆËË Ò ‰‡ÌÌ˚ÏË ÔÓËÒ͇
ÔÓ‰‰ÂꢀÊË‚‡˛ÚÒfl Í‡Í CVP-210,
Ú‡Í Ë CVP-208.
ëӄ·ÒÌÓ ‚˚¯ÂÔꢀ˂‰ÂÌÌ˚Ï ËÌÒÚꢀÛ͈ËflÏ, ‚Ò ‰‡ÌÌ˚ ÔÓËÒ͇ ‚˚ÒÚÛÔ‡˛Ú Í‡Í Â‰ËÌÓ ˆÂÎÓÂ. é‰Ì‡ÍÓ ÔꢀË ÒÓıꢀ‡ÌÂÌËË/Á‡„ꢀÛÁÍÂ
Ù‡ÈÎÓ‚ ÒÚËÎÂÈ Ú ‰‡ÌÌ˚ ÔÓËÒ͇, ÍÓÚÓꢀ˚ ӷꢀ‡˘‡˛ÚÒfl Í ˝ÚËÏ Ù‡È·Ï, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓıꢀ‡Ìfl˛ÚÒfl ËÎË ‰Ó·‡‚Îfl˛ÚÒfl. ÖÒÎË
Ù‡ÈÎ ÒÚËÎfl ÍÓÔËꢀÛÂÚÒfl ËÎË ÔÂꢀÂÏ¢‡ÂÚÒfl Ò ‰ËÒÍÂÚ˚ ‚ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚꢀ. 46, 47), Á‡ÔËÒ¸, ÒÓÁ‰‡Ì̇fl ÔꢀË ÒÓıꢀ‡ÌÂÌËË
• Ç ‚˚¯ÂÔꢀ˂‰ÂÌÌÓÏ ÔꢀËÏÂꢀ ‚˚ ËÒ͇ÎË ÍÓÏÔÓÁËˆË˛ ÔÓ Ì‡Á‚‡Ì˲. èÓÏËÏÓ ˝ÚÓ„Ó, ÏÓÊÌÓ ÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÓËÒÍ ÔÓ
Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û ËÎË ÏÛÁ˚͇θÌÓÏÛ Ê‡ÌꢀÛ, ̇ÔꢀËÏÂꢀ ·ÚËÌÓ‡ÏÂꢀË͇ÌÒÍËÈ ꢀËÚÏ, ꢀËÚÏ, Á‡‰‡ÌÌ˚È ‚ÓÒ¸Ï˚ÏË Ë Ú.‰.
(ÒÚꢀ. 74).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
35
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èÓ‰˚„ꢀ˚‚‡ÂÏ ÔÂÒÌÂ Ë Ôꢀ‡ÍÚËÍÛÂÏÒfl
ëÔꢀ‡‚Ó˜ÌËÍ
̇ ÒÚꢀ. 77
èÓ‰˚„ꢀ˚‚‡ÂÏ ÔÂÒÌÂ Ë Ôꢀ‡ÍÚËÍÛÂÏÒfl
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌÂ
èÓ‰˚„ꢀ˚‚‡ÂÏ ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
Ç‡Ï Ôꢀ‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚Íβ˜‡Ú¸ ËÎË Á‡„ÎÛ¯‡Ú¸ Ô‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË ‚ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl, ˜ÚÓ·˚ ‚ÂÒÚË Â ҇ÏÓÒÚÓflÚÂθÌÓ. èꢀ‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ ‚‡Ï ÔÓ‰˚„ꢀ˚‚‡ÂÚ ˜ꢀÂÁ‚˚˜‡ÈÌÓ ꢀ‡ÁÌÓÒÚÓꢀÓÌÌ Ӊ‡ꢀÂÌÌ˚È
ÔˇÌËÒÚ. ÖÒÎË ‚˚ ¢ Ì ÓÒ‚ÓËÎË ÏÂÎӉ˘ÂÒÍÛ˛ Ô‡ꢀÚ˲, Á‡„ÎflÌËÚ ‚ ꢀ‡Á‰ÂÎ «ê‡Áۘ˂‡ÌË ‚‡¯Ëı β·ËÏ˚ı ÔÂÒÂÌ» ̇ ÒÚꢀ. 38 Ë
ÌÂÏÌÓ„Ó ÔÓÔꢀ‡ÍÚËÍÛÈÚÂÒ¸.
1-4
Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ‡Ì‡Îӄ˘Ì˚ ÓÔËÒ‡ÌÌ˚Ï ‚ ꢀ‡Á‰ÂΠ«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË» ̇ ÒÚꢀ. 21 — 23.
5
óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ô‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1].
èêàåÖóÄçàÖ
TRACK 1
(R)
óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ô‡ꢀÚ˲ ΂ÓÈ
ꢀÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 2].
6
ÖÒÎË ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ‚˚ ıÓÚËÚ ‚ˉÂÚ¸ ̇ ˝Íꢀ‡Ì ÌÓÚ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [C]. ÖÒÎË ıÓÚËÚ ‚ˉÂÚ¸ ÚÂÍÒÚ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [B].
ÖÒÎË „·‚Ì˚È ˝Íꢀ‡Ì (MAIN) Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂꢀÊËÚ ÚÂÍÒÚ‡,
ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl.
A
B
C
E
7
8
óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ԇꢀÚËË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/
STOP].
èêàåÖóÄçàÖ
•
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ˜ÚÓ·˚ ÔÂÒÌfl
̇˜Ë̇·Ҹ ·ÂÁ ‚ÒÚÛÔÎÂÌËfl
REC
TOP
START / STOP
(ËÌÚꢀÓ‰Û͈ËË), ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÙÛÌ͈ËÂÈ
Sync Start (ÒËÌıꢀÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚
ÔÂꢀ‚ÂÒÚË ÙÛÌÍˆË˛ ‚ ꢀÂÊËÏ ÓÊˉ‡ÌËfl,
̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP],
Û‰ÂꢀÊË‚‡fl ÔꢀË ˝ÚÓÏ ÍÌÓÔÍÛ [TOP]. èÂÒÌfl
̇˜ÌÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl Òꢀ‡ÁÛ, ͇Í
ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
ÖÒÎË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
ÔÓÏËÏÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔꢀÓË„ꢀ˚‚‡ÂÚ
Â˘Â Ë ÏÂÎӉ˘ÂÒÍÛ˛ Ô‡ꢀÚ˲, ÔꢀÓ‚Âꢀ¸ÚÂ
Ô‡ꢀ‡ÏÂÚꢀ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ Ë
ÒÏÂÌËÚ ͇̇Î, ÔꢀËÒ‚‡Ë‚‡ÂÏ˚È ÔÂꢀ‚ÓÈ
‰ÓꢀÓÊÍÂ (Track 1) (ÒÚꢀ. 140). äꢀÓÏÂ ÚÓ„Ó,
ÏÓÊÌÓ ÒÏÂÌËÚ¸ ͇̇Π‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
Ò‡ÏÓÈ ÔÂÒÌË (ÒÚꢀ. 108).
NEW SONG
SYNC.STAR
•
óÚÓ·˚ ÔꢀÂꢀ‚‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
REC
TOP
START / STOP
NEW SONG
SYNC.STAR
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
36
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èÓ‰˚„ꢀ˚‚‡ÂÏ ÔÂÒÌÂ Ë Ôꢀ‡ÍÚËÍÛÂÏÒfl
á‡ÔËÒ¸
Ç ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÏÂÂÚÒfl ÔꢀÓÒÚ‡fl Ë Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Á‡ÔËÒË. èÓÔꢀÓ·ÛÂÏ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÌË·Û‰¸ Ò Í·‚ˇÚÛꢀ˚ ‚
ꢀÂÊËÏ Quick Recording (·˚ÒÚꢀ‡fl Á‡ÔËÒ¸).
1-3
Ç˚·ÂꢀËÚ ÚÂÏ·ꢀ. Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ˚ ‚ ꢀ‡Á‰ÂΠ«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇ ÒÚꢀ. 25, 26.
4
óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, ÒΉÛÂÚ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË [REC] Ë [TOP].
REC
TOP
START / STOP
REW
FF
REPEAT
NEW SON
SYNC.START
5
ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC].
REC
6
7
8
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Òꢀ‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
èÓ ÓÍÓ̘‡ÌËË Ò‡ÌÒ‡ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC].
REC
Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
ÇçàåÄçàÖ!
á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ·Û‰ÛÚ
ÛÚÂꢀflÌ˚ ÔꢀË ‚˚Íβ˜ÂÌËË
ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ. óÚÓ·˚
˝ÚÓ„Ó Ì ÔꢀÓËÁÓ¯ÎÓ, Ëı
ÒΉÛÂÚ ÒÓıꢀ‡ÌËÚ¸ ‚ ꢀ‡Á‰ÂÎÂ
Ô‡ÏflÚË User ËÎË Ì‡ ‰ËÒÍÂÚÂ.
REC
TOP
START / STOP
NEW SONG
SYNC.STAR
9
ëÓıꢀ‡ÌËÚ Á‡ÔËÒ¸ (ÒÚꢀ. 40, 48).
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
37
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èÓ‰˚„ꢀ˚‚‡ÂÏ ÔÂÒÌÂ Ë Ôꢀ‡ÍÚËÍÛÂÏÒfl
Ç ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚꢀÓÂÌÓ ÌÂÒÍÓθÍÓ Ó˜Â̸ ÔÓÎÂÁÌ˚ı ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl, ÍÓÚÓꢀ˚Â
ÔÓÏÓ„‡˛Ú ꢀ‡Áۘ˂‡Ú¸ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË. Ç ˝ÚÓÏ ꢀ‡Á‰ÂΠ‚˚ ‚ÓÒÔÓθÁÛÂÚÂÒ¸ ÙÛÌ͈ËÂÈ Follow
Lights Ë ÒÔˆˇθÌ˚ÏË Ë̉Ë͇ÚÓꢀ‡ÏË, ÔÓÏÓ„‡˛˘ËÏË ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ Ôꢀ‡‚ËθÌ˚ ÌÓÚ˚.
èêàåÖóÄçàÖ
èÂꢀ‰ ÚÂÏ, Í‡Í ÔÂꢀÂÈÚË Í
Ôꢀ‡ÍÚËÍÂ
èÂꢀ‰ ÚÂÏ Í‡Í ÔꢀËÒÚÛÔËÚ¸ Í
ÛÔꢀ‡ÊÌÂÌ˲, ÔꢀÓË„ꢀ‡ÈÚ ÔÂÒÌ˛
ˆÂÎËÍÓÏ (Ì ÓÚÏÂÌflfl ͇ÍËÂ-ÎË·Ó
Ô‡ꢀÚËË) Ë ‚ÌËχÚÂθÌÓ ÂÂ
ÔꢀÓÒÎÛ¯‡ÈÚÂ. ùÚÓ ÔÓÏÓÊÂÚ ‚‡Ï
ÒÓÒÚ‡‚ËÚ¸ flÒÌÓ Ôꢀ‰ÒÚ‡‚ÎÂÌËÂ
Ó ÚÓÏ, Í‡Í ÌÂÓ·ıÓ‰ËÏÓ Ë„ꢀ‡Ú¸
˝ÚÛ ÔÂÒÌ˛, Ë Ò‰Â·ÂÚ ‚‡¯Û Ë„ꢀÛ
·ÓΠÔ·‚ÌÓÈ. ÖÒÎË ‚˚ ıÓÚËÚÂ
ÒÎ˚¯‡Ú¸ ÚÓθÍÓ ÏÂÎӉ˘ÂÒÍÛ˛
Ô‡ꢀÚ˲, ‚˚Íβ˜ËÚ ÍÌÓÔÍË
[TRACK 2] Ë [EXTRA TRACKS].
1-6
Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ˚ ‚ ꢀ‡Á‰ÂΠ«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇
ÒÚꢀ. 36.
Ç ˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚ ꢀ‡Áۘ˂‡ÂÚ ԇꢀÚ˲ ‰Îfl Ôꢀ‡‚ÓÈ ꢀÛÍË ꢀ‡Á‰Â·
«ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl».
7
8
ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE].
GUIDE
ç‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP] Ë ꢀ‡ÁÛ˜Ëڠ̉ÓÒÚ‡˛˘Û˛ (ÔꢀË„ÎÛ¯ÂÌÌÛ˛) Ô‡ꢀÚ˲, ÓꢀËÂÌÚËꢀÛflÒ¸ ̇
Ë̉Ë͇ÚÓꢀ˚ Í·‚˯.
èꢀË Ê·ÌËË ‚˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ].
TEMPO
REC
TOP
START / STOP
RESET
NEW SONG
SYNC.STAR
9
óÚÓ·˚ ӂ·‰ÂÚ¸ ÚꢀÛ‰Ì˚ÏË Ô‡ꢀÚËflÏË, ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ ÔÓ‚ÚÓꢀÌÓ„Ó ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl. èꢀÓÒÚÓ Û͇ÊËÚÂ
ÍÓꢀÓÚÍËÈ Ùꢀ‡„ÏÂÌÚ, ̇‰ ÍÓÚÓꢀ˚Ï ‚˚ ıÓÚËÚ ÔÓꢀ‡·ÓÚ‡Ú¸, Ë ÔÓ‚ÚÓꢀflÈÚÂ Â„Ó ‰Ó ÚÂı ÔÓꢀ, ÔÓ͇ Ì Á‡ÔÓÏÌËÚÂ.
1) ÇÓ ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE] Ó‰ËÌ ꢀ‡Á, ˜ÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ GUIDE.
2) èÂꢀ‰ ̇˜‡ÎÓÏ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‚˚·ꢀ‡ÌÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁ̇˜ËÚ¸ ÓÚÔꢀ‡‚ÌÛ˛
ÚÓ˜ÍÛ ‰Îfl ÔÓ‚ÚÓꢀÌÓ„Ó ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl.
3) ä‡Í ÚÓθÍÓ Ùꢀ‡„ÏÂÌÚ Á‡ÍÓ̘ËÚ¸Òfl, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁ̇˜ËÚ¸ ÍÓ̘ÌÛ˛ ÚÓ˜ÍÛ.
4) ëÌÓ‚‡ ‚Íβ˜ËÚ ÙÛÌÍˆË˛ GUIDE.
10
óÚÓ·˚ ÔꢀÂꢀ‚‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
èêàåÖóÄçàÖ
REC
TOP
START / STOP
ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓꢀχˆË˛
ÔÓ ÙÛÌ͈ËË Guide ÒÏ. ̇ ÒÚꢀ. 82
Ë 140.
NEW SONG
SYNC.STAR
äꢀaÚÍÓÂ ꢀÛÍÓ‚Ó‰ÒÚ‚Ó
38
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éÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË: Óꢀ„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı
ëÓ‰ÂꢀÊËÏÓ „·‚ÌÓ„Ó ˝Íꢀ‡Ì‡
äÓ„‰‡ ‚Íβ˜‡ÂÚÒfl ÔËÚ‡ÌËÂ, ÔÓfl‚ÎflÂÚÒfl „·‚Ì˚È ˝Íꢀ‡Ì MAIN Ò ‚‡ÊÌÓÈ ËÌÙÓꢀχˆËÂÈ Ó·
ÓÔÂꢀ‡ˆËflı.
ÖÒÎË Ì‡Ê‡Ú¸ ̇ ˝Íꢀ‡Ì MAIN ÍÌÓÔÍË [A] — [J], ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇ʉÓÈ
ÍÌÓÔÍÂ. ùÍꢀ‡Ì˚, ‚˚Á˚‚‡ÂÏ˚ ˝ÚËÏË ÍÌÓÔ͇ÏË (ÍꢀÓÏ ÍÌÓÔÓÍ [B] Ë [C]), ̇Á˚‚‡˛ÚÒfl ˝Íꢀ‡Ì‡ÏË
Open/Save (ÒÏ. ÒÎÂ‰Û˛˘Û˛ ÒÚꢀ‡ÌˈÛ). ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [B] ËÎË [C], ÔÓfl‚ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ
˝Íꢀ‡Ì Lyrics (íÂÍÒÚ˚ ÔÂÒÂÌ) Ë Score (è‡ꢀÚËÚÛꢀ˚).
èêàåÖóÄçàÖ
ÖÒÎË „·‚Ì˚È ˝Íꢀ‡Ì (MAIN) ÌÂ
ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ
ÍÌÓÔÍÛ [EXIT].
8
9
1
2
0
A
3
4
5
B
C
D
6
7
E
1 íꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌË (ÒÚꢀ. 144)
äÌÓÔÍË [TRANSPOSE] ÔÓÁ‚ÓÎfl˛Ú ÔÓÌËʇڸ ËÎË ÔÓ‚˚¯‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛꢀ˚ Ë ÔÂÒÌË Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇. á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ‚Â΢Ë̇
Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ‚ ÔÓÎÛÚÓ̇ı.
2 èÂÒÌfl (ÒÚꢀ. 78)
éÚÓ·ꢀ‡Ê‡ÂÚÒfl ËÏfl ÚÂÍÛ˘ÂÈ ‚˚·ꢀ‡ÌÌÓÈ ÔÂÒÌË Ë ‰ꢀÛ„‡fl ËÌÙÓꢀχˆËfl Ó ÌÂÈ.
3 èÓÁˈËfl ‚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌ (ÒÚꢀ. 78) ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 63)
4 íÂÏÔ (ÒÚꢀ. 54)
ÇÓ ‚ꢀÂÏfl ÔꢀÓË„ꢀ˚‚‡ÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ÚÂÏÔ.
5 ÄÍÍÓꢀ‰ (ÒÚꢀ. 66)
ÖÒÎË ÍÌÓÔ͇ [ACMP] ‚Íβ˜Â̇, ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ‡ÍÍÓꢀ‰, Á‡‰‡ÌÌ˚È ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚.
6 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 63)
éÚÓ·ꢀ‡Ê‡ÂÚÒfl ËÏfl, ꢀËÚÏ Ë ÚÂÏÔ ‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
7 ÇÒÚÛÔÎÂÌË (Intro) Ë ÍÓ̈ӂ͇ (Ending) (ÒÚꢀ. 70)
éÚÓ·ꢀ‡Ê‡˛ÚÒfl ËÏÂ̇ ‚ÒÚÛÔÎÂÌËfl Ë ÍÓ̈ӂÍË ‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl.
8 îÛÌ͈ËË Ô‰‡ÎË (ÒÚꢀ. 142)
èÓÏËÏÓ Ó·˚˜Ì˚ı ÙÛÌ͈ËÈ Sustain, Sostenuto Ë Soft, Ô‰‡ÎflÏ ÏÓÊÌÓ ÔꢀËÒ‚ÓËÚ¸ ‰ꢀÛ„Ë ÙÛÌ͈ËË, Ú‡ÍËÂ Í‡Í Song Start/Stop Ë Glide. á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ÙÛÌ͈ËË,
ÔꢀËÒ‚ÓÂÌÌ˚ ÚꢀÂÏ Ô‰‡ÎflÏ.
燷Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Á‡‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔꢀ‡‚ÎÂÌËfl ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‚ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ë Á‡„ꢀÛʇڸ ‚ β·ÓÈ ÏÓÏÂÌÚ
̇ʇÚËÂÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË REGISTRATION MEMORY [1] — [8]. îÛÌ͈Ëfl Registration Sequence ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡ÔꢀÓ„ꢀ‡ÏÏËꢀÓ‚‡Ú¸ ÌÂÒÍÓθÍÓ Ì‡·ÓꢀÓ‚
Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ú‡Í, ˜ÚÓ·˚ ÓÌË ‚˚·Ëꢀ‡ÎËÒ¸ ‚ ÓÔꢀ‰ÂÎÂÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÔÂꢀÂÏ¢‡Ú¸Òfl ÔÓ ÍÓÚÓꢀÓÈ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎË.
á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ÌÓÏÂꢀ ̇·Óꢀ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÂÒÎË ÙÛÌ͈Ëfl Registration Sequence Ì ÓÚÍβ˜Â̇).
0 è‡ꢀÚËfl Main (ÒÚꢀ. 58)
á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ÚÂÏ·ꢀ, ‚˚·ꢀ‡ÌÌ˚È ‰Îfl Ô‡ꢀÚËË Main.
A è‡ꢀÚËfl Layer (ÒÚꢀ. 60)
B è‡ꢀÚËfl Left (ÒÚꢀ. 61)
éÚÓ·ꢀ‡Ê‡ÂÚÒfl ÚÂÏ·ꢀ, ‚˚·ꢀ‡ÌÌ˚È ‰Îfl Ô‡ꢀÚËË Left.
C íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl (ÒÚꢀ. 141)
íÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl ‰ÂÎflÚ Í·‚ˇÚÛꢀÛ Ì‡ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË. ÖÒÚ¸ ‰‚‡ ‚ˉ‡ ÚÓ˜ÂÍ ꢀ‡Á‰ÂÎÂÌËfl: «A», ÓÚ‰ÂÎfl˛˘‡fl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÚ ÓÒڇθÌÓÈ ˜‡ÒÚË
Í·‚ˇÚÛꢀ˚, Ë «L», ꢀ‡Á‰ÂÎfl˛˘‡fl Í·‚ˇÚÛꢀÛ Ì‡ ‰‚ ˜‡ÒÚË: Ôꢀ‡‚Û˛ Ë ÎÂ‚Û˛.
D ŇÌÍ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (ÒÚꢀ. 89)
燷Óꢀ˚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ıꢀ‡ÌflÚÒfl ‚ ·‡Ì͇ı — Ó‰ËÌ ·‡ÌÍ Ì‡ ‚ÓÒÂϸ ̇·ÓꢀÓ‚. á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ËÏfl ‚˚·ꢀ‡ÌÌÓ„Ó ·‡Ì͇ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ
Ô‡ÏflÚË.
E Ň·ÌÒ „ꢀÓÏÍÓÒÚË Ô‡ꢀÚËÈ (ÒÚꢀ. 65)
Ň·ÌÒ „ꢀÓÏÍÓÒÚË ÏÓÊÌÓ ÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1■■] — [8■■], ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ı ÔÓ‰ Üä-‰ËÒÔÎÂÂÏ. éÚÓ·ꢀ‡Ê‡ÂÚÒfl ·‡Î‡ÌÒ „ꢀÓÏÍÓÒÚË Í‡Ê‰ÓÈ Ô‡ꢀÚËË.
CVP-210/208
39
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
ùÍꢀ‡Ì Open/Save
Ç CVP-210/208 ËÒÔÓθÁÛ˛ÚÒfl ‰‡ÌÌ˚ ꢀ‡ÁÌ˚ı ÚËÔÓ‚: ÚÂÏ·ꢀ˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë Ì‡·Óꢀ˚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ËÁ
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. åÌÓ„Ë ËÁ ˝ÚËı ‰‡ÌÌ˚ı ÛÊ ‚ÌÂÒÂÌ˚ ‚ Ô‡ÏflÚ¸ CVP-210/208. äꢀÓÏ ÚÓ„Ó, ‰‡ÌÌ˚ ÌÂÍÓÚÓꢀ˚ı ÚËÔÓ‚ ÏÓÊÌÓ
ÒÓÁ‰‡‚‡Ú¸ Ë ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ.
ÇÒ ÓÌË ıꢀ‡ÌflÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌ˚ı Ù‡ÈÎÓ‚, Í‡Í Ì‡ ÍÓÏÔ¸˛ÚÂꢀÂ.
Ç ˝ÚÓÈ „·‚ ÔÓ͇Á‡ÌÓ, Í‡Í ‚˚ÔÓÎÌflÚ¸ ÓÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËÈ ÔÓ Ó·ꢀ‡·ÓÚÍÂ Ë Óꢀ„‡ÌËÁ‡ˆËË ‰‡ÌÌ˚ı CVP-210/208 Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔꢀ‡‚ÎÂÌËfl ̇ Üä-˝Íꢀ‡ÌÂ.
ÑÎfl ÓÚÍꢀ˚ÚËfl, ÒÓıꢀ‡ÌÂÌËfl, ÔꢀËÒ‚ÓÂÌËfl ËÏÂÌË, ÔÂꢀÂÏ¢ÂÌËfl Ë Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚ ËÒÔÓθÁÛ˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝Íꢀ‡Ì˚ Open/
Save. Ç˚·Óꢀ Ú‡ÍËı ˝Íꢀ‡ÌÓ‚ ÏÓÊÂÚ Ú‡ÍÊ ÔꢀÓËÁ‚Ó‰ËÚ¸Òfl Ò Û˜ÂÚÓÏ ÚËÔ‡ هȷ: ÔÂÒÌfl, ÚÂÏ·ꢀ, ÒÚËθ Ë Ú.‰. äꢀÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚÂ
ÛÔÓꢀfl‰Ó˜ËÚ¸ ‰‡ÌÌ˚Â, ÔÓÏ¢‡fl Ù‡ÈÎ˚ Ó‰ÌÓ„Ó ÚËÔ‡ ‚ ÓÚ‰ÂθÌ˚ ԇÔÍË.
ùÍꢀ‡Ì˚ Open/Save ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò „·‚ÌÓ„Ó ˝Íꢀ‡Ì‡ MAIN (ÓÌ ÔÓfl‚ÎflÂÚÒfl ̇ Üä-‰ËÒÔΠÔꢀË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl). ç‡Ê‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ (ÓÚ [A] ‰Ó [J]), ÏÓÊÌÓ ÔÂꢀÂÈÚË Í ˝Íꢀ‡Ì‡Ï Open/Save ‰Îfl ÔÂÒÌË (Song), ÚÂÏ·ꢀ‡ (Voice), ÒÚËÎfl (Style) Ë
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (Registration Bank).
ùÍꢀ‡Ì Open/Save (éÚÍꢀ˚Ú¸/ëÓıꢀ‡ÌËÚ¸)
ùÍꢀ‡Ì Open/Save ‰Îfl ÔÂÒÌË (ÒÚꢀ. 78)
‰Îfl ÚÂÏ·ꢀ‡ (ÒÚꢀ. 58)
àÒÔÓθÁÛÂÚÒfl ‰Îfl ꢀ‡·ÓÚ˚ Ò Ù‡È·ÏË ÔÂÒÂÌ.
àÒÔÓθÁÛÂÚÒfl ‰Îfl ꢀ‡·ÓÚ˚ Ò Ù‡È·ÏË ÚÂÏ·ꢀÓ‚.
èêàåÖóÄçàÖ
ä ÒÎÂ‰Û˛˘ËÏ ÚËÔ‡Ï ˝Íꢀ‡ÌÓ‚ Open/Save ÌÂθÁfl ÔÂꢀÂÈÚË ËÁ
˝Íꢀ‡Ì‡ MAIN (ÒÚꢀ. 154).
A
B
C
D
E
F
G
H
I
•
•
•
•
•
•
SYSTEM SETUP
MIDI SETUP
USER EFFECT
MUSIC FINDER
MAIN PICTURE
LYRICS BACKGROUND PICTURE (ÒÚꢀ. 87)
J
èêàåÖóÄçàÖ
ÖÒÎË ˝Íꢀ‡Ì MAIN Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT].
ùÍꢀ‡Ì Open/Save ‰Îfl ÒÚËÎfl (ÒÚꢀ. 63)
ùÍꢀ‡Ì Open/Save ‰Îfl ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚꢀ. 89)
àÒÔÓθÁÛÂÚÒfl ‰Îfl ꢀ‡·ÓÚ˚ Ò Ù‡È·ÏË
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓ„Ó ·‡Ì͇.
àÒÔÓθÁÛÂÚÒfl ‰Îfl ꢀ‡·ÓÚ˚ Ò Ù‡È·ÏË ÒÚËÎÂÈ.
CVP-210/208
40
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
èꢀËÏÂꢀ. ùÍꢀ‡Ì Open/Save
ç‡ Í‡Ê‰ÓÏ ˝Íꢀ‡Ì Open/Save ÂÒÚ¸ ÚꢀË ÒÚꢀ‡Ìˈ˚ ꢀ‡Á‰ÂÎÓ‚ Ô‡ÏflÚË: PRESET, USER Ë FLOPPY DISK.
Ç Ôꢀ˂‰ÂÌÌ˚ı ÔꢀËÏÂꢀ‡ı ÔÓ͇Á‡Ì ˝Íꢀ‡Ì Open/Save ‰Îfl ÚÂÏ·ꢀ‡.
ê‡Á‰ÂÎ FLOPPY DISK
Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÒÓıꢀ‡ÌËÚ¸
‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ. Ç ˝ÚÓÏ
ꢀ‡Á‰ÂΠڇÍÊ ÏÓÊÌÓ Á‡ÔÛÒ͇ڸ
Ëϲ˘ÂÂÒfl ‚ ÔꢀÓ‰‡ÊÂ
ÔꢀÓ„ꢀ‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ.
äÓ̘ÌÓ, ‰ÓÒÚÛÔ Í ˝ÚËÏ Ù‡È·Ï
‚ÓÁÏÓÊÂÌ ÚÓθÍÓ ÔÓÒΠÚÓ„Ó, Í‡Í ‚
‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂ̇ ÌÛÊ̇fl
‰ËÒÍÂÚ‡.
ê‡Á‰ÂÎ PRESET
ê‡Á‰ÂÎ USER
á‰ÂÒ¸ ıꢀ‡ÌflÚÒfl Á‡ꢀ‡Ì ÒÓÁ‰‡ÌÌ˚Â
Ë Á‡ÎÓÊÂÌÌ˚ ‚ Ô‡ÏflÚ¸ CVP-210/
208 Ù‡ÈÎ˚. èꢀ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â
Ù‡ÈÎ˚ ÏÓÊÌÓ Á‡„ꢀÛÁËÚ¸, ÌÓ ÌÂθÁfl
ÔÂꢀÂÔËÒ‡Ú¸. íÂÏ Ì ÏÂÌÂÂ, Ëı ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ Í‡Í ÓÒÌÓ‚Û ‰Îfl
ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌ˚ı Ù‡ÈÎÓ‚
(ÍÓÚÓꢀ˚ ·Û‰ÛÚ ÒÓıꢀ‡ÌÂÌ˚ ‚
á‰ÂÒ¸ ıꢀ‡ÌflÚÒfl Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚Â
ËÎË ËÁÏÂÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛
ꢀ‡Á΢Ì˚ı ÙÛÌ͈ËÈ CVP-210/208.
éÌË ıꢀ‡ÌflÚÒfl ‚Ó ‚ÌÛÚꢀÂÌÌÂÈ Ô‡ÏflÚË
CVP-210/208.
ꢀ‡Á‰Â·ı USER ËÎË FLOPPY DISK).
BACK
NEXT
äÌÓÔÍË ‚˚·Óꢀ‡ ꢀ‡Á‰ÂÎÓ‚
PRESET, USER Ë FLOPPY
DISK.
Ç˚Á˚‚‡ÂÚ ÒÚꢀ‡ÌˈÛ
͇ڇÎÓ„‡ ·ÓÎÂÂ
‚˚ÒÓÍÓ„Ó ÛꢀÓ‚Ìfl. Ç ˝ÚÓÏ
ÔꢀËÏÂꢀ ̇ʇÚË ̇
ÍÌÓÔÍÛ ‚˚ÁÓ‚ÂÚ
ÒÚꢀ‡ÌËˆÛ ‚˚·Óꢀ‡ Ô‡ÔÍË
Ò ÚÂÏ·ꢀ‡ÏË.
éÔÂꢀ‡Ú˂̇fl Ô‡ÏflÚ¸
î‡ÈÎ
«éÔÂꢀ‡Ú˂̇fl Ô‡ÏflÚ¸» — ˝ÚÓ Ó·Î‡ÒÚ¸ ‚ ÍÓÚÓꢀÛ˛ Á‡„ꢀÛʇÂÚÒfl
‚˚·ꢀ‡ÌÌ˚È ÚÂÏ·ꢀ. á‰ÂÒ¸ Ú‡ÍÊ ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ÚÂÏ·ꢀ Ò ÔÓÏÓ˘¸˛
ÙÛÌ͈ËË SOUND CREATOR. éÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È ÚÂÏ·ꢀ ̇‰Ó ·Û‰ÂÚ
ÒÓıꢀ‡ÌËÚ¸ ‚ ꢀ‡Á‰ÂΠUSER ËÎË FLOPPY DISK.
á‡ÔËÒ¸ ÔÂÒÂÌ (ÒÚꢀ. 97) Ë ÒÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 113)
ÔꢀÓËÒıÓ‰ËÚ ‚ ÓÔÂꢀ‡ÚË‚ÌÓÈ Ô‡ÏflÚË. é·flÁ‡ÚÂθÌÓ ÒÓıꢀ‡ÌflÈÚ ˝ÚË ‰‡ÌÌ˚Â
‚ ꢀ‡Á‰ÂΠUSER/FLOPPY DISK ‚ ‚ˉ هÈ· ËÎË Ù‡ÈÎÓ‚. ÖÒÎË ˝ÚË
‰‡ÌÌ˚ Ì ÒÓıꢀ‡ÌËÚ¸, ÓÌË ·Û‰ÛÚ ÔÓÚÂꢀflÌ˚ ÔꢀË ‚˚Íβ˜ÂÌËË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ.
чÌÌ˚Â, Í‡Í Á‡ꢀ‡ÌÂÂ
Á‡ÔꢀÓ„ꢀ‡ÏÏËꢀÓ‚‡ÌÌ˚Â, Ú‡Í Ë
ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ,
ıꢀ‡ÌflÚÒfl ‚ ‚ˉ «Ù‡ÈÎÓ‚».
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚꢀ. 43.
CVP-210/208
41
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
■ î‡ÈÎ˚ Ë ꢀ‡Á‰ÂÎ˚
ìÔꢀ‡‚ÎflÚ¸ هȷÏË ‚ ꢀ‡Á‰ÂΠԇÏflÚË
USER Ë Ì‡ ‰ËÒÍÂÚ‡ı (ÍÓÔËꢀÓ‚‡Ú¸,
ÒÓıꢀ‡ÌflÚ¸ Ëı Ë Ú.‰.) ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
ÍÓÏÔ¸˛ÚÂꢀ‡. (ÒÚꢀ. 157)
ê‡Á‰ÂÎ PRESET
á‡ÔËÒ¸ Ì‚ÓÁÏÓÊ̇
ê‡Á‰ÂÎ USER
ê‡Á‰ÂÎ FLOPPY DISK
Voice
Style
Song
Voice
Style
Song
Voice
Style
Song
Registration Memory Bank
Vocal Harmony Type
System Setup
Registration Memory Bank
Vocal Harmony Type
System Setup
System Setup
MIDI Template
MIDI Template
ëÓıꢀ‡ÌÂÌËÂ
MIDI Setup
User Effect
MIDI Setup
User Effect
MIDI Setup
User Effect
Music Finder
Music Finder
Music Finder
Main Display Picture
Lyrics Background Picture
Main Display Picture
Lyrics Background Picture
Main Display Picture
Lyrics Background Picture
ùÚÓ ˝Íꢀ‡Ì Open/Save ‰Îfl ÚÂÏ·ꢀÓ‚, ÍÓÚÓꢀ˚È
‚˚Á˚‚‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PIANO] ‚
ÒÂ͈ËË VOICE.
BACK
NEXT
Ç˚·ÂꢀËÚ ꢀ‡Á‰ÂÎ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT].
èêàåÖóÄçàÖ
ùÍꢀ‡Ì Open/Save
ÓÚÓ·ꢀ‡Ê‡ÂÚ ÚÓθÍÓ ÚÂ
Ù‡ÈÎ˚, Ò ÍÓÚÓꢀ˚ÏË ÏÓÊÌÓ
ꢀ‡·ÓÚ‡Ú¸ ̇ ˝ÚÓÏ ˝Íꢀ‡ÌÂ.
ç‡ÔꢀËÏÂꢀ, ËÁ ꢀ‡Á‰Â· FD
(Floppy Disk) ̇ ˝Íꢀ‡ÌÂ
Open/Save ‰Îfl ÚÂÏ·ꢀÓ‚
ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ÚÓθÍÓ
ÚÂÏ·ꢀ˚, ‰‡Ê ÂÒÎË Ì‡
‰ËÒÍÂÚ ÂÒÚ¸ Â˘Â Ù‡ÈÎ˚
ÒÚËÎÂÈ ËÎË ÔÂÒÂÌ.
CVP-210/208
42
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
■ îÛÌ͈ËË Ë ꢀ‡Á‰ÂÎ˚ Ô‡ÏflÚË
чÌÌ˚Â, ÍÓÚÓꢀ˚ ÚÂꢀfl˛ÚÒfl ÔꢀË ‚˚Íβ˜ÂÌËË ËÌÒÚꢀÛÏÂÌÚ‡
чÌÌ˚Â, ÍÓÚÓꢀ˚ Ì ÚÂꢀfl˛ÚÒfl ÔꢀË ‚˚Íβ˜ÂÌËË ËÌÒÚꢀÛÏÂÌÚ‡
îÛÌ͈ËË
éÔÂꢀ‡Ú˂̇fl Ô‡ÏflÚ¸
ê‡Á‰ÂÎ USER
FLOPPY DISK
Unedited voice
ëꢀ‡‚ÌÂÌËÂ
àÁÏÂÌÂÌËÂ
Sound Creator
Style Creator
Voice
Voice
Style
á‡ÔËÒ¸/
ë·Óꢀ͇
Style
ê„ËÒÚꢀ
ê„ËÒÚꢀ
One Touch Setting
Registration Memory
Registration Memory Bank
Music Finder
ç‡ÒÚꢀÓÈÍË Ô‡ÌÂÎË
ëÓÁ‰‡ÌËÂ
ÌÓ‚ÓÈ Á‡ÔËÒË
Music Finder
á‡ÔËÒ¸
System Setup
Song
System Setup
Song
á‡ÔËÒ¸
Song Creator
MIDI
àÁÏÂÌÂÌËÂ
ç‡ÒÚꢀÓÈÍË MIDI
MIDI Template
ëÓıꢀ‡ÌÂÌËÂ
MIDI Setup
User Effect
àÁÏÂÌÂÌËÂ
àÁÏÂÌÂÌËÂ
Vocal Harmony Type
User Vocal Harmony
User Effect
User Effect
(ÏËͯÂꢀÌ˚È ÔÛθÚ)
àÁÏÂÌÂÌËÂ
Master EQ Edit
(ÏËͯÂꢀÌ˚È ÔÛθÚ)
User Master EQ
ÇçàåÄçàÖ!
•
чÌÌ˚ ‚ ꢀ‡Á‰Â·ı Ô‡ÏflÚË
USER/FLOPPY DISK ÒÓıꢀ‡Ìfl˛ÚÒfl
‰‡Ê ÔꢀË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl.
çÓ ‰‡ÌÌ˚ ‚ ÓÔÂꢀ‡ÚË‚ÌÓÈ
Ô‡ÏflÚË ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂꢀflÌ˚ ÔꢀË
Ó·ꢀ‡˘ÂÌËË Í ‰ꢀÛ„ÓÏÛ Ù‡ÈÎÛ ËÎË
‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl. èÓ˝ÚÓÏÛ,
ÔꢀÂʉ ˜ÂÏ ÔÂꢀÂÈÚË Í ‰ꢀÛ„ÓÏÛ
Ù‡ÈÎÛ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ,
Ó·flÁ‡ÚÂθÌÓ ÒÓıꢀ‡ÌflÈÚÂ
éÔÂꢀ‡ˆËfl Save (ëÓıꢀ‡ÌËÚ¸)
‚˚ÔÓÎÌflÂÚÒfl Ò ˝Íꢀ‡Ì‡ Open/Save.
*
çÛÊÌ˚È ˝Íꢀ‡Ì Open/Save ÏÓÊÌÓ
‚˚Á‚‡Ú¸ Ò ˝Íꢀ‡Ì‡ [FUNCTION] →
UTILITY → SYSTEM RESET.
**
ÌÛÊÌ˚ ‰‡ÌÌ˚ ‚ ꢀ‡Á‰ÂÎ USER
ËÎË Ì‡ ‰ËÒÍÂÚÂ.
CVP-210/208
43
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
Ç˚·Óꢀ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
Ç˚·ÂꢀËÚ ӉËÌ ËÁ Ù‡ÈÎÓ‚ ̇ ˝Íꢀ‡ÌÂ. Ç ˝ÚÓÏ ÔꢀËÏÂꢀ ‚˚·ÂꢀÂÏ Ù‡ÈÎ ÚÂÏ·ꢀ‡.
ë̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE [PIANO & HARPSI] ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ÒÓ ÒÔËÒÍÓÏ Ù‡ÈÎÓ‚.
ùÚÓÚ ˝Íꢀ‡Ì (Open/Save) ÔÓıÓÊ Ì‡ ‚Ò ÓÒڇθÌ˚ ˝Íꢀ‡Ì˚, ËÒÔÓθÁÛÂÏ˚ ‰Îfl Á‡„ꢀÛÁÍË Ë ıꢀ‡ÌÂÌËfl Ù‡ÈÎÓ‚.
àÌÒÚꢀÛÏÂÌÚ CVP-210/208 ÔÓÒÚ‡‚ÎflÂÚÒfl Ò Ì‡·ÓꢀÓÏ ÚÂÏ·ꢀÓ‚, ÍÓÚÓꢀ˚ ıꢀ‡ÌflÚÒfl ‚ ꢀ‡Á‰ÂΠPRESET. íÂÏ·ꢀ˚, ÒÓÁ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛
ÙÛÌ͈ËË Sound Creator, ÒΉÛÂÚ ıꢀ‡ÌËÚ¸ ‚ ꢀ‡Á‰ÂΠUSER ËÎË Ì‡ ‰ËÒÍÂÚ (FLOPPY DISK).
Ç˚·ÂꢀËÚ ÒÚꢀ‡ÌËˆÛ «PRESET»,
1 «USER» ËÎË «FLOPPY DISK» Ò
BACK
NEXT
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT].
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
èêàåÖóÄçàÖ
LAYER
Ç˚·Óꢀ ‰ꢀÛ„Ó„Ó flÁ˚͇ ̇ ˝Íꢀ‡ÌÂ
«LANGUAGE» (ÒÚꢀ. 53, 154)
ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
ÔꢀÓ·ÎÂÏ˚.
LEFT
ENTER
J
•
çÂÍÓÚÓꢀ˚ ÒËÏ‚ÓÎ˚ ‚Ó
‚‚‰ÂÌÌ˚ı ËÏÂ̇ı Ù‡ÈÎÓ‚
ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚.
çÂÍÓÚÓꢀ˚ هÈÎ˚ ÏÓ„ÛÚ
ÒÚ‡Ú¸ ̉ÓÒÚÛÔÌ˚ÏË.
DATA
ENTRY
•
ÑÎfl ÛÒÚꢀ‡ÌÂÌËfl ˝ÚËı ÔꢀÓ·ÎÂÏ
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂꢀÌÛÚ¸ ÔꢀÂÊÌËÈ
flÁ˚Í.
Ä̇Îӄ˘Ì˚ ÔꢀÓ·ÎÂÏ˚ ÏÓ„ÛÚ
‚ÓÁÌË͇ڸ ÔꢀË ˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇
ÍÓÏÔ¸˛ÚÂꢀÂ Ò ‰ꢀÛ„ÓÈ flÁ˚ÍÓ‚ÓÈ
ÒËÒÚÂÏÓÈ.
Ç˚·ÂꢀËÚ هÈÎ/Ô‡ÔÍÛ.
1
2
3
4
5
6
7
8
3
ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË.
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J].
ç‡ÊÏËÚ ÍÌÓÔÍÛ, ꢀ‡ÒÔÓÎÓÊÂÌÌÛ˛ ꢀfl‰ÓÏ
Ò Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ, ÍÓÚÓꢀ˚Â
ÌÂÓ·ıÓ‰ËÏÓ ÓÚÍꢀ˚Ú¸. (Ç Ì‡¯ÂÏ ÔꢀËÏÂꢀÂ
̇ ˝Íꢀ‡Ì ÔÓ͇Á‡Ì˚ Ù‡ÈÎ˚ ÚÂÏ·ꢀÓ‚.)
àÒÔÓθÁÛÈÚ ‰ËÒÍ [DATA ENTRY] Ë
ÍÌÓÔÍÛ [ENTER].
•
ÑÎfl ÔꢀÓÒÏÓÚꢀ‡ ÒÚꢀ‡Ìˈ ËÒÔÓθÁÛÈÚÂ
2 ÍÌÓÔÍË [1■] — [7■].
ÖÒÎË ÍÓ΢ÂÒÚ‚Ó ÒÚꢀ‡Ìˈ Ôꢀ‚˚¯‡ÂÚ 7, ÌËÊÌflfl
˜‡ÒÚ¸ ˝Íꢀ‡Ì‡ ÔꢀËÓ·ꢀÂÚ‡ÂÚ ÒÎÂ‰Û˛˘ËÈ ‚ˉ.
•
èêàåÖóÄçàÖ
èÓ‚Óꢀ‡˜Ë‚‡fl ‰ËÒÍ [DATA ENTRY],
ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ/Ô‡ÔÍÛ ËÁ
ÚÂÍÛ˘Â„Ó ÒÔËÒ͇. Ç˚·ÂꢀËÚ ÌÛÊÌ˚È
Ù‡ÈÎ ËÎË Ô‡ÔÍÛ (‚ ̇¯ÂÏ ÔꢀËÏÂꢀ ˝ÚÓ
Ù‡ÈÎ ÚÂÏ·ꢀ‡) Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ
[ENTER].
Ñ‚ÓÈÌÓ ̇ʇÚË ÍÌÓÔÓÍ [A] —
[J] ‚˚Á˚‚‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
Ù‡ÈÎ Ë ‚ÓÁ‚ꢀ‡Ú Í „·‚ÌÓÏÛ
˝Íꢀ‡ÌÛ.
ç‡ÊÏËÚ ÍÌÓÔÍÛ Prev.
(Ôꢀ‰˚‰Û˘ËÈ Ó·˙ÂÍÚ)
ç‡ÊÏËÚ ÍÌÓÔÍÛ
Next (‚ÔÂꢀ‰)
èêàåÖóÄçàÖ
í‡ÍÊ ‚˚ÁÓ‚ ÚÂÏ·ꢀ‡ Ë ÔÂꢀÂıÓ‰ Í
„·‚ÌÓÏÛ ÏÂÌ˛ MAIN
ÔꢀÓËÁÓȉÛÚ, ÂÒÎË ‚˚‰ÂÎËÚ¸
ÌÛÊÌ˚È Ù‡ÈÎ Ë ‰‚‡Ê‰˚ ̇ʇڸ
ÍÌÓÔÍÛ [ENTER].
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í ˝Íꢀ‡ÌÛ MAIN, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
äÌÓÔ͇ [EXIT] ÔÓÁ‚ÓÎflÂÚ ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ.
END
Ç˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚‡˛˘Â„Ó ÓÍ̇
äÌÓÔ͇ [EXIT] ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡Íꢀ˚Ú¸
‚ÒÔÎ˚‚‡˛˘Â ÓÍÌÓ (Í‡Í Ì‡ ËÎβÒÚꢀ‡ˆËË).
CVP-210/208
44
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
éÔÂꢀ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË
Ç˚·Óꢀ ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
î‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ÏÓÊÌÓ ÔꢀËÒ‚‡Ë‚‡Ú¸ ËÏÂ̇. ã˛·ÓÏÛ Ù‡ÈÎÛ ËÎË Ô‡ÔÍ ‚ ꢀ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓÊÌÓ ÔꢀËÒ‚ÓËÚ¸ ËÏfl ËÎË
ËÁÏÂÌËÚ¸ „Ó. èꢀË ꢀ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË ‚ ꢀ‡Á‰ÂΠUSER ‚˚ÔÓÎÌflÈÚ ¯‡„Ë, Û͇Á‡ÌÌ˚ ÌËÊÂ. ÖÒÎË Úꢀ·ÛÂÚÒfl ÔÂꢀÂËÏÂÌÓ‚‡Ú¸ Ù‡ÈÎ˚
ËÎË Ô‡ÔÍË ËÁ ꢀ‡Á‰Â· PRESET, ÒÍÓÔËꢀÛÈÚ Ëı ‚ ꢀ‡Á‰ÂÎ USER (ÒÚꢀ. 47).
èêàåÖóÄçàÖ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [1■] (NAME) (ÒÚꢀ. 39).
èÓfl‚ËÚÒfl ˝Íꢀ‡Ì NAME.
àÏfl هȷ ËÎË Ô‡ÔÍË ÏÓÊÂÚ
1
ÒÓ‰Âꢀʇڸ ‰Ó 50 ÒËÏ‚ÓÎÓ‚,
‚Íβ˜‡fl ˉÂÌÚËÙË͇ÚÓꢀ Á̇˜Í‡
(ÒÏ. ÔꢀËÏÂꢀ ÌËÊÂ) Ë
ꢀ‡Ò¯ËꢀÂÌËÂ. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl
flÔÓÌÒÍËÈ flÁ˚Í, ËÏfl ÏÓÊÂÚ
‚Íβ˜‡Ú¸ ‰Ó 25 ÒËÏ‚ÓÎÓ‚
«Í‡Ì‰ÁË» ËÎË ÒÎÓ„Ó‚ÓÈ ‡Á·ÛÍË
«ıËꢀ‡„‡Ì‡».
Ç˚·ÂꢀËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
Ç˚·ꢀ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Íꢀ‡Ì ‰ꢀÛ„ËÏ ˆ‚ÂÚÓÏ. Ç˚·ꢀ‡Ú¸ ‰ꢀÛ„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
2
èêàåÖóÄçàÖ
ç‡ ÍÓÏÔ¸˛ÚÂꢀ ËÏfl هȷ ·Û‰ÂÚ
‚˚„Îfl‰ÂÚ¸ ÒÎÂ‰Û˛˘ËÏ Ó·ꢀ‡ÁÓÏ.
ÖÒÎË ËÁÏÂÌËÚ¸ ˉÂÌÚËÙË͇ÚÓꢀ
Á̇˜Í‡, ÏÓÊÂÚ ËÁÏÂÌËÚ¸Òfl
Á̇˜ÓÍ. ÖÒÎË ËÁÏÂÌËÚ¸
ꢀ‡Ò¯ËꢀÂÌËÂ, ꢀ‡ÒÔÓÁ̇‚‡ÌËÂ
هȷ ÏÓÊÂÚ ÒÚ‡Ú¸
Ì‚ÓÁÏÓÊÌ˚Ï.
A
C
D
E
F
G
H
I
ABCDE.S002.MID
ID هȷ ID Á̇˜Í‡
ê‡Ò¯ËꢀÂÌËÂ
J
1
2
3
4
5
6
7
8
ǂ‰ËÚ ÌÓ‚Ó ËÏfl (ÒÚꢀ. 49).
END
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8■] (OK). óÚÓ·˚ ÓÚÏÂÌËÚ¸
ÓÔÂꢀ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL).
CVP-210/208
45
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
èÂꢀÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ
ÑÎfl ÛÔÓꢀfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ ÔÂꢀÂÏ¢‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ‚ ꢀ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓÊÌÓ
ÔÂꢀÂÏÂÒÚËÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôꢀӈ‰Ûꢀ˚ ‚˚ꢀÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË.
èêàåÖóÄçàÖ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [2■] (CUT). ëÏ. (ÒÚꢀ. 40).
èꢀflÏÓ ÔÂꢀÂÌÓÒËÚ¸ Ù‡ÈÎ˚ ËÎË
Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇
‰ꢀÛ„Û˛ Ì‚ÓÁÏÓÊÌÓ.
1 èÓfl‚ËÚÒfl ˝Íꢀ‡Ì CUT.
çÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ‚˚ꢀÂÁ‡Ú¸
Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡ ‰ËÒÍÂÚ Ë
‚ÒÚ‡‚ËÚ¸ ‚ ꢀ‡Á‰ÂÎ USER, ‡
Á‡ÚÂÏ ÒÏÂÌËÚ¸ ‰ËÒÍÂÚÛ ‚
‰ËÒÍÓ‚Ó‰Â Ë ‚ÒÚ‡‚ËÚ¸ ÚÛ‰‡
ÔÂꢀÂÏ¢‡ÂÏ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ.
Ç˚·ÂꢀËÚ هÈÎ ËÎË Ô‡ÔÍÛ.
2
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
Ç˚·ꢀ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Íꢀ‡Ì ‰ꢀÛ„ËÏ ˆ‚ÂÚÓÏ. Ç˚·ꢀ‡Ú¸ ‰ꢀÛ„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
ÇÒ هÈÎ˚ Ë Ô‡ÔÍË Ò ‰ËÒÍÂÚ˚
ÏÓÊÌÓ ÒÍÓÔËꢀÓ‚‡Ú¸ ̇ ‰ꢀÛ„ÓÈ
åÓÊÌÓ ‚˚·ꢀ‡Ú¸ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË ÓÌË Ì‡ıÓ‰flÚÒfl ‚ ꢀ‡ÁÌ˚ı ꢀ‡Á‰Â·ı. óÚÓ·˚
‰ËÒÍ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ (ÒÚꢀ. 153).
ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ꢀ‡Á ̇ʇڸ ÍÌÓÔÍÛ ꢀfl‰ÓÏ Ò ‚˚·ꢀ‡ÌÌ˚Ï Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
äÌÓÔ͇ [6■] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË, ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ ‚ ÚÂÍÛ˘ÂÏ ꢀ‡Á‰ÂΠ(USER/
FLOPPY DISK). èꢀË Ì‡Ê‡ÚËË Ì‡ ÍÌÓÔÍÛ [6■] (ALL) Ó̇ ] ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ «ALL OFF», ˜ÚÓ·˚ ‰‡Ú¸
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ.
èêàåÖóÄçàÖ
ÇÒÚ‡‚ÎÂÌÌ˚ هÈÎ˚
‡‚ÚÓχÚ˘ÂÒÍË ÒÓꢀÚËꢀÛ˛ÚÒfl ÔÓ
ËÏÂÌË Ë ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ̇
˝Íꢀ‡ÌÂ.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
ÑÎfl ÓÚÏÂÌ˚ ÓÔÂꢀ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL).
3
èêàåÖóÄçàÖ
î‡ÈÎ˚ Ë Ô‡ÔÍË Ì‡ ‰ËÒÍÂÚÂ
ç‡ ÒÚꢀ‡Ìˈ FLOPPY DISK
˝Íꢀ‡Ì‡ Open/Save ·Û‰ÛÚ
ÓÚÓ·ꢀ‡ÊÂÌ˚ ÚÓθÍÓ ÚËÔ˚
Ù‡ÈÎÓ‚, ÍÓÚÓꢀ˚ ÏÓÊÌÓ
Ó·ꢀ‡·‡Ú˚‚‡Ú¸ Ò ˝ÚÓ„Ó ˝Íꢀ‡Ì‡,
ıÓÚfl Ô‡Ô͇ ̇ ‰ËÒÍÂÚ ÏÓÊÂÚ
ÒÓ‰Âꢀʇڸ ꢀ‡ÁÌ˚ ‚ˉ˚
Ù‡ÈÎÓ‚.
èÂꢀÂıÓ‰ ̇ ˝Íꢀ‡Ì, „‰Â ‰ÓÎÊ̇ ‚˚ÔÓÎÌflÚ¸Òfl ‚ÒÚ‡‚͇.
ÇÒÚ‡‚͇ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ Ì‡ ÒÚꢀ‡Ìˈ‡ı USER Ë FLOPPY DISK.
4
èꢀӈ‰ÛꢀÛ ‚˚ꢀÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË
ÏÓÊÌÓ ÔꢀËÏÂÌËÚ¸ Í ˆÂÎÓÈ Ô‡ÔÍÂ.
é‰Ì‡ÍÓ ·Û‰ÛÚ ‚ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ
‰‡ÌÌ˚Â, ÍÓÚÓꢀ˚ ÏÓ„ÛÚ
Ó·ꢀ‡·‡Ú˚‚‡Ú¸Òfl ‚ ÚÂÍÛ˘ÂÏ ÓÍÌÂ
Open/Save.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [4■] (PASTE).
Ç˚ꢀÂÁ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ÏÂÒÚÓ Ì‡Á̇˜ÂÌËfl.
END
CVP-210/208
46
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
óÚÓ·˚ ÛÔÓꢀfl‰Ó˜ËÚ¸ Ù‡ÈÎ˚ Ë Ô‡ÔÍË, Ëı ÏÓÊÌÓ ÍÓÔËꢀÓ‚‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡Ô͇ ̇ ÒÚꢀ‡Ìˈ‡ı PRESET, USER Ë FLOPPY DISK
ÏÓÊÂÚ ·˚Ú¸ ÒÍÓÔËꢀÓ‚‡Ì Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôꢀӈ‰Ûꢀ˚ ÍÓÔËꢀÓ‚‡ÌËfl Ë ‚ÒÚ‡‚ÍË.
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ هÈÎ ËÎË Ô‡ÔÍÛ.
Ç˚·ÂꢀËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë
̇ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
ç‡ÊÏËÚ ÍÌÓÔÍÛ [3■] (COPY) (ëÏ.
èÓÏÌËÚÂ Ó ÚÓÏ, ˜ÚÓ ÙÛÌ͈ËË
ÍÓÔËꢀÓ‚‡ÌËfl Ôꢀ‰̇Á̇˜ÂÌ˚
ËÒÍβ˜ËÚÂθÌÓ ‰Îfl ‚‡¯Â„Ó
΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl.
2
1 ÒÚꢀ. 40).
èÓfl‚ËÚÒfl ˝Íꢀ‡Ì COPY.
Ç˚·ꢀ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇
‚˚‰ÂÎflÂÚÒfl ̇ ˝Íꢀ‡Ì ‰ꢀÛ„ËÏ ˆ‚ÂÚÓÏ.
Ç˚·ꢀ‡Ú¸ ‰ꢀÛ„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
èêàåÖóÄçàÖ
åÓÊÌÓ ‚˚·ꢀ‡Ú¸ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ
Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË ÓÌË
̇ıÓ‰flÚÒfl ‚ ꢀ‡ÁÌ˚ı ꢀ‡Á‰Â·ı. óÚÓ·˚
ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ꢀ‡Á
̇ʇڸ ÍÌÓÔÍÛ ꢀfl‰ÓÏ Ò ‚˚·ꢀ‡ÌÌ˚Ï
Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
èꢀflÏÓ ÍÓÔËꢀÓ‚‡Ú¸ Ù‡ÈÎ˚ Ë
Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇
‰ꢀÛ„Û˛ Ì‚ÓÁÏÓÊÌÓ.
çÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡
ÒÍÓÔËꢀÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡
‰ËÒÍÂÚÂ Ë ‚ÒÚ‡‚ËÚ¸  ̇
ÒÚꢀ‡ÌËˆÛ USER, ‡ Á‡ÚÂÏ
ÔÓÏÂÒÚËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ‰ꢀÛ„Û˛
‰ËÒÍÂÚÛ Ë ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ ËÎË
Ô‡ÔÍÛ Ì‡ ÒÚꢀ‡Ìˈ Floppy Disk.
äÌÓÔ͇ [6■] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸
Òꢀ‡ÁÛ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË,
ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ ̇ ÚÂÍÛ˘ÂÈ ÒÚꢀ‡ÌˈÂ
(PRESET/USER/FLOPPY DISK). èꢀË
̇ʇÚËË ÍÌÓÔÍË [6■] (ALL) Ó̇] ÏÂÌflÂÚ
̇Á‚‡ÌË ̇ ALL OFF, ˜ÚÓ ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ ‚ÒÂı
Ó·˙ÂÍÚÓ‚.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
ÑÎfl ÓÚÏÂÌ˚ ÓÔÂꢀ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8■]
(CANCEL).
3
èÂꢀÂıÓ‰ ̇ ˝Íꢀ‡Ì, „‰Â ‰ÓÎÊ̇
ç‡ÊÏËÚ ÍÌÓÔÍÛ [4■] (PASTE) button.
ëÍÓÔËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚ÒÚ‡‚ÎÂÌ˚ ̇ ÌÛÊÌÛ˛ ÒÚꢀ‡ÌˈÛ.
4 ‚˚ÔÓÎÌflÚ¸Òfl ‚ÒÚ‡‚͇.
END
ÇÒÚ‡‚͇ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ Ì‡ ÒÚꢀ‡Ìˈ˚ USER Ë
FLOPPY DISK.
쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ
ÑÎfl ÛÔÓꢀfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ Û‰‡ÎflÚ¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡Ô͇ ̇ ÒÚꢀ‡Ìˈ‡ı USER Ë FLOPPY DISK ÏÓ„ÛÚ ·˚Ú¸
Û‰‡ÎÂÌ˚ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôꢀӈ‰Ûꢀ˚.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (OK).
ç‡ÊÏËÚ ÍÌÓÔÍÛ [5■] (DELETE) (ÒÚꢀ. 40).
1
2
ÑÎfl ÓÚÏÂÌ˚ ÓÔÂꢀ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL) .
èÓfl‚ËÚÒfl ˝Íꢀ‡Ì DELETE.
END
èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure you want to delete the
«******» file (or data/folder)? YES/NO» (Ç˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ
ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?) èÓfl‚flÚÒfl ÍÌÓÔÍË YES/
NO.
YES .......쉇ÎÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡.
NO .........Ç˚ıÓ‰ ËÁ ÓÍ̇ ·ÂÁ Û‰‡ÎÂÌËfl Ó·˙ÂÍÚ‡.
Ç˚·ÂꢀËÚ هÈÎ ËÎË Ô‡ÔÍÛ.
èꢀË ‚˚·Óꢀ ÌÂÒÍÓθÍËı Ù‡ÈÎÓ‚ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you
sure you want to delete the «******» file (or data/folder)?» (Ç˚
‰ÂÈÒÚ‚ËÚÂθÌÓ ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?)
èÓfl‚flÚÒfl ÍÌÓÔÍË YES/YES ALL/NO/CANCEL.
Ç˚·ÂꢀËÚ هÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7■] (éä).
Ç˚·ꢀ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Íꢀ‡Ì ‰ꢀÛ„ËÏ
ˆ‚ÂÚÓÏ. Ç˚·ꢀ‡Ú¸ ‰ꢀÛ„ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [A] — [J].
YES/NO.....쉇ÎÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡ (YES) ËÎË Â„Ó
ÔꢀÓÔÛÒÍ ·ÂÁ Û‰‡ÎÂÌËfl (NO).
YES ALL ...쉇ÎÂÌË ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı Ó·˙ÂÍÚÓ‚.
CANCEL....Ç˚ıÓ‰ ËÁ ÓÍ̇ ·ÂÁ Û‰‡ÎÂÌËfl Ó·˙ÂÍÚÓ‚.
åÓÊÌÓ ‚˚·ꢀ‡Ú¸ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË
ÓÌË Ì‡ıÓ‰flÚÒfl ̇ ꢀ‡ÁÌ˚ı ÒÚꢀ‡Ìˈ‡ı. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ,
‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ꢀ‡Á ̇ʇڸ ÍÌÓÔÍÛ ꢀfl‰ÓÏ Ò ‚˚·ꢀ‡ÌÌ˚Ï
Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
äÌÓÔ͇ [6■] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË Ì‡
ÚÂÍÛ˘ÂÈ ÒÚꢀ‡Ìˈ (USER/FLOPPY DISK). èꢀË Ì‡Ê‡ÚËË ÍÌÓÔÍË
[6■] (ALL) Ó̇] ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ ALL OFF, ˜ÚÓ ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ ‚ÒÂı Ó·˙ÂÍÚÓ‚.
CVP-210/208
47
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
ëÓıꢀ‡ÌÂÌË هÈÎÓ‚
ùÚ‡ ÓÔÂꢀ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ ÒÓıꢀ‡ÌflÚ¸ ‰‡ÌÌ˚ (ÔÂÒÌË Ë ÚÂÏ·ꢀ˚), ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‚ ÓÔÂꢀ‡ÚË‚ÌÓÈ Ô‡ÏflÚË
(ÒÚꢀ. 41). î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓıꢀ‡ÌÂÌ˚ ÚÓθÍÓ Ì‡ ÒÚꢀ‡Ìˈ‡ı USER Ë FLOPPY DISK.
ÖÒÎË ˝Íꢀ‡Ì Open/Save ‰Îfl ÚËÔ‡ ‰‡ÌÌ˚ı, ÍÓÚÓꢀ˚È ‚˚ ıÓÚËÚ ÒÓıꢀ‡ÌËÚ¸, Ì ÔÓfl‚ÎflÂÚÒfl, ‚ÂꢀÌËÚÂÒ¸ ̇
„·‚Ì˚È ˝Íꢀ‡Ì, ̇ʇ‚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. ç‡ „·‚ÌÓÏ ˝Íꢀ‡Ì ̇ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [A] — [J], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Íꢀ‡Ì Open/Save. èÂꢀÂȉËÚÂ Í ÒÚꢀ‡ÌˈÂ
USER ËÎË FLOPPY DISK (ÒÚꢀ. 40, 41).
èêàåÖóÄçàÖ
ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova ÒÓÒÚ‡‚ÎflÂÚ
ÓÍÓÎÓ 3,3 M·. ÖÏÍÓÒÚ¸ ‰ËÒÍÂÚ
ÚËÔ‡ 2DD Ë 2HD ÒÓÒÚ‡‚ÎflÂÚ
720ä· Ë 1,44å· ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
èꢀË ÒÓıꢀ‡ÌÂÌËË ‰‡ÌÌ˚ı ̇
‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ ˆËÙꢀÓ‚˚Ï
ÔˇÌËÌÓ Clavinova (Ù‡ÈÎ˚
ÚÂÏ·ꢀ‡, ÒÚËÎfl, ÔÂÒÌË,
ç‡ÊÏËÚ ÍÌÓÔÍÛ
ǂ‰ËÚ ËÏfl ÌÓ‚Ó„Ó Ù‡È· (ÒÚꢀ. 49).
1 [6■] (SAVE).
ꢀ„ËÒÚꢀ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú.‰.),
ÒÓıꢀ‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
èêàåÖóÄçàÖ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8] (OK).
ÑÎfl ÓÚÏÂÌ˚ ÓÔÂꢀ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL).
î‡ÈÎ˚ Ëϲ˘Â„ÓÒfl ‚ ÔꢀÓ‰‡ÊÂ
ÔꢀÓ„ꢀ‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl DOC
Ë ÔꢀÓ„ꢀ‡ÏÏ˚ Yamaha Disklavier,
‡ Ú‡ÍÊ هÈÎ˚,
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛
˝ÚËı ÔꢀÓ„ꢀ‡ÏÏ Ì‡ CVP-210/208,
ÏÓ„ÛÚ ·˚Ú¸ ÒÓıꢀ‡ÌÂÌ˚ ̇
ÒÚꢀ‡Ìˈ USER. é‰Ì‡ÍÓ Ëı
ÌÂθÁfl ·Û‰ÂÚ ÒÍÓÔËꢀÓ‚‡Ú¸ ̇
‰ꢀÛ„Û˛ ‰ËÒÍÂÚÛ.
ìÔÓꢀfl‰Ó˜ÂÌË هÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË
ùÚ‡ ÓÔÂꢀ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÛÔÓꢀfl‰Ó˜ËÚ¸ Ù‡ÈÎ˚, ꢀ‡ÒÔꢀ‰ÂÎË‚ Ëı ÔÓ Í‡Ú„ÓꢀËflÏ Ë ÒÓÁ‰‡‚ ‰Îfl
͇ʉÓÈ Í‡Ú„ÓꢀËË ÓÚ‰ÂθÌÛ˛ Ô‡ÔÍÛ. î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓıꢀ‡ÌÂÌ˚ ÚÓθÍÓ ‚ ꢀ‡Á‰Â·ı USER Ë
FLOPPY DISK.
èêàåÖóÄçàÖ
Ç ËÂꢀ‡ꢀı˘ÂÒÍÓÏ ‰Âꢀ‚Â
͇ڇÎÓ„Ó‚ ÏÓÊÂÚ ·˚Ú¸ ‰Ó
˜ÂÚ˚ꢀÂı ÛꢀÓ‚ÌÂÈ.
å‡ÍÒËχθÌÓ ӷ˘Â ˜ËÒÎÓ
ÒÓıꢀ‡ÌflÂÏ˚ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
ÒÓÒÚ‡‚ÎflÂÚ 3200, ÌÓ ÏÓÊÂÚ
ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
‰ÎËÌ˚ ËÏÂÌ Ù‡ÈÎÓ‚.
ǂ‰ËÚ ËÏfl ÌÓ‚ÓÈ Ô‡ÔÍË (ÒÚꢀ. 49).
Ç˚ÁÓ‚ËÚ ÒÚꢀ‡ÌˈÛ,
1 ̇ ÍÓÚÓꢀÓÈ ıÓÚËÚÂ
ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛
Ô‡ÔÍÛ, Ë Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [7■] (NEW)
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8■](OK).
ÑÎfl ÓÚÏÂÌ˚ ÓÔÂꢀ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL).
(ÒÚꢀ. 40).
å‡ÍÒËχθÌÓ ˜ËÒÎÓ Ù‡ÈÎÓ‚ ‚
Ô‡ÔÍÂ — 250.
èÂꢀÂıÓ‰ ̇ ÒÚꢀ‡Ìˈ˚ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛꢀÓ‚Ìfl
óÚÓ·˚ ÔÂꢀÂÈÚË Ì‡ ÒÚꢀ‡ÌËˆÛ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛꢀÓ‚Ìfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (UP). ç‡ÔꢀËÏÂꢀ, Ú‡ÍËÏ Ó·ꢀ‡ÁÓÏ ÏÓÊÌÓ ÔÂꢀÂÈÚË ÒÓ
ÒÚꢀ‡Ìˈ˚, ÒÓ‰Âꢀʇ˘ÂÈ ÒÔËÒÓÍ Ù‡ÈÎÓ‚, ̇ ÒÚꢀ‡ÌËˆÛ ÒÓ ÒÔËÒÍÓÏ Ô‡ÔÓÍ.
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌË Á̇˜ÍÓ‚
íËÔ ÒËÏ‚Ó· ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1■].
ç‡ÊÏËÚ ÍÌÓÔÍÛ
1 [1■] (NAME), [6■]
Ç˚·Óꢀ flÁ˚͇ ËÌÚÂꢀÙÂÈÒ‡ ÔꢀÓËÒıÓ‰ËÚ Ì‡ ˝Íꢀ‡ÌÂ
FUNCTION (ÒÚꢀ. 154). èꢀË ‚˚·Óꢀ flÔÓÌÒÍÓ„Ó flÁ˚͇
(Japanese) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒËÒÚÂÏ˚
Á‡ÔËÒË Ë ꢀ‡ÁÏÂꢀ˚ ¯ꢀËÙÚÓ‚:
(SAVE) ËÎË [7■]
(NEW) (ÒÚꢀ. 40).
(kana-kan)
ïËꢀ‡„‡Ì‡ Ë Í‡Ì‰ÁË (ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚È ¯ꢀËÙÚ)
ùÚÓ ÔÓÁ‚ÓÎËÚ ÔÓÏÂÌflÚ¸ Á̇˜ÓÍ Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·.
(kana)
ä‡Ú‡Í‡Ì‡ (¯ꢀËÙÚ ÌÓꢀχθÌÓ„Ó ꢀ‡ÁÏÂꢀ‡,
ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚ ÒÔˆÒËÏ‚ÓÎ˚)
(kana)
ä‡Ú‡Í‡Ì‡ (¯ꢀËÙÚ Ë ÒÔˆÒËÏ‚ÓÎ˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡)
A B C — ‡ÎÙ‡‚ËÚ (ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚ ÒÚꢀÓ˜Ì˚Â Ë ÔꢀÓÔËÒÌ˚ ·ÛÍ‚˚), ˆËÙꢀ˚ (ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚Â), ÒÔˆÒËÏ‚ÓÎ˚
(ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚Â).
ABC — ‡ÎÙ‡‚ËÚ (ÒÚꢀÓ˜Ì˚Â Ë ÔꢀÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡), ˆËÙꢀ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡),
ÒÔˆÒËÏ‚ÓÎ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡).
èꢀË ‚˚·Óꢀ ̇ ˝Íꢀ‡Ì FUNCTION β·Ó„Ó ‰ꢀÛ„Ó„Ó flÁ˚͇ ËÌÚÂꢀÙÂÈÒ‡ (ÒÚꢀ. 154) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
ꢀ‡ÁÏÂꢀ˚ ¯ꢀËÙÚÓ‚:
CASE — ‡ÎÙ‡‚ËÚ (ÔꢀÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡), ˆËÙꢀ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡), ÒÔˆÒËÏ‚ÓÎ˚
(ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡)
case — ‡ÎÙ‡‚ËÚ (ÒÚꢀÓ˜Ì˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡), ˆËÙꢀ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡), ÒÔˆÒËÏ‚ÓÎ˚
(ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡)
CVP-210/208
48
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚
çËÊ ÔꢀË‚Ó‰flÚÒfl ËÌÒÚꢀÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ‚ ËÏÂ̇ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ Ì‡ÔÓÏË̇ÂÚ Ôꢀӈ‰ÛꢀÛ
‚‚Ó‰‡ ËÏÂÌ Ë ˜ËÒÂÎ ‚ ÒÓÚÓ‚˚È ÚÂÎÂÙÓÌ.
ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] ÔÂꢀ‚‰ËÚ ÍÛꢀÒÓꢀ ‚ ÌÛÊÌÓ ÔÓÎÓÊÂÌËÂ.
1
2
ç‡ÊÏËÚ ÌÛÊÌÛ˛ ÍÌÓÔÍÛ, [2■] — [7■] Ë [2■] — [6■], ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÏ‚Ó·, ÍÓÚÓꢀ˚È Úꢀ·ÛÂÚÒfl ‚‚ÂÒÚË.
ä‡Ê‰ÓÈ ÍÌÓÔÍ ÔꢀËÔËÒ‡ÌÓ ÌÂÒÍÓθÍËı ÒËÏ‚ÓÎÓ‚, ÍÓÚÓꢀ˚ ÒÏÂÌfl˛Ú ‰ꢀÛ„ ‰ꢀÛ„‡ ÔꢀË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚ÂÒÚË
‚˚·ꢀ‡ÌÌ˚È ÒËÏ‚ÓÎ, ÔÂꢀ‰‚Ë̸Ú ÍÛꢀÒÓꢀ ËÎË Ì‡ÊÏËÚ ‰ꢀÛ„Û˛ ÍÌÓÔÍÛ Ò ·ÛÍ‚‡ÏË.
ÖÒÎË ‚˚ ӯ˷ÎËÒ¸ ÔꢀË ‚‚Ӊ ÒËÏ‚Ó·, ÔÓÒÚ‡‚¸Ú ÍÛꢀÒÓꢀ Û ÒËÏ‚Ó·, ÍÓÚÓꢀ˚È ÌÛÊÌÓ Û‰‡ÎËÚ¸, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7■]
(DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ÒËÏ‚ÓÎ˚ ‚ ÒÚꢀÓÍÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [7■] (DELETE) Ë Ì ÓÚÔÛÒ͇ÈÚ ÌÂÍÓÚÓꢀÓ ‚ꢀÂÏfl ËÎË
̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL). ÖÒÎË ÍÛꢀÒÓꢀ ̇ıÓ‰ËÚÒfl ‚ ӷ·ÒÚË, ‚˚‰ÂÎÂÌÌÓÈ ˜ÂꢀÌ˚Ï ˆ‚ÂÚÓÏ, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÚÓθÍÓ
ÒËÏ‚ÓÎ˚ ‚ ˝ÚÓÈ Ó·Î‡ÒÚË.
óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÔꢀËÒ‚ÓËÚ¸ Ó·˙ÂÍÚÛ ÌÓ‚Ó ËÏfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (OK).
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL).
èêàåÖóÄçàÖ
3
Ç ËÏÂ̇ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ÌÂ
‰ÓÔÛÒ͇˛ÚÒfl ÒÎÂ‰Û˛˘ËÂ
ÒÔˆÒËÏ‚ÓÎ˚:
¥ \ / : * ? “ < > |
■ èꢀÂÓ·ꢀ‡ÁÓ‚‡ÌË ‚ «Í‡Ì‰ÁË» (flÔÓÌÒÍËÈ flÁ˚Í)
ùÚÓ Á‡Ï˜‡ÌË ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÒÎÛ˜‡˛, ÍÓ„‰‡ ËÒÔÓθÁÛÂÚÒfl ÍÌÓÔ͇ «
͇̇-͇̻
(flÔÓÌÒÍËÈ flÁ˚Í). óÚÓ·˚ Á‡ÏÂÌËÚ¸ ËÒıÓ‰Ì˚ ÒËÏ‚ÓÎ˚ ÒËÏ‚Ó·ÏË «Í‡Ì‰ÁË», ‚˚‰ÂÎËÚ ËÏfl,
̇ÔËÒ‡ÌÌÓ ÒËÏ‚Ó·ÏË «ıËꢀ‡„‡Ì‡», Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ENTER] Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ꢀ‡Á.
é·Î‡ÒÚ¸ ËÌ‚ÂꢀÚËꢀÓ‚‡ÌÌÓ„Ó ËÁÓ·ꢀ‡ÊÂÌËfl (·ÂÎ˚ ÒËÏ‚ÓÎ˚ ̇ ˜ÂꢀÌÓÏ ÙÓÌÂ) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]. óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í ÒËÏ‚ÓÎ‡Ï «ıËꢀ‡„‡Ì‡», ̇ÊÏËÚ ÍÌÓÔÍÛ
[7■] (DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ÒËÏ‚ÓÎ˚ ËÁ ӷ·ÒÚË ËÌ‚ÂꢀÚËꢀÓ‚‡ÌÌÓ„Ó ËÁÓ·ꢀ‡ÊÂÌËfl,
̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (CANCEL). óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [8■]
(OK) ËÎË ‚‚‰ËÚ ÒÎÂ‰Û˛˘ËÈ ÒËÏ‚ÓÎ. óÚÓ·˚ ‚‚ÂÒÚË ËÏfl ‚ ÒËÏ‚Ó·ı «ıËꢀ‡„‡Ì‡» (·ÂÁ
ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (OK).
■ Ç‚Ó‰ ‰Ë‡ÍꢀËÚ˘ÂÒÍËı Á̇ÍÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ꢀÂÌËfl, flÔÓÌÒÍË ÒËÏ‚ÓÎ˚ « » Ë « »)
Ç˚·ÂꢀËÚ ÒËÏ‚ÓÎ, Í ÍÓÚÓꢀÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ÒÔˆÒËÏ‚ÓÎ, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [6■] (ÔꢀÂʉ ˜ÂÏ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚Ó‰ËÚ¸
ÒËÏ‚ÓÎ).
■ Ç‚Ó‰ ÔꢀÓ˜Ëı ÒËÏ‚ÓÎÓ‚
ëÔËÒÓÍ ÒÔˆÒËÏ‚ÓÎÓ‚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸, ̇ʇ‚ ÍÌÓÔÍÛ [6■] ÔÓÒΠهÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡ ÒËÏ‚Ó·
èêàåÖóÄçàÖ
ÔÛÚÂÏ ÔÂꢀÂÏ¢ÂÌËfl ÍÛꢀÒÓꢀ‡.
ÖÒÎË ‚‚Ó‰flÚÒfl ÒËÏ‚ÓÎ˚, ÌÂ
ÚꢀÂ·Û˛˘Ë ‰Ó·‡‚ÎÂÌËfl
‰Ë‡ÍꢀËÚ˘ÂÒÍËı Á̇ÍÓ‚ (Á‡
ËÒÍβ˜ÂÌËÂÏ ‡Á·ÛÍ Í‡Ì‡-Í‡Ì Ë
͇ڇ͇̇ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡),
ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÔËÒÓÍ
ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] ÔÓÒÚ‡‚¸Ú ÍÛꢀÒÓꢀ ꢀfl‰ÓÏ Ò ÌÛÊÌ˚Ï ÒÔˆÒËÏ‚ÓÎÓÏ, ‡ Á‡ÚÂÏ
ÒÔˆÒËÏ‚ÓÎÓ‚, ̇ʇ‚ ÍÌÓÔÍÛ
̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (OK) ËÎË [ENTER].
[6■]. Ñ·ڸ ˝ÚÓ ÒΉÛÂÚ ÔÓÒÎÂ
‚˚·Óꢀ‡ ÒËÏ‚Ó·, ÌÓ ‰Ó „Ó
Ù‡ÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡).
■ Ç‚Ó‰ ˆËÙꢀ
ë̇˜‡Î‡ ‚˚·ÂꢀËÚ ꢀ„ËÒÚꢀ ÒËÏ‚ÓÎÓ‚: «A B C» (ÔÓÎÌÓꢀ‡ÁÏÂꢀÌ˚È ‡ÎÙ‡‚ËÚ), «ABC» «CASE»
(ÔꢀÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡) Ë «case» (ÒÚꢀÓ˜Ì˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡).
á‡ÚÂÏ Ì‡ÊÏËÚÂ Ë Ì ÓÚÔÛÒ͇ÈÚ ÌÂÍÓÚÓꢀÓ ‚ꢀÂÏfl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [2■] — [7■] Ë [2■] — [5■],
ÎË·Ó Ì‡ÊËχÈڠ ‰Ó ÚÂı ÔÓꢀ, ÔÓ͇ Ì ‚˚·ÂꢀÂÚ ÌÛÊÌÛ˛ ˆËÙꢀÛ.
CVP-210/208
49
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àÁÏÂÌÂÌË Á̇˜Í‡
åÓÊÌÓ Ú‡ÍÊ ÔÓÏÂÌflÚ¸ Á̇˜ÓÍ,
ÔÓfl‚Îfl˛˘ËÈÒfl Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·.
èÂꢀÂȉËÚ ̇ ˝Íꢀ‡Ì ICON SELECT, ̇ʇ‚
ÍÌÓÔÍÛ [1■] (ICON) ̇ ˝Íꢀ‡Ì ‚‚Ó‰‡
BACK
NEXT
ÒËÏ‚ÓÎÓ‚ (ÒÚꢀ. 49).
A
F
G
H
I
B
Ç˚·ÂꢀËÚ Á̇˜ÓÍ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]
— [J] ËÎË [3■■] — [5■■], ‡ Á‡ÚÂÏ
‚‚‰ËÚ ‚˚·ꢀ‡ÌÌ˚È Á̇˜ÓÍ, ̇ʇ‚
«èÂꢀÂÎËÒÚ˚‚‡ÌË»
ÒÚꢀ‡Ìˈ.
C
D
ÍÌÓÔÍÛ [8■] (OK).
E
J
Ç‚Ó‰ ‚˚·ꢀ‡ÌÌÓ„Ó Á̇˜Í‡.
1
2
3
4
5
6
7
8
éÚÏÂ̇ ‚˚·Óꢀ‡ Á̇˜Í‡.
àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ [DATA ENTRY]
ùÚÓÚ ‰ËÒÍ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ‚˚·Ëꢀ‡Ú¸ Ó·˙ÂÍÚ˚ ̇ ˝Íꢀ‡ÌÂ Ë ÏÂÌflÚ¸ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚. îÛÌ͈ËË ‰ËÒ͇ [DATA ENTRY] Á‡‚ËÒflÚ ÓÚ
ÚËÔ‡ ˝Íꢀ‡Ì‡, ÓÚÓ·ꢀ‡Ê‡ÂÏÓ„Ó ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
■ àÁÏÂÌÂÌË Á̇˜ÂÌËÈ
á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÏÓÊÌÓ ÏÂÌflÚ¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY].
ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ ̇ ˝Íꢀ‡ÌÂ
[BALANCE], ‰ËÒÍ ꢀ„ÛÎËꢀÛÂÚ „ꢀÓÏÍÓÒÚ¸
‚˚‰ÂÎÂÌÌÓÈ Ô‡ꢀÚËË. óÚÓ·˚ ÓÚꢀ„ÛÎËꢀÓ-
‚‡Ú¸ „ꢀÓÏÍÓÒÚ¸ ‰ꢀÛ„ÓÈ Ô‡ꢀÚËË, Ò̇˜‡Î‡
‚˚·ÂꢀËÚ ˝ÚÛ Ô‡ꢀÚ˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[■■], ‡ Á‡ÚÂÏ ÔÓ‚ÂꢀÌËÚ ‰ËÒÍ [DATA
ENTRY].
■ Ç˚·Óꢀ Ó·˙ÂÍÚÓ‚
Çꢀ‡˘‡fl ‰ËÒÍ [DATA ENTRY], ÏÓÊÌÓ
‚˚·ꢀ‡Ú¸ ÌÛÊÌ˚È Ó·˙ÂÍÚ ËÎË ÙÛÌÍˆË˛.
èÓÒΠ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ó·˙ÂÍÚ ËÎË
ÙÛÌÍˆË˛, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER].
ENTER
ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ ̇ ˝Íꢀ‡ÌÂ
VOICE, ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÌÛÊÌ˚È ÚÂÏ·ꢀ Ò
ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY], ‡ Á‡ÚÂÏ
‚˚Á‚‡Ú¸ Â„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER].
DATA
ENTRY
CVP-210/208
50
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
îÛÌ͈Ëfl Direct Access: ·˚ÒÚꢀ˚È ‚˚·Óꢀ ˝Íꢀ‡Ì‡
DIRECT ACCESS
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
UNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
UND
CATOR
TAP TEMPO
J
RESET
RESET
DTAL
RECONG
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXG
CONSOE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
EXIT
1
2
3
4
5
6
7
8
îÛÌ͈Ëfl Direct Access ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Íꢀ‡Ì, ̇ʇ‚ ‚ÒÂ„Ó Ó‰ÌÛ ‰ÓÔÓÎÌËÚÂθÌÛ˛ ÍÌÓÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS]. Ç‡Ï Ôꢀ‰ÎÓÊ‡Ú Ì‡Ê‡Ú¸ ÌÛÊÌÛ˛ ÍÌÓÔÍÛ. èꢀÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ˝Íꢀ‡ÌÛ Ì‡ÒÚꢀÓÂÍ,
— Ë Òꢀ‡ÁÛ ÔÓfl‚ËÚÒfl ˝ÚÓÚ ˝Íꢀ‡Ì. Ç ÒÎÂ‰Û˛˘ÂÏ ÔꢀËÏÂꢀ ÙÛÌ͈Ëfl Direct Access ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ Chord Fingering
(ÒÚꢀ. 142).
ACMP
DIRECT ACCESS
ëÔËÒÓÍ ˝Íꢀ‡ÌÓ‚, ÍÓÚÓꢀ˚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Direct Access, ÒÓ‰ÂꢀÊËÚÒfl ‚ Ú‡·ÎˈÂ
èêàåÖóÄçàÖ
(ÒÚꢀ. 52).
åÓÊÌÓ Î„ÍÓ ‚ÂꢀÌÛÚ¸Òfl Í ˝Íꢀ‡ÌÛ
MAIN. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [DIRECT ACCESS], ‡
Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT].
CVP-210/208
51
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
퇷Îˈ‡ ÙÛÌ͈ËË Direct Access
ëÓ˜ÂÚ‡ÌË ÍÌÓÔÓÍ: [DIRECT ACCESS] + Ӊ̇ ËÁ ÔÂꢀ˜ËÒÎÂÌÌ˚ı ÍÌÓÔÓÍ
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝Íꢀ‡Ì Ë ÙÛÌ͈Ëfl
ëÚꢀ‡Ìˈ‡
142
STYLE
[ACMP]
FUNCTION
CHORD FINGERING
FINGERING TYPE selection
[BREAK]
ç‡ÒÚꢀÓÈÍË VOICE
[INTRO]
VOLUME/VOICE
ç‡ÒÚꢀÓÈÍË PANPOT
ç‡ÒÚꢀÓÈÍË VOLUME
ç‡ÒÚꢀÓÈÍË HARMONIC CONTENT
ç‡ÒÚꢀÓÈÍË BRIGHTNESS
ç‡ÒÚꢀÓÈÍË REVERB
ç‡ÒÚꢀÓÈÍË CHORUS
ç‡ÒÚꢀÓÈÍË DSP
124
125
126
141
MAIN [A]
MAIN [B]
MIXING CONSOLE (STYLE PART)
FILTER
MAIN [C]
MAIN [D]
[ENDING]
[AUTO FILL IN]
[OTS LINK]
[SYNC. STOP]
[SYNC. START]
[START/STOP]
[TRACK1]
[TRACK2]
[EXTRA TRACKS]
[REPEAT]
[GUIDE]
EFFECT
FUNCTION
STYLE SETTING/SPLIT POINT
ç‡ÒÚꢀÓÈ͇ SYNC. STOP WINDOW
—
—
SONG
Ç˚·Óꢀ TRACK1 CHANNEL
Ç˚·Óꢀ TRACK2 CHANNEL
FUNCTION
SONG SETTING
140
Ç˚·Óꢀ GUIDE MODE
[REC]
—
—
—
—
—
[TOP]
[START/STOP]
[REW]
[FF]
METRONOME
[FADE IN/OUT]
TEMPO
[START/STOP]
ç‡ÒÚꢀÓÈÍË METRONOME
ç‡ÒÚꢀÓÈÍË FADE IN/OUT
ç‡ÒÚꢀÓÈÍË TAP
UTILITY
MIDI
151
149
[TAP TEMPO]
FUNCTION
[
E
]
ç‡ÒÚꢀÓÈ͇ MIDI CLOCK
[
]
TRANSPOSE
MENU
[
E
]
CONTROLLER
TUNE
ç‡Á̇˜ÂÌË TRANSPOSE
ç‡ÒÚꢀÓÈÍË TRANSPOSE
Ç˚·Óꢀ LANGUAGE
144
125
154
152
148
[
]
MIXING CONSOLE
FUNCTION
[DEMO]
UTILITY
[HELP]
ç‡ÒÚꢀÓÈÍË LCD BRIGHTNESS
ç‡ÒÚꢀÓÈÍË MIDI
[FUNCTION]
MIDI
DIGITAL STUDIO
[SOUND CREATOR]
[DIGITAL RECORDING]
[MIXING CONSOLE]
ç‡ÒÚꢀÓÈ͇ MASTER TUNING
ç‡ÒÚꢀÓÈ͇ SCALE TUNING
MASTER TUNE/SCALE TUNE
ç‡ÒÚꢀÓÈÍË EQ
VOLUME/VOICE
138
128
124
MIXING CONSOLE
[BALANCE]
[CHANNEL ON/OFF]
[DIRECT ACCESS]
[NEXT]
ç‡ÒÚꢀÓÈÍË VOLUME
ç‡ÒÚꢀÓÈÍË VOICE
MIXING CONSOLE (SONG PART)
Ç˚ıÓ‰ ËÁ ꢀÂÊËχ Direct Access
—
[BACK]
—
[ENTER]
—
[EXIT]
ÇÓÁ‚ꢀ‡Ú Í ˝Íꢀ‡ÌÛ MAIN
VOICE PART
[LAYER]
ç‡ÒÚꢀÓÈÍË OCTAVE
TUNE
125
126
[LEFT]
VOICE EFFECT
[REVERB]
MIXING CONSOLE
ç‡ÒÚꢀÓÈÍË REVERB
ç‡ÒÚꢀÓÈÍË DSP
[DSP]
EFFECT
[VARIATION]
[HARMONY/ECHO]
[MONO]
Ç˚·Óꢀ EFFECT TYPE
FUNCTION
HARMONY/ECHO
TUNE
146
125
141
MIXING CONSOLE
ç‡ÒÚꢀÓÈÍË PORTAMENTO TIME
ç‡ÒÚꢀÓÈ͇ SPLIT POINT (LEFT)
[LEFT HOLD]
[PIANO & HARPSI]
[E.PIANO]
STYLE SETTING/SPLIT POINT
VOICE
[ORGAN & ACCORDION]
[PERCUSSION]
[GUITAR]
[BASS]
FUNCTION
[BRASS]
VOICE SET
146
[WOODWIND]
[STRINGS]
[CHOIR & PAD]
[SYNTH.]
[XG]
[USER]
ORGAN FLUTES
MIXING CONSOLE
MUSIC FINDER
—
ç‡ÒÚꢀÓÈÍË EQ
128
74
[MUSIC FINDER]
MUSIC FINDER SEARCH1 (ÔÓËÒÍ Á‡ÔËÒÂÈ)
ONE TOUCH SETTING
[1]
[2]
—
[3]
—
[4]
—
MIC.
[VOCAL HARMONY]
[TALK]
MIXING CONSOLE
MIC. SETTING
MIXING CONSOLE
VOCAL HARMONY
MIXING CONSOLE
EFFECT
ç‡ÒÚꢀÓÈ͇ MIC. REVERB
ç‡ÒÚꢀÓÈ͇ MIC. DSP
126
135
126
131
126
144
145
TALK SETTING
EFFECT
[EFFECT]
[VH TYPE SELECT]
[MIC. SETTING]
VOCAL HARMONY EDIT (ꢀ‰‡ÍÚËꢀÓ‚‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚ VOCAL HARMONY)
EFFECT
MIC. Ç˚·Óꢀ EFFECT TYPE
[PIANO]
CONTROLLER
FREEZE
Ç˚·Óꢀ KEYBOARD TOUCH
FUNCTION
REGISTRATION MEMORY
[FREEZE]
[1]
[2]
[3]
[4]
REGISTRATION BANK
REGISTRATION EDIT (ꢀ‰‡ÍÚËꢀÓ‚‡ÌË REGISTRATION)
89
[5]
[6]
[7]
[8]
[MEMORY]
RIGHT
CENTER
LEFT
AUX
REGISTRATION SEQUENCE (ÒÓÁ‰‡ÌË REGISTRATION SEQUENCE)
ç‡Á̇˜ÂÌË ÙÛÌ͈ËË RIGHT PEDAL
145
142
PEDAL
FUNCTION
ç‡Á̇˜ÂÌË ÙÛÌ͈ËË CENTER PEDAL
CONTROLLER
ç‡Á̇˜ÂÌË ÙÛÌ͈ËË LEFT PEDAL
ç‡Á̇˜ÂÌË ÙÛÌ͈ËË AUX PEDAL
CVP-210/208
52
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
ëÔꢀ‡‚ÍË
èÓ ‚ÒÂÏ ÓÒÌÓ‚Ì˚Ï ÙÛÌ͈ËflÏ Ë ‚ÓÁÏÓÊÌÓÒÚflÏ CVP-210/208 ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ÒÔꢀ‡‚ÍÛ.
HELP
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
èêàåÖóÄçàÖ
ëÔꢀ‡‚ÍË ÏÓ„ÛÚ ‚˚‰‡‚‡Ú¸Òfl ̇
ÒÎÂ‰Û˛˘Ëı flÁ˚͇ı:
ÄçÉãàâëäàâ
üèéçëäàâ
çÖåÖñäàâ
MENU
2
1
DEMO
HELP
îêÄçñìáëäàâ
àëèÄçëäàâ
FUNCTIO
àíÄãúüçëäàâ
èêàåÖóÄçàÖ
üÁ˚Í ÒÔꢀ‡‚ÓÍ Ú‡ÍÊ ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ̇
˝Íꢀ‡Ì «LANGUAGE» (ÒÚꢀ. 154).
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
Ç˚·Óꢀ ‰ꢀÛ„Ó„Ó flÁ˚͇ ̇ ˝ÚÓÏ ˝Íꢀ‡ÌÂ
ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÔꢀÓ·ÎÂÏ˚:
2-1 Ç˚·Óꢀ ꢀ‡Á‰Â·
2-2 Ç˚ÁÓ‚ ꢀ‡Á‰Â·
ëÔꢀ‡‚ÍË.
•
çÂÍÓÚÓꢀ˚ ÒËÏ‚ÓÎ˚ ‚Ó ‚‚‰ÂÌÌ˚ı
ËÏÂ̇ı Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚.
çÂÍÓÚÓꢀ˚ هÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸
̉ÓÒÚÛÔÌ˚ÏË.
ëÔꢀ‡‚ÍË.
ÖÒÎË ÌÛÊÌÓ, ‚˚·ÂꢀËÚ flÁ˚Í. Ç˚·ꢀ‡ÌÌ˚È Á‰ÂÒ¸ flÁ˚Í ·Û‰ÂÚ
Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÚÂÍÒÚ ꢀ‡Á΢Ì˚ı ÒÓÓ·˘ÂÌËÈ,
‚˚‰‡‚‡ÂÏ˚ı ̇ ˝Íꢀ‡Ì ‚Ó ‚ꢀÂÏfl ꢀ‡·ÓÚ˚.
•
ÑÎfl ÛÒÚꢀ‡ÌÂÌËfl ˝ÚËı ÔꢀÓ·ÎÂÏ
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂꢀÌÛÚ¸ ÔꢀÂÊÌËÈ flÁ˚Í.
Ä̇Îӄ˘Ì˚ ÔꢀÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ
ÔꢀË ˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇ ÍÓÏÔ¸˛ÚÂꢀ Ò
‰ꢀÛ„ÓÈ flÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ.
BACK
NEXT
3
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ
ÏÓÊÌÓ ÔÂꢀÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ
ÒÚꢀ‡Ìˈ˚ Í ‰ꢀÛ„ÓÈ.
ENTER
END
DATA
ENTRY
ÇÓÁ‚ꢀ‡Ú Í
Ôꢀ‰˚‰Û˘ÂÏÛ
˝Íꢀ‡ÌÛ.
ëÔꢀ‡‚ÍË ÏÓ„ÛÚ ÒÓ‰Âꢀʇڸ ÒÒ˚ÎÍË Ì‡ ‰ÓÍÛÏÂÌÚ˚ Ò ÔÓ‰ꢀÓ·Ì˚ÏË Ó·˙flÒÌÂÌËflÏË Ë
ËÁÓ·ꢀ‡ÊÂÌËfl ˝Íꢀ‡Ì‡ ̇ÒÚꢀÓÂÍ. óÚÓ·˚ ÔÂꢀÂÈÚË Í ÔÓ‰ꢀÓ·ÌÓÏÛ ÓÔËÒ‡Ì˲ ËÎË ˝Íꢀ‡ÌÛ
̇ÒÚꢀÓÂÍ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚˚·ꢀ‡Ú¸ ÔÓ‰˜ÂꢀÍÌÛÚÓ ÒÎÓ‚Ó Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]
Ë Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER].
EXIT
CVP-210/208
53
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
àÒÔÓθÁÓ‚‡ÌË ÏÂÚꢀÓÌÓχ
åÂÚꢀÓÌÓÏ ÔÓÏÓ„‡ÂÚ ‰Âꢀʇڸ ÚÂÏÔ ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚, ‡ Ú‡ÍÊ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔꢀÓÒÎÛ¯‡Ú¸ Ë ÓˆÂÌËÚ¸ ÚÓÚ ËÎË ËÌÓÈ ÚÂÏÔ.
METRONOME
START STOP
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
EXIT
1
2
3
4
5
6
7
8
ÑÎfl Á‡ÔÛÒ͇ ÏÂÚꢀÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ METRONOME [START/STOP]
íÂÏÔ ꢀ„ÛÎËꢀÛÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÏ. ÌËÊÂ).
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÚꢀÓÌÓÏ, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
.
èêàåÖóÄçàÖ
åÓÊÌÓ ÏÂÌflÚ¸ Á‚ÛÍ, „ꢀÓÏÍÓÒÚ¸ Ë
˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚꢀÓÌÓχ
(ÒÚꢀ. 151).
ê„ÛÎËꢀӂ͇ ÚÂÏÔ‡
ùÚÓÚ ꢀ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ꢀ„ÛÎËꢀÓ‚Í ÚÂÏÔ‡, ÍÓÚÓꢀ‡fl ‚ÎËflÂÚ Ì ÚÓθÍÓ Ì‡ ÚÂÏÔ ÏÂÚꢀÓÌÓχ, ÌÓ Ë Ì‡ ÚÂÏÔ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË ËÎË
ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
TEMPO
TAP TEMPO
RESET
METRONO
START STO
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
EXIT
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
èÓ ÛÏÓΘ‡Ì˲ ÔÂÒÌË Ë ÒÚËÎË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÔꢀÓË„ꢀ˚‚‡˛ÚÒfl
‚ Òڇ̉‡ꢀÚÌÓÏ (̇˜‡Î¸ÌÓÏ)
ÚÂÏÔÂ, ÍÓÚÓꢀ˚È ÎÛ˜¯Â ‚Ò„Ó
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰‡ÌÌÓÈ ÔÂÒÌ ËÎË
ÒÚËβ.
TEMPO
1
2
TAP TEMPO
RESET
íÂÏÔ ÏÓÊÌÓ ÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [
ËÎË ‰ËÒ͇ [DATA ENTRY].
óËÒÎÓ Ì‡ ˝Íꢀ‡Ì Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ΢ÂÒÚ‚Ó ˜ÂÚ‚ÂꢀÚÂÈ ‚
ÏËÌÛÚÛ. ùÚÓ ˜ËÒÎÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Ôꢀ‰Â·ı ÓÚ 5 ‰Ó
500. óÂÏ ÓÌÓ ·Óθ¯Â, ÚÂÏ ·˚ÒÚꢀ ÚÂÏÔ.
]
ç‡ÊÏËÚ ÍÌÓÔÍÛ TEMPO
[
] ËÎË [ ].
ÖÒÎË ËÁÏÂÌËÚ¸ ÚÂÏÔ, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ËÁÏÂÌflÚÒfl ÚÂÏÔ
ÚÂÍÛ˘ÂÈ ÔÂÒÌË Ë ÚÂÏÔ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Òڇ̉‡ꢀÚÌ˚È (̇˜‡Î¸Ì˚È) ÚÂÏÔ,
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË TEMPO [ ] [ ]. ÅÓθ¯Â
Ó ÚÂÏÔ ÒÏ. ‚ ꢀ‡Á‰ÂΠ«à̉Ë͇ÚÓꢀ˚ ÚÂÏÔ‡: „·‚Ì˚È
˝Íꢀ‡Ì» (ÒÚꢀ. 55).
äÌÓÔ͇ ‚˚ıÓ‰‡
ËÁ ˝Íꢀ‡Ì‡
TEMPO.
EXIT
END
CVP-210/208
54
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éÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı
í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ÌÛÊÌ˚È ÚÂÏÔ ÏÓÊÌÓ ÔꢀÓÒÚÓ ÓÚ·ËÚ¸. çÂÒÍÓθÍÓ Û‰‡ꢀÓ‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] —
èêàåÖóÄçàÖ
Ë ÔÂÒÌfl ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÛÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ.
ç‡Ê‡ÚË ÍÌÓÔÍË [TAP TEMPO]
ÒÓÁ‰‡ÂÚ Á‚ÛÍ, ÔÓıÓÊËÈ Ì‡ ÒÚÛÍ.
èꢀË Ê·ÌËË ˝ÚÓÚ Á‚ÛÍ ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ (ÒÚꢀ. 152).
TEMPO
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË
1 ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
2
TAP TEMPO
èêàåÖóÄçàÖ
(ÒÚꢀ. 63, 78).
RESET
ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Tap Tempo
ÏÓÊÌÓ Ú‡ÍÊ Á‡‰‡Ú¸ ÚÂÏÔ, ‚
ÍÓÚÓꢀÓÏ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ÔÂÒÌfl ËÎË
ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ÒÚÛÍÌËÚ ÌÂÒÍÓθÍÓ ꢀ‡Á ÔÓ
ÍÌÓÔÍÂ [TAP TEMPO].
óÚÓ·˚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ‰‚‡Ê‰˚ ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [TAP TEMPO].
Ç˚·ꢀ‡ÌÌ˚È ÒÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË
Á‡ÔÛÒÚËÚÒfl ‚ ˝ÚÓÏ ÚÂÏÔÂ.
ÖÒÎË Á‡‰‡Ú¸ ‰Îfl ÔÂÒÌË ꢀÂÊËÏ
ÒËÌıꢀÓÌÌÓ„Ó Á‡ÔÛÒ͇ Sync. Start
stand-by (ÒÚꢀ. 64, 78) Ë ÔÓÒÚÛ˜‡Ú¸
ÔÓ ÍÌÓÔÍÂ [TAP TEMPO],
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
■ à̉Ë͇ÚÓꢀ˚ ÚÂÏÔ‡: „·‚Ì˚È ˝Íꢀ‡Ì (MAIN)
ç‡ „·‚ÌÓÏ ˝Íꢀ‡Ì ÂÒÚ¸ ÚꢀË Ë̉Ë͇ÚÓꢀ‡ ÚÂÏÔ‡.
à̉Ë͇ÚÓꢀ Òڇ̉‡ꢀÚÌÓ„Ó (̇˜‡Î¸ÌÓ„Ó)
ÚÂÏÔ‡ ‚˚·ꢀ‡ÌÌÓÈ ÔÂÒÌË (ÂÒÎË ÚÂÏÔ ÌÂ
·˚Î ËÁÏÂÌÂÌ ‚ꢀÛ˜ÌÛ˛).
̇˜ÌÂÚÒfl ‚ ˝ÚÓÏ ÚÂÏÔÂ. ÑÎfl
ÔÂÒÌË Ë ÒÚËÎfl Ò ꢀ‡ÁÏÂꢀÓÏ 2/4 Ë
4/4 Û‰‡ꢀ¸Ú ÔÓ ÍÌÓÔÍ ˜ÂÚ˚ꢀÂ
ꢀ‡Á‡, ‰Îfl ꢀ‡ÁÏÂꢀ‡ 3/4 — ÚꢀË
ꢀ‡Á‡, ‰Îfl ꢀ‡ÁÏÂꢀ‡ 5/4 — ÔflÚ¸
ꢀ‡Á.
à̉Ë͇ÚÓꢀ Ù‡ÍÚ˘ÂÒÍÓ„Ó ÚÂÏÔ‡
‚ÓÒÔꢀÓËÁ‚Ó‰ÂÌËfl ÔÂÒÌË, ÒÚËÎfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÏÂÚꢀÓÌÓχ. ÖÒÎË
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ˝ÚÓÚ
Ë̉Ë͇ÚÓꢀ ÔÓ͇Á˚‚‡ÂÚ ÚÂÏÔ
‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl. ÖÒÎË ÔÂÒÌfl Ë ÒÚËθ
ÔꢀÓË„ꢀ˚‚‡˛ÚÒfl Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ, ÚÂÏÔ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË
ÔÓ‰„ÓÌflÂÚÒfl ÔÓ‰ ÚÂÏÔ ÔÂÒÌË Ë
ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ̇ ˝ÚÓÏ Ë̉Ë͇ÚÓꢀÂ. èꢀË
Á‡ÔËÒË ÔÂÒÌË ËÎË ÒÚËÎfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓθÁÛÂÚÒfl ËÏÂÌÌÓ
˝ÚÓÚ ÚÂÏÔ.
à̉Ë͇ÚÓꢀ Òڇ̉‡ꢀÚÌÓ„Ó (̇˜‡Î¸ÌÓ„Ó)
ÚÂÏÔ‡ ÚÂÍÛ˘Â„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ÂÒÎË ÚÂÏÔ Ì ·˚Î ËÁÏÂÌÂÌ ‚ꢀÛ˜ÌÛ˛).
CVP-210/208
55
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èꢀÓË„ꢀ˚‚‡ÌË ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 – ˝ÚÓ „Ë·ÍËÈ ËÌÒÚꢀÛÏÂÌÚ Ò ꢀ‡Á‚ËÚÓÈ ÒËÒÚÂÏÓÈ ÛÔꢀ‡‚ÎÂÌËfl, ÏÌÓÊÂÒÚ‚ÓÏ ‰Ë̇Ï˘ÂÒÍËı ÚÂÏ·ꢀÓ‚ Ë
ꢀËÚÏÓ‚, Ò̇·ÊÂÌÌ˚È ˆÂÎ˚Ï ꢀfl‰ÓÏ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÙÛÌ͈ËÈ. ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂꢀ ÔꢀÓ‰ÂÏÓÌÒÚꢀËꢀÓ‚‡Ú¸ ·Ó„‡ÚÒÚ‚Ó Á‚Û͇
ëÔꢀ‡‚Ó˜ÌËÍ
Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, Ï˚ Á‡ÎÓÊËÎË ‚ Ô‡ÏflÚ¸ ËÌÒÚꢀÛÏÂÌÚ‡ ÚꢀË ÚËÔ‡ ‰ÂÏÓÌÒÚꢀ‡ˆËË.
MENU
DEMO
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
⁄
VOCAL HARMONY
DSP
VARIATION
HARMONY
⁄
ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
HELP
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON ⁄ OFF
MASTER VOLUME
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
LEFT
REC
TOP
START⁄STOP
FADE IN ⁄ OUT
FUNCTION
FUNCTION
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING
⁄
rit. SYNC.STOP SYNC.START START⁄STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
CHANNEL
PART
ON ⁄ OFF
PART
MENU
DEMO
1
2
HELP
FUNCTION
2-1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK][NEXT] ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲ ÚËÔ ‰ÂÏÓÌÒÚꢀ‡ˆËË.
ÑÂÏÓÌÒÚꢀ‡ˆËË ÙÛÌ͈ËÈ ........ ÓÚꢀ‡Ê‡˛Ú ‚ÓÁÏÓÊÌÓÒÚË ꢀ‡Á΢Ì˚ı ÙÛÌ͈ËÈ.
ÑÂÏÓÌÒÚꢀ‡ˆËË ÚÂÏ·ꢀÓ‚......... ËÎβÒÚꢀËꢀÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθÁÓ‚‡ÌËfl ÚÂÏ·ꢀÓ‚.
ÑÂÏÓÌÒÚꢀ‡ˆËË ÒÚËÎÂÈ ........... ÔÓÁ‚ÓÎflÂÚ ÔÓÎÛ˜ËÚ¸ Ôꢀ‰ÒÚ‡‚ÎÂÌËÂ Ó ꢀËÚχı Ë ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
BACK
NEXT
A
B
C
D
E
F
G
H
I
J
2-3 ÑÎfl ‚˚·Óꢀ‡ ÌÛÊÌÓÈ ‰ÂÏÓÌÒÚꢀ‡ˆËË
̇ÊÏËÚ ӉÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ.
1
2
3
4
5
6
7
8
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔꢀÓË„ꢀ˚‚‡Ú¸ ‰ÂÏÓÌÒÚꢀ‡ˆËË ÌÂÔꢀÂꢀ˚‚ÌÓ, ̇˜Ë̇fl Ò ÔÂꢀ‚ÓÈ
ÔÓÁˈËË ‚ ÒÔËÒÍ (‚ÂꢀıÌflfl ‚ ΂ÓÏ ꢀfl‰Û). í‡ÍÓÈ ꢀÂÊËÏ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ
‚˚·ꢀ‡Ú¸ Î˯¸ ÔꢀË ÔÂꢀÂıÓ‰Â Í ˝Íꢀ‡ÌÛ FUNCTION.
2-2 ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
ÔÂꢀÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚꢀ‡Ìˈ˚
˝Íꢀ‡Ì‡ Í ‰ꢀÛ„ÓÈ.
ÇÒ Ëϲ˘ËÂÒfl ‰ÂÏÓÌÒÚꢀ‡ˆËË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl Ӊ̇ Á‡ ‰ꢀÛ„ÓÈ, ̇˜Ë̇fl Ò ‚ÂꢀıÌÂÈ ‚
΂ÓÏ ꢀfl‰Û. ùÍꢀ‡Ì˚ VOICE Ë STYLE Ì ꢀ‡ÒÔÓ·„‡˛Ú ÍÌÓÔÍÓÈ [AUTO], Ӊ̇ÍÓ ˝ÚÓ ÌÂ
ÔꢀÂÔflÚÒÚ‚ÛÂÚ ÔÓÒΉӂ‡ÚÂθÌÓÏÛ ‚ÓÒÔꢀÓËÁ‚‰ÂÌ˲ ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ.
ç‡Ê‡ÚË ‰‡ÌÌÓÈ ÍÌÓÔÍË ‰Â·ÂÚ Ì‚ÓÁÏÓÊÌ˚Ï ËÌÚÂꢀ‡ÍÚË‚ÌÓ ‚ÓÁ‰ÂÈÒÚ‚Ë ̇
‰ÂÏÓÌÒÚꢀ‡ˆËË ÙÛÌ͈ËÈ (ÒÏ. ¯‡„ 3).
CVP-210/208
56
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èꢀÓË„ꢀ˚‚‡ÌË ‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÂꢀÂÈÚË Í Ôꢀ‰˚‰Û˘ÂÈ
èꢀË ‚˚·Óꢀ ‰ÂÏÓÌÒÚꢀ‡ˆËË ÙÛÌ͈ËÈ Ì‡ ˝Íꢀ‡Ì ÔÓfl‚Îfl˛ÚÒfl ‚‚Ó‰Ì˚ ҂‰ÂÌËfl Ë
̇˜Ë̇ÂÚÒfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ.
3
ËÎË ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡ÌˈÂ,
‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
[BACK][NEXT].
çËÊ Ôꢀ˂‰ÂÌ ÔꢀËÏÂꢀ ˝Íꢀ‡Ì‡ Ò ‚‚Ó‰Ì˚ÏË
҂‰ÂÌËflÏË Ó ÚÂÏ·ꢀ‡ı.
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
BACK
NEXT
‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ SONG [START/STOP].
óÚÓ·˚ ÔꢀÓ‰ÓÎÊËÚ¸
‰ÂÏÓÌÒÚꢀ‡ˆË˛ Ò ÏÂÒÚ‡
ÓÒÚ‡ÌÓ‚ÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ
SONG [START/STOP] ¢ ꢀ‡Á.
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË
F
G
H
I
VOICE PART
ON OFF
LAYER
LEFT
ENTER
‰ÂÏÓÌÒÚꢀ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl
J
ÙÛÌ͈ËflÏË ·˚ÒÚꢀÓÈ ÔÂꢀÂÏÓÚÍË
‚ÔÂꢀ‰ Ë Ì‡Á‡‰ (ÒÚꢀ. 80).
DATA
ENTRY
1
2
3
4
5
6
7
8
Ç˚·ÂꢀËÚ ÌÛÊÌÓ ÒÎÓ‚Ó ËÎË Ó·˙ÂÍÚ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔꢀ‡‚ÎÂÌËfl [DATA ENTRY], ‡ Á‡ÚÂÏ
‚˚ÁÓ‚ËÚ „Ó, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ËÎË ÍÌÓÔÍË ([1■], [2■], Ë Ú. ‰.).
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ӷ˙flÒÌÂÌËfl ÓÚÓ·ꢀ‡ÊÂÌ˚ ̇ ˝Íꢀ‡ÌÂ.
4
A
B
C
D
E
F
G
H
I
J
1
2
3
4
5
6
7
8
END
EXIT
äÌÓÔ͇ ‚ÓÁ‚ꢀ‡Ú‡ Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ MAIN.
CVP-210/208
57
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íÂÏ·ꢀ˚
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ·Ó„‡ÚÂȯËÏ Ì‡·ÓꢀÓÏ Ì‡ÚÛꢀ‡Î¸ÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·ꢀÓ‚, ‚Íβ˜‡fl ‚Ò ꢀ‡ÁÌÓÓ·ꢀ‡ÁËÂ
ÚÂÏ·ꢀÓ‚ Í·‚˯Ì˚ı, ÒÚꢀÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰ꢀÛ„Ëı.
VOICE
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
BRASS
WOODWIND
METRONOME
START STOP
MIC.
SIGNAL
OVER
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
B
C
D
E
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
Ç˚·Óꢀ ÚÂÏ·ꢀ‡
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚÂ
ÌÂÓ·ıÓ‰ËÏÛ˛
„ꢀÛÔÔÛ
èꢀË ‚˚·ÓꢀÂ „ꢀÛÔÔ˚ ÚÂÏ·ꢀÓ‚
‡‚ÚÓχÚ˘ÂÒÍË ‚˚‰ÂÎflÂÚÒfl ÚÓÚ
ÚÂÏ·ꢀ, ÍÓÚÓꢀ˚È ·˚Î ‚˚·ꢀ‡Ì
ÔÓÒΉÌËÏ.
VOICE
1
PIANO & HARPSI.
E. PIANO
ORGAN & ACCORDION
STRINGS
PERCUSSION
CHOIR & PAD
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
BRASS
WOODWIND
ÚÂÏ·ꢀÓ‚.
èêàåÖóÄçàÖ
èÓ ÛÏÓΘ‡Ì˲ ‚˚·Ëꢀ‡ÂÚÒfl ÌÂ
ÔꢀÓÒÚÓ Ò‡Ï ÚÂÏ·ꢀ, ÌÓ Ë Ì‡Ë·ÓÎÂÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÏÛ ˝ÙÙÂÍÚ
‚ÏÂÒÚÂ Ò ÔꢀÓ˜ËÏË Ô‡ꢀ‡ÏÂÚꢀ‡ÏË
ÚÂÏ·ꢀ‡. îÛÌÍˆË˛
‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Óꢀ‡
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÚÂÏ·ꢀ‡ ÏÓÊÌÓ
ÓÚÍβ˜ËÚ¸ (ÒÚꢀ. 146).
ùÚ‡ ̇‰ÔËÒ¸ Û͇Á˚‚‡ÂÚ Ì‡ ÚÓ,
˜ÚÓ ˝Íꢀ‡Ì Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl
‚˚·Óꢀ‡ „·‚ÌÓ„Ó ÚÂÏ·ꢀ‡
(ÒÚꢀ. 25).
2-1 äÌÓÔÍË ‰Îfl Û͇Á‡ÌËfl ÏÂÒÚÓ̇ıÓʉÂÌËfl
ÚÂÏ·ꢀ‡ (ꢀ‡Á‰ÂÎ˚ PRESET/USER/FLOPPY DISK).
2
BACK
NEXT
èêàåÖóÄçàÖ
åÓÊÌÓ Á‡‰‡Ú¸, ‚ ͇ÍÓÈ ÏÂꢀÂ
„ꢀÓÏÍÓÒÚ¸ ÚÂÏ·ꢀ‡ ·Û‰ÂÚ
Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇
Í·‚Ë¯Û (ÒÚꢀ. 144).
A
B
C
D
E
F
G
H
I
èêàåÖóÄçàÖ
èÂꢀ˜Â̸ ‚ÒÚꢀÓÂÌÌ˚ı ÚÂÏ·ꢀÓ‚
ÒÓ‰ÂꢀÊËÚÒfl ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ.
J
èêàåÖóÄçàÖ
åÓÊÌÓ Û͇Á‡Ú¸, ÒΉÛÂÚ ÎË
ÓÚÓ·ꢀ‡Ê‡Ú¸ ÌÓÏÂꢀ‡ ËÁÏÂÌÂÌËfl
ÔꢀÓ„ꢀ‡ÏÏ Ë ·‡ÌÍÓ‚ («MSB-LSB-
Program Change number» ÒÔꢀ‡‚‡
ÓÚ ËÏÂÌË ÚÂÏ·ꢀ‡) (ÒÚꢀ. 152).
2-3 äÌÓÔÍË ‚˚·Óꢀ‡
ÚÂÏ·ꢀ‡.
2-2 äÌÓÔÍË ‰Îfl
ÔÂꢀÂıÓ‰‡ ÏÂʉÛ
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸
1
2
3
4
5
6
7
8
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó
ÚÂÏ·ꢀ‡. èꢀË ÔÓ‚ÚÓꢀÌÓÏ ÂÂ
̇ʇÚËË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ÔꢀÂÍꢀ‡˘‡ÂÚÒfl.
ÒÚꢀ‡Ìˈ‡ÏË
ÚÂÍÛ˘ÂÈ „ꢀÛÔÔ˚
ÚÂÏ·ꢀÓ‚.
èêàåÖóÄçàÖ
XG Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ
Á̇˜ËÚÂθÌÓ
ÛÒÓ‚Âꢀ¯ÂÌÒÚ‚Ó‚‡ÌÌÓÂ
ꢀ‡Ò¯ËꢀÂÌË Òڇ̉‡ꢀÚ‡ General
MIDI (GM System level 1 format).
äÓꢀÔÓꢀ‡ˆËfl Yamaha
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ‚˚·Óꢀ‡
„ꢀÛÔÔ˚ ÚÂÏ·ꢀÓ‚.
ꢀ‡Áꢀ‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛
Ò ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ·
‰ÓÒÚÛÔÌ˚ı ÚÂÏ·ꢀÓ‚ Ë
‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔꢀ‡‚ÎÂÌËfl
ÚÂÏ·ꢀ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡
Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl
äÌÓÔ͇ ÔÂꢀÂıÓ‰‡ Í
„·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ MAIN.
óÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‚˚·ꢀ‡ÌÌ˚È ÚÂÏ·ꢀ,
ÔÓË„ꢀ‡ÈÚ ̇
Í·‚ˇÚÛꢀÂ.
3
END
ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI ‰‡ÌÌ˚ı ‚
·Û‰Û˘ÂÏ.
EXIT
CVP-210/208
58
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íÂÏ·ꢀ˚
ï‡ꢀ‡ÍÚÂꢀËÒÚËÍË ÚÂÏ·ꢀ‡
íËÔ ÚÂÏ·ꢀ‡ Ë Â„Ó ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ ÚÂÏ·ꢀ‡.
Natural!
ùÚË „ÎÛ·ÓÍËÂ Ë ˝ÙÙÂÍÚÌ˚ ÚÂÏ·ꢀ˚ ÒÓÒÚÓflÚ „·‚Ì˚Ï Ó·ꢀ‡ÁÓÏ ËÁ ËÌÒÚꢀÛÏÂÌڇθÌ˚ı Á‚ÛÍÓ‚ Ë Ôꢀ‰̇Á̇˜ÂÌ˚ ‰Îfl ÙÓꢀÚÂÔˇÌÌ˚ı Ë
‰ꢀÛ„Ëı Ô‡ꢀÚËÈ Í·‚ˇÚÛꢀ˚. í‡Í Í‡Í ÓÌË ËÒÔÓθÁÛ˛Ú ÒÓ‚Âꢀ¯ÂÌÌÓ ÌÂÁ‡‚ËÒËÏ˚È ËÒÚÓ˜ÌËÍ Á‚Û͇, ‚˚ ÏÓÊÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸
̇Ò˚˘ÂÌÌ˚ ÔꢀÓ‰ÓÎÊËÚÂθÌ˚ ‡ÍÍÓꢀ‰˚, ‰‡Ê ‚ÏÂÒÚ ÒÓ ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ë Ì ·ÂÒÔÓÍÓËÚ¸Òfl Ó· Ó·ꢀ˚‚‡˛˘ËıÒfl ÌÓÚ‡ı.
í‡ÍÊ ÓÌË ËÒÔÓθÁÛ˛Ú ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÓ‚ꢀÂÏÂÌÌÓÈ ÚÂıÌÓÎÓ„ËË Ò˝ÏÔÎËꢀÓ‚‡ÌËfl ÍÓꢀÔÓꢀ‡ˆËË Yamaha, Ú‡ÍË ͇Í
ÒÚÂꢀÂÓÒ˝ÔÎËꢀÓ‚‡ÌËÂ, ‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËꢀÓ‚‡ÌËÂ, ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËꢀÓ‚‡ÌËÂ Ë Ò˝ÏÔÎËꢀÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.
Live!
ùÚË ÚÂÏ·ꢀ˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚꢀÛÏÂÌÚÓ‚ ·˚ÎË Á‡Ò˝ÏÔÎËꢀÓ‚‡Ì˚ ‚ ‚ˉ ÒÚÂꢀÂÓهȷ. Ç ꢀÂÁÛθڇÚ ÓÌË Á‚Û˜‡Ú ‰ÂÈÒÚ‚ËÚÂθÌÓ
̇ÚÛꢀ‡Î¸ÌÓ. ë˝ÏÔÎ˚ ӷ·‰‡˛Ú ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ, ıÓꢀÓ¯Ó ÔÂꢀ‰‡˛Ú ÔꢀÓÒÚꢀ‡ÌÒÚ‚Ó Ë ‡ÚÏÓÒÙÂꢀÛ.
Cool!
ùÚË ÚÂÏ·ꢀ˚ ÒÔÓÒÓ·Ì˚ ÔÂꢀ‰‡‚‡Ú¸ ‰Ë̇ÏËÍÛ Ë ÚÓ̘‡È¯ËÂ Ì˛‡ÌÒ˚ Á‚Û˜‡ÌËfl ˝ÎÂÍÚꢀ˘ÂÒÍËı ËÌÒÚꢀÛÏÂÌÚÓ‚ ·Î‡„Ó‰‡ꢀfl ËÁÓ˘ꢀÂÌÌÓÏÛ
ÔꢀÓ„ꢀ‡ÏÏËꢀÓ‚‡Ì˲ Ë ‚ÌÛ¯ËÚÂθÌÓÏÛ Ó·˙ÂÏÛ Ô‡ÏflÚË.
Sweet!
ùÚË ÚÂÏ·ꢀ˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚꢀÛÏÂÌÚÓ‚ Ú‡ÍÊ ‚˚Ë„ꢀ˚‚‡˛Ú ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl ÒÎÓÊÌÓÈ ÚÂıÌÓÎÓ„ËË. éÌË Á‚Û˜‡Ú ÒÚÓθ
ÂÒÚÂÒÚ‚ÂÌÌÓ, ˜ÚÓ ÏÓÊÌÓ ꢀ‡Á΢ËÚ¸ ÏÂθ˜‡È¯Ë ‰ÂÚ‡ÎË Á‚ÛÍÓ‚ÓÈ Í‡ꢀÚËÌ˚. чÊ Ì ‚ÂꢀËÚÒfl, ˜ÚÓ ËÒÚÓ˜ÌËÍ Á‚Û͇ – ˆËÙꢀÓ‚ÓÂ
ÔˇÌËÌÓ!
Drum
ä‡Ê‰ÓÈ Í·‚˯ ÔꢀËÒ‚ÓÂÌ Á‚ÛÍ Í‡ÍÓ„Ó-ÎË·Ó Ó‰ÌÓ„Ó Û‰‡ꢀÌÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡. LJ¯‡ Í·‚ˇÚÛꢀ‡ Ôꢀ‚ꢀ‡˘‡ÂÚÒfl ‚ ÔÓ‰Ó·Ë ۉ‡ꢀÌÓÈ
ÛÒÚ‡ÌÓ‚ÍË.
SFX
ë ͇ʉÓÈ Í·‚˯ÂÈ ÒÓÓÚÌÂÒÂÌ Í‡ÍÓÈ-ÎË·Ó Á‚ÛÍÓ‚ÓÈ ÒÔˆ˝ÙÙÂÍÚ.
Live!Drums
Ç˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ·‡ꢀ‡·‡ÌÌ˚ Á‚ÛÍË, ËÒÔÓθÁÛ˛˘Ë ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂꢀÂÓ- Ë ‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËꢀÓ‚‡ÌËfl.
Organ Flutes!
íÂÏ·ꢀ Óꢀ„‡Ì‡ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ ÏÌÓ„Ë ԇꢀ‡ÏÂÚꢀ˚ Á‚Û˜‡ÌËfl Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ Óꢀ„‡ÌÌ˚ ÚÂÏ·ꢀ˚ Ò ÔÓÏÓ˘¸˛
ÙÛÌ͈ËË Sound Creator.
Live! SFX (ËÌÒÚꢀÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚)
Ç˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ÔÂꢀÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ËÌÒÚꢀÛÏÂÌÚÓ‚ ã‡ÚËÌÒÍÓÈ ÄÏÂꢀËÍË, ËÒÔÓθÁÛ˛˘Ë ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂꢀÂÓ- Ë
‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËꢀÓ‚‡ÌËfl. Å·„Ó‰‡ꢀfl ËÏ ‚˚ ÔÓÎÛ˜‡ÂÚ ·ÓΠ¯ËꢀÓÍËÈ Ë ÏÌÓ„ÓÒÚÓꢀÓÌÌËÈ ‰Ë‡Ô‡ÁÓÌ ÔÂꢀÍÛÒÒËË ËÌÒÚꢀÛÏÂÌÚÓ‚
ã‡ÚËÌÒÍÓÈ ÄÏÂꢀËÍË, ˜ÂÏ ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚ ·‡ꢀ‡·‡ÌÓ‚.
èÂꢀÍÛÒÒËÓÌ̇fl Í·‚ˇÚÛꢀ‡
èꢀË ‚˚·Óꢀ ӉÌÓ„Ó ËÁ ̇·ÓꢀÓ‚ ÒÔˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡ꢀ‡·‡ÌÓ‚ ËÁ „ꢀÛÔÔ˚ ÚÂÏ·ꢀÓ‚ PERCUSSION ͇ʉÓÈ Í·‚˯Â
ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl Á‚ÛÍË, ‚ıÓ‰fl˘Ë ‚ ˝ÚÓÚ Ì‡·Óꢀ. ê‡Á΢Ì˚ ۉ‡ꢀÌ˚Â Ë ÔÂꢀÍÛÒÒËÓÌÌ˚ ËÌÒÚꢀÛÏÂÌÚ˚ Òڇ̉‡ꢀÚÌÓ„Ó Ì‡·Óꢀ‡
Standard Kit Ó·ÓÁ̇˜ÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÒËÏ‚Ó·ÏË ÔÓ‰ Í·‚˯‡ÏË. àÏÂÈÚ ‚ ‚ˉÛ: ÌÂÒÏÓÚꢀfl ̇ ÚÓ, ˜ÚÓ ꢀ‡Á΢Ì˚Â
̇·Óꢀ˚ ÒÓÒÚÓflÚ ËÁ ꢀ‡ÁÌ˚ı Á‚ÛÍÓ‚, ÌÂÍÓÚÓꢀ˚ Á‚ÛÍË ÏÓ„ÛÚ Ì‡Á˚‚‡Ú¸Òfl Ë Á‚Û˜‡Ú¸ Ó‰Ë̇ÍÓ‚Ó ‚ ÌÂÒÍÓθÍËı ̇·Óꢀ‡ı.
ëÔËÒÓÍ Á‚ÛÍÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ê‰ÓÏÛ Ì‡·ÓꢀÛ, Ôꢀ˂‰ÂÌ ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (Drum/key Assignment List).
à„ꢀ‡ ̇ ÙÓꢀÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»
ùÚ‡ ۉӷ̇fl Ë ‚ ÚÓ Ê ‚ꢀÂÏfl ÔꢀÓÒÚ‡fl ÙÛÌ͈Ëfl ÔÓÎÌÓÒÚ¸˛ Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÂꢀÂÒÚꢀ‡Ë‚‡ÂÚ ‚Ò CVP-210/208 ‰Îfl ÓÔÚËχθÌÓ„Ó
ËÒÔÓÎÌÂÌËfl ‚ ÚÂÏ·ꢀ ÙÓꢀÚÂÔˇÌÓ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ̇ÒÚꢀÓÈÍË ‚˚ Á‡‰‡ÎË Ì‡ Ô‡ÌÂÎË, ÏÓÊÌÓ ·˚ÒÚꢀÓ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì
̇ÒÚꢀÓÂÍ ÔˇÌËÌÓ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË.
PIANO
èêàåÖóÄçàÖ
äÌÓÔ͇ PIANO
í‡ÍÊ ‚ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÏÂÚꢀÓÌÓÏ
(ÒÚꢀ. 54).
àÁÏÂÌflÂÚ ‚Ò ̇ÒÚꢀÓÈÍË Ô‡ÌÂÎË, ÔÓÁ‚ÓÎflfl Ë„ꢀ‡Ú¸ ̇ CVP-210/208, Í‡Í Ì‡
ÙÓꢀÚÂÔˇÌÓ.
îÛÌ͈Ëfl Piano Lock
èêàåÖóÄçàÖ
ì‰Ó·Ì‡fl ÙÛÌ͈Ëfl Piano Lock ÔÓÁ‚ÓÎflÂÚ «Á‡·ÎÓÍËꢀÓ‚‡Ú¸» ÔˇÌËÌÓ ‚Ó ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó
ËÁÏÂÌÂÌËfl ̇ÒÚꢀÓÂÍ ÔꢀË Ì‡Ê‡ÚËË ‰ꢀÛ„ÓÈ ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË. èꢀË ËÒÔÓθÁÓ‚‡ÌËË ·ÎÓÍËꢀÓ‚ÍË CVP-
210/208 ÓÒÚ‡ÂÚÒfl ‚ ꢀÂÊËÏ ÙÓꢀÚÂÔˇÌÓ ‰‡Ê ÔꢀË Ì‡Ê‡ÚËË ‰ꢀÛ„Ëı ÍÌÓÔÓÍ, ÔÓÁ‚ÓÎflfl ËÁ·Âʇڸ
ÒÎÛ˜‡ÈÌÓ„Ó ÔÂꢀÂıÓ‰‡ Í ÔÂÒÌ ËÎË ÒÚËβ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ꢀÂÏfl ÍÓ̈ÂꢀÚ‡ ÙÓꢀÚÂÔˇÌÓ.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [PIANO] Ë Û‰ÂꢀÊË‚‡ÈÚ ÂÂ, ÔÓ͇ ̇ ˝Íꢀ‡Ì Ì ÔÓfl‚ËÚÒfl Ôꢀ‰ÎÓÊÂÌËÂ
‡ÍÚË‚ËꢀÓ‚‡Ú¸ ·ÎÓÍËꢀÓ‚ÍÛ ÔˇÌËÌÓ.
чÊ ÔÓÒΠÓÚÍβ˜ÂÌËfl
·ÎÓÍËꢀÓ‚ÍË Ì‡ÒÚꢀÓÈÍË ÔˇÌËÌÓ
ÓÒÚ‡ÌÛÚÒfl ‡ÍÚË‚Ì˚.
ÑÎfl ‡ÍÚË‚‡ˆËË ·ÎÓÍËꢀÓ‚ÍË ‚˚·ÂꢀËÚ «OK».
ÑÎfl ÓÚÍβ˜ÂÌËfl ·ÎÓÍËꢀÓ‚ÍË Â˘Â ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [PIANO] ̇ ÌÂÍÓÚÓꢀÓ ‚ꢀÂÏfl.
CVP-210/208
59
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íÂÏ·ꢀ˚
íÂÏ·ꢀ˚ Layer Ë Left: Ë„ꢀ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·ꢀÓ‚
CVP-210/208ÔÓ‰‰ÂꢀÊË‚‡ÂÚ Ó‰ÌÓ‚ꢀÂÏÂÌÌÛ˛ Ë„ꢀÛ ÚꢀÂı ÚÂÏ·ꢀÓ‚. MAIN („·‚Ì˚È), LAYER (ÒÎÓÈ) Ë LEFT (ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË).
äÓÏ·ËÌËꢀÛfl ˝ÚË ÚꢀË ÚÂÏ·ꢀ‡, ‚˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÏÛθÚËËÌÒÚꢀÛÏÂÌڇθÌ˚ ÒÏÂÒË Ò ·Ó„‡Ú˚ÏË ÚÂÍÒÚÛꢀ‡ÏË ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó
ËÒÔÓθÁÓ‚‡ÌËfl ‚Ó ‚ꢀÂÏfl ÍÓ̈ÂꢀÚ‡.
VOICE PART
ON OFF
G
H
LAYER
LEFT
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
à„ꢀ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒÎÓfl ËÁ ‰‚Ûı
ÚÂÏ·ꢀÓ‚
ó‡ÒÚ¸ ÒÎÓfl (LAYER)
É·‚̇fl ˜‡ÒÚ¸
(MAIN)
à„ꢀ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‰‚Ûı ÌÂÒϯ‡ÌÌ˚ı
ÚÂÏ·ꢀÓ‚ (Ó‰ËÌ ÒÔꢀ‡‚‡, ‰ꢀÛ„ÓÈ Ò΂‡)
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl
ó‡ÒÚ¸ ‰Îfl
΂ÓÈ ꢀÛÍË
(LEFT )
É·‚̇fl ˜‡ÒÚ¸
(MAIN)
ょfl ˜‡ÒÚ¸
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl
èꢀ‡‚‡fl ˜‡ÒÚ¸
ó‡ÒÚ¸ ÒÎÓfl
(LAYER)
à„ꢀ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚꢀÂı ÚÂÏ·ꢀÓ‚ (Ó‰ËÌ
Ò΂‡ Ë ‰‚‡ Òϯ‡ÌÌ˚ı ÚÂÏ·ꢀ‡ ÒÔꢀ‡‚‡)
ó‡ÒÚ¸ ‰Îfl
΂ÓÈ ꢀÛÍË
(LEFT )
É·‚̇fl ˜‡ÒÚ¸
(MAIN)
ょfl ˜‡ÒÚ¸
èꢀ‡‚‡fl ˜‡ÒÚ¸
ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ꢀ‡ÁÌ˚ı ÚÂÏ·ꢀÓ‚
äÌÓÔ͇
Ç˚·ÂꢀËÚ ÒÎÓÈ Ò ÔÓÏÓ˘¸˛
1 ‚Íβ˜ÂÌËfl
2
ÍÌÓÔÍË [G]. ùÚ‡ Ê ÍÌÓÔ͇
ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì
VOICE, „‰Â ‚˚ ÒÏÓÊÂÚÂ
‚˚·ꢀ‡Ú¸ ÚÓÚ ÚÂÏ·ꢀ, ÍÓÚÓꢀ˚È
·Û‰ÂÚ Òϯ‡Ì Ò „·‚Ì˚Ï.
åÂÚÓ‰ ‚˚·Óꢀ‡ ÚÂÏ·ꢀ‡ Ì˘ÂÏ ÌÂ
ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡,
ÙÛÌ͈ËË LAYER.
ùÚ‡ Ê ÍÌÓÔ͇
ÔÓÁ‚ÓÎflÂÚ
ÓÚÍβ˜ËÚ¸ ‰‡ÌÌÛ˛
ÙÛÌÍˆË˛.
F
G
I
VOICE PART
ON OFF
J
G
H
LAYER
ÔꢀËÏÂÌflÂÏÓ„Ó ÔꢀË ꢀ‡·ÓÚ Ò
˝Íꢀ‡ÌÓÏ VOICE (MAIN) (ÒÚꢀ. 58).
èêàåÖóÄçàÖ
ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â Ó‰ËÌ ÒÔÓÒÓ· ·˚ÒÚꢀÓ
‚˚·ꢀ‡Ú¸ „·‚Ì˚È (MAIN) Ë
‰ÓÔÓÎÌËÚÂθÌ˚È (LAYER) ÚÂÏ·ꢀ‡.
ì‰ÂꢀÊË‚‡fl ÍÌÓÔÍÛ ‚˚·Óꢀ‡
äÌÓÔ͇ ÔÂꢀÂıÓ‰‡ Í
„·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ MAIN.
EXIT
END
ÓÔꢀ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·ꢀ‡, ̇ÊÏËÚÂ
‰ꢀÛ„Û˛ ÍÌÓÔÍÛ ‚˚·Óꢀ‡ ÚÂÏ·ꢀ‡.
èÂꢀ‚˚È ËÁ ‚˚·ꢀ‡ÌÌ˚ı ÚÂÏ·ꢀÓ‚
ÒÚ‡ÌÂÚ „·‚Ì˚Ï, ‡ ‚ÚÓꢀÓÈ –
‰ÓÔÓÎÌËÚÂθÌ˚Ï.
CVP-210/208
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íÂÏ·ꢀ˚
íÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË: ìÒÚ‡Ìӂ͇ ꢀ‡Á΢Ì˚ı ÚÂÏ·ꢀÓ‚ ‰Îfl ΂ÓÈ Ë Ôꢀ‡‚ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛꢀ˚
èêàåÖóÄçàÖ
ÇÍβ˜ËÚÂ
Ç˚·ÂꢀËÚ ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H].
ùÚ‡ Ê ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì VOICE, „‰Â ‚˚
ÒÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË. åÂÚÓ‰ ‚˚·Óꢀ‡
ÚÂÏ·ꢀ‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡, ÔꢀËÏÂÌflÂÏÓ„Ó ÔꢀË
ꢀ‡·ÓÚÂ Ò ˝Íꢀ‡ÌÓÏ VOICE (MAIN) (ÒÚꢀ. 58).
íÓ˜ÍÓÈ ꢀ‡Á·ËÂÌËfl Í·‚ˇÚÛꢀ˚
1 ÔÂꢀÂÍβ˜‡ÚÂθ
2
ÏÓÊÂÚ ÒÎÛÊËÚ¸ β·‡fl Í·‚˯‡
ÑÎfl  ̇ÒÚꢀÓÈÍË ‚˚ÁÓ‚ËÚÂ
˝Íꢀ‡Ì SPLIT POINT, ̇ʇ‚
ÍÌÓÔÍÛ [I] (SPLIT POINT) ̇
˝Íꢀ‡Ì MAIN. ò‡„Ë ÓÔÂꢀ‡ˆËË
Ú‡ÍË ÊÂ, Í‡Í Ë Ì‡ ˝Íꢀ‡Ì STYLE
SETTING/SPLIT POINT ÒÚꢀ‡Ìˈ˚
FUNCTION (ÒÚꢀ. 141).
LEFT. èÓ‚ÚÓꢀÌÓÂ
̇ʇÚË Ôꢀ˂‰ÂÚ Í
‚˚Íβ˜ÂÌ˲ ÚÂÏ·ꢀ‡
‰Îfl ΂ÓÈ ꢀÛÍË.
G
H
LAYER
LEFT
èêàåÖóÄçàÖ
F
G
H
ÑÎfl ͇ʉÓÈ ˜‡ÒÚË – MAIN
(„·‚̇fl), LAYER (ÒÎÓÈ) Ë LEFT
(‰Îfl ΂ÓÈ ꢀÛÍË) – ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ Ò‚ÓÈ ÛꢀÓ‚Â̸
„ꢀÓÏÍÓÒÚË (ÒÚꢀ. 65).
END
J
èêàåÖóÄçàÖ
äꢀÓÏÂ ÚÓ„Ó, ÒÓ‚ÏÂÒÚÌÓÂ
ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ LAYER
Ë LEFT ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸
ÒÎÓË ËÁ ‰‚Ûı ÚÂÏ·ꢀÓ‚ Ë
EXIT
ꢀ‡Á·Ë‚‡Ú¸ Í·‚ˇÚÛꢀÛ Ì‡ ‰‚Â
ÁÓÌ˚. ÑÎfl ˝ÚÓ„Ó Ì‡Á̇˜¸ÚÂ
(Û͇Á‡ÌÌ˚Ï ‚˚¯Â ÒÔÓÒÓ·ÓÏ)
ꢀ‡ÁÌ˚ ÚÂÏ·ꢀ˚ ‰Îfl Ôꢀ‡‚ÓÈ Ë
΂ÓÈ ˜‡ÒÚÂÈ Í·‚ˇÚÛꢀ˚ Ë
Òϯ‡ÈÚ ‰‚‡ ÚÂÏ·ꢀ‡ ‰Îfl Ë„ꢀ˚
Ôꢀ‡‚ÓÈ ꢀÛÍÓÈ.
äÌÓÔ͇ ÔÂꢀÂıÓ‰‡
Í „·‚ÌÓÏÛ
˝Íꢀ‡ÌÛ MAIN.
èꢀËÏÂÌÂÌË ÚÂÏ·ꢀ‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚
ùÚ‡ ˜‡ÒÚ¸ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË ÔÓÁ‚ÓÎflÂÚ Ó·ꢀ‡·‡Ú˚‚‡Ú¸ ÚÂÏ·ꢀ˚ Ò ÔÓÏÓ˘¸˛ ꢀ‡Á΢Ì˚ı ˝ÙÙÂÍÚÓ‚.
VOICE EFFECT
REVERB
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
PERCUSSION
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝ÙÙÂÍÚ. èÓ‚ÚÓꢀÌÓ ̇ʇÚËÂ
ÔꢀË‚Ó‰ËÚ Í ÓÚÍβ˜ÂÌ˲ ˝ÙÙÂÍÚ‡. çËÊ Ôꢀ˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ Í‡Ê‰Ó„Ó ËÁ Ëϲ˘ËıÒfl ˝ÙÙÂÍÚÓ‚.
■ REVERB
ê‚Âꢀ·Âꢀ‡ˆËfl Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ˝ÙÙÂÍÚ, ÍÓÚÓꢀ˚È ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒꢀÂ‰Û ÔÓÏ¢ÂÌËfl: ÓÚ Ï‡ÎÂ̸ÍÓ„Ó ‰Ê‡Á-ÍÎÛ·‡ ‰Ó
ÍÓ̈ÂꢀÚÌÓ„Ó Á‡Î‡.
■ DSP
èêàåÖóÄçàÖ
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208ÒÓ‰ÂꢀÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚꢀÓÂÌÌ˚ı ˆËÙꢀÓ‚˚ı ˝ÙÙÂÍÚÓ‚,
ÔÓÁ‚ÓÎfl˛˘Ëı Ó·ꢀ‡·‡Ú˚‚‡Ú¸ Á‚ÛÍ ꢀ‡Á΢Ì˚Ï Ó·ꢀ‡ÁÓÏ. îÛÌ͈ËË DSP ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl
Ë Ôꢀˉ‡Ú¸ ÂÏÛ „ÎÛ·ËÌÛ, ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ÒËÏÙÓÌ˘ÂÒÍËÈ ˝ÙÙÂÍÚ ‰Îfl ‰Ó·‡‚ÎÂÌËfl ÚÂÔÎÓÚ˚ Ë
̇Ò˚˘ÂÌÌÓÒÚË. ëꢀÂ‰Ë ÙÛÌ͈ËÈ DSP ËÏÂÂÚÒfl Ú‡ÍÊ ˝ÙÙÂÍÚ «‰ËÒÚÓꢀ¯Ì», ÍÓÚÓꢀ˚È ÏÓÊÂÚ
ÒÓ‚Âꢀ¯ÂÌÌÓ ËÁÏÂÌËÚ¸ ı‡ꢀ‡ÍÚÂꢀ Á‚Û˜‡ÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·ꢀ‡. DSP Á‡‰‡ÂÚÒfl ‰Îfl ‚˚·ꢀ‡ÌÌÓÈ Ì‡
‰‡ÌÌ˚È ÏÓÏÂÌÚ Ô‡ꢀÚËË (MAIN/LAYER/LEFT).
ùÙÙÂÍÚ˚ DSP Ë VARIATION
ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ ˝Íꢀ‡ÌÂ
MIXING CONSOLE (ÒÚꢀ. 126).
í‡Ï Ê ÏÓÊÌÓ ÓÚꢀ„ÛÎËꢀÓ‚‡Ú¸
„ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡.
■ VARIATION (ç‰ÓÒÚÛÔ̇ ‰Îfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural; ÒÚꢀ. 92)
ùÙÙÂÍÚ ‚‡ꢀˇˆËË ‚Íβ˜‡ÂÚ ‚ Ò·fl Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ ‚ˉӂ Ó·ꢀ‡·ÓÚÍË Ò˄̇·. ÇÓÁ¸ÏÂÏ, Í ÔꢀËÏÂꢀÛ, ˝ÙÙÂÍÚ Rotary Speaker
(‚ꢀ‡˘‡˛˘ËÈÒfl ‰Ë̇ÏËÍ) (ÒÚꢀ. 126). ìÔꢀ‡‚Îflfl ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓꢀÓÒÚ¸ ‚ꢀ‡˘ÂÌËfl ‚ÓÓ·ꢀ‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌË͇
Á‚Û͇.
CVP-210/208
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íÂÏ·ꢀ˚
■ HARMONY/ECHO
èêàåÖóÄçàÖ
ùÙÙÂÍÚ Portamento (ÔÓꢀÚ‡ÏÂÌÚÓ)
ÔÓÁ‚ÓÎflÂÚ Ô·‚ÌÓ ÒÏ¢‡Ú¸
‚˚ÒÓÚÛ Á‚Û͇ ÓÚ ÌÓÚ˚ Í ÌÓÚ ÔꢀË
ÔÓÒΉӂ‡ÚÂθÌÓÏ Ì‡Ê‡ÚËË
ÌÂÒÍÓθÍËı Í·‚˯.
ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ꢀÏÓÌËÁ‡ˆËfl ÚÂÏ·ꢀÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ Ôꢀ‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚ (ÒÚꢀ. 146).
■ MONO
ìÒÚ‡Ìӂ͇ ꢀÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓθÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îfl
Í‡Ê‰Ó„Ó ÚËÔ‡ ÚÂÏ·ꢀ‡ (MAIN/LAYER/LEFT). ÉÓꢀfl˘‡fl ·ÏÔӘ͇ ꢀfl‰ÓÏ Ò ÔÂꢀÂÍβ˜‡ÚÂÎÂÏ ÓÁ̇˜‡ÂÚ
ꢀÂÊËÏ MONO. Ç˚Íβ˜ÂÌ̇fl ·ÏÔӘ͇ Û͇Á˚‚‡ÂÚ Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÔÓÎËÙÓÌËË. Ç ꢀÂÊËÏ MONO
Á‚Û˜ËÚ Î˯¸ ÌÓÚ‡, Ò˚„ꢀ‡Ì̇fl ÔÓÒΉÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚ÒËÚ¸ ꢀ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û˜‡ÌËfl
‰ÛıÓ‚˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚. äꢀÓÏ ÚÓ„Ó, ‰‡ÌÌ˚È ꢀÂÊËÏ ÏÓÊÂÚ Ò‰Â·ڸ ËÒÔÓθÁÓ‚‡ÌË «ÔÓꢀÚ‡ÏÂÌÚÓ»
·ÓΠ˝ÙÙÂÍÚÌ˚Ï ÔꢀË Ë„ꢀ Î„‡ÚÓ.
ëéÇÖí
Ç˚ ÏÓÊÂÚ ÔÓ‰˜ÂꢀÍÌÛÚ¸
ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓꢀ‡fl
‚‰ÂÚÒfl ‚ Ó·ꢀ‡ÏÎÂÌËË ‡ÍÍÓꢀ‰Ó‚.
ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÒÎÓfl Ë
҉·ڸ ‚Â‰Û˘Û˛ Ô‡ꢀÚ˲
ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ. ìÒÚ‡ÌÓ‚ËÚÂ
ÔÓÎËÙÓÌ˘ÂÒÍËÈ ꢀÂÊËÏ ‰Îfl
„·‚ÌÓ„Ó ÚÂÏ·ꢀ‡ (Main) Ë
■ LEFT HOLD (Û‰ÂꢀʇÌË ÚÂÏ·ꢀ‡ ‰Îfl ΂ÓÈ ꢀÛÍË)
ÏÓÌÓÙÓÌ˘ÂÒÍËÈ (MONO) — ‰Îfl
ÚÂÏ·ꢀ‡ ÒÎÓfl (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â
‚‡¯‡ ÏÂÎÓ‰Ëfl, ‚ ÚÓÏ ˜ËÒÎÂ
̇˷ÓΠ‚˚ÒÓÍË ÌÓÚ˚ β·˚ı
‡ÍÍÓꢀ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸
ùÚ‡ ÙÛÌ͈Ëfl Á‡ÒÚ‡‚ÎflÂÚ ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË Á‡ÏËꢀ‡Ú¸ ωÎÂÌÌÂÂ. ä·‚Ë¯Ë ÛÊ ÓÚÔÛ˘ÂÌ˚, ‡
Á‚ÛÍ Â˘Â ÚflÌÂÚÒfl. ùÙÙÂÍÚ Â ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË Ôꢀ‡‚ÓÈ Ô‰‡ÎË (Ô‰‡ÎË ÒÛÒÚÂÈ̇).
ùÚ‡ ÙÛÌ͈Ëfl ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁ̇ ÔꢀË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚˚
‚ÓÁ¸ÏÂÚ ‡ÍÍÓꢀ‰ ‚ ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚, ÍÓÚÓꢀ‡fl Óڂ‰Â̇ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‡ Á‡ÚÂÏ
ÓÚÔÛÒÚËÚ Í·‚Ë¯Ë (ÔꢀË ‚Íβ˜ÂÌÌÓÏ ꢀ‡Á‰ÂÎÂÌËË Í·‚ˇÚÛꢀ˚; ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË — ÒÚꢀÛÌÌ˚Â
(Strings)), ‡ÍÍÓꢀ‰ ·Û‰ÂÚ ÔꢀÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, Ôꢀˉ‡‚‡fl ̇Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡Ì˲
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÏÓÌÓÙÓÌ˘ÂÒÍË.
èÓÔꢀÓ·ÛÈÚÂ ÔꢀËÏÂÌËÚ¸ ˝ÚÓÚ
˝ÙÙÂÍÚ Í ÒÎÂ‰Û˛˘ËÏ ÚÂÏ·ꢀ‡Ï.
É·‚Ì˚È ÚÂÏ·ꢀ: ÔÓÎËÙÓÌ˘ÂÒ͇fl
‰ÛıÓ‚‡fl ÒÂ͈Ëfl (Brass Section) +
ÚÂÏ·ꢀ ÒÎÓfl: ÏÓÌÓÙÓÌ˘ÂÒ͇fl
«Ò·‰ÍÓÁ‚ۘ̇fl» ÚꢀÛ·‡ (Sweet
Trump).
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ
èêàåÖóÄçàÖ
Ç CVP-210/208 ËÒÔÓθÁÛ˛ÚÒfl ÚꢀË Ô‰‡ÎË.
í‡ÍÊ ‚˚ ÏÓÊÂÚ ÔꢀËÒ‚ÓËÚ¸
·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‰ꢀÛ„Ëı
ÙÛÌ͈ËÈ ˝ÚËÏ Ô‰‡ÎflÏ (Ú‡ÍÊÂ
Í‡Í ‰ÓÔÓÎÌËÚÂθÌ˚È ÌÓÊÌÓÈ
ÍÓÌÚꢀÓÎÎÂꢀ ËÎË ÌÓÊÌÓÈ
ÔÂꢀÂÍβ˜‡ÚÂθ). ç‡ÔꢀËÏÂꢀ, ‚˚
ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸  ‰Îfl
Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÒÚËÎfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰Îfl
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ Fill-in
(‚ÒÚ‡‚ÓÍ) (ÒÚꢀ. 142).
΂‡fl Ô‰‡Î¸
Ôꢀ‡‚‡fl Ô‰‡Î¸
Òꢀ‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)
■ èꢀ‡‚‡fl Ô‰‡Î¸ (Ôꢀ‡‚‡fl)
èêàåÖóÄçàÖ
•
•
ÖÒÎË Ì‡Ê‡Ú‡ Ôꢀ‡‚‡fl Ô‰‡Î¸,
ÌÂÍÓÚÓꢀ˚Â ÚÂÏ·ꢀ˚ ÏÓ„ÛÚ
Á‚Û˜‡Ú¸ ÌÂÔꢀÂꢀ˚‚ÌÓ ËÎË
ÒËθÌÓ ÔꢀӉ΂‡Ú¸Òfl ÔÓÒÎÂ
ÚÓ„Ó, Í‡Í Í·‚˯‡ ·˚·
ÓÚÔÛ˘Â̇.
èꢀ‡‚‡fl Ô‰‡Î¸ Ì ‰ÂÈÒÚ‚ÛÂÚ
̇ ÓÔꢀ‰ÂÎÂÌÌ˚ ÚÂÏ·ꢀ˚
„ꢀÛÔÔ [PERCUSSION] Ë [XG].
èꢀ‡‚‡fl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ ÚÛ Ê ÙÛÌÍˆË˛, ˜ÚÓ Ë Ôꢀ‡‚‡fl Ô‰‡Î¸
‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÚÓ ÂÒÚ¸ ÔꢀӉ΂‡ÂÚ Á‚Û˜‡ÌË ÚÂÏ·ꢀ‡
‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚÔÛÒÚËÎË Í·‚˯Û.
ÖÒÎË Ì‡Ê‡Ú¸ Ôꢀ‡‚Û˛ Ô‰‡Î¸, ‚ÒÂ
ÔꢀÓË„ꢀ˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸
‰Óθ¯Â, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸.
■ 艇θ ÒÓÒÚÂÌÛÚÓ (Òꢀ‰Ìflfl)
èêàåÖóÄçàÖ
•
•
çÂÍÓÚÓꢀ˚ ÚÂÏ·ꢀ˚, ̇ÔꢀËÏÂꢀ
[STRINGS] ËÎË [BRASS],
ÌÂÔꢀÂꢀ˚‚ÌÓ ÔꢀӉ΂‡˛ÚÒfl,
ÂÒÎË Ì‡Ê‡Ú‡ Ô‰‡Î¸
ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓꢀ‰ Ë Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ»,
ÔÓ͇ Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ ÌÂ
ÓÚÔÛÒÚËÚ Ô‰‡Î¸, ÌÓ ‚Ò ‰ꢀÛ„Ë ÌÓÚ˚ ÔꢀӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ.
«ÒÓÒÚÂÌÛÚÓ».
艇θ «ÒÓÒÚÂÌÛÚÓ» ÌÂ
‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔꢀ‰ÂÎÂÌÌ˚Â
ÚÂÏ·ꢀ˚ „ꢀÛÔÔ [PERCUSSION]
Ë [XG].
ÖÒÎË Ì‡Ê‡Ú¸ ÒꢀÂ‰Ì˛˛ Ô‰‡Î¸, ÍÓ„‰‡
̇ʇڇ Í·‚˯‡, ÌÓÚ‡ ·Û‰ÂÚ Á‚Û˜‡Ú¸, ÔÓ͇
‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸.
èêàåÖóÄçàÖ
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË
ÏÓÊÌÓ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ (ÒÚꢀ. 142).
ÖÒÎË ‚˚·ꢀ‡Ì ÚÂÏ·ꢀ ꢀÓflÎfl, ̇ʇÚË ˝ÚÓÈ Ô‰‡ÎË ÔꢀË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ꢀÓÏÍÓÒÚË Ë
΄ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·ꢀ‡ ÌÓÚ.
èꢀËÒ‚ÓÂÌÌ˚ ˝ÚÓÈ Ô‰‡ÎË Ì‡ÒÚꢀÓÈÍË ÏÓ„ÛÚ ꢀ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó ÚÂÏ·ꢀ‡.
■ çÓÊÌÓÈ ÍÓÌÚꢀÓÎÎÂꢀ/艇θÌ˚È ÔÂꢀÂÍβ˜‡ÚÂθ
ÑÓÔÓÎÌËÚÂθÌ˚È ÌÓÊÌÓÈ ÍÓÚꢀÓÎÎÂꢀ ÍÓꢀÔÓꢀ‡ˆËË Yamaha (FC7) ËÎË Ô‰‡Î¸Ì˚È ÔÂꢀÂÍβ˜‡ÚÂθ (FC4 ËÎË FC5) ÏÓ„ÛÚ ÔÓ‰ÒÓ‰ËÌflÚ¸Òfl
Í ꢀ‡Á˙ÂÏÛ AUX PEDAL Ë ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÍÓÌÚꢀÓÎfl ̇‰ ꢀ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË, ̇Á̇˜ÂÌÌ˚ÏË Ì‡ ÒÚꢀ‡Ìˈ FUNCTION
(ÒÚꢀ. 142).
CVP-210/208
62
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ëÚËÎË
Ç CVP-210/208 ‚ÒÚꢀÓÂÌ˚ ÒÚËÎË (‚‡ꢀˇÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡ꢀ‡ÍÚÂꢀÌ˚ ‰Îfl ÏÌÓÊÂÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ʇÌꢀÓ‚, ‚Íβ˜‡fl ÔÓÔ-
ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂꢀË͇ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ ÏÛÁ˚ÍÛ. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏË, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔꢀÓÒÚÓ ·ꢀ‡Ú¸ ΂ÓÈ ꢀÛÍÓÈ
‡ÍÍÓꢀ‰˚. Ç˚·ꢀ‡ÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚‡Ï ÔÓ‰˚„ꢀ˚‚‡Ú¸, Ï„ÌÓ‚ÂÌÌÓ ꢀ‡„ËꢀÛfl ̇ ÒÏÂÌÛ ‡ÍÍÓꢀ‰‡.
èÓÔꢀÓ·ÛÈÚ ‚˚·ꢀ‡Ú¸ ÌÂÒÍÓθÍÓ ÒÚËÎÂÈ (ÒÏ. ‰ÓÔÓÎÌËÚÂθÌ˚È ÒÔËÒÓÍ) Ë ‚ÓÒÔꢀÓËÁ‚ÂÒÚË Ëı.
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ
˝Íꢀ‡ÌÛ [MAIN], Ò̇˜‡Î‡
̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
1
A
B
C
D
èêàåÖóÄçàÖ
BACK
NEXT
2
èÂꢀ˜Â̸ ‚ÒÚꢀÓÂÌÌ˚ı ÒÚËÎÂÈ
ÒÓ‰ÂꢀÊËÚÒfl ‚ ‰ÓÔÓÎÌËÚÂθÌÓÏ
ÒÔËÒÍÂ (ÒÔËÒÍÂ ÒÚËÎÂÈ).
2-1 Ç˚·ÂꢀËÚ ꢀ‡Á‰ÂÎ
Ô‡ÏflÚË (Preset, User,
Floppy Disk) ‰Îfl
A
B
C
D
E
F
G
H
I
ÒÓıꢀ‡ÌÂÌËfl ÒÚËÎfl.
J
2-2 Ç˚·ÂꢀËÚ ÒÚËθ.
èꢀË ÓÚÍꢀ˚ÚËË Í‡Ú‡ÎÓ„‡ ÌËÊÌÂ„Ó ÛꢀÓ‚Ìfl ˝Ú‡
ÍÌÓÔ͇ (UP) ÔÓÁ‚ÓÎflÂÚ ÔÂꢀÂÈÚË Ì‡ ‚ÂꢀıÌËÈ
ÛꢀÓ‚Â̸, „‰Â ‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ „ꢀÛÔÔÛ
ÒÚËÎÂÈ.
1
2
3
4
5
6
7
8
CVP-210/208
63
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ëÚËÎË
èêàåÖóÄçàÖ
ÇÍβ˜Ë‚ ÍÌÓÔÍÛ [ACMP], ‚˚ ÏÓÊÂÚ ·ꢀ‡Ú¸ ËÎË Û͇Á˚‚‡Ú¸ ‡ÍÍÓꢀ‰˚ Ò ÔÓÏÓ˘¸˛ ꢀ‡Á‰Â·
Í·‚ˇÚÛꢀ˚, Óڂ‰ÂÌÌÓ„Ó ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚
˝ÚËÏ ꢀ‡Á‰ÂÎÓÏ ÏÓÊÂÚ ·˚Ú¸ ÁÓ̇, Óڂ‰ÂÌ̇fl ÔÓ‰ ÚÂÏ·ꢀ ‰Îfl ΂ÓÈ ꢀÛÍË, ÎË·Ó ‚Òfl Í·‚ˇÚÛꢀ‡.)
Ç˚ ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸
„ꢀ‡Ìˈ˚ ꢀ‡Á‰Â· Í·‚ˇÚÛꢀ˚
‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ÒÚꢀ. 141).
3
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
èêàåÖóÄçàÖ
Sync. Start
ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START (ÒËÌıꢀÓÌÌ˚È Á‡ÔÛÒÍ).
4
ÖÒÎË ˝Ú‡ ÍÌÓÔ͇ ‚Íβ˜Â̇, ÚÓ
‰Îfl Á‡ÔÛÒ͇ ÒÚËÎfl ‰ÓÒÚ‡ÚÓ˜ÌÓ
ÔꢀÓÒÚÓ Ì‡˜‡Ú¸ Ë„ꢀ‡Ú¸ ̇
Í·‚ˇÚÛꢀÂ.
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
èêàåÖóÄçàÖ
•
•
á‡ÔÛÒÍ ꢀËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚
(‰ÓꢀÓÊÂÍ) ÒÚËÎfl
ÔꢀÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ
ÍÌÓÔÍË [START/STOP].
ùÚË ‰ÓꢀÓÊÍË ÏÓÊÌÓ Ú‡ÍÊÂ
Á‡ÔÛÒÚËÚ¸, Û‰‡ꢀË‚ ÔÓ ÍÌÓÔÍÂ
[TAP TEMPO]. éÒÚ‡ÌÓ‚ËÚÂ
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl Ë
Û‰‡ꢀ¸Ú ÔÓ ÍÌÓÔÍ [TAP
TEMPO] ÚꢀË, ˜ÂÚ˚ꢀ ËÎË
ÔflÚ¸ ꢀ‡Á (ÚꢀË ꢀ‡Á‡ – ‰Îfl
ꢀ‡ÁÏÂꢀ‡ 3/4, ˜ÂÚ˚ꢀ – ‰Îfl
ꢀ‡ÁÏÂꢀÓ‚ 2/4 Ë 4/4, ÔflÚ¸ ꢀ‡Á
– ‰Îfl ꢀ‡ÁÏÂꢀ‡ 5/4).
ëÚËθ Á‡ÔÛÒÚËÚÒfl Òꢀ‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
5
낉ÂÌËfl Ó· ‡ÔÔÎË͇ÚÛꢀ ‡ÍÍÓꢀ‰Ó‚ ÒÏ. ÒÚꢀ. 66.
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ TEMPO [ ] [ ] Ë [TAP
TEMPO].
ëÍÓꢀÓÒÚ¸ ÒÂꢀËË Û‰‡ꢀÓ‚ ÔÓ ÍÌÓÔÍÂ
[TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ
ÚÂÏÔ‡.
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èêàåÖóÄçàÖ
äÓ„‰‡ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ò ÔÂÒÌÂÈ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl ͇ÍÓÈ-ÎË·Ó
ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÓ
˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Á‡ÔËÒ‡ÌÌ˚ ̇ ͇̇Î˚ 9 – 16,
‚ꢀÂÏÂÌÌÓ Á‡ÏÂÌfl˛ÚÒfl
éÒÚ‡ÌÓ‚ËÚÂ
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl.
éÚÍβ˜ËÚ ÍÌÓÔÍÛ
ACMP.
END
6
STYLE
ACMP
SYNC.STOP SYNC.START START / STOP
‚˚·ꢀ‡ÌÌ˚Ï ÒÚËÎÂÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡ÍËÏ
Ó·ꢀ‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ
‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓËÒ͇ڸ ÒÚËθ,
̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl
‰‡ÌÌÓÈ ÔÂÒÌË (ÒÚꢀ. 79).
ï‡ꢀ‡ÍÚÂꢀËÒÚËÍË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ï‡ꢀ‡ÍÚÂꢀËÒÚËÍË ÌÂÍÓÚÓꢀ˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ËÏÂ̇ÏË ÒÚËÎfl ̇ ˝Íꢀ‡Ì Open/Save.
ëÂÒÒËfl (Session!)
ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ÔÓ‚˚¯ÂÌÌ˚Ï ꢀ‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔꢀÓ‚ÓʉÂÌËfl. í‡ÍÓÈ ˝ÙÙÂÍÚ ‰ÓÒÚË„‡ÂÚÒfl Á‡ Ò˜ÂÚ ÏËͯËꢀÓ‚‡ÌËfl ËÒıÓ‰Ì˚ı Ë
ËÁÏÂÌÂÌÌ˚ı ÚËÔÓ‚ ‡ÍÍÓꢀ‰Ó‚. äꢀÓÏ ÚÓ„Ó, ÒÓÎÓ ÏÓÊÂÚ „‡ꢀÏÓÌËÁËꢀÓ‚‡Ú¸Òfl ꢀËÙÙ‡ÏË Ò ÏÓ‰ËÙˈËꢀÓ‚‡ÌÌÓÈ ‡ÍÍÓꢀ‰Ó‚ÓÈ ÒÚꢀÛÍÚÛꢀÓÈ. чÌÌ˚ ÒÚËÎË
ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËflÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓΠÔꢀÓÙÂÒÒËÓ̇θÌÓ. èꢀË ËÒÔÓθÁÓ‚‡ÌËË ˝ÚËı ÒÚËÎÂÈ
ÌÂÓ·ıÓ‰ËÏÓ Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ÓÌË ÔÓ‰ıÓ‰flÚ Ì ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë Ì ‰Îfl ‚ÒÂı ʇÌꢀÓ‚. èÓ˝ÚÓÏÛ ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË ÓÔꢀ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„ꢀ˚ ‡ÍÍÓꢀ‰‡ÏË
ÔꢀËÏÂÌÂÌË ڇÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ӯ˷ÍÓÈ Ë ‰‡Ê ÔꢀË‚ÂÒÚË Í Ì‡ꢀÛ¯ÂÌËflÏ „‡ꢀÏÓÌËË. Ç ÌÂÍÓÚÓꢀ˚ı ÒËÚÛ‡ˆËflı ‚ÁflÚË ÔꢀÓÒÚÓ„Ó
χÊÓꢀÌÓ„Ó ÚꢀÂÁ‚Û˜Ëfl ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ‚ÓÒÔꢀÓËÁ‚‰ÂÌ˲ ÒÂÔÚ‡ÍÍÓꢀ‰‡ ÎË·Ó, ̇ÔꢀËÏÂꢀ, ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ ꢀ„ËÒÚꢀ ÏÓÊÂÚ ·˚Ú¸
Ó·˚„ꢀ‡Ì ÌÂÓÊˉ‡ÌÌ˚Ï Ó·ꢀ‡ÁÓÏ ËÎË ÌÂÔꢀ‡‚ËθÌÓ.
äÓÏ·Ó (Piano Combo!)
àÌÒÚꢀÛÏÂÌÚ˚, Á‡‰ÂÈÒÚ‚Ó‚‡ÌÌ˚ ‚ ˝ÚËı ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ó·˚˜ÌÓ fl‚Îfl˛ÚÒfl ÓÒÌÓ‚ÓÈ ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌÌÓ„Ó ÚꢀËÓ (ÙÓꢀÚÂÔˇÌÓ, ·‡Ò Ë Û‰‡ꢀÌ˚Â). àÌÓ„‰‡ Í
ÌËÏ ÔꢀËÒÓ‰ËÌfl˛ÚÒfl ‰ꢀÛ„Ë ËÌÒÚꢀÛÏÂÌÚ˚. èÓÒÍÓθÍÛ Ï˚ ËÏÂÂÏ ‰ÂÎÓ Ò Ì·Óθ¯ËÏ ‡Ì҇ϷÎÂÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‡ÒÍÂÚ˘ÌÓ. ùÚÓ
ÏÓÊÌÓ ˝ÙÙÂÍÚÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‡ꢀ‡ÌÊËꢀӂ͇ı ÏÌÓÊÂÒÚ‚‡ Ò‡Ï˚ı ꢀ‡ÁÌ˚ı ÔÂÒÂÌ.
èˇÌËÒÚ (Pianist!)
ùÚË ÒÔˆˇθÌ˚ ÒÚËÎË Ó·ÂÒÔ˜˂‡˛Ú ÚÓθÍÓ ÙÓꢀÚÂÔˇÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˝ÙÙÂÍÚË‚ÌÓ ‚ÓÒÒÓÁ‰‡‚‡fl ËÒÔÓÎÌÂÌˠ΂ÓÈ ꢀÛÍÓÈ ËÒÍÛÒÌÓ„Ó ÔˇÌËÒÚ‡.
ÇÓÒÔꢀÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡ÍÍÓꢀ‰˚ ΂ÓÈ ꢀÛÍÓÈ, ‚˚ ÏÓÊÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ÎflÚ¸ ÒÎÓÊÌ˚ ‡ꢀÔ‰ÊËÓ Ë ·‡Ò/Ùꢀ‡Á˚ ‡ÍÍÓꢀ‰Ó‚, Ú‡ÍËÂ Í‡Í ÒÎÓÊÌ˚Â
ÙÓꢀÚÂÔˇÌÌ˚ ԇꢀÚËË ÒÚꢀ‡È‰-ÒÚËÎfl.
CVP-210/208
64
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ëÚËÎË
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÚÓθÍÓ ꢀËÚÏ˘ÂÒÍËı ‰ÓꢀÓÊÂÍ ÒÚËÎfl
èêàåÖóÄçàÖ
êËÚÏ˘ÂÒÍË ͇̇Î˚ (‰ÓꢀÓÊÍË)
fl‚Îfl˛ÚÒfl ÒÓÒÚ‡‚Ì˚ÏË ˜‡ÒÚflÏË
ÒÚËÎÂÈ. ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl
ÔꢀËÏÂÌfl˛ÚÒfl ÓÒÓ·˚Â
Ç˚·ÂꢀËÚ ÒÚËθ (ÒÚꢀ. 63).
1
ꢀËÚÏ˘ÂÒÍË ÛÁÓꢀ˚.
èêàåÖóÄçàÖ
ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl
ÒËÌıꢀÓÒÚ‡ꢀÚ‡ (Sync Start),
Á‡ÔÛÒÍ ꢀËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚
ÔꢀÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ Î˛·ÓÈ
Í·‚Ë¯Ë (ÍÌÓÔ͇
2
á‡ÔÛÒÍ ꢀËÚχ.
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
[SYNC.START]).
A
B
C
D
Ç˚Íβ˜ËÚ ÍÌÓÔÍÛ.
à„ꢀ‡ÈÚÂ Ò ‚Íβ˜ÂÌÌ˚Ï ꢀËÚÏÓÏ.
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] Ë [TAP TEMPO].
ëÍÓꢀÓÒÚ¸ ÒÂꢀËË Û‰‡ꢀÓ‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÚÂÏÔ‡.
3
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·ꢀ‡Ì‡ „ꢀÛÔÔ‡ ÒÚËÎfl
«PIANIST», ꢀËÚÏ ÌÂ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl. ÇÒ„‰‡
ÔꢀÓ‚ÂꢀflÈÚÂ, ‚Íβ˜ÂÌ ÎË ACMP,
ÍÓ„‰‡ ıÓÚËÚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
Ó‰ÌËÏ ËÁ ˝ÚËı ÒÚËÎÂÈ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ꢀËÚχ,
̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
END
ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË / ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚
ùÍꢀ‡Ì BALANCE (·‡Î‡ÌÒ)
ó‡ÒÚ¸ MIC (ÏËÍꢀÓÙÓÌ)
ó‡ÒÚ¸ STYLE (ꢀ‡Á‰ÂÎ,
ó‡ÒÚË, ÍÓÚÓꢀ˚ ˄ꢀ‡˛ÚÒfl ̇
Í·‚ˇÚÛꢀ (MAIN/LAYER/LEFT)
Óڂ‰ÂÌÌ˚È ÔÓ‰
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì
BALANCE.
ó‡ÒÚ¸ SONG (ÔÂÒÌfl)
éÚꢀ„ÛÎËꢀÛÈÚ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ˜‡ÒÚË.
BALANCE
CHANNEL
èêàåÖóÄçàÖ
ON / OFF
ùÍꢀ‡Ì CHANNEL ON/OFF
ä‡Ì‡Î
PART
ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI,
ËÒÔÓθÁÛÂÏ˚È ‚ ÔÂÒÌÂ
(ÒÚꢀ. 161). ä‡Ì‡Î˚
ꢀ‡ÒÔꢀ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ
Ó·ꢀ‡ÁÓÏ.
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì
Channel ON/
OFF.
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì STYLE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [CHANNEL ON/OFF], ‡ Á‡ÚÂÏ
èÂÒÌfl
ÓÚÍβ˜ËÚ ÌÂÌÛÊÌ˚È ËÌÒÚꢀÛÏÂÌÚ. óÚÓ·˚ ÒÎÛ¯‡Ú¸ ÚÓθÍÓ Ò‡Ï ËÌÒÚꢀÛÏÂÌÚ,
̇ÊÏËÚÂ Ë Û‰ÂꢀÊË‚‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡, ˜ÚÓ·˚ Á‡‰‡Ú¸
͇̇ΠSOLO. ÑÎfl ÓÚÏÂÌ˚ SOLO ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡
¢ ꢀ‡Á.
1 - 16
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
CVP-210/208
65
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ëÚËÎË
ÄÍÍÓꢀ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛꢀ‡
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓÊÌÓ ÛÔꢀ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓꢀ‰Ó‚ Ò΂‡ ÓÚ ÚÓ˜ÍË ꢀ‡Á·ËÂÌËfl Í·‚ˇÚÛꢀ˚. çËÊ Ôꢀ˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ
ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛꢀ˚. èÂꢀÂȉËÚ ̇ ÒÚꢀ‡ÌËˆÛ CHORD FINGERING (ÒÚꢀ. 142) Ë ‚˚·ÂꢀËÚ ӷ˙ÂÍÚ Chord Fingerings (ÚËÔ˚
‡ÍÍÓꢀ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛꢀ˚). Ç˚ ۂˉËÚ ‚‡ꢀˇÌÚ˚ ‡ÍÍÓꢀ‰Ó‚ ‰Îfl ΂ÓÈ ꢀÛÍË.
SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ)
чÌÌ˚È ‚‡ꢀˇÌÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔꢀÂÍꢀ‡ÒÌ˚ ÓꢀÍÂÒÚꢀÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ï‡ÊÓꢀÌ˚ı Ë ÏËÌÓꢀÌ˚ı
‡ÍÍÓꢀ‰Ó‚, ‡ Ú‡ÍÊ ÒÂÔÚ‡ÍÍÓꢀ‰Ó‚. èꢀË ˝ÚÓÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Î˯¸ ÏËÌËÏÛÏ Í·‚˯ ‚ ꢀ‡Á‰ÂΠÍ·‚ˇÚÛꢀ˚, Óڂ‰ÂÌÌÓÏ
ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ‰‡ÌÌÓÏ ꢀÂÊËÏ ËÒÔÓθÁÛÂÚÒfl ÛÔꢀÓ˘ÂÌ̇fl ‡ÍÍÓꢀ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛꢀ‡ (ÒÏ. ÌËÊÂ).
ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ÁflÚ¸ χÊÓꢀÌ˚È ‡ÍÍÓꢀ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ
óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓꢀÌ˚È ‡ÍÍÓꢀ‰, ̇ÊÏËÚ ӉÌÓ‚ꢀÂÏÂÌÌÓ
‚ÁflÚ¸ Î˯¸ Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ.
Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ˜ÂꢀÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
óÚÓ·˚ ‚ÁflÚ¸ ÒÂÔÚ‡ÍÍÓꢀ‰, ̇ÊÏËÚ ӉÌÓ‚ꢀÂÏÂÌÌÓ
Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰, ̇ÊÏËÚÂ
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ò Í·‚˯ÂÈ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ·ÂÎÛ˛ Ë
˜ÂꢀÌÛ˛ Í·‚Ë¯Ë Ò΂‡ ÓÚ ÌÂÂ.
èêàåÖóÄçàÖ
MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË)
îÛÌ͈Ëfl ꢀ‡ÒÔÓÁ̇‚‡ÌËfl
Ç ꢀÂÊËÏ Multi Finger ‡ÔÔÎË͇ÚÛꢀ‡ ‡ÍÍÓꢀ‰Ó‚, Á‡‰‡ÌÌ˚ı ÏÂÚÓ‰‡ÏË Single Finger Ë Fingered,
ꢀ‡ÒÔÓÁ̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Û‰Ó·ÌÓ, Ú‡Í Í‡Í ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚
‡ÔÔÎË͇ÚÛꢀ˚ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÂꢀÂÍβ˜ÂÌËfl ꢀÂÊËÏÓ‚. ÖÒÎË ‚ ꢀÂÊËÏ MULTI FINGER
Úꢀ·ÛÂÚÒfl ‚ÁflÚ¸ ÏËÌÓꢀÌ˚È ‡ÍÍÓꢀ‰, ÒÂÔÚ‡ÍÍÓꢀ‰ ËÎË ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ ÏÂÚÓ‰ÓÏ SINGLE
FINGER, ‚Ò„‰‡ ̇ÊËχÈÚ ˜ÂꢀÌ˚Â/·ÂÎ˚ Í·‚˯Ë, ·ÎËʇȯËÂ Í ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓꢀ‰‡.
‡ÍÍÓꢀ‰Ó‚ ‚ ꢀÂÊËÏ AI Full
Keyboard (‚Òfl Í·‚ˇÚÛꢀ‡)
ÔÓ‰‰ÂꢀÊË‚‡ÂÚÒfl ‰Îfl ‡ÍÍÓꢀ‰Ó‚
‰ÎËÚÂθÌÓÒÚ¸˛ ÔꢀËÏÂꢀÌÓ ÓÚ
Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ. ÄÍÍÓꢀ‰˚ ÏÂÌÂÂ
ÔꢀÓ‰ÓÎÊËÚÂθÌÓ„Ó Á‚Û˜‡ÌËfl,
˜ÂÏ Ó‰Ì‡ ‚ÓҸχfl, ÏÓ„ÛÚ ÌÂ
ꢀ‡ÒÔÓÁ̇‚‡Ú¸Òfl.
FINGERED (Úꢀ‡‰ËˆËÓÌÌ˚È)
Ç ˝ÚÓÏ ꢀÂÊËÏ ‚˚ ÏÓÊÂÚ ·ꢀ‡Ú¸ ‡ÍÍÓꢀ‰˚ ‚ ꢀ‡Á‰ÂÎÂ, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÔꢀË‚˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ. ç‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡Ìˈ Ôꢀ‰ÒÚ‡‚ÎÂÌ ÒÔËÒÓÍ ÚËÔÓ‚ ‡ÍÍÓꢀ‰Ó‚,
ꢀ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ꢀÂÊËÏ Fingered.
FINGERED ON BASS (Úꢀ‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)
èêàåÖóÄçàÖ
чÌÌ˚È ꢀÂÊËÏ ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÚÛ Ê ‡ÔÔÎË͇ÚÛꢀÛ, ˜ÚÓ Ë ꢀÂÊËÏ FINGERED. éÚ΢ˠÒÓÒÚÓËÚ ‚
ÚÓÏ, ˜ÚÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡, Ò˚„ꢀ‡Ì̇fl ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â
·‡ÒÓ‚ÓÈ ÌÓÚ˚. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ·ꢀ‡Ú¸ ‡ÍÍÓꢀ‰˚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ.
ç‡ÔꢀËÏÂꢀ, ˜ÚÓ·˚ Û͇Á‡Ú¸ ‰Ó-χÊÓꢀÌÓ ÚꢀÂÁ‚Û˜ËÂ Ò ·‡ÒÓÏ «ÏË», ‚ÓÁ¸ÏËÚ ‡ÍÍÓꢀ‰ Ú‡ÍËÏ Ó·ꢀ‡ÁÓÏ,
˜ÚÓ·˚ «ÏË» Ó͇Á‡Î‡Ò¸ Ò‡ÏÓÈ ÌËÁÍÓÈ ÌÓÚÓÈ (ÏË, ÒÓθ, ‰Ó).
Ç ꢀÂÊËÏÂ Full Keyboard (‚Òfl
Í·‚ˇÚÛꢀ‡) ‡ÍÍÓꢀ‰
ꢀ‡ÒÔÓÁ̇ÂÚÒfl ÔÓ ‰‚ÛÏ ÌËÊÌËÏ
ÌÓÚ‡Ï. ÖÒÎË Ó·Â ˝ÚË ÌÓÚ˚
ꢀ‡ÒÔÓÎÓÊÂÌ˚ ‚ Ôꢀ‰Â·ı Ó‰ÌÓÈ
ÓÍÚ‡‚˚, ÓÌË ‚ÓÒÔꢀËÌËχ˛ÚÒfl
Í‡Í ‡ÍÍÓꢀ‰. ÖÒÎË ËÌÚÂꢀ‚‡Î
ÏÂÊ‰Û ÌËÏË Ôꢀ‚˚¯‡ÂÚ ÓÍÚ‡‚Û,
҇χfl ÌËÁ͇fl ÌÓÚ‡ ÔꢀËÌËχÂÚÒfl
Á‡ ·‡Ò, ‡ ‡ÍÍÓꢀ‰ ÓÔꢀ‰ÂÎflÂÚÒfl
̇ ÓÒÌÓ‚Â ‚ÚÓꢀÓÈ ÌÓÚ˚ Ë ‰ꢀÛ„Ëı
ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ÚÓÈ Ê ÓÍÚ‡‚Â
ÌÓÚ.
FULL KEYBOARD (‚Òfl Í·‚ˇÚÛꢀ‡)
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ꢀ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓꢀ‰˚, ‚ÁflÚ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛꢀ˚. ê‡ÒÔÓÁ̇‚‡ÌËÂ
‡ÍÍÓꢀ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔꢀËÌflÚ˚È ‚ ꢀÂÊËÏ Fingered. ÄÍÍÓꢀ‰˚ ÓÔꢀ‰ÂÎfl˛ÚÒfl ‰‡Ê ‚ ÚÂı
ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂꢀÛÚÒfl Òꢀ‡ÁÛ ‰‚ÛÏfl ꢀÛ͇ÏË: ̇ÔꢀËÏÂꢀ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂꢀÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡
Ôꢀ‡‚ÓÈ — ‡ÍÍÓꢀ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓꢀ‰ ·ÂꢀÂÚÒfl ΂ÓÈ ꢀÛÍÓÈ, ‚ ÚÓ ‚ꢀÂÏfl Í‡Í Ôꢀ‡‚‡fl ‚‰ÂÚ
ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲.
AI FINGERED (Úꢀ‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ꢀÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ꢀÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ,
˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓꢀ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚꢀË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓꢀ‰‡
ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„ꢀ‡ÌÌÓÏ ‡ÍÍÓꢀ‰Â Ë Ú.‰.
èêàåÖóÄçàÖ
AI
àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ
AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛꢀ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
èꢀË ‚˚·Óꢀ ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ꢀÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CVP-210/208 ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË
‡ÍÍÓÏÔ‡ÌËꢀÓ‚‡Ú¸ ‚‡Ï ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ Ò˚„ꢀ‡ÌÌ˚ı ‚‡ÏË ÌÓÚ Ë ꢀ‡Á‰Â· Í·‚ˇÚÛꢀ˚. à„ꢀ‡Ú¸ ÔꢀË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË ꢀÛ͇ÏË. LJÏ
Ì ÔꢀˉÂÚÒfl ÛÚꢀÛʉ‡Ú¸ Ò·fl Û͇Á‡ÌËÂÏ ‡ÍÍÓꢀ‰Ó‚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ïÓÚfl ꢀÂÊËÏ AI Full Keyboard Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl
‡ÍÍÓÏÔ‡ÌËꢀÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓꢀ˚ı ‡ꢀ‡ÌÊËꢀÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔꢀËÂÏÎÂÏ˚Ï.
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ꢀÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ꢀÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓꢀ‰‡
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚꢀË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓꢀ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„ꢀ‡ÌÌÓÏ ‡ÍÍÓꢀ‰Â Ë Ú.‰.)
ÄÍÍÓꢀ‰˚ 9 Ë 11 ÔꢀÓË„ꢀ‡Ú¸ ÌÂθÁfl.
CVP-210/208
66
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ëÚËÎË
íËÔ˚ ‡ÍÍÓꢀ‰Ó‚, ꢀ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ꢀÂÊËÏ Fingered (‚ ͇˜ÂÒÚ‚Â ÔꢀËÏÂꢀ‡ Ôꢀ˂‰ÂÌ˚ ‡ÍÍÓꢀ‰˚ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó»)
ꢁ
11
ꢀ
ꢀ
5
C9
C6
C6 9
CM7
Cm9
Cdim
CM79
CM7
Cm7
C7
C 5
CM7
C
Csus4
CmM7
C79
Caug
CmM7 9
CM7aug
Cm
Cm6
Cm79
Cm711
ꢀ
ꢀ
5
ꢀ
9
ꢀ
13
Cm7 5
CmM7
Cdim7
C7aug
C7
C7
ꢁ
ꢁ
C713
C7
C7sus4
Csus2
11
9
ꢀ
5
C7
C7
èêàåÖóÄçàÖ
ç‡Á‚‡ÌË ‡ÍÍÓꢀ‰‡ [ÒÓÍꢀ‡˘ÂÌÌÓ]
èꢀflÏÓ ËÁÎÓÊÂÌËÂ
ìÒÎÓ‚ÌÓÂÓ·ÓÁ̇˜ÂÌËÂ
‡ÍÍÓꢀ‰‡ (Ò ÓÒÌÓ‚Ì˚Ï
ÚÓÌÓÏ «‰Ó»)
•
•
çÓÚ˚, Á‡Íβ˜ÂÌÌ˚ ‚
ÍꢀÛ„Î˚Â ÒÍÓ·ÍË, ÏÓÊÌÓ ÌÂ
Ë„ꢀ‡Ú¸.
å‡ÊÓꢀÌÓ ÚꢀÂÁ‚ۘˠ[M]
çÓ̇ÍÍÓꢀ‰ [9]
1 - 3 - 5
C
èꢀË Ì‡Ê‡ÚËË ÚꢀÂı
1 - 2 - 3 - 5
C9
ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ı ꢀfl‰ÓÏ
Í·‚˯ (‚Íβ˜‡fl ˜ÂꢀÌ˚Â) ‚
ꢀÂÊËχı FINGERED,
FINGERED ON BASS Ë AI
FINGERED, ‡ÍÍÓꢀ‰ ÔÂꢀÂÒÚ‡ÂÚ
Á‚Û˜‡Ú¸; ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl
·Û‰ÂÚ ÚÓθÍÓ ꢀËÚÏ (ÙÛÌ͈Ëfl
Chord Cancel). í‡ÍËÏ
Ó·ꢀ‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚ β·ÓÈ
ÏÓÏÂÌÚ Ó„ꢀ‡Ì˘ËÚ¸ Ô‡ꢀÚ˲
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ꢀËÚÏ˘ÂÒÍËÏË ÙË„Ûꢀ‡ÏË.
ÇÁfl‚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ˜ÂꢀÂÁ
ÓÍÚ‡‚Û, ‚˚ ÛÒÎ˚¯ËÚÂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È
Î˯¸ ̇ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ.
ÇÁfl‚ ˜ËÒÚÛ˛ Í‚ËÌÚÛ (1 + 5),
‚˚ ÛÒÎ˚¯ËÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÓÒÌÓ‚‡ÌÌ˚È Ì‡ ÓÒÌÓ‚ÌÓÏ
ÚÓÌÂ Ë Í‚ËÌÚÂ.
àÌÓ„‰‡ ÒÚËθ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ
ÏÂÌflÂÚÒfl ÔꢀË
ÔÓÒΉӂ‡ÚÂθÌÓÏ ‚ÁflÚËË
·ÎËÁÍËı ÔÓ Á‚Û˜‡Ì˲
‡ÍÍÓꢀ‰Ó‚ (̇ÔꢀËÏÂꢀ, ÍÓ„‰‡
ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰
ÒΉÛÂÚ Á‡ ÏËÌÓꢀÌ˚ÏË
ÚꢀÂÁ‚Û˜ËflÏË).
Ç ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-
210/208 Ôꢀ‰ÛÒÏÓÚꢀÂ̇
‚ÓÁÏÓÊÌÓÒÚ¸ Ó·Û˜ÂÌËfl
ËÒÔÓÎÌËÚÂÎfl ‡ÍÍÓꢀ‰Ó‚ÓÈ Ë„ꢀÂ
‚ ꢀÂÊËÏ Fingered. ÖÒÎË ‚‡Ò
ËÌÚÂꢀÂÒÛÂÚ ÒÓ˜ÂÚ‡ÌËÂ
Í·‚˯ ‚ ͇ÍÓÏ-ÎË·Ó ‡ÍÍÓꢀ‰Â,
Û͇ÊËÚÂ Â„Ó Ì‡ ˝Íꢀ‡ÌÂ
CHORD FINGERING
ëÂÍÒÚ‡ÍÍÓꢀ‰ [6]
ëÂÍÒÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [69]
1 - (3) - 5 - 6
C6
1 - 2 - 3 - (5) - 6 or 3 - 6 - 2*
1 - 3 - (5) - 7
C69
å‡ÊÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [M7]
å‡ÊÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [M79]
CM7
1 - 2 - 3 - (5)j - 7
CM79
ꢁ11
ꢁ
ꢁ
ꢁ11
å‡ÊÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7
]
1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 CM7
ꢀ
ꢀ
ꢀ
å‡ÊÓꢀÌÓ ÚꢀÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [ 5]
1 - 3 -
5
C 5
ꢀ5
ꢀ
ꢀ5
å‡ÊÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7
ᇉÂꢀʇÌ̇fl Í‚‡ꢀÚ‡ [sus4]
]
1 - 3 - 5 - 7
CM7
1 - 4 - 5
Csus4
Caug
CM7aug
Cm
•
•
•
ꢁ
ì‚Â΢ÂÌÌÓ ÚꢀÂÁ‚ۘˠ[aug]
1 - 3 -
5
ꢁ
ì‚Â΢ÂÌÌ˚È Ï‡ÊÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [M7aug]
åËÌÓꢀÌÓ ÚꢀÂÁ‚ۘˠ[m]
1 - (3) - 5 - 7
ꢀ
1 - 3 - 5
ꢀ
åËÌÓꢀÌ˚È ÌÓ̇ÍÍÓꢀ‰ [m9]
1 - 2 - 3 - 5
Cm9
ꢀ
åËÌÓꢀÌ˚È ÒÂÍÒÚ‡ÍÍÓꢀ‰ [m6]
1 - 3 - 5 - 6
Cm6
ꢀ
ꢀ
åËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [m7]
åËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m79]
åËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [m711
1 - 3 - (5) -
7
Cm7
ꢀ
ꢀ
ꢀ
ꢀ
1 - 2 - 3 - (5) - 7 or 3 - 7 - 2
Cm79
Cm711
CmM7
CmM79
ꢀ
ꢀ
]
1 - (2) - 3 - 4 - 5 - ( 7)
ꢀ
å‡ÊÓꢀÌÓ-ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [mM7]
å‡ÊÓꢀÌÓ-ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [mM79]
1 - 3 - (5) - 7
ꢀ
1 - 2 - 3 - (5) - 7
ꢀ5
ꢀ
ꢀ
ꢀ
ꢀ
åËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7
]
1 - 3 - 5 -
7
Cm7 5
ꢀ5
ꢀ
ꢀ
ꢀ5
å‡ÊÓꢀÌÓ-ÏËÌÓꢀÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [mM7
ìÏÂ̸¯ÂÌÌÓ ÚꢀÂÁ‚ۘˠ[dim]
]
1 - 3 - 5 - 7
CmM7
•
ꢀ
ꢀ
1 - 3 -
5
Cdim
Cdim7
C7
ꢀ
ꢀ
ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [dim7]
1 - 3 - 5 - 6
ꢀ
ꢀ
ëÂÔÚ‡ÍÍÓꢀ‰ [7]
1 - 3 - (5) - 7 or 1 - (3) - 5 -
7
ꢀ9
ꢀ
ꢀ
ꢀ9
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7
]
1 - 2 - 3 - (5) -
7
C7
ꢀ13
ꢀ
ꢀ
ꢀ13
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ ÚÂꢀˆ‰ÂˆËÏÓÈ [7
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [79]
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Û̉ˆËÏÓÈ [7
]
1 - 3 - 5 - 6 -
7
C7
ꢀ
ꢀ
1 - 2 - 3 - (5) - 7 or 3 - 7 - 2*
C79
ꢁ11
ꢁ
ꢁ
ꢁ11
ꢀ7 or 1 - 2 - 3 -
ꢀ7
(ÒÚꢀ. 142), Ë ‚˚ Òꢀ‡ÁÛ ÊÂ
ۂˉËÚÂ, ͇ÍË Í·‚˯Ë
ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸.
]
1 - (2) - 3 -
4 - (5) -
C7
4 - 5ꢀ-
ꢀ
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÚÂꢀˆ‰ÂˆËÏÓÈ [713
]
1 - 3 - (5) - 6 - 7 or 3 - 6 -
7
C713
ꢁ9
ꢁ
ꢁ9
ꢀ
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ë ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓꢀ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7
ì‚Â΢ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓꢀ‰ [7aug]
]
1 - 2 - 3 - (5) -
7
C7
ꢀ5
ꢀ
ꢀ
ꢀ5
]
1 - 3 - 5 -
7
7
C7
ꢁ
ꢀ
1 - 3 - 5 -
C7aug
C7sus4
Csus2
ꢀ
ëÂÔÚ‡ÍÍÓꢀ‰ Ò Á‡‰ÂꢀʇÌÌÓÈ Í‚‡ꢀÚÓÈ [7sus4]
1 - 4 - 5 -
1 - 2 - 5
7
å‡ÊÓꢀÌÓ ÚꢀÂÁ‚Û˜ËÂ Ò Á‡‰ÂꢀʇÌÌÓÈ ÒÂÍÛ̉ÓÈ [sus2]
* ê‡ÒÔÓÁ̇ÂÚÒfl Î˯¸ ˝Ú‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·ꢀ‡˘ÂÌËÂ). ÑÎfl ‡ÍÍÓꢀ‰Ó‚, Ì ÓÚϘÂÌÌ˚ı Á‚ÂÁ‰Ó˜ÍÓÈ, ‰ÓÔÛÒÚËÏ˚ β·˚ ӷꢀ‡˘ÂÌËfl.
CVP-210/208
67
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ëÚËÎË
Äꢀ‡ÌÊËꢀӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
(óÄëíà: MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO (ËÌÚꢀÓ‰Û͈Ëfl), ENDING (ÙË̇Î), BREAK (·ꢀÂÈÍ))
CVP-210/208 ꢀ‡ÒÔÓ·„‡ÂÚ ꢀ‡Á΢Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment
èêàåÖóÄçàÖ
Sections), ÍÓÚÓꢀ˚ ÔÓÁ‚ÓÎfl˛Ú ‚‡ꢀ¸ËꢀÓ‚‡Ú¸ ‡ꢀ‡ÌÊËꢀÓ‚ÍÛ ‚ Ôꢀ‰Â·ı ÒÚËÎfl. ùÚË ˜‡ÒÚË Ì‡Á˚‚‡˛ÚÒfl
Intro (ËÌÚꢀÓ‰Û͈Ëfl), Main (ÓÒÌӂ̇fl), Break (·ꢀÂÈÍ) Ë Ending (ÙË̇Î). èÂꢀÂıÓ‰fl ‚ ÔꢀÓˆÂÒÒ ˄ꢀ˚ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ, ‚˚ ÏÓÊÂڠ΄ÍÓ ‚‚Ó‰ËÚ¸ ‚ Ò‚ÓË ‡ꢀ‡ÌÊËꢀÓ‚ÍË ˝ÎÂÏÂÌÚ ÔꢀÓÙÂÒÒËÓ̇θÌÓ„Ó
ÓÚÌÓ¯ÂÌËfl Í ‰Ë̇ÏËÍ ꢀ‡Á‚ËÚËfl ÚÂÏ˚.
чÌ̇fl ÙÛÌ͈Ëfl ÏÓÊÂÚ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ꢀËÚÏ˘ÂÒÍËı
ÙË„Ûꢀ (ÒÚꢀ. 65).
èêàåÖóÄçàÖ
•
•
ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ
[INTRO], ‚ÓÒÔꢀÓËÁ‚‰ÂÚÒfl
ËÌÚꢀÓ‰Û͈Ëfl (Intro) ‚
ÒÓÔꢀÓ‚ÓʉÂÌËË
Ç˚·ÂꢀËÚ ÒÚËθ (ÒÚꢀ. 63).
1
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Óꢀ‡
˜‡ÒÚÂÈ – [BREAK], [INTRO],
[MAIN], [ENDING]
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰
– ˜‡ÒÚ¸ Ì ‚˚·ꢀ‡Ì‡.
äꢀ‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰
– ˜‡ÒÚ¸ ‚˚·ꢀ‡Ì‡.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓꢀËÚ
– ˜‡ÒÚ¸ Ì ÒÓ‰ÂꢀÊËÚ ‰‡ÌÌ˚ı
Ë Ì ÏÓÊÂÚ ·˚Ú¸ ÔꢀÓË„ꢀ‡Ì‡.
2
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
•
•
Ç˚ ÏÓÊÂÚ ‰Ë̇Ï˘ÂÒÍË
ÍÓÌÚꢀÓÎËꢀÓ‚‡Ú¸ ÛꢀÓ‚Â̸
„ꢀÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
ÔÓÒÍÓθÍÛ Ó̇ ÏÓÊÂÚ
Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚,
ÔꢀËÎÓÊÂÌÌÓÈ Í Í·‚˯‡Ï
(ÒÚꢀ. 141).
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC.
START] ÔꢀË ‚Íβ˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÓÌ
2-1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.
2-2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. óÚÓ·˚ ˜‡ÒÚ¸ INTRO ÌÂ
2-3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ îÛÌ͈Ëfl SYNC. START
‚Íβ˜Â̇.
‚ÓÒÔꢀÓËÁ‚Ӊ˷Ҹ ‚ ̇˜‡Î ‡ꢀ‡ÌÊËꢀÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO].
ÓÒÚ‡ÌÓ‚ËÚÒfl Ë ˆËÙꢀÓ‚ÓÂ
ÔˇÌËÌÓ CVP-210/208
ÔÂꢀÂȉÂÚ ‚ ꢀÂÊËÏ ÓÊˉ‡ÌËfl
Ò ÙÛÌ͈ËÂÈ ÒËÌıꢀÓÒÚ‡ꢀÚ‡.
ÑÎfl ÔÂꢀÂıÓ‰‡ ÓÚ ˜‡ÒÚË Í
˜‡ÒÚË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
Ô‰‡Î¸ (ÒÚꢀ. 142).
ó‡ÒÚ¸ Break ÔÓÁ‚ÓÎflÂÚ
Ó·Ó„‡ÚËÚ¸ ꢀËÚÏ˘ÂÒÍËÈ ÛÁÓꢀ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
‰Ë̇Ï˘ÂÒÍËÏË ‚‡ꢀˇˆËflÏË
Ë ·ꢀÂÈ͇ÏË. ùÚÓ ÔÓ‚˚¯‡ÂÚ
ÔꢀÓÙÂÒÒËÓ̇ÎËÁÏ Á‚Û˜‡ÌËfl,
˜ÚÓ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ‰Îfl
‚˚ÒÚÛÔÎÂÌËÈ ‚ÊË‚Û˛. ÖÒÎË
ÔꢀË ‚Íβ˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚
̇ÊÏÂÚ ÍÌÓÔÍÛ [BREAK],
ꢀËÚÏ˘ÂÒ͇fl ‚ÒÚ‡‚͇ ·Û‰ÂÚ
‚ÓÒÔꢀÓËÁ‚‰Â̇ ¢ ꢀ‡Á.
ÇÓ ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
·ꢀÂÈ͇ ·Û‰ÂÚ ÏË„‡Ú¸
ó‡ÒÚ¸ Intro Á‡ÔÛÒ͇ÂÚÒfl ÔÓ ÔÂꢀ‚ÓÏÛ Ì‡Ê‡Ú˲ Í·‚Ë¯Ë ‚ ꢀ‡Á‰ÂΠÍ·‚ˇÚÛꢀ˚,
Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÒÏÂÌflÂÚÒfl ˜‡ÒÚ¸˛ Main.
3
4
•
•
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
•
•
Ò‚ÂÚÓ‰ËÓ‰, Û͇Á˚‚‡˛˘ËÈ Ì‡
ÒÎÂ‰Û˛˘Û˛ ÔÓ ÔÓꢀfl‰ÍÛ
˜‡ÒÚ¸ (MAIN A/B/C/D).
ÖÒÎË ÔꢀË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[AUTO FILLIN] ‚˚ ̇ÊÏÂÚÂ
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ MAIN
éÒÌÓ‚Ì˚ ˜‡ÒÚË ÏÓÊÌÓ ÔÂꢀÂÏ¢‡Ú¸.
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
[A][B][C][D] Òꢀ‡ÁÛ ÔÓÒÎÂ
ÚÓ„Ó, Í‡Í ÓÚÁ‚Û˜ËÚ ÔÓÒΉÌflfl
‚ÓҸχfl ‚ Ú‡ÍÚÂ, ·ꢀÂÈÍ
̇˜ÌÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó
Ú‡ÍÚ‡.
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚ ·ꢀÂÈÍË.
CVP-210/208
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ëÚËÎË
èêàåÖóÄçàÖ
•
•
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ
燘ÌÂÚÒfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÍÓ̈ӂÍË. èÓ Á‡‚Âꢀ¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
‚˚Íβ˜‡ÂÚÒfl. ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÍÓ̈ӂÍË (ꢀËÚ‡ꢀ‰‡Ì‰Ó) ÏÓÊÌÓ Â˘Â ꢀ‡Á ̇ʇڸ
ÚÛ Ê ҇ÏÛ˛ ÍÌÓÔÍÛ [ENDING/rit.] ‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÍÓ̈ӂÍË.
ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ
ÍÌÓÔÍË STYLE [START/STOP].
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÚËÔ
ËÌÚꢀÓ‰Û͈ËË (Intro) Ë ÙË̇·
(Ending), ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [E] ̇ „·‚ÌÓÏ ˝Íꢀ‡ÌÂ
(MAIN) (ÒÚꢀ. 70).
END
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
A
B
C
D
•
•
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [INTRO]
‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl Òꢀ‡ÁÛ ÔÓ
ÓÍÓ̘‡ÌËË ÙË̇·.
ÖÒÎË ÔꢀË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[AUTO FILLIN] ‚˚
̇ÊËχÂÚ ÍÌÓÔÍÛ MAIN ‚Ó
‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
ÙË̇·, ·ꢀÂÈÍ Ì‡˜ÌÂÚ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl
Fade-in (ÔÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌË Á‚Û͇) Ë Fade-out (ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË Á‚Û͇)
ëÛ˘ÂÒÚ‚ÛÂÚ Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Fade-in/Fade-out, ÔÓÁ‚ÓÎfl˛˘‡fl ‰Ó·Ë‚‡Ú¸Òfl ÔÓÒÚÂÔÂÌÌÓ„Ó ÛÒËÎÂÌËfl
ËÎË Á‡ÚÛı‡ÌËfl Á‚Û͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡ꢀ‡ÒÚ‡˛˘ÂÈ
„ꢀÓÏÍÓÒÚ¸˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ÍÌÓÔÍÛ SYNC. START
(ÒËÌıꢀÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡ꢀ‡ÒÚ‡˛˘ÂÈ „ꢀÓÏÍÓÒÚ¸˛, ¢Â
ꢀ‡Á ̇ÊÏËÚ ÚÛ Ê ÍÌÓÔÍÛ.
óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÒÚÂÔÂÌÌÓ ÒÌËÊÂÌË „ꢀÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ꢀÂÏfl
Â„Ó ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡‰‡Ú¸ ‚ꢀÂÏÂÌÌ˚ ԇꢀ‡ÏÂÚꢀ˚ (ÒÚꢀ. 151).
ÌÂωÎÂÌÌÓ Ë ·Û‰ÂÚ
ÔꢀÓË„ꢀ˚‚‡Ú¸Òfl ‚ÏÂÒÚ Ò
ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚ¸˛.
•
•
ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÌÓ
Á‡ÔÛÒÚËÚ¸, ËÒÔÓθÁÛfl ÙË̇Î
‚ÏÂÒÚÓ ËÌÚꢀÓ‰Û͈ËË. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ‡‚ÚÓ‡ÍÍÓχÌÂÏÂÌÚ
·Û‰ÂÚ ÔꢀÓ‰ÓÎʇڸ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÒÎÂ
Á‡‚Âꢀ¯ÂÌËfl ÙË̇θÌÓÈ
˜‡ÒÚË.
éÒÚ‡Ìӂ͇ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔꢀË ÒÌflÚËË ꢀÛÍ Ò Í·‚ˇÚÛꢀ˚ (SYNC. STOP)
ÇÍβ˜ÂÌË ÙÛÌ͈ËË Synchro Stop (ÒËÌıꢀÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÔꢀË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ÔꢀË ÓÚÒÛÚÒÚ‚ËË Ì‡Ê‡Ú˚ı Í·‚˯ ‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÒΠÚÓ„Ó, ͇Í
·Û‰ÂÚ Ì‡Ê‡Ú‡ Ӊ̇ ËÁ Í·‚˯ ‚ ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÍ·‚ˇÚÛꢀ˚, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒÚËÚÒfl ÒÌÓ‚‡.
ÖÒÎË ‚˚ ꢀ¯ËÚ ÒÏÂÌËÚ¸
ÒÚËθ ‚ ꢀÂÊËÏÂ
ÓÚÍβ˜ÂÌÌÓ„Ó
ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ).
1
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ
ÌÓ‚Ó„Ó ÒÚËÎfl ·Û‰ÂÚ ‚˚·ꢀ‡Ì ÔÓ
ÛÏÓΘ‡Ì˲. í‡ Ê ÓÔÂꢀ‡ˆËfl
ÔꢀË ‚Íβ˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂ
ÔꢀË‚Ó‰ËÚ Í ÒÏÂÌ ÚÂÏÔ‡.
èꢀË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
STOP ACMP Ë ÓÚÍβ˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
Í‡Í ·ꢀ‡Ú¸ ‡ÍÍÓꢀ‰˚, Ú‡Í Ë
‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌ˲
(ÒÚꢀ. 141).
ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. STOP (ÒËÌıꢀÓÌ̇fl ÓÒÚ‡Ìӂ͇). SYNC. START
‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇ÂÚÒfl ÔꢀË ‚Íβ˜ÂÌËË SYNC. ÙÛÌ͈Ëfl STOP ‚Íβ˜Â̇.
2
STYLE
•
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
ëÚËθ Á‡ÔÛÒÚËÚÒfl Òꢀ‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂÎÂ
3
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
èêàåÖóÄçàÖ
îÛÌÍˆË˛ SYNC. STOP ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÔꢀË
Íꢀ‡ÚÍÓ‚ꢀÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË
Í·‚˯ ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 141).
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
è‡ꢀÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÓÒڇ̇‚ÎË‚‡Ú¸Òfl ‚ÒflÍËÈ ꢀ‡Á ‚ Ô‡ÛÁ‡ı ÏÂʉÛ
Ô‡ꢀÚËflÏË Î‚ÓÈ ꢀÛÍË.
èêàåÖóÄçàÖ
4
5
ëËÌıꢀÓÌ̇fl ÓÒÚ‡Ìӂ͇ ÌÂ
ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔꢀË
‚˚·Óꢀ ꢀÂÊËχ Full Keyboard/
AI Keyboard ËÎË ÔꢀË ÓÚÍβ˜ÂÌ-
ÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÒÌÓ‚‡
ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ
ꢀÛÍÓÈ ‡ÍÍÓꢀ‰, Ô‡ꢀÚËfl
END
̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC.
[STOP]/[SYNC. START].
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl Ò Ì‡˜‡Î‡.
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ëÚËÎË
Ç˚·Óꢀ ÚËÔÓ‚ ËÌÚꢀÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ
˝Íꢀ‡ÌÛ [MAIN], Ò̇˜‡Î‡ ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [DIRECT ACCESS], ‡
Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
1
A
B
C
D
E
D
èꢀÓË„ꢀ‡ÈÚ ÒÚËθ Ò
ËÒÔÓθÁÓ‚‡ÌËÂÏ
ËÌÚꢀÓ‰Û͈ËË (Intro)
ËÎË ÙË̇· (Ending)
(ÒÚꢀ. 30, 31).
2
3
E
Ç˚·ÂꢀËÚ ËÌÚꢀÓ‰ÛÍˆË˛
Ç˚·ÂꢀËÚ ÙË̇Î
èêàåÖóÄçàÖ
Ä‚ÚÓχÚ˘ÂÒÍÓ ÔꢀÓË„ꢀ˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔꢀË ÔÂꢀÂıÓ‰Â
ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ: Auto Fill In
ÇÒÚ‡‚͇
äÓꢀÓÚ͇fl ÏÛÁ˚͇θ̇fl Ùꢀ‡Á‡,
ÔꢀËÏÂÌflÂχfl ‰Îfl ‚‡ꢀ¸ËꢀÓ‚‡ÌËfl ÒÚËÎfl.
STYLE
1
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
D
èêàåÖóÄçàÖ
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
ÏÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ¢ ꢀ‡Á
ÍÌÓÔÍÛ MAIN.
èꢀÓË„ꢀ‡ÈÚ ÒÚËθ Ë ÔÓÔꢀÓ·ÛÈÚ ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ÔÂꢀÂÍβ˜‡Ú¸ ˜‡ÒÚË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 30, 31).
ÇÒÚ‡‚ÍË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂꢀÂꢀ˚‚‡ı ÏÂÊ‰Û ÙË„Ûꢀ‡ÏË ÓÒÌÓ‚ÌÓÈ
2
˜‡ÒÚË.
èêàåÖóÄçàÖ
îÛÌÍˆË˛ Auto Fill In
(‡‚ÚÓÁ‡ÔÓÎÌÂÌËÂ) ÏÓÊÌÓ
‚ꢀÂÏÂÌÌÓ ÓÚÍβ˜ËÚ¸ ÔÛÚÂÏ
·˚ÒÚꢀÓ„Ó ‰‚ÛÍꢀ‡ÚÌÓ„Ó Ì‡Ê‡ÚËfl
ÍÌÓÔÍË, ÓÚÌÓÒfl˘ÂÈÒfl Í
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ Auto Fill, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILLIN].
END
ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓꢀfl‰ÍÛ ˜‡ÒÚË.
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ëÚËÎË
ç‡ÒÚꢀÓÈ͇ ‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl (ÙÛÌ͈Ëfl ONE TOUCH SETTING)
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Óꢀ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı
‰Îfl ÒÚËÎfl ÚÂÏ·ꢀÓ‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚꢀÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚ꢀÂı ‚‡ꢀˇÌÚ‡ı, ÍÓÚÓꢀ˚ ÏÓÊÌÓ ‚˚·Ëꢀ‡Ú¸
·ÛÍ‚‡Î¸ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCE
ONE TOUCH SETTING
1
2
3
4
Ç˚·ÂꢀËÚ ÒÚËθ (ÒÚꢀ. 63).
1
2
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).
äꢀ‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ‚˚·ꢀ‡Ì‡.
ONE TOUCH SETTING
ëÚËθ Á‡ÔÛÒÚËÚÒfl Òꢀ‡ÁÛ,
Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ
‡ÍÍÓꢀ‰ ‚ ꢀ‡Á‰ÂÎÂ
3
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
1
2
3
4
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ
͇҇ÌË» Ì ‚˚·ꢀ‡Ì‡.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓꢀËÚ – ‰‡ÌÌ˚ı ÔÓ
̇ÒÚꢀÓÈÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÌÂÚ.
äÌÓÔ͇ ̇ÒÚꢀÓÈÍË Ì ÙÛÌ͈ËÓÌËꢀÛÂÚ.
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl ˆÂÎÓ„Ó ꢀfl‰‡ ÓÚÌÓÒfl˘ËıÒfl Í
ÒÚËβ Ô‡ꢀ‡ÏÂÚꢀÓ‚ (̇ÔꢀËÏÂꢀ, ÚÂÏ·ꢀ‡, ˝ÙÙÂÍÚÓ‚ Ë Ú.‰.) èꢀË ˝ÚÓÏ Á̇˜ÂÌËfl
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ·ÂꢀÛÚÒfl ËÁ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ, ÍÛ‰‡ ÓÌË ·˚ÎË ꢀ‡Ì Á‡ÌÂÒÂÌ˚.
äÓ„‰‡ ÒÚËθ Ì ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl, ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıꢀÓÌÌÓ„Ó
Á‡ÔÛÒ͇ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. á‡ÔÛÒÍ ‚Íβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı ̇ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ôꢀ˂‰ÂÌ˚ ‚
Ò·ÓꢀÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚).
éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
4
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
A
B
C
D
èÓÔꢀÓ·ÛÈÚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ͇ÍËÂ-ÌË·Û‰¸ ‰ꢀÛ„Ë ̇ÒÚꢀÓÈÍË. Ç˚ ÏÓÊÂÚ ڇÍÊÂ
ÒÓÁ‰‡Ú¸ ̇ÒÚꢀÓÈÍÛ Ò‡ÏÓÒÚÓflÚÂθÌÓ (ÒÚꢀ. 72).
5
ONE TOUCH SETTING
1
2
3
4
CVP-210/208
71
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ëÚËÎË
Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚꢀÓÂÍ ÔꢀË ÔÂꢀÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ: OTS Link
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚꢀÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚꢀÓÈÍË
ÔꢀË ÔÂꢀÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ (A – D).
èêàåÖóÄçàÖ
AUTO FILLIN
èꢀË ˝ÚÓÏ ‚˚ÁÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚꢀÓÈÍË
ÔꢀÓËÁ‚Ó‰ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
ó‡ÒÚË Main A, B, C Ë D ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï 1, 2,
ëÏÂ̇ ̇ÒÚꢀÓÂÍ ÔꢀË ÔÂꢀÂıÓ‰Â
ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÂÚ
ÔꢀÓËÒıÓ‰ËÚ¸ ‚ ꢀ‡ÁÌÓ ‚ꢀÂÏfl
(ÒÚꢀ. 141):
1
2
OTS LINK
3 Ë 4 ÙÛÌ͈ËË One Touch Settings ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
•
Òꢀ‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˝ÚÓÈ
˜‡ÒÚË;
•
Ò Ì‡˜‡ÎÓÏ ÒÎÂ‰Û˛˘Â„Ó
(ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË)
Ú‡ÍÚ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ OTS Link, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [OTS LINK].
END
ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ONE TOUCH SETTING)
ùÚÓÚ ꢀ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ÒÓÁ‰‡Ì˲ ÒÓ·ÒÚ‚ÂÌÌ˚ı ̇ÒÚꢀÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (˜ÂÚ˚ꢀ ̇ÒÚꢀÓÈÍË Ì‡ ÒÚËθ). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı ̇ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ôꢀ˂‰ÂÌ˚ ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚).
MEMORY
Ç˚·ÂꢀËÚ ÒÚËθ.
éÚꢀ‰‡ÍÚËꢀÛÈÚÂ
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[MEMORY].
1
4
2
3
Ô‡ꢀ‡ÏÂÚꢀ˚ ̇ÒÚꢀÓÈÍË Ò
ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔꢀ‡‚ÎÂÌËfl ̇ ÔÂꢀ‰ÌÂÈ
Ô‡ÌÂÎË.
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] – [4].
ONE TOUCH SETTING
1
2
3
4
ç‡ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÔÓ‰‰ÂꢀÊË‚‡ÂÚ Á‡ÔÓÏË̇ÌË ڇÍËı Ô‡ꢀ‡ÏÂÚꢀÓ‚, Í‡Í Voice (ÚÂÏ·ꢀ), Harmony („‡ꢀÏÓÌËfl) Ë Pedal (Ô‰‡Î¸).
èêàåÖóÄçàÖ
çÂÒÓıꢀ‡ÌÂÌÌ˚ Á̇˜ÂÌËfl
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÒÚËꢀ‡˛ÚÒfl ÔꢀË
ÔÂꢀÂıÓ‰Â Í ‰ꢀÛ„ÓÏÛ ÒÚËβ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓfl‚ÎflÂÚÒfl Ôꢀ‰ÎÓÊÂÌË ÒÓıꢀ‡ÌËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËθ. Ç˚·ÂꢀËÚ ÓÚ‚ÂÚ
‚‡ꢀˇÌÚ YES, ˜ÚÓ·˚ ÔÂꢀÂÈÚË Í ˝Íꢀ‡ÌÛ STYLE, ‡ Á‡ÚÂÏ ÒÓıꢀ‡ÌËÚ ԇꢀ‡ÏÂÚꢀ˚
̇ÒÚꢀÓÈÍË (ÒÚꢀ. 40, 48).
END
CVP-210/208
72
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ëÚËÎË
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Music Finder
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚ ÍÓÌÙË„Ûꢀ‡ˆËË Á̇˜ÂÌËÈ Ú‡ÍËı
Ô‡ꢀ‡ÏÂÚꢀÓ‚, ͇Í, ̇ÔꢀËÏÂꢀ, ÚÂÏ·ꢀ, ÒÚËθ ËÎË Ì‡ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ
Î˯¸ ‚˚·ꢀ‡Ú¸ ̇Á‚‡ÌË ÔÂÒÌË. ÖÒÎË Úꢀ·ÛÂÚÒfl ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÓÔꢀ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ ÌÂ
Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚꢀÓËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ÚÂÏ·ꢀ‡ Ë ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ.
«á‡ÔËÒ¸», ÒÓÒÚÓfl˘Û˛ ËÁ ꢀÂÍÓÏẨÛÂÏ˚ı Á̇˜ÂÌËÈ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ Ë
ÒÓıꢀ‡ÌflÚ¸. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡‚‡Ú¸ Ë ÒÓıꢀ‡ÌflÚ¸ Á‡ÔËÒË Music Finder
‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
èêàåÖóÄçàÖ
á‡ÔËÒË Ë ‰ÂÈÒÚ‚Ëfl Ò ÌËÏË,
Ôꢀ˂‰ÂÌÌ˚ ‚ ÓÔËÒ‡ÌËË
ÙÛÌ͈ËË MUSIC FINDER, ‰‡Ì˚
Î˯¸ ‰Îfl ÔꢀËÏÂꢀ‡. Ç˚ ÏÓÊÂÚÂ
Ò‡ÏÓÒÚÓflÚÂθÌÓ Á‡‰‡‚‡Ú¸
Ô‡ꢀ‡ÏÂÚꢀ˚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
β·ËÏ˚ı ÔÂÒÂÌ.
èêàåÖóÄçàÖ
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
èÓÏÌËÚÂ, ˜ÚÓ Music Finder
fl‚ÎflÂÚÒfl ÔÓÏÓ˘ÌËÍÓÏ, ÍÓÚÓꢀ˚È
‡‚ÚÓχÚ˘ÂÒÍË Ì‡ıÓ‰ËÚ
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÒÚËÎË
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÚÂÏ·ꢀ‡ ‰Îfl
‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. ïÓÚfl ‚˚
ÏÓÊÂÚ Á‡‰‡Ú¸ ̇Á‚‡ÌËfl ÔÂÒÂÌ,
Ò‡ÏË ÔÂÒÌË Ú‡Ï Ì ÒÓ‰ÂꢀʇÚÒfl.
PART
CHANNEL
ON OFF
PART
MUSIC FINDER
DIRECT ACCESS
1
2
3
4
5
6
7
8
MUSIC FINDER
1
2
All (‚ÒÂ) ..............................éÚÓ·ꢀ‡ÊÂÌË ‚ÒÂı Á‡ÔËÒÂÈ.
FAVORITE (β·ËÏ˚Â) ......Ç˚‚Ó‰ ̇ ˝Íꢀ‡Ì ‚ÒÂı Á‡ÔËÒÂÈ Ì‡ ÒÚꢀ‡Ìˈ «Favorite».
SEARCH1,2 (ÔÓËÒÍ 1,2).....éÚÓ·ꢀ‡ÊÂÌË ꢀÂÁÛθڇÚÓ‚ ÙÛÌ͈ËË SEARCH (ÔÓËÒÍ) (ÒÚꢀ. 74).
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸. ÇÓÁ¸ÏËÚÂ, ̇ÔꢀËÏÂꢀ,
‚ÂꢀıÌ˛˛ Á‡ÔËÒ¸ ‚ ÒÔËÒÍÂ Ë ÔꢀËÏÂÌËÚÂ Í ÌÂÈ
ꢀÂÍÓÏẨӂ‡ÌÌ˚ ̇ÒÚꢀÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ [1].
чÌÌ˚Â, ÍÓÚÓꢀ˚ ‚˚ ۂˉËÚÂ, Ë Ì‡Á˚‚‡˛ÚÒfl
«Á‡ÔËÒ¸˛».
äÌÓÔ͇ ÒÓꢀÚËꢀÓ‚ÍË Á‡ÔËÒÂÈ
MUSIC (̇Á‚‡ÌËÂ)... á‡ÔËÒË ÒÓꢀÚËꢀÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ.
STYLE (ÒÚËθ)......... á‡ÔËÒË ÒÓꢀÚËꢀÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ.
BEAT (ꢀ‡ÁÏÂꢀ) ........ á‡ÔËÒË ÒÓꢀÚËꢀÛ˛ÚÒfl ÔÓ ꢀ‡ÁÏÂꢀÛ, ‚ ÍÓÚÓꢀÓÏ Ì‡ÔË҇̇
ÔÂÒÌfl.
F
TEMPO (ÚÂÏÔ) ......... á‡ÔËÒË ÒÓꢀÚËꢀÛ˛ÚÒfl ÔÓ ÚÂÏÔÛ.
G
àÁÏÂÌÂÌË ÔÓꢀfl‰Í‡ ÒΉӂ‡ÌËfl Á‡ÔËÒÂÈ (ÔÓ
‚ÓÁꢀ‡ÒÚ‡Ì˲ ËÎË Û·˚‚‡Ì˲).
H
I
äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚꢀ‡ÌËˆÛ FAVORITE
èꢀË Ì‡Ê‡ÚËË ÍÌÓÔÍË [H] , ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «Add selected
J
data to the favorite list? YES/NO». óÚÓ·˚ Á‡ÌÂÒÚË ‚˚‰ÂÎÂÌÌÛ˛
ÒÚꢀ‡ÌËˆÛ Ì‡ ÒÚꢀ‡ÌËˆÛ «FAVORITE», ‚˚·ÂꢀËÚ ÓÚ‚ÂÚ [YES].
ÑÎfl Û‰‡ÎÂÌËfl ‰Ó·‡‚ÎÂÌÌÓÈ Á‡ÔËÒË, ‚˚·ÂꢀËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
Á‡ÔËÒ¸ ̇ ÒÚꢀ‡Ìˈ «FAVORITE» Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H] (DELETE
FROM FAVORITE).
óËÒÎÓ Á‡ÔËÒÂÈ
̇ ÒÚꢀ‡ÌˈÂ.
èÓËÒÍ Á‡ÔËÒÂÈ. ǂ‰ËÚ ÛÒÎÓ‚Ë ÔÓËÒ͇ ̇ ˝Íꢀ‡Ì MUSIC FINDER
SEARCH (ÒÚꢀ. 74). êÂÁÛθڇÚ˚ SEARCH 1 (ÔÂꢀ‚Ó„Ó ÔÓËÒ͇) ËÎË 2
(‚ÚÓꢀÓ„Ó ÔÓËÒ͇) ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ ÒÚꢀ‡Ìˈ‡ı
«SEARCH 1» ËÎË «SEARCH 2».
1
2
3
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5
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äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ MUSIC FINDER RECORD EDIT (ÒÚꢀ. 75) (˝Íꢀ‡Ì
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË).
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË.
ëÓꢀÚËꢀÛfl Á‡ÔËÒË ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ,
ÏÓÊÌÓ ÔÂꢀÂÏ¢‡Ú¸Òfl ÔÓ ‡ÎÙ‡‚ËÚÌÓÏÛ
ÒÔËÒÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1■■]. óÚÓ·˚
ÔÂꢀÂÈÚË Í ÔÂꢀ‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÍÌÓÔÍË TEMPO LOCK. îÛÌ͈ËflTEMPO LOCK ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ
ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔꢀË ‚˚·Óꢀ ‰ꢀÛ„ÓÈ Á‡ÔËÒË. ÇÍβ˜ÂÌËÂ/
ÓÚÍβ˜ÂÌË ‰‡ÌÌÓÈ ÙÛÌ͈ËË ‚ÎËflÂÚ Ì‡ ‚Ò ÒÚꢀ‡Ìˈ˚ (ALL/FAVORITE/SEARCH 1/SEARCH 2).
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [■■].
Ç˚·ÂꢀËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË. èꢀË ÒÓꢀÚËꢀÓ‚Í Á‡ÔËÒÂÈ ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ ˝ÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl
‰Îfl ‚˚·Óꢀ‡ ÒÚËÎÂÈ (Ôꢀ‰˚‰Û˘ËÈ ÒÚËθ/ÒÎÂ‰Û˛˘ËÈ ÒÚËθ). óÚÓ·˚ ÔÂꢀÂÈÚË Í ÔÂꢀ‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [■■].
èêàåÖóÄçàÖ
á‡ÔËÒË ÏÓÊÌÓ ‚˚·Ëꢀ‡Ú¸,
éˆÂÌËÚ Á‚Û˜‡ÌË ÒÚËÎfl (ÒÚꢀ. 64).
‚ꢀ‡˘‡fl ‰ËÒÍ ÛÔꢀ‡‚ÎÂÌËfl [DATA
ENTRY] Ë Ì‡ÊËχfl ÍÌÓÔÍÛ
[ENTER] ‰Îfl ÔÓ‰Ú‚ÂꢀʉÂÌËfl
‚˚·Óꢀ‡.
3
CVP-210/208
73
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ëÚËÎË
èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder
àÒ͇ڸ Á‡ÔËÒË ÏÓÊÌÓ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË ËÎË ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛθڇÚ˚ ÔÓËÒ͇ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì.
ǂ‰ËÚ ÛÒÎÓ‚Ëfl
ÔÓËÒ͇ (ÒÏ. ÌËÊÂ), ‡
Á‡ÚÂÏ Á‡ÔÛÒÚËÚÂ
ÔꢀÓ„ꢀ‡ÏÏÛ ÔÓËÒ͇,
̇ʇ‚ ÍÌÓÔÍÛ
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[I] (SEARCH 1)
ËÎË ÍÌÓÔÍÛ [J]
(SEARCH 2) ̇
˝Íꢀ‡Ì MUSIC
FINDER.
2
1
A
B
C
D
E
F
G
H
I
[START SEARCH].
J
äÌÓÔ͇ Á‡ÔÛÒ͇ ÔÓËÒÍÓ‚Ó„Ó
ÔꢀÓˆÂÒÒ‡. êÂÁÛθڇÚ˚,
Û‰Ó‚ÎÂÚ‚Óꢀfl˛˘Ë ‚ÒÂÏ
ÛÒÎÓ‚ËflÏ ÔÓËÒ͇, ‚˚‚Ó‰flÚÒfl
̇ ÒÚꢀ‡Ìˈ SEARCH.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ı ÔÓËÒ͇ Ôꢀ˂‰ÂÌ˚
ÌËÊÂ.
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■ [A] MUSIC (ÍÓÏÔÓÁˈËfl)
èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ‚‚Ó‰‡
̇Á‚‡ÌËfl ÔÂÒÌË.
Ç ꢀÂÊËÏ ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË (ÒÚꢀ. 49) ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË,
ÒÓ‰Âꢀʇ˘Ë ‚ ̇Á‚‡ÌËË Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡).
■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)
èÓËÒÍ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ‚‚Ó‰‡ Íβ˜Â‚Ó„Ó
ÒÎÓ‚‡.
Ç ꢀÂÊËÏ ÔÓËÒ͇ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û (ÒÚꢀ. 49) ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË,
ÒÓ‰Âꢀʇ˘Ë Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). èÓËÒÍ ÏÓÊÌÓ ÔꢀÓËÁ‚Ó‰ËÚ¸ Òꢀ‡ÁÛ ÔÓ ÌÂÒÍÓθÍËÏ
Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï, ꢀ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔflÚÓÈ. îÛÌ͈Ëfl ÔÓËÒ͇ ̇ıÓ‰ËÚ Ë ‚˚‚Ó‰ËÚ Ì‡ ˝Íꢀ‡Ì ‚Ò Á‡ÔËÒË, ÒÓ‰Âꢀʇ˘Ë ıÓÚfl ·˚ Ó‰ÌÓ ËÁ
Á‡‰‡ÌÌ˚ı ÒÎÓ‚.
èêàåÖóÄçàÖ
■ [C] STYLE
ùÍꢀ‡Ì STYLE FILE SELECT
èÓËÒÍ ÔꢀÓËÁ‚Ó‰ËÚÒfl ÔÓ ËÏÂÌË ÒÚËÎfl. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ STYLE FILE SELECT.
ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl
ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Íꢀ‡Ì ÍÌÓÔÍË [A] - [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ÌÛÊÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚ‡
ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ì‡ÈÚË ‚Ò ÔÂÒÌË, ‚ ÍÓÚÓꢀ˚ı ËÒÔÓθÁÛÂÚÒfl ÓÔꢀ‰ÂÎÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..
ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÒÚËÎfl;
‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛
Ì‚ÓÁÏÓÊÌÓ.
■ [D] BEAT (ꢀ‡ÁÏÂꢀ)
èÓËÒÍ ÔꢀÓËÁ‚Ó‰ËÚÒfl ÔÓ ꢀ‡ÁÏÂꢀÛ, ‚ ÍÓÚÓꢀÓÏ Ì‡ÔË҇̇ ÍÓÏÔÓÁˈËfl, ËÎË ÔÓ ı‡ꢀ‡ÍÚÂꢀÌÓÏÛ ‰Îfl Ì ꢀËÚÏ˘ÂÒÍÓÏÛ ꢀËÒÛÌÍÛ.
■ [E] SEARCH AREA (ӷ·ÒÚ¸ ÔÓËÒ͇)
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ӷ·ÒÚ¸ ÔÓËÒ͇. èÓËÒÍ ÏÓÊÌÓ Â˘Â ·ÓΠÒÛÁËÚ¸, ÂÒÎË ‚˚·ꢀ‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ SEARCH 1 ËÎË 2.
■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)
ùÚ‡ ÍÌÓÔ͇ Û‰‡ÎflÂÚ ‚‚‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ Ò΂‡.
■ [1■■] TEMPO FROM (ÚÂÏÔ, ̇˜Ë̇fl Ò...)
åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË ÏËÌËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ ÏËÌËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [■■].
■ [2■■] TEMPO TO (ÚÂÏÔ, Á‡Í‡Ì˜Ë‚‡fl...)
åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË χÍÒËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ χÍÒËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [■■].
■ [3■■]~[5■■] GENRE (ʇÌꢀ)
ì͇Á‡ÌË ËÒÍÓÏÓ„Ó Ê‡Ìꢀ‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ: ‚Ò ʇÌꢀ˚ (ANY), ‚ÒÚꢀÓÂÌÌ˚ ʇÌꢀ˚, ‡ Ú‡ÍÊ β·˚ ʇÌꢀ˚,
̇Á‚‡ÌËfl ÍÓÚÓꢀ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ (ÒÚꢀ. 73).
■ [8■] CANCEL (ÓÚÏÂ̇)
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛ Ë ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ.
CVP-210/208
74
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ëÚËÎË
ꉇÍÚËꢀÓ‚‡ÌË Á‡ÔËÒÂÈ: Music Finder
ç‡ ˝ÚÓÏ ˝Íꢀ‡Ì ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë Á‡ÔËÒË Ë ÓÚꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ Ëı. Ç˚ ÏÓÊÂÚÂ
èêàåÖóÄçàÖ
Ú‡ÍÊ ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡ÔËÒË.
äꢀÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ËÎË
Û‰‡ÎËÚ¸ Á‡ÔËÒ¸, ‚ÌÂÒÂÌÌÛ˛
ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ. óÚÓ·˚ ËÁ·Âʇڸ
ËÁÏÂÌÂÌËfl (Û‰‡ÎÂÌËfl)
ꢀ‰‡ÍÚËꢀÛÂÏÓÈ Á‡ÔËÒË, ÔÓ
ÓÍÓ̘‡ÌËË ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl
ÒÓıꢀ‡ÌËڠ ÔÓ‰ ‰ꢀÛ„ËÏ ËÏÂÌÂÏ.
àÁÏÂÌËÚ ËÎË Û‰‡ÎËÚ Á‡ÔËÒ¸. äꢀÓÏ ÚÓ„Ó, ‚˚
ÏÓÊÂÚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸ ÌÓ‚˚ Á‡ÔËÒË.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó·Ó ‚ÒÂı
ç‡ ˝Íꢀ‡ÌÂ
2
1
MUSIC FINDER
̇ÊÏËÚ ÍÌÓÔÍÛ
[8■■]
Ô‡ꢀ‡ÏÂÚꢀ‡ı Ë ÓÔÂꢀ‡ˆËflı Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
(RECORD EDIT).
èêàåÖóÄçàÖ
ÇÒ Á‡ÔËÒË ÏÓ„ÛÚ ·˚Ú¸ ÒÓıꢀ‡ÌÂÌ˚ ‚
‚ˉ ӉÌÓ„Ó Ù‡È· (ÒÚꢀ. 154). èꢀË
‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl
‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ôꢀ‰ÎÓÊÂÌËÂÏ
Á‡ÏÂÌËÚ¸ ÒÚ‡ꢀÛ˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË
‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸ ‚ ÍÓ̈
ÒÚ‡ꢀÓÈ.
A
B
C
D
E
F
G
H
I
J
•
á‡ÏÂÌËÚ¸:
ÇÒ ÚÂÍÛ˘Ë Á‡ÔËÒË Music Finder
Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl
Á‡ÔËÒflÏË, ÒÓ‰Âꢀʇ˘ËÏËÒfl ‚
‚˚‰ÂÎÂÌÌÓÏ Ù‡ÈÎÂ.
•
ÑÓ·‡‚ËÚ¸:
çÓ‚˚Ï Á‡ÔËÒflÏ ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl
Ò‚Ó·Ó‰Ì˚ ÌÓÏÂꢀ‡.
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■ [A] MUSIC (ÍÓÏÔÓÁˈËfl)
ꉇÍÚËꢀÓ‚‡ÌË ̇Á‚‡ÌËfl ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ‚‚Ó‰‡
̇Á‚‡ÌËfl ÔÂÒÌË. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.
■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)
ꉇÍÚËꢀÓ‚‡ÌË Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ‚‚Ó‰‡
Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.
Ç‚Ó‰ËÚ¸ ÏÓÊÌÓ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ Íβ˜Â‚˚ı ÒÎÓ‚, ꢀ‡Á‰ÂÎÂÌÌ˚ı Á‡ÔflÚÓÈ.
■ [C] STYLE
èêàåÖóÄçàÖ
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Íꢀ‡Ì ÍÌÓÔÍË [A]
through [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ÒÚËθ, ÍÓÚÓꢀ˚È Úꢀ·ÛÂÚÒfl ËÁÏÂÌËÚ¸, Û‰‡ÎËÚ¸ ËÎË Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸.
ùÍꢀ‡Ì STYLE FILE SELECT
ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl
‚˚·Óꢀ‡ ̇Á‚‡ÌËfl ÒÚËÎfl ÔꢀË
ÌÂÓ·ıÓ‰ËÏÓÒÚËÓÚꢀ‰‡ÍÚËꢀÓ‚‡Ú¸
Á‡ÔËÒ¸; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó
ÔÓÏÓ˘¸˛ Ì‚ÓÁÏÓÊÌÓ.
■ [D] BEAT (ꢀ‡ÁÏÂꢀ)
ꉇÍÚËꢀÓ‚‡ÌË ꢀ‡ÁÏÂꢀ‡, ‚ ÍÓÚÓꢀÓÏ ·˚· ̇ÔË҇̇ ÍÓÏÔÓÁˈËfl. èꢀË ‚˚·Óꢀ ‰ꢀÛ„Ó„Ó Ù‡È· Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘Â Á̇˜ÂÌË ꢀ‡ÁÏÂꢀ‡ Á‡ÏÂÌflÂÚÒfl Á̇˜ÂÌËÂÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰‡ÌÌÓÏ Ù‡ÈÎÂ.
èêàåÖóÄçàÖ
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁÏÂÌÂÌËfl
ÓÚÓ·ꢀ‡Ê‡˛˘Â„ÓÒfl ̇ ˝Íꢀ‡ÌÂ
Ô‡ꢀ‡ÏÂÚꢀ‡ Beat (ꢀ‡ÁÏÂꢀ)
ÓÚÌÓÒflÚÒfl ÚÓθÍÓ Í ÙÛÌ͈ËË
ÔÓËÒ͇ Ë Ì ‚ÎËfl˛Ú ̇ Ò‡Ï ÒÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
■ [E] FAVORITE (β·ËÏ˚Â)
ÑÓ·‡‚ÎÂÌË ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚꢀ‡ÌËˆÛ FAVORITE (ÒÚꢀ. 73).
■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)
ùÚ‡ ÍÌÓÔ͇ Û‰‡ÎflÂÚ ‚‚‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ Ò΂‡.
■ [I] DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË)
é˜ËÒÚ͇ ‚˚·ꢀ‡ÌÌÓÈ Á‡ÔËÒË. çÓÏÂꢀ Û‰‡ÎÂÌÌÓÈ Á‡ÔËÒË ÓÒ‚Ó·Óʉ‡ÂÚÒfl. èꢀË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË
ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ôꢀ‰ÎÓÊÂÌËÂÏ ‚˚·ꢀ‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔꢀÂÍꢀ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂꢀ‡ˆËË.
YES....................... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ë Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì.
NO ........................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì, Ì ۉ‡Îflfl Á‡ÔËÒ¸.
CANCEL............... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛, Á‡Íꢀ˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ.
■ [J] NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸)
èêàåÖóÄçàÖ
ê„ËÒÚꢀ‡ˆËfl ÌÓ‚ÓÈ Á‡ÔËÒË. èꢀË ꢀ„ËÒÚꢀ‡ˆËË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ̇ËÏÂ̸¯ËÈ ËÁ Ò‚Ó·Ó‰Ì˚ı ÌÓÏÂꢀÓ‚
Á‡ÔËÒÂÈ. èꢀË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ôꢀ‰ÎÓÊÂÌËÂÏ ‚˚·ꢀ‡Ú¸
‚˚ÔÓÎÌÂÌËÂ, ÔꢀÂÍꢀ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂꢀ‡ˆËË.
å‡ÍÒËχθÌÓ ˜ËÒÎÓ Á‡ÔËÒÂÈ –
2500, ‚Íβ˜‡fl Ôꢀ‰ÛÒÚ‡ÌÓ‚-
ÎÂÌÌ˚ Á‡ÔËÒË.
YES....................... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸ Á‡ÔËÒ¸ Ë Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì.
NO ........................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì, Ì ꢀ„ËÒÚꢀËꢀÛfl Á‡ÔËÒ¸.
CANCEL............... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛, Á‡Íꢀ˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ.
CVP-210/208
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ëÚËÎË
■ [1■■] TEMPO (ÚÂÏÔ)
ì͇Á˚‚‡ÂÚ ÚÂÏÔ ‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl. èÓÒΠÒÏÂÌ˚ ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰ÒÚꢀ‡Ë‚‡ÂÚÒfl ÔÓ‰
ÚÂÏÔ, Á‡‰‡ÌÌ˚È ÌÓ‚˚Ï ÒÚËÎÂÏ.
■ [3■■]~[5■■] GENRE (ʇÌꢀ)
ì͇Á˚‚‡ÂÚ Ë ËÁÏÂÌflÂÚ Ê‡Ìꢀ, ÍÓÚÓꢀÓÏÛ ÔꢀËÒ‚ÓÂ̇ ‚˚·ꢀ‡Ì̇fl Á‡ÔËÒ¸. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ ‚ÒÚꢀÓÂÌÌ˚ ʇÌꢀ˚, ‡
Ú‡ÍÊ β·˚ ʇÌꢀ˚, ̇Á‚‡ÌËfl ÍÓÚÓꢀ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ.
■ [6■■] GENRE NAME (̇Á‚‡ÌË ʇÌꢀ‡)
óÚÓ·˚ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ʇÌꢀ‡, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ. èÓfl‚ËÚÒfl ˝Íꢀ‡Ì ‚‚Ó‰‡
̇Á‚‡ÌËfl ʇÌꢀ‡, ÔÓÁ‚ÓÎfl˛˘ËÈ Á‡‰‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓ ̇Á‚‡ÌËÂ. å‡ÍÒËχθÌÓ ˜ËÒÎÓ
̇Á‚‡ÌËÈ Ê‡ÌꢀÓ‚ ÒÓÒÚ‡‚ÎflÂÚ 200.
ǂ‰ÂÌÌÓ ̇Á‚‡ÌË ʇÌꢀ‡ ÒÚ‡ÌÓ‚ËÚÒfl ‰ÂÈÒÚ‚ËÚÂθÌ˚Ï ÔꢀË ꢀ‰‡ÍÚËꢀÓ‚‡ÌËË (ÔÂꢀÂÔËÒ˚‚‡ÌËË) ÚÂÍÛ˘ÂÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[8■] (OK) ÎË·Ó ÔꢀË ꢀ„ËÒÚꢀ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] (NEW RECORD).
ÖÒÎË ‚˚ Á‡ÍꢀÓÂÚ ˝Íꢀ‡Ì MUSIC FINDER EDIT, Ì ÓÚꢀ‰‡ÍÚËꢀÓ‚‡‚ ÒÛ˘ÂÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ Ë Ì Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡‚ ÌÓ‚Û˛, ‚‚‰ÂÌÌÓÂ
̇Á‚‡ÌË ʇÌꢀ‡ Û‰‡ÎflÂÚÒfl.
■ [8■] OK
Ç˚ÔÓÎÌÂÌË ‚ÒÂı Û͇Á‡ÌÌ˚ı ÓÔÂꢀ‡ˆËÈ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl. èꢀË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ôꢀ‰ÎÓÊÂÌËÂÏ
‚˚·ꢀ‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔꢀÂÍꢀ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂꢀ‡ˆËË.
YES.............................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ Á‡ÔËÒ¸ Ë Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì.
NO ...............................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì, Ì Á‡ÏÂÌflfl Á‡ÔËÒ¸.
CANCEL....................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛, Á‡Íꢀ˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ.
■ [8■] CANCEL (ÓÚÏÂ̇)
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÓÔÂꢀ‡ˆË˛ Ë ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ (MUSIC FINDER).
ÇçàåÄçàÖ!
óÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚Â Ë Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â, Ó·flÁ‡ÚÂθÌÓ ÒÓıꢀ‡ÌËÚ ‚Ò Á‡ÔËÒË Music Finder ‚ ‚ˉ هÈ· (ÒÚꢀ. 154). Ç
ÔꢀÓÚË‚ÌÓÏ ÒÎÛ˜‡Â, ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂꢀflÌ˚ ÔꢀË ‚˚ÁÓ‚Â ‰ꢀÛ„Ó„Ó Ù‡È· Music Finder ËÎË ÔꢀÓËÁÓȉÂÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚꢀÓÂÍ (ÒÚꢀ. 154).
CVP-210/208
76
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
éÁ̇ÍÓÏË‚¯ËÒ¸ Ò ˝ÚËÏ ꢀ‡Á‰ÂÎÓÏ, ‚˚ ̇ۘËÚÂÒ¸ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚꢀÓÂÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚ (ÒÚꢀ. 97) ‚·‰ÂθˆÂÏ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Ë ÔÂÒÌË Ò ÌÓÒËÚÂÎÂÈ, Ëϲ˘ËıÒfl ‚ ÔꢀÓ‰‡ÊÂ. ÇÓÁÏÓÊÌÓÒÚË ÙÛÌ͈ËË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ÂҸχ ÏÌÓ„ÓÓ·ꢀ‡ÁÌ˚: ÏÓÊÌÓ ÔÓ‰˚„ꢀ˚‚‡Ú¸ ꢀ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ, ËÎË ꢀ‡Áۘ˂‡Ú¸ ÌÓ‚˚ ÏÛÁ˚͇θÌ˚Â
ÔꢀÓËÁ‚‰ÂÌËfl Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ (ÒÚꢀ. 82) Ë ÙÛÌ͈ËÈ ÔÓ‚ÚÓꢀÂÌËfl (ÒÚꢀ. 81). äꢀÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚‚ÂÒÚË Ì‡ ˝Íꢀ‡Ì ÌÓÚ˚
ÔÂÒÌË (ÚÓθÍÓ ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË) ËÎË Â ÚÂÍÒÚ.
èÓ‰Íβ˜Ë‚ Í CVP-210/208 ÏËÍꢀÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛. èꢀË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ
‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âꢀı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓꢀÓÊÂÍ (ÒÚꢀ. 131).
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
SONG
TRACK 2
(L)
TRACK1
(R)
EXTRA TRACKS
(STYLE)
EXIT
REC
TOP
START / STOP
SYNC.START
REW
FF
REPEAT
GUIDE
NEW SONG
èÓ‰‰ÂꢀÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ
• ÇÒÚꢀÓÂÌÌ˚ ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ)
• èÂÒÌË Ì‡ ‚Íβ˜ÂÌÌÓÏ ‚ ÍÓÏÔÎÂÍÚ ‰ËÒÍ (50 ıËÚÓ‚ ‰Îfl ÙÓꢀÚÂÔˇÌÓ)
• èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔꢀÓ‰‡ÊÂ
èêàåÖóÄçàÖ
èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔꢀÓ‰‡ÊÂ,
Ôꢀ‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl
΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, ÔÓÒÍÓθÍÛ
Ëı ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌË ӄꢀ‡Ì˘ÂÌÓ
Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓꢀÒÍÓÏ Ôꢀ‡‚Â.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË ‚ ÙÓꢀχÚ GM (General MIDI).
èêàåÖóÄçàÖ
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË ‚ ÙÓꢀχÚ XG. ùÚÓÚ ÙÓꢀÏ‡Ú Ôꢀ‰ÒÚ‡‚ÎflÂÚ
ÒÓ·ÓÈ Á̇˜ËÚÂθÌÓ ÛÒÓ‚Âꢀ¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ꢀ‡Ò¯ËꢀÂÌË Òڇ̉‡ꢀÚ‡ General MIDI (GM
System level 1 format). äÓꢀÔÓꢀ‡ˆËfl Yamaha ꢀ‡Áꢀ‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛
Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·ꢀÓ‚, ꢀ‡Ò¯ËꢀÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔꢀ‡‚ÎÂÌËfl
ÚÂÏ·ꢀ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl ÔÓ‰‰ÂꢀÊÍË ·Óθ¯Â„Ó ˜ËÒ· ˝ÙÙÂÍÚÓ‚
Ë Ëı ÚËÔÓ‚.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ı ˆËÙꢀÓ‚˚Ï
ÔˇÌËÌÓ Clavinova ÚËÔ‡ı ÔÂÒÂÌ
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 162.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË ‚ ÙÓꢀχÚ DOC (Disk Orchestra Collection), ꢀ‡Áꢀ‡·ÓÚ‡ÌÌÓÏ ÍÓꢀÔÓꢀ‡ˆËÂÈ
Yamaha.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂꢀÊ‡Ú ÔÂÒÌË ‚ ÙÓꢀχÚ XF, ÒÓÁ‰‡ÌÌÓÏ ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha.
• èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ (ÒÚꢀ. 97) Ë ÒÓıꢀ‡ÌÂÌÌ˚ ̇ CVP-210/208 ËÎË ‰ËÒÍÂ.
CVP-210/208
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‚ÒÚꢀÓÂÌÌ˚ı ÔÂÒÂÌ
èêàåÖóÄçàÖ
BACK
ÖÒÎË Ò΂‡ Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl
„·‚Ì˚È ˝Íꢀ‡Ì (MAIN), Ò̇˜‡Î‡
̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ – ÍÌÓÔÍÛ
[EXIT].
1
A
C
D
E
F
G
H
I
èêàåÖóÄçàÖ
äꢀÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸
ÏÌÓÊÂÒÚ‚Ó Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÚÂÏÔ,
ÚÂÏ·ꢀ, ÙÛÌ͈ËË Ó·Û˜ÂÌËfl
Ë Ú. Ô.), ÍÓÚÓꢀ˚ ·Û‰ÛÚ ‡‚ÚÓχ-
Ú˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË
(ÒÚꢀ. 109).
J
èêàåÖóÄçàÖ
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛
Synchro Start (ÒËÌıꢀÓÌÌ˚È
Á‡ÔÛÒÍ) ‰Îfl ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË,
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË
[TOP] Ë SONG [START/STOP].
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
̇˜ÌÂÚÒfl Òꢀ‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ
‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. чÌÌÛ˛
ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
‚ÏÂÒÚÂ Ò ÙÛÌ͈ËÂÈ Style’s
Synchro Start (ÒËÌıꢀÓÌÌ˚È
Á‡ÔÛÒÍ ÒÚËÎfl) (ÒÚꢀ. 64).
2-1 èÂꢀÂȉËÚ ̇ ‚Í·‰ÍÛ PRESET Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [BACK].
2
BACK
A
B
C
D
E
F
G
H
I
èêàåÖóÄçàÖ
àÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò
ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈Â
ÍÓÏÔÓÁˈËË. èꢀË ˝ÚÓÏ
„ꢀÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ
Ô·‚ÌÓ Ì‡ꢀ‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ –
ÒÌËʇڸÒfl. ÑÎfl ˝ÚÓ„Ó
J
2-2 éÚÍꢀÓÈÚÂ Ô‡ÔÍÛ Ë
‚˚·ÂꢀËÚ ÔÂÒÌ˛.
‰ÓÒÚ‡ÚÓ˜ÌÓ ÔꢀÓÒÚÓ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [FADEIN/OUT] ‚ ̇˜‡ÎÂ
ÔÂÒÌË, ‡ Á‡ÚÂÏ ÒÌÓ‚‡ ̇ʇڸ ÂÂ
ÌÂÁ‡‰ÓÎ„Ó ‰Ó ÓÍÓ̘‡ÌËfl.
Ç˚·ꢀ‡Ì̇fl ÔÂÒÌfl ̇˜ÌÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl.
3
END
START / STOP
REC
TOP
START / STOP
SC.START
REW
FF
REPEAT
GUIDE
óÚÓ·˚ Òꢀ‡ÁÛ Ê ÓÒÚ‡ÌÓ‚ËÚ¸
ÔÂÒÌ˛, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
.
NEW SONG
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í
Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [
]
.
EXIT
óÚÓ·˚ ËÁÏÂÌËÚ¸ ÒÍÓꢀÓÒÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚
Û‰‡ꢀËÚ¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔ ÔÓ ÍÌÓÔÍ [TAP TEMPO].
èêàåÖóÄçàÖ
èêàåÖóÄçàÖ
èÂÒÌË ÏÓÊÌÓ ÔÓÒÚÓflÌÌÓ ÔꢀÓË„ꢀ˚‚‡Ú¸.
ìÒÚ‡ÌÓ‚ËÚ SONG CHAIN PLAY ‚
ÔÓÎÓÊÂÌË ON ̇ ˝Íꢀ‡Ì SONG SETTING
(ÒÚꢀ. 140).
èꢀÓ‚Âꢀ¸ÚÂ, ˜ÚÓ·˚ ̇ÒÚꢀÓÈ͇ flÁ˚͇ ‰Îfl
ËÌÒÚꢀÛÏÂÌÚ‡ (ÒÚꢀ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
̇ÒÚꢀÓÈÍ ËÏÂÌË Ù‡È· ÔꢀÓË„ꢀ˚‚‡ÂÏÓÈ
ÔÂÒÌË.
CVP-210/208
78
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
èêàåÖóÄçàÖ
éÒÚ‡ÌÓ‚Ë‚ ÔÂÒÌ˛, ‚˚
ÓÒÚ‡ÌÓ‚ËÚ ڇÍÊ Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË
é‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èꢀË Ó‰ÌÓ‚ꢀÂÏÂÌÌÓÏ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ͇̇Î˚ 9 – 16
Á‡ÏÂÌfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í‡Ì‡Î‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÏÂÒÚÓ ꢀ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËÎË Ë ‚ÓÁÏÓÊÌÓÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡-
ÌÂÏÌÚ‡. Ç˚ÔÓÎÌËÚ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl Ë Á‡ÏÂÌËÚ ‡ÍÍÓꢀ‰˚ ÔÂÒÌË Ò‚ÓËÏË
ÒÓ·ÒÚ‚ÂÌÌ˚ÏË.
ÔꢀÓË„ꢀ˚‚‡ÌË ÔÂÒÌË Ì‡˜Ë̇ÂÚÒfl
ÔꢀË ‚Íβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚÂ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓχ-
Ú˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl. íÂÏ
Ì ÏÂÌÂÂ, ‰Îfl ‚ÒÚꢀÓÂÌÌ˚ı
ÔÂÒÂÌ, ËÒÔÓθÁÛ˛˘Ëı ÒÚËÎË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÒÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì ÓÒÚ‡-
̇‚ÎË‚‡ÂÚÒfl.
• ÍÌÓÔ͇ [ACMP]...................... ON
• ÍÌÓÔ͇ [AUTO FILL IN] ......... ON
Ç˚·ÂꢀËÚ ÔÂÒÌ˛ Ë Á‡ÔÛÒÚËÚ ÂÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [START/STOP].
1
èÓ‰·ÂꢀËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
2
á‡ÔÛÒÍ ÒÚËÎfl ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP].
3
4
Ç ÔꢀÓˆÂÒÒ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ÎflÚ¸ ·ꢀÂÈÍË ËÎË ÔÂꢀÂıÓ‰ËÚ¸ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ‚˚·Óꢀ‡ ˜‡ÒÚÂÈ ‚ „ꢀÛÔÔ STYLE).
ÇÓ ‚ꢀÂÏfl ÔÂꢀÂÍβ˜ÂÌËfl ˜‡ÒÚÂÈ ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ‚ÒÚ‡‚ÍË (·ꢀÂÈÍË).
END
ëÚËθ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂꢀÂÒÚ‡ÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ÓÍÓ̘‡ÌËË ÔÂÒÌË ËÎË ÔꢀË ÓÒÚ‡ÌÓ‚ÍÂ.
èêàåÖóÄçàÖ
çÂÍÓÚÓꢀ˚ ‚ÒÚꢀÓÂÌÌ˚ ÔÂÒÌË ÒÓÁ‰‡Ì˚ ÔꢀË ÔÓÏÓ˘Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÑÎfl ˝ÚËı ÔÂÒÂÌ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Á‡ÔÛÒ͇˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔꢀË Á‡ÔÛÒÍ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË.
CVP-210/208
79
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
èêàåÖóÄçàÖ
èꢀÂʉ ‚Ò„Ó, ÓÁ̇ÍÓϸÚÂÒ¸ Ò
ꢀ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚꢀ. 6).
èêàåÖóÄçàÖ
åÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸
ÔÂꢀ‚Û˛ ÔÂÒÌ˛ ̇ ‰ËÒÍÂÚ ÔÓÒÎÂ
 ÔÓÏ¢ÂÌËfl ‚ ‰ËÒÍÓ‚Ó‰
(ÒÚꢀ. 153).
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ¯ÚÓꢀÍÓÈ
‚ÔÂꢀ‰, ̇ÍÎÂÈÍÓÈ ‚‚Âꢀı.
èêàåÖóÄçàÖ
èꢀӈ‰Ûꢀ‡ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ë‰ÂÌÚ˘̇ Ôꢀӈ‰ÛꢀÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ꢀ‡Á‰ÂΠ«ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
‚ÒÚꢀÓÂÌÌ˚ı ÔÂÒÂÌ» (ÒÚꢀ. 78). Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ˝Íꢀ‡Ì SONG ÒΉÛÂÚ
ÔÂꢀÂÈÚË Ì‡ ÒÚꢀ‡ÌËˆÛ FLOPPY DISK.
çÂÍÓÚÓꢀ˚ ËÁ ‚ÒÚꢀÓÂÌÌ˚ı ‚
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í
̇Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ
ÚÂÏÔ». èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË
Ú‡ÍËı ÔÂÒÂÌ ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ ̇
˝Íꢀ‡Ì Á̇˜ÂÌËfl Ì ËϲÚ
ÓÚÌÓ¯ÂÌËfl Í Ù‡ÍÚ˘ÂÒÍÓÏÛ
ꢀ‡ÁÏÂꢀÛ ÔÂÒÌË. éÌË Î˯¸
ÔÓ͇Á˚‚‡˛Ú, ͇͇fl ˜‡ÒÚ¸ ÔÂÒÌË
ÛÊ ·˚· ‚ÓÒÔꢀÓËÁ‚‰Â̇.
èꢀӘˠÓÔÂꢀ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂÏ
■ Repeat (ÔÓ‚ÚÓꢀÂÌËÂ)/Rewind (ÔÂꢀÂÏÓÚ͇ ̇Á‡‰)/Fast forward (ÔÂꢀÂÏÓÚ͇ ‚ÔÂꢀ‰)
èêàåÖóÄçàÖ
ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ÔÂÒÌfl ̇˜ÌÂÚÒfl Ò̇˜‡Î‡.
ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ, ÍÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÔꢀÓËÁÓȉÂÚ ‚ÓÁ‚ꢀ‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË.
èÂÒÌË Ò ·Óθ¯ËÏ ÍÓ΢ÂÒÚ‚ÓÏ
‰‡ÌÌ˚ı ËÌÓ„‰‡ Ì ÏÓ„ÛÚ ·˚Ú¸
Ò˜ËÚ‡Ì˚ ËÌÒÚꢀÛÏÂÌÚÓÏ, Ë
‚˚·ꢀ‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ
Ì‚ÓÁÏÓÊÌÓ. å‡ÍÒËχθ̇fl
ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚ 200–300ä·,
ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚
REC
TOP
START / STOP
SYNC.START
REW
FF
REPEAT
NEW SONG
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂꢀÊËÏÓ„Ó
͇ʉÓÈ ÔÂÒÌË.
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ SONG POSITION (ÒÏ. ÌËÊÂ).
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í ˝Íꢀ‡ÌÛ SONG, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
ùÍꢀ‡Ì SONG POSITION
Ç˚·ꢀ‡‚ ÒÚꢀÓÍÛ «BAR», ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÓÏÂꢀ Ú‡ÍÚ‡ (Ò˜ËÚ‡fl Ò Ì‡˜‡Î‡
ÍÓÏÔÓÁˈËË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF].
Ç˚·ꢀ‡‚ ÒÚꢀÓÍÛ «PHRASE MARK», ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF]
Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÎÓ͇ÚÓꢀ‡.
èêàåÖóÄçàÖ
èÓÁˈËfl ÎÓ͇ÚÓꢀ‡
á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓꢀ‡
Û͇Á˚‚‡ÂÚ Ì‡ ÓÔꢀ‰ÂÎÂÌÌÓÂ
ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
ëÚꢀÓ͇ «PHRASE MARK» ‚˚‚Ó‰ËÚÒfl Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ ÔÂÒÌfl ÒÓ‰ÂꢀÊËÚ ‰‡ÌÌ˚ ÔÓ ÔÓÁˈËflÏ
ÎÓ͇ÚÓꢀ‡. Ç˚·ÂꢀËÚ ÒÚꢀÓÍÛ «BAR» ËÎË «PHRASE MARK» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J], ‡ Á‡ÚÂÏ
Û͇ÊËÚ ÌÛÊÌ˚È Ú‡ÍÚ ËÎË ÔÓÁËˆË˛ ÎÓ͇ÚÓꢀ‡, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÍÌÓÔ͇ÏË [REW] Ë [FF].
■ ç‡ÒÚꢀÓÈ͇ „ꢀÓÏÍÓÒÚË ˜‡ÒÚÂÈ/ÔꢀË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚
BALANCE
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ BALANCE (ÒÚꢀ. 65).
CHANNEL
ON / OFF
PART
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ CHANNEL ON/OFF (ÒÏ. ÌËÊÂ).
ùÍꢀ‡Ì CHANNEL ON/OFF
èêàåÖóÄçàÖ
ä‡Ì‡Î
ùÚË Ë̉Ë͇ÚÓꢀ˚ Û͇Á˚‚‡˛Ú
͇̇ΠMIDI, ËÒÔÓθÁÛÂÏ˚È ‚
ÔÂÒÌÂ. Ç CVP-210/208 ͇̇Î˚
ꢀ‡ÒÔꢀ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ
Ó·ꢀ‡ÁÓÏ:
èÂÒÌfl
1 - 16
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 – 16
ç‡Ê‡‚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ÔÂꢀÂȉËÚÂ Í ‚Í·‰Í [SONG] Ë ÔꢀË„ÎÛ¯ËÚ ÌÛÊÌ˚È Í‡Ì‡Î, Á‡‰‡‚
‰Îfl ÌÂ„Ó Á̇˜ÂÌË [OFF]. óÚÓ·˚ ҉·ڸ ͇̇ΠÒÓÎËꢀÛ˛˘ËÏ, ÒΉÛÂÚ Û‰ÂꢀÊË‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û-
˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ. óÚÓ·˚ Á‡ÒÚ‡‚ËÚ¸ Â„Ó ÒÌÓ‚‡ Á‚Û˜‡Ú¸ ‚ÏÂÒÚÂ Ò ‰ꢀÛ„ËÏË Í‡Ì‡Î‡ÏË, ¢ ꢀ‡Á ̇ÊÏËÚÂ
ÍÌÓÔÍÛ Í‡Ì‡Î‡.
CVP-210/208
80
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
èꢀË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ – ‰ÓꢀÓÊ͇1/‰ÓꢀÓÊ͇2/
‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓꢀÓÊÍË
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔꢀË„ÎÛ¯‡Ú¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË ÔÂÒÌË (ÔÂꢀ‚Û˛, ‚ÚÓꢀÛ˛ ËÎË ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓꢀÓÊÍË). ç‡ÔꢀËÏÂꢀ, ÂÒÎË
‚˚ ıÓÚËÚ Á‡ÔÓÏÌËÚ¸ ÏÂÎӉ˲ ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ÔꢀË„ÎÛ¯ËÚ¸ ˜‡ÒÚ¸ Ò ÚÂÏ·ꢀÓÏ ‰Îfl Ôꢀ‡‚ÓÈ ꢀÛÍË Ë ÔÓÔꢀÓ·Ó‚‡Ú¸ Ò˚„ꢀ‡Ú¸
ÏÂÎӉ˲ Ò‡ÏÓÒÚÓflÚÂθÌÓ.
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ ÔÂÒÌ˛ (ÒÚꢀ. 77).
èÂꢀ‚ÓÈ Ë ‚ÚÓꢀÓÈ ‰ÓꢀÓÊÍ ÏÓ„ÛÚ
1
·˚Ú¸ ÔꢀËÒ‚ÓÂÌ˚ ꢀ‡Á΢Ì˚Â
͇̇Î˚ (ÒÚꢀ. 140). ùÚÓ ÔÓÁ‚ÓÎËÚ
ÏÂÌflÚ¸ ͇̇Î˚ Ë Û͇Á˚‚‡Ú¸
˜‡ÒÚË, ÍÓÚÓꢀ˚ ·Û‰ÛÚ
ÔꢀË„ÎÛ¯ÂÌ˚ ÔÓÒΠ̇ʇÚËfl
ÍÌÓÔÓÍ [TRACK 1]/[TRACK 2]/
[EXTRA TRACKS].
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚Â
˜‡ÒÚË (ÚÓ ÂÒÚ¸ ‚ÒÂ, ÍꢀÓÏ ˜‡ÒÚÂÈ ‰Îfl ΂ÓÈ Ë Ôꢀ‡‚ÓÈ ꢀÛÍË).
SONG
2
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
чÌ̇fl ÍÌÓÔ͇ Ôꢀ‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/
ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl Ôꢀ‡‚ÓÈ ꢀÛÍË.
èêàåÖóÄçàÖ
èꢀË ‚˚·ÓꢀÂ ÌÓ‚ÓÈ ÔÂÒÌË ‚ÒÂ
‰ÓꢀÓÊÍË ÔÓ ÛÏÓΘ‡Ì˲
‚Íβ˜ÂÌ˚.
чÌ̇fl ÍÌÓÔ͇ Ôꢀ‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl
˜‡ÒÚË ‰Îfl ΂ÓÈ ꢀÛÍË.
á‡ÔÛÒÚËÚ ÔÂÒÌ˛.
éÚꢀ„ÛÎËꢀÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÚꢀ. 54).
3
END
START / STOP
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛,
¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
.
NEW SONG
START
èÓ‚ÚÓꢀ ÓÔꢀ‰ÂÎÂÌÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡ ÔÂÒÌË
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ „ꢀ‡Ìˈ˚ Ùꢀ‡„ÏÂÌÚ‡ ÚӘ͇ÏË Ä Ë Ç (Point A Ë Point B), ˜ÚÓ·˚ Á‡ÚÂÏ ˆËÍ΢ÂÒÍË ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ „Ó.
èêàåÖóÄçàÖ
á‡ÔÛÒÚËÚ ÔÂÒÌ˛ (ÒÚꢀ. 78, 80).
ÑÎfl Û͇Á‡ÌËfl ÚÓ˜ÂÍ Ä Ë Ç
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ÌÂ
Ó·flÁ‡ÚÂθÌÓ. ìÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ
A, ̇ʇ‚ ÍÌÓÔÍÛ [REPEAT], ‡
Á‡ÚÂÏ ÓÚÏÓÚ‡ÈÚ ÔÂÒÌ˛ ‚ÔÂꢀ‰ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF]. ÑÓÒÚË„ÌÛ‚
1
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ̇˜‡ÎÓ
ÔÓ‚ÚÓꢀfl˛˘Â„ÓÒfl Ùꢀ‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚӘ͇ Ä).
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓ̈
ÔÓ‚ÚÓꢀfl˛˘Â„ÓÒfl Ùꢀ‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚӘ͇ B).
Ê·ÂÏÓÈ ÔÓÁˈËË ÓÍÓ̘‡ÌËfl
Á‡ˆËÍÎÂÌÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡,
ÛÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ Ç, ÒÌÓ‚‡ ̇ʇ‚
REC
TOP
START / STOP
SYNC.START
REW
FF
REPEAT
2
3
ÍÌÓÔÍÛ [REPEAT]
.
NEW SONG
èêàåÖóÄçàÖ
óÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ç, ÌÂÓ·ıÓ‰ËÏÓ
Ò̇˜‡Î‡ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ä.
옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓꢀflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒΠ‡‚ÚÓχÚ˘ÂÒÍË
‚ÒÚ‡‚ÎflÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËfl (ÔÓÏÓ„‡˛˘Â„Ó ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í ‚ÓÒÔꢀÓËÁ‚‰ÂÌ˲ Ùꢀ‡„ÏÂÌÚ‡).
ÇÌ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÔꢀÓË„ꢀ˚‚‡ÂÚÒfl ÎË ÔÂÒÌfl ËÎË ÌÂÚ, ÔꢀË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOP]
ÔꢀÓËÒıÓ‰ËÚ ÔÂꢀÂıÓ‰ Í ÚӘ͠Ä.
èêàåÖóÄçàÖ
ì͇Á‡ÌË ӉÌÓÈ Î˯¸ ÚÓ˜ÍË Ä
ÔꢀË‚Ó‰ËÚ Í Á‡ˆËÍÎË‚‡Ì˲
Ùꢀ‡„ÏÂÌÚ‡ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó
ÍÓ̈‡ ÔÂÒÌË.
èêàåÖóÄçàÖ
ì͇Á‡ÌÌ˚ ÚÓ˜ÍË Û‰‡Îfl˛ÚÒfl ÔꢀË
‚˚·ÓꢀÂ ÔÂÒÌË Ò ‰ꢀÛ„ËÏ ÌÓÏÂꢀÓÏ,
‚˚Íβ˜ÂÌËË ÙÛÌ͈ËË ÔÓ‚ÚÓꢀ‡
(Repeat) Ë ‚˚·ÓꢀÂ ‰ꢀÛ„Ó„Ó
ꢀÂÊËχ ÔÓ‚ÚÓꢀ‡, ̇ÔꢀËÏÂꢀ
Phrase Repeat (ÔÓ‚ÚÓꢀ Ùꢀ‡Á˚)
ËÎË Song Chain Play (ÔÓ‚ÚÓꢀ ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË
éÒÚ‡Ìӂ͇ ÔÂÒÌË
4
END
START / STOP
REPEAT
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛
ÔÓ‚ÚÓꢀ‡, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
.
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ)
(ÒÚꢀ. 140).
CVP-210/208
81
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl: êÛÍÓ‚Ó‰ÒÚ‚Ó
ë ÔÓÏÓ˘¸˛ ˝ÚËı Á‡·‡‚Ì˚ı ÙÛÌ͈ËÈ ‚˚ ΄ÍÓ ꢀ‡ÁÛ˜ËÚ ÌÓ‚˚ ÏÛÁ˚͇θÌ˚ ÔꢀÓËÁ‚‰ÂÌËfl.
à̉Ë͇ÚÓꢀ˚ Í·‚˯ Û͇Á˚‚‡˛Ú, ͇ÍË ÌÓÚ˚ Ë„ꢀ‡Ú¸, ÍÓ„‰‡ Ëı Ë„ꢀ‡Ú¸ Ë Í‡ÍÓ‚‡ Ëı ‰ÎËÚÂθÌÓÒÚ¸.
í‡ÍÊÂ, ÍÓ„‰‡ ‚˚ Ë„ꢀ‡ÂÚÂ Ë ÔÓÂÚÂ, ËÒÔÓθÁÛfl ÔÓ‰Íβ˜ÂÌÌ˚È ÏËÍꢀÓÙÓÌ, ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚꢀ‡Ë‚‡ÂÚ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ.
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚ ‚Íβ˜‡Ú¸/ÓÚÍβ˜‡Ú¸
Ë̉Ë͇ÚÓꢀ˚ Í·‚˯ ̇ ˝Íꢀ‡ÌÂ
SONG SETTING (ÒÚꢀ. 140).
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
NEW SONG
SYNC.START
à̉Ë͇ÚÓꢀÍ·‚˯Ë
îÛÌ͈ËË Ó·Û˜ÂÌËfl
ÑÎfl Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀÂ
èêàåÖóÄçàÖ
■ Follow Lights
Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÓÔꢀ‰ÂÎËÚ¸
˜ÂꢀÂÁ ͇ÍÓ ‚ꢀÂÏfl ·Û‰ÛÚ
Á‡„Óꢀ‡Ú¸Òfl Ë̉Ë͇ÚÓꢀ˚ Í·‚˯,
˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚‡¯ÂÏÛ
ËÒÔÓÎÌÂÌ˲ (ÇꢀÂÏfl „ÓꢀÂÌËfl
Ë̉Ë͇ÚÓꢀ‡; ÒÚꢀ. 140).
ÖÒÎË ‚˚·ꢀ‡Ì‡ ˝Ú‡ ÙÛÌ͈Ëfl, ‚˚ ÛÁ̇ÂÚÂ, ͇ÍË ÌÓÚ˚ ÌÂÓ·ıÓ‰ËÏÓ Ë„ꢀ‡Ú¸, ̇·Î˛‰‡fl Á‡
Ë̉Ë͇ÚÓꢀ‡ÏË Í·‚˯. éÌË Á‡„Óꢀ‡˛ÚÒfl Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ò ÏÛÁ˚ÍÓÈ, ÔÓ͇Á˚‚‡fl, ÍÓ„‰‡
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÌÓÚÛ. í‡ÍÊ ‚˚ ÏÓÊÂÚ Ôꢀ‡ÍÚËÍÓ‚‡Ú¸Òfl ‚ Û‰Ó·ÌÓÏ ‰Îfl ‚‡Ò ÚÂÏÔÂ, Ú‡Í Í‡Í
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ê‰ÂÚ, ÔÓ͇ ‚˚ Ì ‚ÓÒÔꢀÓËÁ‚‰ÂÚ ÌÓÚ˚ Ôꢀ‡‚ËθÌÓ.
•
Accompaniment Guide
èêàåÖóÄçàÖ
ÖÒÎË ËÒÔÓθÁÛÂχfl ‚‡ÏË ÔÂÒÌfl ÒÓ‰ÂꢀÊËÚ ‡ÍÍÓꢀ‰˚ Ë ‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP], ‚˚ ÏÓÊÂÚÂ
ËÒÔÓθÁÓ‚‡Ú¸ Ë̉Ë͇ÚÓꢀ˚ (ÒÚꢀ. 140) Ú‡ÍÊÂ Ë ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‡ÍÍÓꢀ‰Ó‚. 燷≇ÈÚ Á‡
Ë̉Ë͇ÚÓꢀ‡ÏË Ë ÔÓÒÚ‡ꢀ‡ÈÚÂÒ¸ ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡ÍÍÓꢀ‰˚.
ÖÒÎË ‚˚ ıÓÚËÚ ꢀ‡ÁÛ˜ËÚ¸
ÓÔꢀ‰ÂÎÂÌÌ˚ ‡ÍÍÓꢀ‰˚,
ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Chord
Tutor (ÒÚꢀ. 142).
■ Any Key
èêàåÖóÄçàÖ
îÛÌÍˆË˛ Accompaniment Guide
ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ‚
͇˜ÂÒÚ‚Â ÏÂÚÓ‰‡ ‡ÍÍÓꢀ‰Ó‚ÓÈ
‡ÔÔÎË͇ÚÛꢀ˚ ‚˚·ꢀ‡Ì Single
Finger, Full keyboard ËÎË AI Full
Keyboard.
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ ÏÓÊÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÏÂÎӉ˲ ÔÂÒÌË ÔꢀÓÒÚ˚Ï Ì‡Ê‡ÚËÂÏ
Í·‚Ë¯Ë (β·ÓÈ) ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ꢀËÚÏÓÏ. èÓ͇ ‚˚ Ë„ꢀ‡ÂÚ ̇ Í·‚˯ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ꢀËÚÏÓÏ, ÏÂÎÓ‰Ëfl Ô·‚ÌÓ Ú˜ÂÚ ‚ÏÂÒÚÂ Ò ÔÂÒÌÂÈ.
íÓθÍÓ ‰Îfl ‚Ó͇θÌÓ„Ó ËÒÔÓÎÌÂÌËfl
■ Karao-Key
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂÚ¸ Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ÛÔꢀ‡‚ÎflÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ.
ÑÓÒÚ‡ÚÓ˜ÌÓ Ì‡ÊËχڸ β·Û˛ Í·‚Ë¯Û ‚ ÌÛÊÌÓÏ ꢀËÚÏÂ, Ë ‚‡¯‡ Ë„ꢀ‡ ·Û‰ÂÚ ÒÓÔꢀÓ‚Óʉ‡Ú¸Òfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ
‚‡Ï ÍÓÌÚꢀÓÎËꢀÓ‚‡Ú¸ ÚÂÏÔ Ë ‚ꢀÂÏfl Á‚Û˜‡ÌËfl ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ÔÓÎÌÓÏ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ ‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ.
■ Vocal CueTIME
ä‡Í Ë Ò ÙÛÌ͈ËÂÈ Follow Lights, ‚˚ ÏÓÊÂÚ ‚ˉÂÚ¸, ͇ÍË ÌÓÚ˚ ÔÂÚ¸, ̇·Î˛‰‡fl Á‡ Ë̉Ë͇ÚÓꢀ‡ÏË Í·‚˯. ñËÙꢀÓ‚Ó ÔˇÌËÌÓ
Clavinova ÒΉËÚ Á‡ ‚‡¯ËÏ ÔÂÌËÂÏ Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚꢀ‡Ë‚‡ÂÚ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl Ë ÚÂÏÔ ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ
‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ.
CVP-210/208
82
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ê‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔꢀÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÙÛÌÍˆË˛ Ó·Û˜ÂÌËfl ̇ ÒÚꢀ‡Ìˈ SONG SETTING
˝Íꢀ‡Ì‡ FUNCTION (ÒÚꢀ. 140).
ÅÓΠÔÓ‰ꢀÓ·ÌÛ˛ ËÌÙÓꢀχˆË˛
ÔÓ ˝Íꢀ‡ÌÛ SONG SETTING ÒÏ. ̇
ÒÚꢀ. 140.
1
Ç˚·Ëꢀ‡ÂÚ ÓÔꢀ‰ÂÎÂÌÌ˚ ÙÛÌ͈ËË Ó·Û˜ÂÌËfl.
èêàåÖóÄçàÖ
A
B
C
D
E
à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌ˚Ï Ì‡ ‰ÓꢀÓÊ͇ı 1 Ë 2, Ë
‡ÍÍÓꢀ‰‡ÏË ÔÂÒÌË (ÔꢀË Ëı
̇΢ËË). Ç˚ ÏÓÊÂÚ ÓÒÚ‡‚ËÚ¸
ÙÛÌÍˆË˛ AUTO SET CH ‚
ÔÓÎÓÊÂÌËË ON, Ë Í‡Ì‡Î ÔÂÒÌË
·Û‰ÂÚ Á‡‰‡Ì ‡‚ÚÓχÚ˘ÂÒÍË.
ÖÒÎË ꢀÂÁÛÎ¸Ú‡Ú ‚‡Ò ÌÂ
ÇÍβ˜‡ÂÚ/ÓÚÍβ˜‡ÂÚ Ë̉Ë͇ÚÓꢀ˚ Í·‚˯.
éÔꢀ‰ÂÎflÂÚ ‚ꢀÂÏfl, ˜ÂꢀÂÁ ÍÓÚÓꢀÓ Á‡„ÓꢀflÚÒfl
Ë̉Ë͇ÚÓꢀ˚ Í·‚˯.
JUST ....à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÏÛÁ˚ÍÓÈ, ‚ Ú˜ÂÌËÂ
˝ÚÓ„Ó ‚ꢀÂÏÂÌË ‚˚ ‰ÓÎÊÌ˚
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÌÓÚ˚.
NEXT....à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl Ò Ì·Óθ¯ËÏ
ÓÔÂꢀÂÊÂÌËÂÏ ÏÛÁ˚ÍË, Û͇Á˚‚‡fl ÌÓÚ˚,
ÍÓÚÓꢀ˚ ÌÂÓ·ıÓ‰ËÏÓ ·Û‰ÂÚ
ÛÒÚꢀ‡Ë‚‡ÂÚ, ÌÂÓ·ıÓ‰ËÏÓ
Òӄ·ÒÓ‚‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ Channel
Setting «TRK1 CH» Ë «TRK2
CH» ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
Ô‡ꢀÚËÈ Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍË.
‚ÓÒÔꢀÓËÁ‚ÂÒÚË. à̉Ë͇ÚÓꢀ ÏË„‡ÂÚ, ÂÒÎË
‚˚ Ì ‚Ó‚ꢀÂÏfl ̇ÊËχÂÚ ̇ Í·‚˯Û.
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
ÇÓÍÓ‰Âꢀ
èÓÁ‚ÓÎflÂÚ Û͇Á˚‚‡Ú¸ ËÎË
«‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸» ÌÓÚ˚
„‡ꢀÏÓÌËÁ‡ˆËË Ò Í·‚ˇÚÛꢀ˚.
éÔꢀ‰ÂÎflÂÚ, ·Û‰ÛÚ ÎË Ùꢀ‡„ÏÂÌÚÌ˚ ÔÓÁˈËË ÎÓ͇ÚÓꢀ‡ ÔꢀÓË„ꢀ˚‚‡Ú¸Òfl ÒÌÓ‚‡ Ë
Ùꢀ‡„ÏÂÌÚ‡ ÔꢀÓË„ꢀ˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì SONG POSITION
̇ʇÚËÂÏ ÍÌÓÔÍË [REW] ËÎË [FF], Ë ‚˚·ÂꢀËÚ «PHRASE MARK» ̇ʇÚËÂÏ ÍÌÓÔÍË
[J]. ᇉ‡ÈÚ Ê·ÂÏÛ˛ ÔÓÁËˆË˛ ÎÓ͇ÚÓꢀ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF].
éÔꢀ‰ÂÎflÂÚ Í‡Ì‡Î
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl Á‚Û͇
„‡ꢀÏÓÌËË ‚ÓÍÓ‰Âꢀ‡.
èêàåÖóÄçàÖ
èÓÁˈËfl ÎÓ͇ÚÓꢀ‡
á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓꢀ‡
Û͇Á˚‚‡ÂÚ Ì‡ ÓÔꢀ‰ÂÎÂÌÌÓÂ
ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ Ê·ÂÏÛ˛ ÔÂÒÌ˛ (ÒÚꢀ. 78, 80) Ë ÓÚÍβ˜ËÚ ‰ÓꢀÓÊÍÛ, ÍÓÚÓꢀÛ˛ ıÓÚËÚÂ
ꢀ‡ÁÛ˜ËÚ¸ (ÒÚꢀ. 81).
2
3
èꢀË ‚˚ÁÓ‚Â ÙÛÌ͈ËË Ó·Û˜ÂÌËfl
‰ÓꢀÓÊ͇ 1 ËÎË ‰ÓꢀÓÊÍË 1 Ë 2
‚˚·Ëꢀ‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó
ÚÂı ÔÓꢀ, ÔÓ͇ ‚˚ Ì ÓÚÍβ˜ËÚÂ
Ó·Û˜ÂÌË ‰ÓꢀÓÊÍÂ.
REC
TOP
START / STOP
SYNC.START
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
àÌÓ„‰‡ Ë̉Ë͇ÚÓꢀ˚ Í·‚˯
Á‡„Óꢀ‡˛ÚÒfl ̇ ÓÍÚ‡‚Û ËÎË ‰‚Â
ÌËÊÂ/‚˚¯Â ꢀ‡θÌÓÈ ‚˚ÒÓÚ˚
Á‚Û͇. à̉Ë͇ÚÓꢀ˚ Í·‚˯ ÌÂ
ÏÓ„ÛÚ Û͇Á˚‚‡Ú¸ ÌÓÚ˚,
NEW SONG
‚˚ıÓ‰fl˘Ë Á‡ Ôꢀ‰ÂÎ 88-
Í·‚˯ÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇.
REC
TOP
START / STOP
SYC.START
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
4
ÖÒÎË Á‡ÔËÒ‡ÌÌ˚ ԇꢀÚËË ‰Îfl
Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍË Ì ·˚ÎË
ÓÚ‰ÂÎÂÌ˚ ̇‰ÎÂʇ˘ËÏ
Ó·ꢀ‡ÁÓÏ, ÙÛÌ͈ËË Ó·Û˜ÂÌËfl ÌÂ
ÒÏÓ„ÛÚ ÙÛÌ͈ËÓÌËꢀÓ‚‡Ú¸, ͇Í
Ôꢀ‰ÔÓ·„‡ÎÓÒ¸.
NEW SONG
á‡ÔÛÒÚËÚ ÔÂÒÌ˛ Ë ÔÓÒÚ‡ꢀ‡ÈÚÂÒ¸ ‚ÓÒÔꢀÓËÁ‚ÂÒÚË Ô‡ꢀÚ˲, ÍÓÚÓꢀÛ˛ ‚˚ ÔꢀË„ÎÛ¯ËÎË.
éÚꢀ„ÛÎËꢀÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] (ÒÚꢀ. 54).
5
REC
TOP
START / STOP
SYC.START
REW
FF
REPEAT
GUIDE
END
GUIDE
NEW SONG
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛
Ó·Û˜ÂÌËfl, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
.
éÒÚ‡Ìӂ͇ ÔÂÒÌË.
CVP-210/208
83
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÍβ˜Ë‚ ꢀÂÊËÏ ÔꢀÓÒÏÓÚꢀ‡ Ô‡ꢀÚËÚÛꢀ˚, ÏÓÊÌÓ ‚Ó ‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÔꢀÓÒχÚꢀË‚‡Ú¸ ÌÓÚ˚ ̇ ˝Íꢀ‡ÌÂ. ùÚ‡ ÙÛÌ͈Ëfl
ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÓÚÓ·ꢀ‡ÊÂÌË ÌÓÚ Í‡Í ‰Îfl ‚ÒÚꢀÓÂÌÌ˚ı ÔÂÒÂÌ, Ú‡Í Ë ‰Îfl ÍÓÏÔÓÁˈËÈ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÓ˜ËÌÂÌËfl.
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚÂ
ÔÂÒÌ˛
(ÒÚꢀ. 78, 80).
ÖÒÎË Ò΂‡ Ì ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl
1
2
„·‚Ì˚È ˝Íꢀ‡Ì (MAIN), Ò̇˜‡Î‡
̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
A
B
C
E
èêàåÖóÄçàÖ
éÚÓ·ꢀ‡Ê‡ÂÏ˚ ÌÓÚ˚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÔꢀÓË„ꢀ˚‚‡ÂÏÓÈ ‚
‰‡ÌÌ˚È ÏÓÏÂÌÚ ÔÂÒÌ Ë
„ÂÌÂꢀËꢀÛ˛ÚÒfl ˆËÙꢀÓ‚˚Ï
ÔˇÌËÌÓ Clavinova ‚ ꢀ‡θÌÓÏ
‚ꢀÂÏÂÌË. èÓ˝ÚÓÏÛ ‚̯ÌËÈ ‚ˉ
ÔÓÎۘ˂¯ÂÈÒfl ‚ ËÚÓ„Â Ô‡ꢀÚËÚÛꢀ˚
ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ Ô‡ꢀÚËÚÛꢀ˚
ÚÓÈ ÊÂ ÔÂÒÌË, ÍÓÚÓꢀÛ˛ ÏÓÊÌÓ
ÔꢀËÓ·ꢀÂÒÚË ‚ χ„‡ÁËÌÂ. ê‡Á΢Ëfl
ÓÒÓ·ÂÌÌÓ Á‡ÏÂÚÌ˚ ÔꢀË Òꢀ‡‚ÌÂÌËË
ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË ‰ÎËÌÌÓÈ
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÍÓꢀÓÚÍËı
ÌÓÚ.
3
ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÓÚÓ·ꢀ‡ÊÂÌË ԇꢀÚËË Î‚ÓÈ ꢀÛÍË. Ç
Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl ‰ꢀÛ„Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ˝ÚÓÚ
Ô‡ꢀ‡ÏÂÚꢀ ÏÓÊÂÚ ·˚Ú¸ ̉ÓÒÚÛÔÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓꢀ ̇ ˝Íꢀ‡Ì ·Û‰ÂÚ ÒÂꢀ˚Ï. ÖÒÎË
Ô‡ꢀ‡ÏÂÚꢀ ̉ÓÒÚÛÔÂÌ, ÚÓ ‚˚ ÏÓÊÂÚ ÔÂꢀÂÈÚË Í ˝Íꢀ‡ÌÛ
ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍË (detailed setting) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[8■■] Ë Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ LEFT CH ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, Á‡
ËÒÍβ˜ÂÌËÂÏ Í‡Ì‡Î‡ AUTO. äꢀÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚Á‚‡Ú¸
˝Íꢀ‡Ì SONG SETTING ËÁ ÏÂÌ˛ Function (ÒÚꢀ. 140) Ë
Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ TRACK 2 ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, ÍꢀÓÏÂ
͇̇· OFF.
èêàåÖóÄçàÖ
çÂÍÓÚÓꢀ˚ ËÁ ‚ÒÚꢀÓÂÌÌ˚ı ‚
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í
̇Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ».
íÂÏÔ, ꢀËÚÏ, ꢀ‡ÁÏÂꢀ Ë Ô‡ꢀÚËÚÛꢀ‡
Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl
ÌÂÔꢀ‡‚ËθÌÓ.
èêàåÖóÄçàÖ
1
2
3
4
5
6
7
8
ç‚ÓÁÏÓÊÌÓ ÓÚÍβ˜ËÚ¸
ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÓÚÓ·ꢀ‡ÊÂÌË ԇꢀÚËË Ôꢀ‡‚ÓÈ ꢀÛÍË.
ÖÒÎË Ì‡ ˝Íꢀ‡Ì SONG SETTING (ÒÚꢀ. 140) ÔÂꢀ‚ÓÈ ‰ÓꢀÓÊÍÂ
([TRACK1] ) ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË [OFF], ÔÂꢀ‚˚È Í‡Ì‡Î
‚˚·Ëꢀ‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ˜‡ÒÚË [RIGHT]
[LEFT]
Ë
.
èêàåÖóÄçàÖ
ç‡Á‚‡ÌË ÌÓÚ˚ Û͇Á˚‚‡ÂÚÒfl
Ò΂‡ ÓÚ Â ËÁÓ·ꢀ‡ÊÂÌËfl. ÖÒÎË
ꢀ‡ÒÒÚÓflÌË ÏÂÊ‰Û ÌÓÚ‡ÏË
ÒÎ˯ÍÓÏ Ï‡ÎÓ, ̇Á‚‡ÌË ÌÓÚ˚
ÏÓÊÂÚ ·˚Ú¸ ‚˚‚‰ÂÌÓ Ò΂‡ ̇‰
ÌÓÚÓÈ.
äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ÚÂÍÒÚ‡.
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂꢀÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl.
ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÔÓ͇Á ‡ÍÍÓꢀ‰Ó‚.
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂꢀÊËÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓꢀ‰‡ı, ÓÌË Ì ·Û‰ÂÚ
ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl.
èêàåÖóÄçàÖ
óÂÏ ·Óθ¯Â ̇ ˝Íꢀ‡ÌÂ
ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ꢀ‡Á΢ÌÓÈ
‰ÓÔÓÎÌËÚÂθÌÓÈ ËÌÙÓꢀχˆËË
(̇Á‚‡ÌËÈ ˜‡ÒÚÂÈ Ë ‡ÍÍÓꢀ‰Ó‚,
ÚÂÍÒÚ‡ ÔÂÒÌË Ë Ú.‰.), ÚÂÏ ÏÂ̸¯Â
ÛÏ¢‡ÂÚÒfl ̇ ÌÂÏ Ú‡ÍÚÓ‚.
ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÔÓ͇Á‡ ̇Á‚‡ÌËfl ÌÓÚ˚ (‚˚ÒÓÚ˚ Á‚Û͇).
ᇉ‡ÂÚ ꢀ‡Áꢀ¯ÂÌË ˝Íꢀ‡Ì‡ (χүڇ· ÓÚÓ·ꢀ‡ÊÂÌËfl Ô‡ꢀÚËÚÛꢀ˚).
ê‡Áꢀ¯ÂÌËfl ‚˚·Ëꢀ‡˛ÚÒfl ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓꢀfl‰ÍÂ: X-LARGE (Extra Large),
LARGE, MEDIUM Ë SMALL.
èêàåÖóÄçàÖ
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍË Ô‡ꢀÚËÚÛꢀ˚. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡ÌˈÂ.
ÖÒÎË ÌÓÚ˚ Ë Á̇ÍË ‡Î¸ÚÂꢀ‡ˆËË
(‰ËÂÁ˚ Ë ·ÂÏÓÎË) Ì ÔÓÏ¢‡˛ÚÒfl
‚ ꢀfl‰, ÚÓ ÓÌË ÔÂꢀÂÌÓÒflÚÒfl ‚
ÔÂꢀ‚˚È Ú‡ÍÚ ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀÓÍË,
̇˜Ë̇fl Ò ÒÂꢀ‰ËÌ˚ Ú‡ÍÚ‡.
èêàåÖóÄçàÖ
îÛÌ͈ËË Ô‡ꢀÚËÚÛꢀ˚ ÌÂ
ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË
ÔÛÚÂÏ ÌÂÔÓÒꢀ‰ÒÚ‚ÂÌÌÓ„Ó ‚‚Ó‰‡
ÌÓÚ. 낉ÂÌËfl Ó ÒÓÁ‰‡ÌËË ÔÂÒÂÌ
Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 101.
CVP-210/208
84
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
íÓÌ͇fl ̇ÒÚꢀÓÈ͇ Ô‡ꢀÚËÚÛꢀ˚
èêàåÖóÄçàÖ
äÓ„‰‡ Ô‡ꢀÚËË Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍË
(«LEFT» Ë «RIGHT») ̇Á̇˜ÂÌ˚
Ó‰ÌÓÏÛ Ë ÚÓÏÛ Ê ͇̇ÎÛ,
Ô‡ꢀÚËÚÛꢀ‡ ̇ ˝Íꢀ‡Ì ÒÚ‡ÌÓ‚ËÚÒfl
ÔÓıÓʇ ̇ ÙÓꢀÚÂÔˇÌÌÛ˛ (‰‚‡
ÌÓÚÌ˚ı Òڇ̇).
1
2
3
4
5
6
7
8
■ [1■■] LEFT CH / [2■■] RIGHT CH
äÌÓÔÍË Ì‡ÒÚꢀÓÈÍË ÎÂ‚Ó„Ó Ë Ôꢀ‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îfl Ô‡ꢀÚËË Î‚ÓÈ Ë Ôꢀ‡‚ÓÈ ꢀÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). èꢀË ‚˚·Óꢀ ÌÓ‚ÓÈ ÔÂÒÌË ÔÓ
ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË AUTO.
AUTO ................................ä‡Ì‡Î˚ ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl Ô‡ꢀÚËflÏ Î‚ÓÈ Ë Ôꢀ‡‚ÓÈ ꢀÛÍË ‡‚ÚÓχÚ˘ÂÒÍË. è‡ꢀÚËË ꢀ‡ÒÔÓ·„‡˛ÚÒfl ÔÓ
͇̇·Ï, Û͇Á‡ÌÌ˚Ï Ì‡ ˝Íꢀ‡Ì SONG SETTING ÏÂÌ˛ Function (ÒÚꢀ. 140).
1-16 ...................................è‡ꢀÚËfl ÔꢀË‚flÁ˚‚‡ÂÚÒfl Í ÓÔꢀ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (Ò ÔÂꢀ‚Ó„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È).
OFF (ÚÓθÍÓ LEFT CH) ...èꢀËÒ‚ÓÂÌË ͇̇· ÓÚÒÛÚÒÚ‚ÛÂÚ.
■ [3■■], [4■■] KEY SIGNATURE
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÓ̇θÌÓÒÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ, „‰Â ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇. ùÚÓ ÏÂÌ˛ ÔÓÎÂÁÌÓ ‚ ÒÎÛ˜‡flı, ÍÓ„‰‡
‚˚·ꢀ‡Ì̇fl ÔÂÒÌfl Ì ÒÓ‰ÂꢀÊËÚ Ì‡ÒÚꢀÓÂÍ ÚÓ̇θÌÓÒÚË ‰Îfl ‚˚‚Ó‰‡ ̇ ˝Íꢀ‡Ì.
ëÔËÒÓÍ Íβ˜Â‚˚ı Á̇ÍÓ‚ ‰Îfl χÊÓꢀÌ˚ı ÚÓ̇θÌÓÒÚÂÈ ÒÓ Á͇̇ÏË ‡Î¸ÚÂꢀ‡ˆËË Ë Ô‡ꢀ‡ÎÎÂθÌ˚ÏË ÏËÌÓꢀÌ˚ÏË ÚÓ̇θÌÓÒÚflÏË
Ôꢀ˂‰ÂÌ ÌËÊÂ.
äβ˜Ë Ë Á̇ÍË ‡Î¸ÚÂꢀ‡ˆËË
C Maj (A min)
G Maj (E min)
D Maj (B min)
A Maj (F min)
E Maj (C min)
B Maj (G min)
F Maj (D min)
C Maj (A min)
C Maj (A min)
G Maj (E min)
D Maj (B min)
A Maj (F min)
E Maj (C min)
B Maj (G min)
F Maj (D min)
çÓÚ‡ Û͇Á˚‚‡ÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ï‡ÊÓꢀÌÓÈ ÚÓ̇θÌÓÒÚË, ‡ – ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÈ ÏËÌÓꢀÌÓÈ ÚÓ̇θÌÓÒÚË.
èêàåÖóÄçàÖ
■ [5■■] QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)
äÓꢀÓÚÍËÂ ÌÓÚ˚ Ë ÏÂÎËÁÏ˚
(ÚꢀÂÎË, ÙÓꢀ¯Î‡„Ë, ÙËÓꢀËÚÛꢀ˚) Ò
‰ÎËÚÂθÌÓÒÚ¸˛ ÏÂ̸¯ÂÈ, ˜ÂÏ
è‡ꢀ‡ÏÂÚꢀ˚ Í‚‡ÌÚËÁ‡ˆËË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡‚‡Ú¸ ÌÓÚÌÓ ꢀ‡Áꢀ¯ÂÌË ԇꢀÚËÚÛꢀ˚. ùÚÓ ÓÁ̇˜‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ Ò‰‚Ë„‡Ú¸ ËÎË ÍÓꢀꢀÂÍÚËꢀÓ‚‡Ú¸ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ı ÌÓÚ ‚ ˆÂÎflı
‚˚ꢀ‡‚ÌË‚‡ÌËfl Ô‡ꢀÚËÚÛꢀ˚. á̇˜ÂÌË ÌÓÚÌÓ„Ó ꢀ‡Áꢀ¯ÂÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÏËÌËχθÌÓÈ ÌÓÚÌÓ ꢀ‡Áꢀ¯ÂÌËÂ
(̇ËÏÂ̸¯‡fl ‰ÎËÚÂθÌÓÒÚ¸
ÓÚÓ·ꢀ‡Ê‡ÂÏÓÈ ÌÓÚ˚), ·Û‰ÛÚ
ÓÚÒÛÚÒÚ‚Ó‚‡Ú¸ ‚ Ô‡ꢀÚËÚÛꢀÂ.
‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ÔÂÒÌÂ.
LJꢀˇÌÚ˚ ÌÓÚÌÓ„Ó ꢀ‡Áꢀ¯ÂÌËfl:
1/4, 1/8, 1/16, 1/32, ÚꢀËÓθ ËÁ ˜ÂÚ‚ÂꢀÚÂÈ, ÚꢀËÓθ ËÁ ‚ÓÒ¸Ï˚ı, ÚꢀËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı, ÚꢀËÓθ ËÁ
Úꢀˉˆ‡Ú¸ ‚ÚÓꢀ˚ı
CVP-210/208
85
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
■ [6■■] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)
Ç˚·ÂꢀËÚ ӉËÌ ËÁ ÚꢀÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ˚ ÔꢀË ‚Íβ˜ÂÌÌÓÏ ꢀÂÊËÏ «NOTE» (ÒÚꢀ. 84).
ABC................................................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B).
Fixed Do ........................................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì ‚ ‚ˉ ÔꢀËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ, ÍÓÚÓꢀ˚Â
Á‡‚ËÒflÚ ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó flÁ˚͇ (ÒÚꢀ. 53).
ÄÌ„ÎËÈÒÍËÈ ...........Do Re Mi Fa Sol La Si
îꢀ‡ÌˆÛÁÒÍËÈ ........Ut Re Mi Fa Sol La Si
àڇθflÌÒÍËÈ .........Do Re Mi Fa Sol La Si
çÂψÍËÈ...............Do Re Mi Fa Sol La Si
àÒÔ‡ÌÒÍËÈ .............Do re Mi Fa Sol La Si
üÔÓÌÒÍËÈ ...............
Movable Do (ÔÓ‰‚ËÊÌÓ «‰Ó»)..... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì ‚ ‚ˉ ÔꢀËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ Ë Á‡‚ËÒflÚ ÓÚ
‚˚·ꢀ‡ÌÌÓÈ ÚÓ̇θÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «‰Ó». ç‡ÔꢀËÏÂꢀ, ‚ ÚÓ̇θÌÓÒÚË
ÒÓθ-χÊÓꢀ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓθ» ·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òfl «‰Ó».
ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡ꢀˇÌÚÓÏ «Fixed Do», Ó·ÓÁ̇˜ÂÌËfl ÌÓÚ Á‡‚ËÒflÚ ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó flÁ˚͇.
■ [7■■] COLOR NOTE
ÖÒÎË Á‡‰‡Ì ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ, ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì ꢀ‡ÁÌÓˆ‚ÂÚÌ˚ÏË («‰Ó» — Íꢀ‡ÒÌÓÂ, «ꢀ» — ÊÂÎÚÓÂ, «ÏË» — ÁÂÎÂÌÓÂ, «Ù‡»
— Óꢀ‡ÌÊ‚ÓÂ, «ÒÓθ» — ÒËÌÂÂ, «Îfl» — ÙËÓÎÂÚÓ‚ÓÂ Ë «ÒË» — ·ÂÎÓÂ).
■ [8■] OK
èêàåÖóÄçàÖ
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Íꢀ˚ÚËfl ˝Íꢀ‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍË Ë Á‡ÔÛÒ͇ ÔꢀÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËfl
èÂꢀÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚꢀ‡Ìˈ˚
Ô‡ꢀÚËÚÛꢀ˚. íÛ Ê ÓÔÂꢀ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË.
˝Íꢀ‡Ì‡ Í ‰ꢀÛ„ÓÈ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË Ô‰‡ÎË (ÒÚꢀ. 142).
■ [8■] CANCEL (ÓÚÏÂ̇)
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Íꢀ˚ÚËfl ˝Íꢀ‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚. íÛ ÊÂ
ÓÔÂꢀ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË.
CVP-210/208
86
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ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
éÚÓ·ꢀ‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ꢀÂÏfl  ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, Ì ÓÚ‚ÎÂ͇flÒ¸ ÓÚ Ë„ꢀ˚.
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚÂ
ÔÂÒÌ˛
(ÒÚꢀ. 78, 80).
íÂÍÒÚ ÔÂÒÌË ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ̇
flÁ˚Í ÓꢀË„Ë̇·. ÖÒÎË ÚÂÍÒÚ
ËÒ͇ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ,
‚˚ ÏÓÊÂÚ ËÒÔꢀ‡‚ËÚ¸ „Ó,
ËÁÏÂÌË‚ Ô‡ꢀ‡ÏÂÚꢀ «LYRICS
LANGUAGE» ̇ ˝Íꢀ‡Ì SONG
SETTING (ÒÚꢀ. 140).
1
2
A
B
D
E
èêàåÖóÄçàÖ
3
ÖÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Û͇Á‡Ì
ˆ‚ÂÚ ÙÓ̇, ËÁÏÂÌËÚ¸ ̇ÒÚꢀÓÈÍÛ
BACK GROUND ÌÂθÁfl.
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂꢀÊËÚ ÚÂÍÒÚ‡,
ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl.
Ç˚·ÂꢀËÚ ̇ÒÚꢀÓÈÍÛ
BACK GROUND.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·ꢀ‡Ì̇fl ÔÂÒÌfl
̇Á‚‡ÌËfl ‡ÍÍÓꢀ‰Ó‚ ·Û‰ÛÚ
ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ
ÔÂÒÌË.
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
4
5
NEW SONG
SC.START
èêàåÖóÄçàÖ
ëÚÓÍË ÚÂÍÒÚ‡ Ú‡ÍÊ ÏÓ„ÛÚ
ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl ̇ ˝Íꢀ‡ÌÂ
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÂ΂ËÁÓꢀ‡
(ÒÚꢀ. 147, 156).
á‡ÔÛÒÚËÚ ÔÂÒÌ˛.
ñ‚ÂÚ ÒÚꢀÓÍ ÚÂÍÒÚ‡
ËÁÏÂÌflÂÚÒfl ‚Ó
‚ꢀÂÏfl ‚ÓÒÔꢀÓËÁ‚Â-
‰ÂÌËfl ÔÂÒÌË.
END
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸
(ÒÚꢀ. 112).
NEW SONG
SC.START
éÒÚ‡Ìӂ͇ ÔÂÒÌË.
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í
Ôꢀ‰˚‰Û˘ÂÈ ÒÚꢀ‡ÌˈÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ
.
EXIT
CVP-210/208
87
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ëÓıꢀ‡ÌÂÌËÂ Ë Á‡„ꢀÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓꢀÓ‚
Ô‡ꢀ‡ÏÂÚꢀÓ‚: ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
ê„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ – ˝ÚÓ ÏÓ˘ÌÓ Òꢀ‰ÒÚ‚Ó Ì‡ÒÚꢀÓÈÍË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ‚˚·Ëꢀ‡Ú¸
Úꢀ·ÛÂÏ˚ ÚÂÏ·ꢀ˚ ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓıꢀ‡ÌflÚ¸ ‚Ò ˝ÚË ‰‡ÌÌ˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
ÇÔÓÒΉÒÚ‚ËË ‚ÒflÍËÈ ꢀ‡Á, ÍÓ„‰‡ ÔÓÚꢀ·ÛÂÚÒfl Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ Î˯¸ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ REGISTRATION MEMORY (ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸).
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
F
VOICE PART
ON OFF
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
LEFT
REGISTRATION MEMORY
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
2
3
4
FREEZE
1
2
3
4
5
6
7
8
MEMORY
I
PIANO
DATA
t
Y
FREEZE
1
2
3
4
5
6
7
8
MEMORY
IT
ê„ËÒÚꢀ‡ˆËfl ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
Ç ˝ÚÓÏ ꢀ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl Ôꢀӈ‰Ûꢀ‡ ꢀ„ËÒÚꢀ‡ˆËË (Á‡ÍꢀÂÔÎÂÌËfl ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Á‡
ÍÌÓÔ͇ÏË REGISTRATION MEMORY). ᇉ‡ÈÚ β·˚ ԇꢀ‡ÏÂÚꢀ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔꢀ‡‚ÎÂÌËfl, ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË, Ë ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ «Á‡ÔÓÏÌËÚ» Ëı.
èêàåÖóÄçàÖ
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÂÒÌË ËÎË
ÒÚËÎË, ıꢀ‡Ìfl˘ËÂÒfl ̇ ‰ËÒÍÂÚÂ,
Ì‚ÓÁÏÓÊÌÓ «Á‡ÔÓÏÌËÚ¸» Ú‡ÍËÏ
Ó·ꢀ‡ÁÓÏ. ÖÒÎË ‚˚ ıÓÚËÚÂ
Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸ ÔÂÒÌ˛ ËÎË
ÒÚËθ, ÔÂꢀÂÌÂÒËÚ ÌÂÓ·ıÓ‰ËÏ˚Â
‰‡ÌÌ˚ ‚ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË USER
̇ ˝Íꢀ‡Ì SONG/STYLE (ÒÚꢀ. 40)
Ë Á‡ꢀ„ËÒÚꢀËꢀÛÈÚ Ëı ÔÓ
ᇉ‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇꢀ‡ÏÂÚꢀ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔꢀ‡‚ÎÂÌËfl.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı, ÍÓÚÓꢀ˚ ÏÓÊÌÓ ÒÓıꢀ‡ÌflÚ¸ ‚
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Ôꢀ˂‰ÂÌ˚ ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (퇷Îˈ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚).
1
ÓÚ‰ÂθÌÓÒÚË.
REGISTRATION MEMORY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
2
3
Ç˚·ÂꢀËÚ „ꢀÛÔÔ˚ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ÍÓÚÓꢀ˚Â
Úꢀ·ÛÂÚÒfl ̇ÒÚꢀÓËÚ¸ Ë ÒÓıꢀ‡ÌËÚ¸. ÑÎfl
ÔÂꢀÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ꢀÛÔÔ˚ Í ‰ꢀÛ„ÓÈ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔꢀ‡‚ÎÂÌËfl [DATA ENTRY]
óÚÓ·˚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸ „ꢀÛÔÔÛ Ô‡ꢀ‡ÏÂÚꢀÓ‚,
ÔÓÒÚ‡‚¸Ú ꢀfl‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. è‡ꢀ‡ÏÂÚꢀ˚,
F
G
H
I
äÌÓÔ͇ ÓÚÏÂÌ˚ ꢀ„ËÒÚꢀ‡ˆËË Ë
ÔÂꢀÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Íꢀ‡ÌÛ.
ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊÂ
.
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [EXIT].
Á‡‰‡ÌÌ˚ ‰Îfl „ꢀÛÔÔ, Ì ÔÓϘÂÌÌ˚ı „‡ÎӘ͇ÏË,
Ì ·Û‰ÛÚ ÒÓıꢀ‡ÌÂÌ˚ ‚ ‚ˉ هÈ· ̇·Óꢀ‡
Ô‡ꢀ‡ÏÂÚꢀÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓıꢀ‡ÌflÚ¸
ÓÔꢀ‰ÂÎÂÌÌ˚ ̇ÒÚꢀÓÈÍË ‰‡Ê ÔꢀË ÒÏÂÌÂ
̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ‚ÁflÚ˚ı ËÁ
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ë ÚÓÈ Ê ˆÂθ˛
ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Freeze
(«Á‡ÏÓꢀÓÁËÚ¸») (ÒÚꢀ. 90), ÍÓÚÓꢀ‡fl ÔÓÁ‚ÓÎflÂÚ
Ë„ÌÓꢀËꢀÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ
Ô‡ÏflÚË, ÓÚÌÓÒfl˘ËÂÒfl Í «Á‡ÏÓꢀÓÊÂÌÌ˚Ï»
Ô‡ꢀ‡ÏÂÚꢀ‡Ï.
J
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË.
íÓ Ê ҇ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER].
äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. íÓ ÊÂ
Ò‡ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [ENTER].
1
2
3
4
5
6
7
8
óÚÓ·˚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ú¸ ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ̇ÊÏËÚ ӉÌÛ ËÁ ËÁÓ·ꢀ‡ÊÂÌÌ˚ı ÌËÊ ÍÌÓÔÓÍ.
REGISTRATION MEMORY
END
FREEZE
1
2
3
4
5
6
7
8
MEMORY
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... 燷Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ì, ÌÓ Ì ‚˚·ꢀ‡Ì.
äꢀ‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... 燷Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ì Ë ‚˚·ꢀ‡Ì.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓꢀËÚ ........... 燷Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ì Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡Ì.
ëÏ. ËÌÙÓꢀχˆË˛ Ó ÒÓıꢀ‡ÌÂÌËË Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡ÌÌ˚ı ̇ÒÚꢀÓÂÍ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡ÌˈÂ.
CVP-210/208
88
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ëÓıꢀ‡ÌÂÌËÂ Ë Á‡„ꢀÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚: ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
ëÓıꢀ‡ÌÂÌË ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚
燷Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Á‡ÍꢀÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓıꢀ‡ÌflÂÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·.
èêàåÖóÄçàÖ
ç Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ꢀ‡ÁÏÂꢀ
هȷ ‚ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÏ ·‡ÌÍÂ
(‡ Á̇˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËχÂÏÓÈ
ËÏ Ô‡ÏflÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒ·
Á‡‰‡‚‡ÂÏ˚ı ÙÛÌ͈ËÈ.
á‡ÍꢀÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ [1] -
[8] ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ̇Á˚‚‡ÂÚÒfl
«·‡ÌÍÓÏ». î‡ÈÎ˚ ꢀ„ËÒÚꢀ‡ˆËÓÌÌ˚ı
·‡ÌÍÓ‚ ÒΉÛÂÚ ÒÓıꢀ‡ÌflÚ¸ ‚ ꢀ‡Á‰ÂÎÂ
Ô‡ÏflÚË «USER» ËÎË «FLOPPY DISK» ËÎË
̇ ‰ËÒÍÂÚÂ.
BANK 01
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÂꢀÂÈÚË Í „·‚ÌÓÏÛ
˝Íꢀ‡ÌÛ, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ –
ÍÌÓÔÍÛ [EXIT].
F
G
H
I
1
2
J
ëÓıꢀ‡ÌËÚ ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‚ ‚ˉ ‰ËÌÓ„Ó Ù‡È·
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚꢀ. 48).
èÓfl‚ËÚÒfl ˝Íꢀ‡Ì REGISTRATION EDIT.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ
˝Íꢀ‡Ì Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
1
2
3
4
5
6
7
8
ùÍꢀ‡Ì REGISTRATION EDIT
ëÓ‰ÂꢀÊËÏÓ ÚÂÍÛ˘Â„Ó ·‡Ì͇ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (REGIST.) ‚˚‚Ó‰ËÚÒfl ̇ ˝Íꢀ‡Ì REGISTRATION EDIT. ç‡Á‚‡ÌËfl
ÒÓıꢀ‡ÌÂÌÌ˚ı ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ̇ ˝Íꢀ‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION
MEMORY ÒÚ‡ÌÓ‚flÚÒfl ÁÂÎÂÌ˚ÏË.
ç‡ ˝ÚÓÏ ˝Íꢀ‡Ì ‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸, Û‰‡ÎËÚ¸ ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ËÎË Ì‡Á̇˜ËÚ¸ ÂÏÛ ËÏfl.
Ç˚·Óꢀ .......................... ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚flÁ‡Ì˚ Ò ˝Íꢀ‡ÌÓÏ
REGIST. èꢀË ‚˚·Óꢀ ӉÌÓ„Ó ËÁ ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ
ÒÚ‡ÌÓ‚ËÚÒfl Íꢀ‡ÒÌ˚Ï.
ç‡Á̇˜ÂÌË ËÏÂÌË..... èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔꢀË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂꢀ‡ˆËË Ë‰ÂÌÚ˘̇ Ôꢀӈ‰ÛꢀÂ, ÓÔËÒ‡ÌÌÓÈ ‚
ꢀ‡Á‰ÂΠ«Ç˚·Óꢀ ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚꢀ. 45) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË: Óꢀ„‡ÌËÁ‡ˆËfl
‰‡ÌÌ˚ı».
쉇ÎÂÌË ..................... èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔꢀË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂꢀ‡ˆËË Ë‰ÂÌÚ˘̇ Ôꢀӈ‰ÛꢀÂ, ÓÔËÒ‡ÌÌÓÈ ‚
ꢀ‡Á‰ÂΠ«ì‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚꢀ. 47) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔÂꢀ‡ˆËË: Óꢀ„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».
èÓÒΠ‚˚ÔÓÎÌÂÌËfl ÓÔÂꢀ‡ˆËÈ Name/Delete (ÔꢀËÒ‚ÓËÚ¸ ËÏfl/Û‰‡ÎËÚ¸) ‚ÂꢀÌËÚÂÒ¸ ̇ ˝Íꢀ‡Ì REGISTRATION BANK Ë
̇ÊÏËÚ ÍÌÓÔÍÛ [8■] (UP), ˜ÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ ‰‡ÌÌ˚Â.
CVP-210/208
89
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ëÓıꢀ‡ÌÂÌËÂ Ë Á‡„ꢀÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚: ꢀ„ËÒÚꢀ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
ᇄꢀÛÁ͇ ̇·Óꢀ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚
åÓÊÌÓ Á‡„ꢀÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Óꢀ ̇ÒÚꢀÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇꢀ‡ÏÂÚꢀ˚. ç‡ÔꢀËÏÂꢀ, ÔꢀË ÒÌflÚËË „‡ÎÓ˜ÍË Ò „ꢀÛÔÔ˚ «STYLE» ̇ ˝Íꢀ‡ÌÂ
REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËθ Ì ËÁÏÂÌËÚÒfl, ‰‡Ê ÂÒÎË Á‡„ꢀÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
ᇄꢀÛÁ͇ Á‡ꢀ„ËÒÚꢀËꢀÓ‚‡ÌÌ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚
Ç˚·ÂꢀËÚ ÌÛÊÌ˚È ·‡ÌÍ Ì‡ ˝Íꢀ‡Ì REGISTRATION BANK (ÒÚꢀ. 89).
óÚÓ·˚ Á‡„ꢀÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
èêàåÖóÄçàÖ
REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„ꢀÛʇڸ
REGISTRATION MEMORY
ÌÂÒÍÓθÍÓ Ì‡·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚
FREEZE
1
2
3
4
5
6
7
8
MEMORY
‚ β·ÓÏ ÔÓꢀfl‰ÍÂ. ÅÛ‰Û˜Ë
Á‡ÔꢀÓ„ꢀ‡ÏÏËꢀÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË
1 - 8 ÏÓ„ÛÚ ·˚Ú¸ ÔÓÒΉӂ‡ÚÂθ-
ÌÓ ‚˚Á‚‡Ì˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK][NEXT] ËÎË Ô‰‡ÎË
(ÒÚꢀ. 145).
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ «Á‡ÏÓꢀÓÁÍË»
MENU
2
1
DEMO
HELP
FUNCTION
èÂꢀÂȉËÚ ̇ ÒÚꢀ‡ÌˈÛ
«FREEZE» ˝Íꢀ‡Ì‡
REGIST.SEQUENCE/
FREEZE/VOICE SET
(ÒÚꢀ. 145).
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË
„‡ÎÓ˜ÍË.
1
2
3
4
5
6
7
8
äÌÓÔ͇ Û‰‡ÎÂÌËfl
„‡ÎÓ˜ÍË.
äÌÓÔÍË ‚˚·Óꢀ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚ «Á‡ÏÓꢀÓÁÍË»
ç‡ÊÏËÚ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ꢀÂÊËÏ «Á‡ÏÓꢀÓÁÍË» ‚Íβ˜ÂÌ („ÓꢀËÚ Ò‚ÂÚÓ‰ËÓ‰ ꢀfl‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE),
ÚÓ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚, Û͇Á‡ÌÌ˚ı ̇ ÒÚꢀ‡Ìˈ «Freeze», ÓÒÚ‡ÌÛÚÒfl ÌÂÚꢀÓÌÛÚ˚ÏË ‰‡Ê ÔꢀË ÒÏÂÌ ·‡ÌÍÓ‚
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
3
REGISTRATION MEMORY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
óÚÓ·˚ Á‡„ꢀÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION
4
MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
REGISTRATION MEMORY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
CVP-210/208
90
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓꢀ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸
èêàåÖóÄçàÖ
ÒÓ·ÒÚ‚ÂÌÌ˚ ÚÂÏ·ꢀ˚ ÔÛÚÂÏ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl ÌÂÍÓÚÓꢀ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ëϲ˘ËıÒfl ÚÂÏ·ꢀÓ‚. èÓÒÎÂ
ÒÓÁ‰‡ÌËfl ÚÂÏ·ꢀ‡ Â„Ó ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‚ ꢀ‡Á‰ÂΠԇÏflÚË USER ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
•
íÂÏ·ꢀ ÏÓÊÌÓ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ ‚
ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË, ÌÂ
ÔꢀÂꢀ˚‚‡fl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
ÔÂÒÌË/ÒÚËÎfl.
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔꢀË
ÓÔꢀ‰ÂÎÂÌÌ˚ı ÔÂꢀ‚Ó̇˜‡Î¸-
Ì˚ı ̇ÒÚꢀÓÈ͇ı ÚÂÏ·ꢀ‡
ꢀ„ÛÎËꢀӂ͇ Â„Ó Ô‡ꢀ‡ÏÂÚꢀÓ‚
ÏÓÊÂÚ Ò΄͇ ÓÚꢀ‡Ê‡Ú¸Òfl ̇
Ù‡ÍÚ˘ÂÒÍÓÏ Á‚Û˜‡ÌËË
ÚÂÏ·ꢀ‡.
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
•
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
ALANCE
PAR
NEL
FF
SOUND
3
4
5
6
7
8
EXIT
CREATOR
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
èêàåÖóÄçàÖ
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ Ô‡ꢀÚ˲ (MAIN, LAYER ËÎË
LEFT), ÒÓ‰Âꢀʇ˘Û˛ ËÒıÓ‰Ì˚È ÚÂÏ·ꢀ,
̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H].
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[SOUND
CREATOR].
íÂÏ·ꢀ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·ꢀ‡Ú¸ ̇
˝Íꢀ‡Ì SOUND CREATOR.
1
2
DIGITAL
STUDIO
ÇçàåÄçàÖ!
F
G
H
I
ÖÒÎË Á‡ÏÂÌËÚ¸ ÚÂÏ·ꢀ
ꢀ‰‡ÍÚËꢀÛÂÏÓÈ Ô‡ꢀÚËË, ÚÓ
Á‡‰‡ÌÌ˚ Á̇˜ÂÌËfl
SOUND
CREATOR
DIGITA
RECORDIN
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ·Û‰ÛÚ ÛÚÂꢀflÌ˚.
LJÊÌ˚ ‰‡ÌÌ˚ ÒΉÛÂÚ
USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.
MIXING
CONSOLE
J
PART
éÚꢀ‰‡ÍÚËꢀÛÈÚ ԇꢀ‡ÏÂÚꢀ˚ ÚÂÏ·ꢀ‡.
èÓꢀfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl ‚˚·Ëꢀ‡ÂÏ˚ı ̇ ˝ÚÓÏ ˝Ú‡Ô ÙÛÌ͈ËÈ ‰ÂڇθÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚꢀ. 93 (ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural/
Regular) Ë ÒÚꢀ. 96 (Óꢀ„‡ÌÌ˚ ÙÎÂÈÚ˚).
3
Ç˚·ÂꢀËÚ Úꢀ·ÛÂÏÓ ÏÂÌ˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK].
REGULAR VOICE
ORGAN FLUTES
NATURAL VOICE
äÌÓÔÍË ‚˚·Óꢀ‡
ÏÂÌ˛.
Ç ‚˚·ꢀ‡ÌÌÓÏ
ÏÂÌ˛ ÙÓÌ
ÒÚ‡ÌÓ‚ËÚÒfl
˜ÂꢀÌ˚Ï, ‡ ·ÛÍ‚˚
– ·ÂÎ˚ÏË.
Ç ÔꢀÓˆÂÒÒ ꢀ‡·ÓÚ˚ ÏÓÊÌÓ Òꢀ‡‚ÌË‚‡Ú¸
ËÒıÓ‰Ì˚È ÚÂÏ·ꢀ Ò ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚Ï.
á‰ÂÒ¸ ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‰ÓÒÚÛÔÌ˚ ‰Îfl
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Ô‡ꢀ‡ÏÂÚꢀ˚. éÌË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ô‡ꢀ‡ÏÂÚꢀ‡Ï/Á̇˜ÂÌËflÏ,
Û͇Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Íꢀ‡Ì‡.
ùÚ‡ ÍÌÓÔ͇ ÓÚÍꢀ˚‚‡ÂÚ ˝Íꢀ‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛
ÍÓÚÓꢀÓ„Ó ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ꢀ‰‡ÍÚËꢀÛÂÏ˚È ÚÂÏ·ꢀ ‚
ꢀ‡Á‰ÂΠԇÏflÚË USER (ÒÚꢀ. 48).
ëÓıꢀ‡ÌËÚ ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È ÚÂÏ·ꢀ ‚
ꢀ‡Á‰ÂΠԇÏflÚË USER (Flash ROM) ‚ ‚ˉÂ
ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·ꢀ‡ (User) (ÒÚꢀ. 48).
óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È
ÚÂÏ·ꢀ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER].
4
5
CVP-210/208
91
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
è‡ꢀ‡ÏÂÚꢀ˚ SOUND CREATOR (íÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural/Regular)
èêàåÖóÄçàÖ
PIANO
éÔꢀ‰ÂÎflÂÚ Ô‡ꢀ‡ÏÂÚꢀ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Á‚Û͇ÏË ÙÓꢀÚÂÔˇÌÓ, Ú‡ÍËÂ Í‡Í ÏÂÎӉ˘ÂÒ͇fl ÍꢀË‚‡fl
ËÎË ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËꢀÓ‚‡ÌËÂ. ùÚ‡ ÒÚꢀ‡Ìˈ‡ ‰ÓÒÚÛÔ̇, ÚÓθÍÓ ÍÓ„‰‡ ‚˚·ꢀ‡Ì ̇ÒÚÓfl˘ËÈ ÚÂÏ·ꢀ
ÙÓꢀÚÂÔˇÌÓ.
ÑÓÒÚÛÔÌ˚ ԇꢀ‡ÏÂÚꢀ˚
ꢀ‡Á΢‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
‚˚·ꢀ‡ÌÌ˚Ï ÚËÔÓÏ ÚÂÏ·ꢀ‡:
Ó·˚˜Ì˚Ï (Regular) ËÎË
COMMON
SOUND
ᇉ‡˛ÚÒfl Ó·˚˜Ì˚ ԇꢀ‡ÏÂÚꢀ˚, ̇ÔꢀËÏÂꢀ „ꢀÓÏÍÓÒÚ¸ ÚÂÏ·ꢀ‡ ËÎË ÓÍÚ‡‚‡.
éÔꢀ‰ÂÎflÂÚ Ô‡ꢀ‡ÏÂÚꢀ˚ ÚÂÏ·ꢀ‡/ÙÛÌ͈ËË Envelope Generator („ÂÌÂꢀ‡ÚÓꢀ Ó„Ë·‡˛˘Ëı)/‚Ë·ꢀ‡ÚÓ
(íÓθÍÓ ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Regular).
èêàåÖóÄçàÖ
ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ
̇ÒÚꢀÓÈ͇ ÌÂÍÓÚÓꢀ˚ı ËÁ
ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ò
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator
ÔꢀË‚Ó‰ËÚ ÚÓθÍÓ Í ËÁÏÂÌÂÌ˲
EFFECT/EQ
HARMONY
ᇉ‡˛ÚÒfl ÚËÔ/„ÎÛ·Ë̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Ë Ô‡ꢀ‡ÏÂÚꢀ˚ ˝Í‚‡Î‡ÈÁÂꢀ‡.
ᇉ‡˛ÚÒfl Ô‡ꢀ‡ÏÂÚꢀ˚ „‡ꢀÏÓÌËÁ‡ˆËË Ë ˝ı‡.
è‡ꢀ‡ÏÂÚꢀ˚ Óꢀ„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. ̇ ÒÚꢀ. 96.
èÂꢀ˜ËÒÎÂÌÌ˚ ÌËÊ ԇꢀ‡ÏÂÚꢀ˚ ÏÓÊÌÓ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ Ì ÚÓθÍÓ Ì‡ ˝Íꢀ‡Ì ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl ÚÂÏ·ꢀÓ‚, ÌÓ Ë Ò ÔÓÏÓ˘¸˛ ‰ꢀÛ„Ëı ˝Íꢀ‡ÌÓ‚.
è‡ꢀ‡ÏÂÚꢀ
ÄθÚÂꢀ̇ÚË‚Ì˚È ˝Íꢀ‡Ì ̇ÒÚꢀÓÈÍË
VOICE EFFECT (TOP PANEL (Ô‡ÌÂθ ÛÔꢀ‡‚ÎÂÌËfl))
MIXING CONSOLE
MONO (ÏÓÌÓÙÓÌËfl)
ÒÚꢀ. 62
PORTAMENTO TIME (‚ꢀÂÏfl ÔÓꢀÚ‡ÏÂÌÚÓ)
LEFT PEDAL TYPE
ÒÚꢀ. 125
ÒÚꢀ. 142
ÒÚꢀ. 142
ÒÚꢀ. 125
ÒÚꢀ. 125
ÒÚꢀ. 126
ÒÚꢀ. 126
ÒÚꢀ. 61
CONTROLLER (FUNCTION)
CONTROLLER (FUNCTION)
MIXING CONSOLE
LEFT PEDAL SETTING
FILTER BRIGHTNESS (ÙËθÚꢀ «flꢀÍÓÒÚË« ÚÂÏ·ꢀ‡)
FILTER HARMONIC CONTENT (ÙËθÚꢀ „‡ꢀÏÓÌËÍ)
REVERB DEPTH (ÉÎÛ·Ë̇ ꢀ‚Âꢀ·Âꢀ‡ˆËË)
CHORUS DEPTH (ÉÎÛ·Ë̇ ıÓꢀÛÒ‡)
MIXING CONSOLE
MIXING CONSOLE
MIXING CONSOLE
DSP ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˆËÙꢀÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔꢀÓˆÂÒÒÓꢀ‡)
DSP DEPTH (ÉÎÛ·Ë̇ ˆËÙꢀÓ‚ÓÈ Ó·ꢀ‡·ÓÚÍË Ò˄̇·)
DSP TYPE/VARIATION (ÚËÔ Ó·ꢀ‡·ÓÚÍË/‚‡ꢀˇˆËË)
EQ LOW/GAIN (ÛÒËÎÂÌË ÌËÁÍËı ˜‡ÒÚÓÚ)
EQ HIGH/GAIN (ÛÒËÎÂÌË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ)
HARMONY/ECHO TYPE (ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË/˝ı‡)
HARMONY/ECHO VOLUME („ꢀÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó Ò˄̇·)
HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ꢀÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËfl ˝ı‡)
HARMONY/ECHO ASSIGN (‚‡ꢀˇÌÚ˚ ÔꢀËÏÂÌÂÌËfl ˝ÙÙÂÍÚ‡)
VOICE EFFECT (TOP PANEL)
MIXING CONSOLE
ÒÚꢀ. 126
ÒÚꢀ. 61, 126
ÒÚꢀ. 128
ÒÚꢀ. 128
ÒÚꢀ. 146
ÒÚꢀ. 146
ÒÚꢀ. 146
ÒÚꢀ. 146
ÒÚꢀ. 146
MIXING CONSOLE/VOICE EFFECT (TOP PANEL)
MIXING CONSOLE
MIXING CONSOLE
HARMONY/ECHO (FUNCTION)
HARMONY/ECHO (FUNCTION)
HARMONY/ECHO (FUNCTION)
HARMONY/ECHO (FUNCTION)
HARMONY/ECHO (FUNCTION)
HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ꢀÏÓÌËÁ‡ˆËË/˝ı‡ Á‡Úꢀ‡„Ë‚‡ÂÚ ÚÓθÍÓ
ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓꢀ‰‡)
HARMONY/ECHO TOUCH LIMIT (ÔÓꢀÓ„ ÒËÎ˚ ̇ʇÚËfl)
HARMONY/ECHO (FUNCTION)
ÒÚꢀ. 146
íÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural Ë Regular
èêàåÖóÄçàÖ
Ç ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ‚ÒÚꢀÓÂÌ˚ ‰‚‡ ꢀ‡Á΢Ì˚ı ËÒÚÓ˜ÌË͇ ‰Îfl ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡:
Natural Ë XG. àÒÚÓ˜ÌËÍ ‰Îfl ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ Natural Ë Â„Ó ÚÂÏ·ꢀÓ‚ Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ
·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó Á‚Û˜‡ÌËÈ ËÌÚÒꢀÛÏÂÌÚÓ‚, Ó·ÂÒÔ˜˂‡fl ·Óθ¯Û˛ Ë ‰ÂڇθÌÛ˛
‚˚ꢀ‡ÁËÚÂθÌÓÒÚ¸. àÒÚÓ˜ÌËÍ XG (ÔꢀË‚Ó‰fl˘ËÈ ‚ ‰ÂÈÒÚ‚Ë ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Regular)
Ó·ÂÒÔ˜˂‡ÂÚ Ï‡ÍÒËχθÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ë ˆÂÎÓÏÛ ꢀfl‰Û ÛÒÚꢀÓÈÒÚ‚ Ë ÔÂÒÂÌ.
íÂÏ·ꢀ˚, ‚ÓÒÔꢀÓËÁ‚Ó‰ËÏ˚ Ò
ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌË͇ XG,
‰ÂÎflÚÒfl ̇ ‰‚ „ꢀÛÔÔ˚. é‰Ì‡ ËÁ
ÌËı Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ
ËÒıÓ‰Ì˚È Ì‡·Óꢀ ÚÂÏ·ꢀÓ‚
Clavinova (Cool!, Sweet!, Live!,
Live!Drums, Organ Flutes), ‡
‰ꢀÛ„‡fl – Òڇ̉‡ꢀÚÌ˚È Ì‡·Óꢀ XG.
å‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó ÚÂÏ·ꢀÓ‚ ÔÓÎËÙÓÌËË ‰Îfl Í‡Ê‰Ó„Ó ËÒÚÓ˜ÌË͇ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡
Á‡‰‡ÂÚÒfl ‰Îfl ̇ËÎÛ˜¯ÂÈ ÔÓÏÓ˘Ë ÔꢀË ‚˚ÒÚÛÔÎÂÌËË. ÇÓ·˘ÂÏ, ÔÂÒÌË Ë ÒÚËÎË ÔꢀÓË„ꢀ˚‚‡˛ÚÒfl Ò
ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌË͇ XG, ‚ ÚÓ ‚ꢀÂÏfl Í‡Í ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural ÔꢀÓË„ꢀ˚‚‡˛ÚÒfl Ò Í·‚ˇÚÛꢀ˚,
ÔÓÁ‚ÓÎflfl ‚‡Ï ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural Ò ÔÓÎÌÓÈ ÔÓÎËÙÓÌËÂÈ, ‰‡Ê ÂÒÎË ÔÂÒÌfl Ë ÒÚËθ ‚˚ıÓ‰flÚ Á‡ Ôꢀ‰ÂÎ˚
‰Ë‡Ô‡ÁÓ̇ ÔÓÎËÙÓÌËË.
Sweet! (ËÌÒÚꢀÛÏÂÌÚ:
«Ò·‰ÍÓÁ‚Û˜Ì˚È»)
Natural!
Cool!
Live!
Live!Drums
OrganFlutes!
XG
Clavinova-˝ÍÒÍβÁË‚Ì˚ ÚÂÏ·ꢀ˚
GM/XG-ÒÓ˜ÂÚ‡˛˘ËÂÒfl ÚÂÏ·ꢀ˚
íÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural (‚ÓÒÔꢀÓËÁ‚Ó‰ËÏ˚Â
ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡)
íÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Regular (‚ÓÒÔꢀÓËÁ‚Ó‰ËÏ˚ ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ XG)
ÑÎfl ÚÂÏ·ꢀÓ‚, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚, ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË/ÒÚËÎfl*
èꢀÂËÏÛ˘ÂÒÚ‚ÂÌÌÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl
ÚÂÏ·ꢀÓ‚, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚
*
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó ÒÚËÎfl, ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Natural ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ͇˜ÂÒÚ‚Â ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é·˚˜ÌÓ, ÔÂÒÌË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl Ò
ÔÓÏÓ˘¸˛ ÚÂÏ·ꢀÓ‚ XG (ÒÚꢀ. 163); ÚÂÏ Ì ÏÂÌÂÂ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÚÂÏ·ꢀÓ‚ Ò ÔÓÏÓ˘¸˛ ÌÂÓ·˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚ı Ë
ꢀ‡ÎËÒÚ˘Ì˚ı Á‚ÛÍÓ‚, ËÒÔÓθÁÛÂÏ˚ı ̇ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 (ÒÚꢀ. 124).
CVP-210/208
92
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
PIANO (ÔꢀË ‚˚·Óꢀ ̇ÚÛꢀ‡Î¸ÌÓ„Ó ÚÂÏ·ꢀ‡ ÙÓꢀÚÂÔˇÌÓ)
Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
èêàåÖóÄçàÖ
éÔꢀ‰ÂÎflÂÚ ÏÂÎӉ˘ÌÛ˛ ÍꢀË‚Û˛, ‚
ÓÒÓ·ÂÌÌÓÒÚË ‰Îfl ÚÂÏ·ꢀÓ‚ ÙÓꢀÚÂÔˇÌÓ. ÖÒÎË
‚‡Ï ͇ÊÂÚÒfl, ˜ÚÓ ÏÂÎӉ˘ÂÒ͇fl ÍꢀË‚‡fl
ÚÂÏ·ꢀ‡ ÙÓꢀÚÂÔ¸flÌÓ Ì ÒÓ‚ÒÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
ÏÂÎӉ˘ÂÒÍËÏ ÍꢀË‚˚Ï ‰ꢀÛ„Ëı ÚÂÏ·ꢀÓ‚,
‚˚·ÂꢀËÚ ̇ÒÚꢀÓÈÍÛ «FLAT».
ÑÓÒÚÛÔÌ˚ ԇꢀ‡ÏÂÚꢀ˚
ꢀ‡Á΢‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
‚˚·ꢀ‡ÌÌ˚Ï ÚÂÏ·ꢀÓÏ.
STRETCH.....åÂÎӉ˘ÂÒ͇fl ÍꢀË‚‡fl
ÒÔˆˇθÌÓ ‰Îfl ÙÓꢀÚÂÔ¸flÌÓ
FLAT.............åÂÎӉ˘ÂÒ͇fl ÍꢀË‚‡fl, ‚
ÓÍÚ‡‚Û ÔÓ ‚ÒÂÈ Í·‚ˇÚÛꢀÂ
éÔꢀ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ꢀÂÁÓ̇ÌÒ‡
ÒÚꢀÛÌ˚.
ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔꢀ‡‚ÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl
‰Îfl ꢀ„ÛÎËꢀÓ‚ÍË flꢀÍÓÒÚË Á‚Û͇. ùÚ‡
̇ÒÚꢀÓÈ͇ Ó͇Á˚‚‡ÂÚ ‚ÎËflÌË ̇ ‚ÒÂ
ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural. ÖÒÎË ‚˚·ꢀ‡Ì β·ÓÈ
ËÁ ÚÂÏ·ꢀÓ‚, ÍꢀÓÏ ̇ÚÛꢀ‡Î¸ÌÓ„Ó ÚÂÏ·ꢀ‡
ÙÓꢀÚÂÔˇÌÓ, Á‡‰‡ÈÚ Á̇˜ÂÌË ̇ ÒÚꢀ‡ÌˈÂ
EFFECT. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓꢀχˆË˛ ÒÏ.
̇ (ÒÚꢀ. 95).
éÔꢀ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÒÛÒÚÂÈÌ-
Ò˝ÏÔÎËꢀÓ‚‡ÌËfl ‰Îfl Ôꢀ‡‚ÓÈ
Ô‰‡ÎË.
1
2
3
4
5
6
7
8
é·˚˜Ì˚ ԇꢀ‡ÏÂÚꢀ˚
Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ˉÂÌÚ˘Ì˚
Ô‡ꢀ‡ÏÂÚꢀ‡Ï ̇ ˝Íꢀ‡ÌÂ
CONTROLLER. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 142.
äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ꢀÂÏÂÌË ÔÓꢀÚ‡ÏÂÌÚÓ
‰Îfl ͇ʉÓÈ ˜‡ÒÚË (MAIN/LAYER/VOICE)
(ÚÓθÍÓ ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Regular) (ÒÚꢀ. 125).
äÌÓÔÍË ꢀ„ÛÎËꢀÓ‚ÍË „ꢀÓÏÍÓÒÚË
ꢀ‰‡ÍÚËꢀÛÂÏÓ„Ó ÚÂÏ·ꢀ‡.
éÔꢀ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛꢀ˚ Í
ÒËΠ̇ʇÚËfl Í·‚˯ (Á‡‚ËÒËÏÓÒÚ¸
„ꢀÓÏÍÓÒÚË ÚÂÏ·ꢀ‡ ÓÚ ÒËÎ˚ Û‰‡ꢀ‡ ÔÓ
Í·‚˯‡Ï).
0....... ìꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ËÁÏÂÌflÂÚÒfl ‚
Á̇˜ËÚÂθÌ˚ı Ôꢀ‰Â·ı ÔꢀË Â‰‚‡
Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË ÒËÎ˚ ̇ʇÚËfl.
64..... ä·‚ˇÚÛꢀ‡ ꢀ‡„ËꢀÛÂÚ Ì‡ ̇ʇÚËÂ
Ó·˚˜Ì˚Ï Ó·ꢀ‡ÁÓÏ.
127... íÂÏ·ꢀ Á‚Û˜ËÚ Ó‰Ë̇ÍÓ‚Ó „ꢀÓÏÍÓ ÔꢀË
β·ÓÈ ÒËΠ̇ʇÚËfl (ÙËÍÒËꢀÓ‚‡ÌÌ˚È
ÛꢀÓ‚Â̸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË).
äÌÓÔ͇ ÔÂꢀÂÍβ˜ÂÌËfl ÏÂʉÛ
ÔÓÎËÙÓÌ˘ÂÒÍËÏ Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÏ
ꢀÂÊËÏÓÏ Á‚Û˜‡ÌËfl ÚÂÏ·ꢀ‡ (ÚÓθÍÓ
ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Regular) (ÒÚꢀ. 62).
äÌÓÔ͇ Ò‰‚Ë„‡ ‚˚·ꢀ‡ÌÌÓ„Ó ÚÂÏ·ꢀ‡ ̇
ÓÍÚ‡‚Û(˚) ‚‚Âꢀı ËÎË ‚ÌËÁ. ÖÒÎË ‚˚·ꢀ‡Ì
ÚÂÏ·ꢀ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ËÎË ˜‡ÒÚË ÒÎÓfl,
Á‡‰‡ÂÚÒfl Ô‡ꢀ‡ÏÂÚꢀ M/LYR. ÖÒÎË ‚˚·ꢀ‡Ì
ÚÂÏ·ꢀ ‰Îfl Ô‡ꢀÚËË Î‚ÓÈ ꢀÛÍË, ÚÓ
1
2
3
4
5
6
7
8
Á‡‰‡ÂÚÒfl Ô‡ꢀ‡ÏÂÚꢀ LEFT.
SOUND (íÓθÍÓ ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Regular)
Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
äÌÓÔÍË Ì‡ÒÚꢀÓÈÍË ÙËθÚꢀ‡, „ÂÌÂꢀ‡ÚÓꢀ‡
Ó„Ë·‡˛˘Ëı (EG) Ë ‚Ë·ꢀ‡ÚÓ (ÒÏ. ÌËÊÂ).
1
2
3
4
5
6
7
8
CVP-210/208
93
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
■ FILTER
è‡ꢀ‡ÏÂÚꢀ˚ ÙËθÚꢀ‡ ÓÔꢀ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡ꢀ‡ÍÚÂꢀ Á‚Û˜‡ÌËfl ÚÂÏ·ꢀ‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË
«ÒꢀÂÁ‡Ú¸» ÓÔꢀ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ.
èêàåÖóÄçàÖ
îËθÚꢀ Ì ÚÓθÍÓ ÏÓÊÂÚ
Ôꢀˉ‡Ú¸ ÚÂÏ·ꢀÛ Ïfl„ÍÓÒÚ¸ ËÎË
ꢀÂÁÍÓÒÚ¸ – Â„Ó Ú‡ÍÊ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl
«˝ÎÂÍÚꢀÓÌÌ˚ı» ÒËÌÚÂÁ‡ÚÓꢀÌ˚ı
˝ÙÙÂÍÚÓ‚.
• BRIGHTNESS
ÉꢀÓÏÍÓÒÚ¸
ó‡ÒÚÓÚ‡ ÒꢀÂÁ‡
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Á‡‰‡ÂÚ „ꢀ‡Ì˘ÌÛ˛ ˜‡ÒÚÓÚÛ
ËÎË ‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ
(ꢀÂÁÓ̇ÌÒ) ÙËθÚꢀ‡ (ÒÏ. ‰Ë‡„ꢀ‡ÏÏÛ). óÂÏ
‚˚¯Â Â„Ó Á̇˜ÂÌËÂ, ÚÂÏ flꢀ˜Â Á‚ÛÍ.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚Û͇)
ó‡ÒÚÓÚ˚, ÔꢀÓÔÛÒ͇ÂÏ˚Â
ÙËθÚꢀÓÏ.
ÑˇԇÁÓÌ
ÒꢀÂÁ‡
• ÑÓ·‡‚ÎÂÌË „‡ꢀÏÓÌËÍ
ÉꢀÓÏÍÓÒÚ¸
êÂÁÓ̇ÌÒ
éÔꢀ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ÛÒËÎÂÌËfl Á‚Û͇ ̇
„ꢀ‡Ì˘ÌÓÈ ˜‡ÒÚÓÚ ÙËθÚꢀ‡, Á‡‰‡ÌÌÓÈ ꢀ‡ÌÂÂ
Ô‡ꢀ‡ÏÂÚꢀÓÏ BRIGHTNESS (ÒÏ. ‰Ë‡„ꢀ‡ÏÏÛ).
óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚ꢀ‡ÊÂÌÌ˚Ï
ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚Û͇)
■ EG („ÂÌÂꢀ‡ÚÓꢀ Ó„Ë·‡˛˘Ëı)
àÁÏÂÌÂÌË ԇꢀ‡ÏÂÚꢀÓ‚ „ÂÌÂꢀ‡ÚÓꢀ‡ Ó„Ë·‡˛˘Ëı ‚ÎËflÂÚ Ì‡ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËꢀÓ‚‡Ú¸ ÏÌÓ„ËÂ
ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚꢀÛÏÂÌÚÓ‚ — ̇ÔꢀËÏÂꢀ, ·˚ÒÚꢀÛ˛ ‡Ú‡ÍÛ Ë ·˚ÒÚꢀÓ Á‡ÚÛı‡ÌË ÔÂꢀÍÛÒÒËÓÌÌ˚ı Á‚ÛÍÓ‚ Ë
‰ÎËÚÂθÌÓ Á‚Û˜‡ÌË ÙÓꢀÚÂÔˇÌÓ, ÍÓ„‰‡ ̇ʇڇ Ôꢀ‡‚‡fl Ô‰‡Î¸.
• ATTACK (‡Ú‡Í‡) ................................éÔꢀ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚꢀÓ ÔÓÒÎÂ
ìꢀÓ‚Â̸
Ò˄̇·
̇ʇÚËfl Í·‚Ë¯Ë Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ
χÍÒËχθÌÓÈ „ꢀÓÏÍÓÒÚË. óÂÏ ‚˚¯Â
Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ‡Ú‡Í‡.
• DECAY (ÔÂꢀ‚˘ÌÓ Á‡ÚÛı‡ÌËÂ) ....éÔꢀ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚꢀÓ Á‚ÛÍ
ATTACK
DECAY
RELEASE
ÇꢀÂÏfl
‰ÓÒÚË„‡ÂÚ ÛꢀÓ‚Ìfl ÒÛÒÚÂÈ̇ („ꢀÓÏÍÓÒÚ¸
ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ‚˚¯Â
Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ Á‡ÚÛı‡ÂÚ Á‚ÛÍ.
ä·‚˯‡ ̇ʇڇ
ä·‚˯‡ ÓÚÔÛ˘Â̇
• RELEASE (ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ) ...éÔꢀ‰ÂÎflÂÚ ‚ꢀÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl
èêàåÖóÄçàÖ
ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒΠÓÚÔÛÒ͇ÌËfl Í·‚˯Ë.
óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ˝ÚÓ ÔꢀÓËÒıÓ‰ËÚ.
óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
Ô‡ꢀ‡ÏÂÚꢀ‡ RELEASE, ÚÂÏ
‰Óθ¯Â ‰ÎËÚÒfl Ù‡Á‡ ÒÛÒÚÂÈ̇.
■ ÇË·ꢀ‡ÚÓ
èêàåÖóÄçàÖ
• DEPTH („ÎÛ·Ë̇)..............................ᇉ‡ÂÚ ÒÚÂÔÂ̸ ‚˚ꢀ‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·ꢀ‡ÚÓ (ÒÏ.
‰Ë‡„ꢀ‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚ꢀ‡ÊÂÌ
˝ÙÙÂÍÚ.
ÇË·ꢀ‡ÚÓ
ᇠҘÂÚ ÔÂꢀËӉ˘ÂÒÍÓ„Ó
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇
ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ «‰ꢀÓʇÌËfl».
• SPEED (ÔÂꢀËÓ‰)................................ᇉ‡ÂÚ ÔÂꢀËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (ÒÏ. ‰Ë‡„ꢀ‡ÏÏÛ).
SPEED
• DELAY (Á‡‰ÂꢀÊ͇) ...........................éÔꢀ‰ÂÎflÂÚ ÔÂꢀËÓ‰ ‚ꢀÂÏÂÌË ÏÂʉÛ
ìꢀÓ‚Â̸
Ò˄̇·
̇ʇÚËÂÏ Ì‡ Í·‚Ë¯Û Ë Á‡ÔÛÒÍÓÏ
˝ÙÙÂÍÚ‡ ‚Ë·ꢀ‡ÚÓ (ÒÏ. ‰Ë‡„ꢀ‡ÏÏÛ). óÂÏ
‚˚¯Â ˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂꢀÊ͇.
DEPTH
DELAY
ÇꢀÂÏfl
CVP-210/208
94
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂꢀ
Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
NATURAL VOICE
éÔꢀ‰ÂÎflÂÚ flꢀÍÓÒÚ¸ ÚÓ̇, ÍÓ„‰‡ ‚˚·ꢀ‡Ì
ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Natural. í‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸
Á̇˜ÂÌËfl ̇ ÒÚꢀ‡Ìˈ PIANO (ÒÚꢀ. 93), ÂÒÎË
‚˚·ꢀ‡Ì ÚÂÏ·ꢀ ÙÓꢀÚÂÔˇÌÓ.
• Metallic..... ꢀÂÁÍËÈ ÏÂÚ‡Î΢ÂÒÍËÈ ÚÓÌ
• Bright ....... Ò‚ÂÚÎ˚È ÚÓÌ
• Normal...... Òڇ̉‡ꢀÚÌ˚È ÚÓÌ
• Mellow...... Ïfl„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ
• Dark.......... ÚÂÏÌ˚È ÚÓÌ
éÔꢀ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ (Reverb/Chorus/
DSP).
ÖÒÎË ‚˚·ꢀ‡Ì ÚÂÏ·ꢀ „ꢀÛÔÔ˚ Regular, ÚËÔ DSP
Ë ˝ÙÙÂÍÚ ‚‡ꢀˇˆËË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ‚ ‰‚Ûı
ꢀ‡Á΢Ì˚ı ÏÂÌ˛. ëÚꢀÛÍÚÛꢀÌ˚ ÒıÂÏ˚
ÔꢀÓıÓʉÂÌËfl Ó·ꢀ‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË
Ò˄̇· Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 129; ÔÂꢀ˜Â̸
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ÒÓ‰ÂꢀÊËÚÒfl ‚ Ò·ÓꢀÌËÍÂ
Ú‡·Îˈ.
èêàåÖóÄçàÖ
•
ÖÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡
˝ÙÙÂÍÚ‡ Brilliance ‚˚·ꢀ‡Ú¸
[Bright] ËÎË [Metallic],
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸, ·Û‰ÂÚ ÎË
ÔꢀӉ΂‡Ú¸Òfl Á‚ÛÍ ÔꢀË Ì‡Ê‡ÚËË Í·‚˯ ̇ Í·‚ˇÚÛꢀÂ
(Ô‡ꢀ‡ÏÂÚꢀ «PIANO LIKE»), ËÎË Á‚ÛÍ ·Û‰ÂÚ ÔꢀӉ΂‡Ú¸Òfl
ÚÓθÍÓ ÔꢀË Ì‡Ê‡ÚËË Ì‡ Ôꢀ‡‚Û˛ Ô‰‡Î¸, Í‡Í ÔꢀË Ë„ꢀ ̇
̇ÒÚÓfl˘ÂÏ ‚Ë·ꢀÓÙÓÌ (Ô‡ꢀ‡ÏÂÚꢀ «NORMAL») (ÚÓθÍÓ
‰Îfl ÚÂÏ·ꢀ‡ Vibraphone).
„ꢀÓÏÍÓÒÚ¸ Ò΄͇ Û‚Â΢ËÚÒfl.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â, Û‚Â΢ÂÌËÂ
Ó·˘ÂÈ „ꢀÓÏÍÓÒÚË [MASTER
VOLUME] ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í
̇ꢀÛ¯ÂÌ˲ ÍÓÌÚ‡ÍÚ‡. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ÛÏÂ̸¯ËÚ „ꢀÓÏÍÓÒÚ¸.
è‡ꢀ‡ÏÂÚꢀ «SPEED»
•
‰Ó·‡‚ÎflÂÚÒfl, ÂÒÎË ‚˚·ꢀ‡Ì
ÚËÔ VIBE ROTOR DSP. ë
ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ‚˚
ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓꢀÓÒÚ¸
‚Ë·ꢀ‡ÚÓ, ÂÒÎË ‚˚·ꢀ‡Ì ÚÂÏ·ꢀ
Vibraphone, ‚ÓÒÒÓÁ‰‡˛˘ËÈ
˝ÙÙÂÍÚ Ô‰‡ÎË vibe rotor.
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê ꢀÓθ, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËͯÂꢀ‡ (ÒÏ. ÒÚꢀ. 126).
íÂÏ·ꢀ „ꢀÛÔÔ˚ Regular
éÔꢀ‰ÂÎflÂÚ ˜‡ÒÚÓÚÛ Ë ÛꢀÓ‚Â̸
ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl
ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı
˜‡ÒÚÓÚ.
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê ꢀÓθ, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËͯÂꢀ‡ (ÒÏ. ÒÚꢀ. 126).
HARMONY („‡ꢀÏÓÌËÁ‡ˆËfl)
Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
éÚÓ·ꢀ‡Ê‡ÂÏ˚ ̇ ‰‡ÌÌÓÏ ˝Íꢀ‡Ì ԇꢀ‡ÏÂÚꢀ˚ ˉÂÌÚ˘Ì˚ Ô‡ꢀ‡ÏÂÚꢀ‡Ï ̇ ˝Íꢀ‡Ì HARMONY/ECHO, ÍÓÚÓꢀ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸,
̇ʇ‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 147.
CVP-210/208
95
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ꉇÍÚËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚: ÙÛÌ͈Ëfl Sound Creator
éꢀ„‡ÌÌ˚ ꢀ„ËÒÚꢀ˚
èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·ꢀÓ‚ Óꢀ„‡ÌÓ‚, Ëϲ˘ËıÒfl ‚ „ꢀÛÔÔ ÚÂÏ·ꢀÓ‚ ORGAN, CVP-210/208 ӷ·‰‡ÂÚ ÚÂÏ·ꢀÓÏ ORGAN FLUTES
(«Óꢀ„‡ÌÌ˚ ÙÎÂÈÚ˚»). Ç ‰‡ÌÌÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 91.
èÓꢀfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ
èêàåÖóÄçàÖ
ùÙÙÂÍÚ˚ tremolo Ë trill,
Á‡‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
ìÒÚ‡ÌÓ‚ËÚ ꢀ„ËÒÚꢀ 16' ËÎË
5 1/3' Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[1■■]. Ç˚ ÏÓÊÂÚÂ ‚˚·ꢀ‡Ú¸
ÌÛÊÌ˚È ꢀ„ËÒÚꢀ (16 'ËÎË 5 1/
3') Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [D]
(ÚÓθÍÓ CVP-210).
Harmony/Echo (ÒÚꢀ. 146), ÌÂ
‚ÎËfl˛Ú ̇ Á‚Û˜‡ÌË Óꢀ„‡ÌÌ˚ı
ÙÎÂÈÚ (ÚÓθÍÓ CVP-210).
äÌÓÔÍË ‚˚·Óꢀ‡/̇ÒÚꢀÓÈÍË
Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÒÏ. ÌËÊÂ).
ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ «ÒÓ˜ÂÚ‡ÌË ÚꢀÛ·».
■ è‡ꢀ‡ÏÂÚꢀ˚
Organ Type (ÚËÔ Óꢀ„‡Ì‡)
íËÔ ËÏËÚËꢀÛÂÏÓ„Ó Óꢀ„‡ÌÌÓ„Ó ÚÂÏ·ꢀ‡: Ò ÒËÌÛÒÓˉ‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË ‚ÓÎÌÓÈ, ËÏËÚËꢀÛ˛˘ÂÈ Á‚ÛÍ ÒÚ‡ꢀËÌÌÓ„Ó Óꢀ„‡Ì‡.
Rotary SP Speed (ÒÍÓꢀÓÒÚ¸ ‚ꢀ‡˘ÂÌËfl
‰Ë̇ÏË͇)
äÌÓÔ͇ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ·˚ÒÚꢀÛ˛ ËÎË Ï‰ÎÂÌÌÛ˛ ÒÍÓꢀÓÒÚ¸ ‚ꢀ‡˘ÂÌËfl ‰Ë̇ÏË͇. óÚÓ·˚
Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚ꢀ‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·ꢀ‡Ú¸ ‰Îfl ÚÂÏ·ꢀ‡ Organ Flutes (ÒÏ. ÌËÊ ÒÚꢀÓÍÛ
«DSP Type»). äꢀÓÏ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚Íβ˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔ͇ «Rotary SP Speed» Ë„ꢀ‡ÂÚ ÚÛ Ê ꢀÓθ,
˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]).
Vibrato On/Off (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌËÂ
‚Ë·ꢀ‡ÚÓ)
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·ꢀ‡ÚÓ ‰Îfl «Óꢀ„‡ÌÌ˚ı ÙÎÂÈÚ».
ÉÎÛ·Ë̇ ‚Ë·ꢀ‡ÚÓ
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚꢀÂı ÛꢀÓ‚ÌÂÈ, ÓÔꢀ‰ÂÎfl˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ÍÓÚÓꢀ˚È Ë ÒÓÁ‰‡ÂÚ
˝ÙÙÂÍÚ ‚Ë·ꢀ‡ÚÓ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·ꢀ‡ÚÓ «1», «2» ËÎË «3».
Footage (Óꢀ„‡ÌÌ˚ ꢀ„ËÒÚꢀ˚)
ç‡ÒÚꢀÓÈÍË ꢀ„ËÒÚꢀÓ‚ ÓÔꢀ‰ÂÎfl˛Ú ÓÒÌÓ‚ÌÓÈ ÚÓÌ Á‚Û˜‡ÌËfl Óꢀ„‡ÌÌ˚ı ꢀ„ËÒÚꢀÓ‚.
ÄÌ„Î. ÚÂꢀÏËÌ «footage» (‰ÎË̇ Óꢀ„‡ÌÌÓÈ ÚꢀÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Úꢀ‡‰ËˆËË. éÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ꢀËÌÌ˚ı Óꢀ„‡ÌÓ‚, „‰Â
ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Óꢀ ÚꢀÛ· ꢀ‡ÁÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌ ÚꢀÛ·‡, ÚÂÏ ÌËÊ Á‚ÛÍ. ëΉӂ‡ÚÂθÌÓ, Á̇˜ÂÌË 16’ (ÚꢀÛ·‡
‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) ÓÔꢀ‰ÂÎflÂÚ Ò‡Ï˚È ÌËÁÍËÈ ÍÓÏÔÓÌÂÌÚ ÚÂÏ·ꢀ‡, ‡ Á̇˜ÂÌË 1’ – Ò‡Ï˚È ‚˚ÒÓÍËÈ. óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
Ô‡ꢀ‡ÏÂÚꢀ‡, ÚÂÏ „ꢀÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ «ÚꢀÛ·‡». ëÓ˜ÂÚ‡fl ÚꢀÛ·˚ Ò ꢀ‡ÁÌÓÈ „ꢀÓÏÍÓÒÚ¸˛ Á‚Û˜‡ÌËfl, ÏÓÊÌÓ
ÔÓÎÛ˜ËÚ¸ ÛÌË͇θÌ˚ Óꢀ„‡ÌÌ˚ ÚÂÏ·ꢀ˚.
Volume (VOL) („ꢀÓÏÍÓÒÚ¸)
Response (RESP) (ÓÚÍÎËÍ)
ç‡ÒÚꢀÓÈ͇ Ó·˘ÂÈ „ꢀÓÏÍÓÒÚË Óꢀ„‡ÌÌ˚ı ꢀ„ËÒÚꢀÓ‚. óÂÏ ‰ÎËÌÌ ÔÓÎÓÒ‡ „ꢀ‡Ù˘ÂÒÍÓ„Ó Ë̉Ë͇ÚÓꢀ‡ „ꢀÓÏÍÓÒÚË, ÚÂÏ ·Óθ¯Â
„ꢀÓÏÍÓÒÚ¸.
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈ̇ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‚Â΢ËÚ¸ ËÎË
ÛÏÂ̸¯ËÚ¸ ‚ꢀÂÏfl «ꢀ‡͈ËË» ÚÂÏ·ꢀ‡ ̇ ̇ʇÚË Í·‚Ë¯Ë Ò Û˜ÂÚÓÏ Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ FOOTAGE
(«ÒÓ˜ÂÚ‡ÌË ÚꢀÛ·»). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇ꢀ‡ÒÚ‡ÂÚ „ꢀÓÏÍÓÒÚ¸ Á‚Û͇ Ë ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚ÓÂ
Á‡ÚÛı‡ÌËÂ.
ëÍÓꢀÓÒÚ¸ ‚Ë·ꢀ‡ÚÓ
Mode (ꢀÂÊËÏ)
ᇉ‡ÂÚ ÒÍÓꢀÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔꢀË ‚Íβ˜ÂÌÌÓÏ ˝ÙÙÂÍÚ ‚Ë·ꢀ‡ÚÓ. ìÔꢀ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
Ô‡ꢀ‡ÏÂÚꢀÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â.
åÓÊÌÓ ‚˚·ꢀ‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ꢀÂÊËÏÓ‚: FIRST Ë EACH. Ç ꢀÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Î˯¸ Û ÚÂı ÌÓÚ, ÍÓÚÓꢀ˚ ‚˚ ̇ʇÎË
Ë ‰ÂꢀÊËÚ ÔÂꢀ‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÚÂ, ÌË Í Í‡ÍËÏ ÔÓÒÎÂ‰Û˛˘ËÏ ÌÓÚ‡Ï ‡Ú‡Í‡ ÔꢀËÏÂÌflÚ¸Òfl Ì ·Û‰ÂÚ. Ç ꢀÂÊËÏ EACH
Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Û ‚ÒÂı ÌÓÚ.
Attack (‡Ú‡Í‡ ‰Îfl ÚÂÏ·ꢀ‡ «ÚꢀÛ·» 4’, 2 2/3’, åÂÌflfl Á̇˜ÂÌËfl ˝ÚËı Ô‡ꢀ‡ÏÂÚꢀÓ‚, ‚˚ ÏÓÊÂÚ ‚ÎËflÚ¸ ̇ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂθÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÚÂÏ·ꢀ‡. àÌ˚ÏË ÒÎÓ‚‡ÏË,
2’)
ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒ··ÎflÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·ꢀ‡ı «ÚꢀÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ Ë̉Ë͇ÚÓꢀ ‚ ‚ˉ ÔꢀflÏÓÛ„ÓθÌË͇, ÚÂÏ
flꢀ˜Â ‚˚ꢀ‡ÊÂ̇ ‡Ú‡Í‡.
Length (LENG) (‰ÎË̇)
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl ꢀ„ÛÎËꢀÓ‚ÍË Ù‡Á˚ ÔÂꢀ‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, Ë‰Û˘ÂÈ Òꢀ‡ÁÛ ÔÓÒΠهÁ˚ ‡Ú‡ÍË. ÑÎË̇ Ù‡Á˚
„ÎÛ·Ë̇ ꢀ‚Âꢀ·Âꢀ‡ˆËË
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ˆËÙꢀÓ‚˚ı ˝ÙÙÂÍÚ‡ı Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 61, 126.
Chorus Depth („ÎÛ·Ë̇ ıÓꢀÛÒ‡)
DSP on/off (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË DSP)
DSP Depth („ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP)
íËÔ DSP
éÔꢀ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔꢀËÏÂÌflÂÏÓ„Ó Í ÚÂÏ·ꢀÛ. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÔflÚ̇‰ˆ‡ÚË (CVP-210) ËÎË ÒÂÏË (CVP-208)
˝ÙÙÂÍÚÓ‚ «‚ꢀ‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇». èꢀË ‚˚·Óꢀ β·Ó„Ó ‰ꢀÛ„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔ͇ Rotary SP Speed ([C]) ̇ ˝Íꢀ‡Ì‡ı
FOOTAGE/VOL/ATTACK Ì ‚ÎËflÂÚ Ì‡ ÒÍÓꢀÓÒÚ¸ ‚ꢀ‡˘ÂÌËfl ‰Ë̇ÏË͇. ÇÏÂÒÚÓ ˝ÚÓ„Ó Ó̇ ·Û‰ÂÚ Ë„ꢀ‡Ú¸ ÚÛ Ê ꢀÓθ, ˜ÚÓ Ë ÍÌÓÔ͇
VOICE EFFECT [VARIATION].
LJꢀˇˆËfl
LJꢀˇˆËfl
á̇˜ÂÌËÂ
èÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ÒÍÓꢀÓÒÚ¸ ‚‡ꢀˇˆËË DSP ‰Îfl ÚÂÏ·ꢀ‡ «éꢀ„‡ÌÌ˚ ÙÎÂÈÚ˚» ÔꢀË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice Set (ÒÏ.
ÒÚꢀ. 146).
ìÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ «‚‡ꢀˇˆËfl DSP» (̇ÔꢀËÏÂꢀ, Á̇˜ÂÌË «LFO Freq» ‰Îfl ˝ÙÙÂÍÚ‡ «‚ꢀ‡˘‡˛˘Â„ÓÒfl
‰Ë̇ÏË͇»), ÂÒÎË ‚‡ꢀˇˆËfl ‚Íβ˜Â̇.
EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂꢀÂ)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ˝Í‚‡Î‡ÈÁÂꢀ‡ ÓÔꢀ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÛꢀÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ.
EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂꢀÂ)
CVP-210/208
96
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
îÛÌ͈ËË Á‡ÔËÒË, ꢀ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ, ÔꢀÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔꢀË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË.
ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓıꢀ‡ÌflÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÍÓÏÔÓÁˈËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording
(ÒÚꢀ. 98) — Ò‡Ï˚È ÔꢀÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚꢀ. 99), ÔÓÁ‚ÓÎfl˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓθÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚꢀ. 101),
Ôꢀ‰̇Á̇˜ÂÌÌ˚È ‰Îfl ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸ Ì ÚÓθÍÓ ÚÂÏ·ꢀÓ‚˚ ԇꢀ‡ÏÂÚꢀ˚ ˜‡ÒÚÂÈ, Ë„ꢀ‡ÂÏ˚ı Ò
Í·‚ˇÚÛꢀ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊ ԇꢀ‡ÏÂÚꢀ˚ ˝ÙÙÂÍÚÓ‚, „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË
ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‚ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚ (ÒÚꢀ. 40, 48).
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTR
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
6
7
8
EXIT
SONG
DIGITAL
RECORDING
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
REPEAT
GUIDE
REC
TOP
START / STOP
SYNC.START
REW
FF
NEW SONG
é Á‡ÔËÒË ÔÂÒÂÌ
ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ꢀÂÊËχ Á‡ÔËÒË ÔÂÒÂÌ: realtime recording Ë step recording.
■ Realtime Recording
àÒÔÓÎÌflÂÏÓ ÔꢀÓËÁ‚‰ÂÌË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ ËÒÔÓθÁÓ‚‡ÌËfl ꢀÂÊËχ Á‡ÔËÒË ‚
ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË: Quick Ë Multi.
Quick Recording (ÒÚꢀ. 98)
èêàåÖóÄçàÖ
ùÚÓ Ò‡Ï˚È ÔꢀÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, ̇ÔꢀËÏÂꢀ, ·˚ÒÚꢀÓ Á‡ÔËÒ‡Ú¸
•
ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 3,3 å·.
ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD
(‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD
(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)
ÔÂÒÌ˛, ÍÓÚÓꢀÛ˛ ‚˚ ꢀ‡Áۘ˂‡ÂÚ ̇ ÙÓꢀÚÂÔˇÌÓ. Ç˚·ÂꢀËÚ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îfl Á‡ÔËÒË:
Ô‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË, Ô‡ꢀÚ˲ ΂ÓÈ ꢀÛÍË Ë Ô‡ꢀÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡Í, ̇ÔꢀËÏÂꢀ,
ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË ËÎË Ê ӉÌÓ‚ꢀÂÏÂÌÌÓ Ô‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË Ë
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ÒÓÒÚ‡‚ÎflÂÚ 720ä· Ë 1,44å·
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èꢀË ÒÓıꢀ‡ÌÂÌËË
‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ
Clavinova (Ù‡ÈÎ˚ ÚÂÏ·ꢀ‡, ÒÚËÎfl, ÔÂÒÌË,
ꢀ„ËÒÚꢀ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú. ‰.),
ÒÓıꢀ‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
ëË„Ì‡Î Ò ÏËÍꢀÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Á‡ÔËÒ‡Ú¸
ÌÂθÁfl.
Ç CVP-210/208 Á‡ÔËÒ¸ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl
format 0). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
SMF ÒÏ. ̇ ÒÚꢀ. 162.
Multi Recording (ÒÚꢀ. 99)
ùÚÓÚ ꢀÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ꢀ‡Á΢Ì˚ı
ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓꢀÍÂÒÚꢀ‡. á‡Ô˯ËÚ ԇꢀÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚꢀÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂθÌÓÒÚË, ‡
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ.
•
•
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚꢀ. 101)
ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎflÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡fl» Â„Ó ÒÓ·˚ÚËfl ÔÓÓ˜Âꢀ‰ÌÓ. á‡ÔËÒ¸
‚‰ÂÚÒfl ‚ꢀÛ˜ÌÛ˛ Ë Ì ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË. ùÚÓ ‡Ì‡Îӄ˘ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·Ûχ„Û. èÓθÁÛflÒ¸
ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚꢀ. 110 - 112), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓꢀ‰˚ Ë ‰ꢀÛ„Ë ÒÓ·˚ÚËfl ÔÓ Ó‰ÌÓÏÛ.
•
•
á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ÏÓÊÂÚ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ˜ÂꢀÂÁ ÔÓꢀÚ MIDI
OUT. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ËÒÔÓθÁÓ‚‡Ú¸
ÚÂÏ·ꢀ˚ ‚̯ÌÂ„Ó ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡,
ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓꢀÚÛ
(ÒÚꢀ. 149).
ìꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡
ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚꢀÓËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÓÌÒÓÎË ÏËͯÂꢀ‡, ‡ Á‡ÚÂÏ ÒÓıꢀ‡ÌËÚ¸
ÒÓ˜ÂÚ‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚ ÏËͯÂꢀ‡. ÅÓÎÂÂ
ÚÓ„Ó, ‰‡Ê ÍÓ„‰‡ ÚÂÏ·ꢀ ‰Îfl Á‡ÔËÒË ÛÊÂ
‚˚·ꢀ‡Ì, ‚˚ ÏÓÊÂÚ Á‡ÔꢀÓ„ꢀ‡ÏÏËꢀÓ‚‡Ú¸
‡‚ÚÓχÚ˘ÂÒÍÛ˛ ÒÏÂÌÛ ÚÂÏ·ꢀÓ‚ ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË
(ÒÚꢀ. 109).
■ ꉇÍÚËꢀÓ‚‡ÌË ÔÂÒÂÌ (ÒÚꢀ. 107)
ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ β·ÓÏ ꢀÂÊËÏÂ.
èꢀË ÔÂꢀÂÁ‡ÔËÒË Ùꢀ‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚꢀ. 106).
CVP-210/208
97
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
Å˚ÒÚꢀ‡fl Á‡ÔËÒ¸
ùÚÓ Ò‡Ï˚È ÔꢀÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚꢀÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔꢀÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓꢀÛ˛ ‚˚ ꢀ‡Áۘ˂‡ÂÚ ̇ ÙÓꢀÚÂÔˇÌÓ,
˜ÚÓ·˚ ÔꢀÓÒΉËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ꢀÓÈ.
ÇçàåÄçàÖ!
ÖÒÎË Á‡ÔËÒ¸ Úꢀ·ÛÂÚÒfl ÒÓ
ÖÒÎË ‚˚ Ì ÒÓıꢀ‡ÌËÚ ꢀ‡·ÓÚÛ, ÚÓ ÔꢀË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âꢀ
ıꢀ‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËꢀÛÈڠ ̇ ‰ËÒÍ
ÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË USER (
ÒÚꢀ. 40, 48).
ı ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓꢀÓ
ÊÍË ‚Ò Ôꢀ‰˚‰Û˘Ë Á‡ÔËÒË ·Û
‰ÛÚ ÒÚÂꢀÚ˚.
■ èꢀË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
■ èꢀË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ꢀÚËË ÔÓ‚Âꢀı
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ:
REC
TOP
START / STOP
SYNC.START
REW
FF
REPEAT
1
NESG
Ç˚·ÂꢀËÚ ÔÂÒÌ˛ (ÒÚꢀ. 78, 80).
1
Ç˚·ÂꢀËÚ ÚÂÏ·ꢀ Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓꢀ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÔÂÒÌÂ.
ÖÒÎË Úꢀ·ÛÂÚÒfl Á‡ÔËÒ‡Ú¸ ÚÂÏ·ꢀ˚ Layer/Left, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [LAYER]/[LEFT] ‚Íβ˜ÂÌ˚.
ç‡ÒÚꢀÓÈÚ ÔꢀӘˠԇꢀ‡ÏÂÚꢀ˚ (ꢀ‚Âꢀ·Âꢀ‡ˆËfl, ıÓꢀÛÒ Ë Ú. ‰.).
2
3
èêàåÖóÄçàÖ
ÑÎfl Á‡ÔËÒË ·ÂÁ Û͇Á‡ÌËfl ÓÔꢀ‰ÂÎÂÌÌÓÈ ‰ÓꢀÓÊÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC].
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl TRACK 1 (‰ÓꢀÓÊ͇ 1).
ÖÒÎË ‚˚ ıÓÚËÚ ‚˚·ꢀ‡Ú¸ ÓÔꢀ‰ÂÎÂÌÌÛ˛ ‰ÓꢀÓÊÍÛ ‰Îfl Á‡ÔËÒË, Û‰ÂꢀÊË‚‡fl ÍÌÓÔÍÛ [REC],
̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂꢀÛ ‰ÓꢀÓÊÍË, ÍÓÚÓꢀÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸.
é‰ÌÓ‚ꢀÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒÓ˜ÂÚ‡ÌËfl ‰ÓꢀÓÊÂÍ: TRACK 1 + EXTRA
TRACKS Ë TRACK 2 + EXTRA TRACKS.
ÖÒÎË ÔÂꢀ‰ ̇ʇÚËÂÏ ÍÌÓÔÍË
REC ‚Íβ˜ÂÌ˚ ÍÌÓÔÍË «LAYER»
or «LEFT», ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË
Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ꢀ‡ÁÌ˚Â
͇̇Î˚.
èêàåÖóÄçàÖ
• ì͇Á‡ÌË ‰ÓꢀÓÊÍË ‰Îfl Á‡ÔËÒË
ëÓ‰ÂꢀÊËÏÓ ‰ÓꢀÓÊÂÍ 1 Ë 2
Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ͇̇Î,
Û͇Á‡ÌÌ˚È Ì‡ ˝Íꢀ‡Ì SONG
SETTING (ÒÚꢀ. 140).
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„ꢀÛ Ì‡ Í·‚ˇÚÛꢀÂ:
̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1] ÎË·Ó ÍÌÓÔÍÛ [TRACK 2].
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ:
REC
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
̇ÊÏËÚ ÍÌÓÔÍÛ [EXTRA TRACKS].
èêàåÖóÄçàÖ
è‡ꢀÚ˲ Ôꢀ‡‚ÓÈ ꢀÛÍË (‚Íβ˜‡fl
ÚÂÏ·ꢀ˚ ÒÎÓ‚), Á‡ÔËÒ‡ÌÌÛ˛ ̇
‰ÓꢀÓÊÍÛ 1, ÏÓÊÌÓ ÔÂꢀÂÔËÒ‡Ú¸
̇ ‰ÓꢀÓÊÍÛ 2. ÑÎfl ˝ÚÓ„Ó
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ꢀ‡Á ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [REC].
ÓÚÍβ˜ËÚ ÍÌÓÔÍÛ [LEFT] Ë
ÔÓ‚ÚÓꢀËÚ ¯‡„Ë 2 Ë 3.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Òꢀ‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË SONG/
STYLE [START/STOP]. äꢀÓÏ ÚÓ„Ó, Í Á‡ÔËÒË ÏÓÊÌÓ ÔꢀËÒÚÛÔËÚ¸,
̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡ꢀ‡Ì ÔꢀËÒ‚ÓËÚ¸ Ô‰‡ÎË
ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚꢀ. 142).
4
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ꢀÂÏfl
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP]. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/
STOP].
èêàåÖóÄçàÖ
ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
ÏÂÚꢀÓÌÓÏÓÏ.
á‚ÛÍ ÏÂÚꢀÓÌÓχ ÌÂ
Á‡ÔËÒ˚‚‡ÂÚÒfl.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
äꢀÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡ꢀ‡ÌÂÂ
ÔꢀËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚꢀ. 142).
END
■ ÇÓÒÔꢀÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË
óÚÓ·˚ ÔꢀÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂꢀÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl «ÔÂꢀÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ.
ùÍꢀ‡Ì˚ SONG CREATOR (1 - 16) Ôꢀ‰̇Á̇˜ÂÌ˚ ‰Îfl ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚꢀ. 110).
óÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â, ̇ÊÏËÚ ÍÌÓÔÍÛ [6■] ̇ ˝Íꢀ‡Ì Open/Save (ÓÚÍꢀ˚Ú¸/ÒÓıꢀ‡ÌËÚ¸) ‰Îfl ÔÂÒÌË
(ÒÚꢀ. 40, 48).
CVP-210/208
98
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı ÚÂÏ·ꢀÓ‚
ùÚÓÚ ꢀÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ꢀ‡Á΢Ì˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). Ç˚ ÏÓÊÂÚÂ,
̇ÔꢀËÏÂꢀ, ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔꢀÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓꢀÍÂÒÚꢀ‡.
ëÚꢀÛÍÚÛꢀ‡ ͇̇ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·ꢀ‡ÊÂ̇ ‚ Ú‡·Îˈ ÌËÊÂ.
ä‡Ì‡Î˚
ó‡ÒÚË
(̇ÒÚꢀÓÈÍË ÔÓ
ÛÏÓΘ‡Ì˲)
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË
ä‡Ì‡Î˚
ó‡ÒÚË
(̇ÒÚꢀÓÈÍË ÔÓ
ÛÏÓΘ‡Ì˲)
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË
1
2
3
4
5
6
7
8
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
É·‚Ì˚È ÚÂÏ·ꢀ
íÂÏ·ꢀ˚ MAIN, LAYER, LEFT
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
MIDI
9
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
RHYTHM 1
íÂÏ·ꢀ˚ MAIN, LAYER, LEFT
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
MIDI
10
11
12
13
14
15
16
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PAD
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PHRASE2
é ˜‡ÒÚflı ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Rhythm (ꢀËÚÏ)............ ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓꢀfl˛˘ËıÒfl ꢀËÚÏ˘ÂÒÍËı Ùꢀ‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡ꢀÌ˚ı Ë
ÔÂꢀÍÛÒÒËË. é·˚˜ÌÓ ‰Îfl Ëı ÒÓÒÚ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl Ӊ̇ ËÁ ‚ÒÚꢀÓÂÌÌ˚ı Û‰‡ꢀÌ˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
Bass (·‡Ò) ................... ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚÒfl ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ ËÌÒÚꢀÛÏÂÌÚÓ‚ – Ú‡ÍËı, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò Ë Ú. Ô.
Chord (‡ÍÍÓꢀ‰˚) ........ ëÓÒÚÓËÚ ËÁ ꢀËÚÏ˘ÂÒÍÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓꢀ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·ꢀ˚ ÙÓꢀÚÂÔˇÌÓ ËÎË „ËÚ‡ꢀ˚.
Pad («ÔӉͷ‰˚»)...... ÑÎfl ˝ÚÓÈ ˜‡ÒÚË ıÓꢀÓ¯Ó ÔÓ‰ıÓ‰flÚ «‰Ó΄ÓË„ꢀ‡˛˘Ë ‡ÍÍÓꢀ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·ꢀ˚ ÒÚꢀÛÌÌ˚ı, Óꢀ„‡Ì‡ Ë ıÓꢀ‡.
Phrase (Ùꢀ‡Á˚).......... êËÙÙ˚ Ë Ùꢀ‡Á˚ (̇ÔꢀËÏÂꢀ, ÍÓꢀÓÚÍË ԇꢀÚËË Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡ꢀÔ‰ÊËÓ), ËÒÔÓθÁÛÂÏ˚ ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îfl ÛÍꢀ‡¯ÂÌËfl
ꢀËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍÓÈ ÒÚꢀÛÍÚÛꢀ˚ ÔÂÒÌË.
ÇçàåÄçàÖ!
ÖÒÎË Á‡ÔËÒ¸ Úꢀ·ÛÂÚÒfl ÒÓ
ÖÒÎË ‚˚ Ì ÒÓıꢀ‡ÌËÚ ꢀ‡·ÓÚÛ, ÚÓ ÔꢀË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âꢀ
ıꢀ‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËꢀÛÈڠ ̇ ‰ËÒÍ
ÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË USER (
ÒÚꢀ. 40, 48).
ı ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓꢀÓ
■ èꢀË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
■ èꢀË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ꢀÚËË ÔÓ‚Âꢀı
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ:
REC
TOP
START / STOP
REW
FF
REPEAT
1
2
NESG
SYNC.START
Ç˚·ÂꢀËÚ ÔÂÒÌ˛ (ÒÚꢀ. 78, 80).
1
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ ͇̇Π‰Îfl Á‡ÔËÒË (ÔÂꢀ‚‰ËÚÂ Â„Ó ‚ ꢀÂÊËÏ «REC»). ÑÎfl ˝ÚÓ„Ó
̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1■■] - [8■■], Û‰ÂꢀÊË‚‡fl ÍÌÓÔÍÛ [REC].
é‰ÌÓ‚ꢀÂÏÂÌÌÓ ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
REC .........ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË
ó‡ÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË
‚˚·Ëꢀ‡ÂÚÒfl, ÂÒÎË ÌÂÒÍÓθÍÓ
͇̇ÎÓ‚ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ
ÔÂꢀ‚‰ÂÌ˚ ‚ ꢀÂÊËÏ «REC».
ON ...........ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔꢀÓËÁ‚‰ÂÌ˲
OFF..........ä‡Ì‡Î ÔꢀË„ÎÛ¯ÂÌ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË Á‡ÔꢀÂÚËÚ¸ Á‡ÔËÒ¸, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
REC
1
2
3
4
5
6
7
8
CVP-210/208
99
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
èêàåÖóÄçàÖ
Ç˚·ÂꢀËÚ ˜‡ÒÚ¸, ÍÓÚÓꢀÛ˛ ÒΉÛÂÚ ÔꢀËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ.
èꢀË ˝ÚÓÏ ÓÔꢀ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚ (Main/Layer/Left), Ë
˜‡ÒÚÂÈ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇̇Î˚,
‚˚·ꢀ‡ÌÌ˚ ‚ ¯‡„ 2.
ëÔËÒÓÍ ËÒıÓ‰Ì˚ı ÔꢀËÒ‚ÓÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲ Ôꢀ˂‰ÂÌ Ì‡ ÒÚꢀ. 99.
èꢀË ‚˚·Óꢀ ˜‡ÒÚË MIDI
Ç˚‰ÂÎÂÌË ӉÌÓ„Ó Í‡Ì‡Î‡
‰Îfl MIDI
3
•
á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò MIDI-
ÒÓÓ·˘ÂÌËfl, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ
β·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI.
ÖÒÎË Á‡ÔËÒ¸ ÔꢀÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛꢀ˚
ËÎË MIDI-ÍÓÌÚꢀÓÎÎÂꢀ‡, ‚‡Ï ÌÂ
ÔꢀˉÂÚÒfl ̇ÒÚꢀ‡Ë‚‡Ú¸ ͇̇Î˚
MIDI ˝ÚÓ„Ó ÛÒÚꢀÓÈÒÚ‚‡.
Ç˚‰ÂÎÂÌË ÌÂÒÍÓθÍËı
͇̇ÎÓ‚ ‰Îfl MIDI
ÖÒÎË Á‡ÔËÒ¸ ÔꢀÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛꢀ˚
ËÎË MIDI-ÍÓÌÚꢀÓÎÎÂꢀ‡,
‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl Î˯¸
̇ Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ
Á̇˜ËÚ, ˜ÚÓ ‚̯ÌÂÂ
•
C
D
ÛÒÚꢀÓÈÒÚ‚Ó ‰ÓÎÊÌÓ ·˚Ú¸
̇ÒÚꢀÓÂÌÓ Ì‡
‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ Ò ˝ÚÓ„Ó
͇̇·.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Òꢀ‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
4
çÂθÁfl ̇Á̇˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡
ËÒÍβ˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Òꢀ‡ÁÛ
̇ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË
SONG/STYLE [START/STOP]. äꢀÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ
̇˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ
Á‡ꢀ‡Ì ÔꢀËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó
‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (ÒÚꢀ. 106).
èêàåÖóÄçàÖ
è‡ꢀ‡ÏÂÚꢀ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ
‚ꢀÂÏÂÌÌÓ ÒÓıꢀ‡Ìfl˛ÚÒfl ‰Ó ÚÂı
ÔÓꢀ, ÔÓ͇ ‚˚ Ì ‚˚ÔÓÎÌËÚÂ
«·˚ÒÚꢀÛ˛ Á‡ÔËÒ¸», Ì ‚˚·ÂꢀÂÚÂ
ÔÂÒÌ˛ ËÎË Ì ‚˚Íβ˜ËÚÂ
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ꢀ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸. èꢀË ˝ÚÓÏ Ô‰‡ÎË ‰ÓÎÊ̇ ·˚Ú¸
Á‡ꢀ‡Ì ÔꢀËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (ÒÚꢀ. 106).
5
èêàåÖóÄçàÖ
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ꢀÂÏfl
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP]. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/
STOP].
ÇÓÒÔꢀÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË.
óÚÓ·˚ ÔꢀÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂꢀÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡
Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl
«ÔÂꢀÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ.
èêàåÖóÄçàÖ
6
ÑÎfl ‚˚ꢀ‡‚ÌË‚‡ÌËfl Á‡ÔËÒË
ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
ÏÂÚꢀÓÌÓÏÓÏ.
á‚ÛÍ ÏÂÚꢀÓÌÓχ ÌÂ
Á‡ÔËÒ˚‚‡ÂÚÒfl.
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ¢ ӉÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓꢀËÚ ¯‡„Ë 2 - 6.
èꢀË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ꢀ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË.
END
ÑÂÈÒÚ‚Ûfl Ú‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚ ‚ ËÚÓ„Â Á‡ÍÓ̘ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛.
ùÍꢀ‡Ì˚ SONG CREATOR (1 - 16) Ôꢀ‰̇Á̇˜ÂÌ˚ ‰Îfl ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚꢀ. 110).
óÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â, ̇ÊÏËÚ ÍÌÓÔÍÛ [6■] ̇ ˝Íꢀ‡ÌÂ
Open/Save (ÓÚÍꢀ˚Ú¸/ÒÓıꢀ‡ÌËÚ¸) ‰Îfl ÔÂÒÌË (ÒÚꢀ. 40, 48).
CVP-210/208
100
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ – èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔꢀË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚
ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ꢀÂÊËχ ÔꢀÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ÔꢀË Á‡ÔËÒË ‡ÍÍÓꢀ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂθÌÓÒÚË.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
Ç˚·ÂꢀËÚ ÔÂÒÌ˛ (ÒÚꢀ. 78, 80), ÍÓÚÓꢀÛ˛
Úꢀ·ÛÂÚÒfl ÔÂꢀÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸
ÌÓ‚˚ÏË ˜‡ÒÚflÏË. ÖÒÎË ‚˚ ıÓÚËÚ ÒÓÁ‰‡Ú¸
ÌÓ‚Û˛ ÔÂÒÌ˛, Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚÂ
ÍÌÓÔÍË [REC] Ë [TOP].
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì Song Creator, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [A].
1
3
A
C
D
E
ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING].
2
DIGITAL
STUDIO
SOUND
CREATOR
DIGITAL
RECORDING
MIXIN
CONSOL
PART
Ç˚·ÂꢀËÚ ‚Í·‰ÍÛ «1 - 16»
‰Îfl Á‡ÔËÒË ÏÂÎӉ˘ÂÒÍÓÈ
ÎËÌËË Ë ‰ꢀÛ„Ëı ˜‡ÒÚÂÈ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT] ËÎË ‚Í·‰ÍÛ «CHD»
(ÄÍÍÓꢀ‰) ‰Îfl Á‡ÔËÒË
‡ÍÍÓꢀ‰Ó‚. èÓÒΠ˝ÚÓ„Ó Ì‡
‚Í·‰Í «1 -16» ‚˚·ÂꢀËÚÂ
͇̇Π‰Îfl Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [F] (CH).
4
5
BACK
NEXT
F
G
H
I
J
èêàåÖóÄçàÖ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [G],
˜ÚÓ·˚ ÔÂꢀÂÈÚË Í ˝Íꢀ‡ÌÛ
Step Record.
èꢀË ÔÂꢀÂıӉ ̇ ÒÚꢀ‡ÌËˆÛ CHD
(ÄÍÍÓꢀ‰) Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚,
Á‡‰‡ÌÌ˚ ‚ ÍÓÌÒÓÎË ÏËͯÂꢀ‡,
‡‚ÚÓχÚ˘ÂÒÍË ÔꢀËÌËχ˛Ú
Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲.
F
G
H
I
èêàåÖóÄçàÖ
êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÌÂ
ÔÓ‰‰ÂꢀÊË‚‡ÂÚ Á‡ÔËÒ¸ ÚÂÏ·ꢀÓ‚,
ıꢀ‡Ìfl˘ËıÒfl ̇ ÒÚꢀ‡Ìˈ‡ı USER
Ë FLOPPY DISK. åÓÊÌÓ
J
ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ·ꢀ˚ ̇
ÒÚꢀ‡Ìˈ PRESET, Ӊ̇ÍÓ ÔꢀË
˝ÚÓÏ Ëı ÚÂÏ·ꢀ ÏÓÊÂÚ Ò΄͇
ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó.
CVP-210/208
101
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
ë̇˜‡Î‡ ‚˚·ÂꢀËÚ ÌÛÊÌ˚È ÚÂÏ·ꢀ. óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚ ̇ ˝Íꢀ‡Ì Â ‰ÎËÚÂθÌÓÒÚ¸ Ë ÛꢀÓ‚Â̸
„ꢀÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚ ‚˚ÒÓÚÛ, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛꢀÂ.
6
ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ ÒÍÓꢀÓÒÚ¸
̇ʇÚËfl Í·‚Ë¯Ë („ꢀÓÏÍÓÒÚ¸
‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë ÙÛÌ͈ËÓÌËꢀÛÂÚ
Î˯¸ ÔꢀË Á‡ÔËÒË ÏÂÎÓ‰ËË.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ı ÒÍÓꢀÓÒÚË Ì‡Ê‡ÚËfl
Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
A
B
C
D
E
F
G
H
I
äÌÓÔÍË ÔÂꢀÂÏ¢ÂÌËfl ÍÛꢀÒÓꢀ‡
‚‚Âꢀı-‚ÌËÁ.
ÇÓÁ‚ꢀ‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË
(ÔÂꢀ‚‡fl ÌÓÚ‡ ÔÂꢀ‚Ó„Ó Ú‡ÍÚ‡).
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸
‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚ (‚ ÔꢀÓˆÂÌÚ‡ı)
Ò Û˜ÂÚÓÏ Â Ôꢀ‰ÔÓ·„‡ÂÏÓÈ
ÔÓÁˈËË ‚ ÔÂÒÌÂ. (чÌ̇fl ÙÛÌ͈Ëfl
‰ÓÒÚÛÔ̇ Î˯¸ ÔꢀË Á‡ÔËÒË
ÏÂÎÓ‰ËË.) ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı ‚ꢀÂÏÂÌË
Á‚Û˜‡ÌËfl Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
J
äÌÓÔÍË, ÔÓÁ‚ÓÎfl˛˘ËÂ
ÔÂꢀÂÏ¢‡Ú¸ ‚˚·ꢀ‡ÌÌÓ ÒÓ·˚ÚËÂ
(̇ÔꢀËÏÂꢀ, ÌÓÚÛ) ‚ÔÂꢀ‰ ËÎË
̇Á‡‰ ̇ ÓÔꢀ‰ÂÎÂÌÌÓ ˜ËÒÎÓ
Ú‡ÍÚÓ‚, ‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌˈ
‚ꢀÂÏÂÌË. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı Ú‡ÍÚÓ‚/
‰ÓÎÂÈ Ú‡ÍÚ‡/‰ËÌˈ ‚ꢀÂÏÂÌË
Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
1
2
3
4
5
6
7
8
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚÂ
‚˚·ꢀ‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚ ÌËÊÌÂÈ
˜‡ÒÚË ˝Íꢀ‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Óꢀ
Ôꢀ‰·„‡ÂÚÒfl ÚꢀË ÚËÔ‡ ÌÓÚ: Òڇ̉‡ꢀÚÌ˚Â,
ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚꢀËÓÎË. (чÌ̇fl ÙÛÌ͈Ëfl
‰ÓÒÚÛÔ̇ Î˯¸ ÔꢀË Á‡ÔËÒË ÏÂÎÓ‰ËË.)
åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Óꢀ ¯ÂÒÚ̇‰ˆ‡Ú˚ı ‰ÓÒÚÛÔÂÌ
Î˯¸ ÔꢀË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äꢀÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
Û͇Á‡Ú¸ ¯‡„ ÔÂꢀÂÏ¢ÂÌËfl ÍÛꢀÒÓꢀ‡ (ꢀ‡ÒÒÚÓflÌËÂ, ̇ ÍÓÚÓꢀÓ ÍÛꢀÒÓꢀ
Ò‰‚Ë„‡ÂÚÒfl ‚ÔÂꢀ‰ ÔÓÒΠ‚‚Ó‰‡ ÌÓÚ˚).
äÌÓÔ͇ Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl (ÌÓÚ˚, Ô‡ÛÁ˚ Ë Ú. ‰.) ÔÂꢀ‰ ÍÛꢀÒÓꢀÓÏ.
óÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì STEP RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ Á‡ÔËÒ¸, ÒΉÛÂÚ
̇ʇڸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚꢀ. 48).
END
■ í‡ÍÚ/‰ÓÎfl/ÒËÌıꢀÓÌËÁ‡ˆËfl
í‡ÍÚ
1
2
ÑÓÎfl
1
2
3
4
1
2
3
4
ëËÌıꢀÓÌËÁ‡ˆËfl
000- 000- 000- 000-
1919 1919 1919 1919
000- 000- 000- 000-
1919 1919 1919 1919
■ ëÍÓꢀÓÒÚ¸ ̇ʇÚËfl
Ç Ôꢀ˂‰ÂÌÌÓÈ ÌËÊ ڇ·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍÓꢀÓÒÚË Ì‡Ê‡ÚËfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „ꢀ‡‰‡ˆËflÏË
‰Ë̇Ï˘ÂÒÍËı ÓÚÚÂÌÍÓ‚.
ÑË̇ÏË͇
fff
ff
f
mf
mp
p
pp
ppp
î‡ÍÚ˘ÂÒ-
͇fl ÒË·
̇ʇÚËfl̇
Í·‚˯Û
127
111
95
79
63
47
31
15
■ ÇꢀÂÏfl Á‚Û˜‡ÌËfl
ï‡ꢀ‡ÍÚÂꢀ Ë„ꢀ˚ ÓÔꢀ‰ÂÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÏË ‚‡ꢀˇÌÚ‡ÏË Á‚Û˜‡ÌËfl ÓÚ‰ÂθÌ˚ı ÌÓÚ:
Normal (Òڇ̉‡ꢀÚÌÓ Á̇˜ÂÌËÂ).................
Tenuto (Ò‚flÁÌÓ) .............................................
Staccato (ÓÚꢀ˚‚ËÒÚÓ) ...................................
Staccatissimo (¢ ·ÓΠÓÚꢀ˚‚ËÒÚÓ) ......
80%
99%
40%
20%
Manual (‚ꢀÛ˜ÌÛ˛) .......................................... ÇꢀÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÔꢀÓˆÂÌÚ‡ı Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇
ÛÔꢀ‡‚ÎÂÌËfl [DATA ENTRY]
.
CVP-210/208
102
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á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note)
Ç ˝ÚÓÏ ꢀ‡Á‰ÂΠÏ˚ ̇ۘËÏÒfl ꢀ‡·ÓÚ‡Ú¸ ‚ ꢀÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ
Á‡ÔËÒË. ÇÓÒÔÓθÁÛÂÏÒfl ÍÓÌÍꢀÂÚÌ˚Ï ÔꢀËÏÂꢀÓÏ, ËÁÓ·ꢀ‡ÊÂÌÌ˚Ï
‚ Ôꢀ‡‚ÓÈ ˜‡ÒÚË ÒÚꢀ‡Ìˈ˚.
ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 102.
1-2 ç ÓÚÔÛÒ͇fl Í·‚˯Ë...
1
èêàåÖóÄçàÖ
éÚÓ·ꢀ‡ÊÂËÌ ԇÚꢀËÚÛꢀ˚ ̇ ˝Íꢀ‡Ì ËÌÒÚꢀÛÏÂÌÚ‡ ÏÓÊÂÚ ·˚Ú¸
ÌÂÔꢀ‡‚ËθÌ˚Ï; ÓÒÓ·ÂÌÌÓ ˝ÚÓ Í‡Ò‡ÂÚÒfl ÎË„ Ë ‰ÎËÌÌ˚ı ÌÓÚ. ÑÎfl
Ôꢀ‡‚ËθÌÓ„Ó ÓÚÓ·ꢀ‡ÊÂÌËfl Ô‡ꢀÚËÚÛꢀ˚ Á‡‰‡ÈÚ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl
«tenuto» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H] Ë ‚‚‰ËÚ ÌÛÊÌ˚ ÌÓÚ˚.
1-3 ...‚‚‰ËÚ ˝ÚÓ (˜ÚÓ·˚ ‚‚ÂÒÚË ÎË„‡).
1-1 Ç˚·ÂꢀËÚÂ ˝ÚÛ ÌÓÚÛ.
2-2
2
2-3
2-1 Ç˚·ÂꢀËÚÂ ˝ÚÛ ÌÓÚÛ.
3
4
Ç˚·ÂꢀËÚÂ ˝ÚÛ ÌÓÚÛ.
Ç˚·Óꢀ ÌÓÚ˚ ‚‚Ó‰ËÚ ÓÒÚ‡‚¯Û˛Òfl ˜‡ÒÚ¸
˝Í‚Ë‚‡ÎÂÌÚÌÓ„Ó Á̇˜ÂÌËfl. ç‡ÔꢀËÏÂꢀ,
‚˚·Óꢀ Á‰ÂÒ¸ ‚ÓÒ¸ÏÓÈ ÌÓÚ˚ ( ) Á‡‰‡ÒÚ
ÓÒÚ‡ÚÓÍ ‚ ‚ÓÒ¸ÏÓÈ ÌÓÚ ( ).
ꢂ
ꢃ
4-1 óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Íꢀ‡Ì ÌÓÚ˚ Ò
ÚÓ˜ÍÓÈ, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ.
4-3
4-2 Ç˚·ÂꢀËÚÂ ˝ÚÛ ÌÓÚÛ.
5-1 ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ÂÒÎË ıÓÚËÚÂ, ˜ÚÓ·˚ ̇
˝Íꢀ‡Ì ÓÚÓ·ꢀ‡ÁËÎËÒ¸ Òڇ̉‡ꢀÚÌ˚ ÌÓÚ˚.
5
5-3
5-2 Ç˚·ÂꢀËÚÂ ˝ÚÛ ÌÓÚÛ.
■ èꢀÓË„ꢀ‡ÈÚ ÏÂÎӉ˲.
óÚÓ·˚ ÔÂꢀÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] ( ). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP], ˜ÚÓ·˚ ÔꢀÓÒÎÛ¯‡Ú¸
■
‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ùÍꢀ‡Ì SONG CREATOR (1 - 16) Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚꢀ. 110).
CVP-210/208
103
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓꢀ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Step Record (Chord)
îÛÌ͈Ëfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓꢀ‰Ó‚ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓꢀ‰Ó‚. ÄÍÍÓꢀ‰˚ Á‡‰‡˛ÚÒfl ÔÓ Ó‰ÌÓÏÛ Á‡ ꢀ‡Á.
ÑÎfl Í‡Ê‰Ó„Ó ËÁ ÌËı ÏÓÊÌÓ Û͇Á‡Ú¸ ÚÓ˜ÌÓ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl. èÓÒÍÓθÍÛ ‡ÍÍÓꢀ‰˚ Ì Úꢀ·ÛÂÚÒfl Ë„ꢀ‡Ú¸ ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË, ÏÓÊÌÓ
ÒÓÁ‰‡‚‡Ú¸ ÒÎÓÊÌ˚Â, «ÔÎÓÚÌ˚» ‚‡ꢀˇÌÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË, ˜ÚÓ·˚ ‚ÔÓÒΉÒÚ‚ËË Á‡ÔËÒ‡Ú¸ ÔÓ‚Âꢀı ‡ÍÍÓꢀ‰Ó‚ ÏÂÎӉ˲.
ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ∂6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 102.
Ç‚Ó‰ ‡ÍÍÓꢀ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓꢀ‰Ó‚)
èÓÔꢀÓ·ÛÂÏ ‚‚ÂÒÚË ÓÔꢀ‰ÂÎÂÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓꢀ‰Ó‚.
èêàåÖóÄçàÖ
ǂ‰ËÚ ‡ÍÍÓꢀ‰˚ Ò ÔÓÏÓ˘¸˛
MAIN A
BREAK
MAIN B
‚˚·ꢀ‡ÌÌÓ„Ó ÏÂÚÓ‰‡ ‡ÍÍÓꢀ‰Ó‚ÓÈ
‡ÔÔÎË͇ÚÛꢀ˚ ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
C
F
G
F
G7
C
ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [A], ˜ÚÓ·˚ Û͇Á‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
1
2
MAIN A
C
F
G
MAIN
C
F
001:1:000
001:3:000
G
Ç˚·ÂꢀËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
002:1:000
ç‡ÊÏËÚ ÍÌÓÔÍÛ [BREAK], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸ Break, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
MAIN A
BREAK
C
F
G
F
G7
F
002:3:000
002:4:000
BREAK
INTRO
G7
Ç˚·ÂꢀËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
CVP-210/208
104
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [Ç], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
3
MAIN A
BREAK
MAIN B
MAIN
C
F
G
F
G7
C
C
003:1:000
Ç˚·ÂꢀËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
Û͇Á‡ÌÌ˚ ÒÔꢀ‡‚‡ ‡ÍÍÓꢀ‰˚.
■ èꢀÓË„ꢀ‡ÈÚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓꢀ‰Ó‚.
óÚÓ·˚ ÔÂꢀÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] ( ). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
■
èêàåÖóÄçàÖ
[START/STOP], ˜ÚÓ·˚ ÔꢀÓÒÎÛ¯‡Ú¸ ‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT]. ùÍꢀ‡Ì SONG CREATOR (CHD) Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı
ÔÂÒÂÌ (ÒÚꢀ. 111). à, ̇ÍÓ̈, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (EXPAND) ̇ ˝Íꢀ‡Ì SONG CREATOR (CHD),
˜ÚÓ·˚ ÔꢀÂÓ·ꢀ‡ÁÓ‚‡Ú¸ ‚‚‰ÂÌÌ˚ ‰‡ÌÌ˚ ‚ Ù‡ÈÎ ÔÂÒÌË.
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN]
Ë Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ MAIN
[A] – [D].
èêàåÖóÄçàÖ
ÓÚÏÂÚ͇ «END»
Ç˚‚Ó‰Ëχfl ̇ ˝Íꢀ‡Ì ÓÚÏÂÚ͇
«END» Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ̈
ÔÂÒÌË.
Ö هÍÚ˘ÂÒÍÓ ÔÓÎÓÊÂÌËÂ
ÏÓÊÂÚ ·˚Ú¸ ꢀ‡ÁÌ˚Ï ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ͇ÍÓÈ
˜‡ÒÚ¸˛ Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÂÒÌfl.
èꢀË ‰Ó·‡‚ÎÂÌËË ÙË̇θÌÓÈ
˜‡ÒÚË (Ending) ÓÚÏÂÚ͇ «End»
‡‚ÚÓχÚ˘ÂÒÍË ÔÓÏ¢‡ÂÚÒfl ‚ ÂÂ
ÍÓ̈. ÖÒÎË ÔÓÒΉÌflfl ˜‡ÒÚ¸ ÌÂ
fl‚ÎflÂÚÒfl ˜‡ÒÚ¸˛ «Ending»,
ÓÚÏÂÚ͇ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ˜ÂꢀÂÁ
‰‚‡ Ú‡ÍÚ‡ ÔÓÒΠÍÓ̈‡ Ú‡ÍÓÈ
˜‡ÒÚË.
éÚÏÂÚÍÛ «END» ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ.
CVP-210/208
105
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË Ë
‚˚Íβ˜ÂÌË Á‡ÔËÒË – Rec Mode
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Íꢀ‡Ì‡ ÏÓÊÌÓ Ì‡ÒÚꢀÓËÚ¸ ̇˜‡ÎÓ Ë ÓÒÚ‡ÌÓ‚ÍÛ Á‡ÔËÒË ‚ ꢀÂÊËχı Quick Recording Ë Multi Recording. óÚÓ·˚ ‚˚Á‚‡Ú¸
˝ÚË Ì‡ÒÚꢀÓÈÍË, ‚˚·ÂꢀËÚ ˝Íꢀ‡Ì REC MODE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT], ÔÓÒΠÚÓ„Ó Í‡Í ‚˚ÔÓÎÌËÚ 1–3 ¯‡„Ë Ì‡ ÒÚꢀ. 101.
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÓÔꢀ‰ÂÎfl˛Ú ÒÔÓÒÓ· ‚Íβ˜ÂÌËfl Á‡ÔËÒË.
ëڇ̉‡ꢀÚÌÓ ‚Íβ˜ÂÌË Á‡ÔËÒË
á‡ÔËÒ¸ ÌÓ‚˚ı ‰‡ÌÌ˚ı ÔÓ‚Âꢀı ÒÚ‡ꢀ˚ı ̇˜ÌÂÚÒfl ÔꢀË
̇ʇÚËË ÍÌÓÔÍË SONG [START/STOP] ËÎË Í·‚˯ ̇
Í·‚ˇÚÛꢀÂ, ÂÒÎË ÙÛÌ͈Ëfl Synchro ̇ıÓ‰ËÚÒfl ‚ ꢀÂÊËÏÂ
ÓÊˉ‡ÌËfl.
F
G
H
I
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
á‡ÔËÒ¸ ÔÓ ÔÂꢀ‚ÓÈ Ò˚„ꢀ‡ÌÌÓÈ ÌÓÚÂ
á‡ÔËÒ¸ ̇˜ÌÂÚÒfl Òꢀ‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸
Í·‚˯. Ç ˝ÚÓÏ ꢀÂÊËÏ ꢀ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ï‡ÚÂꢀˇÎ
ÒÓıꢀ‡ÌflÂÚÒfl, ‡ ÌÓ‚˚ ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ÔÓ‚Âꢀı Ì„Ó.
J
ùÚË ÍÌÓÔÍË ‚Íβ˜‡˛Ú/‚˚Íβ˜‡˛Ú
ꢀÂÊËÏ ÛÔꢀ‡‚ÎÂÌËfl Á‡ÔËÒ¸˛ Ò
ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÒÓÒÚÂÌÛÚÓ
(Òꢀ‰ÌÂÈ). ç‡ÊÏËÚ Ô‰‡Î¸, ˜ÚÓ·˚
‚Íβ˜ËÚ¸ Á‡ÔËÒ¸. á‡ÔËÒ¸
á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ‚ Á‡‰‡ÌÌÓÂ
‚ꢀÂÏfl)
èÂÒÌfl ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ ‰Ó Ú‡ÍÚ‡,
Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch In» (Â„Ó ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸
Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3■■] ). èÓÒΠ˝ÚÓ„Ó ‚Íβ˜‡ÂÚÒfl
Á‡ÔËÒ¸ Ò Û‰‡ÎÂÌËÂÏ ꢀ‡Ì Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂꢀˇ·.
ÔꢀÂÍꢀ‡˘‡ÂÚÒfl ‚ ÏÓÏÂÌÚ
ÓÚÔÛÒ͇ÌËfl Ô‰‡ÎË.
1
2
3
4
5
6
7
8
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒfl Ú‡ÍÚ «Punch In», ÚÓ ÂÒÚ¸
Ú‡ÍÚ ‚Íβ˜ÂÌËfl Á‡ÔËÒË (ÔꢀË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·ꢀ‡Ú¸
ÒÚꢀÓÍÛ «PUNCH IN AT»).
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒfl
Ú‡ÍÚ «Punch Out», ÚÓ ÂÒÚ¸ Ú‡ÍÚ
ÓÍÓ̘‡ÌËfl Á‡ÔËÒË (ÔꢀË ˝ÚÓÏ
ÌÂÓ·ıÓ‰ËÏÓ ‚˚·ꢀ‡Ú¸ ÒÚꢀÓÍÛ
«PUNCH OUT AT»).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ÒÔÓÒÓ· ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË, ‡ Ú‡ÍÊ ÓÔÂꢀ‡ˆËË, ÍÓÚÓꢀ˚ ·Û‰ÛÚ ÔꢀӉ·Ì˚ Ò ꢀ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚Ï Ï‡ÚÂꢀˇÎÓÏ.
Replace All (Á‡ÏÂÌËÚ¸ ‚ÒÂ)
èêàåÖóÄçàÖ
ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÚÓ˜ÍË, „‰Â ·˚· ‚˚Íβ˜Â̇ Á‡ÔËÒ¸, Û‰‡Îfl˛ÚÒfl.
ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Pedal
Punch In/Out, Ó·˚˜Ì‡fl ÙÛÌ͈Ëfl
Ô‰‡ÎË ÒÓÒÚÂÌÛÚÓ Ì ‰ÂÈÒÚ‚ÛÂÚ.
Punch Out (‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌË Á‡ÔËÒË)
ÇÂÒ¸ χÚÂꢀˇÎ, ꢀ‡ÒÔÓÎÓÊÂÌÌ˚È ÔÓÒΠÚÓ˜ÍË ÓÍÓ̘‡ÌËfl Á‡ÔËÒË, ÒÓıꢀ‡ÌflÂÚÒfl.
Punch Out At (Á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl ‚ Á‡‰‡ÌÌÓ ‚ꢀÂÏfl)
á‡ÔËÒ¸ Ò Á‡Ï¢ÂÌËÂÏ ꢀ‡Ì Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂꢀˇ· ÔꢀÓ‰ÓÎʇÂÚÒfl ‰Ó Ú‡ÍÚ‡, Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch Out» (Â„Ó ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6■■]).
ç‡ ˝ÚÓÏ Ú‡ÍÚ Á‡ÔËÒ¸ ‚˚Íβ˜‡ÂÚÒfl, Ë ‰‡Î ÔÂÒÌfl ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ.
é· ‡‚ÚÓχÚ˘ÂÒÍÓÏ ‚Íβ˜ÂÌËË/‚˚Íβ˜ÂÌËË Á‡ÔËÒË
ùÚ‡ ÙÛÌ͈Ëfl ËÒÔÓθÁÛÂÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ÔÂꢀÂÁ‡ÔËÒË Ë Á‡ÏÂÌ˚ ͇ÍÓÈ-ÎË·Ó ꢀ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË. çËÊ Ôꢀ˂‰ÂÌ˚
ÔꢀËÏÂꢀ˚ ÒËÚÛ‡ˆËÈ, ‚ ÍÓÚÓꢀ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔÂꢀÂÔËÒ‡Ú¸ ÓÚ‰ÂθÌ˚ (‚˚·ꢀ‡ÌÌ˚Â) Ú‡ÍÚ˚ ÏÛÁ˚͇θÌÓÈ Ùꢀ‡Á˚, ÒÓÒÚÓfl˘ÂÈ ËÁ
‚ÓÒ¸ÏË Ú‡ÍÚÓ‚.
àÒıÓ‰Ì˚ ‰‡ÌÌ˚Â
REC START setting
REC END setting
*1 ÖÒÎË Ú‡ÍÚ˚ 1-2 ÔÂꢀÂÔËÒ˚‚‡Ú¸ ÌÂ
Úꢀ·ÛÂÚÒfl, Á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl Ò
ÚꢀÂÚ¸Â„Ó Ú‡ÍÚ‡.
1
2
3
4
5
6
7
8
ÇÍβ˜ÂÌË Á‡ÔËÒË Ò
Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
*2
*2
*1
*1
*1
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
NORMAL
REPLACE ALL
*2 äÌÓÔÍÛ [REC] ÒΉÛÂÚ Ì‡Ê‡Ú¸ ‚ ÍÓ̈Â
1
2
2
2
3
3
3
4
4
4
4
4
4
4
4
4
5
쉇Îfl˛ÚÒfl
ÔflÚÓ„Ó Ú‡ÍÚ‡.
ÇÍβ˜ÂÌË Á‡ÔËÒË Ò
Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
NORMAL
PUNCH OUT
1
5
6
7
8
8
ÇÍβ˜ÂÌË Á‡ÔËÒË Ò
Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
NORMAL
PUNCH OUT AT=006
1
5
6
7
燘‡ÎÓ Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀÂ/‚Íβ˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
*2
*2
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
5
FIRST KEY ON
REPLACE ALL
1
2
3
쉇Îfl˛ÚÒfl
燘‡ÎÓ Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀÂ/‚Íβ˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
FIRST KEY ON
PUNCH OUT
1
2
3
5
6
7
8
8
燘‡ÎÓ Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀÂ/‚Íβ˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
FIRST KEY ON
PUNCH OUT AT=006
1
2
3
5
6
7
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
*2
*2
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
ÇÍβ˜ÂÌË ÔÂꢀÂÁ‡ÔËÒË
PUNCH IN AT=003
REPLACE ALL
1
2
3
5
쉇Îfl˛ÚÒfl
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
ÇÍβ˜ÂÌË ÔÂꢀÂÁ‡ÔËÒË
PUNCH IN AT=003
PUNCH OUT
1
2
3
5
6
7
7
8
8
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
èꢀÂÊÌË ‰‡ÌÌ˚Â
çÓ‚˚ ‰‡ÌÌ˚Â
ÇÍβ˜ÂÌË ÔÂꢀÂÁ‡ÔËÒË
PUNCH IN AT=003
PUNCH OUT AT=006
쉇ÎÂÌÌ˚ ‰‡ÌÌ˚Â
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CVP-210/208
106
Download from Www.Somanuals.com. All Manuals Search And Download.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
ꉇÍÚËꢀÓ‚‡ÌË Á‡ÔËÒË
ÇÓÁÏÓÊÌÓÒÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ ÔÓÁ‚ÓÎfl˛Ú ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ÍÓÏÔÓÁËˆË˛. èꢀË ˝ÚÓÏ Ì ‚‡ÊÌÓ, ‚ ͇ÍÓÏ ꢀÂÊËÏ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸.
ꉇÍÚËꢀÓ‚‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï – Channel
ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ∂4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 101. Ç˚·ÂꢀËÚ Û͇Á‡ÌÌ˚È ÌËÊ ˝Íꢀ‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK]/[NEXT].
Ç˚ꢀ‡‚ÌË‚‡ÌËÂ
îÛÌ͈Ëfl ‚˚ꢀ‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ «ÔÓ˜ËÒÚËÚ¸» Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÚÓÏ ËÎË ËÌÓÏ Í‡Ì‡Î χÚÂꢀˇΠËÎË Ò‰Â·ڸ Á‡ÔËÒ¸ ·ÓÎÂÂ
ꢀËÚÏ˘ÌÓÈ. ÇÓÁ¸ÏÂÏ, ‰Îfl ÔꢀËÏÂꢀ‡, ÒÎÂ‰Û˛˘ËÈ Ô‡ÒÒ‡Ê, ÒÓÒÚÓfl˘ËÈ ËÁ ˜ÂÚ‚ÂꢀÚÂÈ Ë ‚ÓÒ¸Ï˚ı.
чÊ ÔꢀË Ò‡ÏÓÈ ‡ÍÍÛꢀ‡ÚÌÓÈ Ë„ꢀ ËÒÔÓÎÌËÚÂθ ÔÓꢀÓÈ ÓÚÒÚ‡ÂÚ ÓÚ ÚÂÏÔ‡, ‡ ÔÓꢀÓÈ Á‡·Â„‡ÂÚ ‚ÔÂꢀ‰. îÛÌ͈Ëfl ‚˚ꢀ‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ
Ú‡Í ‚˚ꢀÓ‚ÌflÚ¸ ‚ꢀÂÏfl Á‚Û˜‡ÌËfl ‚ÒÂı ÌÓÚ Í‡Ì‡Î‡, ˜ÚÓ·˚ Ëı ‰ÎËÚÂθÌÓÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ Á‡‰‡ÌÌÓÈ (ÒÏ. ÌËÊÂ).
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸
ÓÔÂꢀ‡ˆË˛ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
äÌÓÔ͇ ÔÓ‰Ú‚ÂꢀʉÂÌËfl
‚˚ꢀ‡‚ÌË‚‡ÌËfl. èÓÒÎÂ
éÔꢀ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ‚˚ꢀ‡‚ÌË‚‡ÌËfl
‚˚·ꢀ‡ÌÌ˚ı ÌÓÚ. ÖÒÎË Á̇˜ÂÌË ˝ÚÓ„Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÂ̸¯Â 100%, ÌÓÚ˚ ÚÓθÍÓ
Ò‰‚ËÌÛÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·ꢀ‡ÁÓÏ
‚ ̇Ôꢀ‡‚ÎÂÌËË ‚˚ꢀÓ‚ÌÂÌÌ˚ı ÔÓÁˈËÈ,
ÌÓ Ì Á‡ÈÏÛÚ Ëı. èÓ‰Ó·ÌÓ «ÌÂÔÓÎÌÓ»
‚˚ꢀ‡‚ÌË‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ
«Ï‡¯ËÌÌÓ„Ó» ‚Ô˜‡ÚÎÂÌËfl ÓÚ Á‡ÔËÒË.
Ç ÍÓ̈ ÍÓ̈ӂ, ˜‡˘Â ‚Ò„Ó
J
Á‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ Ôꢀӈ‰Ûꢀ˚
ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇
[UNDO], ÔÓÁ‚ÓÎflfl ÔꢀË Ê·ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
χÚÂꢀˇÎ. îÛÌ͈Ëfl Undo
ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂꢀ‡ˆË˛.
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ÌÂÓ·ıÓ‰ËÏÓ ÒÓıꢀ‡ÌËÚ¸ Û ÒÎÛ¯‡ÚÂÎfl
Û‚ÂꢀÂÌÌÓÒÚ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓÎÌËÚÂθ –
ÊË‚ÓÈ ˜ÂÎÓ‚ÂÍ, ÍÓÚÓꢀÓÏÛ Ò‚ÓÈÒÚ‚ÂÌÌÓ
‚ꢀÂÏfl ÓÚ ‚ꢀÂÏÂÌË Ó¯Ë·‡Ú¸Òfl.
äÌÓÔÍË ‚˚·Óꢀ‡
‚˚ꢀ‡‚ÌË‚‡ÂÏÓ„Ó Í‡Ì‡Î‡.
Ç˚·Óꢀ ꢀ‡Áꢀ¯ÂÌËfl ‚˚ꢀ‡‚ÌË‚‡ÌËfl.
èÓ‰ꢀÓ·ÌÓÒÚË ÒÏ. ÌËÊÂ.
■ é ꢀ‡Áꢀ¯ÂÌËË ‚˚ꢀ‡‚ÌË‚‡ÌËfl
ê‡Áꢀ¯ÂÌË ‚˚ꢀ‡‚ÌË‚‡ÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓÚ ̇ËÏÂ̸¯ÂÈ ‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ‚˚ꢀ‡‚ÌË‚‡ÂÏÓÏ
Ùꢀ‡„ÏÂÌÚÂ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË ÓÌ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ‚ÂꢀÚÂÈ Ë ‚ÓÒ¸Ï˚ı, Ô‡ꢀ‡ÏÂÚꢀ SIZE ‰ÓÎÊÂÌ ·˚Ú¸ ꢀ‡‚ÂÌ ‚ÓÒ¸ÏÓÈ. ÖÒÎË Á‡‰‡Ú¸ ‚
͇˜ÂÒÚ‚Â ꢀ‡Áꢀ¯ÂÌËfl ˜ÂÚ‚ÂꢀÚ¸, ‚ÓÒ¸Ï˚ ÌÓÚ˚ Ò‰‚ËÌÛÚÒfl Ë Ó·ꢀ‡ÁÛ˛Ú ‡ÍÍÓꢀ‰˚ Ò ˜ÂÚ‚ÂꢀÚflÏË.
í‡ÍÚ Ò ‚ÓÒ¸Ï˚ÏË ‰Ó ‚˚ꢀ‡‚ÌË‚‡ÌËfl
íÓÚ Ê ڇÍÚ ÔÓÒΠ‚˚ꢀ‡‚ÌË‚‡ÌËfl Ò ꢀ‡Áꢀ¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛
ê‡Áꢀ¯ÂÌË ‚˚ꢀ‡‚ÌË‚‡ÌËfl
¯ÂÒÚ̇‰ˆ‡Ú‡fl+
ÚꢀËÓθ ËÁ ‚ÓÒ¸Ï˚ı *
¯ÂÒÚ̇‰ˆ‡Ú‡fl
Úꢀˉˆ‡Ú¸
‚ÚÓꢀ‡fl
˜ÂÚ‚ÂꢀÚ¸
‚ÓҸχfl
‚ÓҸχfl+
ÚꢀËÓθ ËÁ
‚ÓÒ¸Ï˚ı *
¯ÂÒÚ̇‰ˆ‡Ú‡fl+
ÚꢀËÓθ ËÁ
¯ÂÒÚ̇‰ˆ‡Ú˚ı *
ÚꢀËÓθ ËÁ
‚ÓÒ¸Ï˚ı
ÚꢀËÓθ ËÁ
˜ÂÚ‚ÂꢀÚÂÈ
ÚꢀËÓθ ËÁ
¯ÂÒÚ̇‰ˆ‡Ú˚ı
LJꢀˇÌÚ˚ ‚˚ꢀ‡‚ÌË‚‡ÌËfl, ÓÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*), ˜ꢀÂÁ‚˚˜‡ÈÌÓ Û‰Ó·Ì˚, Ú‡Í Í‡Í ÔÓÁ‚ÓÎfl˛Ú Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ó·ꢀ‡·‡Ú˚‚‡Ú¸ ÌÓÚ˚ ꢀ‡ÁÌÓÈ
‰ÎËÚÂθÌÓÒÚË, Ì ÊÂꢀÚ‚Ûfl ͇˜ÂÒÚ‚ÓÏ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË Ì‡ ͇̇ΠÁ‡ÔËÒ‡Ì˚ Ë ‚ÓÒ¸Ï˚Â Ë ÚꢀËÓÎË ËÁ ‚ÓÒ¸Ï˚ı, ÚÓ ‚˚ꢀ‡‚ÌË‚‡ÌËÂ Ò ꢀ‡Áꢀ¯ÂÌËÂÏ ‚
‚ÓÒ¸ÏÛ˛ Ôꢀ˂‰ÂÚ Í Á‡ÏÂÌ ÚꢀËÓÎÂÈ ‚ÓÒ¸Ï˚ÏË. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, Á‡ÔËÒ¸ ÛÚꢀ‡ÚËÚ ‚Ò˛ ÚÛ ı‡ꢀ‡ÍÚÂꢀÌÓÒÚ¸, ÍÓÚÓꢀÛ˛ Ó·ÂÒÔ˜˂‡ÂÚ ÔꢀËÏÂÌÂÌË ‚ÓÒ¸Ï˚ı.
çÓ ÂÒÎË ‚˚·ꢀ‡Ú¸ ꢀ‡Áꢀ¯ÂÌË «‚ÓҸχfl + ÚꢀËÓθ ËÁ ‚ÓÒ¸Ï˚ı», ÌÓÚ˚ Ó·ÓËı ÚËÔÓ‚ ·Û‰ÛÚ ‚˚ꢀ‡‚ÌÂÌ˚ Ôꢀ‡‚ËθÌÓ.
CVP-210/208
107
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
쉇ÎÂÌË (Delete)
å‡ÚÂꢀˇÎ, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÓÔꢀ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ, ÏÓÊÌÓ Û‰‡ÎËÚ¸.
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
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C
ùÚ‡ ÍÌÓÔ͇ ÔÓ‰Ú‚Âꢀʉ‡ÂÚ
Û‰‡ÎÂÌË ‚ÒÂı ‰‡ÌÌ˚ı ̇
͇̇ÎÂ. èÓÒΠÁ‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ
Ôꢀӈ‰Ûꢀ˚ ÍÌÓÔ͇ ÏÂÌflÂÚ
̇Á‚‡ÌË ̇ [UNDO], ÔÓÁ‚ÓÎflfl
ÔꢀË Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚È Ï‡ÚÂꢀˇÎ. îÛÌ͈Ëfl
Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸
ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛
ÓÔÂꢀ‡ˆË˛.
D
E
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
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äÌÓÔÍË ‚˚·Óꢀ‡ Û‰‡ÎflÂÏÓ„Ó Í‡Ì‡Î‡.
é·˙‰ËÌÂÌËÂ
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌËÚ¸ χÚÂꢀˇÎ, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ‰‚Ûı ꢀ‡ÁÌ˚ı ͇̇·ı, Ë ÒÓıꢀ‡ÌËÚ¸ ꢀÂÁÛÎ¸Ú‡Ú Ì‡ ÌÓ‚ÓÏ Í‡Ì‡ÎÂ. äꢀÓÏÂ
ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÒÍÓÔËꢀÓ‚‡Ú¸ ÒÓ‰ÂꢀÊËÏÓ ӉÌÓ„Ó Í‡Ì‡Î‡ ̇ ‰ꢀÛ„ÓÈ.
èêàåÖóÄçàÖ
ÇÒ ‰‡ÌÌ˚Â Ó ÒÓ‰ÂꢀÊËÏÓÏ
Ó·˙‰ËÌflÂÏ˚ı ͇̇ÎÓ‚, ÌÂ
ÓÚÌÓÒfl˘ËÂÒfl Í ÏÛÁ˚͇θÌÓÈ
ÌÓÚ‡ˆËË, ·ÂꢀÛÚÒfl ËÁ ͇̇·
Source 1.
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
äÌÓÔ͇ ÔÓ‰Ú‚ÂꢀʉÂÌËfl
Ó·˙‰ËÌÂÌËfl. èÓÒÎÂ
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
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Á‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ Ôꢀӈ‰Ûꢀ˚
ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇
[UNDO], ÔÓÁ‚ÓÎflfl ÔꢀË Ê·ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
χÚÂꢀˇÎ. îÛÌ͈Ëfl Undo
ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂꢀ‡ˆË˛.
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ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
‚˚·ꢀ‡Ú¸ ‰‚‡ Ó·˙‰ËÌflÂÏ˚ı ͇̇·.
äÌÓÔÍË Û͇Á‡ÌËfl ˆÂÎÂ‚Ó„Ó Í‡Ì‡Î‡ ‰Îfl
ÒÓıꢀ‡ÌÂÌËfl ꢀÂÁÛθڇÚÓ‚ Ó·˙‰ËÌÂÌËfl.
èꢀË ‚˚·Óꢀ Á̇˜ÂÌËfl «COPY» ‰‡ÌÌ˚ ËÁ ͇̇·
«Source 1» ·Û‰ÛÚ ÒÍÓÔËꢀÓ‚‡Ì˚ ‚ ˆÂ΂ÓÈ Í‡Ì‡Î.
CVP-210/208
108
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
íꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌË ͇̇·
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔꢀ‰ÂÎÂÌÌÓÏ Í‡Ì‡Î χÚÂꢀˇΠ‚ Ôꢀ‰Â·ı ‰‚Ûı ÓÍÚ‡‚ ‚ β·Û˛ ÒÚÓꢀÓÌÛ Ò
¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ.
äÌÓÔ͇ ÔÂꢀÂÍβ˜ÂÌËfl ÏÂʉÛ
‰‚ÛÏfl ÒÔËÒ͇ÏË Í‡Ì‡ÎÓ‚:
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͇̇Î˚ 1 -8 Ë Í‡Ì‡Î˚ 9 -16.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
óÚÓ·˚ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡Ú¸ ‚ÒÂ
͇̇Î˚ ̇ Á‡‰‡ÌÌÓ ˜ËÒÎÓ
ÔÓÎÛÚÓÌÓ‚, Á‡‰‡ÈÚ Á̇˜ÂÌËÂ
Ô‡ꢀ‡ÏÂÚꢀ‡ Channel Transpose ‰Îfl
Ó‰ÌÓ„Ó ËÁ ͇̇ÎÓ‚, ‰Âꢀʇ ˝ÚÛ
ÍÌÓÔÍÛ Ì‡Ê‡ÚÓÈ.
äÌÓÔ͇ ÔÓ‰Ú‚ÂꢀʉÂÌËfl
Úꢀ‡ÌÒÔÓÁˈËË. èÓÒÎÂ
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Á‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ Ôꢀӈ‰Ûꢀ˚
ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇
[UNDO], ÔÓÁ‚ÓÎflfl ÔꢀË Ê·ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
χÚÂꢀˇÎ. îÛÌ͈Ëfl Undo
ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂꢀ‡ˆË˛.
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
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éÔꢀ‰ÂÎflÂÚ ‚Â΢ËÌÛ Úꢀ‡ÌÒÔÓÁˈËË ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
á‡ÏÂ̇ Á̇˜ÂÌËÈ
àÒıÓ‰Ì˚ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÔÂÒÌË (̇ÔꢀËÏÂꢀ, ÚÂÏ·ꢀ, ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ËÎË ÚÂÏÔ) ÏÓÊÌÓ Á‡ÏÂÌËÚ¸ ÚÂÍÛ˘ËÏË Á̇˜ÂÌËflÏË,
Á‡‰‡ÌÌ˚ÏË Ò ÔÓÏÓ˘¸˛ ÍÓÌÒÓÎË ÏËͯÂꢀ‡ ËÎË ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË.
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
äÌÓÔ͇ ÔÓ‰Ú‚ÂꢀʉÂÌËfl
Á‡ÏÂÌ˚ Á̇˜ÂÌËÈ.
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
J
éÔÂꢀ‡ˆË˛ Á‡ÏÂÌ˚
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
ÓÚÏÂÌËÚ¸ Ì‚ÓÁÏÓÊÌÓ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
ÓÚÏÂÚËÚ¸ ‚˚·ꢀ‡ÌÌ˚È Ô‡ꢀ‡ÏÂÚꢀ
„‡ÎÓ˜ÍÓÈ. á̇˜ÂÌËfl
ÔÓϘÂÌÌ˚ı Ú‡ÍËÏ Ó·ꢀ‡ÁÓÏ
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÒÓıꢀ‡Ìfl˛ÚÒfl ‚
Ù‡ÈΠÔÂÒÌË.
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ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ̇·Óꢀ ÙÛÌ͈ËÈ Ë Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl, ÍÓÚÓꢀ˚È ·Û‰ÂÚ Á‡„ꢀÛʇڸÒfl ÔꢀË ‚˚ÁÓ‚Â
‚˚·ꢀ‡ÌÌÓÈ ÔÂÒÌË. ÇÒ ÒÓ·˚ÚËfl, Á‡ ËÒÍβ˜ÂÌËÂÏ «KEYBOARD VOICE» (ÒÏÂÌ˚ ÚÂÏ·ꢀ‡), ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ ‚ ̇˜‡Î ÔÂÒÌË.
èꢀÂʉ ˜ÂÏ ‚˚·ꢀ‡Ú¸ ËÎË ÓÚÏÂÚËÚ¸ „‡ÎÓ˜ÍÓÈ Î˛·ÓÈ ËÁ ˝ÚËı Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÍꢀÓÏ KEYBOARD VOICE), ÌÂÓ·ıÓ‰ËÏÓ ÔÂꢀÂÈÚË Í Ì‡˜‡ÎÛ
ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP] Ë ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ.
Song ...................... ëÓıꢀ‡ÌflÂÚ ÚÂÏÔ Ë ÔꢀӘˠԇꢀ‡ÏÂÚꢀ˚, Á‡‰‡ÌÌ˚Â Ò ÍÓÌÒÓÎË ÏËͯÂꢀ‡.
Keyboard Voice.... Ä‚ÚÓχÚ˘ÂÒ͇fl ÛÒÚ‡Ìӂ͇ ÚÂÏ·ꢀ‡ ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚ (Main/Layer/Left). èꢀË
‚˚·Óꢀ ˝ÚÓ„Ó ÔÛÌÍÚ‡ ÒÓıꢀ‡ÌflÂÚÒfl ̇Á‚‡ÌË ÚÂÏ·ꢀ‡, ÍÓÚÓꢀ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ˜‡ÒÚflı, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚, Ë
Á̇˜ÂÌËfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ˜‡ÒÚË (part ON/OFF). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÒÏÂÌÛ ÚÂÏ·ꢀ‡ ‚ ÒÂꢀ‰ËÌ ÔÂÒÌË ‰Îfl
˜‡ÒÚË, Ë„ꢀ‡ÂÏÓÈ Ò Í·‚ˇÚÛꢀ˚, ÓÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ ‚ ÌÛÊÌÓÏ ÏÂÒÚÂ, Á‡‰‡ÈÚ ÒÏÂÌÛ ÚÂÏ·ꢀ‡ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [D]
(EXECUTE).
Lyrics Bkgd/Lng ... ëÓıꢀ‡ÌflÂÚ Ô‡ꢀ‡ÏÂÚꢀ˚ ˝Íꢀ‡Ì‡ Lyrics.
Score Setting........ ëÓıꢀ‡ÌflÂÚ Ô‡ꢀ‡ÏÂÚꢀ˚ ˝Íꢀ‡Ì‡ Score.
Mic. Settings......... ëÓıꢀ‡ÌflÂÚ ÓÚÌÓÒfl˘ËÂÒfl Í ÏËÍꢀÓÙÓÌÛ Ô‡ꢀ‡ÏÂÚꢀ˚, Á‡‰‡ÌÌ˚ ̇ ÍÓÌÒÓÎË ÏËͯÂꢀ‡.
Guide Setting........ ëÓıꢀ‡ÌflÂÚ Ì‡ÒÚꢀÓÈÍË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl. ÖÒÎË Ì‡ÒÚꢀÓÈÍË ÒÓıꢀ‡ÌÂÌ˚, ÔꢀË ‚˚·Óꢀ ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË
‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Guide.
CVP-210/208
109
Download from Www.Somanuals.com. All Manuals Search And Download.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
ꉇÍÚËꢀÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Íꢀ‡Ì‡ ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ (ÒÏ. ÌËÊÂ). ÇÒ ÔÂꢀ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í
¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·ꢀ‡ÊÂÌÌ˚È ÌËÊ ˝Íꢀ‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT].
éÔꢀ‰ÂÎflÂÚ ꢀ‰‡ÍÚËꢀÛÂÏ˚È
͇̇Î.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
ÔÂꢀÂÏ¢‡Ú¸Òfl ‚‚Âꢀı-‚ÌËÁ ÔÓ
ÒÔËÒÍÛ Ë ‚˚·Ëꢀ‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓÂ
ÒÓ·˚ÚËÂ.
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì Step Recording
(ÒÚꢀ. 102).
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B
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èÂꢀÂıÓ‰ Í Ì‡˜‡ÎÛ ÔÂÒÌË
(ÔÂꢀ‚‡fl ÌÓÚ‡ ÔÂꢀ‚Ó„Ó Ú‡ÍÚ‡).
äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ Filter
(ÒÚꢀ. 112), ÔÓÁ‚ÓÎfl˛˘Â„Ó ‚˚·ꢀ‡Ú¸
ÒÓ·˚ÚËfl ‰Îfl ÓÚÓ·ꢀ‡ÊÂÌËfl ‚
ÒÔËÒÍÂ ÒÓ·˚ÚËÈ.
J
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
ÔÂꢀÂÏ¢‡Ú¸ ÍÛꢀÒÓꢀ ‚΂Ó/
‚Ôꢀ‡‚Ó Ë ‚˚·Ëꢀ‡Ú¸
ÌÂÓ·ıÓ‰ËÏ˚È Ô‡ꢀ‡ÏÂÚꢀ
‚˚‰ÂÎÂÌÌÓ„Ó ˆ‚ÂÚÓÏ ÒÓ·˚ÚËfl.
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ SONG,
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ù‡ÈÎ.
ÖÒÎË Úꢀ·ÛÂÚÒfl ‚˚·ꢀ‡Ú¸ Òꢀ‡ÁÛ ÌÂÒÍÓθÍÓ
ÒÓ·˚ÚËÈ, ÒΉÛÂÚ, Û‰ÂꢀÊË‚‡fl ˝ÚÛ ÍÌÓÔÍÛ
‚ ̇ʇÚÓÏ ÔÓÎÓÊÂÌËË, ̇ʇڸ ÍÌÓÔÍÛ
[A] ËÎË [B].
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ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚ÒÚ‡‚ÎflÚ¸ ‚ÒÂ
‚˚ꢀÂÁ‡ÌÌ˚ ËÎË ÒÍÓÔËꢀÓ‚‡ÌÌ˚ ÒÓ·˚ÚËfl
̇˜Ë̇fl Ò Á‡‰‡ÌÌÓÈ ÔÓÁˈËË ‚ ÔÂÒÌÂ.
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÚÂÍÛ˘ÂÂ
ÔÓÎÓÊÂÌË ꢀ‰‡ÍÚËꢀÛÂÏÓ„Ó
ÒÓ·˚ÚËfl.
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÓÂ
Á̇˜ÂÌËÂ, ÂÒÎË ‚˚ ӯ˷ÎËÒ¸ ÔꢀË ‚‚Ӊ Á̇˜ÂÌËfl,
ÌÓ Â˘Â Ì ÔÓ‰Ú‚Âꢀ‰ËÎË ‚‚Ó‰ (ÚÓ ÂÒÚ¸ ÍÓ„‰‡ ÍÛꢀÒÓꢀ
Â˘Â Ì‡ıÓ‰ËÚÒfl ꢀfl‰ÓÏ Ò ÌÓ‚˚Ï Á̇˜ÂÌËÂÏ).
ÉꢀÛ·‡fl ̇ÒÚꢀÓÈ͇ Á̇˜ÂÌËfl.
íÓÌ͇fl ̇ÒÚꢀÓÈ͇ Á̇˜ÂÌËfl.
äÌÓÔ͇ ÍÓÔËꢀÓ‚‡ÌËfl ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı
ÒÓ·˚ÚËÈ. ëÍÓÔËꢀÓ‚‡ÌÌ˚ ÒÓ·˚ÚËfl ÏÓÊÌÓ
ÔÓÏÂÒÚËÚ¸ ‚ β·Ó ‰ꢀÛ„Ó ÏÂÒÚÓ.
äÌÓÔ͇ ‚˚ꢀÂÁ‡ÌËfl (Û‰‡ÎÂÌËfl) ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı ÒÓ·˚ÚËÈ. Ç˚ꢀÂÁ‡ÌÌ˚ ÒÓ·˚ÚËfl
ÍÓÔËꢀÛ˛ÚÒfl, ÔÓ˝ÚÓÏÛ Ëı ÏÓÊÌÓ ÔÓÏÂÒÚËÚ¸ ‚ β·Ó ‰ꢀÛ„Ó ÏÂÒÚÓ ÔÂÒÌË.
èêàåÖóÄçàÖ
äÌÓÔÍË Û‰‡ÎÂÌËfl
ÒÓ·˚ÚËfl ÔÂꢀ‰
ÍÛꢀÒÓꢀÓÏ.
óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ‚‚Ó‰
äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ÌÓ‚Ó„Ó ÒÓ·˚ÚËfl ‚
ÒÔËÒÓÍ ÒÓ·˚ÚËÈ ÙÛÌ͈ËË Event List.
ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl,
ÔÂꢀÂÏÂÒÚËÚÂ ÍÛꢀÒÓꢀ ‚ ‰ꢀÛ„ÓÂ
ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP].
çÓÚÌ˚Â ÒÓ·˚ÚËfl
è‡ꢀ‡ÏÂÚꢀ
éÔËÒ‡ÌËÂ
éÔꢀ‰ÂÎflÂÚ ‚˚ÒÓÚÛ, ÒÍÓꢀÓÒÚ¸ ̇ʇÚËfl („ꢀÓÏÍÓÒÚ¸) Ë ‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚.
Note (ÌÓÚ‡)
Ctrl (ÒÏÂ̇ Á̇˜ÂÌËfl ÍÓÌÚꢀÓÎÎÂꢀ‡) ᇉ‡ÂÚ ÌÓÏÂꢀ ÍÓÌÚꢀÓÎÎÂꢀ‡ Ë Á̇˜ÂÌËÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ ÒÏ. ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (MIDI Data Format).
Prog (ÒÏÂ̇ ÔꢀÓ„ꢀ‡ÏÏ˚)
ᇉ‡ÂÚ ÌÓÏÂꢀ ÚÂÏ·ꢀ‡ (ÔꢀÓ„ꢀ‡ÏÏ˚). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ Ôꢀ˂‰ÂÌ˚ ‚ ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚ (ÒÔËÒÓÍ
ÚÂÏ·ꢀÓ‚ Voice List).
P.Bnd (ËÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚)
ᇉ‡ÂÚ Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ «ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚».
A.T. (‰‡‚ÎÂÌË ̇ Í·‚Ë¯Û ÔÓÒΠ ᇉ‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ.
̇ʇÚËfl)
èêàåÖóÄçàÖ
íÂÏ·ꢀ „ÓÎÓÒÓ‚, Á‡ÔËÒ‡ÌÌ˚ı ‚
ÔÓ¯‡„Ó‚ÓÏ ꢀÂÊËÏÂ, ÏÓÊÂÚ
Ò΄͇ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó.
CVP-210/208
110
Download from Www.Somanuals.com. All Manuals Search And Download.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
ꉇÍÚËꢀÓ‚‡ÌË ‡ÍÍÓꢀ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD
ùÚÓÚ ˝Íꢀ‡Ì Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl ‡ÍÍÓꢀ‰Ó‚˚ı ÒÓ·˚ÚËÈ, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ù‡ÈΠÔÂÒÌË.
ÇÒ ÔÂꢀ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û #4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·ꢀ‡ÊÂÌÌ˚È ÌËÊ ˝Íꢀ‡Ì Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]. ç‡Á̇˜ÂÌË ‚ÒÂı ÍÌÓÔÓÍ (Á‡ ËÒÍβ˜ÂÌËÂÏ ÍÌÓÔÍË [F] (EXPAND)) ˉÂÌÚ˘ÌÓ ÓÔËÒ‡ÌÌÓÏÛ ‚ Ôꢀ‰˚‰Û˘ÂÏ
ꢀ‡Á‰ÂΠ(ÒÚꢀ. 110).
A
B
C
D
E
F
G
H
I
äÌÓÔ͇ ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËfl Á‡ÔËÒÂÈ,
ÓÚÌÓÒfl˘ËıÒfl Í ‡ÍÍÓꢀ‰‡Ï Ë ˜‡ÒÚflÏ,
‚ ‰‡ÌÌ˚ ÔÂÒÌË.
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ‚‚Ó‰
ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl,
ÔÂꢀÂÏÂÒÚËÚÂ ÍÛꢀÒÓꢀ ‚ ‰ꢀÛ„ÓÂ
ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP].
J
ÄÍÍÓꢀ‰Ó‚˚Â ÒÓ·˚ÚËfl
è‡ꢀ‡ÏÂÚꢀ
éÔËÒ‡ÌËÂ
Style (ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡)
Ç˚‚Ó‰ËÚ Ì‡Á‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Á‡‰‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂꢀÂȉËÚ ̇ ˝Íꢀ‡Ì STYLE Ë ‚˚·ÂꢀËÚÂ
ÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ.
Tempo (ÚÂÏÔ)
Chord (‡ÍÍÓꢀ‰)
Sect (˜‡ÒÚ¸)
ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡.
éÔꢀ‰ÂÎflÂÚ ‡ÍÍÓꢀ‰ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÚËÔ Ë ·‡ÒÓ‚Û˛ ÌÓÚÛ).
ᇉ‡ÂÚ ˜‡ÒÚ¸ –  ̇Á‚‡ÌËÂ Ë ‚‡ꢀˇˆË˛ (Ä/B/C/D).
OnOff (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË éÔꢀ‰ÂÎflÂÚ ÒÚ‡ÚÛÒ ÓÔꢀ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ꢀËÚÏ, ·‡Ò Ë Ú. ‰.).
͇̇·)
CH.Vol („ꢀÓÏÍÓÒÚ¸ ͇̇·)
S.Vol („ꢀÓÏÍÓÒÚ¸ ÒÚËÎfl)
ì͇Á˚‚‡ÂÚ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ÓÔꢀ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ꢀËÚÏ, ·‡Ò Ë Ú. ‰.).
éÔꢀ‰ÂÎflÂÚ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ˆÂÎÓÏ.
ꉇÍÚËꢀÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX. (ÒÓÓ·˘ÂÌËfl System Exclusive)
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Íꢀ‡Ì‡ ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ÒËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl.
ÇÒ ÔÂꢀ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·ꢀ‡ÊÂÌÌ˚È ÌËÊ ˝Íꢀ‡Ì Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓꢀfl‰ÓÍ ꢀ‡·ÓÚ˚ Ò ˝Íꢀ‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ꢀ‡Á‰ÂΠ«ê‰‡ÍÚËꢀÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚꢀ. 110).
ëËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl
è‡ꢀ‡ÏÂÚꢀ
éÔËÒ‡ÌËÂ
ScBar (ÔÂꢀ‚˚È Ú‡ÍÚ Ô‡ꢀÚËÚÛꢀÂ)
ᇉ‡ÂÚ ÌÓÏÂꢀ ÔÂꢀ‚Ó„Ó Ú‡ÍÚ‡ ‚ ÍÓÏÔÓÁˈËË. çÓÏÂꢀ Ú‡ÍÚ‡ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ̇ „·‚ÌÓÏ ˝Íꢀ‡ÌÂ Ë Ì‡ ˝Íꢀ‡Ì ÌÓÚ‡ˆËË. Ç Ì‡˜‡Î ÔÂÒÌË ÏÓÊÌÓ
Û͇Á˚‚‡Ú¸ ÚÓθÍÓ Ó‰ÌÓ Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡.
Tempo (ÚÂÏÔ)
ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡.
Time (˜‡ÒÚÓÚ‡ Ò˄̇·)
Key (Í·‚˯‡)
ᇉ‡ÂÚ Á̇˜ÂÌË ꢀ‡ÁÏÂꢀ‡.
ᇉ‡ÂÚ ÚÓ̇θÌÓÒÚ¸ Ë Î‡‰ (χÊÓꢀ/ÏËÌÓꢀ).
XG Prm (Ô‡ꢀ‡ÏÂÚꢀ˚ XG)
èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÚÓÌÍÛ˛ ̇ÒÚꢀÓÈÍÛ Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡ꢀ‡ÏÂÚꢀ‡ı MIDI ÒÏ. ‚ ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚÂ
(MIDI Data Format).
SYS/EX. (ÒÓÓ·˘ÂÌËfl System
Exclusive)
ÇÍβ˜‡ÂÚ ꢀÂÊËÏ ÓÚÓ·ꢀ‡ÊÂÌËfl ÒÓÓ·˘ÂÌËÈ System Exclusive. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ꢀ‡Áꢀ¯‡ÂÚÒfl. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸,
‚˚ꢀÂÁ‡Ú¸, ÍÓÔËꢀÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸.
Meta (ÏÂÚ‡ÒÓ·˚ÚËÂ)
ÇÍβ˜‡ÂÚ ꢀÂÊËÏ ÓÚÓ·ꢀ‡ÊÂÌËfl ÏÂÚ‡ÒÓ·˚ÚËÈ SMF. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ꢀ‡Áꢀ¯‡ÂÚÒfl. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸, ‚˚ꢀÂÁ‡Ú¸,
ÍÓÔËꢀÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸.
CVP-210/208
111
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á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator
Ç‚Ó‰ Ë ꢀ‰‡ÍÚËꢀÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚Ó‰ËÚ¸ ̇Á‚‡ÌË ÔÂÒÌË Ë Â ÚÂÍÒÚ. äꢀÓÏ ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÍÓꢀꢀÂÍÚËꢀÓ‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÈ
ÚÂÍÒÚ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ÌËÊ ‚ Ú‡·ÎˈÂ. ÇÒ ÔÂꢀ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û
4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·ꢀ‡ÊÂÌÌ˚È ÌËÊ ˝Íꢀ‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓꢀfl‰ÓÍ ꢀ‡·ÓÚ˚ Ò ˝Íꢀ‡ÌÓÏ
ˉÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ꢀ‡Á‰ÂΠ«ê‰‡ÍÚËꢀÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚꢀ. 110).
Ç Í‡˜ÂÒÚ‚Â ÔꢀËÏÂꢀ‡ ‚ÓÁ¸ÏÂÏ ÔÂÒÌ˛ «Twinkle Twinkle Little Star» Ë ÔÂꢀÂÔ˯ÂÏ Ùꢀ‡„ÏÂÌÚ Â ÚÂÍÒÚ‡.
Ç˚·ÂꢀËÚ ‚ÒÚꢀÓÂÌÌÛ˛ ÔÂÒÌ˛ «Twinkle Twinkle Little Star». åÂÚÓ‰ ‚˚·Óꢀ‡ ÔÂÒÌË Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. ÒÚꢀ. 78.
Ç˚‰ÂÎËÚÂ
ÍÛꢀÒÓꢀÓÏ
̇Á‚‡ÌË ÔÂÒÌË
‚ ÒÔËÒÍÂ.
äÌÓÔ͇
ÒÓıꢀ‡ÌÂÌËfl
ÌÓ‚Ó„Ó ÚÂÍÒÚ‡.
1
4
A
B
C
D
E
F
G
H
I
èêàåÖóÄçàÖ
èÓÏÂÒÚËÚÂ ÍÛꢀÒÓꢀ
ÔÂꢀ‰ ÒÎÓ‚ÓÏ «star».
J
2
èÂÒÌfl «Twinkle Twinkle Little
Star» ̇ıÓ‰ËÚÒfl ‚ Ô‡ÔÍ «For
Children» äÌË„Ë ÔÂÒÂÌ (ÒÚꢀ. 78).
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı ÍÌÓÔÓÍ
ÔÂꢀÂȉËÚÂ Í ˝Íꢀ‡ÌÛ «Lyric».
ç‡ ˝Íꢀ‡Ì Lyric (ÒÚꢀ. 49)
‚‚‰ËÚ ÌÓ‚Ó ÒÎÓ‚Ó
3
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸ ‚‚Ó‰
ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl,
ÔÂꢀÂÏÂÒÚËÚÂ ÍÛꢀÒÓꢀ ‚ ‰ꢀÛ„ÓÂ
ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP].
1
2
3
4
5
6
7
8
(̇ÔꢀËÏÂꢀ, Ò‚Ó ËÏfl).
íÂÍÒÚÓ‚˚ ÒÓ·˚ÚËfl
è‡ꢀ‡ÏÂÚꢀ
éÔËÒ‡ÌËÂ
Name (̇Á‚‡ÌË ÔÂÒÌË)
Lyrics (ÚÂÍÒÚ˚ ÔÂÒÂÌ)
ᇉ‡ÂÚ Ì‡Á‚‡ÌË ÔÂÒÌË. Ç˚Á˚‚‡ÂÚ ˝Íꢀ‡Ì «NAME», ÔÓÁ‚ÓÎfl˛˘ËÈ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ÔÂÒÌË.
èÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË ÚÂÍÒÚ ÔÂÒÌË.
Code (‰ꢀÛ„Ë ԇꢀ‡ÏÂÚꢀ˚) CR : ÇÒÚ‡‚͇ ‚ ÚÂÍÒÚ Ó·ꢀ˚‚‡ ÒÚꢀÓÍË.
LF : 쉇ÎÂÌË ‚˚‚‰ÂÌÌÓ„Ó Ì‡ ˝Íꢀ‡Ì ÚÂÍÒÚ‡ Ë ÓÚÓ·ꢀ‡ÊÂÌË ÌÓ‚Ó„Ó ÚÂÍÒÚÓ‚Ó„Ó Ùꢀ‡„ÏÂÌÚ‡.
ç‡ÒÚꢀÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ – Filter
ùÚ‡ ÙÛÌ͈Ëfl ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÒÔËÒ͇ ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ı ̇ ˝Íꢀ‡Ì‡ı ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl ÚËÔÓ‚ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÒÓ·˚ÚËÂ,
ÛÒÚ‡ÌÓ‚ËÚ „‡ÎÓ˜ÍÛ ‚ ÔÓΠꢀfl‰ÓÏ Ò Ì‡Á‚‡ÌËÂÏ ÒÓ·˚ÚËfl. óÚÓ·˚ ËÒÍβ˜ËÚ¸ ÓÔꢀ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËfl ËÁ ÒÔËÒ͇ ÓÚÓ·ꢀ‡Ê‡ÂÏ˚ı
ÒÓ·˚ÚËÈ, ÒÌËÏËÚ „‡ÎÓ˜ÍÛ.
óÚÓ·˚ ‚˚Á‚‡Ú¸ ËÁÓ·ꢀ‡ÊÂÌÌ˚È ÌËÊ ˝Íꢀ‡Ì, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (FILTER) ̇ β·ÓÏ ËÁ ˝ÚËı ˝Íꢀ‡ÌÓ‚: CHD, 1 - 16, SysEX ËÎË LYRICS
(ÒÚꢀ. 110 - ÒÚꢀ. 112).
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÚËÚ¸
„‡ÎÓ˜ÍÓÈ ‚Ò ÚËÔ˚ ÒÓ·˚ÚËÈ.
èÂꢀÂıÓ‰ Í ˝Íꢀ‡ÌÛ Main Filter
(ÓÒÌÓ‚ÌÓÈ ÙËθÚꢀ). ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÚËÔ ÒÓ·˚ÚËÈ
ÒÏ. ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (MIDI Data
Format).
Ç˚·Ëꢀ‡ÂÚ ÚÓθÍÓ ÌÓÚÌ˚Â
‰‡ÌÌ˚Â, Ù·ÊÍË ËÁ ‚ÒÂı
ÓÒڇθÌ˚ı ÔÓÎÂÈ ÒÌËχ˛ÚÒfl.
A
B
C
D
E
F
G
H
I
ëÌËχÂÚ ‚Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â
Ù·ÊÍË Ë ÛÒڇ̇‚ÎË‚‡ÂÚ
èÂꢀÂıÓ‰ Í ˝Íꢀ‡ÌÛ Control Change
Filter. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
͇ʉÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ‚ Ò·ÓꢀÌËÍÂ
Ú‡·Îˈ (MIDI Data Format).
Ù·ÊÍË Ú‡Ï, „‰Â Ëı Ì ·˚ÎÓ
ꢀ‡Ì¸¯Â. ÑꢀÛ„ËÏË ÒÎÓ‚‡ÏË, ÔꢀË
˝ÚÓÏ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl „‡ÎÓ˜ÍË
‚Ó ‚ÒÂı ÔÓÎflı, ‚ ÍÓÚÓꢀ˚ı Ëı ‰Ó
˝ÚÓ„Ó Ì ·˚ÎÓ, Ë Ì‡Ó·ÓꢀÓÚ.
J
èÂꢀÂıÓ‰ Í ˝Íꢀ‡ÌÛ Accompaniment Filter.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÚËÔ ÒÓ·˚ÚËÈ
ÒÏ. ‚ Ò·ÓꢀÌËÍ ڇ·Îˈ (MIDI Data Format).
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË/ÒÌflÚËfl „‡ÎÓ˜ÍË.
1
2
3
4
5
6
7
8
äÌÓÔÍË ‚˚·Óꢀ‡ ÒÚꢀÓÍË.
óÚÓ·˚ ÔÓ‰Ú‚Âꢀ‰ËÚ¸
‚ÌÂÒÂÌÌ˚Â ËÁÏÂÌÂÌËfl,
̇ÊÏËÚ ÍÌÓÔÍÛ
[EXIT].
èꢀË ÔÂꢀÂıÓ‰Â Í ˝Íꢀ‡ÌÛ «MAIN FILTER» ËÎË «ACCOMPANIMENT FILTER» ˝ÚË
ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÔꢀÓÍꢀÛÚÍË ÒÔËÒ͇ Ë ‚˚·Óꢀ‡ ÚËÔ‡ ÒÓ·˚ÚËfl. èꢀË
ÔÂꢀÂıÓ‰Â Í ˝Íꢀ‡ÌÛ «CONTROL CHANGE FILTER» ÓÌË ÒÎÛÊ‡Ú ‰Îfl ÔꢀÓÍꢀÛÚÍË
ÒÔËÒ͇ (8 ÒÚꢀÓÍ ‚‚Âꢀı ËÎË ‚ÌËÁ Á‡ Ó‰ÌÓ Ì‡Ê‡ÚËÂ) Ë ‚˚·Óꢀ‡ ÚËÔ‡ ÒÓ·˚ÚËfl.
END
EXIT
CVP-210/208
112
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓꢀ˚ ÏÓ„ÛÚ ÔꢀËÏÂÌflÚÒfl ̇ꢀ‡‚Ì Ò
‚ÒÚꢀÓÂÌÌ˚ÏË.
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
DIGITAL
RECORDING
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
MAIN
ENDING / rit. SYNC.STOP SYNC.START START / STOP
A
B
C
D
OTS LINK
é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
퇷Îˈ‡ ‚ Ôꢀ‡‚ÓÈ ˜‡ÒÚË ÒÚꢀ‡Ìˈ˚ ÒÓ‰ÂꢀÊËÚ Ì‡Á‚‡ÌËfl ͇̇ÎÓ‚, ÍÓÚÓꢀ˚ Ôꢀ‰ÒÚ‡‚ÎÂÌ˚ ‚
͇ʉÓÈ ˜‡ÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÒÚËθ, ÔÓÒΉӂ‡ÚÂθÌÓ Á‡Ô˯ËÚÂ
ÏÛÁ˚͇θÌ˚ Ùꢀ‡Á˚ (ÔÓ Ó‰ÌÓÈ Ì‡ ͇̇Î) ‰Îfl ͇ʉÓÈ Úꢀ·ÛÂÏÓÈ ˜‡ÒÚË.
ó‡ÒÚ¸
͇̇Î
INTRO A - D
MAIN A - D
FILL IN A - D
BREAK
RHYTHM 1, RHYTHM 2,
BASS, CHORD 1,
CHORD 2, PAD,
■ á‡ÔËÒ¸ ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË (ÒÚꢀ. 115)
ëÚËÎË ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡ÔËÒ‡Ú¸
˜‡ÒÚË, ÍÓÚÓꢀ˚ ˄ꢀ‡˛ÚÒfl «‚ ÊË‚Û˛» Ò Í·‚ˇÚÛꢀ˚. é‰Ì‡ÍÓ Ì ӷflÁ‡ÚÂθÌÓ
Á‡ÔËÒ˚‚‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. ÇÏÂÒÚÓ ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸
‚ÒÚꢀÓÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‚Û˜‡ÌË ÍÓÚÓꢀÓ„Ó ·ÎËÁÍÓ Í Úꢀ·ÛÂÏÓÏÛ, ‡ Á‡ÚÂÏ
‰Ó·‡‚ËÚ¸ ËÎË Á‡ÏÂÌËÚ¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ‚ ËÚÓ„Â ÓꢀË„Ë̇θÌ˚È
ÒÚËθ.
PHRASE 1, PHRASE 2
ENDING A - D
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÒÚꢀÛÍÚÛꢀ ˜‡ÒÚÂÈ ‚ ÒÚËÎflı
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. ̇ ÒÚꢀ. 99.
ï‡ꢀ‡ÍÚÂꢀËÒÚËÍË Á‡ÔËÒË ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË
•
ñËÍ΢ÂÒ͇fl Á‡ÔËÒ¸
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Â„Ó Ùꢀ‡Á˚ (ÌÂÒÍÓθÍÓ Ú‡ÍÚÓ‚) Á‡ˆËÍÎË‚‡˛ÚÒfl, ÚÓ ÂÒÚ¸ ÌÂÔÓÒꢀ‰ÒÚ‚ÂÌÌÓ Á‡
ÓÍÓ̘‡ÌËÂÏ Ùꢀ‡Á˚ ÒΉÛÂÚ Â ̇˜‡ÎÓ. í‡Í‡fl Ùꢀ‡Á‡ ̇Á˚‚‡ÂÚÒfl «ÔÂÚÎÂÈ». Ç˚ ÚÓÊ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ «ÔÂÚÎË».
ç‡ÔꢀËÏÂꢀ, ÔꢀË Á‡ÔËÒË ‰‚ÛıÚ‡ÍÚÓ‚ÓÈ Ùꢀ‡Á˚ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ Á‡ÔËÒ˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. ùÚÓ Á̇˜ËÚ, ˜ÚÓ
Á‡ÔËÒ‡ÌÌ˚ ‚ Ôꢀ‰˚‰Û˘ÂÏ ˆËÍΠÌÓÚ˚ ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ̇˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘Â„Ó ˆËÍ·. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ‚˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸
ÌÓ‚˚È Ï‡ÚÂꢀˇΠÔÓ‚Âꢀı ÒÚ‡ꢀÓ„Ó.
•
êÂÊËÏ Ì‡ÎÓÊÂÌËfl Á‡ÔËÒË
Ç ˝ÚÓÏ ꢀÂÊËÏ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡ÚÂꢀˇΠ̇ ‰ÓꢀÓÊÍÛ, ÛÊ ÒÓ‰Âꢀʇ˘Û˛ Á‡ÔËÒ¸. èꢀË ˝ÚÓÏ ËÒıӉ̇fl Á‡ÔËÒ¸ ·Û‰ÂÚ
ÒÓıꢀ‡ÌÂ̇. ÖÒÎË ‚˚ ÒÔˆˇθÌÓ Ì ۉ‡ÎËÚ ꢀ‡ÌÌ˛˛ Á‡ÔËÒ¸, Ó̇ ÓÒÚ‡ÌÂÚÒfl ‚ ˆÂÎÓÒÚË Ë ÒÓıꢀ‡ÌÌÓÒÚË, ‡ ÌÓ‚˚ Ùꢀ‡Á˚ ·Û‰ÛÚ
̇ÎÓÊÂÌ˚ ÔÓ‚Âꢀı ÌÂÂ. ç‡ÔꢀËÏÂꢀ, ÔꢀË Á‡ÔËÒË Ùꢀ‡Á˚ ËÁ ‰‚Ûı Ú‡ÍÚÓ‚ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ ÔÓ‚ÚÓꢀfl˛ÚÒfl ÒÌÓ‚‡ Ë
ÒÌÓ‚‡. çÓÚ˚, Á‡ÔËÒ‡ÌÌ˚ Á‡ ͇ʉÓ ÔꢀÓıÓʉÂÌË «ÔÂÚÎË» (ÔÓ‚ÚÓꢀÂÌË ˆËÍ·), ̇˜Ë̇˛Ú ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ‚ ÒÎÂ‰Û˛˘ÂÏ
ˆËÍÎÂ. ÇÒÂ, ˜ÚÓ Úꢀ·ÛÂÚÒfl, – ˝ÚÓ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚È Ï‡ÚÂꢀˇÎ, ÔꢀÓÒÎۯ˂‡fl ÛÊ Á‡ÔËÒ‡ÌÌ˚ Ùꢀ‡Á˚.
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚꢀ. 116)
èꢀË ËÒÔÓθÁÓ‚‡ÌËË ‰‡ÌÌÓ„Ó ÚËÔ‡ Á‡ÔËÒË ‚˚ ÒÏÓÊÂÚ ꢀ‡·ÓÚ‡Ú¸ Í‡Í ÍÓÏÔÓÁËÚÓꢀ, ÍÓÚÓꢀ˚È Ô˯ÂÚ ÌÓÚ˚ ̇ ·Ûχ„Â. ä‡Ê‰‡fl ÌÓÚ‡
‚‚Ó‰ËÚÒfl ÔÓ ÓÚ‰ÂθÌÓÒÚË Ò Û͇Á‡ÌËÂÏ ‰ÎËÚÂθÌÓÒÚË. ùÚÓ Ë‰Â‡Î¸Ì˚È ꢀÂÊËÏ ‰Îfl ÚÂı ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ‚‡Ê̇ ÚÓ˜ÌÓÒÚ¸, ËÎË ‰Îfl
Á‡ÔËÒË ÒÎÓÊÌ˚ı Ô‡ꢀÚËÈ.
8 Beat 1
60’s 8 Beat
■ ë·Óꢀ͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 117)
Rhythm 1
Rhythm 2
Bass
Rhythm 1
Rhythm 2
Bass
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ «ÒÓÒÚ‡‚Ì˚» ÒÚËÎË, ÒÓ˜ÂÚ‡fl ꢀ‡Á΢Ì˚Â
Ùꢀ‡Á˚, ‚ÁflÚ˚ ËÁ ‚ÒÚꢀÓÂÌÌ˚ı ÒÚËÎÂÈ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË Úꢀ·ÛÂÚÒfl ÒÓÁ‰‡Ú¸
ÓꢀË„Ë̇θÌ˚È ‚ÓÒ¸ÏˉÓθÌ˚È ÒÚËθ, ‚˚ ÏÓÊÂÚ ‚ÁflÚ¸ ꢀËÚÏ˘ÂÒÍË Ùꢀ‡Á˚
ËÁ ÒÚËÎfl «8 Beat 1», ·‡Ò – ËÁ ÒÚËÎfl «8 Beat 2», ‡ ‡ÍÍÓꢀ‰Ó‚Û˛ ÔÓÒΉӂ‡-
ÚÂθÌÓÒÚ¸ – ËÁ ÒÚËÎfl «60’s 8 Beat». éÒÚ‡ÂÚÒfl Î˯¸ ÒÓ·ꢀ‡Ú¸ ÒÚËθ ‚Ó‰ËÌÓ.
Chord 1
Chord 2
Pad
Chord 1
Chord 2
Pad
Rhythm 1
Rhythm 2
Bass
Phrase 1
Phrase 2
Phrase 1
Phrase 2
Chord 1
Chord 2
Pad
8 Beat 2
■ ꉇÍÚËꢀÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚꢀ. 118)
ëÚËÎË, ÒÓÁ‰‡ÌÌ˚ β·˚Ï ËÁ ‚˚¯ÂÔÂꢀ˜ËÒÎÂÌÌ˚ı ÏÂÚÓ‰Ó‚, ‰ÓÔÛÒ͇˛Ú
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËÂ.
Rhythm 1
Rhythm 2
Bass
Phrase 1
Phrase 2
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
CVP-210/208
113
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
îÓꢀÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)
àÒıӉ̇fl Ùꢀ‡Á‡
îÓꢀÏ‡Ú SFF ·˚Î ꢀ‡Áꢀ‡·ÓÚ‡Ì ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha
Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊÂÌËÈ ‚ ӷ·ÒÚË
îꢀ‡Á˚, Á‡ÔËÒ‡ÌÌ˚ ‚
Ù‡ÈΠÒÚËÎfl (ÒÚꢀ. 121).
1 àÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ (ÚÓÌË͇ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓꢀ‰‡)
2 àÒıÓ‰Ì˚È ‡ÍÍÓꢀ‰ (ÚËÔ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓꢀ‰‡)
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. îÛÌ͈ËË ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl
ÔÓÁ‚ÓÎfl˛Ú ‚ ÔÓÎÌÓÈ ÏÂꢀ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
ÔꢀÂËÏÛ˘ÂÒÚ‚‡ÏË ÙÓꢀχڇ SFF ‰Îfl ÒÓÁ‰‡ÌËfl
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ.
ëÔꢀ‡‚‡ Ôꢀ˂‰Â̇ ËÎβÒÚꢀ‡ˆËfl ÔꢀÓˆÂÒÒ‡
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ùÚÓ ÌÂ
ÓÚÌÓÒËÚÒfl Í ꢀËÚÏ˘ÂÒÍËÏ ‰ÓꢀÓÊ͇Ï.) éÒÌӂ̇fl,
ËÎË «ËÒıӉ̇fl» Ùꢀ‡Á‡ ‚ Ú‡·Îˈ Ôꢀ‰ÒÚ‡‚ÎflÂÚ
ÒÓ·ÓÈ ËÒıÓ‰Ì˚È ÒÚËθ. åÂÚÓ‰ Á‡ÔËÒË ËÒıÓ‰ÌÓÈ
Ùꢀ‡Á˚ Ó·˙flÒÌÂÌ ÌËÊÂ.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓꢀ‰Ó‚ (‚ ꢀ‡Á‰ÂÎÂ
Í·‚ˇÚÛꢀ˚, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
ùÚ‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸
Á‡‰‡ÂÚÒfl ‡ÍÍÓꢀ‰‡ÏË,
ÍÓÚÓꢀ˚ ˄ꢀ‡˛ÚÒfl ‚
ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚ‡ (ÒÚꢀ. 66).
àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇
3 NTR (Ôꢀ‡‚ËÎÓ Úꢀ‡ÌÒÔÓÁˈËË)
4 NTT (Ú‡·Îˈ‡ Úꢀ‡ÌÒÔÓÁˈËË)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚
ÑꢀÛ„Ë ̇ÒÚꢀÓÈÍË
̇ÒÚꢀ‡Ë‚‡˛ÚÒfl ̇
‚Í·‰Í PARAMETER.
éÌË ÓÔꢀ‰ÂÎfl˛Ú ÏÂÚÓ‰
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚
ËÒıÓ‰ÌÓÈ Ùꢀ‡Á˚ ÔꢀË
‚ÁflÚËË ‡ÍÍÓꢀ‰Ó‚ ‚
ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚ‡ (ÒÚꢀ. 121).
5 High Key (‚ÂꢀıÌËÈ ÔÓꢀÓ„ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)
6 Note Limit (Á‚Û˜‡˘ËÈ ‰Ë‡Ô‡ÁÓÌ)
7 RTR (Ôꢀ‡‚ËÎÓ ÔÓ‚ÚÓꢀÌÓ„Ó ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl,
ÍÓÚÓꢀÓ ÓÔꢀ‰ÂÎflÂÚ ÏÂÚÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ
‚ıÓ‰fl˘Ëı ‚ ‡ÍÍÓꢀ‰ ÚÓÌÓ‚)
ç‡ ÒıÂÏ ÒÔꢀ‡‚‡ ÔÓ͇Á‡ÌÓ, ˜ÚÓ Ò˄̇Π̇ ‚˚ıÓ‰Â
ÓÔꢀ‰ÂÎflÂÚÒfl Á̇˜ÂÌËflÏË ꢀfl‰‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ë
ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛ ‡ÍÍÓꢀ‰Ó‚, ‚ÁflÚ˚ı ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ë˄̇Π̇ ‚˚ıÓ‰Â
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
èÓ‰·ÂꢀËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
1
3
Á‡ÔËÒ‡Ú¸ ÌÓ‚˚È ÒÚËθ «Ò ÌÛÎfl», ÔÂꢀÂȉËÚ Í
ÒÚꢀ‡Ìˈ BASIC ˝Íꢀ‡Ì‡ Style Creator Ë
‚˚·ÂꢀËÚ «New Style», ̇ʇ‚ ÍÌÓÔÍÛ [C].
A
B
D
E
DIGITAL
STUDIO
2
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
PART
á‡Ô˯ËÚÂ Ë ÓÚꢀ‰‡ÍÚËꢀÛÈÚÂ
ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ÔÓꢀfl‰ÍÂ
ꢀ‡·ÓÚ˚ Ò Í‡Ê‰ÓÈ ÒÚꢀ‡ÌˈÂÈ ˝Íꢀ‡Ì‡
Multi Pad Creator ÒÏ. ‰‡ÎÂÂ, ̇˜Ë̇fl
ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡Ìˈ˚.
BACK
NEXT
4
èÂꢀÂıÓ‰ ÓÚ ÒÚꢀ‡Ìˈ˚ Í
ÒÚꢀ‡Ìˈ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl
Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT].
F
G
H
I
J
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì Style, ̇ʇ‚ ÍÌÓÔÍÛ [I] (SAVE) (ÂÒÎË ÚÂÍÛ˘‡fl
ÒÚꢀ‡Ìˈ‡ – «Assembly», ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [J]), ‡ Á‡ÚÂÏ
ÒÓıꢀ‡ÌËÚ Á‡ÔËÒ‡ÌÌ˚È/ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚È Ï‡ÚÂꢀˇΠ̇
‰ËÒÍÂÚ ËÎË ‚ ꢀ‡Á‰ÂΠԇÏflÚË USER.
óÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì
STYLE CREATOR, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
5
END
CVP-210/208
114
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
á‡ÔËÒ¸ ‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË: Basic
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í «Ò ÌÛÎfl», Ú‡Í Ë Ì‡ ÓÒÌÓ‚Â ‚ÒÚꢀÓÂÌÌ˚ı
ÒÚËÎÂÈ). ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 114.
Ç˚·ÂꢀËÚ ͇̇Π‰Îfl Á‡ÔËÒË. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1■■] - [8■■], Û‰ÂꢀÊË‚‡fl ÍÌÓÔÍÛ [F]
(REC CH).
èꢀÂʉ ˜ÂÏ ÔꢀÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ̇ ͇̇Î, Ì fl‚Îfl˛˘ËÈÒfl ͇̇ÎÓÏ ꢀËÚχ (BASS - PHR 2), Û‰‡ÎËÚ χÚÂꢀˇÎ, ꢀ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚È Ì‡ ˝ÚÓÏ Í‡Ì‡ÎÂ. èꢀӘˠԇꢀ‡ÏÂÚꢀ˚ (ÒÏ. ÓÔËÒ‡ÌË ÔÓÎfl «Other Parameters ̇ ˝Íꢀ‡Ì BASIC» ÒÚꢀ. 116)
Á‡‰‡˛ÚÒfl ÔÓÒΠÚÓ„Ó, Í‡Í ‚˚ Á‡ÍꢀÓÂÚ ˝Íꢀ‡Ì REC CHANNEL, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÌÓ‚‡ ‚˚Á‚‡Ú¸ ˝Íꢀ‡Ì REC
CHANNEL, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (REC CH).
1
èꢀË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË Ì‡‰ ͇̇·ÏË, ÒÓ‰Âꢀʇ˘ËÏË ꢀ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚È Ï‡ÚÂꢀˇÎ, ÔÓfl‚ÎflÂÚÒfl ̇‰ÔËÒ¸ «DELETE». óÚÓ·˚ Û‰‡ÎËÚ¸
Á‡ÔËÒ¸ Ò ÓÔꢀ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ, Û‰ÂꢀÊË‚‡fl
èÂꢀÂıÓ‰ Í ˝Íꢀ‡ÌÛ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ Ë
ÔꢀË ˝ÚÓÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [1■] - [8■].
ꢀ‡ÁÏÂꢀ‡.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Óꢀ
ÓÔꢀ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, ̇ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ
[1■] - [8■]. ÑÓ ÚÂı ÔÓꢀ ÔÓ͇ ‚˚
Û‰ÂꢀÊË‚‡ÂÚ ÍÌÓÔÍÛ [J], ‚˚
ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛
ÓÔÂꢀ‡ˆË˛ (Û‰‡ÎÂÌË ËÎË
äÌÓÔ͇ ‚˚·Óꢀ‡ ÔÛÒÚÓ„Ó
ÒÚËÎfl ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚Ó„Ó
ÒÚËÎfl «Ò ÌÛÎfl».
A
B
C
D
E
F
G
H
I
ÒÓıꢀ‡ÌÂÌË χÚÂꢀˇ· ̇
͇̇ÎÂ). éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [J], ‚˚
ÔÓ‰Ú‚Âꢀʉ‡ÂÚ ÓÍÓ̘‡ÚÂθÌÓÂ
Û‰‡ÎÂÌË χÚÂꢀˇ·. èꢀÂʉÂ
˜ÂÏ ÔꢀÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ̇ ͇̇Î,
Ì fl‚Îfl˛˘ËÈÒfl ͇̇ÎÓÏ ꢀËÚχ
(BASS - PHR 2), Û‰‡ÎËÚÂ
J
ùÚ‡ ÍÌÓÔ͇ ‰ÓÒÚÛÔ̇ Î˯¸ ÔꢀË ‚˚·Óꢀ ͇̇ÎÓ‚
[RHY1] Ë [RHY2]. ë  ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‰‡ÎËÚ¸
ÔÂꢀÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ‚Ó ‚ꢀÂÏfl Á‡ÔËÒË. ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÏÛ
ËÌÒÚꢀÛÏÂÌÚÛ, Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Û‰ÂꢀÊË‚‡fl ˝ÚÛ
ÍÌÓÔÍÛ.
χÚÂꢀˇÎ, ꢀ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ì‡
˝ÚÓÏ Í‡Ì‡ÎÂ.
REC ........ ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË.
ON .......... ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔꢀÓËÁ‚‰ÂÌ˲.
OFF......... ä‡Ì‡Î ÔꢀË„ÎÛ¯ÂÌ.
èêàåÖóÄçàÖ
ë̇˜‡Î‡ ‚˚·ÂꢀËÚ ÌÛÊÌ˚È ÚÂÏ·ꢀ. ÇÍβ˜ËÚ Á‡ÔËÒ¸, ̇ʇ‚ ÍÌÓÔÍÛ STYLE [START/
STOP].
燘ÌÂÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ‚˚‰ÂÎÂÌ̇fl ˜‡ÒÚ¸ ÒÚËÎfl. èÓÒÍÓθÍÛ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ꢀËÚÏ˘ÂÒÍËı Ùꢀ‡Á Á‡ˆËÍÎÂÌÓ, ‚˚ ÏÓÊÂÚ ‰Ó·‡‚ÎflÚ¸ ‚ «ÔÂÚβ» ÌÓ‚˚ Á‚ÛÍË ÔꢀË
͇ʉÓÏ ÔꢀÓıÓ‰Â, Ì ÔꢀÂꢀ˚‚‡fl ÔꢀÓÒÎۯ˂‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ùꢀ‡Á˚. ä‡ꢀÚËÌ͇,
ꢀ‡ÒÔÓÎÓÊÂÌ̇fl ̇‰ Í·‚˯ÂÈ, Û͇Á˚‚‡ÂÚ Ì‡ Á‡ÍꢀÂÔÎÂÌÌ˚È Á‡ ÌÂÈ Û‰‡ꢀÌ˚È ËÌÒÚꢀÛÏÂÌÚ.
Ç ꢀÂÊËÏ ÒËÌıꢀÓÌÌÓ„Ó Á‡ÔÛÒ͇
(ÍÓÚÓꢀ˚È ‚Íβ˜‡ÂÚÒfl ÍÌÓÔÍÓÈ
SYNC. START) Á‡ÔËÒ¸
‚Íβ˜‡ÂÚÒfl ÔꢀË Ì‡Ê‡ÚËË Î˛·ÓÈ
Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛꢀÂ.
2
èêàåÖóÄçàÖ
•
•
•
ÑÎfl Á‡ÔËÒË ‚ ͇̇ΠRHY1
ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ β·ÓÈ ÚÂÏ·ꢀ,
Á‡ ËÒÍβ˜ÂÌËÂÏ ÚÂÏ·ꢀ‡
Organ Flutes («Óꢀ„‡Ì̇fl
ÙÎÂÈÚ‡»).
ä‡Ì‡Î RHY 2 ÔÓ‰‰ÂꢀÊË‚‡ÂÚ
Á‡ÔËÒ¸ ÚÓθÍÓ ÚÂÏ·ꢀ‡ Drum
Kit/SFX Kit (Û‰‡ꢀ̇fl
Ç˚Íβ˜ËÚ Á‡ÔËÒ¸, ¢ ꢀ‡Á ̇ʇ‚ ÍÌÓÔÍÛ STYLE [START/STOP].
óÚÓ·˚ Á‡Íꢀ˚Ú¸ ˝Íꢀ‡Ì REC CHANNEL, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
3
4
ÛÒÚ‡Ìӂ͇/̇·Óꢀ
ÒÔˆ˝ÙÙÂÍÚÓ‚).
ÑÎfl ÌÂꢀËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚
(BASS - PHR 2) ÏÓÊÌÓ
‚˚·Ëꢀ‡Ú¸ ‚ÒÂ ÚÂÏ·ꢀ˚, ÍꢀÓÏÂ
ÚÂÏ·ꢀÓ‚ Organ Flutes Ë Drum
Kit/SFX Kit.
CVP-210/208
115
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
èêàåÖóÄçàÖ
ó‡ÒÚ¸ ‰Îfl Á‡ÔËÒË ÏÓÊÌÓ Ú‡ÍÊÂ
‚˚·ꢀ‡Ú¸, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË. ç‡Ê‡ÚË ӉÌÓÈ
ËÁ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ (Section)
èꢀӘˠԇꢀ‡ÏÂÚꢀ˚ ̇ ˝Íꢀ‡Ì BASIC
• äÌÓÔ͇ [I] (SAVE)
èÂꢀÂıÓ‰ Í ˝Íꢀ‡ÌÛ «Style» ‰Îfl ÒÓıꢀ‡ÌÂÌËfl هȷ ÒÚËÎfl.
ÔꢀË‚Ó‰ËÚ Í ÔÓfl‚ÎÂÌ˲
Ó‰ÌÓËÏÂÌÌÓ„Ó ˝Íꢀ‡Ì‡,
• [3■■] [4■■] (Section)
éÔꢀ‰ÂÎfl˛Ú Á‡ÔËÒ˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸.
• [5■■] [6■■] (Pattern Length)
ᇉ‡˛Ú ‰ÎËÌÛ Ùꢀ‡Á˚ ‚˚·ꢀ‡ÌÌÓÈ ˜‡ÒÚË ‚ Ú‡ÍÚ‡ı (1 - 32). ó‡ÒÚ¸ ‚ÒÚ‡‚ÍË/·ꢀÂÈÍ ËÏÂÂÚ
ÙËÍÒËꢀÓ‚‡ÌÌÛ˛ ‰ÎËÌÛ ‚ 1 Ú‡ÍÚ.
• äÌÓÔ͇ [D] (Execute)
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÔÂꢀÂıÓ‰ËÚ¸ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰ꢀÛ„ÓÈ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [6■■]/[7■■]. óÚÓ·˚ ̇
Ò‡ÏÓÏ ‰ÂΠ‚‚ÂÒÚË ËÁÏÂÌÂÌËÂ,
̇ÊÏËÚ ÍÌÓÔÍÛ [8■]. óÚÓ·˚
‚˚·ꢀ‡Ú¸ ꢀ‡Á‰ÂÎ Fill In, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [AUTO FILL IN].
èÓ‰Ú‚Âꢀʉ‡ÂÚ ËÁÏÂÌÂÌË ‰ÎËÌ˚ Ùꢀ‡Á˚.
LJÊÌ˚ Á‡Ï˜‡ÌËfl ÔÓ ÔÓ‚Ó‰Û Á‡ÔËÒË
•
éÒÌÓ‚ÌÓÈ ‡ÍÍÓꢀ‰ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇Á˚‚‡ÂÚÒfl ËÒıÓ‰Ì˚Ï ‡ÍÍÓꢀ‰ÓÏ. Ç˚ÒÓÚ‡ ‚ÒÂı
ÓÒڇθÌ˚ı Á‚ÛÍÓ‚ Ë ‡ÍÍÓꢀ‰Ó‚ Á‡‚ËÒËÚ ÓÚ ËÒıÓ‰ÌÓ„Ó ‡ÍÍÓꢀ‰‡. èꢀË Á‡ÔËÒË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Ë
‚ÒÚ‡‚ÍË (Ò ËÒıÓ‰Ì˚Ï ‡ÍÍÓꢀ‰ÓÏ CM7) ËÏÂÈÚ ‚ ‚Ë‰Û ÒÎÂ‰Û˛˘ÂÂ.
C R C
C R C
C = ÌÓÚ‡ ‡ÍÍÓꢀ‰‡
C, R = ꢀÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚
* á‡ÔËÒ˚‚‡fl ͇̇Î˚ Bass ËÎË Phrase, ÔÓÒÚ‡ꢀ‡ÈÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ꢀÂÍÓÏẨӂ‡ÌÌ˚Â
ÌÓÚ˚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ̇ËÎÛ˜¯Ëı ꢀÂÁÛθڇÚÓ‚ ÔꢀË ÔÓÔ˚ÚÍ ӷӄ‡ÚËÚ¸ „‡ꢀÏÓÌ˲
ÒÚËÎfl ꢀ‡Á΢Ì˚ÏË ‡ÍÍÓꢀ‰‡ÏË. (ÑꢀÛ„Ë ÌÓÚ˚ Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. é‰Ì‡ÍÓ
ꢀÂÍÓÏẨÛÂÚÒfl ÛÔÓÚꢀ·ÎflÚ¸ Ëı ‚ ͇˜ÂÒÚ‚Â ÔꢀÓıÓ‰fl˘Ëı Á‚ÛÍÓ‚).
* á‡ÔËÒ˚‚‡fl ͇̇Î˚ Chord ËÎË Pad, ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ÌÓÚ˚, ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓꢀ‰ CM7. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl
̇ËÎÛ˜¯Ëı ꢀÂÁÛθڇÚÓ‚, Ì ÊÂꢀÚ‚Ûfl ꢀ‡ÁÌÓÓ·ꢀ‡ÁËÂÏ ‡ÍÍÓꢀ‰Ó‚. (ÑꢀÛ„Ë ÌÓÚ˚ Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. é‰Ì‡ÍÓ
ꢀÂÍÓÏẨÛÂÚÒfl ÛÔÓÚꢀ·ÎflÚ¸ Ëı ‚ ͇˜ÂÒÚ‚Â ÔꢀÓıÓ‰fl˘Ëı Á‚ÛÍÓ‚).
èÓ ÛÏÓΘ‡Ì˲ ËÒıÓ‰Ì˚Ï ‡ÍÍÓꢀ‰ÓÏ fl‚ÎflÂÚÒfl CM7; Ӊ̇ÍÓ ‚˚ ÏÓÊÂÚ ҉·ڸ ËÒıÓ‰Ì˚Ï Î˛·ÓÈ ‡ÍÍÓꢀ‰. ëÏ. ꢀ‡Á‰ÂÎ
«ìÒÚ‡Ìӂ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ هȷ SMF – Parameter» ̇ ÒÚꢀ. 121.
•
èꢀË Á‡ÔËÒË ËÌÚꢀÓ‰Û͈ËË Ë ÙË̇· (Intro/Ending) ÏÓÊÌÓ Ì ӷꢀ‡˘‡Ú¸ ‚ÌËχÌËfl ̇ ËÒıÓ‰Ì˚È ‡ÍÍÓꢀ‰ Ë ÔꢀËÏÂÌflÚ¸ β·˚Â
ÌÓÚ˚ Ë ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓꢀ‰Ó‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ NTR Á‡‰‡ÌÓ Á̇˜ÂÌË «ROOT TRANSPOSE», ‡
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË Ì ÔꢀÓËÒıÓ‰ËÚ. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ú‡ÍÓ ËÁÏÂÌÂÌË ·Û‰ÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl Î˯¸
ÔꢀË ÒÏÂÌ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇, ‡ Ú‡ÍÊ ·‰‡ (ÚÓ ÂÒÚ¸ ÔꢀË ÔÂꢀÂıӉ ËÁ ÏËÌÓꢀ‡ ‚ χÊÓꢀ Ë Ó·ꢀ‡ÚÌÓ).
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡Ú¸ Ùꢀ‡ÁÛ ÒÚËÎfl ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔꢀË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸ Ëı ‚
ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 114.
F
G
I
J
èꢀӈ‰Ûꢀ‡ Á‡ÔËÒË Ë‰ÂÌÚ˘̇ ÓÔËÒ‡ÌÌÓÈ ‚ ꢀ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÔÂÒÂÌ (ÒÚꢀ. 101). éÚ΢Ëfl ÏÂÊ‰Û ÌËÏË
Ôꢀ˂‰ÂÌ˚ ÌËÊÂ. ã˛·Ó ÒÓ·˚ÚË ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸ ̇ ÒÚꢀ‡Ìˈ Edit. èꢀË ˝ÚÓÏ ËÒÔÓθÁÛÂÚÒfl ÚÓÚ Ê ÏÂÚÓ‰, ˜ÚÓ Ë ÔꢀË
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËË ÔÂÒÂÌ (ÒÚꢀ. 110).
•
èꢀË Á‡ÔËÒË ÔÂÒÂÌ ÔÓÁËˆË˛ ÏÂÚÍË ÓÍÓ̘‡ÌËfl ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔÓ Ê·Ì˲. é‰Ì‡ÍÓ ÔꢀË Á‡ÔËÒË ÒÚËÎfl  ËÁÏÂÌËÚ¸ ÌÂθÁfl. ùÚÓ
Ò‚flÁ‡ÌÓ Ò ÚÂÏ, ˜ÚÓ ‰ÎË̇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÙËÍÒËꢀÛÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË Ò Û˜ÂÚÓÏ ‚˚·ꢀ‡ÌÌÓÈ ˜‡ÒÚË. ÇÓÁ¸ÏÂÏ, Í ÔꢀËÏÂꢀÛ,
ÒÚËθ, ‚ ÓÒÌÓ‚Â ÍÓÚÓꢀÓ„Ó ÎÂÊËÚ ˜‡ÒÚ¸ ËÁ ˜ÂÚ˚ꢀÂı Ú‡ÍÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÏÂÚ͇ ÓÍÓ̘‡ÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚
ÍÓ̈ ˜ÂÚ‚ÂꢀÚÓ„Ó Ú‡ÍÚ‡. èꢀË ˝ÚÓÏ ËÁÏÂÌËÚ¸  ÏÂÒÚÓÔÓÎÓÊÂÌËÂ Ò ÔÓÏÓ˘¸˛ ˝Íꢀ‡Ì‡ «Step Record» Ì‚ÓÁÏÓÊÌÓ.
èꢀË ꢀ‰‡ÍÚËꢀÓ‚‡ÌËË ‰‡ÌÌ˚ı ̇ ÒÚꢀ‡Ìˈ «Edit» ‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ Ëı ÚËÔ (‰‡ÌÌ˚Â, ÓÚÌÓÒfl˘ËÂÒfl Í ÒÓ·˚ÚËflÏ, ËÎË
ÛÔꢀ‡‚Îfl˛˘Ë ‰‡ÌÌ˚Â). ÑÎfl ÔÂꢀÂıÓ‰‡ ÓÚ ˝Íꢀ‡Ì‡ Event (Ô‡ꢀ‡ÏÂÚꢀ˚ Note, Control Change Ë Ú. ‰.) Í ˝Íꢀ‡ÌÛ Control (ËÒÍβ˜ËÚÂθÌ˚Â
ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl Ë Ú. ‰.) Ë Ó·ꢀ‡ÚÌÓ ÒÎÛÊËÚ ÍÌÓÔ͇ [F] (TRACK EVT).
•
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Í‡Ì‡Î Ì‡ÒÚꢀÓÂÌ ‰Îfl Á‡ÔËÒË Ì‡ ‰ꢀÛ„ÓÈ ÒÚꢀ‡Ìˈ (̇ÔꢀËÏÂꢀ, ̇ ÒÚꢀ‡Ìˈ BASIC; ÒÚꢀ. 115).
CVP-210/208
116
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
ë·Óꢀ͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly
ì‰Ó·ÒÚ‚Ó ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÍÓÌÒÚꢀÛËꢀÓ‚‡Ú¸ ÓꢀË„Ë̇θÌ˚ ÒÚËÎË ËÁ ˝ÎÂÏÂÌÚÓ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(Ú‡ÍËı, ͇Í, ̇ÔꢀËÏÂꢀ, Ùꢀ‡Á˚ ꢀËÚχ, ·‡Ò‡ Ë ‡ÍÍÓꢀ‰Ó‚˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË), ÔꢀË̇‰ÎÂʇ˘Ëı ÛÊ Ëϲ˘ËÏÒfl ÒÚËÎflÏ. ÇÒÂ
ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 114.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ÒÚËθ
1
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓꢀ˚È ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl
Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ÌÓ‚Ó„Ó ÒÚËÎfl. Ç˚·ÂꢀËÚ ÌÛÊÌ˚È Í‡Ì‡Î,
̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] - [D], [F] – [I]. èÓÒΠ˝ÚÓ„Ó Â˘Â
ꢀ‡Á ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÔÂꢀÂÈÚË Í ˝Íꢀ‡ÌÛ Style,
ÔÓÁ‚ÓÎfl˛˘ÂÏÛ ‚˚·ꢀ‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ‚ÚÓꢀË‚ ¯‡„Ë 1 Ë 2 ÌÛÊÌÓ ˜ËÒÎÓ
ꢀ‡Á, ̇ÊÏËÚ ÍÌÓÔÍÛ [J] (SAVE),
˜ÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ ÒÓ·ꢀ‡ÌÌ˚È
ÒÚËθ. ùÚ‡ ÍÓχ̉‡ ÔÓÁ‚ÓÎflÂÚ
ÒÓıꢀ‡ÌËÚ¸ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚
‰Îfl ‚ÒÂı ͇̇ÎÓ‚ (RHYTHM 1,
RHYTHM 2, BASS Ë. Ú. ‰.) ‚ ‚ˉÂ
Ó‰ÌÓ„Ó Ù‡È·.
3
A
B
C
D
E
F
G
H
I
J
1
2
3
4
5
6
7
8
ᇉ‡ÂÚ Ô‡ꢀ‡ÏÂÚꢀ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
äÓÏÔÓÌÓ‚ÍÛ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ ÔꢀÓ‚Ó‰ËÚ¸ ‚Ó ‚ꢀÂÏfl
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÍÓÔËꢀÛÂÏÓÈ ˜‡ÒÚË Ë Í‡Ì‡Î‡.
SOLO .........ÇÒ ͇̇Î˚, ÍꢀÓÏ ‚˚·ꢀ‡ÌÌÓ„Ó, ÔꢀË„ÎÛ¯‡˛ÚÒfl. ä‡Ì‡Î˚
RHYTHM, ÔÓϘÂÌÌ˚ ‰Îfl Á‡ÔËÒË (REC) ̇ ˝Íꢀ‡Ì REC
CHANNEL (ÒÚꢀ. 115), ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ.
ON..............Ç˚·ꢀ‡ÌÌ˚ ͇̇Î˚ ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl. ÇÒ ͇̇Î˚,
ÔÓϘÂÌÌ˚ ‰Îfl Á‡ÔËÒË (REC) ̇ ˝Íꢀ‡Ì REC CHANNEL
(ÒÚꢀ. 115), ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ.
äÌÓÔÍË ‚˚·Óꢀ‡ ˜‡ÒÚË Ë
͇̇· ÒÚËÎfl, ÍÓÚÓꢀ˚Â
·Û‰ÛÚ ÒÍÓÔËꢀÓ‚‡Ì˚ ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
͇̇Î˚. ùÚË Í‡Ì‡Î˚
‚˚·Ëꢀ‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [A] - [D] Ë [F] - [I].
2
OFF ............èꢀË„ÎÛ¯‡ÂÚ ‚˚·ꢀ‡ÌÌ˚È Í‡Ì‡Î. ÖÒÎË Ì‡ ˝Íꢀ‡Ì REC
CHANNEL (ÒÚꢀ. 115) ‚˚‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ ÔꢀËÒ‚ÓÂÌÓ
Á̇˜ÂÌË ON, ÒÚꢀÓ͇ OFF Ì ‚ˉ̇ Ë Ì‰ÓÒÚÛÔ̇.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ¯‡„ 1 ËÎË 2 ÒÏÂÌËÚ¸ ˜‡ÒÚ¸ ËÎË Í‡Ì‡Î, ÚÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ËÏ Í‡Ì‡Î ËÎË ˜‡ÒÚ¸ Ú‡ÍÊ ·Û‰ÛÚ
Á‡ÏÂÌÂÌ˚. èꢀË ˝ÚÓÏ ÔꢀÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒ͇fl
ÒÏÂ̇ Á‡ÔËÒ˚‚‡ÂÏÓ„Ó Í‡Ì‡Î‡ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË.
èêàåÖóÄçàÖ
ÑÂÈÒÚ‚Ë ԇꢀ‡ÏÂÚꢀ‡ PLAY TYPE ÔꢀÓfl‚ÎflÂÚÒfl
ÚÓθÍÓ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÒÚËÎfl; Ò‡Ï ÓÌ ÌÂ
Ó͇Á˚‚‡ÂÚ ‚ÎËflÌËfl ̇ Ù‡ÈÎ ÒÚËÎfl.
CVP-210/208
117
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
ꉇÍÚËꢀÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
àÁÏÂÌÂÌË ꢀËÚχ: ÙÛÌ͈ËË Groove Ë Dynamics
îÛÌ͈ËË Groove Ë Dynamics fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï Òꢀ‰ÒÚ‚ÓÏ, ÔÓÁ‚ÓÎfl˛˘ËÏ ꢀ‡ÁÌÓÓ·ꢀ‡ÁËÚ¸ ꢀËÚÏ˚ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒÂ
ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 114.
■ ÉꢀÛ‚
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
A
B
C
D
E
F
G
H
I
äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ Style Ë
ÒÓıꢀ‡ÌÂÌËfl ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌÓ„Ó
هȷ ÒÚËÎfl.
J
èÓ‰Ú‚Âꢀʉ‡ÂÚ ÔꢀËÏÂÌÂÌË „ꢀÛ‚‡. èÓÒÎÂ
Á‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ Ôꢀӈ‰Ûꢀ˚ ÍÌÓÔ͇
ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ˜ÚÓ·˚ ÔꢀË
Ê·ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚È Ï‡ÚÂꢀˇÎ. îÛÌ͈Ëfl Undo
ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ
ÔÓÒÎÂ‰Ì˛˛ ÓÔÂꢀ‡ˆË˛.
ᇉ‡˛Ú Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀÓ‚ „ꢀÛ‚‡
(ÒÏ. ÒÔËÒÓÍ ÌËÊÂ).
1
2
3
4
5
6
7
8
è‡ꢀ‡ÏÂÚꢀ˚ „ꢀÛ‚‡
Original Beat
(ËÒıӉ̇fl
ì͇Á˚‚‡ÂÚ ‰ÓÎË, Í ÍÓÚÓꢀ˚Ï ·Û‰ÂÚ ÔꢀËÏÂÌÂÌ ꢀËÚÏ ËÁ ÙÛÌ͈ËË Groove. ÑꢀÛ„ËÏË ÒÎÓ‚‡ÏË, ÔꢀË ‚˚·Óꢀ Á̇˜ÂÌËfl «8 Beat» ꢀËÚÏ ËÁ ÙÛÌ͈ËË
Groove ·Û‰ÂÚ ÔꢀËÏÂÌflÚ¸Òfl Í ‚ÓÒ¸Ï˚Ï, ‡ ÔꢀË ‚˚·Óꢀ Á̇˜ÂÌËfl «12 Beat» – Í ÚꢀËÓÎË, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı.
‰ÎËÚÂθÌÓÒÚ¸)
Beat Converter
(ÍÓ̘̇fl
ÑÎËÚÂθÌÓÒÚË ÌÓÚ (Á‡‰‡ÌÌ˚ı Á̇˜ÂÌËÂÏ Ô‡ꢀ‡ÏÂÚꢀ‡ ORIGINAL BEAT) ËÁÏÂÌflÂÚÒfl ̇ Û͇Á‡ÌÌÓ Á̇˜ÂÌËÂ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË Á̇˜ÂÌËÂ
ORIGINAL BEAT – «8 Beat», ‡ Á̇˜ÂÌË BEAT CONVERTER – «12», ‚Ò ‚ÓÒ¸Ï˚ ÌÓÚ˚ ‚ ꢀ‡Á‰ÂΠÔÂꢀÂÏ¢‡˛ÚÒfl ̇ ‚ÓÒ¸Ï˚ ÚꢀËÓÎË.
á̇˜ÂÌËfl BEAT CONVERTER «16A» Ë «16B», ÔÓfl‚Îfl˛˘ËÂÒfl ÔꢀË ‚˚·Óꢀ ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ ORIGINAL BEAT Á̇˜ÂÌËfl «12 Beat», fl‚Îfl˛ÚÒfl
‚‡ꢀˇˆËflÏË ·‡ÁÓ‚ÓÈ Ì‡ÒÚꢀÓÈÍË ꢀËÚχ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı.
‰ÎËÚÂθÌÓÒÚ¸)
Swing (Ò‚ËÌ„)
ëÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ «Ò‚ËÌ„‡» Á‡ Ò˜ÂÚ Ò‰‚Ë„‡ ꢀËÚχ Ò··˚ı ‰ÓÎÂÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡ꢀ‡ÏÂÚꢀÓÏ ORIGINAL BEAT. ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‰Îfl
Ô‡ꢀ‡ÏÂÚꢀ‡ ORIGINAL BEAT ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË «8 Beat», Ô‡ꢀ‡ÏÂÚꢀ SWING ·Û‰ÂÚ Á‡‰ÂꢀÊË‚‡Ú¸ Á‚Û˜‡ÌË ËÏÂÌÌÓ ‚ÚÓꢀ˚ı, ˜ÂÚ‚ÂꢀÚ˚ı,
¯ÂÒÚ˚ı Ë ‚ÓÒ¸Ï˚ı ‰ÓÎÂÈ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡, ˜ÚÓ Ë ÔꢀË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ Ò‚ËÌ„‡. á̇˜ÂÌËfl ÓÚ «A» ‰Ó «E» Á‡‰‡˛Ú ꢀ‡Á΢ÌÛ˛ ÒÚÂÔÂ̸
Ò‚ËÌ„‡, „‰Â «A» ÒÓÁ‰‡ÂÚ Â‰‚‡ ÛÎÓ‚ËÏ˚È Ò‚ËÌ„, ‡ «Ö» – ̇˷ÓΠ˜ÂÚÍËÈ.
Fine (ÔꢀËÏÂÌÂÌËÂ
¯‡·ÎÓ̇)
èÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ÏÌÓÊÂÒÚ‚Ó «¯‡·ÎÓÌÓ‚» ÙÛÌ͈ËË Groove, ÍÓÚÓꢀ˚ ·Û‰ÛÚ ÔꢀËÏÂÌflÚ¸Òfl Í ‚˚·ꢀ‡ÌÌÓÈ ˜‡ÒÚË. ë ̇ÒÚꢀÓÈ͇ÏË «PUSH»
ÓÔꢀ‰ÂÎÂÌÌ˚ ‰ÓÎË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl Ò ÓÔÂꢀÂÊÂÌËÂÏ, Ò Ì‡ÒÚꢀÓÈ͇ÏË «HEAVY» – Ò ÓÔÓÁ‰‡ÌËÂÏ. çÓÏÂꢀ‡ ‚ Ô‡ꢀ‡ÏÂÚꢀ‡ı (2, 3, 4, 5)
Û͇Á˚‚‡˛Ú ‰ÓÎË ‰Îfl Ó·ꢀ‡·ÓÚÍË. ÇÒ ‰ÓÎË ‚ÔÎÓÚ¸ ‰Ó Û͇Á‡ÌÌÓÈ (Á‡ ËÒÍβ˜ÂÌËÂÏ ÔÂꢀ‚ÓÈ) ·Û‰ÛÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl Ò ÓÔÂꢀÂÊÂÌËÂÏ ËÎË Ò
Á‡‰ÂꢀÊÍÓÈ. ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚˚·ꢀ‡Ì ¯‡·ÎÓÌ Ò ˆËÙꢀÓÈ «3», ·Û‰ÛÚ Ó·ꢀ‡·‡Ú˚‚‡Ú¸Òfl ‚ÚÓꢀ˚Â Ë ÚꢀÂÚ¸Ë ‰ÓÎË. ÇÓ ‚ÒÂı ÒÎÛ˜‡flı ¯‡·ÎÓÌ˚ ÚËÔ‡
«A» Ó͇Á˚‚‡˛Ú ÏËÌËχθÌÓ ‚ÓÁ‰ÂÈÒÚ‚ËÂ, ¯‡·ÎÓÌ˚ ÚËÔ‡ «B» – Òꢀ‰ÌÂÂ, ‡ ¯‡·ÎÓÌ˚ ÚËÔ‡ «C» – χÍÒËχθÌÓÂ.
CVP-210/208
118
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
■ ÑË̇ÏË͇
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸
ÌÛÊÌÛ˛ ÓÔÂꢀ‡ˆË˛ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl.
A
B
C
D
E
F
äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ Style Ë
ÒÓıꢀ‡ÌÂÌËfl ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌÓ„Ó
هȷ ÒÚËÎfl.
G
H
I
J
èÓ‰Ú‚Âꢀʉ‡ÂÚ ÔꢀËÏÂÌÂÌË ÙÛÌ͈ËË ‰Ë̇ÏËÍË.
èÓÒΠÁ‡‚Âꢀ¯ÂÌËfl ˝ÚÓÈ Ôꢀӈ‰Ûꢀ˚,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔÍ ̇‰ÔËÒ¸ ̇ ˝Íꢀ‡ÌÂ
ÒÏÂÌflÂÚÒfl ̇‰ÔËÒ¸˛ [UNDO], ˜ÚÓ·˚ ÔꢀË
Ê·ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
χÚÂꢀˇÎ. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸
ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂꢀ‡ˆË˛.
1
2
3
4
5
6
7
8
ᇉ‡˛Ú Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀÓ‚ ‰Ë̇ÏËÍË
(ÒÏ. ÒÔËÒÓÍ ÌËÊÂ).
äÌÓÔÍË ‚˚·Óꢀ‡ ͇̇·, Í ÍÓÚÓꢀÓÏÛ
Úꢀ·ÛÂÚÒfl ÔꢀËÏÂÌËÚ¸ ÙÛÌÍˆË˛ ‰Ë̇ÏËÍË.
è‡ꢀ‡ÏÂÚꢀ˚ ‰Ë̇ÏËÍË
èêàåÖóÄçàÖ
ëÍÓꢀÓÒÚ¸ ̇ʇÚËfl
ÓÔꢀ‰ÂÎflÂÚÒfl ÒËÎÓÈ Ì‡Ê‡ÚËfl ̇
Í·‚˯Ë.
Accent Type (ÚËÔ
‡ÍˆÂÌÚ‡)
Ç˚·Óꢀ ÚËÔ‡ ‡ÍˆÂÌÚ‡.
óÂÏ ÒËθÌ ‚˚ Û‰‡ꢀflÂÚ ÔÓ
Strength (ÒË·
‚ÓÁ‰ÂÈÒÚ‚Ëfl)
éÔꢀ‰ÂÎflÂÚ ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Accent Type (ÒÏ. ‚˚¯Â). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ
ÒËθÌ ˝ÙÙÂÍÚ.
Í·‚˯‡Ï, ÚÂÏ ‚˚¯Â Á̇˜ÂÌËÂ
˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡, ‡ Á̇˜ËÚ Ë
„ꢀÓϘ Á‚ÛÍ.
Expand/Compress
(˝ÍÒԇ̉Âꢀ/
ê‡Ò¯ËꢀflÂÚ ËÎË ÒÛʇÂÚ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ (‰Ë‡Ô‡ÁÓÌ Á̇˜ÂÌËÈ ÒÍÓꢀÓÒÚË Ì‡Ê‡ÚËfl).
àÁÏÂÌÂÌË „ꢀ‡Ìˈ ‰Ë‡Ô‡ÁÓ̇ ÔꢀÓËÁ‚Ó‰ËÚÒfl ÒËÏÏÂÚꢀ˘ÌÓ (ˆÂÌÚꢀ‡Î¸ÌÓ Á̇˜ÂÌË ÒÍÓꢀÓÒÚË
̇ʇÚËfl – «64»). á̇˜ÂÌËfl ‚˚¯Â 100% ꢀ‡Ò¯Ëꢀfl˛Ú ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, ÏÂ̸¯Â 100%
ÒÊËχ˛Ú „Ó.
ÍÓÏÔꢀÂÒÒÓꢀ)
Boost/Cut (Û‚Â΢ÂÌËÂ/ ÇÒ Á̇˜ÂÌËfl ÒÍÓꢀÓÒÚË Ì‡Ê‡ÚËfl ‚ ‚˚‰ÂÎÂÌÌÓÈ ˜‡ÒÚË/͇̇ΠۂÂ΢˂‡˛ÚÒfl ËÎË
ÛÏÂ̸¯‡˛ÚÒfl. á̇˜ÂÌËfl ‚˚¯Â 100% Û‚Â΢˂‡˛Ú ÒÍÓꢀÓÒÚ¸ ̇ʇÚËfl, ÏÂ̸¯Â 100% –
ÒÌËʇ˛Ú ÂÂ.
ÛÏÂ̸¯ÂÌË ‚ÒÂı
Á̇˜ÂÌËÈ)
CVP-210/208
119
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
ꉇÍÚËꢀÓ‚‡ÌË ԇꢀ‡ÏÂÚꢀÓ‚ ͇̇·
ùÍꢀ‡Ì ÒÓ‰ÂꢀÊËÚ ÔflÚ¸ ÙÛÌ͈ËÈ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ ͇̇·, ËÒÔÓθÁÛÂÏÓ„Ó ‚ ÒÓÁ‰‡ÌÌÓÏ ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒÂ
ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚꢀ. 114.
èÓflÒÌÂÌËfl Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
èêàåÖóÄçàÖ
ÇÒÚꢀÓÂÌÌ˚È Í‡Ì‡Î BASS -
PHRASE2 ËÁÏÂÌflÚ¸ ÌÂθÁfl.
■ Quantize (‚˚ꢀ‡‚ÌË‚‡ÌËÂ)
ëÏ. ÒÚꢀ. 107.
■ Velocity Change (ËÁÏÂÌÂÌË ÒÍÓꢀÓÒÚË Ì‡Ê‡ÚËfl)
ëÍÓꢀÓÒÚ¸ ̇ʇÚËfl ‚ÒÂı ÌÓÚ ‚˚‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡ (‚˚·Ëꢀ‡ÂÏÓ„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1■■]/[2■■] (CHANNEL) ÔÓ‚˚¯‡ÂÚÒfl ËÎË
ÔÓÌËʇÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚Â΢ËÌ˚, Á‡‰‡ÌÌÓÈ ‚ ÔꢀÓˆÂÌÚ‡ı (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4■■]/[5■■] (BOOST/CUT).
■ Bar Copy (ÍÓÔËꢀÓ‚‡ÌË ڇÍÚÓ‚)
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËꢀÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ÒÓ‰Âꢀʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ꢀÛÔÔ ڇÍÚÓ‚, ̇ ‰ꢀÛ„ÓÈ Û˜‡ÒÚÓÍ ‚˚·ꢀ‡ÌÌÓ„Ó Í‡Ì‡Î‡.
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4■■] (TOP) Ë [5■■] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „ꢀ‡Ìˈ˚ ÍÓÔËꢀÛÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚
ÔÂꢀ‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚. óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÚÓ˜ÍË ÍÓÔËꢀÓ‚‡ÌËfl (ÌÓÏÂꢀ Ú‡ÍÚ‡), ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [6■■] (DEST).
■ Bar Clear (Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚)
ÇÒ ‰‡ÌÌ˚Â, ÒÓ‰Âꢀʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ꢀÛÔÔ ڇÍÚÓ‚ ‚˚·ꢀ‡ÌÌÓ„Ó Í‡Ì‡Î‡, Û‰‡Îfl˛ÚÒfl. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4■■] (TOP) Ë
[5■■] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „ꢀ‡Ìˈ˚ Ó˜Ë˘‡ÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚ ÔÂꢀ‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚.
■ Remove Event (Û‰‡ÎÂÌË ÒÓ·˚ÚËfl)
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎËÚ¸ ËÁ ͇̇· ÓÔꢀ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÒÓ·˚ÚËÈ,
‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [4■■] - [6■■] (EVENT).
CVP-210/208
120
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
ìÒÚ‡Ìӂ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ هȷ SMF – Parameter
ç‡ ˝ÚÓÏ ˝Íꢀ‡Ì Ôꢀ‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È ꢀfl‰ ÙÛÌ͈ËÈ ÛÔꢀ‡‚ÎÂÌËfl Ô‡ꢀ‡ÏÂÚꢀ‡ÏË ÒÚËÎfl. ç‡ÔꢀËÏÂꢀ, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‡‚ËÒËÏÓÒÚ¸
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚ÛÍÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ ÒÚËÎÂ, ÓÚ ‡ÍÍÓꢀ‰Ó‚, ‚ÁflÚ˚ı ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚. èÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó
‚Á‡ËÏÓ‰ÂÈÒÚ‚ËË ‰‡ÌÌ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÒÏ. ‚ ꢀ‡Á‰ÂΠ«îÓꢀÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)» ̇ ÒÚꢀ. 114. èÓꢀfl‰ÓÍ ꢀ‡·ÓÚ˚ Ò ˝Íꢀ‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ
ÓÔËÒ‡ÌÌÓÏÛ ‚ ¯‡„ 4 ̇ ÒÚꢀ. 114.
èêàåÖóÄçàÖ
ÖÒÎË Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ NTR
— «Root Fixed», ‡ Á̇˜ÂÌËÂ
Ô‡ꢀ‡ÏÂÚꢀ‡ NTT — «Bypass»,
èÓflÒÌÂÌËfl Ôꢀ˂‰ÂÌ˚ ÌËÊÂ.
Ô‡ꢀ‡ÏÂÚꢀ˚ «Source Root» Ë
«Source Chord» ÔꢀËÌËχ˛Ú
Á̇˜ÂÌËfl «Play Root» Ë «Play
Chord» ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚ ÏÂÌflÚ¸
‡ÍÍÓꢀ‰˚ Ë ÔꢀÓÒÎۯ˂‡Ú¸
ÔÓÎÛ˜ÂÌÌ˚È ‚ ꢀÂÁÛθڇÚ Á‚ÛÍ
ÔÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï.
■ Source Root/Chord (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓꢀ‰)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ Óڂ˜‡˛Ú Á‡ ÔÂꢀ‚Ó̇˜‡Î¸ÌÛ˛ ÚÓ̇θÌÓÒÚ¸ ËÒıÓ‰ÌÓÈ Ùꢀ‡Á˚ (Ú. Â. ÚÓ̇θÌÓÒÚ¸, ‚ ÍÓÚÓꢀÓÈ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸). èÓ
ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË «CM7» (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ — «C», ËÒıÓ‰Ì˚È ÚËÔ ‡ÍÍÓꢀ‰‡ — «M7»). ùÚÓ Á̇˜ÂÌËÂ
ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒflÍËÈ ꢀ‡Á, ÍÓ„‰‡ ÔÂꢀ‰ Á‡ÔËÒ¸˛ ÌÓ‚Ó„Ó ÒÚËÎfl ‚˚ Û‰‡ÎflÂÚ Ôꢀ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ‰‡ÌÌ˚Â. èꢀË ˝ÚÓÏ
Á̇˜ÂÌËfl ËÒıÓ‰ÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓꢀ‰‡, Û͇Á‡ÌÌ˚ ‚ Ôꢀ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰‡ÌÌ˚ı, Ë„ÌÓꢀËꢀÛ˛ÚÒfl. ÖÒÎË Á̇˜ÂÌË ÔÓ
ÛÏÓΘ‡Ì˲ ËÁÏÂÌËÚ¸, ÚÓ ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓꢀ‰ Ë ꢀÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ Ú‡ÍÊ ËÁÏÂÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓ‚˚Ï ÚËÔÓÏ ‡ÍÍÓꢀ‰‡.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÌÓÚ‡ı ‡ÍÍÓꢀ‰‡ Ë ꢀÂÍÓÏẨÛÂÏ˚ı ÌÓÚ‡ı Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 116.
ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ë («‰Ó»):
ꢁ
11
9
9
CMaj
C6
CM7
CM7
C9
C
CM7
C6
C
C
R C
C
R
C
R C
C
C
C
C
C
R
C
R C
C
C
C
R
C
C
C
R C
C R
C
C C
C
R
C
C C
C R
C
C
C C
9
C C
R
ꢀ
9
Cm7
Cm7 5
Cm
Cm7
Caug
Cm
Cm6
C
R
C
R
C
C
R
C
C
R
C
C
R
C
C
C
C
C
R C
C
R
R
C
R
R
R
C
R
C
C
R
C
C
R
C
C
C
R
C
11
9
Cm7
C7sus4
Cdim
Cdim7
C
C7
CmM7
C
CmM7
C
C
C
C
R
C
R
C
C
C
C
R
C C
C
R
C
C
C
C
C
R
C
R
R
C
R
C
C
C
C
C
C C
ꢁ
ꢁ
ꢀ
9
11
13
ꢀ
ꢀ
9
13
9
C7 5
C7
C7
C7
C7
C7
C7
C
C
C
C
C
C
C
C
R
C
C
C
R
C
C
R C
C
C C
C
R C
C
R
C
R C
C
C
C
C
C
C
C
C
R
C
C
C
C
C1+8
C1+5
Csus4
Csus2
CM7aug
C7aug
C = ÌÓÚ‡ ‡ÍÍÓꢀ‰‡
C, R = ꢀÂÍÓÏẨÛÂχfl
ÌÓÚ‡
C
R
C
C
C
R C
R
R
C
C
R C
C
C
C
C
R
C
C
C R
R
■ NTR Ë NTT
• NTR (Ôꢀ‡‚ËÎÓ Úꢀ‡ÌÒÔÓÁˈËË)
éÔꢀ‰ÂÎflÂÚ ÒËÒÚÂÏÛ, Òӄ·ÒÌÓ ÍÓÚÓꢀÓÈ ËÁÏÂÌflÂÚÒfl ‚˚ÒÓÚ‡ Á‚ÛÍÓ‚ ËÒıÓ‰ÌÓÈ Ùꢀ‡Á˚. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚‡ꢀˇÌÚ‡ Ôꢀ‡‚Ë·:
Root Trans (Úꢀ‡ÌÒÔÓÁˈËfl ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)
èꢀË Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚˚ÒÓÚÌÓ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ÌÓÚ‡ÏË ÒÓıꢀ‡ÌflÂÚÒfl. ç‡ÔꢀËÏÂꢀ, ÌÓÚ˚ C3, E3 Ë G3,
Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë, ÔꢀË Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F Ôꢀ‚ꢀ‡˘‡˛ÚÒfl ‚
ÌÓÚ˚ F3, A3 Ë C4. ùÚÓ Ôꢀ‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âꢀʇ˘Ëı ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲
(ÎËÌËË).
Root Fixed (ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÙËÍÒËꢀÓ‚‡Ì)
íꢀ‡ÌÒÔÓÌËꢀÛÂχfl ÌÓÚ‡ ÓÒÚ‡ÂÚÒfl Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í Ôꢀ‰˚‰Û˘ÂÏÛ ÌÓÚÌÓÏÛ ‰Ë‡Ô‡ÁÓÌÛ. ç‡ÔꢀËÏÂꢀ, ÌÓÚ˚ C3, E3 Ë G3,
Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë («‰Ó»), Ôꢀ‚ꢀ‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ ë3, F3 Ë A3 ÔꢀË Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËË ‚
ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F («Ù‡»). ùÚÓ Ôꢀ‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âꢀʇ˘Ëı
˜‡ÒÚË Ò ‡ÍÍÓꢀ‰‡ÏË.
CVP-210/208
121
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ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator
• NTT (Ú‡·Îˈ‡ Úꢀ‡ÌÒÔÓÁˈËË)
ì͇Á‡ÌË ڇ·Îˈ˚ Úꢀ‡ÌÒÔÓÁˈËË ‰Îfl ËÒıÓ‰ÌÓÈ Ùꢀ‡Á˚. àÏÂÂÚÒfl ¯ÂÒÚ¸ ÚËÔÓ‚ Úꢀ‡ÌÒÔÓÁˈËË.
Bypass (Ó·ıÓ‰)
ÅÂÁ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl.
Melody (ÏÂÎÓ‰Ëfl)
èÓ‰ıÓ‰ËÚ ‰Îfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Phrase 1 Ë Phrase 2.
Chord (‡ÍÍÓꢀ‰)
èÓ‰ıÓ‰ËÚ ‰Îfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ‡ÍÍÓꢀ‰Ó‚. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Chord 1 Ë Chord 2, ÓÒÓ·ÂÌÌÓ ‚ ÚÓÏ
ÒÎÛ˜‡Â, ÍÓ„‰‡ ÓÌË ÒÓ‰ÂꢀÊ‡Ú ‡ÍÍÓꢀ‰Ó‚˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÚËÔ˘Ì˚ ‰Îfl ÙÓꢀÚÂÔˇÌÓ ËÎË „ËÚ‡ꢀ˚.
Bass (·‡Ò)
èÓ‰ıÓ‰ËÚ ‰Îfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl ·‡ÒÓ‚ÓÈ ÎËÌËË. Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝Ú‡ Ú‡·Îˈ‡ ̇ÔÓÏË̇ÂÚ ÓÔËÒ‡ÌÌÛ˛ ‚˚¯Â Ú‡·ÎËˆÛ «Melody».
éÚ΢ˠÒÓÒÚÓËÚ ‚ ꢀ‡ÒÔÓÁ̇‚‡ÌËË ‡ÍÍÓꢀ‰Ó‚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ, ÍÓÚÓꢀ˚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔꢀË ‚˚·Óꢀ ‡ÔÔÎË͇ÚÛꢀ˚ FINGERED
ON BASS. ùÚÓÚ ÚËÔ „Ó‰ËÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ·‡ÒÓ‚˚ı ÎËÌËÈ.
Melodic Minor (ÏÂÎӉ˘ÂÒÍËÈ ÏËÌÓꢀ)
ÖÒÎË Ï‡ÊÓꢀÌ˚È ‡ÍÍÓꢀ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓꢀÌ˚Ï, ˝Ú‡ Ú‡·Îˈ‡ ÔÓÌËʇÂÚ ÚÂꢀˆË˛ ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓꢀÌ˚È ‡ÍÍÓꢀ‰ ÒÏÂÌflÂÚÒfl
χÊÓꢀÌ˚Ï, ÚÂꢀˆËfl ÔÓ‚˚¯‡ÂÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓꢀ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl.
Harmonic Minor („‡ꢀÏÓÌ˘ÂÒÍËÈ ÏËÌÓꢀ)
ÖÒÎË Ï‡ÊÓꢀÌ˚È ‡ÍÍÓꢀ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓꢀÌ˚Ï, ÚÂꢀˆËfl Ë ÒÂÍÒÚ‡ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓꢀÌ˚È ‡ÍÍÓꢀ‰ ÒÏÂÌflÂÚÒfl
χÊÓꢀÌ˚Ï, ÏËÌÓꢀ̇fl ÚÂꢀˆËfl Ë ÔÓÌËÊÂÌ̇fl ÒÂÍÒÚ‡ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓꢀ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl.
■ High Key/Note Limit (‚ÂꢀıÌflfl ÌÓÚ‡/ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)
• ÇÂꢀıÌflfl ÌÓÚ‡
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Á‡‰‡ÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ ÌÓÚÛ,
ÓÔꢀ‰ÂÎflfl „ꢀ‡ÌËˆÛ Úꢀ‡ÌÒÔÓÁˈËË ÓÒÌÓ‚ÌÓ„Ó
ÚÓ̇ ‡ÍÍÓꢀ‰‡. ÇÒ ÌÓÚ˚, ˜¸fl ‚˚ÒÓÚ‡
èꢀËÏÂꢀ: ‚ÂꢀıÌflfl ÌÓÚ‡ – F («Ù‡»)
ꢁ
ꢁ
çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ
àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚
CM
C M
FM
F M
ꢁ
ꢁ
ꢁ
ꢁ
ꢁ
C3-E3-G3
C 3-F3-G 3
F3-A3-C4
F 2-A 2-C 3
Ôꢀ‚˚¯‡ÂÚ Á‡‰‡ÌÌÓ Á̇˜ÂÌËÂ,
Úꢀ‡ÌÒÔÓÌËꢀÛ˛ÚÒfl ‚ ÓÍÚ‡‚Û, ꢀ‡ÒÔÓÎÓÊÂÌÌÛ˛
ÌËÊ ҇ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ Ë ÔꢀËÏ˚͇˛˘Û˛ Í
ÌÂÈ. ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ÚÓ„‰‡,
ÍÓ„‰‡ Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ NTR (ÒÚꢀ. 121) ꢀ‡‚ÌÓ «Root Trans».
• çÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ
чÌÌ˚È Ô‡ꢀ‡ÏÂÚꢀ Á‡‰‡ÂÚ „ꢀ‡Ìˈ˚ ÌÓÚÌÓ„Ó
èꢀËÏÂꢀ: ҇χfl ÌËÁ͇fl ÌÓÚ‡ – ë3, ‡ ҇χfl ‚˚ÒÓ͇fl – D4
‰Ë‡Ô‡ÁÓ̇ ‰Îfl ÚÂÏ·ꢀÓ‚, Á‡ÔËÒ˚‚‡ÂÏ˚ı ̇
͇̇Î˚ ÒÚËÎfl. èꢀ‡‚ËθÌÓ Á‡‰‡‚ ‰‡ÌÌ˚È
‰Ë‡Ô‡ÁÓÌ, ‚˚ ÏÓÊÂÚ ‰Ó·ËÚ¸Òfl χÍÒËχθÌÓÈ
ꢀ‡ÎËÒÚ˘ÌÓÒÚË Á‚Û˜‡ÌËfl ÚÂÏ·ꢀÓ‚. ÑꢀÛ„ËÏË
ÒÎÓ‚‡ÏË, ÏÓÊÌÓ Û͇Á‡Ú¸ ÂÒÚÂÒÚ‚ÂÌÌ˚Â
Ôꢀ‰ÂÎ˚ Á‚Û˜‡ÌËfl ÍÓÌÍꢀÂÚÌÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡
(̇ÔꢀËÏÂꢀ, ËÁ·Âʇڸ ÔÓfl‚ÎÂÌËfl Á‚ÛÍÓ‚
«ÔË͇˛˘ÂÈ» ·‡Ò-„ËÚ‡ꢀ˚, ËÎË «·‡Òfl˘ÂÈ»
ÙÎÂÈÚ˚-ÔËÍÍÓÎÓ). çÓÚ˚ ‡‚ÚÓχÚ˘ÂÒÍË
Ò‰‚Ë„‡˛ÚÒfl, ˜ÚÓ·˚ ÔÓÔ‡ÒÚ¸ ‚ Û͇Á‡ÌÌ˚È
‰Ë‡Ô‡ÁÓÌ.
ꢁ
çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ
àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚
CM
C M
FM
ꢁ
ꢁ
E3-G3-C4
F3-G 3-C 4
F3-A3-C4
ÇÂꢀıÌËÈ Ôꢀ‰ÂÎ
çËÊÌËÈ Ôꢀ‰ÂÎ
■ RTR (Ôꢀ‡‚ËÎÓ ÔÓ‚ÚÓꢀÌÓ„Ó ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl)
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÓÊÌÓ Û͇Á‡Ú¸, ÌÂÓ·ıÓ‰ËÏÓ ÎË Á‡„ÎÛ¯‡Ú¸ ËÒıÓ‰Ì˚ ÌÓÚ˚ ËÎË ÌÂÚ. äꢀÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸
Á‡‚ËÒËÏÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ ÒÏÂÌ˚ ‡ÍÍÓꢀ‰‡.
Stop (ÓÒÚ‡Ìӂ͇)
çÓÚ˚ ÔÂꢀÂÒÚ‡˛Ú Á‚Û˜‡Ú¸.
Pitch Shift (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚)
Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» Ò Û˜ÂÚÓÏ ÚËÔ‡ ÌÓ‚Ó„Ó ‡ÍÍÓꢀ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl.
Pitch Shift to Root (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)
Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» ÔÓ Ì‡Ôꢀ‡‚ÎÂÌ˲ Í ‚˚ÒÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ÌÓ‚Ó„Ó ‡ÍÍÓꢀ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl.
Retrigger (ÔÓ‚ÚÓꢀÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ)
çÓÚ‡ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ËÁÏÂÌÂÌÌ˚Ï ‡ÍÍÓꢀ‰ÓÏ.
Retrigger To Root (ÔÓ‚ÚÓꢀÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)
çÓÚ‡ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ËÁÏÂÌÂÌÌÓ„Ó ‡ÍÍÓꢀ‰‡. èꢀË ˝ÚÓÏ Ó̇
Á‚Û˜ËÚ ‚ Ôꢀ‰Â·ı ËÒıÓ‰ÌÓÈ ÓÍÚ‡‚˚.
CVP-210/208
122
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ
ÏËͯÂꢀ‡
ùÍꢀ‡Ì ÍÓÌÒÓÎË ‚˚„Îfl‰ËÚ Í‡Í Ì‡ÒÚÓfl˘ËÈ ÏËͯÂꢀ Ë ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÔÓÎÌ˚È ÍÓÌÚꢀÓθ ̇‰
èêàåÖóÄçàÖ
Á‚ÛÍÓÏ.
åËͯÂꢀÒÍËÈ ÔÛθÚ
ë ÔÓÏÓ˘¸˛ ÏËͯÂꢀ‡ ÏÓÊÌÓ
ꢀ„ÛÎËꢀÓ‚‡Ú¸ „ꢀÓÏÍÓÒÚ¸ Ë
·‡Î‡ÌÒ Í‡Ê‰Ó„Ó ËÁ
ËÒÔÓθÁÛÂÏ˚ı ÚÂÏ·ꢀÓ‚, ‡ Ú‡ÍÊÂ
Á‡‰‡‚‡Ú¸ ÛꢀÓ‚Â̸ ÔÓÒ˚·
˝ÙÙÂÍÚÓ‚.
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
2
3
4
5
6
7
8
EXIT
MIXING
CONSOLE
PART
ÑÓÔÓÎÌËÚÂθÌ˚ Òڇ̉‡ꢀÚÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔꢀ‡‚ÎÂÌËfl ÏÓÊÌÓ ‰Ó·‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BALANCE] Ë [CHANNEL ON/OFF]
(ÒÚꢀ. 65).
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
èêàåÖóÄçàÖ
MIXING
èÂꢀÂȉfl Í ˝Íꢀ‡ÌÛ MIXING CONSOLE, ̇ÊËχÈÚ ËÁÓ·ꢀ‡ÊÂÌÌÛ˛
Ò΂‡ ÍÌÓÔÍÛ ‰Ó ÚÂı ÔÓꢀ, ÔÓ͇ Ì ۂˉËÚ ÔÂꢀ‰ ÒÓ·ÓÈ ÌÛÊÌ˚È
˝Íꢀ‡Ì. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ «ÔꢀÓÎËÒÚ˚‚‡Ú¸» ÒÚꢀ‡Ìˈ˚ ÍÓÌÒÓÎË.
ëÛ˘ÂÒÚ‚ÛÂÚ ÔꢀÓÒÚÓÈ ÒÔÓÒÓ·
ÛÒÚ‡ÌÓ‚ÍË Â‰ËÌÓ„Ó ‰Îfl ‚ÒÂı
˜‡ÒÚÂÈ Á̇˜ÂÌËfl β·Ó„Ó ËÁ
Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÍꢀÓÏ ԇꢀ‡ÏÂÚꢀ‡
VOICE). óÚÓ·˚ Á‡‰‡Ú¸ Ú‡ÍÓÂ
Á̇˜ÂÌËÂ, ÒΉÛÂÚ
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË [1] -
[8] ËÎË ‰ËÒÍÓÏ ÛÔꢀ‡‚ÎÂÌËfl
[DATA ENTRY], Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ
Û‰ÂꢀÊË‚‡fl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] -
[J], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
CONSOLE
1
PART
è‡ÌÂθ ˜‡ÒÚÂÈ
éڂ˜‡ÂÚ Á‡ ̇ÒÚꢀÓÈÍÛ ˜‡ÒÚÂÈ, ÍÓÚÓꢀ˚ ˄ꢀ‡˛ÚÒfl Ò
Í·‚ˇÚÛꢀ˚ (Main/Layer, Left), ˜‡ÒÚÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë ÏËÍꢀÓÙÓÌÌÓ„Ó Ò˄̇·.
STYLE PART (ó‡ÒÚ¸ ÒÚËÎfl)
ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ËÁÏÂÌflÂÏÓÏÛ Ô‡ꢀ‡ÏÂÚꢀÛ.
SONG CH 1 – 8 (èÂÒÌfl (͇̇Î˚ 1 – 8))
ä‡Ì‡Î˚ ÔꢀÓË„ꢀ˚‚‡ÌËfl ÔÂÒÌË (Ò ÔÂꢀ‚Ó„Ó ÔÓ ‚ÓÒ¸ÏÓÈ)
SONG CH 9 – 16 (èÂÒÌfl (͇̇Î˚ 1 – 8))
ä‡Ì‡Î˚ ÔꢀÓË„ꢀ˚‚‡ÌËfl ÔÂÒÌË (Ò ‰Â‚flÚÓ„Ó ÔÓ
¯ÂÒÚ̇‰ˆ‡Ú˚È)
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ı ÙÛÌ͈ËË Sound
Creator Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 92.
èÂꢀÂȉËÚ ̇ ‰ꢀÛ„Ë ÒÚꢀ‡Ìˈ˚ ÍÓÌÒÓÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK]/[NEXT] Ë Á‡‰‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇꢀ‡ÏÂÚꢀ˚.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ꢀ‡Á΢Ì˚ı Ô‡ꢀ‡ÏÂÚꢀ‡ı Ë ÒÔÓÒÓ·‡ı Ëı
̇ÒÚꢀÓÈÍË ÒÏ. ̇ ÒÚꢀ. 124 Ë ‰‡ÎÂÂ.
á‡ÍꢀÓÈÚ ˝Íꢀ‡Ì Mixing
[EXIT].
2
END
■ é Ô‡ꢀ‡ÏÂÚꢀ‡ı
•
VOL/VOICE („ꢀÓÏÍÓÒÚ¸/ÚÂÏ·ꢀ) (ÒÚꢀ. 124)
ç‡ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË Ë ÚÂÏ·ꢀ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË/͇̇·. äꢀÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ‚Íβ˜ËÚ¸
ÙÛÌÍˆË˛ Auto Revoice, ÍÓÚÓꢀ‡fl ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔꢀÓË„ꢀ˚‚‡Ú¸ ÔÂÒÌË ‚ ÙÓꢀχÚ XG (ÒÚꢀ. 163) Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
ÛÌË͇θÌ˚ı ÔÓ ·Ó„‡ÚÒÚ‚Û Á‚Û˜‡ÌËfl Ë ‰Ë̇ÏËÍ ÚÂÏ·ꢀÓ‚ (ÚÓθÍÓ ‰Îfl CVP-210/208). Å·„Ó‰‡ꢀfl ˝ÚÓÏÛ ‚ ‚‡¯ÂÈ ÔÂÒÌ Á‡Á‚Û˜‡Ú
„Óꢀ‡Á‰Ó ·ÓΠꢀ‡ÎËÒÚ˘Ì˚Â Ë ÂÒÚÂÒÚ‚ÂÌÌ˚ ÚÂÏ·ꢀ˚.
•
•
•
•
FILTER (ÙËθÚꢀ) (ÒÚꢀ. 125)
ç‡ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ‚˚ ÏÓÊÂÚ ̇ÒÚꢀÓËÚ¸ ͇˜ÂÒÚ‚Ó ÚÂÏ·ꢀ‡ , Ôꢀˉ‡‚ ÂÏÛ ÏÓ˘¸, ˝ÌÂꢀ„˲ Ë flꢀÍÓÒÚ¸.
TUNE (̇ÒÚꢀÓÈ͇ ‚˚ÒÓÚ˚) (ÒÚꢀ. 125)
ùÚ‡ ÒÚꢀ‡Ìˈ‡ ÒÎÛÊËÚ ‰Îfl ̇ÒÚꢀÓÈÍË ‚˚ÒÓÚ˚ Á‚Û͇ Ë Á‡‰‡ÌËfl ÒÓÔÛÚÒÚ‚Û˛˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚.
EFFECT (˝ÙÙÂÍÚ) (ÒÚꢀ. 126)
á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÛꢀÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚÓ‚.
EQ (ÒÚꢀ. 128)
ùÍ‚‡Î‡ÈÁÂꢀ ÔÓÏÓ„‡ÂÚ ÔÓ‰ÒÚꢀÓËÚ¸ Ó·˘Â Á‚Û˜‡ÌË ËÌÒÚꢀÛÏÂÌÚ‡ ÔÓ‰ ‡ÍÛÒÚËÍÛ ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl. äꢀÓÏ ÚÓ„Ó, Á‰ÂÒ¸
ÏÓÊÌÓ Ì‡ÒÚꢀÓËÚ¸ „ꢀÓÏÍÓÒÚ¸ ËÎË ÚÂÏ·ꢀ ͇ʉÓÈ ˜‡ÒÚË.
CVP-210/208
123
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
ìÒÚ‡Ìӂ͇ „ꢀÓÏÍÓÒÚË Ë ÚÂÏ·ꢀ‡ — Volume/Voice
éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚꢀÛ͈ËË Ì‡ ÒÚꢀ. 123.
èêàåÖóÄçàÖ
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ꢀfl‰˚
Ô‡ꢀ‡ÏÂÚꢀÓ‚ VOICE (íÂÏ·ꢀ), PANPOT
(è‡ÌÓꢀ‡Ï‡) ËÎË VOLUME (ÉꢀÓÏÍÓÒÚ¸).
óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ꢀÂÊËÏ ‡‚ÚÓχÚ˘ÂÒÍÓÈ Á‡ÏÂÌ˚ ÚÂÏ·ꢀÓ‚
XG ÚÂÏ·ꢀ‡ÏË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ‚Íβ˜ËÚ ˝ÚÛ
ÍÌÓÔÍÛ (ÛÒÚ‡ÌÓ‚Ë‚ Á̇˜ÂÌË ON). ÖÒÎË Ó̇ ÓÚÍβ˜Â̇ (Off),
ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·ꢀ˚ ËÁ Ó·˚˜ÌÓ„Ó Ì‡·Óꢀ‡ XG.
ä‡Ì‡Î [RHY1], Û͇Á‡ÌÌ˚È Ì‡
˝Íꢀ‡Ì STYLE PART, ÏÓÊÌÓ
ÔꢀËÒ‚ÓËÚ¸ β·ÓÏÛ ÚÂÏ·ꢀÛ,
ÍꢀÓÏÂ Organ Flutes.
1
óÚÓ·˚ ÔÂꢀÂÈÚË Í
Úꢀ·ÛÂÏÓÈ ˜‡ÒÚË/
͇̇ÎÛ, ÒΉÛÂÚ
̇ʇڸ ˝ÚÛ
ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ
ꢀ‡Á.
èêàåÖóÄçàÖ
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÂÌ ‚
ÙÓꢀχÚ GM 10-È Í‡Ì‡Î
(ÒÚꢀ‡Ìˈ‡ SONG CH 9 - 16)
ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ‰Îfl
Û‰‡ꢀÌ˚ı (ÚÂÏ·ꢀ Drum Kit).
A
B
C
D
E
F
G
H
DIGITAL
STUDIO
èêàåÖóÄçàÖ
SOUND
CREATOR
èꢀË ÒÏÂÌ ꢀËÚχ/
J
DIGITAL
RECORDING
ÔÂꢀÍÛÒÒËÓÌÌ˚ı ÚÂÏ·ꢀÓ‚
(Û‰‡ꢀÌ˚ı ÛÒÚ‡ÌÓ‚ÓÍ Ë Ú. Ô.) ‚
ÔÂÒÌÂ Ë ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ò ÔÓÏÓ˘¸˛ Ô‡ꢀ‡ÏÂÚꢀ‡ VOICE
ÔꢀÓËÒıÓ‰ËÚ Ò·ꢀÓÒ Á̇˜ÂÌËÈ
ÚÓÌÍËı ̇ÒÚꢀÓÂÍ. Ç ÌÂÍÓÚÓꢀ˚ı
ÒÎÛ˜‡flı ˝ÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í
Ì‚ÓÁÏÓÊÌÓÒÚË ‚ÓÒÒÚ‡ÌÓ‚ÎÂ-
ÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·ꢀ‡. ÖÒÎË ˝ÚÓ
ÔꢀÓËÒıÓ‰ËÚ ÔꢀË ‚ÓÒÔꢀÓ-
ËÁ‚‰ÂÌËË ÔÂÒÌË, ÚÓ ‰Îfl
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó
ÚÂÏ·ꢀ‡ ÌÛÊÌÓ ‚ÂꢀÌÛÚ¸Òfl Í
̇˜‡ÎÛ ÔÂÒÌË Ë Á‡ÔÛÒÚËÚ¸ ÂÂ
Á‡ÌÓ‚Ó. ÖÒÎË Ò·ꢀÓÒ Á̇˜ÂÌËÈ
ÔꢀÓËÁÓ¯ÂÎ ÔꢀË ‚ÓÒÔꢀÓ-
MIXING
BALANCE
CONSOLE
PART
CHANNEL
ON OFF
äÌÓÔ͇ ‚˚·Óꢀ‡
Á‡ÏÂÌflÂÏÓ„Ó ÚÂÏ·ꢀ‡.
PART
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ÚÂÏ·ꢀ ‰Îfl ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ, ‡ Ú‡ÍÊ ÓÚꢀ„ÛÎËꢀÓ‚‡Ú¸ „ꢀÓÏÍÓÒÚ¸ Ë Ô‡ÌÓꢀ‡ÏÛ.
VOICE (íÖåÅê)
Ç˚ÁÓ‚ ˝Íꢀ‡Ì‡ VOICE, ̇ ÍÓÚÓꢀÓÏ ‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ ÔÓÌꢀ‡‚Ë‚¯ËÈÒfl ÚÂÏ·ꢀ (ÒÚꢀ. 58). èꢀË ‚˚·Óꢀ ˜‡ÒÚË Style
(ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ËÒÔÓθÁÓ‚‡ÌË ÚÂÏ·ꢀÓ‚ Organ Flutes Ë ÚÂÏ·ꢀÓ‚ ËÁ ꢀ‡Á‰Â· Ô‡ÏflÚË User Ì‚ÓÁÏÓÊÌÓ.
ÖÒÎË ‚˚·ꢀ‡Ì‡ ˜‡ÒÚ¸ Song (ÔÂÒÌfl), ̉ÓÒÚÛÔÌ˚ ÚÂÏ·ꢀ˚ ËÁ ꢀ‡Á‰Â· Ô‡ÏflÚË User.
PANPOT (è‡ÌÓꢀ‡Ï‡)
éÔꢀ‰ÂÎflÂÚ ÔÓÎÓÊÂÌË ‚ ÒÚÂꢀÂÓ ·‡Á ÚÂÍÛ˘Â„Ó ÚÂÏ·ꢀ‡ ËÎË ‰ÓꢀÓÊÍË. á̇˜ÂÌË «0» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Íꢀ‡ÈÌÂÏÛ
΂ÓÏÛ ÔÓÎÓÊÂÌ˲ ËÒÚÓ˜ÌË͇ Á‚Û͇, «127» – Íꢀ‡ÈÌÂÏÛ Ôꢀ‡‚ÓÏÛ ÔÓÎÓÊÂÌ˲, ‡ «64» – ˆÂÌÚꢀ‡Î¸ÌÓÈ ÔÓÁˈËË.
VOLUME (ÉꢀÓÏÍÓÒÚ¸)
Ç ˝ÚÓÈ ˜‡ÒÚË ˝Íꢀ‡Ì‡ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡, ˝ÍÒÔÂꢀËÏÂÌÚËꢀÛfl Ò ꢀ‡Á΢Ì˚ÏË
‚‡ꢀˇÌÚ‡ÏË ÒÓ˜ÂÚ‡ÌËfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ.
ËÁ‚‰ÂÌËË ÒÚËÎfl ‡ÍÍÓÏ-
Ô‡ÌÂÏÂÌÚ‡, ÔÂꢀ‚Ó̇˜‡Î¸Ì˚È
ÚÂÏ·ꢀ ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ÔÛÚÂÏ ÔÓ‚ÚÓꢀÌÓ„Ó ‚˚·Óꢀ‡
ÒÚËÎfl.
ALL REVOICE
êÂÊËÏ «„ÎÓ·‡Î¸ÌÓÈ Á‡ÏÂÌ˚». Ç ˝ÚÓÏ ꢀÂÊËÏ ‚Ò ‰ÓÔÛÒ͇˛˘Ë Á‡ÏÂÌÛ ÚÂÏ·ꢀ˚
XG Á‡ÏÂÌfl˛ÚÒfl ꢀ‡ÎËÒÚ˘Ì˚ÏË Ë Ì‡Ò˚˘ÂÌÌ˚ÏË ÚÂÏ·ꢀ‡ÏË CVP-210/208.
2
èêàåÖóÄçàÖ
Ôꢀ˘ÂÏ ÚÂÏ·ꢀ˚ PIANO, BASIC
Ë DRUM ÏÓ„ÛÚ ·˚Ú¸
ÛÒÚ‡ÌÓ‚ÎÂÌ˚ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ.
PIANO REVOICE
á‡ÏÂÌflÂÚ ‚Ò ÚÂÏ·ꢀ˚ ÔˇÌËÌÓ.
F
G
DRUM REVOICE
á‡ÏÂÌflÂÚ ‚Ò ÚÂÏ·ꢀ˚ Û‰‡ꢀÌ˚ı.
èêàåÖóÄçàÖ
H
çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ
ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË
Revoice ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í
ÌÂÔꢀ‰‚ˉÂÌÌÓÈ ÌÂÂÒÚÂÒÚ‚ÂÌ-
ÌÓÒÚË Á‚Û˜‡ÌËfl. ÇÒ Á‡‚ËÒËÚ ÓÚ
ËÒıÓ‰Ì˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÔÂÒÌË.
I
BASIC REVOICE
Ç ˝ÚÓÏ ꢀÂÊËÏ Á‡ÏÂÌfl˛ÚÒfl
ÚÓθÍÓ Ú ÚÂÏ·ꢀ˚, ÍÓÚÓꢀ˚Â
ÔÓ‰ıÓ‰flÚ ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
ÍÓÌÍꢀÂÚÌÓÈ ÔÂÒÌË.
J
ALL NO REVOICE
ÇÒ ÚÂÏ·ꢀ˚ ‚ÓÁ‚ꢀ‡˘‡˛ÚÒfl Í
ÔÂꢀ‚Ó̇˜‡Î¸Ì˚Ï ÚÂÏ·ꢀ‡Ï XG.
1
2
3
4
5
6
7
8
äÌÓÔ͇ ÒÓıꢀ‡ÌÂÌËfl ËÁÏÂÌÂÌÌ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ë
Á‡Íꢀ˚ÚËfl ˝Íꢀ‡Ì‡ Auto Revoice Setup.
Ç˚·Óꢀ ÚÂÏ·ꢀÓ‚ XG,
ÍÓÚÓꢀ˚ ÌÛÊÌÓ Á‡ÏÂÌËÚ¸
(ÚÂÏ·ꢀÓ‚, Ó·˚˜ÌÓ
ËÒÔÓθÁÛÂÏ˚ı ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË).
Ç˚·Óꢀ ÚÂÏ·ꢀÓ‚, Á‡ÏÂÌfl˛˘Ëı
àÁÏÂÌÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÌÂ
ÒÓıꢀ‡Ìfl˛ÚÒfl, ˝Íꢀ‡Ì Auto Revoice
Setup Á‡Íꢀ˚‚‡ÂÚÒfl.
ÚÂÏ·ꢀ˚ XG (ÔꢀË ÛÒÎÓ‚ËË ÛÒÚ‡ÌÓ‚ÍË
Á̇˜ÂÌËfl ON ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ SONG
AUTO REVOICE).
CVP-210/208
124
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
àÁÏÂÌÂÌË ı‡ꢀ‡ÍÚÂꢀ‡ ÚÂÏ·ꢀ‡ — Filter
éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚꢀÛ͈ËË Ì‡ ÒÚꢀ. 123.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÙËθÚꢀ Ôꢀ˂‰ÂÌ˚ ̇ ÒÚꢀ. 94.
äÌÓÔÍË ‚˚·Óꢀ‡ Ô‡ꢀ‡ÏÂÚꢀÓ‚ HARMONIC Ë BRIGHTNESS.
èêàåÖóÄçàÖ
èꢀË ‚˚·ÓꢀÂ ÚÂÏ·ꢀ‡ Natural
voice ËÁÏÂÌËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚
Harmonic Ë Brightness ÌÂθÁfl.
A
B
C
D
E
F
G
H
I
èêàåÖóÄçàÖ
èꢀË Ì‡ÒÚꢀÓÈÍ ‰‡ÌÌ˚ı
DIGITAL
STUDIO
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÒΉÛÂÚ ÔꢀÓfl‚ÎflÚ¸
ÓÒÚÓꢀÓÊÌÓÒÚ¸. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ
Íꢀ‡ÈÌËı Á̇˜ÂÌËÈ ÏÓÊÂÚ
ÔꢀË‚ÂÒÚË Í ËÒ͇ÊÂÌËflÏ Ò˄̇·
ËÎË ÔÓfl‚ÎÂÌ˲ ¯ÛÏÓ‚.
SOUND
CREATOR
J
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
óÚÓ·˚ ÔÂꢀÂÈÚË Í
HARMONIC.........èÓÁ‚ÓÎflÂÚ Ì‡ÒÚꢀÓËÚ¸ ˝ÙÙÂÍÚ ꢀÂÁÓ̇ÌÒ‡ (ÒÏ. ‡·Á‡ˆ
«ÑÓ·‡‚ÎÂÌË „‡ꢀÏÓÌËÍ» ̇ ÒÚꢀ. 94).
BRIGHTNESS .....éÔꢀ‰ÂÎflÂÚ flꢀÍÓÒÚ¸ ÚÂÏ·ꢀ‡ ÔÛÚÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌËfl
˜‡ÒÚÓÚ˚ ÒꢀÂÁ‡ (ÒÚꢀ. 94).
Úꢀ·ÛÂÏÓÈ ˜‡ÒÚË/͇̇ÎÛ,
ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ
ÌÂÒÍÓθÍÓ ꢀ‡Á.
1
2
3
4
5
6
7
8
àÁÏÂÌÂÌË ԇꢀ‡ÏÂÚꢀÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇ — Tune
éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚꢀÛ͈ËË Ì‡ ÒÚꢀ. 123.
èêàåÖóÄçàÖ
Portamento ËÒÔÓθÁÛÂÚÒfl ‰Îfl
ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚ‡ Ô·‚ÌÓ„Ó
ÒÍÓθÊÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ
Ó‰ÌÓÈ ÌÓÚ˚ Í ‰ꢀÛ„ÓÈ.
äÌÓÔÍË ‚˚·Óꢀ‡ ‰ÓÒÚÛÔÌ˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚: PORTAMENTO TIME, PITCH
BEND RANGE, OCTAVE Ë TUNING.
èêàåÖóÄçàÖ
A
B
C
D
E
F
G
H
I
èꢀË ‚˚·ÓꢀÂ ÚÂÏ·ꢀ‡ Natural
voice ËÁÏÂÌËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ
Portamento Time ÌÂθÁfl.
J
ç‡Á̇˜ÂÌË ˝ÚËı ÍÌÓÔÓÍ Ó·˙flÒÌflÂÚÒfl ÌËÊÂ.
1
2
3
4
5
6
7
8
äÌÓÔÍË ÔÓ‚˚¯ÂÌËfl/ÔÓÌËÊÂÌËfl (Úꢀ‡ÌÒÔÓÁˈËË) ‚˚ÒÓÚ˚ Á‚Û͇ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇.
MASTER ....íꢀ‡ÌÒÔÓÁˈËfl Á‡Úꢀ‡„Ë‚‡ÂÚ Í‡Í ‚˚ÒÓÚÛ Á‚Û͇ ÔꢀË Ë„ꢀ ̇ Í·‚ˇÚÛꢀÂ, Ú‡Í Ë ‚˚ÒÓÚÛ Á‚Û͇ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË.
SONG.........íꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl ÚÓθÍÓ ‚˚ÒÓÚ‡ Á‚Û͇ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË.
KBD............íꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl ÚÓθÍÓ ‚˚ÒÓÚ‡ Á‚Û͇ ÔꢀË Ë„ꢀ ̇ Í·‚ˇÚÛꢀÂ.
PORTAMENTO TIME........ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Á‡‰‡ÂÚ ‚ꢀÂÏÂÌÌ˚ „ꢀ‡Ìˈ˚ ÒÍÓθÊÂÌËfl ‚˚ÒÓÚ˚. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏ, ÌÂÓ·ıÓ‰ËÏÓ
҉·ڸ Ó·ꢀ‡·‡Ú˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ (ÒÏ. ÒÚꢀ. 62, 93). óÂÏ ‚˚¯Â Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡,
ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÒÍÓθÊÂÌËÂ. ùÙÙÂÍÚ ÔÓꢀÚ‡ÏÂÌÚÓ ËÒÔÓθÁÛÂÚÒfl Î˯¸ ÔꢀË Ë„ꢀ Î„‡ÚÓ (͇ʉ‡fl
ÔÓÒÎÂ‰Û˛˘‡fl Í·‚˯‡ ̇ÊËχÂÚÒfl, ÍÓ„‰‡ ¢ Ì ÓÚÔÛ˘Â̇ Ôꢀ‰˚‰Û˘‡fl).
PITCH BEND RANGE.......Ç˚ ÏÓÊÂÚ ÛÔꢀ‡‚ÎflÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚Û͇ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË, Û͇Á˚‚‡fl ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚
ÔÓÎÛÚÓ̇ı. èꢀË ˝ÚÓÏ Ô‰‡ÎË Á‡ꢀ‡Ì ‰ÓÎÊÌ˚ ·˚Ú¸ ÔꢀËÒ‚ÓÂÌ˚ ÙÛÌ͈ËË ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ËÎË
˝ÙÙÂÍÚ ÒÍÓθÊÂÌËfl.
OCTAVE............................éÔꢀ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚. 뉂˄‡Ú¸ ‚˚ÒÓÚÛ ÏÓÊÌÓ ·ÓΠ˜ÂÏ Ì‡ ‰‚ ÓÍÚ‡‚˚ ‚‚Âꢀı ËÎË ‚ÌËÁ.
TUNING.............................éÔꢀ‰ÂÎflÂÚ ‚˚ÒÓÚÛ ËÌÒÚꢀÛÏÂÌÚ‡.
CVP-210/208
125
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
ç‡ÒÚꢀÓÈ͇ ˝ÙÙÂÍÚÓ‚
éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚꢀÛ͈ËË Ì‡ ÒÚꢀ. 123.
èêàåÖóÄçàÖ
ùÍꢀ‡Ì ꢀ‡Á·ËÚ Ì‡ ÚꢀË ꢀ‡Á‰Â·:
Reverb, Chorus Ë DSP
ì͇Á˚‚‡˛Ú ̇Á‚‡ÌËfl ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚. äÓ„‰‡ ‚˚·ꢀ‡Ì
ÂÒÚÂÒÚ‚ÂÌÌ˚È ÚÂÏ·ꢀ, ̇Á‚‡ÌËfl ˝ÙÙÂÍÚÓ‚ Û͇Á‡Ì˚ ̇‰
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÍÌÓÔ͇ÏË ˝Íꢀ‡Ì‡.
ì͇Á˚‚‡ÂÚ Ì‡Á‚‡ÌËfl ÚËÔÓ‚
˝ÙÙÂÍÚÓ‚. èꢀË ‚˚·ÓꢀÂ
ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·ꢀ‡,
Û͇Á˚‚‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÂÏÛ Ì‡Á‚‡ÌËfl ˝ÙÙÂÍÚÓ‚
(ÔÓÒΉÌËÈ ÒÓ‰ÂꢀÊËÚ ÌÂÒÍÓθÍÓ
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚). àÏË ÏÓÊÌÓ
ÔÓθÁÓ‚‡Ú¸Òfl ÌÂÁ‡‚ËÒËÏÓ ‚
ꢀÂÊËÏÂ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ë
Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚.
1
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
˝ÙÙÂÍÚÓ‚» (ÒÚꢀ. 127).
A
B
C
F
H
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ
DIGITAL
STUDIO
ÍÌÓÔÍË ÏÓÊÌÓ
ÔÂꢀÂÈÚË ‚
ꢀÂÊËÏ
D
E
I
SOUND
CREATOR
J
DIGITAL
RECORDING
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl
Ë ÒÓıꢀ‡ÌÂÌËfl
˝ÙÙÂÍÚ‡
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
(ÒÚꢀ. 126, 127).
PART
óÚÓ·˚ ÔÂꢀÂÈÚË Í
äÌÓÔÍË ‚˚·Óꢀ‡ ꢀ‡Á‰ÂÎÓ‚
˝Íꢀ‡Ì‡: REVERB, CHORUS Ë
DSP.
ÌÛÊÌÓÈ ˜‡ÒÚË/͇̇ÎÛ,
ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ
ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ ꢀ‡Á.
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÓÔꢀ‰ÂÎfl˛Ú ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ̇ Í‡Ê‰Û˛ ËÁ ˜‡ÒÚÂÈ. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ó ı‡ꢀ‡ÍÚÂꢀËÒÚË͇ı ˝ÙÙÂÍÚÓ‚ Ôꢀ˂‰ÂÌ˚ ‚ Ú‡·Îˈ ÅÎÓÍË ˝ÙÙÂÍÚÓ‚ ̇ ÒÚꢀ. 127.
ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ BLOCK ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË REVERB1, CHORUS1 ËÎË DSP 3-7 (CVP-210)/
DSP 3-5 (CVP-208), ˝ÚÛ ÍÌÓÔÍÛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚꢀÓÈÍË
‚˚·ꢀ‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡.
2
F
H
I
J
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·ꢀ‡Ú¸ ·ÎÓÍ ˝ÙÙÂÍÚÓ‚ Ë Ì‡Á̇˜ËÚ¸ ÓÔꢀ‰ÂÎÂÌÌ˚È ˝ÙÙÂÍÚ.
BLOCK ............. Ç˚·Óꢀ ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚ („ꢀÛÔÔ‡ ÔÓıÓÊËı ËÎË ꢀÓ‰ÒÚ‚ÂÌÌ˚ı ˝ÙÙÂÍÚÓ‚).
PART ................ Ç˚·Óꢀ ˜‡ÒÚË, Ó·ꢀ‡·‡Ú˚‚‡ÂÏÓÈ ˝ÙÙÂÍÚÓÏ. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ Ô‡ꢀ‡ÏÂÚꢀÛ
BLOCK ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP1», Ô‡ꢀ‡ÏÂÚꢀÛ PARAMETER — «CONNECTION», ‡ Ô‡ꢀ‡ÏÂÚꢀÛ
VALUE — «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡ꢀ‡ÏÂÚꢀÛ BLOCK ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP 3-7» (CVP-210)
ËÎË «DSP 3-5» (CVP-208).
CATEGORY ..... ê‡Á΢Ì˚ ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ (ÒÏ. ÌËÊ ÒÚÓηˆ Type) Ò„ꢀÛÔÔËꢀÓ‚‡Ì˚ ÔÓ Í‡Ú„ÓꢀËflÏ. èꢀË
‚˚·Óꢀ ÌÂÍÓÚÓꢀ˚ı ·ÎÓÍÓ‚ ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÏÓÊÂÚ ·˚Ú¸ ̉ÓÒÚÛÔÂÌ.
TYPE ................ éÔꢀ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡, ÔꢀËÒ‚ÓÂÌÌÓ„Ó ‚˚·ꢀ‡ÌÌÓÏÛ ·ÎÓÍÛ ˝ÙÙÂÍÚÓ‚. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ
‚˚·ꢀ‡ÌÌÓ„Ó ·ÎÓ͇ ÒÔËÒÓÍ ˝ÙÙÂÍÚÓ‚ ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ Ë̇˜Â.
CVP-210/208
126
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
èêàåÖóÄçàÖ
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Ì ÏÓÊÂÚ ·˚Ú¸
äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡
3
ÛÒÚ‡ÌÓ‚ÎÂÌ, ÂÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ
‰Îfl ÒÓıꢀ‡ÌÂÌËfl
˝ÙÙÂÍÚ‡.
A
B
C
D
E
F
BLOCK ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌËÂ
«REVERB2», «CHORUS2», ËÎË
G
«DSP2» (ËÎË «BRILLIANCE»).
H
J
éÔꢀ‰ÂÎflÂÚ ÛꢀÓ‚Â̸ ˝ÙÙÂÍÚ‡
(ÛꢀÓ‚Â̸ ‚ÓÁ‚ꢀ‡Ú‡). ùÚÓ„Ó ÌÂθÁfl
҉·ڸ, ÍÓ„‰‡ Ô‡ꢀ‡ÏÂÚꢀÛ BLOCK
ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP1»,
Ô‡ꢀ‡ÏÂÚꢀÛ PARAMETER —
äÌÓÔÍË ÔÂꢀÂÍβ˜ÂÌËfl
ÏÂÊ‰Û ‚ÂꢀıÌËÏ Ë
ÌËÊÌËÏ Ô‡ꢀ‡ÏÂÚꢀÓÏ.
ÉÎÛ·ËÌÛ ÌËÊÌ„Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ ÔꢀË
«CONNECTION», ‡ Ô‡ꢀ‡ÏÂÚꢀÛ VALUE
1
2
3
4
5
6
7
8
— «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡ꢀ‡ÏÂÚꢀÛ
BLOCK ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP3-7»
(CVP-210) ËÎË «DSP 3-5» (CVP-208).
‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[VARIATION].
äÌÓÔÍË ‚˚·Óꢀ‡ ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚.
äÌÓÔÍË ‚˚·Óꢀ‡ ͇Ú„ÓꢀËË ˝ÙÙÂÍÚÓ‚.
äÌÓÔÍË ‚˚·Óꢀ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡.
äÌÓÔÍË ‚˚·Óꢀ‡ Á̇˜ÂÌËfl ÚÂÍÛ˘Â„Ó Ô‡ꢀ‡ÏÂÚꢀ‡.
äÌÓÔÍË ‚˚·Óꢀ‡ ̇ÒÚꢀ‡Ë‚‡ÂÏÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‚
ÌÂÍÓÚÓꢀ˚ı ÒÎÛ˜‡flı ꢀ„ÛÎËꢀӂ͇
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚
ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓfl‚ÎÂÌ˲
¯Ûχ.
4
äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡
‰Îfl ̇Á̇˜ÂÌËfl ËÏÂÌË
ÔÓθÁÓ‚‡ÚÂθÒÍÓÏÛ
˝ÙÙÂÍÚÛ (ÒÚꢀ. 49).
F
G
H
I
J
äÌÓÔ͇ ÒÓıꢀ‡ÌÂÌËfl ËÁÏÂÌÂÌÌ˚ı
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ˝ÙÙÂÍÚ‡ ‚ ꢀ‡Á‰ÂÎÂ
Ô‡ÏflÚË User Effect (SYSTEM). óÚÓ·˚
‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ, ‚ ÓÍÌ ԇꢀ‡ÏÂÚꢀ‡
CATEGORY ‚˚·ÂꢀËÚÂ ÒÚꢀÓÍÛ USER, ‡
Á‡ÚÂÏ ‚˚·ÂꢀËÚ Úꢀ·ÛÂÏ˚È ˝ÙÙÂÍÚ ‚
ÓÍÌ ԇꢀ‡ÏÂÚꢀ‡ TYPE.
1
2
3
4
5
6
7
8
Ç˚·ÂꢀËÚ ÏÂÒÚÓ, „‰Â ·Û‰ÂÚ ıꢀ‡ÌËÚ¸Òfl ˝ÙÙÂÍÚ. äÓ΢ÂÒÚ‚Ó
‰ÓÒÚÛÔÌ˚ı ÒÚꢀÓÍ ꢀ‡Á΢ÌÓ ‰Îfl Í‡Ê‰Ó„Ó ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚
(ÒÏ. Ú‡·ÎËˆÛ ÌËÊÂ).
ÅÎÓÍ ˝ÙÙÂÍÚÓ‚
äÓ΢ÂÒÚ‚Ó ˝ÙÙÂÍÚÓ‚
ÔÓθÁÓ‚‡ÚÂÎfl
Block
ó‡ÒÚË
ï‡ꢀ‡ÍÚÂꢀËÒÚËÍË
REVERB 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚)
ÇÒÂ Ô‡ꢀÚËË
3
ÇÓÒÔꢀÓËÁ‚Ó‰ËÚ Û˛ÚÌÛ˛ ‡ÚÏÓÒÙÂꢀÛ Ë„ꢀ˚ ‚ ÍÓ̈ÂꢀÚÌÓÏ
Á‡Î ËÎË ‰Ê‡Á-ÍÎÛ·Â.
ÇÒ ԇꢀÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ
ÏËÍꢀÓÙÓÌÌ˚ı (MIC)
REVERB 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·ꢀÓ‚)
CHORUS 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚)
CHORUS 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·ꢀÓ‚)
DSP 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚)
—
3
ÇÒÂ Ô‡ꢀÚËË
á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒfl ·Ó„‡Ú˚Ï Ë Ì‡Ò˚˘ÂÌÌ˚Ï, Í‡Í ÂÒÎË ·˚
ÌÂÒÍÓθÍÓ Ô‡ꢀÚËÈ Á‚Û˜‡ÎË Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ.
ÇÒ ԇꢀÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ
ÏËÍꢀÓÙÓÌÌ˚ı (MIC)
—
3
ëÚËθ ÔÂÒÌË (͇̇Π1 - 16)
èÓÏËÏÓ ꢀ‚Âꢀ·Âꢀ‡ˆËË Ë ıÓꢀÛÒ‡ ˝ÚÓÚ ·ÎÓÍ ÒÓ‰ÂꢀÊËÚ ꢀfl‰
ÓÒÓ·˚ı ˝ÙÙÂÍÚÓ‚, ‚Íβ˜‡fl ËÒ͇ÊÂÌËÂ. äÓ„‰‡ ‚˚·ꢀ‡Ì
«MIC» (ÚÓθÍÓ ‰Îfl CVP-208), ‚˚ ÏÓÊÂÚ ‰Ó·‡‚ËÚ¸
ꢀ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ ÚÂÏ·ꢀÛ Ò ÔÓÏÓ˘¸˛
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍꢀÓÙÓ̇.
ÇÒ ԇꢀÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ
ÏËÍꢀÓÙÓÌÌ˚ı (MIC)
DSP 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·ꢀÓ‚)
—
DSP 3-6 (DSP6; ÚÓθÍÓ ‰Îfl CVP-210)
(‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·ꢀÓ‚)
Main, Layer, Left, Song (Ch. 1 - 16), MIC
(ÚÓθÍÓ ‰Îfl CVP-208)
10
10
èÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ꢀ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ
ÚÂÏ·ꢀÛ, Ò ÔÓÏÓ˘¸˛ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍꢀÓÙÓ̇.
DSP 7 (ÚÓθÍÓ ‰Îfl CVP-210)
MIC (ÏËÍꢀÓÙÓÌ)
CVP-210/208
127
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
äÓꢀꢀÂÍÚËꢀӂ͇ Á‚Û͇ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍꢀÛÊÂÌËÂÏ – EQ
ùÍ‚‡Î‡ÈÁÂꢀ, Í‡Í Ôꢀ‡‚ËÎÓ, ÔꢀËÏÂÌflÂÚÒfl ‰Îfl ÍÓꢀꢀÂÍÚËꢀÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË ÔÓÏ¢ÂÌËfl. Ç
Á‚ÛÍ ‚˚‰ÂÎflÂÚÒfl ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ, Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËfl ËÎË ÔÓÌËÊÂÌËfl ÛꢀÓ‚Ìfl ͇ʉÓÈ ÔÓÎÓÒ˚, ÔꢀÓËÒıÓ‰ËÚ
ÍÓꢀꢀÂÍÚËꢀӂ͇ Á‚Û͇. èÂꢀ‰ ‚˚ÒÚÛÔÎÂÌËÂÏ ‚˚ ÏÓÊÂÚÂ Ò Â„Ó ÔÓÏÓ˘¸˛ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó ‰Îfl ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl
ÚÂÏ·ꢀ‡. äꢀÓÏ ÚÓ„Ó, Ú‡ÍËÏ Ó·ꢀ‡ÁÓÏ ÏÓÊÌÓ ÍÓÏÔÂÌÒËꢀÓ‚‡Ú¸ ÌÂÍÓÚÓꢀ˚ Ì‰ÓÒÚ‡ÚÍË ‡ÍÛÒÚËÍË ‚‡¯ÂÈ ‰Óχ¯ÌÂÈ ÒÚÛ‰ËË. ç‡ÔꢀËÏÂꢀ,
‚˚ ÏÓÊÂÚ ӷꢀÂÁ‡Ú¸ ÌËÁÍË ˜‡ÒÚÓÚ˚ ÔꢀË Ë„ꢀ ‚ ·Óθ¯Ëı ÔÓÏ¢ÂÌËflı, „‰Â Á‚ÛÍ ÒÎ˯ÍÓÏ „ÛÎÍËÈ, ËÎË ꢀ‡Ò¯ËꢀËÚ¸ ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚ ‚
Ì·Óθ¯Ëı ÍÓÏ̇ڇı Ë ÚÂÒÌ˚ı ÔÓÏ¢ÂÌËflı, „‰Â Û Á‚Û͇ ÌÂÚ ˝ı‡, Ë ÓÌ Á‡„ÎÛ¯‡ÂÚÒfl. Ç ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 ËÒÔÓθÁÛÂÚÒfl
ÔflÚË-ÔÓÎÓÒÌ˚È ˆËÙꢀÓ‚ÓÈ ˝Í‚‡Î‡ÈÁÂꢀ ‚˚ÒÓÍÓ„Ó Í‡˜ÂÒÚ‚‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ıÓ‰ÌÓÈ Ò˄̇ΠËÌÒÚꢀÛÏÂÌÚ‡ ÏÓÊÌÓ
ÔÓ‰‚Âꢀ„ÌÛÚ¸ ‰ÂÈÒڂ˲ ÔÓÒΉÌÂ„Ó ˝ÙÙÂÍÚ‡ – ÍÓÌÚꢀÓÎfl ÚÓ̇.
ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔꢀÓËÒıÓ‰ËÚ, ÍÓ„‰‡ ‚ ¯‡„ 2, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 123.
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡
˝Íꢀ‡Ì‡ MASTER EQ. ÑÎfl ̇ÒÚꢀÓÈÍË
Ô‡ꢀ‡ÏÂÚꢀÓ‚ EQ High (ÛÒËÎÂÌËÂ
‚˚ÒÓÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·) ‰Îfl
͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
[1■■] - [8■■].
äÌÓÔ͇ ‚˚·Óꢀ‡ ÚËÔ‡ Master EQ.
A
B
C
D
E
F
G
H
I
ÑÎfl ̇ÒÚꢀÓÈÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚
EQ Low (ÛÒËÎÂÌËÂ
ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·) ‰Îfl
͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸
ÍÌÓÔ͇ÏË [1■■] - [8■■].
DIGITAL
STUDIO
ÑÎfl ̇ÒÚꢀÓÈÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ EQ Low
(ÛÒËÎÂÌË ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·)
‰Îfl ͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸
ÍÌÓÔ͇ÏË [1■■] - [8■■].
SOUND
CREATOR
J
DIGITAL
RECORDING
MIXING
CONSOLE
óÚÓ·˚ ÔÂꢀÂÈÚË Í ÌÛÊÌÓÈ
˜‡ÒÚË/͇̇ÎÛ, ÒΉÛÂÚ
̇ʇڸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ
ꢀ‡Á.
PART
ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓıꢀ‡ÌËÚ¸
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚ ÍꢀË‚˚Â
PRESET ËÎË USER ̇ USER 1 ËÎË
USER 2
A
B
C
D
E
F
G
H
I
Ç˚·ÂꢀËÚÂ ÚËÔ Master EQ.
J
Q
GAIN
é‰ÌÓ‚ꢀÂÏÂÌ̇fl ꢀ„ÛÎËꢀӂ͇ Ó·˘ÂÈ
‡ÏÔÎËÚÛ‰˚ ‚ÒÂı ÔÓÎÓÒ EQ.
1
2
3
4
5
6
7
8
FREQ
äꢀË‚˚ PRESET Ë USER ÏÓÊÌÓ ꢀ‰‡ÍÚËꢀÓ‚‡Ú¸
Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ. ä‡Ê‰Û˛
ËÁ ÔflÚË ÔÓÎÓÒ ÏÓÊÌÓ ꢀ‡Ò¯ËꢀflÚ¸ ËÎË Ó·ꢀÂÁ‡Ú¸
‰Ó 12 ‰Å.
ä‡Ê‰˚È ꢀ‡Á ÔꢀË Ì‡ÒÚꢀÓÈÍ ӉÌÓÈ ËÁ ÔÓÎÓÒ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
Á̇˜ÂÌË EQ ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ, ‡ ̇‰ ˝ÎÂÏÂÌÚ‡ÏË ÛÔꢀ‡‚ÎÂÌËfl Q Ë
FREQ ÔÓfl‚ÎflÂÚÒfl ÌÓÏÂꢀ ˝ÚÓÈ ÔÓÎÓÒ˚. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔꢀ‡‚ÎÂÌËfl
ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ̇ÒÚꢀÓÈÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ Q (¯ËꢀË̇ ÔÓÎÓÒ˚) Ë FREQ
(ˆÂÌÚꢀ‡Î¸Ì‡fl ˜‡ÒÚÓÚ‡) ‚˚·ꢀ‡ÌÌÓÈ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ
«Q», ÚÂÏ ÛÊ ÔÓÎÓÒ‡ ˜‡ÒÚÓÚ. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ Ô‡ꢀ‡ÏÂÚꢀ‡ FREQ
ꢀ‡Á΢ÂÌ ‰Îfl ͇ʉÓÈ ÔÓÎÓÒ˚.
CVP-210/208
128
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
ëÚꢀÛÍÚÛꢀ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚
CVP-210/208 ӷ·‰‡ÂÚ ÒÎÂ‰Û˛˘ËÏË ÒËÒÚÂχÏË ˆËÙꢀÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÓÚ‰ÂθÌÓ ÔꢀËÏÂÌflÂÏ˚ÏË Í ÂÒÚÂÒÚ‚ÂÌÌ˚Ï (ÒÚꢀ. 92) Ë
Ó·˚˜Ì˚Ï (ÒÚꢀ. 92) ÚÂÏ·ꢀ‡Ï. ë ÔÓÏÓ˘¸˛ ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË ˝ÎÂÏÂÌÚÓ‚ ÛÔꢀ‡‚ÎÂÌËfl ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡,
Â„Ó „ÎÛ·ËÌÛ Ë ÔꢀӘˠԇꢀ‡ÏÂÚꢀ˚.
é Ò‚flÁflı ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË — ÒËÒÚÂÏÌ˚È ꢀÂÊËÏ Ë ꢀÂÊËÏ ‚ÒÚ‡‚ÍË
ÇÒ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ ÔÓ‰‰ÂꢀÊË‚‡˛Ú Ó‰ËÌ ËÁ ‰‚Ûı ꢀÂÊËÏÓ‚ ÒÓ‰ËÌÂÌËfl: ùÙÙÂÍÚ˚, ÔꢀËÏÂÌflÂÏ˚ ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ËÎË ˝ÙÙÂÍÚ˚,
ÔꢀËÏÂÌflÂÏ˚Â Í ÓÚ‰ÂθÌ˚Ï Ô‡ꢀÚËflÏ. ùÙÙÂÍÚ˚, ÔꢀËÏÂÌflÂÏ˚ ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ÔꢀËÏÂÌfl˛ÚÒfl Òꢀ‡ÁÛ ÍÓ ‚ÒÂÏ Ô‡ꢀÚËflÏ, ‡ ˝ÙÙÂÍÚ˚,
ÔꢀËÏÂÌflÂÏ˚Â Í ÓÚ‰ÂθÌ˚Ï Ô‡ꢀÚËflÏ, – ÚÓθÍÓ Í Ó‰ÌÓÈ ÍÓÌÍꢀÂÚÌÓÈ. Reverb, Chorus Ë DSP 2 fl‚Îfl˛ÚÒfl ˝ÙÙÂÍÚ‡ÏË, ÔꢀËÏÂÌflÂÏ˚ÏË ÍÓ
‚ÒÂÈ ÒËÒÚÂÏÂ, ‡ DSP 3 - 7 (CVP-210)/DSP 3 - 5 (CVP-208) – ˝ÙÙÂÍÚ‡ÏË, ÔꢀËÏÂÌflÂÏ˚ÏË Í ÓÚ‰ÂθÌ˚Ï Ô‡ꢀÚËflÏ. ùÙÙÂÍÚ DSP1, ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‚ Ó·ÓËı ꢀÂÊËχı.
èꢀË‚Ó‰Ëχfl ÌËÊ ÒıÂχ ‰‡ÂÚ Ôꢀ‰ÒÚ‡‚ÎÂÌËÂ Ó ÒËÒÚÂÏ ҂flÁÂÈ ÏÂÊ‰Û ÓÚ‰ÂθÌ˚ÏË ·ÎÓ͇ÏË Ë ÔÓÁ‚ÓÎflÂÚ ÔꢀÓÒΉËÚ¸ ÔÛÚ¸
ÔꢀÓıÓʉÂÌËfl Ò˄̇· ÔÓ ÎËÌËflÏ ÔÓÒ˚· Ë ‚ÓÁ‚ꢀ‡Ú‡ ‚ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208.
ÑÎfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Regular (CVP-210)
DRY LINE
çÂËÒÔÓθÁÓ‚‡ÌÌ˚ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓχÚ˘ÂÒÍË
ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl ÓÒÚ‡‚¯ËÏÒfl ÌÂÓ·ꢀ‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚflÏ.
REVERB1
Dry
MAIN VOICE
Rev Send
DSP3
Cho Send
Dry
LAYER VOICE
LEFT VOICE
DSP4
DSP5
Rev Send
Cho Send
ë˄̇Π̇
‚˚ıÓ‰Â
Dry
Master EQ
CHORUS1
Rev Send
Cho Send
Dry
SONG
(͇ʉ˚È Í‡Ì‡Î)
DSP6
DSP7
DSP1
Rev Send
Cho Send
MIC. ˝ÙÙÂÍÚ
Dry
Vocal
Harmony
3 Band
EQ
Noise
MIC
Rev Send
ÍÓÏÔꢀÂÒÒÓꢀ
Gate
Cho Send
Dry
STYLE
(͇ʉ˚È Í‡Ì‡Î)
ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ÒËÒÚÂÏÌ˚È
˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl
‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
Rev Send
Cho Send
DSP Send
ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË
(‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) ̇Á̇˜Â̇
Ó‰ÌÓÏÛ ËÁ ͇̇ÎÓ‚ ÒÚËÎfl (STYLE)), ÚÓ ËÏ
Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
DSP1
CVP-210/208
129
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ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·ꢀÓ‚: äÓÌÒÓθ ÏËͯÂꢀ‡
ÑÎfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Regular (CVP-208)
DRY LINE
çÂËÒÔÓθÁÓ‚‡ÌÌ˚ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓχÚ˘ÂÒÍË
ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl ÓÒÚ‡‚¯ËÏÒfl ÌÂÓ·ꢀ‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚflÏ.
REVERB 1
Dry
MAIN VOICE
Rev Send
DSP3
Cho Send
DSP Send
Dry
LAYER VOICE
LEFT VOICE
DSP4
DSP5
Rev Send
Cho Send
ë˄̇Î
̇ ‚˚ıÓ‰Â
Dry
Master EQ
CHORUS 1
Rev Send
Cho Send
Dry
ùÙÙÂÍÚ
MIC
Vocal
Harmony
MIC
Rev Send
Cho Send
DSP Send
Dry
SONG
(͇ʉ˚È Í‡Ì‡Î)
Rev Send
Cho Send
DSP Send
Dry
STYLE
(͇ʉ˚È Í‡Ì‡Î)
ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ÒËÒÚÂÏÌ˚È
˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ
‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
DSP1
Rev Send
Cho Send
DSP Send
ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË
(‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) ̇Á̇˜Â̇
Ó‰ÌÓÏÛ ËÁ ͇̇ÎÓ‚ ÒÚËÎfl (STYLE)), ÚÓ ËÏ
Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
DSP1
DRY LINE
REVERB 2
ÑÎfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural
Dry
MAIN VOICE
Rev Send
Cho Send
DSP Send
Dry
LAYER VOICE
LEFT VOICE
MIC
Rev Send
Cho Send
DSP Send
ë˄̇Î
̇ ‚˚ıÓ‰Â
BRILLIANCE
CHORUS 2
Dry
Rev Send
Cho Send
DSP Send
Dry
Rev Send
Cho Send
DSP Send
Dry
STYLE/SONG
(͇ʉ˚È Í‡Ì‡Î)
Rev Send
Cho Send
DSP Send
DSP2
CVP-210/208
130
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇: MIC.
ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ꢀ‡Áꢀ‡·Óڇ̇ Ò ÔꢀËÏÂÌÂÌËÂÏ ÔÂꢀ‰ӂÓÈ ÚÂıÌÓÎÓ„ËË Ó·ꢀ‡·ÓÚÍË ÚÂÏ·ꢀ‡, Ôꢀ‰̇Á̇˜ÂÌÌÓÈ ‰Îfl
‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· ̇ ÓÒÌÓ‚Â Ó‰ÌÓ„Ó ‚Â‰Û˘Â„Ó ÚÂÏ·ꢀ‡. àϲÚÒfl ˜ÂÚ˚ꢀ ꢀ‡ÁÌ˚ı ꢀÂÊËχ „‡ꢀÏÓÌËÁ‡ˆËË Ì‡ꢀfl‰Û Ò
¯ËꢀÓÍËÏ ‚˚·ÓꢀÓÏ Ôꢀ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÚËÔÓ‚ „‡ꢀÏÓÌËÁ‡ˆËË. èÓÏËÏÓ Ó·˚˜ÌÓÈ „‡ꢀÏÓÌËÁ‡ˆËË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208
ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ ËÁÏÂÌflÚ¸ ÔÓÎ ËÒÔÓÎÌËÚÂÎfl ÔꢀË „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë/ËÎË Á‚Û˜‡ÌËfl ‚Â‰Û˘Â„Ó ‚Ó͇·. ç‡ÔꢀËÏÂꢀ, β·ÓÈ Ô‚ˆ
ÏÓÊÂÚ Ò ÔÓÏÓ˘¸˛ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡Ú¸ ‰‚ ԇꢀÚËË ÊÂÌÒÍÓ„Ó ·˝Í-‚Ó͇·. ÅÓθ¯ÓÈ ‚˚·Óꢀ
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ËÒÍβ˜ËÚÂθÌÓ ÚÓ˜ÌÓÂ Ë „Ë·ÍÓ ÛÔꢀ‡‚ÎÂÌË Á‚Û˜‡ÌËÂÏ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÔÓ‰Íβ˜ÂÌËË ÏËÍꢀÓÙÓ̇ ÒÏ. ̇
ÒÚꢀ. 155.
MIC.
SIGNAL
OVER
TALK
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
METRONOME
START STOP
MIC.
SIGNAL
OVER
VOICE EFFECT
REVERB
POWER
⁄
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY
⁄
ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
D
E
F
G
H
I
VOICE PART
ON ⁄ OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
LEFT
REC
TOP
START⁄STOP
REW
FF
REPEAT
FADE IN ⁄ OUT
FUNCTION
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITAL
STUDIO
MIN
MAX
TEMPO
TRANSPOSE
2
3
4
SOUND
CREATOR
TAP TEMPO
J
RESET
RESET
DIGITAL
RECORDING
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING
⁄
rit. SYNC.STOP SYNC.START START⁄STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
MIXING
CONSOLE
BALANCE
CHANNEL
PART
ON ⁄ OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
ë ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓꢀÓ‚ SIGNAL Ë OVER ‚˚·ÂꢀËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ̇ÒÚꢀÓÈÍÛ (ÒÚꢀ. 155).
MIC.
SIGNAL
OVER
TALK
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡
˝Íꢀ‡Ì‡ MICROPHONE SETTING
(̇ÒÚꢀÓÈÍË ÏËÍꢀÓÙÓ̇) (ÒÚꢀ. 133),
ÔÓÁ‚ÓÎflfl ꢀ„ÛÎËꢀÓ‚‡Ú¸ „ꢀÓÏÍÓÒÚ¸
ÏËÍꢀÓÙÓ̇ Ë „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
èÓ‰Íβ˜Ë‚ Í CVP-210/208 ÏËÍꢀÓÙÓÌ, ‚˚ ÏÓÊÂÚÂ
ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛
ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èꢀË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ
‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âꢀı ÒÛ˘ÂÒÚ‚Û˛˘Ëı
‰ÓꢀÓÊÂÍ.
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Íꢀ‡Ì‡ VOCAL HARMONY
TYPE, ÔÓÁ‚ÓÎflfl Á‡‰‡‚‡Ú¸ Úꢀ·ÛÂÏ˚È ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
èꢀ‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Ó·ꢀ‡·ÓÚÍË ÏËÍꢀÓÙÓÌÌÓ„Ó
Ò˄̇· ˝ÙÙÂÍÚÓÏ, Á‡‰‡ÌÌ˚Ï Ì‡ ˝Íꢀ‡Ì MIXING CONSOLE (ÒÚꢀ. 126).
ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚ꢀÂÏÂÌÌÓ ÓÚÍβ˜‡Ú¸
„‡ꢀÏÓÌËÁ‡ˆË˛ ‚Ó͇· Ë ‰ꢀÛ„Ë ˝ÙÙÂÍÚ˚ ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍꢀÓÙÓ̇. ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË ÏÂʉÛ
ËÒÔÓÎÌÂÌËÂÏ ÔÂÒÂÌ ËÒÔÓÎÌËÚÂθ Ó·ꢀ‡˘‡ÂÚÒfl Í ÔÛ·ÎËÍÂ.
Ç˚·Óꢀ ÚËÔ‡ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·
Ç˚·Óꢀ ÚËÔ‡
„‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
ç‡ÊÏËÚ ÍÌÓÔÍÛ
[VH TYPE
SELECT].
1
2
A
B
C
D
E
F
G
H
I
J
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ
ꢀ„ÛÎËꢀÓ‚‡Ú¸ ÛꢀÓ‚Â̸
ÔÓÒ˚· ˝ÙÙÂÍÚ‡.
1
2
3
4
5
6
7
8
CVP-210/208
131
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇: MIC.
3
A
B
C
D
E
F
G
H
I
ëÓıꢀ‡ÌÂÌË ËÁÏÂÌÂÌÌ˚ı
‰‡ÌÌ˚ı (ÒÚꢀ. 39, 48).
J
1
2
3
4
5
6
7
8
Ç˚·Óꢀ ÚËÔ‡ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
ÇÓÁ‚ꢀ‡Ú Í ˝Íꢀ‡ÌÛ VOCAL HARMONY TYPE.
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀ‡ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· (ÒÏ. ÌËÊÂ).
Ç˚·Óꢀ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀ‡.
èêàåÖóÄçàÖ
ç‡ÒÚꢀÓÈ͇Ï, ÒÓıꢀ‡ÌÂÌÌ˚Ï Ì‡
ÒÚꢀ‡Ìˈ USER, ÏÓÊÌÓ
̇Á̇˜ËÚ¸ ËÏfl (ÒÚꢀ. 45). äꢀÓÏÂ
ÚÓ„Ó, Ëı ÏÓÊÌÓ Û‰‡ÎËÚ¸
(ÒÚꢀ. 47).
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
END
è‡ꢀ‡ÏÂÚꢀ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony
íËÔ chordal/ÚËÔ vocoder
íËÔ ꢀÓ‰‡ „‡ꢀÏÓÌËË
éÔꢀ‰ÂÎflÂÚ, Í‡Í ÔꢀËÏÂÌfl˛ÚÒfl ÌÓÚ˚ „‡ꢀÏÓÌËË.
ÇÓÁÏÓÊÌ˚ ꢀÂÊËÏ˚ «Off» Ë «Auto». Ç ꢀÂÊËÏ «Auto» ꢀÓ‰ Á‚Û͇ „‡ꢀÏÓÌËË ËÁÏÂÌflÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
íËÔ ꢀÓ‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·ꢀ‡
éÔꢀ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ËÁÏÂÌflÚ¸Òfl ꢀÓ‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· (Ú.Â. Á‚ÛÍ, Ë‰Û˘ËÈ ÔꢀflÏÓ ÓÚ ÏËÍꢀÓÙÓ̇) Ë Í‡ÍËÏ Ó·ꢀ‡ÁÓÏ. Ç
ꢀÂÊËÏ «Off» ꢀÓ‰ Ì ËÁÏÂÌflÂÚÒfl. èꢀË ‚˚·Óꢀ «Unison» (ÛÌËÒÓÌ), «Male» (ÏÛÊÒÍÓÈ ÚÂÏ·ꢀ) ËÎË «Female» (ÊÂÌÒÍËÈ ÚÂÏ·ꢀ)
ÏÂÌflÂÚÒfl ꢀÓ‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. (Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÍÓ΢ÂÒÚ‚Ó ÌÓÚ „‡ꢀÏÓÌËË, ÒÓÔꢀÓ‚Óʉ‡˛˘Ëı ‚Â‰Û˘ËÈ ‚Ó͇Î,
ÛÏÂ̸¯ËÚÒfl ‰Ó Ó‰ÌÓÈ.)
ÉÎÛ·Ë̇ ꢀÓ‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·ꢀ‡
ç‡ÒÚꢀÓÈÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl ꢀÓ‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔꢀË ‚˚·Óꢀ ӉÌÓ„Ó ËÁ Â„Ó ÚËÔÓ‚ (ÒÏ. ‚˚¯Â).
àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ ‚Â‰Û˘Â„Ó
ÚÂÏ·ꢀ‡
ÖÒÎË ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË «Correct», ‚˚ÒÓÚ‡ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔÂꢀÂÏ¢‡ÂÚÒfl Ò ËÌÚÂꢀ‚‡ÎÓÏ ÚÓ˜ÌÓ ‚ ÔÓÎÚÓ̇. ùÚÓÚ
Ô‡ꢀ‡ÏÂÚꢀ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ÔꢀË ‚˚·Óꢀ ӉÌÓ„Ó ËÁ ÚËÔÓ‚ ꢀÓ‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇·.
Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓꢀÓ„ ‚ÂꢀıÌ„Ó
ꢀÓ‰‡
êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ꢀÏÓÌËË ÔÓ‰ÌËÏÂÚÒfl ̇ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)
‚˚¯Â ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·.
Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓꢀÓ„ ÌËÊÌ„Ó
ꢀÓ‰‡
êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ꢀÏÓÌËË ÒÚ‡ÌÂÚ Ì‡ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)
ÌËÊ ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·.
ÉÎÛ·Ë̇ ‚ÂꢀıÌÂ„Ó ꢀÓ‰‡
ç‡ÒÚꢀ‡Ë‚‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl ꢀÓ‰‡, ÔꢀËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ꢀÏÓÌËË, ·ÓΠ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡ꢀ‡ÏÂÚꢀÂ
AUTO UPPER GENDER THRESHOLD.
ÉÎÛ·Ë̇ ÌËÊÌÂ„Ó ꢀÓ‰‡
ç‡ÒÚꢀ‡Ë‚‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl ꢀÓ‰‡, ÔꢀËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ꢀÏÓÌËË, ÏÂÌ ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡ꢀ‡ÏÂÚꢀÂ
AUTO LOWER GENDER THRESHOLD.
ÉÎÛ·Ë̇ ‚Ë·ꢀ‡ÚÓ
ìÒڇ̇‚ÎË‚‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·ꢀ‡ÚÓ, ÔꢀËÏÂÌflÂÏÛ˛ Í Á‚ÛÍÛ „‡ꢀÏÓÌËË. í‡ÍÊ ‚ÎËflÂÚ Ì‡ Á‚Û˜‡ÌË ‚Â‰Û˘Â„Ó ‚Ó͇·.
ìÒڇ̇‚ÎË‚‡ÂÚ ÒÍÓꢀÓÒÚ¸ ˝ÙÙÂÍÚ‡ ‚Ë·ꢀ‡ÚÓ.
ëÍÓꢀÓÒÚ¸ ‚Ë·ꢀ‡ÚÓ
ᇉÂꢀÊ͇ ‚Ë·ꢀ‡ÚÓ
ÖÒÎË ÒËÌÚÂÁËꢀÛÂÚÒfl ÌÓÚ‡, Û͇Á˚‚‡ÂÚ ÔꢀÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ Á‡‰ÂꢀÊÍË ÔÂꢀ‰ ̇˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ‚Ë·ꢀ‡ÚÓ.
ÉꢀÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Harmony 1/2/3
ìÒڇ̇‚ÎË‚‡ÂÚ „ꢀÓÏÍÓÒÚ¸ ÔÂꢀ‚ÓÈ/‚ÚÓꢀÓÈ/ÚꢀÂÚ¸ÂÈ ÌÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË 1 – 3
̇Á̇˜‡˛ÚÒfl ‚ ÔÓꢀfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl ‚˚ÒÓ͇fl).
è‡ÌÓꢀ‡Ï‡ ˝ÙÙÂÍÚ‡ Harmony 1/2/3
ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂꢀÂÓ-ÔÓÁËˆË˛ (Ô‡ÌÓꢀ‡ÏÛ) ÔÂꢀ‚ÓÈ/‚ÚÓꢀÓÈ/ÚꢀÂÚ¸ÂÈ ÌÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚
„‡ꢀÏÓÌËÁ‡ˆËË 1 – 3 ̇Á̇˜‡˛ÚÒfl ‚ ÔÓꢀfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl
‚˚ÒÓ͇fl). èꢀË ‚˚·Óꢀ ꢀÂÊËχ «Random» ÒÚÂꢀÂÓ-ÔÓÁˈËfl Á‚Û͇ ·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔꢀË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡
Í·‚˯Ë.
ëÏ¢ÂÌË ˝ÙÙÂÍÚ‡ Harmony 1/2/3
Pitch to Note
ëÏ¢ÂÌË ÔÂꢀ‚ÓÈ/‚ÚÓꢀÓÈ/ÚꢀÂÚ¸ÂÈ ÌÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË Ì‡ Û͇Á‡ÌÌ˚È ÔꢀÓˆÂÌÚ. çÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË 1 - 3 ̇Á̇˜‡˛ÚÒfl ‚
ÔÓꢀfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl ‚˚ÒÓ͇fl).
Ç ꢀÂÊËÏ «ON» (ÇÍÎ.) Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔꢀÓË„ꢀ˚‚‡ÂÚÒfl ÒËÒÚÂÏÓÈ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
(é‰Ì‡ÍÓ ‰Ë̇Ï˘ÂÒÍË ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ‚Ó͇· Ì ‚ÎËfl˛Ú ̇ „ꢀÓÏÍÓÒÚ¸ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡.)
ó‡ÒÚ¸ Pitch to Note
éÔꢀ‰ÂÎflÂÚ, ͇͇fl ËÁ Ô‡ꢀÚËÈ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ·Û‰ÂÚ ÛÔꢀ‡‚ÎflÚ¸Òfl ‚Â‰Û˘ÂÏ ‚Ó͇ÎÓÏ, ÂÒÎË ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡
Pitch to Note ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË «ON».
CVP-210/208
132
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇: MIC.
ç‡ÒÚꢀÓÈ͇ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍꢀÓÙÓ̇: MICROPHONE SETTING
èÓꢀfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ
ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ [MIC.
SETTING].
Ç˚·ÂꢀËÚ ÒÚꢀ‡ÌËˆÛ MICROPHONE SETTING Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK]/
[NEXT] Ë ÛÒÚ‡ÌÓ‚ËÚ ԇꢀ‡ÏÂÚꢀ˚.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ꢀ‡Á΢Ì˚ı Ô‡ꢀ‡ÏÂÚꢀ‡ı Ë ÒÔÓÒÓ·‡ı Ëı ̇ÒÚꢀÓÈÍË
ÒÏ. ‰‡ÎÂÂ.
1
2
BACK
NEXT
A
B
C
D
E
F
G
H
I
END
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í
Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ,
̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
J
ç‡ÒÚꢀÓÈ͇ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·ꢀ‡·ÓÚÍË ÏËÍꢀÓÙÓÌÌÓ„Ó
Ò˄̇·: OVERALL SETTING
ëÓ‰ÂꢀʇÌË ‰‡ÌÌÓ„Ó ꢀ‡Á‰Â· ÓÚÌÓÒËÚÒfl Í ¯‡„Û 2, ÓÔËÒ‡ÌÌÓÏÛ ‚˚¯Â.
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀ‡ 3BAND EQ (ÚꢀÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂꢀ).
A
B
C
D
E
F
G
H
I
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ NOISE GATE („ÂÈÚ)/COMPRESSOR
(ÍÓÏÔꢀÂÒÒÓꢀ).
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚ VOCAL HARMONY CONTROL
(ÛÔꢀ‡‚ÎÂÌË „‡ꢀÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·)/MIC (ÏËÍꢀÓÙÓÌ).
J
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ËÁÏÂÌÂÌËfl Á̇˜ÂÌËfl ÙÛÌ͈ËÈ Ë Ì‡ÒÚꢀÓÂÍ. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓꢀχˆË˛ ÒÏ. ÌËÊÂ.
■ 3BAND EQ (ÚꢀÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂꢀ)
ùÍ‚‡Î‡ÈÁÂꢀ, Í‡Í Ôꢀ‡‚ËÎÓ, ÔꢀËÏÂÌflÂÚÒfl ‰Îfl ÍÓꢀꢀÂÍÚËꢀÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË
ÔÓÏ¢ÂÌËfl. Ç Á‚ÛÍ ‚˚‰ÂÎflÂÚÒfl ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËfl ËÎË ÔÓÌËÊÂÌËfl ÛꢀÓ‚Ìfl ͇ʉÓÈ ÔÓÎÓÒ˚,
ÔꢀÓËÒıÓ‰ËÚ ÍÓꢀꢀÂÍÚËꢀӂ͇ Á‚Û͇. ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÚꢀÂıÔÓÎÓÒÌ˚Ï ˆËÙꢀÓ‚˚Ï
˝Í‚‡Î‡ÈÁÂꢀÓÏ ‰Îfl Ó·ꢀ‡·ÓÚÍË ÏËÍꢀÓÙÓÌÌÓ„Ó Ò˄̇·.
Hz ............. ê„ÛÎËꢀӂ͇ ˆÂÌÚꢀ‡Î¸ÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚.
dB............. èÓ‰ÌflÚË ËÎË ÒÌËÊÂÌË ÛꢀÓ‚Ìfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ ̇ ‚Â΢ËÌÛ ‰Ó 12 ‰Å.
■ ùÙÙÂÍÚ NOISE GATE
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÔꢀË„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍꢀÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊ Û͇Á‡ÌÌÓ„Ó
ÛꢀÓ‚Ìfl. Ç ꢀÂÁÛθڇÚ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËʇÂÚÒfl ÛꢀÓ‚Â̸ ÔÓÒÚÓꢀÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎflfl ÔꢀÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ Ò˄̇ÎÛ (‚Ó͇ÎÛ Ë Ú.Ô.).
SW ............«SW» – ‡··ꢀ‚ˇÚÛꢀ‡ ÒÎÓ‚‡ Switch (ÔÂꢀÂÍβ˜‡ÚÂθ). àÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ˝ÙÙÂÍÚ‡ Noise Gate.
TH. ............«TH». – ‡··ꢀ‚ˇÚÛꢀ‡ ÒÎÓ‚‡ Threshold (ÔÓꢀÓ„). чÌÌ˚È ꢀ„ÛÎflÚÓꢀ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÛꢀÓ‚Ìfl ¯Ûχ, ÔꢀË
ÍÓÚÓꢀÓÏ „ÂÈÚ Ì‡˜Ë̇ÂÚ «ÓÚÍꢀ˚‚‡Ú¸Òfl».
CVP-210/208
133
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇: MIC.
■ ùÙÙÂÍÚ COMPRESSOR
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÒÌËʇڸ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍꢀÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ôꢀ‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È
ÛꢀÓ‚Â̸. Ö„Ó ËÒÔÓθÁÓ‚‡ÌË ÔÓÏÓ„‡ÂÚ ÔꢀË Á‡ÔËÒË Ò˄̇· Ò ·Óθ¯ËÏ ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. éÌ ˝ÙÙÂÍÚË‚ÌÓ «ÒÊËχÂÚ»
Ò˄̇ΠڇÍ, ˜ÚÓ ÚËıË ˜‡ÒÚË ÒÚ‡ÌÓ‚flÚÒfl „ꢀÓϘÂ, ‡ „ꢀÓÏÍË – Ú˯Â.
SW............ «SW» – ˝ÚÓ ‡··ꢀ‚ˇÚÛꢀ‡ ÒÎÓ‚‡ Switch (ÔÂꢀÂÍβ˜‡ÚÂθ). чÌÌ˚È ÔÂꢀÂÍβ˜‡ÚÂθ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë
‚˚Íβ˜ÂÌËfl ÍÓÏÔꢀÂÒÒÓꢀ‡.
TH............. «TH». – ‡··ꢀ‚ˇÚÛꢀ‡ ÒÎÓ‚‡ Threshold (ÔÓꢀÓ„). чÌÌ˚È ꢀ„ÛÎflÚÓꢀ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÛꢀÓ‚Ìfl Á‚ÛÍÓ‚Ó„Ó
Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓꢀÓ„Ó Ì‡˜Ë̇ÂÚ ÔꢀËÏÂÌflÚ¸Òfl ÒʇÚËÂ.
RATIO ...... ùÚÓÚ ꢀ„ÛÎflÚÓꢀ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ̇ÒÚꢀÓÈÍË ÍÓ˝ÙÙˈËÂÌÚ‡ ÒʇÚËfl.
OUT.......... ç‡ÒÚꢀÓÈ͇ ÛꢀÓ‚Ìfl ÓÍÓ̘‡ÚÂθÌÓ„Ó ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·.
■ VOCAL HARMONY CONTROL (Ô‡ꢀ‡ÏÂÚꢀ˚ ÛÔꢀ‡‚ÎÂÌËfl „‡ꢀÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·)
èꢀ˂‰ÂÌÌ˚ ÌËÊ ԇꢀ‡ÏÂÚꢀ˚ ÓÔꢀ‰ÂÎfl˛Ú ÒÔÓÒÓ· ÛÔꢀ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ çarmony.
VOCODER CONTROL (‚ÓÍÓ‰Âꢀ)
ùÙÙÂÍÚÓÏ Vocal Harmony ÛÔꢀ‡‚Îfl˛Ú ÌÓÚÌ˚ ‰‡ÌÌ˚Â, ÚÓ ÂÒÚ¸ ÌÓÚ˚, ÔꢀÓË„ꢀ˚‚‡ÂÏ˚ ̇ Í·‚ˇÚÛꢀÂ, Ë ÌÓÚ˚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÏÓÈ
ÔÂÒÌË. ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÔÓÁ‚ÓÎflÂÚ ÓÔꢀ‰ÂÎËÚ¸, ͇ÍË ÌÓÚ˚ ‰ÓÎÊÌ˚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÛÔꢀ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ Harmony.
•
SONG CHANNEL (͇̇ΠÔÂÒÌË)
MUTE/PLAY (‚˚ÍÎ./‚ÍÎ.):
ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «MUTE», ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀ ËÎË ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË ‚˚·ꢀ‡ÌÌ˚È Í‡Ì‡Î
Á‡„ÎÛ¯‡ÂÚÒfl (ÓÚÍβ˜‡ÂÚÒfl).
OFF:
Ç˚Íβ˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ ÛÔꢀ‡‚ÎÂÌËfl „‡ꢀÏÓÌËÁ‡ˆËÂÈ ‚Ó͇· Ò ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı, ‚ÁflÚ˚ı ËÁ هȷ ÔÂÒÌË.
1-16:
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ËÎË Ò ‚̯ÌÂ„Ó MIDI-ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ ÌÓÚÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‚ Á‡‰‡ÌÌ˚È
͇̇ΠÔÂÒÌË, ÓÔꢀ‰ÂÎfl˛Ú „‡ꢀÏÓÌËÁ‡ˆË˛.
•
KEYBOARD
OFF: Ç˚Íβ˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ ÛÔꢀ‡‚ÎÂÌËfl „‡ꢀÏÓÌËÁ‡ˆËÂÈ Ò Í·‚ˇÚÛꢀ˚.
UPPER (‚˚¯Â): ɇꢀÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔꢀ‡‚‡ ÓÚ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚.
LOWER (ÌËÊÂ): ɇꢀÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ꢀ‡ÒÔÓÎÓÊÂÌÌ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl.
BALANCE
èÓÁ‚ÓÎflÂÚ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË „ꢀÓÏÍÓÒÚË ‚Â‰Û˘Â„Ó ‚Ó͇· (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·ꢀ‡) Ë ˝ÙÙÂÍÚÓÏ Vocal Harmony.
ì‚Â΢ÂÌË Á̇˜ÂÌËfl ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ÛÒËÎË‚‡ÂÚ „ꢀÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vocal Harmony Ë ÛÏÂ̸¯‡ÂÚ „ꢀÓÏÍÓÒÚ¸ ‚Â‰Û˘Â„Ó ‚Ó͇·.
ÖÒÎË ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË L<H63 („‰Â L – ‚Â‰Û˘ËÈ ‚Ó͇Î, ‡ H – ˝ÙÙÂÍÚ Vocal Harmony), Á‚Û˜ËÚ ÚÓθÍÓ ˝ÙÙÂÍÚ Vocal Harmony;
ÂÒÎË ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË L63>H, Á‚Û˜ËÚ ÚÓθÍÓ ‚Â‰Û˘ËÈ ‚Ó͇Î.
MODE (ꢀÂÊËÏ „‡ꢀÏÓÌËÁ‡ˆËË)
ÇÒ ÚËÔ˚ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· ÔÓ‰ꢀ‡Á‰ÂÎfl˛ÚÒfl ̇ ÚꢀË ꢀÂÊËχ, ÔꢀË ÍÓÚÓꢀ˚ı „‡ꢀÏÓÌËÁ‡ˆËfl ÔꢀÓËÁ‚Ó‰ËÚÒfl ꢀ‡Á΢Ì˚Ï Ó·ꢀ‡ÁÓÏ.
ùÙÙÂÍÚ „‡ꢀÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ ‚˚·Óꢀ‡ ‰ÓꢀÓÊÍË Ë ꢀÂÊËχ „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·, ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÓÔꢀ‰ÂÎflÂÚ, ͇ÍËÏ Ó·ꢀ‡ÁÓÏ
·Û‰ÂÚ ÔꢀÓËÁ‚Ó‰ËÚ¸Òfl „‡ꢀÏÓÌËÁ‡ˆËfl ÚÂÏ·ꢀ‡. ùÚË ÚꢀË ꢀÂÊËχ ÓÔËÒ‡Ì˚ ÌËÊÂ.
VOCODER (‚ÓÍÓ‰Âꢀ):
çÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË Á‡‰‡˛ÚÒfl ÌÓÚ‡ÏË, ‚‚Ó‰ËÏ˚ÏË ÔꢀË Ë„ꢀ ̇ Í·‚ˇÚÛꢀ (Main, Layer Ë Left), Ë/ ËÎË ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË
هȷ ÔÂÒÌË, ÒÓ‰Âꢀʇ˘Â„Ó ‰ÓꢀÓÊÍË „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇·.
CHORDAL (‡ÍÍÓꢀ‰˚):
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓꢀ‰˚, ÍÓÚÓꢀ˚ ˄ꢀ‡˛ÚÒfl ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Í·‚ˇÚÛꢀ˚. èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓꢀ‰˚, ÒÓ‰Âꢀʇ˘ËÂÒfl ‚ Ù‡ÈÎÂ
ÔÂÒÌË. (ùÚÓÚ ꢀÂÊËÏ Ì‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÌÂÚ ‡ÍÍÓꢀ‰Ó‚.)
AUTO (‡‚ÚÓχÚ˘ÂÒÍËÈ):
ÖÒÎË ‰Îfl Ô‡ꢀÚËË Î‚ÓÈ ꢀÛÍË ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË ON Ë ÂÒÎË ‚ Ù‡ÈΠÔÂÒÌË ÒÓ‰ÂꢀʇÚÒfl ‡ÍÍÓꢀ‰˚,
ꢀÂÊËÏÛ „‡ꢀÏÓÌËÁ‡ˆËË ‡‚ÚÓχÚ˘ÂÒÍË ÔꢀËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË CHORDAL (‡ÍÍÓꢀ‰˚). ÇÓ ‚ÒÂı ‰ꢀÛ„Ëı ÒÎÛ˜‡flı ËÒÔÓθÁÛÂÚÒfl
ꢀÂÊËÏ VOCODER.
CHORD
èÂꢀ˜ËÒÎÂÌÌ˚ ÌËÊ ԇꢀ‡ÏÂÚꢀ˚ Á‡‰‡˛Ú Ú ‰‡ÌÌ˚ ‚ Ù‡ÈΠÔÂÒÌË, ÍÓÚÓꢀ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ꢀ‡ÒÔÓÁ̇‚‡ÌËfl
‡ÍÍÓꢀ‰Ó‚.
OFF: ÄÍÍÓꢀ‰˚ Ì ꢀ‡ÒÔÓÁ̇˛ÚÒfl.
XF: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓꢀ‰˚ ‚ ÙÓꢀχÚ XF.
1-16: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓꢀ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ Û͇Á‡ÌÌÓÏ Í‡Ì‡Î ÔÂÒÌË.
■ MIC (MICROPHONE) (ÏËÍꢀÓÙÓÌ)
èꢀ˂‰ÂÌÌ˚ ÌËÊ ԇꢀ‡ÏÂÚꢀ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔꢀ‡‚ÎÂÌËfl Á‚ÛÍÓÏ ÏËÍꢀÓÙÓ̇.
MUTE ................................Ç ÔÓÎÓÊÂÌËË OFF ÏËÍꢀÓÙÓÌ ÓÚÍβ˜ÂÌ.
VOLUME („ꢀÓÏÍÓÒÚ¸).....ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË ÏËÍꢀÓÙÓÌÌÓ„Ó Ò˄̇·.
CVP-210/208
134
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àÒÔÓθÁÓ‚‡ÌË ÏËÍꢀÓÙÓ̇: MIC.
ç‡ÒÚꢀÓÈ͇ „ꢀÓÏÍÓÒÚË ÏËÍꢀÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚: ÒÚꢀ‡Ìˈ‡
TALK SETTING
ᇉ‡ÂÚ Ô‡ꢀ‡ÏÂÚꢀ˚ ÔꢀË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [TALK] (ꢀ˜¸).
èꢀ˂‰ÂÌÌ˚ ҂‰ÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ̇ ÒÚꢀ. 133.
VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR („ꢀÓÏÍÓÒÚ¸/Ô‡ÌÓꢀ‡ÏÌÓÂ
Á‚Û˜‡ÌËÂ/„ÎÛ·Ë̇ ꢀ‚Âꢀ·Âꢀ‡ˆËË/„ÎÛ·Ë̇ ıÓꢀÛÒ‡/Ó·˘ËÈ ÛꢀÓ‚Â̸ Á‡ÚÛı‡ÌËfl)
A
B
C
D
E
F
G
H
I
J
1
2
3
4
5
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ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÍÓ˝ÙÙˈËÂÌÚ‡ Á‡ÚÛı‡ÌËfl,
ÍÓÚÓꢀ‡fl ‰ÓÎÊ̇ ·˚Ú¸ ÔꢀËÏÂÌÂ̇ Í Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ (Á‡
ËÒÍβ˜ÂÌËÂÏ ‚ıÓ‰fl˘Â„Ó Ò˄̇· ÏËÍꢀÓÙÓ̇), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ
˝ÙÙÂÍÚË‚ÌÓ ꢀ„ÛÎËꢀÓ‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ÚÂÏ·ꢀÓÏ
ËÒÔÓÎÌËÚÂÎfl Ë Ó·˘ËÏ Á‚Û˜‡ÌËÂÏ ËÌÒÚꢀÛÏÂÌÚ‡.
ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ „ꢀÓÏÍÓÒÚ¸
Á‚Û˜‡ÌËfl ÏËÍꢀÓÙÓ̇.
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÛÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂꢀÂÓ-
ÔÓÁËˆË˛ Á‚Û͇ ÏËÍꢀÓÙÓ̇.
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú „ÎÛ·ËÌÛ ꢀ‚Âꢀ·Âꢀ‡ˆËË Ë ıÓꢀÛÒ‡,
ÔꢀËÏÂÌflÂÏ˚ı Í ÏËÍꢀÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ.
DSP/TYPE/DEPTH (DSP/ÚËÔ/„ÎÛ·Ë̇)
F
G
H
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A
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ᇉ‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP, ÔꢀËÏÂÌflÂÏÓ„Ó
Í Á‚ÛÍÛ ÏËÍꢀÓÙÓ̇.
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË (ON/OFF) ˝ÙÙÂÍÚ‡
DSP, ÔꢀËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍꢀÓÙÓ̇.
Ç˚·Óꢀ ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP, ÍÓÚÓꢀ˚È ‰ÓÎÊÂÌ
ÔꢀËÏÂÌflÚ¸Òfl Í Á‚ÛÍÛ ÏËÍꢀÓÙÓ̇.
CVP-210/208
135
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ — ÏÂÌ˛ Function
êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í ꢀfl‰Û ÒÓ‚ꢀÂÏÂÌÌ˚ı ÙÛÌ͈ËÈ, ‚ÎËfl˛˘Ëı ̇ ËÌÒÚꢀÛÏÂÌÚ ‚ ˆÂÎÓÏ. ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ì‡ÒÚꢀÓËÚ¸
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚꢀ·ÌÓÒÚflÏË Ë ‚ÍÛÒ‡ÏË.
METRONOME
START STOP
MIC.
SIGNAL
OVER
TALK
VOICE EFFECT
REVERB
POWER
VOCAL HARMONY
EFFECT
VH TYPE SELECT
MIC. SETTING
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
BACK
NEXT
MENU
DEMO
SONG
ON
OFF
VOICE
EXTRA TRACKS
STYLE
TRACK
L
2
TRACK
R
1
PIANO
&
HARPSI.
E. PIANO
ORGAN
&
ACCORDION
PERCUSSION
GUITAR
SYNTH.
BASS
XG
ORGAN FLUTES
USER
A
B
C
F
G
H
I
VOICE PART
ON OFF
MASTER VOLUME
TAP TEMPO
GUIDE
HELP
BRASS
WOODWIND
STRINGS
CHOIR
&
PAD
LAYER
REC
TOP
START STOP
REW
FF
REPEAT
FADE IN OUT
FUNCTION
LEFT
ENTER
MUSIC FINDER
ONE TOCTH SETTING
1
DIGITA
M
L
ENU
MIN
MAX
STUDO
D
TEMPO
TRANSPOSE
2
3
4
SOUN
CREAT
TAP TEMPO
E
J
RESET
RESET
AL
REG
STYLE
PIANO
DATA
ACMP
AUTO FILL IN
OTS LINK
BREAK
INTRO
MAIN
ENDING rit. SYNC.STOP SYNC.START START STOP
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
NG
OLE
BALANCE
PART
CHANNEL
ON OFF
PART
2
3
4
5
6
7
8
EXIT
FUNCTION
èÓꢀfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ
MENU
DEMO
Ç˚·ÂꢀËÚ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛.
2
1
HELP
FUNCTION
A
B
C
D
E
F
G
H
I
ç‡ÒÚꢀÓÈÚ ԇꢀ‡ÏÂÚꢀ˚ ‚˚·ꢀ‡ÌÌÓÈ
ÙÛÌ͈ËË.
èÓꢀfl‰ÓÍ Ì‡ÒÚꢀÓÈÍË Í‡Ê‰ÓÈ ÙÛÌ͈ËË
ÓÔËÒ‡Ì ÌËÊÂ.
J
3
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í
Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
END
ê„ÛÎËꢀӂ͇ ‚˚ÒÓÚ˚ Ë Ì‡ÒÚꢀÓÈ͇ ËÌÒÚꢀÛÏÂÌÚ‡ – Master Tune Ë Scale Tune
■ Master Tune (Ó·˘‡fl ̇ÒÚꢀÓÈ͇) (ÒÚꢀ. 138)
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ Óڂ˜‡ÂÚ Á‡ ÚÓÌÍÛ˛ ̇ÒÚꢀÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰ÒÚꢀÓËÚ¸Òfl ÔÓ‰ ‚˚ÒÓÚÛ Á‚Û͇
‰ꢀÛ„Ëı ËÌÒÚꢀÛÏÂÌÚÓ‚.
■ Scale Tune (ÒÚꢀ. 138)
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÓÔꢀ‰ÂÎflÂÚ ÍÓÌÍꢀÂÚÌÛ˛ ÒËÒÚÂÏÛ Ì‡ÒÚꢀÓÈÍË (ÚÂÏÔÂꢀ‡ˆË˛) ËÌÒÚꢀÛÏÂÌÚ‡. ùÚÓ ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁÌÓ ‰Îfl ËÒÔÓÎÌÂÌËfl
ÒÚ‡ꢀËÌÌ˚ı ÔꢀÓËÁ‚‰ÂÌËÈ, ÍÓ„‰‡ Úꢀ·ÛÂÚÒfl ÚÂÏÔÂꢀ‡ˆËfl, ÔꢀËÌflÚ‡fl ‚ ÚÛ ˝ÔÓıÛ.
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ÔꢀÓË„ꢀ˚‚‡ÌËfl ÔÂÒÌË Ë ÚËÔ˚ ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë Chord Fingering
■ Style Setting/Split Point (̇ÒÚꢀÓÈ͇ ÒÚËÎfl/ÚӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚) (ÒÚꢀ. 141)
ùÚÓÚ ˝Íꢀ‡Ì ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ Ë Ì‡ÒÚꢀÓËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚, Ò‚flÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
■ Chord Fingering (‡ÔÔÎË͇ÚÛꢀ‡ ‡ÍÍÓꢀ‰Ó‚) (ÒÚꢀ. 142)
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÓÔꢀ‰ÂÎflÂÚ ÏÂÚÓ‰ ‚ÁflÚËfl/ÓÚÓ·ꢀ‡ÊÂÌËfl ‡ÍÍÓꢀ‰Ó‚ ÔꢀË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. åÓÊÌÓ
‰‡Ê ÔꢀÓ‚ÂꢀflÚ¸, Í‡Í ·ꢀ‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓꢀ‰, ÔÓÒÍÓθÍÛ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Íꢀ‡Ì.
CVP-210/208
136
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Í·‚ˇÚÛꢀ˚ Ë Ô‰‡ÎÂÈ –
˝Íꢀ‡Ì Controller
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI
■ System (ÒÚꢀ. 148)
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ꢀ‡Á΢Ì˚ı ÒËÒÚÂÏÌ˚ı
ÒÓÓ·˘ÂÌËÈ (Clock, Start/Stop, System Exclusive Ë Ú. Ô.), ‡
Ú‡ÍÊ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ ꢀÂÊËÏ Local Control.
■ Pedal (ÒÚꢀ. 142)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÓÔꢀ‰ÂÎfl˛Ú, Í‡Í ËÒÔÓθÁÛ˛ÚÒfl Ô‰‡ÎË
(‚Íβ˜‡fl ÌÓÊÌ˚ ÍÓÌÚꢀÓÎÎÂꢀ˚ Ë ÔÂꢀÂÍβ˜‡ÚÂÎË).
艇ÎflÏ ÏÓÊÌÓ ÔꢀËÒ‚‡Ë‚‡Ú¸ ꢀ‡ÁÌ˚ ÙÛÌ͈ËË, ˜ÚÓ
ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÌÓÊÌÓ ÛÔꢀ‡‚ÎÂÌË ڇÍËÏË
ÙÛÌ͈ËflÏË, Í‡Í ‚Íβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ËÎË ‚Íβ˜ÂÌË ‚ÒÚ‡‚ÓÍ (Ùꢀ‡Á Fill In).
■ Transmit (ÒÚꢀ. 149)
ùÚÓÚ ˝Íꢀ‡Ì ÓÔꢀ‰ÂÎflÂÚ, Í‡Í ‰‡ÌÌ˚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
ÔÂꢀ‰‡˛ÚÒfl ̇ MIDI-ÛÒÚꢀÓÈÒÚ‚‡, Ú.Â. Í‡Í Ô‡ꢀÚËË
ꢀ‡ÒÔꢀ‰ÂÎfl˛ÚÒfl ÏÂÊ‰Û Í‡Ì‡Î‡ÏË MIDI Transmit. åÓÊÌÓ
Ú‡ÍÊ Û͇Á‡Ú¸ ÚËÔ ‰‡ÌÌ˚ı, ÔÂꢀ‰‡‚‡ÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ
͇̇ÎÓ‚.
■ Keyboard/Panel (Í·‚ˇÚÛꢀ‡/ÔÂꢀ‰Ìflfl Ô‡ÌÂθ)
(ÒÚꢀ. 144)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ Á‡‰‡˛Ú ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛꢀ˚ Í
ÒËÎ˚ ̇ʇÚËfl) Ë ÔÓÁ‚ÓÎfl˛Ú ÌÂÁ‡‚ËÒËÏÓ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡Ú¸
Í·‚ˇÚÛꢀÛ, ÔÂÒÌ˛ Ë ‚ÂÒ¸ ËÌÒÚꢀÛÏÂÌÚ.
■ Receive (ÒÚꢀ. 150)
ùÚÓÚ ˝Íꢀ‡Ì ÓÔꢀ‰ÂÎflÂÚ, Í‡Í ˜‡ÒÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
CVP-210/208 Ó·ꢀ‡·‡Ú˚‚‡˛Ú ÍÓχ̉˚, ÔÓÒÚÛÔ‡˛˘Ë Ò
ÔÓ‰Íβ˜ÂÌÌ˚ı MIDI-ÛÒÚꢀÓÈÒÚ‚, Ú.Â. Í‡Í ˝ÚË ˜‡ÒÚË
ꢀ‡ÒÔꢀ‰ÂÎfl˛ÚÒfl ÔÓ Í‡Ì‡Î‡Ï MIDI Receive. åÓÊÌÓ Ú‡ÍÊÂ
Û͇Á‡Ú¸ ÚËÔ ÍÓχ̉, ÔꢀËÌËχÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ ͇̇ÎÓ‚.
Freeze Ë Voice Set
■ Root (ÒÚꢀ. 150)
éÔꢀ‰ÂÎflÂÚ Í‡Ì‡Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
■ Registration Sequence (ÒÚꢀ. 145)
éÔꢀ‰ÂÎflÂÚ ÔÓꢀfl‰ÓÍ ‚˚ÁÓ‚‡ ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚,
ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎË.
■ Chord Detect (ÒÚꢀ. 150)
éÔꢀ‰ÂÎflÂÚ Í‡Ì‡Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Ë ꢀ‡ÒÔÓÁ̇‚‡ÂÏ˚ ÔÓ ‡ÍÍÓꢀ‰‡Ï.
■ Freeze (ÒÚꢀ. 145)
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚, ÍÓÚÓꢀ˚ Ì ‰ÓÎÊÌ˚
ÏÂÌflÚ¸Òfl ÔꢀË ÒÏÂÌ ̇·ÓꢀÓ‚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ËÁ
ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
■ Config 1 (ÒÚꢀ. 151)
ùÚ‡ ÒÚꢀ‡Ìˈ‡ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚꢀÓËÚ¸ ÙÂȉËÌ„ (Fade In/Out),
ÏÂÚꢀÓÌÓÏ (Metronome), ÙÛÌ͈ËË ·ÎÓÍËꢀÓ‚ÍË Ô‡ꢀ‡ÏÂÚꢀ‡
̇ʇÚËË ÍÌÓÔÍË Tap.
■ Voice Set (ÒÚꢀ. 146)
èÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, ‰ÓÎÊÌ˚ ÎË ‡‚ÚÓχÚ˘ÂÒÍË
Á‡„ꢀÛʇڸÒfl ÌÂÍÓÚÓꢀ˚ ԇꢀ‡ÏÂÚꢀ˚, Ò‚flÁ‡ÌÌ˚ Ò
ÚÂÏ·ꢀ‡ÏË (˝ÙÙÂÍÚ˚, ˝Í‚‡Î‡ÈÁÂꢀ, „‡ꢀÏÓÌËÁ‡ˆËfl Ë Ú. ‰.),
ÔꢀË ‚˚·Óꢀ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚÂÏ·ꢀ‡.
■ Config 2 (ÒÚꢀ. 152)
á‰ÂÒ¸ ÏÓÊÌÓ ÓÚꢀ„ÛÎËꢀÓ‚‡Ú¸ ˝Íꢀ‡Ì, Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚
‰Ë̇ÏËÍÓ‚ Ë ËÁÏÂÌËÚ¸ ÔÓꢀfl‰ÓÍ Ó·ÓÁ̇˜ÂÌËfl ÌÓÏÂꢀÓ‚
ÚÂÏ·ꢀÓ‚.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Harmony Ë Echo (ÒÚꢀ. 146)
˝ÙÙÂÍÚÓ‚ „‡ꢀÏÓÌËÁ‡ˆËË ËÎË ˝ı‡ ‰Îfl ÚÂÏ·ꢀÓ‚, Ë„ꢀ‡ÂÏ˚ı ̇
Í·‚ˇÚÛꢀÂ.
■ Disk (ÒÚꢀ. 153)
ç‡ ˝ÚÓÈ ÒÚꢀ‡Ì˘ ÏÓÊÌÓ ÙÓꢀχÚËꢀÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ Ë
ÍÓÔËꢀÓ‚‡Ú¸ Ù‡ÈÎ˚ Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰ꢀÛ„Û˛.
■ Owner (ÒÚꢀ. 154)
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ flÁ˚Í ËÌÚÂꢀÙÂÈÒ‡ Ë ‚‚ÂÒÚË
ÒÓ·ÒÚ‚ÂÌÌÓ ËÏfl, ÍÓÚÓꢀÓ ·Û‰ÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl ̇ ˝Íꢀ‡ÌÂ
͇ʉ˚È ꢀ‡Á ÔꢀË ‚Íβ˜ÂÌËË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ. åÓÊÌÓ
Ú‡ÍÊ ‚˚·ꢀ‡Ú¸ ÙÓÌ ‰Îfl „·‚ÌÓ„Ó ˝Íꢀ‡Ì‡.
éÚÓ·ꢀ‡ÊÂÌË ˝Íꢀ‡Ì‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova ̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ – Video Out
(ÒÚꢀ. 147)
ùÚË Ì‡ÒÚꢀÓÈÍË ÓÔꢀ‰ÂÎfl˛Ú ÒÓ‰ÂꢀÊËÏÓ ËÒıÓ‰fl˘Â„Ó
‚ˉÂÓÒ˄̇· ÔꢀË ‚˚‚Ӊ ÒÓ‰ÂꢀÊËÏÓ„Ó ˝Íꢀ‡Ì‡ ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ CVP-210/208 ̇ ÏÓÌËÚÓꢀ ÚÂ΂ËÁÓꢀ‡ (ÔÓ‰Íβ˜ÂÌÌÓ„Ó
Í ꢀ‡Á˙ÂÏÛ VIDEO OUT).
■ System Reset (ÒÚꢀ. 154)
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍËÂ
̇ÒÚꢀÓÈÍË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. åÓÊÌÓ Ú‡ÍÊÂ
Û͇Á‡Ú¸, ͇ÍË ÚËÔ˚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Úꢀ·ÛÂÚÒfl ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸,
Ë ÒÓıꢀ‡ÌËÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚꢀÓÈÍË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚
·Û‰Û˘ÂÏ.
CVP-210/208
137
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
íÓÌ͇fl ̇ÒÚꢀÓÈ͇ ‚˚ÒÓÚ˚/‚˚·Óꢀ ÚÂÏÔÂꢀ‡ˆËË – Master Tune/Scale Tune
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ. ÒÚꢀ. 136.
ç‡ÒÚꢀÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·ꢀÓ‚ – Master Tune
èêàåÖóÄçàÖ
Ɉ („Âꢀˆ)
ÉÂꢀˆ – ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂꢀÂÌËfl
˜‡ÒÚÓÚ˚ Á‚Û͇,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ
ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚
ÒÂÍÛ̉Û.
èêàåÖóÄçàÖ
îÛÌ͈Ëfl ̇ÒÚꢀÓÈÍË ‚˚ÒÓÚ˚ ÌÂ
‚ÎËflÂÚ Ì‡ ÚÂÏ·ꢀ˚ Drum Kit Ë
SFX Kit (Û‰‡ꢀÌ˚ Ë
ÒÔˆ˝ÙÙÂÍÚ˚).
1
2
3
4
5
6
7
8
éÔꢀ‰ÂÎflÂÚ ·‡ÁÓ‚Û˛ ‚˚ÒÓÚÛ Á‚Û͇ ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ CVP-210/208 ‚ Ôꢀ‰Â·ı ÓÚ 414,8 ‰Ó 466,8 Ɉ.
óÚÓ·˚ ·˚ÒÚꢀÓ ‚ÂꢀÌÛÚ¸Òfl Í Á‡‚Ó‰ÒÍÓÈ ÛÒÚ‡ÌÓ‚ÍÂ
(440,0 Ɉ), ̇ÊÏËÚ ӉÌÓ‚ꢀÂÏÂÌÌÓ ÍÌÓÔÍË 4 Ë 5 [■■].
Ç˚·Óꢀ ÚÂÏÔÂꢀ‡ˆËË – Scale Tune
èêàåÖóÄçàÖ
ñÂÌÚ
Ç˚·ÂꢀËÚ ÌÛÊÌ˚È ¯‡·ÎÓÌ ÒÚꢀÓfl.
Ö‰ËÌˈ‡ ËÁÏÂꢀÂÌËfl ‚˚ÒÓÚ˚,
ꢀ‡‚̇fl Ó‰ÌÓÈ ÒÓÚÓÈ ÔÓÎÛÚÓ̇
(100 ˆÂÌÚÓ‚ = 1 ÔÓÎÛÚÓÌ).
èêàåÖóÄçàÖ
A
íÂÏÔÂꢀ‡ˆË˛, Á‡‰‡ÌÌÛ˛
ÔÓθÁÓ‚‡ÚÂÎÂÏ, ÏÓÊÌÓ
ÔꢀË‚flÁ‡Ú¸ Í ÍÌÓÔÍÂ
REGISTRATION MEMORY. ÑÎfl
˝ÚÓ„Ó ÔÓÏÂÚ¸Ú „‡ÎÓ˜ÍÓÈ
Ô‡ꢀ‡ÏÂÚꢀ «SCALE» ̇ ˝Íꢀ‡ÌÂ
REGISTRATION MEMORY
(ÒÚꢀ. 88).
B
C
D
E
èÓÁ‚ÓÎflÂÚ ‚˚·ꢀ‡Ú¸ ˜‡ÒÚË, ÍÓÚÓꢀ˚ ·Û‰ÛÚ ꢀ„ÛÎËꢀÓ‚‡Ú¸Òfl
̇ÒÚꢀÓÈ͇ÏË ÒÚꢀÓfl.
Ç˚·ÂꢀËÚ ˜‡ÒÚ¸ ‰Îfl ̇ÒÚꢀÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ 6 ËÎË 7 [■■], ‡
Á‡ÚÂÏ ‚Íβ˜ËÚ (ON) ËÎË ‚˚Íβ˜ËÚ (OFF) ÙÛÌÍˆË˛, ̇ʇ‚
ÍÌÓÔÍÛ 8 [■■].
ó‡ÒÚË, ‰Îfl ÍÓÚÓꢀ˚ı ÙÛÌ͈Ëfl ‚˚Íβ˜Â̇ (OFF), ÒÓıꢀ‡Ìfl˛Ú
ꢀ‡‚ÌÓÏÂꢀÌÓ ÚÂÏÔÂꢀËꢀÓ‚‡ÌÌ˚È ÒÚꢀÓÈ (Equal Temperament).
1
2
3
4
5
6
7
8
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ÚÓÌÍÛ˛
ꢀ„ÛÎËꢀÓ‚ÍÛ ‚˚ÒÓÚ˚ Ò ¯‡„ÓÏ ‚ 1 ˆÂÌÚ. óÚÓ·˚ ·˚ÒÚꢀÓ
‚ÂꢀÌÛÚ¸Òfl Í Á̇˜ÂÌ˲ ÔÓ ÛÏÓΘ‡Ì˲ (440,0 Ɉ),
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË 4 Ë 5 [■■].
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÓÒÌÓ‚ÌÛ˛ ÌÓÚÛ ‰Îfl ͇ʉÓÈ
ÚÂÏÔÂꢀ‡ˆËË.
ÖÒÎË ÓÒÌӂ̇fl ÌÓÚ‡ ÏÂÌflÂÚÒfl, ‚˚ÒÓÚ‡ Á‚Û͇
Í·‚ˇÚÛꢀ˚ Úꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl, ÌÓ ËÒıÓ‰ÌÓÂ
ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ‚˚ÒÓÚÓÈ ÌÓÚ ÒÓıꢀ‡ÌflÂÚÒfl.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Û͇Á‡Ú¸ ̇ÒÚꢀ‡Ë‚‡ÂÏÛ˛ ÌÓÚÛ Ë ‚Â΢ËÌÛ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚.
ÑˇԇÁÓÌ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ: ÓÚ -64 ‰Ó +63. ç‡ÒÚꢀÓÈ͇ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ¯‡„ÓÏ ‚
1 ˆÂÌÚ (1/100 ÔÓÎÛÚÓ̇).
CVP-210/208
138
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ëÚꢀÓÈ
■ Equal Temperament (ꢀ‡‚ÌÓÏÂꢀÌÓ ÚÂÏÔÂꢀËꢀÓ‚‡ÌÌ˚È ÒÚꢀÓÈ)
Ç˚ÒÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Í‡Ê‰ÓÈ ÓÍÚ‡‚˚ ‰ÂÎËÚÒfl ̇ 12 ꢀ‡‚Ì˚ı ˜‡ÒÚÂÈ Ò ꢀ‡‚ÌÓÏÂꢀÌ˚Ï ꢀ‡ÒÔꢀ‰ÂÎÂÌËÂÏ ÔÓ ‚˚ÒÓÚ (ꢀ‡‚ÌÓÏÂꢀÌÓ
ÚÂÏÔÂꢀËꢀÓ‚‡ÌÌ˚È ÒÚꢀÓÈ). ëÂȘ‡Ò ˝ÚÓ Ò‡Ï˚È ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌÌ˚È ÒÚꢀÓÈ.
■ Pure Major/Pure Minor (˜ËÒÚ˚È Ï‡ÊÓꢀ/˜ËÒÚ˚È ÏËÌÓꢀ)
Ç ˝ÚËı ÚÂÏÔÂꢀ‡ˆËflı ÒÓıꢀ‡ÌÂÌ˚ χÚÂχÚ˘ÂÒÍË ÚÓ˜Ì˚ ËÌÚÂꢀ‚‡Î˚, ÓÒÓ·ÂÌÌÓ ‚ ÚꢀÂÁ‚Û˜Ëflı (ÓÒÌÓ‚ÌÓÈ ÚÓÌ-ÚÂꢀˆËfl-Í‚ËÌÚ‡). üꢀ˜Â
‚ÒÂ„Ó Ú‡Í‡fl ÚÂÏÔÂꢀ‡ˆËfl ÔꢀÓfl‚ÎflÂÚÒfl ‚ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ‚Ó͇θÌ˚ı „‡ꢀÏÓÌËflı (ıÓꢀÓ‚Ó ÔÂÌË ËÎË ÔÂÌË a capella).
■ Pythagorean (ÔËÙ‡„ÓꢀÂÈÒÍËÈ ÒÚꢀÓÈ)
ùÚÓÚ ÒÚꢀÓÈ ·˚Î ꢀ‡Áꢀ‡·ÓÚ‡Ì Á̇ÏÂÌËÚ˚Ï „ꢀ˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓꢀÓÏ Ì‡ ÓÒÌÓ‚Â ˜ËÒÚ˚ı Í‚ËÌÚ, ÛÎÓÊÂÌÌ˚ı ‚ Ó‰ÌÛ ÓÍÚ‡‚Û.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚÂꢀˆËfl Ò΄͇ ÌÂÒÚ‡·Ëθ̇, ÌÓ Í‚‡ꢀÚ‡ Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔꢀÂÍꢀ‡ÒÌÓ Ë ıÓꢀÓ¯Ó ÔÓ‰ıÓ‰flÚ ‰Îfl ÏÂÎÓ‰ËÈ ÓÔꢀ‰ÂÎÂÌÌÓ„Ó
ÚËÔ‡.
■ Mean-Tone
ùÚ‡ ÚÂÏÔÂꢀ‡ˆËfl ÒÓÁ‰‡‚‡Î‡Ò¸ Í‡Í ÛÎÛ˜¯ÂÌÌ˚È ‚‡ꢀˇÌÚ ÔËÙ‡„ÓꢀÂÈÒÍÓ„Ó ÒÚꢀÓfl Ë ÓÚ΢‡ÂÚÒfl ·ÓΠÒÚꢀÓÈÌ˚Ï Á‚Û˜‡ÌËÂÏ
χÊÓꢀÌÓÈ ÚÂꢀˆËË. é̇ ·˚· ÓÒÓ·ÂÌÌÓ ÔÓÔÛÎflꢀ̇ Ò ¯ÂÒÚ̇‰ˆ‡ÚÓ„Ó ÔÓ ‚ÓÒÂÏ̇‰ˆ‡Ú˚È ‚ÂÍ. Ö ËÒÔÓθÁÓ‚‡ÎË ÏÌÓ„ËÂ
ÍÓÏÔÓÁËÚÓꢀ˚, ‚ ÚÓÏ ˜ËÒΠÉẨÂθ.
■ Werckmeister/Kirnberger
ùÚ‡ ÒÓÒÚ‡‚̇fl ÚÂÏÔÂꢀ‡ˆËfl ꢀ‡Áꢀ‡·Óڇ̇ ̇ ÓÒÌÓ‚Â ‰‚Ûı ÒËÒÚÂÏ ÚÂÏÔÂꢀ‡ˆËË (Werckmeister Ë Kirnberger), Ôꢀ‰ÒÚ‡‚Îfl˛˘Ëı ÒÓ·ÓÈ
ÛÎÛ˜¯ÂÌÌ˚ ‚‡ꢀˇÌÚ˚ ÔËÙ‡„ÓꢀÂÈÒÍÓ„Ó ÒÚꢀÓfl Ë ÒÚꢀÓfl «mean-tone». É·‚̇fl ÓÒÓ·ÂÌÌÓÒÚ¸ ˝ÚÓÈ ÚÂÏÔÂꢀ‡ˆËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ
͇ʉ‡fl ÚÓ̇θÌÓÒÚ¸ ÔꢀËÓ·ꢀÂÚ‡ÂÚ ÓÒÓ·Ó ÛÌË͇θÌÓ Á‚Û˜‡ÌËÂ. ùÚ‡ ÚÂÏÔÂꢀ‡ˆËfl ¯ËꢀÓÍÓ ÔꢀËÏÂÌfl·Ҹ ‚Ó ‚ꢀÂÏÂ̇ Ňı‡ Ë
ÅÂÚıÓ‚Â̇ Ë ‰‡Ê ‚ ̇¯Â ‚ꢀÂÏfl ËÒÔÓθÁÛÂÚÒfl ÔꢀË ËÒÔÓÎÌÂÌËË ÒÚ‡ꢀËÌÌ˚ı ÒÓ˜ËÌÂÌËÈ ‰Îfl Í·‚ÂÒË̇.
■ Arabic
ùÚ‡ ÚÂÏÔÂꢀ‡ˆËfl ËÒÔÓθÁÛÂÚÒfl, ÍÓ„‰‡ ËÒÔÓÎÌflÂÚÒfl ‡ꢀ‡·Ò͇fl ÏÛÁ˚͇.
á̇˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚꢀÓfl (‚ ˆÂÌÚ‡ı,‚ ͇˜ÂÒÚ‚Â ÔꢀËÏÂꢀ‡ ‚ÁflÚ ‰Ó-χÊÓꢀ)
á̇˜ÂÌËfl ‚ ˝ÚÓÈ Ú‡·Îˈ ÓÍꢀÛ„ÎÂÌ˚ ‰Ó ˆÂÎÓ„Ó ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ËÌÒÚꢀÛÏÂÌÚÂ.
C
Cꢁ
D
Eꢀ
E
F
Fꢁ
G
Aꢀ
A
Bꢀ
B
Equal Temperament
Pure Major
Pure Minor
Pythagorean
Mean-Tone
Werckmeister
Kirnberger
0.0
0.0
0.0
0.0
0.0
0.0
0.0
0.0
0.0
0.0
-29,7
33,6
14,1
-24,2
-10,2
-10,2
0.0
0.0
3,9
0.0
15,6
15,6
-6,3
10,2
-6,3
-6,3
0.0
0.0
-14,1
-14,1
7,8
0.0
-2,3
-2,3
-2,3
3,1
0.0
-9,4
0.0
2,3
0.0
-27,3
14,1
15,6
-27,3
-7,8
-7,8
0.0
0.0
-15,6
-15,6
6,3
0.0
18,0
18,0
-3,9
7,0
0.0
-11,7
-11,7
10,2
-17,2
-7,8
3,9
31,3
11,7
-20,3
-11,7
-10,2
0.0
2,3
3,9
2,3
-7,0
-7,8
-7,0
-50.0
0.0
-14,1
-10,2
-14,1
0.0
-3,1
-3,9
-3,1
0.0
-10,2
-11,7
-10,2
-50.0
0.0
-2,3
-2,3
0.0
-3,9
-3,9
0.0
-11,7
0.0
Arabic1
Arabic2
0.0
0.0
-50.0
0.0
0.0
0.0
0.0
0.0
-50.0
CVP-210/208
139
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song Settings
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ ÒÚꢀ. 136.
èêàåÖóÄçàÖ
Quick Start (·˚ÒÚꢀ˚È Á‡ÔÛÒÍ)
àÌÓ„‰‡ ‚ ÍÓÏÏÂꢀ˜ÂÒÍËı Á‡ÔËÒflı
ÌÂÍÓÚÓꢀ˚ ԇꢀ‡ÏÂÚꢀ˚ ÔÂÒÌË
(ÌÓÏÂꢀ ÚÂÏ·ꢀ‡, „ꢀÓÏÍÓÒÚ¸ Ë Ú. ‰.)
Á‡ÔËÒ‡Ì˚ ‚ ÔÂꢀ‚ÓÏ Ú‡ÍÚ ÔÂꢀ‰
ÌÓÚ‡ÏË. ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ «Quick
Start» ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË ON,
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208
Ò˜ËÚ˚‚‡ÂÚ ˝ÚË ‰‡ÌÌ˚ Ò
èÓÁ‚ÓÎflÂÚ ÔꢀÓË„ꢀ˚‚‡Ú¸ ‚Ò ÔÂÒÌË ËÁ
Á‡‰‡ÌÌÓÈ Ô‡ÔÍË Ó‰ÌÛ Á‡ ‰ꢀÛ„ÓÈ.
äÌÓÔ͇ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË Quick Start (ÒÏ. ÔꢀËϘ‡ÌËÂ).
χÍÒËχθÌÓÈ ÒÍÓꢀÓÒÚ¸˛, ‡
Á‡ÚÂÏ ‡‚ÚÓχÚ˘ÂÒÍË ÒÌËʇÂÚ
ÒÍÓꢀÓÒÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡‰‡ÌÌ˚Ï
ÚÂÏÔÓÏ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË
A
B
C
D
E
F
G
H
I
ᇉ‡ÂÚ ÏÂÚÓ‰ Guide.
ÇÍβ˜‡ÂÚ (ON) ËÎË
‚˚Íβ˜‡ÂÚ (OFF)
Ë̉Ë͇ÚÓꢀ˚.
χÍÒËχθÌÓ ·˚ÒÚꢀÓ (Ò
ÏËÌËχθÌÓÈ Á‡‰ÂꢀÊÍÓÈ Ì‡
Ò˜ËÚ˚‚‡ÌË ÛÔꢀ‡‚Îfl˛˘ÂÈ
ËÌÙÓꢀχˆËË).
J
éÔꢀ‰ÂÎflÂÚ ‚ꢀÂÏfl, ˜ÂꢀÂÁ ÍÓÚÓꢀÓ Á‡„ÓꢀflÚÒfl
Ë̉Ë͇ÚÓꢀ˚.
èêàåÖóÄçàÖ
Channel (͇̇Î)
àÏÂÂÚÒfl ‚ ‚Ë‰Û Í‡Ì‡Î MIDI
(ÒÚꢀ. 161). ä‡Ì‡Î˚
ꢀ‡ÒÔꢀ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ
Ó·ꢀ‡ÁÓÏ.
èÂÒÌfl
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
JUST .... à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl ËÏÂÌÌÓ ‚
ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚
Ë„ꢀ‡Ú¸.
NEXT.... à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl ÌÂÏÌÓ„Ó
ꢀ‡Ì¸¯Â ÚÓ„Ó ÏÓÏÂÌÚ‡, ÍÓ„‰‡ ‚˚
‰ÓÎÊÌ˚ Ë„ꢀ‡Ú¸. ÖÒÎË ‚˚
1
2
3
4
5
6
7
8
̇ÊËχÂÚ ̇ Í·‚Ë¯Ë Ì ‚Ó‚ꢀÂÏfl,
Ë̉Ë͇ÚÓꢀ˚ ̇˜Ë̇˛Ú ÏË„‡Ú¸.
ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Phrase
Mark Repeat (Á‡ˆËÍÎË‚‡ÌËfl
ÏÛÁ˚͇θÌÓ„Ó Ùꢀ‡„ÏÂÌÚ‡). ÖÒÎË ˝Ú‡
ÙÛÌ͈Ëfl ‚Íβ˜Â̇, Á‡‰‡ÌÌ˚È
èêàåÖóÄçàÖ
à̉Ë͇ÚÓꢀ˚ Á‡„Óꢀ‡˛ÚÒfl ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË,
ÔꢀËÒ‚ÓÂÌÌ˚Ï ‰ÓꢀÓÊÍ‡Ï 1 Ë 2, Ë
‡ÍÍÓꢀ‰‡ÏË ÔÂÒÌË (ÂÒÎË ÓÌË
ÂÒÚ¸). åÓÊÌÓ ÓÒÚ‡‚ËÚ¸ ÙÛÌÍˆË˛
AUTO SET CH ‚ ÔÓÎÓÊÂÌËË ON,
Ë Í‡Ì‡Î ÔÂÒÌË ·Û‰ÂÚ Á‡‰‡Ì
‡‚ÚÓχÚ˘ÂÒÍË. ÖÒÎË
ꢀÂÁÛθڇÚ˚ ‚‡Ò Ì ÛÒÚꢀ‡Ë‚‡˛Ú,
ÌÂÓ·ıÓ‰ËÏÓ Òӄ·ÒÓ‚‡Ú¸
Ô‡ꢀ‡ÏÂÚꢀ˚ Channel Setting
«TRK1 CH» Ë «TRK2 CH» ‰Îfl
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ꢀÚËÈ
Ôꢀ‡‚ÓÈ Ë Î‚ÓÈ ꢀÛÍË.
Ùꢀ‡„ÏÂÌÚ ÔÂÒÌË ÏÓÊÌÓ «Á‡ˆËÍÎËÚ¸»
Ú‡Í, ˜ÚÓ·˚ ÓÌ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÎÒfl ÒÌÓ‚‡
Ë ÒÌÓ‚‡. ëÔÓÒÓ· ‚˚·Óꢀ‡ ÔÓÁˈËË
ÎÓ͇ÚÓꢀ‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ
ÒÔÓÒÓ·‡, ÔꢀËÏÂÌflÂÏÓ„Ó ÔꢀË ꢀ‡·ÓÚ Ò
˝Íꢀ‡ÌÓÏ SONG POSITION (ÒÚꢀ. 80).
ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔꢀË‚flÁ‡ÌÌ˚È Í ÍÌÓÔÍÂ
[TRACK2].
ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔꢀË‚flÁ‡ÌÌ˚È Í ÍÌÓÔÍÂ
[TRACK1].
äÌÓÔÍË ‚˚·Óꢀ‡ flÁ˚͇ ‰Îfl
ÓÚÓ·ꢀ‡ÊÂÌËfl ÚÂÍÒÚ‡ ÔÂÒÌË.
ÖÒÎË ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË «AUTO», ÔÓ
ÛÏÓΘ‡Ì˲ ‚˚·Ëꢀ‡ÂÚÒfl flÁ˚Í,
Û͇Á‡ÌÌ˚È ‚ Ù‡ÈΠÔÂÒÌË. ÖÒÎË
‚˚·ꢀ‡ÌÓ ‰ꢀÛ„Ó Á̇˜ÂÌË (ÌÂ
«AUTO»), ÚÂÍÒÚ ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ̇
flÔÓÌÒÍÓÏ flÁ˚ÍÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â
flÁ˚͇ ËÌÚÂꢀÙÂÈÒ‡ (ÒÚꢀ. 154) ‚˚·ꢀ‡Ì
«JAPANESE». ÑÎfl ‚ÒÂı ÓÒڇθÌ˚ı
flÁ˚ÍÓ‚ ‚˚·Ëꢀ‡ÂÚÒfl Á̇˜ÂÌËÂ
«INTERNATIONAL».
ᇉ‡ÂÚ Í‡Ì‡Î „‡ꢀÏÓÌËÁ‡ˆËË Ò ÔÓÏÓ˘¸˛
‚ÓÍÓ‰Âꢀ‡ (ÒÚꢀ. 134).
èêàåÖóÄçàÖ
èÓÁˈËfl ÎÓ͇ÚÓꢀ‡
ùÚË ‰‡ÌÌ˚ Û͇Á˚‚‡˛Ú ̇
ÓÔꢀ‰ÂÎÂÌÌÓ ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
ÖÒÎË ‚˚·ꢀ‡ÌÓ Á̇˜ÂÌË «ON»,
͇̇Î˚ ‰ÓꢀÓÊÂÍ 1 Ë 2 ̇Á̇˜‡˛ÚÒfl
‡‚ÚÓχÚ˘ÂÒÍË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl Ò
ÙÛÌ͈ËflÏË Ó·Û˜ÂÌËfl. é·˚˜ÌÓ ˝Ú‡
ÙÛÌ͈Ëfl ‰ÓÎÊ̇ ·˚Ú¸ ‚Íβ˜Â̇.
CVP-210/208
140
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style
Setting, Split Point Ë Chord Fingering
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ ÒÚꢀ. 136.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë
Split Point
èêàåÖóÄçàÖ
äÌÓÔÍË ‚˚·Óꢀ‡ ꢀ‡Á‰ÂÎÓ‚, ‰Îfl ÍÓÚÓꢀ˚ı
ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚:
ꢀ‡Á‰ÂÎ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ꢀ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ꢀÛÍË ËÎË
Ó·‡ ˝ÚËı ꢀ‡Á‰Â·. ÑÂꢀʇ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ,
̇ÊÏËÚ Í·‚˯Û, ÍÓÚÓꢀ‡fl ÒÚ‡ÌÂÚ ÚÓ˜ÍÓÈ
ꢀ‡Á‰ÂÎÂÌËfl. ç‡Ê‡Ú‡fl Í·‚˯‡ ‚ıÓ‰ËÚ ‚ ‰Ë‡Ô‡ÁÓÌ,
Óڂ‰ÂÌÌ˚È ÔÓ‰ ꢀ‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ACMP), ËÎË ‚ ꢀ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ꢀÛÍË (LEFT).
A+L (ACMP + LEFT)
è‡ꢀ‡ÏÂÚꢀ Section Set
ÖÒÎË Í‡Í‡fl ÎË·Ó ËÁ „·‚Ì˚ı
˜‡ÒÚÂÈ (Main A - D) Ì ‚Íβ˜Â̇
‚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ëꢀ‡ÂÚÒfl
·ÎËʇȯ‡fl Í ÌÂÈ ˜‡ÒÚ¸.
ç‡ÔꢀËÏÂꢀ, ÂÒÎË ÔꢀÓÔÛ˘Â̇
˜‡ÒÚ¸ D, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl
˜‡ÒÚ¸ C.
F
G
H
I
J
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‰Îfl ꢀ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ꢀ‡Á‰Â· ‰Îfl ΂ÓÈ ꢀÛÍË.
L (LEFT)
èÓÁ‚ÓÎflÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ ‰Îfl ꢀ‡Á‰Â· ΂ÓÈ ꢀÛÍË.
A (ACMP)
èÓÁ‚ÓÎflÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ ‰Îfl ꢀ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
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ᇉ‡ÂÚ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl ‰Îfl ꢀ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ACMP) Ë ꢀ‡Á‰Â· ‰Îfl ΂ÓÈ ꢀÛÍË
(LEFT). ùÚÓ Á̇˜ÂÌË ÏÓÊÂÚ ÓÚÌÓÒËÚÒfl Í Ó·ÓËÏ ꢀ‡Á‰ÂÎ‡Ï ËÎË Í Í‡Ê‰ÓÏÛ ËÁ ÌËı ÔÓ
ÓÚ‰ÂθÌÓÒÚË. óÚÓ·˚ ‚˚·ꢀ‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ‚‡ꢀˇÌÚ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [F], [G] Ë [H]
(ÒÏ. ‚˚¯Â). äꢀÓÏ ÚÓ„Ó, ˝ÚË ÍÌÓÔÍË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ò‡ÏË ÔÓ Ò· ‰Îfl ÛÒÚ‡ÌÓ‚ÍË
ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚.
ᇉ‡ÂÚ ˜‡ÒÚ¸ ÔÓ ÛÏÓΘ‡Ì˲, ÍÓÚÓꢀ‡fl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔꢀË ‚˚·ÓꢀÂ
ꢀ‡Á΢Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÍÓ„‰‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚Íβ˜ÂÌ).
ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË
Á‡‰‡ÌÓ Á̇˜ÂÌË «ON», ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇
Í·‚Ë¯Ë (‚ ꢀ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).
àÌÒÚꢀÛÏÂÌÚ CVP-210/208 ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡Ú¸ ꢀÂÊËÏ Sync Stop (ÒËÌıꢀÓÌÌÓÈ
ÓÒÚ‡ÌÓ‚ÍË) (ÒÚꢀ. 69). ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚ÒÚꢀÓ Ì‡Ê‡Ú¸ Ë ÓÚÔÛÒÚËÚ¸ ÌÂÒÍÓθÍÓ Í·‚˯ ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ‚ꢀÂÏfl Û‰ÂꢀʇÌËfl Í·‚˯.
èêàåÖóÄçàÖ
è‡ꢀ‡ÏÂÚꢀ Split point ÏÓÊÌÓ
Á‡‰‡Ú¸ ̇ ˝Íꢀ‡Ì MAIN.
ùÚË ÍÌÓÔÍË ÓÚÌÓÒflÚÒfl Í ÙÛÌ͈ËË OTS Link, ÔÓÁ‚ÓÎfl˛˘ÂÈ ‚ ÓÔꢀ‰ÂÎÂÌÌÓÏ ÔÓꢀfl‰Í Á‡„ꢀÛʇڸ ̇ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ
͇҇ÌË» ÔꢀË ÒÏÂÌ ˜‡ÒÚÂÈ. éÌË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ‚ꢀÂÏfl ÒÏÂÌ˚ Ï„ÌÓ‚ÂÌÌ˚ı ̇ÒÚꢀÓÂÍ. (äÌÓÔ͇ [OTS LINK] ‰ÓÎÊ̇
·˚Ú¸ ‚Íβ˜Â̇.)
Real Time (‚ ꢀ‡θÌÓÏ ‚ꢀÂÏÂÌË)
ç‡ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡„ꢀÛʇÂÚÒfl Òꢀ‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË.
èêàåÖóÄçàÖ
éÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
‚Íβ˜ÂÌ, ‡ ÒËÌıꢀÓÌÌ˚È Á‡ÔÛÒÍ
‚˚Íβ˜ÂÌ, ÏÓÊÌÓ Ë„ꢀ‡Ú¸
‡ÍÍÓꢀ‰˚ ‚ ΂ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛꢀ˚ (˜‡ÒÚË
Next Bar (ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡)
ç‡ÒÚꢀÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡„ꢀÛʇÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË.
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ÔꢀË
ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÒÚËÎÂ Ë ‚ÒÂ-Ú‡ÍË
ÒÎ˚¯‡Ú¸ ‡ÍÍÓꢀ‰˚
åÓÊÌÓ Û͇Á‡Ú¸, ‰ÓÎÊÂÌ ÎË ‡ÍÍÓꢀ‰, ÔꢀÓË„ꢀ‡ÌÌ˚È ‚ ꢀ‡Á‰ÂΠ‡ÍÍÓꢀ‰Ó‚, Á‚Û˜‡Ú¸ ÔꢀË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË «OFF», ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÙÙÂÍÚ Harmony (ÒÚꢀ. 62), Ì ‚ÓÒÔꢀÓËÁ‚Ó‰fl ÒÚËθ.
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ (A) íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ (L)
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ ÓÚ‰ÂÎflÂÚ ꢀ‡Á‰ÂÎ Í·‚ˇÚÛꢀ˚, Óڂ‰ÂÌÌ˚È ÔÓ‰
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP), Ë ꢀ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ꢀÛÍË (LEFT) ÓÚ ꢀ‡Á‰Â· ‰Îfl
Ôꢀ‡‚ÓÈ ꢀÛÍË (MAIN). íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl LEFT Ì ÏÓÊÂÚ Ì‡ıÓ‰ËÚ¸Òfl ΂ ÚÓ˜ÍË
ACMP. ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ÚӘ͇ ACMP Ì ÏÓÊÂÚ ·˚Ú¸ Ôꢀ‡‚ ÚÓ˜ÍË LEFT.
ê‡Á‰ÂÎ ‰Îfl
ê‡Á‰ÂÎ ‰Îfl
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ôꢀ‡‚ÓÈ ꢀÛÍË
΂ÓÈ ꢀÛÍË
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ (A) + (L)
ê‡Á‰ÂÎ ‰Îfl
Ôꢀ‡‚ÓÈ ꢀÛÍË
ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
+ ꢀ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ꢀÛÍË
CVP-210/208
141
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
Ç˚·Óꢀ ‡ÔÔÎË͇ÚÛꢀ˚ – Chord Fingering
éÔꢀ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚, ÍÓÚÓꢀ˚ ‚˚ Ë„ꢀ‡ÂÚ ̇ Í·‚ˇÚÛꢀÂ, ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ËÎË ‚ÓÒÔꢀÓËÁ‚Ó‰flÚ ‡ÍÍÓꢀ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
ꢀ‡ÁÛ˜ËÚ¸ ÓÔꢀ‰ÂÎÂÌÌ˚ ‡ÍÍÓꢀ‰˚, ËÒÔÓθÁÛÈÚ ۉӷÌÛ˛ ÙÛÌÍˆË˛ Chord Tutor (ÒÏ. ÌËÊÂ).
èêàåÖóÄçàÖ
ç‡ ˝Íꢀ‡Ì ‡ÍÍÓꢀ‰˚
ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‰Îfl ÏÂÚÓ‰‡
Fingered ÌÂÁ‡‚ËÒËÏÓ ÓÚ
ì͇Á˚‚‡ÂÚ ÌÓÚ˚, ÓÚÌÓÒfl˘ËÂÒfl
‡ÔÔÎË͇ÚÛꢀ˚, Ù‡ÍÚ˘ÂÒÍË
Í ‡ÍÍÓꢀ‰Û. çÂÍÓÚÓꢀ˚ ÌÓÚ˚
‚˚·ꢀ‡ÌÌÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
ÏÓÊÌÓ ÌÂ Ë„ꢀ‡Ú¸. ìÒÎÓ‚ÌÓÂ
Ó·ÓÁ̇˜ÂÌË ‡ÍÍÓꢀ‰‡
Û͇Á˚‚‡ÂÚÒfl ÒÔꢀ‡‚‡ ÓÚ ÒÚꢀÓÍË
«CHORD NAME».
èêàåÖóÄçàÖ
îÛÌ͈Ëfl Chord Tutor
.... é·flÁ‡ÚÂθ̇fl ÌÓÚ‡
.... åÓÊÂÚ ·˚Ú¸ ÓÔÛ˘Â̇
.... ã˛·‡fl ËÁ ˝ÚËı ÌÓÚ ÏÓÊÂÚ
·˚Ú¸ ÓÔÛ˘Â̇
.... ùÚÛ ÌÓÚÛ ÏÓÊÌÓ ÓÔÛ¯Â̇,
ÂÒÎË ÓÔÛ˘Â̇ ÌÓÚ‡ ÒÓ
Á̇˜ÍÓÏ
óÚÓ·˚ ÛÁ̇ڸ, Í‡Í Ôꢀ‡‚ËθÌÓ
‚ÁflÚ¸ ‡ÍÍÓꢀ‰, ÏÓÊÌÓ
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl «˝ÎÂÍÚꢀÓÌÌÓÈ
Ú‡·ÎˈÂÈ ‡ÍÍÓꢀ‰Ó‚» Chord Tutor.
ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË
ÌÛÊÌÓ Ò˚„ꢀ‡Ú¸ Á‡‰‡ÌÌÛ˛
ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓꢀ‰Ó‚.
ÑÓÒÚ‡ÚÓ˜ÌÓ Û͇Á‡Ú¸ ÌÛÊÌ˚È
‡ÍÍÓꢀ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[6■■] - [8■■], Ë Ì‡ ˝Íꢀ‡ÌÂ
ÓÚÓ·ꢀ‡ÁflÚÒfl ÔÓϘÂÌÌ˚Â
ÓÒÓ·˚ÏË Á̇˜Í‡ÏË Í·‚˯Ë
(‡ÔÔÎË͇ÚÛꢀ‡ ‡ÍÍÓꢀ‰‡ ‚ ꢀÂÊËÏÂ
Fingered).
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ùÚË ÍÌÓÔÍË ÓÔꢀ‰ÂÎfl˛Ú ÚËÔ
‡ÔÔÎË͇ÚÛꢀ˚ (ÒÚꢀ. 66).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
ËÁÏÂÌËÚ¸ ÚËÔ ‡ÍÍÓꢀ‰‡.
ùÚË ÍÌÓÔÍË Ôꢀ‰ÒÚ‡‚Îfl˛Ú ‡ÍÍÓꢀ‰ ̇
flÁ˚Í ÏÛÁ˚͇θÌÓÈ ÌÓÚ‡ˆËË.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ËÁÏÂÌËÚ¸
ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓꢀ‰‡.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Í·‚ˇÚÛꢀ˚ Ë Ô‰‡ÎÂÈ – Controller
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ ÒÚꢀ. 136.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ô‰‡ÎÂÈ
A
B
C
D
E
F
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H
I
ᇉ‡ÂÚ Ô‰‡Î¸, ÍÓÚÓꢀÓÈ
̇Á̇˜‡ÂÚÒfl ÙÛÌ͈Ëfl.
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌËÂ
ÙÛÌ͈ËË Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË
Á‡‚ËÒËÚ ÓÚ ÚÓ„Ó, ͇͇fl ËÏÂÌÌÓ
Ô‰‡Î¸ ÔÓ‰Íβ˜Â̇ Í ꢀ‡Á˙ÂÏÛ
[AUX PEDAL]. ç‡ÔꢀËÏÂꢀ,
̇ʇÚË Ô‰‡ÎË Ó‰ÌÓÈ Ï‡ꢀÍË
‚Íβ˜‡ÂÚ ÙÛÌÍˆË˛, ‡ ‰ꢀÛ„ÓÈ –
‚˚Íβ˜‡ÂÚ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó
Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÓÊÌÓ Ì‡ÒÚꢀÓËÚ¸
Ô‰‡ÎË ÔꢀË‚˚˜Ì˚Ï ‰Îfl ‚‡Ò
Ó·ꢀ‡ÁÓÏ.
J
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ᇉ‡ÂÚ ÙÛÌÍˆË˛, ÔꢀËÒ‚‡Ë‚‡ÂÏÛ˛
ÖÒÎË Úꢀ·ÛÂÚÒfl, ÏÓÊÌÓ
‚˚·ꢀ‡ÌÌÓÈ Ô‰‡ÎË. ã˛·ÓÈ Ô‰‡ÎË ÏÓÊÌÓ
ÔꢀËÒ‚ÓËÚ¸ β·Û˛ ÙÛÌ͈ËÈ ËÁ ÒÔËÒ͇.
àÌÙÓꢀχˆË˛ Ó ÚÓÏ, ͇ÍË ÙÛÌ͈ËË
ÏÓÊÌÓ ÔꢀËÒ‚‡Ë‚‡Ú¸, ÒÏ ‚ ꢀ‡Á‰ÂÎÂ
‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ˜‡ÒÚ¸,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÂ.
åÓÊÌÓ Ú‡ÍÊ Á‡‰‡Ú¸ ÛꢀÓ‚Â̸
ÔÓÒ˚· ˝ÙÙÂÍÚ‡ (ÒÏ.
«îÛÌ͈ËË, ÍÓÚÓꢀ˚ÏË ÏÓÊÌÓ ÛÔꢀ‡‚ÎflÚ¸ Ò
ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ» ̇ ÒÚꢀ. ÒÚꢀ. 143.
ÒÎÂ‰Û˛˘Û˛ ÒÚꢀ‡ÌˈÛ).
CVP-210/208
142
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
îÛÌ͈ËË, ÍÓÚÓꢀ˚ÏË ÏÓÊÌÓ ÛÔꢀ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ
èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÌÓÊÌÓ ÛÔꢀ‡‚ÎÂÌË „ꢀÓÏÍÓÒÚ¸˛ (ÚÓθÍÓ Ô‰‡Î¸ AUX).
VOLUME*
SUSTAIN
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÔꢀÓË„ꢀ˚‚‡ÂÏ˚ ÌÓÚ˚ Á‚Û˜‡Ú ‰Óθ¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, Á‚Û˜‡ÌË ÔꢀÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔꢀÂÍꢀ‡˘‡ÂÚÒfl.
ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰Âꢀʇڸ Ô‰‡Î¸, ‚Íβ˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÔꢀÓ‰ÎflÂÚÒfl ÚÓθÍÓ ÔÂꢀ‚‡fl ÌÓÚ‡ (ÌÓÚ‡, ÍÓÚÓꢀÛ˛ ‚˚ Ò˚„ꢀ‡ÎË Ë ‰ÂꢀʇÎË ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl
Ô‰‡ÎË). ç‡ÔꢀËÏÂꢀ, ˝ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔꢀÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓꢀ‰‡, ÍÓ„‰‡ ÌÓÚ˚, Ë‰Û˘Ë Òꢀ‡ÁÛ Á‡ ÌËÏ, Ë„ꢀ‡˛ÚÒfl ÒÚ‡Í͇ÚÓ.
SOSTENUTO
ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÌÂÏÌÓ„Ó ÛÏÂ̸¯‡ÂÚ „ꢀÓÏÍÓÒÚ¸ Ë Ò΄͇ ËÁÏÂÌflÂÚ ÚÂÏ·ꢀ. ùÚÓÚ ˝ÙÙÂÍÚ ÒΉÛÂÚ ÔꢀËÏÂÌflÚ¸ Î˯¸ Í ÌÂÍÓÚÓꢀ˚Ï ÚÂÏ·ꢀ‡Ï – ̇ÔꢀËÏÂꢀ,
PIANO (ÙÓꢀÚÂÔˇÌÓ).
SOFT
äÓ„‰‡ ‚˚ ̇ÊËχÂÚ ̇ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ÏÂÌflÂÚÒfl. äÓ„‰‡ ‚˚ ÓÚÔÛÒ͇ÂÚ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ‚ÓÁ‚ꢀ‡˘‡ÂÚÒfl Í ÌÓꢀχθÌÓÈ.
GLIDE
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ ÔÓꢀÚ‡ÏÂÌÚÓ (Ô·‚ÌÓ ÒÍÓθÊÂÌË Á‚Û͇ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓꢀÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒfl ÔꢀË Ë„ꢀ Î„‡ÚÓ (Ú.Â.
ÔÓÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ Ë„ꢀ‡ÂÚÒfl ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ¢ ÓÚÔÛ˘Â̇ Ôꢀ‰˚‰Û˘‡fl). ÇꢀÂÏÂÌÌ˚ „ꢀ‡Ìˈ˚ ÔÓꢀÚ‡ÏÂÌÚÓ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ ˝Íꢀ‡Ì Mixing Console
(ÒÚꢀ. 125). ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural.
PORTAMENTO
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl. èꢀËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‰‡ÎË AUX Ë Ôꢀ‡‚ÓÈ Ô‰‡ÎË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
PITCHBEND*
ÇÍβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·ꢀ‡ÚÓ ‰Îfl ÌÓÚ, Ò˚„ꢀ‡ÌÌ˚ı ̇ Í·‚ˇÚÛꢀÂ. ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Û‚Â΢˂‡ÂÚÒfl, ÔÓ͇ Ô‰‡Î¸ ̇ʇڇ. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·ꢀÓ‚
„ꢀÛÔÔ˚ Natural.
MODULATION*
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VARIATION]. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural.
ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor« (ÒÚꢀ. 126). íÓθÍÓ ‰Îfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural.
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [HARMONY/ECHO].
DSP VARIATION
VIBROTOR ON/OFF
HARMONY/ECHO
VOCAL HARMONY
TALK
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VOCAL HARMONY].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TALK].
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÈ ÒÚꢀ‡Ìˈ ԇꢀÚËÚÛꢀ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚꢀ‡ÌËˆÛ Ì‡Á‡‰).
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂꢀÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚꢀ‡Ìˈ ԇꢀÚËÚÛꢀ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚꢀ‡ÌËˆÛ ‚ÔÂꢀ‰).
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ SONG [START/STOP].
SCORE PAGE+
SCORE PAGE-
SONG START/STOP
STYLE START/STOP
TAP TEMPO
SYNCHRO START
SYNCHRO STOP
INTRO
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ STYLE [START/STOP].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TAP TEMPO].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. START].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. STOP].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [INTRO].
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [A].
MAIN A
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [B].
MAIN B
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [C].
MAIN C
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [D].
MAIN D
à„ꢀ‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓꢀÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË Ò΂‡.
ÑÓ·‡‚ÎÂÌË ‚ÒÚ‡‚ÍË.
FILL DOWN
FILL SELF
ÑÓ·‡‚ÎÂÌË ·ꢀÂÈ͇.
FILL BREAK
FILL UP
à„ꢀ‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓꢀÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË ÒÔꢀ‡‚‡.
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [ENDING/rit.].
ENDING
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [FADE IN/OUT].
FADE IN/OUT
FING/ON BASS
BASS HOLD
艇θ ÒÎÛÊËÚ ÔÂꢀÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛꢀ‡ÏË Fingered Ë On Bass (ÒÚꢀ. 66).
èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔꢀÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓꢀ‰. ùÚ‡ ÙÛÌ͈Ëfl Ì ꢀ‡·ÓÚ‡ÂÚ, ÂÒÎË
‡ÔÔÎË͇ÚÛꢀ‡ ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ FULL KEYBOARD.
ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„ꢀ‡Ú¸ ̇ Û‰‡ꢀÌÓÏ ËÌÒÚꢀÛÏÂÌÚÂ, Á‡‰‡ÌÌÓÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4■■] - [8■■]. ÑÎfl ‚˚·Óꢀ‡ ËÌÒÚꢀÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
Í·‚ˇÚÛꢀÛ.
PERCUSSION
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LAYER].
LAYER ON/OFF
LEFT ON/OFF
OTS+
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LEFT].
Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ì‡ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
Ç˚ÁÓ‚ Ôꢀ‰˚‰Û˘ÂÈ Ì‡ÒÚꢀÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË«.
OTS-
* ë‡Ï˚ ÎÛ˜¯Ë ꢀÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚꢀÓÎÎÂꢀ Yamaha FC7, ÍÓÚÓꢀ˚È ÏÓÊÌÓ ÔꢀËÓ·ꢀÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓꢀÛ‰Ó‚‡ÌËÂÏ.
ëÎÂ‰Û˛˘Ë ԇꢀ‡ÏÂÚꢀ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2■■] - [8■■], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‰ꢀÛ„Ó„Ó ‚˚·ꢀ‡ÌÌÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ (Type). ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â
ÚËÔ‡ ‚˚·ꢀ‡Ì SUSTAIN, ̇ ˝Íꢀ‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡ꢀ‡ÏÂÚꢀ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT«.
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÒÎÛÊ‡Ú ‰Îfl Û͇Á‡ÌËfl ˜‡ÒÚÂÈ, ̇ ÍÓÚÓꢀ˚ ·Û‰ÂÚ ‚ÎËflÚ¸ Ô‰‡Î¸.
SONG, STYLE, MIC, LEFT, LAYER,
MAIN
åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ôꢀ‡‚Û˛ Ô‰‡Î¸, ˜ÚÓ·˚ Òꢀ‡·ÓڇΠÔÂꢀÂÍβ˜‡ÚÂθ (ÒÚꢀ. 62). èꢀËÏÂÌËÏÓ ‰Îfl ÓÔꢀ‰ÂÎÂÌÌÓ„Ó
ÚËÔ‡ Ô‰‡ÎÂÈ, ̇ÔꢀËÏÂꢀ, AUX (YAMAHA FC7) ËÎË Ôꢀ‡‚‡fl Ô‰‡Î¸ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208.
HALF PEDAL POINT*
éÔꢀ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË, ÍÓ‰‡ ‚˚·ꢀ‡Ì SOFT. íÓθÍÓ ‰Îfl ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural.
ÖÒÎË ‚˚·ꢀ‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÓÔꢀ‰ÂÎflÂÚ, ÔÓ‚˚¯‡ÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇ ËÎË ÔÓÌËʇÂÚÒfl.
ÖÒÎË ‚˚·ꢀ‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı.
ÖÒÎË ‚˚·ꢀ‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓꢀÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇.
DEPTH
UP/DOWN
RANGE
ON SPEED
OFF SPEED
KIT
ÖÒÎË ‚˚·ꢀ‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓꢀÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇, ÍÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛÒ͇ÂÚÒfl.
ÖÒÎË Ô‰‡ÎË ÔꢀËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‚Ò Ëϲ˘ËÂÒfl ̇·Óꢀ˚ ÚÂÏ·ꢀÓ‚ Û‰‡ꢀÌ˚ı, Ë ‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ ̇·Óꢀ, ÍÓÚÓꢀ˚È
‰ÓÎÊÂÌ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Ô‰‡ÎË.
ÖÒÎË Ô‰‡ÎË ÔꢀËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·ꢀ‡Ê‡˛ÚÒfl ‚Ò Á‚ÛÍË ‚˚·ꢀ‡ÌÌÓÈ Û‰‡ꢀÌÓÈ ÛÒÚ‡ÌÓ‚ÍË (ÒÏ ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·ꢀ‡ÁÓÏ,
‚˚ ÏÓÊÂÚ ‚˚·ꢀ‡Ú¸ Á‚ÛÍ ÓÔꢀ‰ÂÎÂÌÌÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡, ÍÓÚÓꢀ˚È ·Û‰ÂÚ ÔꢀËÔËÒ‡Ì Ô‰‡ÎË.
PERCUSSION
* ë‡Ï˚ ÎÛ˜¯Ë ꢀÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚꢀÓÎÎÂꢀ Yamaha FC7, ÍÓÚÓꢀ˚È ÏÓÊÌÓ ÔꢀËÓ·ꢀÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓꢀÛ‰Ó‚‡ÌËÂÏ.
CVP-210/208
143
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ Ë Ì‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚
Úꢀ‡ÌÒÔÓÁˈËË – Keyboard/Panel
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl Í·‚˯
îÛÌ͈Ëfl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ (Touch) ÔÓÁ‚ÓÎflÂÚ ÛÔꢀ‡‚ÎflÚ¸ „ꢀÓÏÍÓÒÚ¸˛ ÚÂÏ·ꢀ‡, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë.
Ç˚ ÏÓÊÂÚ ̇ÒÚꢀÓËÚ¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛꢀ˚ Ú‡Í, Í‡Í ‚‡Ï Û‰Ó·ÌÓ.
HARD 2
ÉꢀÓÏÍËÈ Á‚ÛÍ ‚ÓÁÌË͇ÂÚ Î˯¸ ÔꢀË ÒËθÌÓÏ Ì‡Ê‡ÚËË
̇ Í·‚˯Ë. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl
ËÒÔÓÎÌËÚÂÎÂÈ, ÍÓÚÓꢀ˚ ÔꢀË‚˚ÍÎË ÒËθÌÓ ‰‡‚ËÚ¸ ̇
Í·‚˯Ë.
A
B
C
D
E
HARD 1
çÂÓ·ıÓ‰ËÏÓ ‰Ó‚ÓθÌÓ ÒËθÌÓ Ì‡ÊËχڸ ̇ Í·‚˯Ë.
NORMAL ëڇ̉‡ꢀÚ̇fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸.
SOFT 1
SOFT 2
ÉꢀÓÏÍËÈ Á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒfl ÔꢀË Òꢀ‰ÌÂÈ ÒËΠ̇ʇÚËfl.
íÂÏ·ꢀ Á‚Û˜ËÚ ÓÚÌÓÒËÚÂθÌÓ „ꢀÓÏÍÓ ‰‡Ê ÔꢀË
β‰ÂÈ, ÍÓÚÓꢀ˚ ÔꢀË‚˚ÍÎË ÌÂÒËθÌÓ Í‡Ò‡Ú¸Òfl
Í·‚˯.
ùÚ‡ ÍÌÓÔ͇ ÓÔꢀ‰ÂÎflÂÚ
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í
̇ʇÚ˲ (ÒÏ. Ú‡·ÎˈÛ
ÒÔꢀ‡‚‡).
èêàåÖóÄçàÖ
ᇉ‡ÂÚ
è‡ꢀ‡ÏÂÚꢀ TOUCH ‚ÎËflÂÚ Ì‡ ‚Ò ÚÂÏ·ꢀ˚ Òꢀ‡ÁÛ. èÓÏÌËÚÂ,
˜ÚÓ ÏÓÊÌÓ Á‡‰‡Ú¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Ë ÓÚ‰ÂθÌÓ ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·ꢀ‡ (TOUCH SENSE). ç‡ÔꢀËÏÂꢀ, ˜ÚÓ·˚
̇˷ÓΠꢀ‡ÎËÒÚ˘ÌÓ Ò˚„ꢀ‡Ú¸ ÚÂÏ·ꢀÓÏ Óꢀ„‡Ì‡, ÒΉÛÂÚ
ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ ‰Îfl
˝ÚÓ„Ó ÚÂÏ·ꢀ‡ (ÒÚꢀ. 93).
ÙËÍÒËꢀÓ‚‡ÌÌ˚È
ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË,
ÂÒÎË Ô‡ꢀ‡ÏÂÚꢀ Touch
ÓÚÍβ˜ÂÌ (OFF).
1
2
3
4
5
6
7
8
éÔꢀ‰ÂÎflÂÚ, ‚Íβ˜ÂÌ ÎË Ô‡ꢀ‡ÏÂÚꢀ Touch ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ꢀÚËÈ.
è‡ꢀ‡ÏÂÚꢀ Transpose Assign
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÓÊÌÓ Û͇Á‡Ú¸, ˜ÚÓ ËÏÂÌÌÓ ·Û‰ÂÚ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡Ú¸Òfl ÔꢀË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TRANSPOSE].
Transpose
Ç˚ÒÓÚÛ ÚÂÏ·ꢀÓ‚, Ë„ꢀ‡ÂÏ˚ı Ò Í·‚ˇÚÛꢀ˚, ‡ Ú‡ÍÊ ÒÚËÎfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÂÌ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ¯‡„ÓÏ ‚ 1 ÔÓÎÛÚÓÌ.
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [TRANSPOSE].
1
TRANSPOSE
RESET
ç‡ ˝Íꢀ‡Ì ÔÓfl‚ËÚÒfl ‚ÒÔÎ˚‚‡˛˘Â ÓÍÌÓ TRANSPOSE,
‚˚·ꢀ‡ÌÌÓÂ Ò Û˜ÂÚÓÏ Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀ‡ TRANSPOSE
ASSIGN.
2
1
2
3
4
5
6
7
8
KEYBOARD
íꢀ‡ÌÒÔÓÌËꢀÛ˛ÚÒfl ÚÂÏ·ꢀ˚, Ë„ꢀ‡ÂÏ˚Â Ò Í·‚ˇÚÛꢀ˚ (Main,
Layer Ë Left), ‡ Ú‡ÍÊ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ᇉ‡ÈÚ ÌÛÊÌÓ Á̇˜ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[TRANSPOSE].
3
SONG
íꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl ÚÓθÍÓ ÔÂÒÌfl.
á‡ÍꢀÓÈÚ ÓÍ̇ TRANSPOSE, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT].
MASTER
íꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇ ‚ÒÂ„Ó ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
(ÚÂÏ·ꢀ˚, Ë„ꢀ‡ÂÏ˚Â Ò Í·‚ˇÚÛꢀ˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ë ÔÂÒÌË).
END
• àÁ·Ëꢀ‡ÚÂθÌÓ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌË Í·‚ˇÚÛꢀ˚ Ë ÔÂÒÌË
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸, ˜ÚÓ·˚ ÔÓ‰Ó·ꢀ‡Ú¸
ÚÓ̇θÌÓÒÚ¸ ‰Îfl ÔÓ‰˚„ꢀ˚‚‡ÌËfl ͇ÍÓÈ-ÎË·Ó ÔÂÒÌÂ. ÑÓÔÛÒÚËÏ, ‚‡Ï
ıÓ˜ÂÚÒfl ÔÓ‰˚„ꢀ‡Ú¸ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ Ë ÒÔÂÚ¸  ‚ ÏËÍꢀÓÙÓÌ.
èÂÒÌfl Á‡ÔË҇̇ ‚ Ù‡-χÊÓꢀÂ, ÌÓ ‚‡Ï Û‰Ó·Ì ÔÂÚ¸  ꢀÂ-χÊÓꢀÂ,
‡ ÔÓ‰˚„ꢀ˚‚‡Ú¸ ‚˚ ÔꢀË‚˚ÍÎË ‚ ‰Ó-χÊÓꢀÂ. óÚÓ·˚ ÔÓÎÛ˜ËÚ¸
ÌÛÊÌ˚È ꢀÂÁÛθڇÚ, Á‡‰‡ÈÚ ÌÛ΂ӠÁ̇˜ÂÌË ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡
Master Transpose, «2» ‰Îfl Keyboard Transpose Ë «-3» ‰Îfl Song
Transpose. ó‡ÒÚ¸, Ë„ꢀ‡Âχfl Ò Í·‚ˇÚÛꢀ˚, ·Û‰ÂÚ Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡Ì‡
‚‚Âꢀı, ‡ ÔÂÒÌfl – ‚ÌËÁ ‰Îfl Ôꢀ˂‰ÂÌËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Ë Ò
ÚÓ̇θÌÓÒÚ¸˛, ‚ ÍÓÚÓꢀÓÈ ‚˚ ÔÓÂÚÂ.
èêàåÖóÄçàÖ
îÛÌ͈Ëfl Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl
Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·ꢀ˚ Drum Kit
Ë SFX Kit (Û‰‡ꢀÌ˚ Ë
ÒÔˆ˝ÙÙÂÍÚ˚).
CVP-210/208
144
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Registration Sequence, Freeze Ë Voice Set
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ. 136.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ ̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ ËÁ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË
– Registration Sequence
燷Óꢀ˚ Ô‡ꢀ‡ÏÂÚꢀÓ‚, Á‡‰‡ÌÌ˚ ̇ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓıꢀ‡ÌflÚ¸ ‚ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚ ‚˚Á‚‡Ú¸ Ó‰ËÌ ËÁ Ú‡ÍËı
̇·ÓꢀÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY [1] - [8]. ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
Á‡„ꢀÛʇڸ ̇·Óꢀ˚ ̇ÒÚꢀÓÂÍ ‚ β·ÓÏ ÔÓꢀfl‰ÍÂ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ËÎË ÍÌÓÔÓÍ [BACK]/[NEXT], Ì ÔꢀÂꢀ˚‚‡fl Ë„ꢀ˚.
èêàåÖóÄçàÖ
àÏfl ‚˚·ꢀ‡ÌÌÓ„Ó ·‡Ì͇ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ
Ô‡ÏflÚË.
ᇉ‡ÂÚ Ô‰‡Î¸ ‰Îfl ÔꢀÓ‰‚ËÊÂÌËfl Í ÒÎÂ‰Û˛˘ÂÏÛ
̇·ÓꢀÛ Ì‡ÒÚꢀÓÂÍ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË.
ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ Ô‰‡Î¸ ‰Îfl
‚˚ÁÓ‚‡ ̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ,
Á‡‰‡ÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸
ÏÓÊÌÓ Î„ÍÓ ÓÚÏÂÌËÚ¸ Ë
‚ÂꢀÌÛÚ¸Òfl Í ÔÂꢀ‚ÓÏÛ Ì‡·ÓꢀÛ.
ÑÓÒÚ‡ÚÓ˜ÌÓ ÔÓ‰Âꢀʇڸ Ô‰‡Î¸
ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ (Íꢀ‡ÒÌ˚È
Ë̉Ë͇ÚÓꢀ ‚ ‚ÂꢀıÌÂÏ Ôꢀ‡‚ÓÏ
Û„ÎÛ ˝Íꢀ‡Ì‡ MAIN „‡ÒÌÂÚ).
ç‡ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚ Ô‰‡Î¸,
˜ÚÓ·˚ ÒÌÓ‚‡ ‚˚·ꢀ‡Ú¸ ÔÂꢀ‚˚È
˝ÎÂÏÂÌÚ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË.
ᇉ‡ÂÚ Ô‰‡Î¸ ‰Îfl
‚˚ÁÓ‚‡ ̇·ÓꢀÓ‚
̇ÒÚꢀÓÂÍ ‚ Ó·ꢀ‡ÚÌÓÏ
ÔÓꢀfl‰ÍÂ.
A
F
G
H
I
B
C
D
E
J
èêàåÖóÄçàÖ
ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ Registration
Á̇˜ÂÌË «ON», ÙÛÌ͈Ëfl ‚˚ÁÓ‚‡
̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ ÔÓÎÛ˜‡ÂÚ
ÔꢀËÓꢀËÚÂÚ Ë ÔꢀËÒ‚‡Ë‚‡ÂÚÒfl
Ô‰‡ÎË ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÙÛÌ͈ËË,
ÔꢀËÒ‚ÓÂÌÌÓÈ ꢀ‡Ì (‚ ÔꢀËÏÂꢀÂ
̇ ˝Íꢀ‡Ì ڇÍËÏË ÙÛÌ͈ËflÏË
fl‚Îfl˛ÚÒfl «Regist (+) Pedal» Ë
«Regist (-) Pedal»). ëÔËÒÓÍ
‚˚ÚÂÒÌflÂÏ˚ı ÙÛÌ͈ËÈ Ôꢀ˂‰ÂÌ
̇ ÒÚꢀ. 142. äꢀÓÏ ÚÓ„Ó, ÏÓÊÂÚ
‚˚ÚÂÒÌflÚ¸Òfl ÙÛÌ͈Ëfl Voice Set,
ÓÔËÒ‡Ì̇fl ̇ ÒÚꢀ. 146.
ùÚ‡ ÍÌÓÔ͇ ÓÔꢀ‰ÂÎflÂÚ ÓÔÂꢀ‡ˆË˛,
‚˚ÔÓÎÌflÂÏÛ˛ ‚ ÍÓ̈Â
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ì‡·ÓꢀÓ‚
Ô‡ꢀ‡ÏÂÚꢀÓ‚.
ÇÍβ˜ÂÌË Ë
‚˚Íβ˜ÂÌË ÙÛÌ͈ËË
Registration Sequence.
ÖÒÎË ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ
ꢀ‡‚ÂÌ «ON», Á‡‰‡Ì̇fl
ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸
ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ‚ Ôꢀ‡‚ÓÏ
‚ÂꢀıÌÂÏ Û„ÎÛ „·‚ÌÓ„Ó
˝Íꢀ‡Ì‡ Ë ÏÓÊÌÓ
ÛÔꢀ‡‚ÎflÚ¸ ÔꢀÓˆÂÒÒÓÏ
Á‡„ꢀÛÁÍË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË Ô‰‡ÎÂÈ.
Stop
ç‡Ê‡ÚË ÍÌÓÔÍË [NEXT] ËÎË Ô‰‡ÎË
«ÔꢀÓ‰‚ËÊÂÌËfl» ÌË Í ˜ÂÏÛ ÌÂ
ÔꢀË‚Ó‰ËÚ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸
«ÓÒÚ‡ÌÓ‚ÎÂ̇».
Top
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇˜Ë̇ÂÚÒfl Ò
̇˜‡Î‡.
Next Bank
äÓ„‰‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸
Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‡‚ÚÓχÚ˘ÂÒÍË
Á‡„ꢀÛʇÂÚÒfl ÒÎÂ‰Û˛˘ËÈ ·‡ÌÍ ‚ ˝ÚÓÈ
Ê ҇ÏÓÈ Ô‡ÔÍÂ. ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
ÌÓ‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË
̇˜Ë̇ÂÚÒfl Ò Ì‡˜‡Î‡.
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
ÖÒÎË Á‡‰‡Ú¸ Á̇˜ÂÌË «OFF» Ë
‰Îfl («Regist (+) Pedal», Ë ‰Îfl
«Regist (-) Pedal»), ÛÔꢀ‡‚ÎÂÌËÂ
ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛ ‚˚ÁÓ‚‡
̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ Ò ÔÓÏÓ˘¸˛
Ô‰‡ÎË ÒÚ‡ÌÂÚ Ì‚ÓÁÏÓÊÌ˚Ï. Ç
˝ÚÓÏ ÒÎÛ˜‡Â ÒΉÛÂÚ
쉇ÎÂÌË ‚ÒÂı ÌÓÏÂꢀÓ‚ ̇·ÓꢀÓ‚ ‚
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË.
èÓ͇Á˚‚‡ÂÚ ÌÓÏÂꢀ‡ ̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ ‚
ÔÓꢀfl‰ÍÂ, Á‡‰‡ÌÌÓÏ ÙÛÌ͈ËÂÈ Registration
Sequence ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
쉇ÎÂÌË ÌÓÏÂꢀ‡, ̇ ÍÓÚÓꢀÓÏ
̇ıÓ‰ËÚÒfl ÍÛꢀÒÓꢀ.
ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [BACK]/
[NEXT] ̇ „·‚ÌÓÏ ˝Íꢀ‡ÌÂ.
ÇÒÚ‡‚͇ ÌÓÏÂꢀ‡ ̇·Óꢀ‡ ̇ÒÚꢀÓÂÍ ÔꢀflÏÓ
ÔÂꢀ‰ ÍÛꢀÒÓꢀÓÏ.
ùÚË ÍÌÓÔÍË ÔÂꢀÂÏ¢‡˛Ú ÍÛꢀÒÓꢀ ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË.
èêàåÖóÄçàÖ
ÖÒÎË Ì‡Á̇˜ËÚ¸ ÙÛÌ͈ËË «Regist
(+) Pedal» Ë «Regist (-) Pedal»
Ó‰ÌÓÈ Ë ÚÓÈ Ê Ô‰‡ÎË,
ÔꢀËÓꢀËÚÂÚ ËÏÂÂÚ ÙÛÌ͈Ëfl
«Regist (+) Pedal».
á‡ÏÂ̇ ÔÓꢀfl‰ÍÓ‚Ó„Ó ÌÓÏÂꢀ‡ ‚ ÔÓÁˈËË ÍÛꢀÒÓꢀ‡ ÌÓÏÂꢀÓÏ,
‚˚·ꢀ‡ÌÌ˚Ï Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
èêàåÖóÄçàÖ
чÌÌ˚Â Ó ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Á‡„ꢀÛÁÍË ‚Íβ˜ÂÌ˚ ‚
Ù‡ÈÎ ·‡Ì͇ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚
ÒÓıꢀ‡ÌËÚ¸ ÌÓ‚Û˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ꢀÛÁÍË,
ÒÓıꢀ‡ÌËÚ ÚÂÍÛ˘ËÈ Ù‡ÈÎ ·‡Ì͇ (ÒÚꢀ. 39, 48). ÖÒÎË
˝ÚÓ„Ó Ì ҉·ڸ, ‚Ò ‰‡ÌÌ˚Â, ÓÚÌÓÒfl˘ËÂÒfl Í ÌÓ‚ÓÈ
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ·Û‰ÛÚ ÛÚÂꢀflÌ˚ ÔꢀË ÒÏÂÌ ·‡ÌÍÓ‚.
èÓ‰Ú‚Âꢀ‰ËÚ ËÁÏÂÌÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT].
END
ëÓıꢀ‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË – Freeze
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ̇·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚, ÍÓÚÓꢀ˚ Ì ‰ÓÎÊÌ˚ ÏÂÌflÚ¸Òfl ÔꢀË ÒÏÂÌ ̇·ÓꢀÓ‚ ̇ÒÚꢀÓÂÍ ËÁ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ëÏ.
ÒÚꢀ. 90.
CVP-210/208
145
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
àÁÏÂÌÂÌË ԇꢀ‡ÏÂÚꢀÓ‚ ÚÂÏ·ꢀ‡, ‚˚·Ëꢀ‡ÂÏ˚ı ‡‚ÚÓχÚ˘ÂÒÍË – Voice Set
èꢀË ÒÏÂÌ ÚÂÏ·ꢀÓ‚ (‚˚·Óꢀ هÈ· ÚÂÏ·ꢀ‡) ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡˛ÚÒfl Ô‡ꢀ‡ÏÂÚꢀ˚, ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ë ‰Îfl ˝ÚÓ„Ó ÚÂÏ·ꢀ‡. ùÚÓ
Ú Ê ҇Ï˚ ԇꢀ‡ÏÂÚꢀ˚, ÍÓÚÓꢀ˚ Á‡‰‡˛ÚÒfl ‚ ÙÛÌ͈ËË Sound Creator. ç‡ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸
‡‚ÚÓχÚ˘ÂÒÍÛ˛ Á‡„ꢀÛÁÍÛ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‰Îfl ͇ʉÓÈ Ô‡ꢀÚËË. ç‡ÔꢀËÏÂꢀ, ͇ʉ˚È ËÁ ‚ÒÚꢀÓÂÌÌ˚ı ÚÂÏ·ꢀÓ‚ ӷ·‰‡ÂÚ ÒÓ·ÒÚ‚ÂÌÌ˚Ï
Ô‡ꢀ‡ÏÂÚꢀÓÏ LEFT PEDAL. çÓ ÂÒÎË Ì‡ ‰‡ÌÌÓÈ ÒÚꢀ‡Ìˈ ˝ÚÓÏÛ Ô‡ꢀ‡ÏÂÚꢀÛ ·Û‰ÂÚ ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», ÓÌÓ Ì ËÁÏÂÌËÚÒfl ‰‡ÊÂ
ÔꢀË ÒÏÂÌÂ ÚÂÏ·ꢀÓ‚.
èêàåÖóÄçàÖ
é·˚˜ÌÓ ˝ÚÓ Ô‡ꢀ‡ÏÂÚꢀ ‰ÓÎÊÂÌ
A
·˚Ú¸ «ON».
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚˚·ꢀ‡Ú¸ Ô‡ꢀÚ˲.
B
C
èêàåÖóÄçàÖ
D
è‡ꢀ‡ÏÂÚꢀ˚ Harmony/Echo Ë
̇Á̇˜ÂÌˠ΂ÓÈ Ô‰‡ÎË
E
ÌÂθÁfl Á‡‰‡Ú¸ ‰Îfl ˜‡ÒÚÂÈ Layer
Ë Left.
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÓÔꢀ‰ÂÎfl˛Ú, Á‡„ꢀÛʇ˛ÚÒfl ÎË ‡‚ÚÓχÚ˘ÂÒÍË
Ô‡ꢀ‡ÏÂÚꢀ˚ ÚÂÏ·ꢀ‡ (‚˚·Óꢀ ÚÂÏ·ꢀ‡, ˝Í‚‡Î‡ÈÁÂꢀ,
„‡ꢀÏÓÌËÁ‡ˆËfl/˝ıÓ Ë ÔꢀËÒ‚ÓÂÌË ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË)
ÔꢀË ÒÏÂÌ ÚÂÏ·ꢀ‡. ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë
‚˚Íβ˜‡Ú¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ Ô‡ꢀÚËË.
ç‡ÒÚꢀÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ꢀÏÓÌËÁ‡ˆËË Ë ˝ı‡
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ. 136.
ᇉ‡ÂÚ ÏËÌËχθÌÛ˛ ÒÍÓꢀÓÒÚ¸ ̇ʇÚËfl, ÔꢀË
ÍÓÚÓꢀÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ „‡ꢀÏÓÌËÁ‡ˆËË. ùÚÓ
ÔÓÁ‚ÓÎflÂÚ ÔꢀËÏÂÌflÚ¸ ˝ÙÙÂÍÚ Harmony
‚˚·ÓꢀÓ˜ÌÓ, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë, Ë
ꢀ‡ÒÒÚ‡‚ÎflÚ¸ „‡ꢀÏÓÌ˘ÂÒÍË ‡ÍˆÂÌÚ˚ ‚ ÏÂÎÓ‰ËË.
ùÙÙÂÍÚ Harmony ÔꢀËÏÂÌflÂÚÒfl, ÂÒÎË ÒË·
(ÒÍÓꢀÓÒÚ¸) ̇ʇÚËfl ̇ Í·‚Ë¯Û ‚˚¯Â Á‡‰‡ÌÌÓÈ.
äÌÓÔ͇ ‚˚·Óꢀ‡ ÚËÔ‡ „‡ꢀÏÓÌËÁ‡ˆËË.
ëÏ. ÒÚꢀ. 147.
1
2
3
4
5
6
7
8
„‡ꢀÏÓÌËÁ‡ˆËË ÔꢀËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ÌÓÚÂ,
ÍÓÚÓꢀ‡fl ‚ıÓ‰ËÚ ‚ ‡ÍÍÓꢀ‰, ‚ÁflÚ˚È ‚ ꢀ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË ‚˚·ꢀ‡Ì ÚËÔ Multi
Assign, Echo, Tremolo ËÎË Trill, ˝ÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ
̉ÓÒÚÛÔÂÌ.
éÔꢀ‰ÂÎflÂÚ ÒËÎÛ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡.
ᇉ‡ÂÚ ÒÍÓꢀÓÒÚ¸ ÔꢀË ‚˚·Óꢀ ڇÍËı ÚËÔÓ‚ „‡ꢀÏÓÌËÁ‡ˆËË, ͇Í
Echo, Tremolo Ë Trill. ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ‰ÓÒÚÛÔÂÌ Î˯¸ ÔꢀË ‚˚·ÓꢀÂ
Ú‡ÍËı ÚËÔÓ‚ „‡ꢀÏÓÌËÁ‡ˆËË, Í‡Í Multi Assign, Echo, Tremolo Ë Trill.
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔꢀËÏÂÌflÚ¸
˝ÙÙÂÍÚ „‡ꢀÏÓÌËÁ‡ˆËË Í ꢀ‡Á΢Ì˚Ï
˜‡ÒÚflÏ. ëÏ. ssÒÚꢀ. 147.
CVP-210/208
146
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
íËÔ˚ ˝ÙÙÂÍÚ‡ Harmony
ÖÒÎË ‚˚·ꢀ‡Ì Òڇ̉‡ꢀÚÌ˚È ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË (ÓÚ «Standard Duet» ‰Ó «Strum»)
íӘ͇ ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚
çÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË (ÍÓÚÓꢀ˚ Á‡‚ËÒflÚ ÓÚ
‡ÍÍÓꢀ‰‡ Ë ÚËÔ‡ „‡ꢀÏÓÌËÁ‡ˆËË)
‡‚ÚÓχÚ˘ÂÒÍË Ó·˚„ꢀ˚‚‡˛Ú ÏÂÎӉ˘ÂÒÍÛ˛
ÎËÌ˲, ÍÓÚÓꢀ‡fl ‚‰ÂÚÒfl ‚ ꢀ‡Á‰ÂΠ‰Îfl
Ôꢀ‡‚ÓÈ ꢀÛÍË (ÒÔꢀ‡‚‡ ÓÚ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚).
ɇꢀÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ‡ÍÍÓꢀ‰˚,
ÍÓÚÓꢀ˚ ·ÂꢀÛÚÒfl Ò΂‡ ÓÚ ÚÓ˜ÍË
ꢀ‡Á‰ÂÎÂÌËfl.
■ ÖÒÎË ‚˚·ꢀ‡Ì ÚËÔ «Multi Assign»
ÖÒÎË ‚˚·ꢀ‡Ì ˝ÚÓÚ ÚËÔ, ÌÓÚ˚, ÍÓÚÓꢀ˚ ·ÂꢀÛÚÒfl Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚ ꢀ‡Á‰ÂΠ‰Îfl Ôꢀ‡‚ÓÈ ꢀÛÍË, ‡‚ÚÓχÚ˘ÂÒÍË ꢀ‡Á‚Ó‰flÚÒfl ÔÓ ꢀ‡ÁÌ˚Ï
ÚÂÏ·ꢀ‡Ï. ç‡ÔꢀËÏÂꢀ, ÂÒÎË ‚ÁflÚ¸ Ó‰ÌÛ Á‡ ‰ꢀÛ„ÓÈ ‰‚ ÌÓÚ˚, ÚÓ ÔÂꢀ‚‡fl ·Û‰ÂÚ Ò˚„ꢀ‡Ì‡ ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ꢀÓÏ (Main), ‡ ‚ÚÓꢀ‡fl —
ÚÂÏ·ꢀÓÏ ÒÎÓfl (Layer).
■ ÖÒÎË ‚˚·ꢀ‡Ì ÚËÔ «Echo»
ë˚„ꢀ‡Ì̇fl ̇ Í·‚ˇÚÛꢀ ÌÓÚ‡ Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl ˝ÙÙÂÍÚÓÏ ˝ı‡ ÒËÌıꢀÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
■ ÖÒÎË ‚˚·ꢀ‡Ì ÚËÔ «Tremolo»
ë˚„ꢀ‡Ì̇fl ̇ Í·‚ˇÚÛꢀ ÌÓÚ‡ Ó·ꢀ‡·‡Ú˚‚‡ÂÚÒfl ˝ÙÙÂÍÚÓÏ ÚꢀÂÏÓÎÓ ÒËÌıꢀÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
■ ÖÒÎË ‚˚·ꢀ‡Ì ÚËÔ «Trill»
ÖÒÎË ‰Âꢀʇڸ ‰‚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ·Û‰ÛÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ Ó˜ÂꢀÂ‰Ë ÒËÌıꢀÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
ç‡Á̇˜ÂÌË „‡ꢀÏÓÌËÁ‡ˆËË
Multi
èÂꢀ‚‡fl, ‚ÚÓꢀ‡fl, ÚꢀÂÚ¸fl Ë ˜ÂÚ‚ÂꢀÚ˚ ÌÓÚ˚ „‡ꢀÏÓÌËÁ‡ˆËË ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Á̇˜‡˛ÚÒfl ꢀ‡ÁÌ˚Ï ˜‡ÒÚflÏ (ÚÂÏ·ꢀ‡Ï). ç‡ÔꢀËÏÂꢀ, ÂÒÎË
‚˚·ꢀ‡Ì ÚËÔ „‡ꢀÏÓÌËÁ‡ˆËË «Standard Duet» Ë ‚Íβ˜ÂÌ˚ ˜‡ÒÚË Main Ë Layer, ÌÓÚ‡, Ò˚„ꢀ‡Ì̇fl ̇ Í·‚ˇÚÛꢀÂ, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸
ÚÂÏ·ꢀ Main, ‡ ÌÓÚ‡ „‡ꢀÏÓÌËÁ‡ˆËË – ÚÂÏ·ꢀ Layer.
Main
ɇꢀÏÓÌËÁ‡ˆËfl ÔꢀËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ˜‡ÒÚË Main.
Layer
ɇꢀÏÓÌËÁ‡ˆËfl ÔꢀËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ˜‡ÒÚË Layer. ÖÒÎË ˜‡ÒÚ¸ Layer ‚˚Íβ˜Â̇, ˝ÙÙÂÍÚ „‡ꢀÏÓÌËÁ‡ˆËË Ì ÔꢀËÏÂÌflÂÚÒfl.
éÚÓ·ꢀ‡ÊÂÌË ˝Íꢀ‡Ì‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ –
Video Out
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ. 136.
èêàåÖóÄçàÖ
•
àÌÓ„‰‡ ̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ ËÎË
‚ˉÂÓÏÓÌËÚÓꢀ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘ËÂ
Ô‡ꢀ‡ÎÎÂθÌ˚ ÎËÌËË. ùÚÓ Ì ‚Ò„‰‡
ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÛÒÚꢀÓÈÒÚ‚Ó ÌÂËÒÔꢀ‡‚ÌÓ.
é·˚˜ÌÓ ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚‚‡ÂÌÚ ËÁÏÂÌËÚ¸
Ô‡ꢀ‡ÏÂÚꢀ˚ Character Color ËÎË Background
Color. ÑÎfl ÔÓÎÛ˜ÂÌËfl ÓÔÚËχθÌÓ„Ó
ꢀÂÁÛθڇڇ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚꢀ„ÛÎËꢀÓ‚‡Ú¸
ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓꢀÂ.
íÂ΂ËÁÓꢀ
VIDEO IN
•
•
ç ÒÏÓÚꢀËÚ ̇ ˝Íꢀ‡Ì ÚÂ΂ËÁÓꢀ‡ ËÎË
ÏÓÌËÚÓꢀ‡ ÒÎ˯ÍÓÏ ‰ÓÎ„Ó – ˝ÚÓ ‚ꢀ‰ÌÓ ‰Îfl
ÁꢀÂÌËfl. èÓ˜‡˘Â ‰Â·ÈÚ ÔÂꢀÂꢀ˚‚ Ë ÒÏÓÚꢀËÚÂ
̇ Û‰‡ÎÂÌÌ˚ ӷ˙ÂÍÚ˚, ˜ÚÓ·˚ „·Á‡
ÓÚ‰ÓıÌÛÎË.
Ç˚·ÂꢀËÚ Òڇ̉‡ꢀÚ,
ËÒÔÓθÁÛÂÏ˚È ‚‡¯ËÏ
ÚÂÎÂ/‚ˉÂÓÓ·ÓꢀÛ-
‰Ó‚‡ÌËÂÏ: NTSC ËÎË
PAL.
èÓÏÌËÚÂ, ˜ÚÓ ‰‡Ê ̇ÒÚꢀÓÈ͇ ‚ÒÂı
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
VIDEO OUT
ꢀÂÍÓÏẨ‡ˆËflÏË Ì „‡ꢀ‡ÌÚËꢀÛÂÚ, ˜ÚÓ ˝Íꢀ‡Ì
ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ
ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl Ôꢀ‡‚ËθÌÓ (̇ÔꢀËÏÂꢀ,
ÒÓ‰ÂꢀÊËÏÓ ˝Íꢀ‡Ì‡ Ì ÛÏ¢‡ÂÚÒfl ̇
ÏÓÌËÚÓꢀÂ, ̘ÂÚÍË ÒËÏ‚ÓÎ˚, ÌÂÔꢀ‡‚ËθÌ˚Â
ˆ‚ÂÚ‡).
1
2
3
4
5
6
7
8
éÔꢀ‰ÂÎflÂÚ ÒÓ‰ÂꢀʇÌË ËÒıÓ‰fl˘Â„Ó ‚ˉÂÓÒ˄̇·, Ú.Â. ‰‡ÌÌ˚Â, ÍÓÚÓꢀ˚ ÔÓÒ˚·˛ÚÒfl ̇
‚ˉÂÓÏÓÌËÚÓꢀ.
Lyrics ....çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍÓÈ ˝Íꢀ‡Ì ‚˚Á‚‡Ì ̇ Ò‡ÏÓÏ ËÌÒÚꢀÛÏÂÌÚÂ, Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VIDEO
OUT ̇ ˝Íꢀ‡Ì ÏÓÌËÚÓꢀ‡ ÔÂꢀ‰‡ÂÚÒfl ÚÓθÍÓ ÚÂÍÒÚ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ˉÂÚ¸ ÚÂÍÒÚ Ì‡
ÏÓÌËÚÓꢀÂ Ë Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚˚·Ëꢀ‡Ú¸ ‰ꢀÛ„Ë ˝Íꢀ‡Ì˚ ̇ ËÌÒÚꢀÛÏÂÌÚÂ.
LCD........ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VIDEO OUT ̇ ÏÓÌËÚÓꢀ ‚˚‚Ó‰ËÚÒfl ÒÓ‰ÂꢀÊËÏÓ ÚÂÍÛ˘Â„Ó ˝Íꢀ‡Ì‡.
CVP-210/208
147
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ìÒÚ‡Ìӂ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI
ùÚÓÚ ˝Íꢀ‡Ì ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ MIDI. ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ ÏÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‚Ò ‚ÏÂÒÚ ̇ ˝Íꢀ‡Ì USER ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó
ËÒÔÓθÁÓ‚‡ÌËfl.
é·˘Û˛ Ë ÔÓ‰ꢀÓ·ÌÛ˛ ËÌÙÓꢀχˆË˛ ÔÓ Ô‡ꢀ‡ÏÂÚꢀÛ MIDI ÒÏ. ‚ ꢀ‡Á‰ÂΠ«óÚÓ Ú‡ÍÓ MIDI?» (ÒÚꢀ. 159).
ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚꢀ ÒÚꢀ. 136.
ò‡·ÎÓÌ˚ MIDI (Á‡‚Ó‰ÒÍË ÛÒÚ‡ÌÓ‚ÍË)
Ç˚·ÂꢀËÚ ÔÓ‰ıÓ‰fl˘ËÈ ¯‡·ÎÓÌ.
1
All Parts
èÓ Í‡Ì‡Î‡Ï MIDI ÔÂꢀ‰‡˛ÚÒfl ‚Ò ˜‡ÒÚË, ‚Íβ˜‡fl
Main, Layer Ë Left.
Master KBD
Clavinova ÒÎÛÊËÚ Í·‚ˇÚÛꢀÓÈ ‰Îfl ÛÔꢀ‡‚ÎÂÌËfl
‚̯ÌËÏË ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ÏË Ë ‰ꢀÛ„ËÏË
ÛÒÚꢀÓÈÒÚ‚‡ÏË.
A
B
C
D
E
F
G
H
I
KBD & Style
Song
ÇÏÂÒÚÓ ÚꢀÂı ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ (Main/Layer/Left)
ÔÂꢀ‰‡˛ÚÒfl ‰‡ÌÌ˚Â Ó ‰‚Ûı Ô‡ꢀÚËflı, Ò˚„ꢀ‡ÌÌ˚ı ‚
«‚ÂꢀıÌÂÈ» Ë «ÌËÊÌÂÈ» ˜‡ÒÚflı Í·‚ˇÚÛꢀ˚.
ÇÒ ͇̇Î˚ ÔÂꢀ‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ
ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ì‡ÒÚꢀÓÈ͇ÏË
͇̇ÎÓ‚ 1-16 ÍÓÌÍꢀÂÚÌÓÈ ÔÂÒÌË. èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl ‚
Ô‡ÏflÚË Clavinova ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl ÚÂÏ·ꢀ‡ÏË
‚̯ÌÂ„Ó ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡. ùÚÓÚ ¯‡·ÎÓÌ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Á‡ÔËÒË ÏÛÁ˚ÍË Ì‡ ‚̯ÌËÈ
ÒÂÍ‚ÂÌÒÓꢀ.
J
Clock Ext.
èÓꢀÚ MIDI IN ÔꢀËÌËχÂÚ ÒÓÓ·˘ÂÌËfl MIDI clock, Ë
Clavinova ÒËÌıꢀÓÌËÁËꢀÛÂÚÒfl Ò ‚̯ÌËÏ MIDI-
ÛÒÚꢀÓÈÒÚ‚ÓÏ.
MIDI Accord 1 à‰Â‡Î¸Ì˚È ¯‡·ÎÓÌ ‰Îfl ÛÔꢀ‡‚ÎÂÌËfl ÚÂÏ·ꢀÓÏ Ë
ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ MIDI-‡ÍÍÓꢀ‰ÂÓ̇.
1
2
3
4
5
6
7
8
MIDI Accord 2 ë ÔÓÏÓ˘¸˛ ·‡ÒÓ‚˚ı Í·‚˯ Ë ‡ÍÍÓꢀ‰Ó‚, ‚ÁflÚ˚ı ̇
MIDI-‡ÍÍÓꢀ‰ÂÓÌÂ, ÏÓÊÌÓ ÛÔꢀ‡‚ÎflÚ¸ ÒÚËÎÂÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ú‡ÍÊ ˄ꢀ‡Ú¸ ‡ÍÍÓꢀ‰˚ Ë ‚ÂÒÚË
·‡ÒÓ‚Û˛ ÎËÌ˲.
èÂꢀÂȉËÚ ̇ ÒÚꢀ‡ÌËˆÛ User
Ë Ì‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ,
˜ÚÓ·˚ ÒÓıꢀ‡ÌËÚ¸ Á̇˜ÂÌËfl
ÓÚꢀ‰‡ÍÚËꢀÓ‚‡ÌÌ˚ı
Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI.
èÂꢀÂȉËÚ ̇ ˝Íꢀ‡Ì Edit,
‚˚·ÂꢀËÚÂ ÌÛÊÌ˚Â
ÙÛÌ͈ËË/Ô‡ꢀ‡ÏÂÚꢀ˚ Ë
̇ÒÚꢀÓÈÚ Ëı.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
Ó Í‡Ê‰ÓÈ ËÁ ÒÚꢀ‡Ìˈ ˝ÚÓ„Ó
˝Íꢀ‡Ì‡ Ôꢀ˂‰ÂÌ˚ ‰‡ÎÂÂ.
3
2
MIDI Pedal 1
MIDI Pedal 2
MIDI OFF
‰Îfl ÛÔꢀ‡‚ÎÂÌËfl ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
艇θ, ÔÓ‰Íβ˜ÂÌ̇fl Í ÔÓꢀÚÛ MIDI IN, ËÒÔÓθÁÛÂÚÒfl
‰Îfl ‚‰ÂÌËfl ·‡ÒÓ‚ÓÈ Ô‡ꢀÚËË.
MIDI-ÒÓÓ·˘ÂÌËfl Ì ÔÂꢀ‰‡˛ÚÒfl Ë Ì ÔꢀËÌËχ˛ÚÒfl.
åÓÊÌÓ ÒÓıꢀ‡ÌËÚ¸ ‰Ó 10
¯‡·ÎÓÌÓ‚.
èêàåÖóÄçàÖ
ç‡ÒÚꢀÓÈ͇Ï, ÒÓıꢀ‡ÌÂÌÌ˚Ï Ì‡ ÒÚꢀ‡Ìˈ User, ÏÓÊÌÓ
‰‡Ú¸ ËÏfl (ÒÚꢀ. 45) ËÎË Û‰‡ÎËÚ¸ Ëı (ÒÚꢀ. 47).
óÚÓ·˚ ‚ÂꢀÌÛÚ¸Òfl Í Ôꢀ‰˚‰Û˘ÂÏÛ ˝Íꢀ‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
END
é·˘‡fl ̇ÒÚꢀÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡ꢀ‡ÏÂÚꢀ˚ Local Control, Clock Ë Ú. ‰.) – System
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì, Í‡Í ÓÔËÒ‡ÌÓ ‚ ¯‡„ 2.
ÑÎfl ꢀ„ÛÎËꢀÓ‚ÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÛÌ͈ËË Local
Control.
ÑÎfl ꢀ„ÛÎËꢀÓ‚ÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ Clock, Transmit
Clock, Receive Transpose Ë Start/Stop.
ÑÎfl ꢀ„ÛÎËꢀÓ‚ÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÛÌ͈ËË
Message Switch.
Local Control
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÔÓÁ‚ÓÎflÂÚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ꢀÂÊËÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ÌÛÚꢀÂÌÌËı ÚÂÏ·ꢀÓ‚ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË. ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ
Local Control ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «ON», ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ˜‡ÒÚË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÌÛÚꢀÂÌÌËÈ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ CVP-210/208.
í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ÔꢀË Ë„ꢀ ̇ Í·‚ˇÚÛꢀ ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ÒÚꢀÓÂÌÌ˚ ÚÂÏ·ꢀ˚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ. ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ Local
Control ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», Í·‚ˇÚÛꢀ‡ Ë ÍÓÌÚꢀÓÎÎÂꢀ˚ ÓÚÍβ˜‡˛ÚÒfl ÓÚ ‚ÌÛÚꢀÂÌÌÂ„Ó ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ CVP-210/208. ùÚÓ
ÔÓÁ‚ÓÎflÂÚ, ̇ÔꢀËÏÂꢀ, ÔÓ‰Íβ˜ËÚ¸ ‚̯ÌËÈ MIDI-ÒÂÍ‚ÂÌÒÓꢀ, ÍÓÚÓꢀ˚È Ë ·Û‰ÂÚ ÔꢀÓË„ꢀ˚‚‡Ú¸ ÔÂÒÌ˛ Ò Û˜ÂÚÓÏ ËÒÔÓθÁÛÂÏ˚ı ‚ CVP-
210/208 ÚÂÏ·ꢀÓ‚. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, Í·‚ˇÚÛꢀÛ CVP-210/208 ÏÓÊÌÓ ÔꢀËÏÂÌflÚ¸ ‰Îfl Á‡ÔËÒË Ì‡ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓꢀ Ë/ËÎË ‰Îfl Ë„ꢀ˚
ÚÂÏ·ꢀ‡ÏË ‚̯ÌÂ„Ó ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡.
CVP-210/208
148
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
Clock (ÒËÌıꢀÓÌËÁ‡ˆËfl), Transmit Clock (ÔÂꢀ‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıꢀÓÌËÁ‡ˆËË), Receive Transpose
(Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇·) Ë Start/Stop (Á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇)
■ Clock
èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÒÔÓÒÓ· ÒËÌıꢀÓÌËÁ‡ˆËË MIDI-ÛÒÚꢀÓÈÒÚ‚. èˇÌËÌÓ CVP-210/208 ÏÓÊÌÓ ÒËÌıꢀÓÌËÁËꢀÓ‚‡Ú¸ ÔÓ ‚ÒÚꢀÓÂÌÌ˚Ï ˜‡Ò‡Ï
ËÎË ÔÓ ÒË„Ì‡Î‡Ï ÒËÌıꢀÓÌËÁ‡ˆËË, ÔÓÒÚÛÔ‡˛˘ËÏ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡. ÖÒÎË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ËÒÔÓθÁÛÂÚÒfl
ÓÚ‰ÂθÌÓ, ÒΉÛÂÚ ‚˚·ꢀ‡Ú¸ Á̇˜ÂÌË «INTERNAL». ÖÒÎË Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210/208 ÔÓ‰Íβ˜ÂÌ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓꢀ,
ÍÓÏÔ¸˛ÚÂꢀ Ò ËÌÚÂꢀÙÂÈÒÓÏ MIDI ËÎË Í‡ÍÓÂ-ÎË·Ó ‰ꢀÛ„Ó MIDI-ÛÒÚꢀÓÈÒÚ‚Ó, Ò ÍÓÚÓꢀ˚Ï ÌÂÓ·ıÓ‰ËÏÓ ÒËÌıꢀÓÌËÁËꢀÓ‚‡Ú¸ CVP-210/208,
Û͇ÊËÚ Á̇˜ÂÌË «EXTERNAL». Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒΉÛÂÚ Û·Â‰ËÚ¸Òfl ‚ ÚÓÏ, ˜ÚÓ ‚̯Ì ÛÒÚꢀÓÈÒÚ‚Ó ÔÓ‰Íβ˜ÂÌÓ Í ˆËÙꢀÓ‚ÓÏÛ
ÔˇÌËÌÓ CVP-210/208 ˜ÂꢀÂÁ ÔÓꢀÚ MIDI IN Ë ˜ÚÓ ÓÌÓ ÔÂꢀ‰‡ÂÚ Ò˄̇ΠÒËÌıꢀÓÌËÁ‡ˆËË.
■ Transmit Clock
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÛÔꢀ‡‚ÎflÂÚ ‚Íβ˜ÂÌËÂÏ Ë ‚˚Íβ˜ÂÌËÂÏ ꢀÂÊËχ ÔÂꢀ‰‡˜Ë Ò˄̇· ÒËÌıꢀÓÌËÁ‡ˆËË. ÖÒÎË Á‡‰‡Ú¸ Á̇˜ÂÌËÂ
«OFF», Ò˄̇Î˚ ÒËÌıꢀÓÌËÁ‡ˆËË ËÎË ÍÓχ̉˚ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl (START/STOP data) Ì ÔÂꢀ‰‡˛ÚÒfl.
■ Receive Transpose
ÖÒÎË Ô‡ꢀ‡ÏÂÚꢀÛ ÔꢀËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», ‰‡ÌÌ˚Â, ÔÓÒÚÛÔ‡˛˘Ë ̇ ‚ıÓ‰ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ÌÂ
Úꢀ‡ÌÒÔÓÌËꢀÛ˛ÚÒfl. Ç ÔꢀÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚̯ÌËÈ Ò˄̇ΠÚꢀ‡ÌÒÔÓÌËꢀÛÂÚÒfl Òӄ·ÒÌÓ ÚÂÍÛ˘ËÏ Á̇˜ÂÌËflÏ Ô‡ꢀ‡ÏÂÚꢀÓ‚
Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËfl CVP-210/208 (ÒÚꢀ. 144).
■ Start/Stop
èêàåÖóÄçàÖ
ùÚÓÚ Ô‡ꢀ‡ÏÂÚꢀ ÓÔꢀ‰ÂÎflÂÚ, ‚ÎËfl˛Ú ÎË ‚ıÓ‰fl˘Ë ÍÓχ̉˚ «FA» Ë «FC» ̇
FA, FC
MIDI-cÓÓ·˘ÂÌËfl (ÍÓχ̉˚) ‰Îfl Á‡ÔÛÒ͇/
ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË ËÎË ÒÚËÎfl. «FA» –
ÍÓχ̉‡ ̇˜‡Ú¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ, «FC»
– ÍÓχ̉‡ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ.
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË ÒÚËÎfl.
Message Switch
SYS/EX. Tx (TRANSMIT).................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ꢀÂÊËχ ÔÂꢀ‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ.
SYS/EX. Rx (RECEIVE)...................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ꢀÂÊËχ ÔꢀËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ Ò ‚̯̄Ó
ÛÒÚꢀÓÈÒÚ‚‡.
CHORD SYS/EX. Tx (TRANSMIT) ..... ÇÍβ˜ÂÌË /‚˚Íβ˜ÂÌË ꢀÂÊËχ ÔÂꢀ‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓꢀ‰‡Ï (‰‡ÌÌ˚Â
Ó ÚËÔ ‡ÍÍÓꢀ‰‡ Ë ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ).
CHORD SYS/EX. Rx (RECEIVE)........ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ꢀÂÊËχ ÔꢀËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓꢀ‰‡Ï Ò ‚̯̄Ó
ÛÒÚꢀÓÈÒÚ‚‡.
èÂꢀ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit
ç‡ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸ Ô‡ꢀÚËË,
ÍÓÚÓꢀ˚ ·Û‰ÛÚ ÔÂꢀ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â,
Ë MIDI-͇̇Î, ÔÓ ÍÓÚÓꢀÓÏÛ ˝ÚË ‰‡ÌÌ˚Â
A
·Û‰ÛÚ ÔÂꢀ‰‡‚‡Ú¸Òfl.
B
C
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË
͇̇ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
D
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸
«Î‡ÏÔӘ͇» ̇ ˝Íꢀ‡ÌÂ,
ÍÓÚÓꢀ‡fl ÏË„‡ÂÚ ÔꢀË
ÔÂꢀ‰‡˜Â MIDI-ÒÓÓ·˘ÂÌËÈ
ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ.
͇̇Î, ‰Îfl ÍÓÚÓꢀÓ„Ó Úꢀ·ÛÂÚÒfl
ËÁÏÂÌËÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ÔÂꢀ‰‡˜Ë.
E
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸
ÔÂꢀ‰‡˜Û ÓÔꢀ‰ÂÎÂÌÌ˚ı
ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ.
ùÚË ÍÌÓÔÍË ÔÓÏÓ„‡˛Ú ̇Á̇˜ËÚ¸
˜‡ÒÚ¸ ‚˚·ꢀ‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
1
2
3
4
5
6
7
8
èÓ‰ꢀÓ·ÌÓÒÚË ÒÏ. ÌËÊÂ.
íËÔ˚ ‰‡ÌÌ˚ı ̇ ˝Íꢀ‡Ì MIDI TRANSMIT/RECEIVE
Note
ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ̇ Í·‚ˇÚÛꢀÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂꢀÊËÚ ÌÓÏÂꢀ ÌÓÚ˚, ÍÓÚÓꢀ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
̇ʇÚÓÈ Í·‚˯Â, ‡ Ú‡ÍÊ ÒÍÓꢀÓÒÚ¸ (ÒËÎÛ Û‰‡ꢀ‡ ÔÓ Í·‚˯Â) ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ÒËθÌÓ Ì‡ÊËχ˛ÚÒfl Í·‚˯Ë.
Control Change (CC)
Program Change (PC)
Pitch Bend (PB)
ùÚÓÚ ÚËÔ ‰‡ÌÌ˚ı ‚Íβ˜‡ÂÚ ‰‡ÌÌ˚Â Ó ÔÓÎÓÊÂÌËË Ô‰‡ÎË Ë ‰ꢀÛ„Ë ‰‡ÌÌ˚ ÍÓÌÚꢀÓÎÎÂꢀÓ‚.
ëÎÛÊËÚ ‰Îfl ÔÂꢀ‰‡˜Ë ÍÓχ̉ ÒÏÂÌ˚ ÌÓÏÂꢀ‡ ÚÂÏ·ꢀ‡ ËÎË «Ô˝Ú˜‡».
ëÏ. ÒÚꢀ. 143.
After Touch (AT)*
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ꢀ‡„ËꢀÓ‚‡Ú¸ ̇ ‚Â΢ËÌÛ ÛÒËÎËfl, ÔꢀËÎÓÊÂÌÌÓ„Ó Í Í·‚˯‡Ï. ê‡͈Ëfl
‚˚ꢀ‡Ê‡ÂÚÒfl ‚ Ó·ꢀ‡·ÓÚÍ Á‚Û͇ ꢀ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·ꢀ‡ÌÌÓ„Ó ÚÂÏ·ꢀ‡. ùÚÓ Á‡ÏÂÚÌÓ ÔÓ‚˚¯‡ÂÚ
‚˚ꢀ‡ÁËÚÂθÌÓÒÚ¸ Ë ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ꢀ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Í ÚÂıÌËÍ ËÒÔÓÎÌÂÌËfl.
* Ç˚‚Ó‰ËÚÒfl ÚÓθÍÓ Ì‡ ˝Íꢀ‡Ì RECEIVE (ÒÏ. ÒÚꢀ. 150).
CVP-210/208
149
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
èꢀËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive
ç‡ ˝ÚÓÈ ÒÚꢀ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸
èêàåÖóÄçàÖ
˜‡ÒÚË, ÔꢀËÌËχ˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl.
äꢀÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ͇̇Î
‰Îfl ÔꢀËÂχ Ú‡ÍËı ÒÓÓ·˘ÂÌËÈ.
èÓꢀÚ˚ MIDI IN/OUT Ë ÔÓꢀÚ 1
ꢀ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
Í‡Ì‡Î‡Ï 1 – 16. èÓꢀÚ 2 ꢀ‡Á˙Âχ
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
A
B
C
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ͇̇Î,
‰Îfl ÍÓÚÓꢀÓ„Ó Úꢀ·ÛÂÚÒfl ËÁÏÂÌËÚ¸
D
Ô‡ꢀ‡ÏÂÚꢀ˚ ÔꢀËÂχ.
E
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇
˝Íꢀ‡ÌÂ, ÍÓÚÓꢀ‡fl ÏË„‡ÂÚ ÔꢀË
ÔÓÎÛ˜ÂÌËË MIDI-ÒÓÓ·˘ÂÌËÈ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú
‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÔꢀËÂÏ
ÓÔꢀ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚
ÒÓÓ·˘ÂÌËÈ. èÓ‰ꢀÓ·ÌÓÒÚË Ó
ÚËÔ‡ı ‰‡ÌÌ˚ı ÒÏ. ̇ ÒÚꢀ. 149.
ùÚË ÍÌÓÔÍË ÓÔꢀ‰ÂÎfl˛Ú ˜‡ÒÚ¸,
̇Á̇˜ÂÌÌÛ˛ ‚˚·ꢀ‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
èÓ‰ꢀÓ·ÌÓÒÚË ÒÏ. ÌËÊÂ.
1
2
3
4
5
6
7
8
ó‡ÒÚË ‰Îfl ÔꢀËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ
OFF
èꢀËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ Ì ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl.
SONG
é·˚˜ÌÓ ˜‡ÒÚ¸, ÔꢀËÌËχ˛˘‡fl MIDI-ÒÓÓ·˘ÂÌËfl, ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ˜‡ÒÚË/ÚÂÏ·ꢀÛ, ËÒÔÓθÁÛÂÏÓÏÛ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË. àÌ˚ÏË ÒÎÓ‚‡ÏË,
͇̇Î˚ Ò 1 ÔÓ 16 ÔꢀË‚flÁ‡Ì˚ Í Ó‰ÌÓËÏÂÌÌ˚Ï Í‡Ì‡Î‡Ï ÔÂÒÌË.
MAIN
ìÔꢀ‡‚ÎÂÌË ˜‡ÒÚ¸˛ MAIN ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
ìÔꢀ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LAYER ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
ìÔꢀ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LEFT ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
LAYER
LEFT
KEYBOARD
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÔꢀËÌËχÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÓÚÌÓÒfl˘ËÂÒfl Í ÌÓÚ‡Ï, Ë ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ Ëı Ú‡Í, Í‡Í ÂÒÎË ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
·˚ÎË Ò˚„ꢀ‡Ì˚ ̇ Í·‚ˇÚÛꢀÂ.
ACMP RHYTHM1-2
ACMP BASS
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 Ë RHYTHM 2.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS.
ACMP CHORD1-2
ACMP PAD
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD 1 Ë CHORD 2.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD.
ACMP PHRASE1-2
EXTRA PART1-5
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE 1 Ë PHRASE 2.
ëÛ˘ÂÒÚ‚ÛÂÚ ÔflÚ¸ ˜‡ÒÚÂÈ, ÒÔˆˇθÌÓ Ôꢀ‰̇Á̇˜ÂÌÌ˚ı ‰Îfl ÔꢀËÂχ Ë ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl MIDI-ÒÓÓ·˘ÂÌËÈ. ä‡Í Ôꢀ‡‚ËÎÓ, Ò‡ÏËÏ ˆËÙꢀÓ‚˚Ï
ÔˇÌËÌÓ ˝ÚË ˜‡ÒÚË Ì ËÒÔÓθÁÛ˛ÚÒfl. çÓ ÂÒÎË ÓÌË ‚ÒÂ-Ú‡ÍË Á‡‰ÂÈÒÚ‚Ó‚‡Ì˚, ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â 32-
͇̇θÌÓ„Ó ÏÛθÚËÚÂÏ·ꢀ‡Î¸ÌÓ„Ó ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡.
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root
ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔꢀËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓꢀ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON»,
‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÓÒÌÓ‚Ì˚ ÚÓ̇, Ò˚„ꢀ‡ÌÌ˚ ‚ ꢀ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÌÓ‚Ì˚ ÚÓ̇ ꢀ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË
ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
èêàåÖóÄçàÖ
èÓꢀÚ˚ MIDI IN/OUT Ë ÔÓꢀÚ 1
ꢀ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
A
äÌÓÔÍË ‚˚·Óꢀ‡ „ꢀÛÔÔ˚ ËÁ ‚ÓÒ¸ÏË
͇̇ÎÓ‚: 1 – 8, 9 – 16, 17 – 24 Ë 25 – 32
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
Í‡Ì‡Î‡Ï 1 – 16. èÓꢀÚ 2 ꢀ‡Á˙Âχ
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
B
C
D
E
èêàåÖóÄçàÖ
ÖÒÎË Á̇˜ÂÌË «ON»
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Á‡‰‡ÌÓ ‰Îfl
ÌÂÒÍÓθÍËı ͇̇ÎÓ‚, ÔÓËÒÍ
ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ ‚˚ÔÓÎÌflÂÚÒfl ‚
Òϯ‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı,
ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï.
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ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ (ÔÂꢀÂÍβ˜ÂÌË ÏÂÊ‰Û Á̇˜ÂÌËflÏË ON Ë OFF).
Ç˚Íβ˜ÂÌË ‚ÒÂı ͇̇ÎÓ‚ (OFF).
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓꢀ‰Ó‚ – Chord Detect
ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔꢀËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓꢀ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON»,
‚ÓÒÔꢀËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ‡ÍÍÓꢀ‰Ó‚, ‚ÁflÚ˚ı ‚ ꢀ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÔꢀ‰ÂÎÂÌË ‡ÍÍÓꢀ‰Ó‚ Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓÈ ‡ÔÔÎË͇ÚÛꢀ˚.
éÒÌÓ‚Ì˚ ÚÓ̇ ꢀ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ë
ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÒÚꢀ‡Ìˈ˚ ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ Ôꢀ‡ÍÚ˘ÂÒÍË Ú Ê ÓÔÂꢀ‡ˆËË, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ‚ ꢀ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÒÚꢀ‡Ìˈ ROOT.
CVP-210/208
150
Download from Www.Somanuals.com. All Manuals Search And Download.
ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ÑꢀÛ„Ë ԇꢀ‡ÏÂÚꢀ˚ – Utility
Ç ˝ÚÓÏ ꢀ‡Á‰ÂΠÔꢀ˂‰ÂÌ˚ ÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚꢀ. 136.
ç‡ÒÚꢀÓÈ͇ Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÂȉËÌ„‡, ÏÂÚꢀÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ ·ÎÓÍËꢀÓ‚ÍË
Ô‡ꢀ‡ÏÂÚꢀ‡ Ë Û͇Á‡ÌËfl ÚÂÏÔ‡ – CONFIG 1
è‡ꢀ‡ÏÂÚꢀ˚ Fade In Time (‚ꢀÂÏfl ̇ꢀ‡˘Ë‚‡ÌËfl „ꢀÓÏÍÓÒÚË), Fade Out Time (‚ꢀÂÏfl ÒÌËÊÂÌËfl „ꢀÓÏÍÓÒÚË),
Fade Out Hold Time (‚ꢀÂÏfl ÌÛ΂ÓÈ „ꢀÓÏÍÓÒÚË)
ùÚË Ô‡ꢀ‡ÏÂÚꢀ˚ Á‡‰‡˛Ú ‚ꢀÂÏfl ÙÂȉËÌ„‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË.
ᇉ‡ÂÚ ‚ꢀÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl Û‚Â΢ÂÌËfl
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„ꢀÓÏÍÓÒÚË ÓÚ ÏËÌËχθÌÓÈ ‰Ó χÍÒËχθÌÓÈ
(‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 0 ‰Ó 20 Ò).
ᇉ‡ÂÚ ‚ꢀÂÏfl, ̇ ÔꢀÓÚflÊÂÌËË ÍÓÚÓꢀÓ„Ó
„ꢀÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËχθÌÓÈ (ÓÚ 0 ‰Ó 5,0 Ò).
ᇉ‡ÂÚ ‚ꢀÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÛÏÂ̸¯ÂÌËfl
„ꢀÓÏÍÓÒÚË ÓÚ Ï‡ÍÒËχθÌÓÈ ‰Ó ÏËÌËχθÌÓÈ
(‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 0 ‰Ó 20 Ò).
Metronome
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡ꢀ‡ÏÂÚꢀ˚ ÏÂÚꢀÓÌÓχ.
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ᇉ‡ÂÚ „ꢀÓÏÍÓÒÚ¸ ÏÂÚꢀÓÌÓχ.
éÔꢀ‰ÂÎflÂÚ ˜‡ÒÚÓÚÛ Ò˄̇·
ÏÂÚꢀÓÌÓχ.
èꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË
ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á̇˜ÂÌËÂ
ꢀ‡ÁÏÂꢀ‡ ‡‚ÚÓχÚ˘ÂÒÍË
ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ꢀ‡‚Ì˚Ï
Á̇˜ÂÌ˲, Û͇Á‡ÌÌÓÏÛ ‚ Ù‡ÈÎÂ
ÔÂÒÌË/ÒÚËÎfl.
éÔꢀ‰ÂÎflÂÚ ı‡ꢀ‡ÍÚÂꢀ Á‚Û˜‡ÌËfl ÏÂÚꢀÓÌÓχ.
Bell Off........................ëڇ̉‡ꢀÚÌ˚È Á‚ÛÍ ÏÂÚꢀÓÌÓχ, ·ÂÁ Á‚ÓÌ͇.
Bell On........................ëڇ̉‡ꢀÚÌ˚È Á‚ÛÍ ÏÂÚꢀÓÌÓχ, ÒÓ Á‚ÓÌÍÓÏ.
English Voice.............ë˜ÂÚ ÔÓ-‡Ì„ÎËÈÒÍË (One, Two, Three, Four)
German Voice ............ë˜ÂÚ ÔÓ-ÌÂψÍË (Eins, Zwei, Drei, Vier)
Japanese Voice .........ë˜ÂÚ ÔÓ-flÔÓÌÒÍË (Ichi, Ni, San, Shi)
French Voice..............ë˜ÂÚ ÔÓ-Ùꢀ‡ÌˆÛÁÒÍË (Un, Deux, Trois, Quatre)
Spanish Voice............ë˜ÂÚ ÔÓ-ËÒÔ‡ÌÒÍË (Uno, Dos, Tres, Cuatro)
CVP-210/208
151
Download from Www.Somanuals.com. All Manuals Search And Download.
ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
ÅÎÓÍËꢀӂ͇ Ô‡ꢀ‡ÏÂÚꢀ‡
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡·ÎÓÍËꢀÓ‚‡Ú¸ ÓÔꢀ‰ÂÎÂÌÌ˚ ԇꢀ‡ÏÂÚꢀ˚ Ú‡Í, ˜ÚÓ·˚ Ëı Á̇˜ÂÌËfl ÏÓÊÌÓ ·˚ÎÓ ËÁÏÂÌËÚ¸ ÚÓθÍÓ Ò ÔÂꢀ‰ÌÂÈ
Ô‡ÌÂÎË. à̇˜Â „Ó‚Óꢀfl, Ó̇ Á‡Ôꢀ¢‡ÂÚ ËÁÏÂÌflÚ¸ Ô‡ꢀ‡ÏÂÚꢀ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ̇ÒÚꢀÓÂÍ «‚ Ó‰ÌÓ
͇҇ÌË», Music Finder ËÎË ÔÛÚÂÏ ꢀ‰‡ÍÚËꢀÓ‚‡ÌËfl Ù‡ÈÎÓ‚ ÔÂÒÂÌ.
Ç˚·Óꢀ Ô‡ꢀ‡ÏÂÚꢀ‡ ‰Îfl
‚Íβ˜ÂÌËfl/ÒÌflÚËfl
·ÎÓÍËꢀÓ‚ÍË.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡·ÎÓÍËꢀÓ‚‡Ú¸
‚˚·ꢀ‡ÌÌ˚È Ô‡ꢀ‡ÏÂÚꢀ („‡ÎӘ͇ ÂÒÚ¸) Ë
ꢀ‡Á·ÎÓÍËꢀÓ‚‡Ú¸ Â„Ó („‡ÎÓ˜ÍË ÌÂÚ).
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Tap Count
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‚ÛÍ, ËÒÔÓθÁÛÂÏ˚È ‰Îfl ÙÛÌ͈ËË Tap Start (ÒÚꢀ. 55).
ᇉ‡ÂÚ Á‚ÛÍ, ËÒÔÓθÁÛÂÏ˚È
ÙÛÌ͈ËÂÈ Tap Start. í‡ÍËÏ Á‚ÛÍÓÏ
ÏÓÊÂÚ ·˚Ú¸ Á‚ÛÍ Î˛·Ó„Ó Û‰‡ꢀÌÓ„Ó
ËÎË ÔÂꢀÍÛÒÒËÓÌÌÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡ ËÁ
Òڇ̉‡ꢀÚÌÓ„Ó Ì‡·Óꢀ‡ (ÒÚꢀ. 59).
éÔꢀ‰ÂÎflÂÚ „ꢀÓÏÍÓÒÚ¸ ꢀËÚχ.
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ç‡ÒÚꢀÓÈ͇ ˝Íꢀ‡Ì‡, ÒËÒÚÂÏ˚ ‰Ë̇ÏËÍÓ‚ Ë ÓÚÓ·ꢀ‡ÊÂÌËfl ÌÓÏÂꢀÓ‚ ÚÂÏ·ꢀÓ‚ –
CONFIG 2
HEADPHONE SW (SWITCH)
ÑË̇ÏËÍ ꢀ‡·ÓÚ‡ÂÚ, ÌÓ ÓÚÍβ˜‡ÂÚÒfl, ÂÒÎË ‚
ꢀ‡Á˙ÂÏ PHONES ‚Íβ˜ÂÌ˚ ̇ۯÌËÍË.
ON
á‚ÛÍ ‚Ò„‰‡ ÔꢀÓıÓ‰ËÚ ˜ÂꢀÂÁ ‰Ë̇ÏËÍ.
OFF
á‚ÛÍ ˜ÂꢀÂÁ ‰Ë̇ÏËÍ Ì ÔꢀÓıÓ‰ËÚ.
ÇÍβ˜‡˛Ú/‚˚Íβ˜‡˛Ú ꢀÂÊËÏ ÓÚÓ·ꢀ‡ÊÂÌËfl
̇Á‚‡ÌËfl ·‡Ì͇ Ë ÌÓÏÂꢀ‡ ÚÂÏ·ꢀ‡ ̇ ÒÚꢀ‡ÌˈÂ
PRESET ˝Íꢀ‡Ì‡ VOICE (ÒÚꢀ. 58). ùÚÓ ·˚‚‡ÂÚ
ÔÓÎÂÁÌÓ ÂÒÎË, ÌÛÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ·ꢀ
‚̯ÌÂ„Ó MIDI-ÛÒÚꢀÓÈÒÚ‚‡. ÑÎfl ˝ÚÓ„Ó Ó·˚˜ÌÓ
ÔꢀÓ‚Âꢀfl˛ÚÒfl Á̇˜ÂÌËfl MSB/LSB Ë ÌÓÏÂꢀ‡
ÔꢀÓ„ꢀ‡ÏÏ ‚˚·ꢀ‡ÌÌÓ„Ó ·‡Ì͇ ÚÂÏ·ꢀÓ‚.
äÌÓÔ͇, ꢀ„ÛÎËꢀÛ˛˘‡fl flꢀÍÓÒÚ¸
˝Íꢀ‡Ì‡.
äÌÓÔ͇, ꢀ„ÛÎËꢀÛ˛˘‡fl flꢀÍÓÒÚ¸
ÔÓ‰Ò‚ÂÚÍË ˝Íꢀ‡Ì‡.
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CVP-210/208
152
Download from Www.Somanuals.com. All Manuals Search And Download.
ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
èêàåÖóÄçàÖ
äÓÔËꢀÓ‚‡ÌËÂ Ë ÙÓꢀχÚËꢀÓ‚‡ÌË ‰ËÒÍÂÚ – Disk
•
äÓÔËꢀÓ‚‡ÌË ‰‡ÌÌ˚ı Ò
‰ËÒÍÂÚ˚ ÚËÔ‡ 2DD ̇ ‰ËÒÍÂÚÛ
ÚËÔ‡ 2HD Ë Ó·ꢀ‡ÚÌÓ
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
Ì‚ÓÁÏÓÊÌÓ. èꢀËÒÚÛÔ‡fl Í
ÍÓÔËꢀÓ‚‡Ì˲, ۷‰ËÚÂÒ¸ ‚
ÚÓÏ, ˜ÚÓ Ó·Â ‰ËÒÍÂÚ˚ Ó‰ÌÓ„Ó
ÚËÔ‡.
ÒÍÓÔËꢀÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò Ó‰ÌÓÈ
‰ËÒÍÂÚ˚ ̇ ‰ꢀÛ„Û˛, ˜ÚÓ·˚
ÒÓÁ‰‡Ú¸ ‡ꢀıË‚ Ò ‚‡ÊÌÓÈ
ËÌÙÓꢀχˆËÂÈ ÔÂꢀ‰
ꢀ‰‡ÍÚËꢀÓ‚‡ÌËÂÏ. ì͇Á‡ÌËfl
ÔÓ ‚˚ÔÓÎÌÂÌ˲ ‰‡ÌÌÓÈ
Ôꢀӈ‰Ûꢀ˚ ÒÏ. ÌËÊÂ.
ùÚË ÍÌÓÔÍË
‚Íβ˜‡˛Ú/
ÓÚÍβ˜‡˛Ú
ÙÛÌÍˆË˛ Song Auto
Open. ÖÒÎË Á‡‰‡Ú¸
‰Îfl ˝ÚÓ„Ó
F
G
H
I
•
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ó·˙Âχ
‰‡ÌÌ˚ı, ÒÓ‰Âꢀʇ˘ËıÒfl ̇
ÍÓÔËꢀÛÂÏÓÈ ‰ËÒÍÂÚÂ, ÏÓÊÂÚ
ÔÓÚꢀ·ӂ‡Ú¸Òfl ÌÂÒÍÓθÍÓ ꢀ‡Á
‚ÒÚ‡‚ÎflÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÚÓ
Ó‰ÌÛ, ÚÓ ‰ꢀÛ„Û˛ ‰ËÒÍÂÚÛ ‰Ó
ÚÂı ÔÓꢀ, ÔÓ͇ Ì ·Û‰ÛÚ
ÒÍÓÔËꢀÓ‚‡Ì˚ ‚Ò ‰‡ÌÌ˚Â.
èꢀÂʉ ‚Ò„Ó, ÓÁ̇ÍÓϸÚÂÒ¸
Ò ꢀ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» ̇
ÒÚꢀ. 6.
Ô‡ꢀ‡ÏÂÚꢀ‡
J
Á̇˜ÂÌË ON,
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ
Clavinova ·Û‰ÂÚ
‡‚ÚÓχÚ˘ÂÒÍË
‚˚Á˚‚‡Ú¸ ÔÂꢀ‚Û˛
ÔÂÒÌ˛ ̇ ‰ËÒÍÂÚÂ,
Í‡Í ÚÓθÍÓ ‚˚
ÔÓÏÂÒÚËÚÂ ÂÂ ‚
‰ËÒÍÓ‚Ó‰.
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
ÓÚÙÓꢀχÚËꢀÓ‚‡Ú¸ ‰ËÒÍÂÚÛ
(ÒÏ. ÌËÊÂ).
•
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äÓÔËꢀÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ
ë̇˜‡Î‡ ÒΉÛÂÚ ÒÍÓÔËꢀÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ ‚ Ô‡ÏflÚ¸ CVP-210/208, ‡ ÓÚÚÛ‰‡ ̇ ÌÓ‚Û˛
‰ËÒÍÂÚÛ (ÒÏ. ꢀËÒÛÌÓÍ).
ÇÌÛÚꢀÂÌÌflfl Ô‡ÏflÚ¸
äÓÔËꢀÓ‚‡ÌËÂ
äÓÔËꢀÓ‚‡ÌËÂ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [F]. ç‡ ˝Íꢀ‡ÌÂ
ÔÓfl‚ËÚÒfl Ôꢀ‰ÎÓÊÂÌË ‚ÒÚ‡‚ËÚ¸
‰ËÒÍÂÚÛ.
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Ë
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3
2
̇ÊÏËÚ ÍÌÓÔÍÛ «OK»
.
ÑËÒÍÂÚ‡ Ò
ËÒıÓ‰Ì˚ÏË ÍÓÔËÂÈ ËÒıÓ‰Ì˚ı
‰‡ÌÌ˚ÏË ‰‡ÌÌ˚ı
ÑËÒÍÂÚ‡ Ò
ç‡ ˝Íꢀ‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Now
copying», Ë ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-
210/208 ÔꢀËÒÚÛÔËÚ Í ÍÓÔËꢀÓ‚‡Ì˲
‰‡ÌÌ˚ı ‚Ó ‚ÌÛÚꢀÂÌÌ˛˛ Ô‡ÏflÚ¸.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔÂꢀ‡ˆË˛,
̇ÊÏËÚ ÍÌÓÔÍÛ «CANCEL».
èêàåÖóÄçàÖ
èÂÒÌË, ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌflÂÏ˚Â
˜ÂꢀÂÁ ÚÓꢀ„Ó‚Û˛ ÒÂÚ¸,
Óıꢀ‡Ìfl˛ÚÒfl Á‡ÍÓÌÓÏ Ó·
‡‚ÚÓꢀÒÍÓÏ Ôꢀ‡‚Â.
äÓÔËꢀÓ‚‡Ú¸ Ëı ÏÓÊÌÓ
ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl. çÂÍÓÚÓꢀ˚Â
ÏÛÁ˚͇θÌ˚ ÔꢀÓ„ꢀ‡ÏÏ˚
ÒÔˆˇθÌÓ Á‡˘Ë˘ÂÌ˚ ÓÚ
ÍÓÔËꢀÓ‚‡ÌËfl.
äÓ„‰‡ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Please
insert a destination disk and press
the OK button», ‚˚̸Ú ‰ËÒÍÂÚÛ Ò
ËÒıÓ‰Ì˚ÏË ‰‡ÌÌ˚ÏË, Á‡ÏÂÌËÚ ÂÂ
˜ËÒÚÓÈ ÓÚÙÓꢀχÚËꢀÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚÓÈ
Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ «OK». óÚÓ·˚
ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔÂꢀ‡ˆË˛, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ «CANCEL».
äÓ„‰‡ ÍÓÔËꢀÓ‚‡ÌË Á‡ÍÓ̘ËÚÒfl (ËÎË
̇ ˝Íꢀ‡Ì ÔÓfl‚ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛-
˘Â ÒÓÓ·˘ÂÌËÂ), ‚˚̸Ú ‰ËÒÍÂÚÛ ËÁ
‰ËÒÍÓ‚Ó‰‡.
4
îÓꢀχÚËꢀÓ‚‡ÌË ‰ËÒÍÂÚ
çÂÓÚÙÓꢀχÚËꢀÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ ÒΉÛÂÚ
ÓÚÙÓꢀχÚËꢀÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÔꢀË
ÔÂꢀ‚ÓÏ Û‰Ó·ÌÓÏ ÒÎÛ˜‡Â. îÓꢀχÚËꢀÓ‚‡Ì˲
ÔÓ‰ÎÂÊ‡Ú Í‡Í ˜ËÒÚ˚ ‰ËÒÍÂÚ˚, Ú‡Í Ë ‰ËÒÍÂÚ˚
‰ꢀÛ„Ó„Ó ÙÓꢀχڇ. èꢀË ÙÓꢀχÚËꢀÓ‚‡ÌËË ‚ÒÂ
‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ÒÚËꢀ‡˛ÚÒfl.
èêàåÖóÄçàÖ
îÓꢀχÚËꢀÓ‚‡ÌË – ˝ÚÓ ꢀ‡ÁÏÂÚ͇
‰ËÒÍÂÚ˚ Òӄ·ÒÌÓ Ôꢀ‡‚ËÎ‡Ï ‰Îfl
ÓÔꢀ‰ÂÎÂÌÌÓÈ Ù‡ÈÎÓ‚ÓÈ
ÒËÒÚÂÏ˚, ˜ÚÓ·˚ Í ÌÂÈ ÏÓ„ÎÓ
Ó·ꢀ‡˘‡Ú¸Òfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
ÛÒÚꢀÓÈÒÚ‚Ó (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â
CVP-210/208).
ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ‚ˉӂ
ÙÓꢀχÚËꢀÓ‚‡ÌËfl Ë ÚËÔÓ‚
‰ËÒÍÂÚ, ÔÓ˝ÚÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ
Á̇ڸ, ͇ÍË ËÁ ÌËı
ÔÓ‰‰ÂꢀÊË‚‡˛ÚÒfl ˆËÙꢀÓ‚˚Ï
ÔˇÌËÌÓ CVP-210/208. ÖÏÍÓÒÚ¸
Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD Ë 2HD
ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1440 ä·
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ¯ÚÓꢀÍÓÈ ‚ÔÂꢀ‰ Ë Ì‡ÍÎÂÈÍÓÈ
‚‚Âꢀı. óÚÓ·˚ ÔꢀËÒÚÛÔËÚ¸ Í ÙÓꢀχÚËꢀÓ‚‡Ì˲,
ÔÂꢀÂȉËÚ ̇ ÒÚꢀ‡ÌËˆÛ DISK Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H]
(DISK FORMAT).
ÇçàåÄçàÖ!
à̉Ë͇ÚÓꢀ „ÓÚÓ‚ÌÓÒÚË ‰ËÒÍÓ‚Ó‰‡
îÓꢀχÚËꢀÓ‚‡ÌË ‰ËÒÍÂÚ˚
Û‰‡ÎflÂÚ Ò Ì ‚Ò ‰‡ÌÌ˚Â.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡
ÙÓꢀχÚËꢀÛÂÏÓÈ ‰ËÒÍÂÚ ÌÂÚ
‚‡ÊÌ˚ı ‰‡ÌÌ˚ı.
äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓꢀ „ÓÚÓ‚ÌÓÒÚË
‰ËÒÍÓ‚Ó‰‡ (Ò΂‡ ‚ÌËÁÛ) „ÓꢀËÚ, Û͇Á˚‚‡fl, ˜ÚÓ
‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸.
CVP-210/208
153
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ç‡ÒÚꢀÓÈ͇ Ó·˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ – ÏÂÌ˛ Function
Ç‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Óꢀ flÁ˚͇ – Owner
èêàåÖóÄçàÖ
Ç˚·Óꢀ ÙÓ̇ Ò ‰ËÒÍÂÚ˚:
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ
Û͇Á‡Ú¸ ËÏfl
•
Ç Í‡˜ÂÒÚ‚Â ÙÓ̇ ‰Îfl „·‚ÌÓ„Ó ˝Íꢀ‡Ì‡
(˝Íꢀ‡Ì‡ MAIN) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ
Ù‡ÈÎ˚ ‚ ÙÓꢀχÚ BMP. å‡ÍÒËχθÌ˚È
ꢀ‡ÁÏÂꢀ ËÁÓ·ꢀ‡ÊÂÌËfl Ì ‰ÓÎÊÂÌ Ôꢀ‚˚¯‡Ú¸
640 ı 480 ÔËÍÒÂÎÂÈ. àÁÓ·ꢀ‡ÊÂÌËfl ÏÂ̸¯Â„Ó
ꢀ‡ÁÏÂꢀ‡ ‡‚ÚÓχÚ˘ÂÒÍË ꢀ‡ÒÚfl„Ë‚‡˛ÚÒfl ‰Ó
ꢀ‡ÁÏÂꢀ‡ ˝Íꢀ‡Ì‡.
F
G
H
I
ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚꢀ. 17;
ËÌÒÚꢀÛ͈ËË ÔÓ
ÔꢀËÒ‚ÓÂÌ˲ ËÏÂÌË ÒÏ.
̇ ÒÚꢀ. 49). ùÚÓ ËÏfl
·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË
ÔÓfl‚ÎflÚ¸Òfl ÔꢀË
•
•
Ç˚·ꢀ‡ÌÌ˚È ÙÓÌ Ì ·Û‰ÂÚ ÓÚÓ·ꢀ‡Ê‡Ú¸Òfl ÔꢀË
ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ,
ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ Ì ·Û‰ÂÚ ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡
Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ‰‡ÌÌ˚ÏË.
äÌÓÔÍË ‚˚·Óꢀ‡
flÁ˚͇ ÒÓÓ·˘ÂÌËÈ,
‚˚‚Ó‰ËÏ˚ı ̇
J
‚Íβ˜ÂÌËË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ.
˝Íꢀ‡Ì. ä‡Í ÚÓθÍÓ
‚˚ ËÁÏÂÌËÚÂ ˝ÚÛ
̇ÒÚꢀÓÈÍÛ, ‚ÒÂ
ÒÓÓ·˘ÂÌËfl ·Û‰ÛÚ
ÔÓfl‚ÎflÚ¸Òfl ̇
éÚÓ·ꢀ‡ÊÂËÌ ÙÓ̇ ÔꢀÓËÒıÓ‰ËÚ Ò
Ì·Óθ¯ËÏ ÓÔÓÁ‰‡ÌËÂÏ. ÖÒÎË ‚˚ ıÓÚËÚÂ
ÒÓÍꢀ‡ÚËÚ¸ ÔꢀÓÏÂÊÛÚÓÍ ‚ꢀÂÏÂÌË ‰Ó
ÔÓfl‚ÎÂÌËfl ÙÓ̇, ÒÓıꢀ‡ÌËÚ ÙÓÌ Ì‡
ÒÚꢀ‡Ìˈ USER ˝Íꢀ‡Ì‡ MAIN PICTURE.
Ç˚ÁÓ‚ËÚ ˝Íꢀ‡Ì MAIN PICTURE, ̇
ÍÓÚÓꢀÓÏ ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÙÓÌ ‰Îfl
„·‚ÌÓ„Ó ˝Íꢀ‡Ì‡.
Á‡‰‡ÌÌÓÏ flÁ˚ÍÂ.
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
Ç˚·Óꢀ ‰ꢀÛ„Ó„Ó flÁ˚͇ ‚ ˝ÚÓÏ ÏÂÒÚ ÏÓÊÂÚ
‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÔꢀÓ·ÎÂÏ˚.
•
çÂÍÓÚÓꢀ˚ ÒËÏ‚ÓÎ˚ ‚Ó ‚‚‰ÂÌÌ˚ı ËÏÂ̇ı
Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚.
çÂÍÓÚÓꢀ˚ هÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸
̉ÓÒÚÛÔÌ˚ÏË.
•
ÑÎfl ÛÒÚꢀ‡ÌÂÌËfl ˝ÚËı ÔꢀÓ·ÎÂÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÔꢀÂÊÌËÈ flÁ˚Í.
Ä̇Îӄ˘Ì˚ ÔꢀÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔꢀË
˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇ ÍÓÏÔ¸˛ÚÂꢀÂ Ò ‰ꢀÛ„ÓÈ
flÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ CVP-210/208 – System Reset
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍË Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‰Îfl CVP-210/208. ÇÓÒÒڇ̇‚ÎË‚‡˛ÚÒfl Á̇˜ÂÌËfl
Ô‡ꢀ‡ÏÂÚꢀÓ‚, ‚ıÓ‰fl˘Ëı ‚ „ꢀÛÔÔ˚ System Setup, MIDI Setup, User Effect, Music Finder Ë Files&Folders.
èêàåÖóÄçàÖ
ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚꢀÓÈÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚ System
Setup. á̇˜ÂÌËfl ˝ÚËı Ô‡ꢀ‡ÏÂÚꢀÓ‚ (ÌÓ ÚÓθÍÓ ˝ÚËı!) ÏÓÊÌÓ
Ú‡ÍÊ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ÂÒÎË ÔꢀË ‚Íβ˜ÂÌËË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
‰Âꢀʇڸ Íꢀ‡ÈÌ˛˛ Ôꢀ‡‚Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛꢀ (ë7).
îÛÌ͈ËË Ë Ô‡ꢀ‡ÏÂÚꢀ˚,
ÔÂꢀ˜ËÒÎÂÌÌ˚ ÌËÊÂ, Ì ÓÚÌÓÒflÚÒfl Í
ÓÔÂꢀ‡ˆËË Factory Reset. íÂÏ ÌÂ
ÏÂÌÂÂ, Ëı ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸,
‚˚Á‚‡‚ „ÓÚÓ‚˚È Ì‡·Óꢀ Ô‡ꢀ‡ÏÂÚꢀÓ‚
System Setup Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
Open/Save System Files.
Language (flÁ˚Í ÒÓÓ·˘ÂÌËÈ)
A
F
G
H
I
äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl
Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI-¯‡·ÎÓÌÓ‚.
Owner Name (ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl)
LDC Contrast (ÍÓÌÚꢀ‡ÒÚÌÓÒÚ¸ ˝Íꢀ‡Ì‡)
LCD Brightness (flꢀÍÓÒÚ¸ ˝Íꢀ‡Ì‡)
ç‡ÒÚꢀÓÈÍË Video Out (NTSC/PAL)
Screen Content (ÒÓ‰ÂꢀÊËÏÓ ˝Íꢀ‡Ì‡)
B
C
äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl
ËÒıÓ‰Ì˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ‰Îfl
D
ÔÓθÁÓ‚‡ÚÂθÒÍËı ˝ÙÙÂÍÚÓ‚
E
J
(ÒÚꢀ. 127).
èêàåÖóÄçàÖ
äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl
ËÒıÓ‰Ì˚ı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÛÌ͈ËË
Music Finder.
ÇÒ Á‡ÔËÒË ÙÛÌ͈ËË Music Finder
ÏÓ„ÛÚ ·˚Ú¸ ÒÓıꢀ‡ÌÂÌ˚ ‚ Ó‰ÌÓÏ
Ù‡ÈÎÂ. èꢀË ‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡È·
ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò
Ôꢀ‰ÎÓÊÂÌËÂÏ Á‡ÏÂÌËÚ¸ ÒÚ‡ꢀÛ˛
Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË ‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛
Á‡ÔËÒ¸ ‚ ÍÓ̈ ÒÚ‡ꢀÓÈ.
äÌÓÔ͇ Û‰‡ÎÂÌËfl ‚ÒÂı Ù‡ÈÎÓ‚ Ë
Ô‡ÔÓÍ ËÁ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË User.
1
2
3
4
5
6
7
8
á‡ÏÂÌËÚ¸
äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Íꢀ‡ÌÓ‚ Open/Save,
ÔÓÁ‚ÓÎfl˛˘Ëı ÒÓıꢀ‡ÌËÚ¸ ‰‡ÌÌ˚ ̇
‰ËÒÍÂÚ ‚ ‚ˉ هÈ·. ä‡Ê‰‡fl ËÁ ˝ÚËı
ÍÌÓÔÓÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÓÔꢀ‰ÂÎÂÌÌÓÏÛ
˝Íꢀ‡ÌÛ Open/Save, ÔÂꢀÂȉfl Í ÍÓÚÓꢀÓÏÛ
ÏÓÊÌÓ ‚˚·ꢀ‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÒÚꢀ‡ÌËˆÛ PRESET. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ
ÒÚꢀ‡Ìˈ˚ ‚˚ ÏÓÊÂÚ ÒÓıꢀ‡ÌËÚ¸
ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚Â.
äÌÓÔÍË ÔÓ‰Ú‚ÂꢀʉÂÌËfl ÓÔÂꢀ‡ˆËË
ÇÒ Ëϲ˘ËÂÒfl ‚Ó ‚ÌÛÚꢀÂÌÌÂÈ
Ô‡ÏflÚË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Á‡ÔËÒË
ÙÛÌ͈ËË Music Finder Û‰‡Îfl˛ÚÒfl Ë
Á‡ÏÂÌfl˛ÚÒfl Á‡ÔËÒflÏË ËÁ ‚˚·ꢀ‡ÌÌÓ„Ó
هȷ.
ÑÓ·‡‚ËÚ¸
Ç˚Á‚‡ÌÌ˚Ï Á‡ÔËÒflÏ ÔꢀËÒ‚‡Ë‚‡˛ÚÒfl
Ò‚Ó·Ó‰Ì˚ ÌÓÏÂꢀ‡ Ë ÓÌË
‰Ó·‡‚Îfl˛ÚÒfl ‚ ÒÔËÒÓÍ.
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ
‰Îfl ‚ÒÂı ÓÚϘÂÌÌ˚ı ̇ ˝Íꢀ‡Ì „ꢀÛÔÔ
Ô‡ꢀ‡ÏÂÚꢀÓ‚.
CVP-210/208
154
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ
ÔˇÌËÌÓ Clavinova
ÇçàåÄçàÖ!
2 èÓ‰Íβ˜ÂÌË ÏËÍꢀÓÙÓ̇ ËÎË
èÂꢀ‰ ÔÓ‰Íβ˜ÂÌËÂÏ Clavinova Í ‰ꢀÛ„ËÏ ÛÒÚꢀÓÈÒÚ‚‡Ï ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ
‚ÒÂı ÒÓ‰ËÌflÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èꢀÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸
Ó·ÓꢀÛ‰Ó‚‡ÌËÂ, ÒΉÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËχθÌÛ˛ „ꢀÓÏÍÓÒÚ¸ (0).
„ËÚ‡ꢀ˚ (ꢀ‡Á˙ÂÏ MIC./LINE IN)
èÓ‰Íβ˜Ë‚ ÏËÍꢀÓÙÓÌ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova, ‚˚
ÏÓÊÂÚ ÔÓ‰Ô‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓÏÛ ËÒÔÓÎÌÂÌ˲ ËÎË Á‡ÔËÒ‡ÌÌÓÈ
ÔÂÒÌÂ. (êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ˝ÚÓÈ ˆÂÎË
‰Ë̇Ï˘ÂÒÍËÈ ÏËÍꢀÓÙÓÌ.) LJ¯ „ÓÎÓÒ ËÎË Á‚ÛÍ „ËÚ‡ꢀ˚
ÔÓÒÚÛÔ‡ÂÚ Ì‡ ‚ÒÚꢀÓÂÌÌ˚ ‰Ë̇ÏËÍË.
Ç ÔꢀÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓꢀÛ‰Ó‚‡ÌË ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ꢀÂʉÂÌÓ, ‡ ‚˚ Ò‡ÏË
ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Û‰‡ꢀ ˝ÎÂÍÚꢀ˘ÂÒÍËÏ ÚÓÍÓÏ.
INPUT
MIC.
LINE IN
MIC. LINE PHONES
èÓ‰Íβ˜ËÚ ÏËÍꢀÓÙÓÌ Í ꢀ‡Á˙ÂÏÛ MIC./LINE IN (Ò
ÔÓÏÓ˘¸˛ Òڇ̉‡ꢀÚÌÓ„Ó ˜ÂÚ‚ÂꢀÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂÍÂꢀ‡).
VOLUME
MIN
MAX
1
èêàåÖóÄçàÖ
êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÂ̇Ôꢀ‡‚ÎÂÌÌ˚È ÏËÍꢀÓÙÓÌ.
ìÒÚ‡ÌÓ‚ËÚ ÔÂꢀÂÍβ˜‡ÚÂθ [MIC. LINE] (ÓÌ ꢀ‡ÒÔÓÎÓÊÂÌ
ꢀfl‰ÓÏ Ò „ÌÂÁ‰ÓÏ MIC./LINE IN) ‚ ÔÓÎÓÊÂÌË MIC.
2
2
1
MIC. LINE
MIC. LINE
èꢀË ÔÓ‰Íβ˜ÂÌËË ÏËÍꢀÓÙÓ̇
èꢀË ÔÓ‰Íβ˜ÂÌËË „ËÚ‡ꢀ˚
(ꢀ‡Á˙ÂÏ PHONES)
ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ۯÌËÍÓ‚, ÔÓ‰Íβ˜ËÚ Ëı ‚ Ó‰ËÌ ËÁ
ꢀ‡Á˙ÂÏÓ‚ PHONES (Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ꢀÚÌÓ„Ó
èêàåÖóÄçàÖ
ÇÍβ˜ËÚ ÎËÌÂÈÌ˚È ‚ıÓ‰, ÛÒÚ‡ÌÓ‚Ë‚ ÔÂꢀÂÍβ˜‡ÚÂθ [MIC. LINE] ‚
ÔÓÎÓÊÂÌË LINE, ÂÒÎË Úꢀ·ÛÂÚÒfl ÔÓ‰Íβ˜ËÚ¸ Í ꢀ‡Á˙ÂÏÛ MIC./LINE IN
ÛÒÚꢀÓÈÒÚ‚Ó Ò ÎËÌÂÈÌ˚Ï ÛꢀÓ‚ÌÂÏ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·.
˜ÂÚ‚ÂꢀÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂÍÂꢀ‡), ̇ıÓ‰fl˘ËıÒfl ̇ Ó·ꢀ‡ÚÌÓÈ
ÒÚÓꢀÓÌ Í·‚ˇÚÛꢀ˚. èꢀË ÔÓ‰Íβ˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ Í ꢀ‡Á˙ÂÏÛ
PHONES (ÒÚꢀ. 152) ‚ÒÚꢀÓÂÌÌ˚ ‚ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ ‰Ë̇ÏËÍË
‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡˛ÚÒfl. ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova
Ò̇·ÊÂÌÓ ‰‚ÛÏfl ꢀ‡Á˙ÂχÏË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰‚Â
Ô‡ꢀ˚ ̇ۯÌËÍÓ‚. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÎÛ¯‡Ú¸ ÏÛÁ˚ÍÛ ‰‚ÛÏ
β‰flÏ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ.
ë ÔÓÏÓ˘¸˛ ꢀÛ˜ÍË [INPUT
VOLUME] (Ó̇ ꢀ‡ÒÔÓÎÓÊÂ̇
ꢀfl‰ÓÏ Ò „ÌÂÁ‰ÓÏ [MIC./LINE IN])
3
ÏËÍꢀÓÙÓÌÌÓ„Ó Ò˄̇·.
ìꢀÓ‚Â̸ ‚ıÓ‰ÌÓ„Ó Ò˄̇·
‰ÓÎÊÂÌ ·˚Ú¸ Ú‡ÍËÏ, ˜ÚÓ·˚ ÔꢀË ÔÂÌËË Ò‚ÂÚÓ‰ËÓ‰ SIGNAL
ÛÒÚÓÈ˜Ë‚Ó „ÓꢀÂÎ. èꢀË ˝ÚÓÏ ÒΉÛÂÚ ËÁ·Â„‡Ú¸ ÛÒÚ‡ÌÓ‚ÍË
ÛꢀÓ‚Ìfl Ò˄̇·, ÔꢀË‚Ó‰fl˘Â„Ó Í ÚÓÏÛ, ˜ÚÓ Á‡„Óꢀ‡ÂÚÒfl
Ò‚ÂÚÓ‰ËÓ‰ OVER (ÒÚꢀ. 131).
ëÚꢀ.157
6
ëÚꢀ.157
8
ëÚꢀ.157
7
AUX PEDAL
USB
MIDI
OUT
THRU
IN
(LEVEL FIXED)
L/L+R
R
L/L+R
R
L
R
VIDEO OUT
AUX IN
AUX OUT
5
ëÚꢀ.156
4
ëÚꢀ.156
3
ëÚꢀ.156
CVP-210/208
155
Download from Www.Somanuals.com. All Manuals Search And Download.
èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
4 Ç˚‚Ó‰ Á‚Û͇ ‚̯ÌÂ„Ó ‡Û‰ËÓ Ó·ÓꢀÛ‰Ó‚‡ÌËfl
345 èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ Ë ‚ˉÂÓ
˜ÂꢀÂÁ ‚ÒÚꢀÓÂÌÌ˚ ‰Ë̇ÏËÍË Clavinova
(ꢀ‡Á˙ÂÏ˚ AUX IN)
ÛÒÚꢀÓÈÒÚ‚
Ç˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova Í ꢀ‡ÁÌÓ„Ó
ꢀÓ‰‡ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡ꢀ‡ÚÛꢀ ˜ÂꢀÂÁ ꢀ‡Á˙ÂÏ˚ AUX IN and AUX
OUT, ÍÓÚÓꢀ˚ ̇ıÓ‰flÚÒfl ‚ ΂ÓÏ ÌËÊÌÂÏ Û„ÎÛ ËÌÒÚꢀÛÏÂÌÚ‡.
èÓ‰Íβ˜ËÚ ӷÓꢀÛ‰Ó‚‡ÌË Û͇Á‡ÌÌ˚Ï ÌËÊ ÒÔÓÒÓ·ÓÏ Ò
ÔÓÏÓ˘¸˛ Òڇ̉‡ꢀÚÌ˚ı Á‚ÛÍÓ‚˚ı ͇·ÂÎÂÈ.
ÇçàåÄçàÖ!
ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ ‚̯ÌÂÂ
ÛÒÚꢀÓÈÒÚ‚Ó, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˝ÚÓ„Ó ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡, ‡
Á‡ÚÂÏ ÔËÚ‡ÌË Clavinova.
èêàåÖóÄçàÖ
Clavinova
êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‡Û‰ËÓ͇·ÂÎË Ë ¯ÚÂÍÂꢀ‡ Ò ÒÓÔꢀÓÚË‚ÎÂÌËÂÏ,
·ÎËÁÍËÏ Í ÌÛβ.
L
L+R
R
íÓÌ-„ÂÌÂꢀ‡ÚÓꢀ
AUX IN
ÇçàåÄçàÖ!
LINE OUT
èꢀË ÔÓ‰Íβ˜ÂÌËË Clavinova Í ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ ˜ÂꢀÂÁ ꢀ‡Á˙ÂÏ˚ AUX
OUT ÒΉÛÂÚ Ò̇˜‡Î‡ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‡
ÛÊ Á‡ÚÂÏ — ÔËÚ‡ÌË ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ
‚ Ó·ꢀ‡ÚÌÓÏ ÔÓꢀfl‰ÍÂ.
òÚÂÍÂꢀ ̇ۯÌËÍÓ‚
(Òڇ̉‡ꢀÚÌ˚È)
á‚ÛÍÓ‚ÓÈ Í‡·Âθ
èêàåÖóÄçàÖ
3 èꢀÓÒÎۯ˂‡ÌË Clavinova ˜ÂꢀÂÁ ÍÓÎÓÌÍË
‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯ÌÂÂ
ÛÒÚꢀÓÈÒÚ‚Ó (ꢀ‡Á˙ÂÏ˚ AUX OUT)
•
•
Clavinova è‡ꢀ‡ÏÂÚꢀ [MASTER VOLUME] ‚ÎËflÂÚ Ì‡ ‚ıÓ‰ÌÓÈ Ò˄̇ΠËÁ
ꢀ‡Á˙ÂÏÓ‚ AUX IN
ÖÒÎË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚꢀÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓ ÛÒÚꢀÓÈÒÚ‚Ó ÒΉÛÂÚ ÔÓ‰Íβ˜‡Ú¸
˜ÂꢀÂÁ ꢀ‡Á˙ÂÏ AUX IN L/L+R.
ÇçàåÄçàÖ!
çËÍÓ„‰‡ Ì ÒÓ‰ËÌflÈÚ ꢀ‡Á˙ÂÏ˚ AUX OUT Ë AUX IN Clavinova
ÌÂÔÓÒꢀ‰ÒÚ‚ÂÌÌÓ ‰ꢀÛ„ Ò ‰ꢀÛ„ÓÏ ËÎË ˜ÂꢀÂÁ ‚̯Ì ‡Û‰ËÓ Ó·ÓꢀÛ‰Ó‚‡ÌËÂ.
í‡ÍÓ ÒÓ‰ËÌÂÌË ÏÓÊÂÚ ÔӂΘ¸ Ó·ꢀ‡ÚÌÛ˛ Ò‚flÁ¸ Ë ÚÂÏ Ò‡Ï˚Ï Ò‰Â·ڸ
Ì‚ÓÁÏÓÊÌ˚Ï ÌÓꢀχθÌÛ˛ ꢀ‡·ÓÚÛ Ò ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ Ë ‰‡Ê ‚˚Á‚‡Ú¸
ÔÓ‚ꢀÂʉÂÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
5 Ç˚‚Ó‰ ‰‡ÌÌ˚ı Ò ˝Íꢀ‡Ì‡ Clavinova ̇ ˝Íꢀ‡Ì
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÂ΂ËÁÓꢀ‡ (VIDEO OUT)
˜ÚÓ·˚ ÒÎÓ‚‡ ÔÂÒÌË ËÎË ‰‡ÌÌ˚ Üä ‰ËÒÔÎÂfl ÓÚÓ·ꢀ‡Ê‡ÎËÒ¸
̇ ·Óθ¯ÂÏ ˝Íꢀ‡ÌÂ.
í‡ÍÊ ÏÓÊÌÓ Ì‡ÒÚꢀ‡Ë‚‡Ú¸ ÓÔꢀ‰ÂÎÂÌÌÓ ÒÓ‰ÂꢀÊËÏÓÂ
˝Íꢀ‡Ì‡ (ÒÚꢀ. 147).
Clavinova
ä‡ÒÒÂÚÌ˚È
ÒÚÂꢀÂÓχ„ÌËÚÓÙÓÌ
(
)
R
LEVEL FIXED
L
L+R
R
AUX OUT
èêàåÖóÄçàÖ
•
•
ᇠËÌÙÓꢀχˆËÂÈ ÔÓ ÛÒÚ‡ÌÓ‚Í ‚ˉÂÓ Òڇ̉‡ꢀÚÓ‚ (NTSC or PAL),
Ó·ꢀ‡˘‡ÈÚÂÒ¸ Í ÒÚꢀ. 147. èÓ ÛÏÓΘ‡Ì˲ ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡ꢀÚ PAL.
àÒÔÓθÁÛÈÚ ‚˚ÒÓÍÓ˜‡ÒÚÓÚÌ˚ ‡Û‰ËÓ Ë ‚ˉÂÓ Í‡·ÂÎË Ë RCA-„ÌÂÁ‰‡
ꢀ‡Á˙ÂÏÓ‚, ˜ÚÓ·˚ ÒÓ‰ËÌËÚ¸ Clavinova Ò ÚÂ΂ËÁÓꢀÓÏ ËÎË ÏÓÌËÚÓꢀÓÏ.
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂꢀ RCA
AUX IN
òÚÂÍÂꢀ ̇ۯÌËÍÓ‚
(Òڇ̉‡ꢀÚÌ˚È)
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂꢀ RCA
á‚ÛÍÓ‚ÓÈ Í‡·Âθ
ä ‡ÍÚË‚Ì˚Ï ÍÓÎÓÌ͇Ï
ëÓ‰ËÌÂÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Ë
‡Û‰ËÓÒËÒÚÂÏ˚ Ò ÔÓÏÓ˘¸˛
¯ÚÂÍÂꢀÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»)
ÔꢀË‚Ó‰ËÚ Í ÔÂꢀ‰‡˜Â ‚̯ÌÂÏÛ
ÛÒÚꢀÓÈÒÚ‚Û Ò˄̇·
ÙËÍÒËꢀÓ‚‡ÌÌÓ„Ó ÛꢀÓ‚Ìfl. èꢀË ˝ÚÓÏ
ÔÓÎÓÊÂÌË ꢀÛ˜ÍË [MASTER
VOLUME] Ë„ÌÓꢀËꢀÛÂÚÒfl.
ëÓ‰ËÌË‚ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ
Clavinova Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò
ÔÓÏÓ˘¸˛ Òڇ̉‡ꢀÚÌ˚ı
¯ÚÂÍÂꢀÓ‚ ‰Ë‡ÏÂÚꢀÓÏ 3,5 ÏÏ
(«ÏËÌË-‰ÊÂÍ»), ‚˚ ÔÓÎÛ˜‡ÂÚÂ
‚ÓÁÏÓÊÌÓÒÚ¸ ꢀ„ÛÎËꢀÓ‚‡Ú¸
„ꢀÓÏÍÓÒÚ¸ Á‚Û͇ ̇ ‚˚ıÓ‰Â
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂꢀ RCA
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂꢀ RCA
VIDEO IN
L
L+R
R
AUX PEDAL
VIDEO OUT
AUX IN
íÂ΂ËÁÓꢀ
èêàåÖóÄçàÖ
•
ÖÒÎË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚꢀÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓ ÛÒÚꢀÓÈÒÚ‚Ó ÒΉÛÂÚ ÔÓ‰Íβ˜‡Ú¸
˜ÂꢀÂÁ ꢀ‡Á˙ÂÏ OUTPUT L/L+R.
CVP-210/208
156
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
6 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓÊÌÓ„Ó 8 èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂꢀÛ
(USB-ÔÓꢀÚ, MIDI-ÔÓꢀÚ)
ÍÓÌÚꢀÓÎÎÂꢀ‡ (ꢀ‡Á˙ÂÏ AUX PEDAL)
èÓ‰Íβ˜Ë‚ CVP-210/208 Í ÍÓÏÔ¸˛ÚÂꢀÛ, ‚˚ ÒÏÓÊÂÚ ÔÂꢀ‰‡‚‡Ú¸
‰‡ÌÌ˚ ÏÂÊ‰Û ˝ÚËÏË ÛÒÚꢀÓÈÒÚ‚‡ÏË Ë ËÒÔÓθÁÓ‚‡Ú¸ ‚ÒÂ
ÔꢀÂËÏÛ˘ÂÒÚ‚‡, ÍÓÚÓꢀ˚ ‰‡ÂÚ ÏÓ˘ÌÓÂ Ë ÏÌÓ„ÓÓ·ꢀ‡ÁÌÓÂ
ÏÛÁ˚͇θÌÓ ÔꢀÓ„ꢀ‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ. èÓ‰Íβ˜ËÚ¸
ÛÒÚꢀÓÈÒÚ‚‡ ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË.
èÓ‰Íβ˜Ë‚ ÌÓÊÌÓÈ ÍÓÌÚꢀÓÎÎÂꢀ (̇ÔꢀËÏÂꢀ ÏÓ‰ÂÎË FC7) Í
ꢀ‡Á˙ÂÏÛ AUX PEDAL, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ꢀ„ÛÎËꢀÓ‚‡Ú¸
Ò Â„Ó ÔÓÏÓ˘¸˛ Ó‰ÌÛ ËÁ ÙÛÌ͈ËÈ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ. í‡Í
ÏÓÊÌÓ, ̇ÔꢀËÏÂꢀ, ÛÔꢀ‡‚ÎflÚ¸ „ꢀÓÏÍÓÒÚ¸˛ ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚
(ÒÚꢀ. 142).
■ ë ÔÓÏÓ˘¸˛ USB-ÔÓꢀÚ‡
■ ë ÔÓÏÓ˘¸˛ MIDI-ÔÓꢀÚÓ‚
èÓ‰Íβ˜Ë‚ Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı ꢀ‡Á˙ÂÏÓ‚ ÌÓÊÌÓÈ ÔÂꢀÂÍβ˜‡ÚÂθ
(ÏÓ‰ÂÎË FC4 Ë FC5), ÏÓÊÌÓ ÔꢀÓ‰Û·ÎËꢀÓ‚‡Ú¸ ÙÛÌ͈ËË
ÌÂÍÓÚÓꢀ˚ı ÍÌÓÔÓÍ Ì‡ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË, ̇ÔꢀËÏÂꢀ ‚Íβ˜ÂÌËÂ/
‚˚Íβ˜ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
MIDI-ÔÓꢀÚ˚ ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ËÒÔÓθÁÛÂÚÒfl USB-ÔÓꢀÚ.
íꢀ·ÛÂÚÒfl MIDI-ÔꢀËÎÓÊÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ‚‡¯ÂÏÛ
ÍÓÏÔ¸˛ÚÂꢀÛ.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á̇˜ÂÌËflı Ô‡ꢀ‡ÏÂÚꢀÓ‚ MIDI,
ÌÂÓ·ıÓ‰ËÏ˚ı ‰Îfl Ôꢀ‡‚ËθÌÓÈ ꢀ‡·ÓÚ˚ ÍÓÏÔ¸˛ÚÂꢀ‡ Ë
ÔꢀÓ„ꢀ‡ÏÏ˚-ÒÂÍ‚ÂÌÒÓꢀ‡, Ôꢀ˂‰ÂÌ˚ ‚ ÓÚÌÓÒfl˘ÂÈÒfl Í ÌËÏ
‰ÓÍÛÏÂÌÚ‡ˆËË.
ÇçàåÄçàÖ!
èÓ‰Íβ˜‡ÈÚÂ Ë ÓÚÍβ˜‡ÈÚ Ô‰‡Î¸ ÚÓθÍÓ ÚÓ„‰‡, ÍÓ„‰‡ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ
‚˚Íβ˜ÂÌÓ.
«Clavinova-Computer Connection» – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓÂ
ꢀÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓꢀÓÏ ꢀ‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó
ÚÓÏ, ˜ÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ Clavinova Ë
ÔÂꢀÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂꢀÓÏ Ë Í‡Í ÛÒڇ̇‚ÎË‚‡Ú¸ ÒËÒÚÂÏÛ
Clavinova-äÓÏÔ¸˛ÚÂꢀ (ꢀÛÍÓ‚Ó‰ÒÚ‚Ó ÂÒÚ¸ Ì ‰Îfl ‚ÒÂı
ÏÓ‰ÂÎÂÈ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇
‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ꢀÂÒÛ ‚
àÌÚÂꢀÌÂÚÂ:
7 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-
ÛÒÚꢀÓÈÒÚ‚ (MIDI-ÔÓꢀÚ˚)
èÓ‰Íβ˜‡ÈÚ ‚̯ÌË MIDI-ÛÒÚꢀÓÈÒÚ‚‡ ˜ÂꢀÂÁ ‚ÒÚꢀÓÂÌÌ˚Â
MIDI-ÔÓꢀÚ˚, ËÒÔÓθÁÛfl Òڇ̉‡ꢀÚÌ˚ ͇·ÂÎË MIDI.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÔÓ‰Íβ˜ÂÌËË MIDI-ÛÒÚꢀÓÈÒÚ‚ ÒÏ. ‚
ꢀ‡Á‰ÂΠ«óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-هȷÏË?« ̇ ÒÚꢀ. 161.
ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ MIDI-ÔÓꢀÚ˚, ÂÒÎË ÍÓÏÔ¸˛ÚÂꢀ ÛÊÂ
ËÒÔÓθÁÛÂÚ USB-ÔÓꢀÚ.
ë‡ÈÚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡
‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
Yamaha Manual Library
http://www2.yamaha.co.jp/manual/english/
MIDI IN.................. ùÚÓÚ ÔÓꢀÚ Ôꢀ‰̇Á̇˜ÂÌ ‰Îfl ÔꢀËÂχ MIDI-
ÒÓÓ·˘ÂÌËÈ Ò ‚̯ÌÂ„Ó ÛÒÚꢀÓÈÒÚ‚‡
MIDI OUT.............. ùÚÓÚ ÔÓꢀÚ ÔꢀËÏÂÌflÂÚÒfl ‰Îfl ÔÂꢀ‰‡˜Ë MIDI-
ÔˇÌËÌÓ Clavinova
ÔÓÎÛ˜ÂÌÌ˚ ˜ÂꢀÂÁ MIDI IN
鷢ˠ҂‰ÂÌËfl Ó· ËÌÚÂꢀÙÂÈÒ MIDI Ë ‚ÓÁÏÓÊÌÓÒÚflı „Ó
˝ÙÙÂÍÚË‚ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÒÓ‰ÂꢀʇÚÒfl ‚ ÒÎÂ‰Û˛˘Ëı
ꢀ‡Á‰Â·ı:
• óÚÓ Ú‡ÍÓ MIDI? (ÒÚꢀ. 159)
• óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-هȷÏË? (ÒÚꢀ. 161)
• îÛÌ͈ËË MIDI (ÒÚꢀ. 148)
èêàåÖóÄçàÖ
•
çË ‚ ÍÓÂÏ ÒÎÛ˜‡Â ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ͇·ÂÎË ‰Îfl Ó·ÏÂ̇ MIDI-
ÒÓÓ·˘ÂÌËflÏË, ‰ÎË̇ ÍÓÚÓꢀ˚ı Ôꢀ‚˚¯‡ÂÚ 15 ÏÂÚꢀÓ‚.
CVP-210/208
157
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
óÂꢀÂÁ USB-ÔÓꢀÚ
óÂꢀÂÁ MIDI-ÔÓꢀÚ
ë ÔÓÏÓ˘¸˛ USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓꢀÚ ÍÓÏÔ¸˛ÚÂꢀ‡ Í
USB-ÔÓꢀÚÛ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. àÒÔÓθÁÛÈÚÂ
ÚÓθÍÓ Òڇ̉‡ꢀÚÌ˚È USB-͇·Âθ Ò ÎÓ„ÓÚËÔÓÏ USB.
MIDI-ÔÓꢀÚ˚ CVP-210/208 ÔÓ‰Íβ˜‡˛ÚÒfl Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ
ÔÓꢀÚ‡Ï ÍÓÏÔ¸˛ÚÂꢀ‡ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ꢀÚÌ˚ı ͇·ÂÎÂÈ MIDI.
•
ëÓ‰ËÌËÚ ÔÓꢀÚ MIDI OUT ÍÓÏÔ¸˛ÚÂꢀ‡ Ò ÔÓꢀÚÓÏ MIDI IN
ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ.
Clavinova
䇷Âθ USB
NEC MultiSync
PC-9821 AS
NEC
MIDI IN
MIDI OUT
MIDI IN
Clavinova
NEC MultiSync
MIDI OUT
PC-9821 AS
NEC
é ‰ꢀ‡È‚Âꢀ USB
ÑÎfl Ó·ÏÂ̇ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂꢀÓÏ Ë ËÌÒÚꢀÛÏÂÌÚÓÏ
CVP-210/208ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ̇ ÍÓÏÔ¸˛ÚÂꢀÂ
‰ꢀ‡È‚Âꢀ USB (YAMAHA USB MIDI Driver).
•
èꢀË ÔÓ‰Íβ˜ÂÌËË Í ÍÓÏÔ¸˛ÚÂꢀÛ Macintosh ÌÂÓ·ıÓ‰ËÏÓ
‰ÂÈÒÚ‚Ó‚‡Ú¸ ÒÎÂ‰Û˛˘ËÏ Ó·ꢀ‡ÁÓÏ. ë̇˜‡Î‡ ÔÓ‰Íβ˜ËÚÂ
äÓÔ˲ ‰ꢀ‡È‚Âꢀ‡ YAMAHA USB MIDI ÏÓÊÌÓ ·ÂÒÔ·ÚÌÓ
Á‡„ꢀÛÁËÚ¸ ËÁ ·Ë·ÎËÓÚÂÍË XG (XG Library), ꢀ‡ÒÔÓÎÓÊÂÌÌÓÈ Ì‡
‚·-Ò‡ÈÚ ÍÓꢀÔÓꢀ‡ˆËË Yamaha (http://www.yamaha-xg.com/).
ÍÓÏÔ¸˛ÚÂꢀÌ˚È ÔÓꢀÚ RS-422 (ÔÓꢀÚ ÏÓ‰Âχ ËÎË ÔꢀËÌÚÂꢀ‡) Í
MIDI-ËÌÚÂꢀÙÂÈÒÛ, ‡ Á‡ÚÂÏ ÒÓ‰ËÌËÚ ÔÓꢀÚ MIDI OUT ˝ÚÓ„Ó
ËÌÚÂꢀÙÂÈÒ‡ Ò ÔÓꢀÚÓÏ MIDI IN CVP-210/208 (ÒÏ. ‰Ë‡„ꢀ‡ÏÏÛ
ÌËÊÂ).
ÇçàåÄçàÖ!
MIDI IN
RS422
Clavinova
ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂꢀÛ
ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB, ˝ÚÓÚ Í‡·Âθ ‰ÓÎÊÂÌ ·˚Ú¸ ÔÓ‰ÒÓ‰ËÌÂÌ ‰Ó
‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ.
MIDI OUT
MINI DIN
8-¯Ú˚ꢀ¸ÍÓ‚˚È
äꢀÓÏ ÚÓ„Ó, Ì ‚Íβ˜‡ÈÚÂ Ë Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ ‚Ó
‚ꢀÂÏfl ꢀ‡·ÓÚ˚ ÔꢀÓ„ꢀ‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, ËÒÔÓθÁÛ˛˘Â„Ó USB ËÎË MIDI.
ÖÒÎË ‚Íβ˜‡Ú¸/‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ËÎË
ÔÓ‰ÒÓ‰ËÌflÚ¸/ÓÚÒÓ‰ËÌflÚ¸ ͇·Âθ USB ‚ ÒÎÂ‰Û˛˘Ëı ÒÓÒÚÓflÌËflı, ˝ÚÓ ÏÓÊÂÚ
‚˚Á‚‡Ú¸ ÔꢀÓ·ÎÂÏ˚ ‚ ÍÓÏÔ¸˛ÚÂꢀÌÓÈ ÒËÒÚÂÏ (‚ ÚÓÏ ˜ËÒΠÁ‡‚ËÒ‡ÌËÂ) ËÎË
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÂꢀÂÒÚ‡ÌÂÚ ꢀ‡·ÓÚ‡Ú¸.
•
ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛ÚÂꢀ «Macintosh», ÛÒÚ‡ÌÓ‚ËÚ ‚
ÔꢀËÍ·‰ÌÓÏ èé Á̇˜ÂÌË ԇꢀ‡ÏÂÚꢀ‡ ÒËÌıꢀÓÌËÁ‡ˆËË ‰Îfl
MIDI-ËÌÚÂꢀÙÂÈÒ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÒÚꢀÓÈÍÂ
ËÒÔÓθÁÛÂÏÓ„Ó MIDI-ËÌÚÂꢀÙÂÈÒÂ. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl ÒÏ. ‚ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ÔꢀÓ„ꢀ‡ÏÏ˚,
ËÒÔÓθÁÛ˛˘ÂÈÒfl ‚ ͇˜ÂÒÚ‚Â ÒÂÍ‚ÂÌÒÓꢀ‡.
•
•
•
ÇÓ ‚ꢀÂÏfl ÛÒÚ‡ÌÓ‚ÍË ‰ꢀ‡È‚Âꢀ‡.
ÇÓ ‚ꢀÂÏfl Á‡ÔÛÒ͇ ËÎË ‚˚Íβ˜ÂÌËfl ÓÔÂꢀ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ˚.
ÖÒÎË ÍÓÏÔ¸˛ÚÂꢀ ꢀ‡·ÓÚ‡ÂÚ ‚ ꢀÂÊËÏ ˝ÍÓÌÓÏËË ˝ÎÂÍÚꢀÓ˝ÌÂꢀ„ËË ËÎË ‚
ꢀÂÊËÏ ÓÊˉ‡ÌËfl.
•
ÇÓ ‚ꢀÂÏfl Á‡ÔÛÒ͇ MIDI-ÔꢀËÎÓÊÂÌËfl.
çÖãúáü ‚˚ÔÓÎÌflÚ¸ ÒÎÂ‰Û˛˘Ë ÓÔÂꢀ‡ˆËË. ùÚÓ ÏÓÊÂÚ Á‡·ÎÓÍËꢀÓ‚‡Ú¸
ÍÓÏÔ¸˛ÚÂꢀ ËÎË ÓÚÍβ˜ËÚ¸ ÙÛÌ͈ËË Clavinova.
•
•
•
•
ëÎ˯ÍÓÏ ˜‡ÒÚÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ÔÓ‰Íβ˜‡Ú¸ ËÎË
ÓÚÍβ˜‡Ú¸ ͇·Âθ.
èÂꢀÂıÓ‰ËÚ¸ ‚ ꢀÂÊËÏ ˝ÍÓÌÓÏËË ˝ÎÂÍÚꢀÓ˝ÌÂꢀ„ËË ËÎË ÓÊˉ‡ÌËfl Ë ‚˚ıÓ‰ËÚ¸
ËÁ ˝ÚÓ„Ó ꢀÂÊËχ ‚Ó ‚ꢀÂÏfl ÔÂꢀ‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
èÓ‰Íβ˜‡Ú¸ ËÎË ÓÚÍβ˜‡Ú¸ ͇·Âθ ÔꢀË ‚Íβ˜ÂÌÌÓÏ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ
Clavinova.
ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl ËÌÒÚꢀÛÏÂÌÚ‡ Clavinova, Á‡ÔÛÒÍ
ÍÓÏÔ¸˛ÚÂꢀ‡ ËÎË ÛÒÚ‡Ìӂ͇ ‰ꢀ‡È‚Âꢀ‡ ‚Ó ‚ꢀÂÏfl ÔÂꢀ‰‡˜Ë ·Óθ¯Ó„Ó
Ó·˙Âχ ‰‡ÌÌ˚ı
èêàåÖóÄçàÖ
•
•
Clavinova ̇˜ÌÂÚ ÔÂꢀ‰‡˜Û ‚ÒÍÓꢀ ÔÓÒΠÛÒÚ‡ÌÓ‚ÍË USB-ÒÓ‰ËÌÂÌËfl.
ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Clavinova Í ÍÓÏÔ¸˛ÚÂꢀÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ
USB, ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸ ÔꢀflÏ˚Ï (·ÂÁ ÔꢀÓÏÂÊÛÚÓ˜ÌÓ„Ó
ÍÓ̈ÂÌÚꢀ‡ÚÓꢀ‡ USB).
•
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓflÌËfl ÍÓÏÔ¸˛ÚÂꢀ‡ ꢀ‡·ÓÚ‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova ÏÓÊÂÚ ÒÚ‡Ú¸ ÌÂÒÚ‡·ËθÌÓÈ. ç ËÒÔÓθÁÛÈÚ ÍÓÏÔ¸˛ÚÂꢀ
ÒÔÓÒÓ·ÓÏ, ÍÓÚÓꢀ˚È ÔꢀË‚Ó‰ËÚ Í ÌÂÒÚ‡·ËθÌÓÈ ꢀ‡·ÓÚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ.
CVP-210/208
158
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
óÚÓ Ú‡ÍÓ MIDI?
á‡ÔËÒ¸ Ë ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ‚˚ÒÚÛÔÎÂÌËfl ̇ ˆËÙꢀÓ‚ÓÏ ËÌÒÚꢀÛÏÂÌÚÂ
(‰‡ÌÌ˚ MIDI)
íËÔ˘Ì˚ÏË ‡ÍÛÒÚ˘ÂÒÍËÏË ËÌÒÚꢀÛÏÂÌÚ‡ÏË fl‚Îfl˛ÚÒfl Ó·˚˜ÌÓÂ
ÔˇÌËÌÓ Ë Í·ÒÒ˘ÂÒ͇fl „ËÚ‡ꢀ‡. ç‡ ÔˇÌËÌÓ ‚˚ ̇ÊËχÂÚÂ
Í·‚˯Û, ‡ ÏÓÎÓÚÓ˜ÂÍ ‚ÌÛÚꢀË Û‰‡ÎflÂÚ ÔÓ ÒÚꢀÛÌ Ë
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ ÌÓÚÛ. Ç˚ Û‰‡ꢀflÂÚ ÔÓ ÒÚꢀÛÌ „ËÚ‡ꢀ˚, Ë ÌÓÚ‡
Á‚Û˜ËÚ.
á‡ÔËÒ¸
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
íÓÌ-„ÂÌÂꢀ‡ÚÓꢀ
ëÂÍ‚ÂÌÒÓꢀ
Ä Í‡Í ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ÌÓÚ˚ ̇ ˆËÙꢀÓ‚ÓÏ ËÌÒÚꢀÛÏÂÌÚÂ?
ÑËÒÍÂÚ‡
äÓÌÚꢀÓÎÎÂꢀ (Í·‚ˇÚÛꢀ‡ Ë Ú.‰.)
à„ꢀ‡ ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ
à„ꢀ‡ ̇ ˆËÙꢀÓ‚ÓÏ ËÌÒÚꢀÛÏÂÌÚÂ
„ËÚ‡ꢀÂ
ÇÒÚꢀÓÂÌÌ˚È
ÛÒËÎËÚÂθ
ÇÒÚꢀÓÂÌÌ˚È
ÛÒËÎËÚÂθ
íÓÌ-„ÂÌÂꢀ‡ÚÓꢀ
(˝ÎÂÍÚꢀ˘ÂÒ͇fl ˆÂÔ¸)
ÑËÒÍÂÚ‡
L
R
à„ꢀ‡ ̇
Í·‚˯‡ı
èêàåÖóÄçàÖ
à„ꢀ‡fl ̇ Í·‚ˇÚÛꢀÂ, ‚˚ ÔÓÒ˚·ÂÚÂ
ÍÓÏ‡Ì‰Û ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÚÛ ËÎË ËÌÛ˛
ÌÓÚÛ ˜ÂꢀÂÁ ‰Ë̇ÏËÍË ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ. ÇÒ ÌÓÚ˚ ıꢀ‡ÌflÚÒfl ‚ ‚ˉÂ
Ò˝ÏÔÎÓ‚ ‚ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀÂ.
Ç ÒÎÛ˜‡Â Ò ˆËÙꢀÓ‚˚Ï ËÌÒÚꢀÛÏÂÌÚÓÏ Á‚ÛÍÓ‚ÓÈ Ò˄̇ΠÔÓÒ˚·ÂÚÒfl ̇ ÔÓꢀÚ˚
Ú‡ÍÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡ (̇ÔꢀËÏÂꢀ AUX OUT).
Ç˚ ‰Âꢀ„‡ÂÚ ÒÚꢀÛÌÛ, ÍÓꢀÔÛÒ „ËÚ‡ꢀ˚
ꢀÂÁÓÌËꢀÛÂÚ Ë ÔÓÎÛ˜‡ÂÚÒfl Á‚ÛÍ
í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, „Îfl‰fl ̇ Ôꢀ˂‰ÂÌÌÛ˛ ‚˚¯Â ËÎβÒÚꢀ‡ˆË˛, Ï˚
ÔÓÌËχÂÏ, ˜ÚÓ Í·‚ˇÚÛꢀ‡ ÒÎÛÊËÚ ËÒÚÓ˜ÌËÍÓÏ ÛÔꢀ‡‚Îfl˛˘Ëı
‰‡ÌÌ˚ı. éÌË ÔÓÒÚÛÔ‡˛Ú ‚ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ, „‰Â ıꢀ‡ÌflÚÒfl
Á‡Ò˝ÏÔÎËꢀÓ‚‡ÌÌ˚ (ꢀ‡Ì Á‡ÔËÒ‡ÌÌ˚Â) ÌÓÚ˚, Ë ÂÏÛ ÓÒÚ‡ÂÚÒfl
Î˯¸ ‚ÓÒÔꢀÓËÁ‚ÂÒÚË Ëı ˜ÂꢀÂÁ ÍÓÎÓÌÍË.
íÂÔÂꢀ¸ ‰‡‚‡ÈÚ ÔÓÒÏÓÚꢀËÏ, ˜ÚÓ ÔꢀÓËÒıÓ‰ËÚ ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ÔÂÒÌË. èꢀË ÔꢀÓÒÎۯ˂‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒ͇
(‰ÓÔÛÒÚËÏ, Ò Á‡ÔËÒ¸˛ ÒÓθÌÓ„Ó ÍÓ̈ÂꢀÚ‡ ÔˇÌËÒÚ‡) ‚˚ ÒÎ˚¯ËÚÂ
Á‚ÛÍ (ÍÓη‡ÌËfl ‚ÓÁ‰Ûı‡) ˝ÚÓ„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡ ͇Í
Ú‡ÍÓ‚ÓÈ. ùÚÓÚ Á‚ÛÍ ÔꢀËÌflÚÓ Ò˜ËÚ‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚ÏË, ÓÚ΢Ì˚ÏË
ÓÚ ‰‡ÌÌ˚ı MIDI.
á‡ÔËÒ¸ Ë ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ‚˚ÒÚÛÔÎÂÌËfl ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚꢀÛÏÂÌÚÂ
(‡Û‰ËÓ‰‡ÌÌ˚Â)
á‡ÔËÒ¸
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ
Ç ‚˚¯ÂÔꢀ˂‰ÂÌÌÓÏ ÔꢀËÏÂꢀ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Á‡ÔËÒ˚‚‡ÂÚÒfl
Á‚ÛÍ ÙÓꢀÚÂÔˇÌÓ Í‡Í Ú‡ÍÓ‚Ó„Ó. èꢀÓÒÎÛ¯‡‚ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ
‰Óχ, ‚˚ Ù‡ÍÚ˘ÂÒÍË ÛÒÎ˚¯ËÚ «ÍÓÔ˲« ÙÓꢀÚÂÔˇÌÌÓ„Ó
ÍÓ̈ÂꢀÚ‡. ë‡ÏÓ ÙÓꢀÚÂÔˇÌÓ ÔꢀË ˝ÚÓÏ Ì Úꢀ·ÛÂÚÒfl, Ú‡Í Í‡Í Â„Ó
Á‚ÛÍ ÛÊ Á‡ÔËÒ‡Ì Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ë Â„Ó ÓÒÚ‡ÂÚÒfl Î˯¸
‚ÓÒÔꢀÓËÁ‚ÂÒÚË ˜ÂꢀÂÁ ‰Ë̇ÏËÍË.
CVP-210/208
159
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
äÓÌÚꢀÓÎÎÂꢀ Ë ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ fl‚Îfl˛ÚÒfl ˝Í‚Ë‚‡ÎÂÌÚÓÏ
ÙÓꢀÚÂÔˇÌÓ, ꢀ‡ÒÒÏÓÚꢀÂÌÌÓ„Ó ‚ Ôꢀ‰˚‰Û˘ÂÏ ÔꢀËÏÂꢀÂ. Ç ‰‡ÌÌÓÈ
ÒËÚÛ‡ˆËË Ë„ꢀ‡ ËÒÔÓÎÌËÚÂÎfl ÒÓıꢀ‡ÌflÂÚÒfl ‚ ‚ˉ هÈ· MIDI (ÒÏ.
ꢀËÒÛÌÓÍ ÌËÊÂ). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Á‚ÛÍ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó
ÙÓꢀÚÂÔˇÌÓ, Úꢀ·ÛÂÚÒfl ÒÔˆˇθÌÓ Á‚ÛÍÓÁ‡ÔËÒ˚‚‡˛˘ÂÂ
Ó·ÓꢀÛ‰Ó‚‡ÌËÂ. é‰Ì‡ÍÓ ÔÓÒÍÓθÍÛ Clavinova ӷ·‰‡ÂÚ
‚ÒÚꢀÓÂÌÌ˚Ï ÒÂÍ‚ÂÌÒÓꢀÓÏ, ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ Ó·ÓÈÚËÒ¸ ÔꢀË Á‡ÔËÒË
·ÂÁ ÒÔˆӷÓꢀÛ‰Ó‚‡ÌËfl. í‡ÍËÏ Ó·ꢀ‡ÁÓÏ, ‚‡¯ ˆËÙꢀÓ‚ÓÈ
ËÌÒÚꢀÛÏÂÌÚ Clavinova ÒÎÛÊËÚ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ Í‡Í ‰Îfl Á‡ÔËÒË, Ú‡Í
Ë ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÏÛÁ˚ÍË.
■ èꢀËÏÂꢀ ËÌÙÓꢀχˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò Í·‚ˇÚÛꢀ˚
çÓÏÂꢀ ÚÂÏ·ꢀ‡ (̇Á‚‡ÌË ÚÂÏ·ꢀ‡)
Note number (ÌÓÏÂꢀ ÌÓÚ˚)
01 (ꢀÓflθ)
60 (C3)
á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ «note on«
(ÍÓ„‰‡ Í·‚˯‡ ·˚· ̇ʇڇ) Ë
«note off» (ÍÓ„‰‡ Ó̇ ·˚·
ÓÚÔÛ˘Â̇)
ë˄̇ΠÒËÌıꢀÓÌËÁ‡ˆËË, ‚˚ꢀ‡ÊÂÌÌ˚È
˜ËÒÎÓÏ (˜ÂÚ‚ÂꢀÚ̇fl ÌÓÚ‡)
Velocity (ÒË· ̇ʇÚËfl)
120 (ÒËθÌÓ ̇ʇÚËÂ)
éÔÂꢀ‡ˆËË, ‚˚ÔÓÎÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔꢀ‡‚ÎÂÌËfl ̇
ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË CVP-210/208, ̇ÔꢀËÏÂꢀ ‚˚·Óꢀ ÚÂÏ·ꢀÓ‚,
ÒÓıꢀ‡Ìfl˛ÚÒfl ‚ ‚ˉ ‰‡ÌÌ˚ı MIDI. ëÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ÔÂÒÌË Ú‡ÍÊ ÒÓÒÚÓflÚ ËÁ ‰‡ÌÌ˚ı MIDI.
íÓÌ-„ÂÌÂꢀ‡ÚÓꢀ
ëÂÍ‚ÂÌÒÓꢀ
MIDI ÓÁ̇˜‡ÂÚ Musical Instrument Digital Interface (ñËÙꢀÓ‚ÓÈ
ËÌÚÂꢀÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚꢀÛÏÂÌÚÓ‚). ùÚÓÚ ËÌÚÂꢀÙÂÈÒ
‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÏÛÁ˚͇θÌ˚Ï ËÌÒÚꢀÛÏÂÌÚ‡Ï ÓÒÛ˘ÂÒÚ‚ÎflÚ¸
Ò‚flÁ¸ ‰ꢀÛ„ Ò ‰ꢀÛ„ÓÏ ÔÛÚÂÏ ÔÓÒ˚ÎÍË Ë ÔꢀËÂχ ÒÓÓ·˘ÂÌËÈ Note,
Control Change, Program Change, ‡ Ú‡ÍÊ ‰ꢀÛ„Ëı ‚ˉӂ MIDI-
ÒÓÓ·˘ÂÌËÈ ËÎË ‰‡ÌÌ˚ı.
CVP-210/208 ÏÓÊÂÚ ÛÔꢀ‡‚ÎflÚ¸ MIDI-ÛÒÚꢀÓÈÒÚ‚ÓÏ Ò ÔÓÏÓ˘¸˛
‰‡ÌÌ˚ı, ÓÚÌÓÒfl˘ËıÒfl Í ÌÓÚ‡Ï Ë ÍÓÌÚꢀÓÎÎÂꢀ‡Ï. ë ‰ꢀÛ„ÓÈ
ÒÚÓꢀÓÌ˚, ‚̯Ì ÛÒÚꢀÓÈÒÚ‚Ó Ú‡ÍÊ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl
‰Îfl ÛÔꢀ‡‚ÎÂÌËfl CVP-210/208. èꢀË ˝ÚÓÏ ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ
ÔꢀËÌËχÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÍÓÚÓꢀ˚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡‰‡˛Ú
ꢀÂÊËÏ ꢀ‡·ÓÚ˚ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡, ‚˚·Ëꢀ‡˛Ú ͇̇Î˚, ÚÂÏ·ꢀ˚ Ë
˝ÙÙÂÍÚ˚, ËÁÏÂÌfl˛Ú Á̇˜ÂÌËfl Ô‡ꢀ‡ÏÂÚꢀÓ‚ Ë ‚Íβ˜‡˛Ú
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÚÂÏ·ꢀÓ‚, Á‡ÔËÒ‡ÌÌ˚ı ‚ ꢀ‡Á΢Ì˚ı ˜‡ÒÚflı.
à„ꢀ‡ ̇ Í·‚ˇÚÛꢀÂ
(MIDI-‰‡ÌÌ˚Â)
íÂÏ Ì ÏÂÌÂÂ, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ËÁ ‰Ë̇ÏËÍÓ‚ Á‚ÛÍ, Úꢀ·ÛÂÚÒfl
Á‡‰‡Ú¸ Â„Ó ËÒÚÓ˜ÌËÍ. íÓÌ-„ÂÌÂꢀ‡ÚÓꢀ Clavinova ÔꢀÂÍꢀ‡ÒÌÓ
ÒÔꢀ‡‚ÎflÂÚÒfl Ò ˝ÚÓÈ ÙÛÌ͈ËÂÈ. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓꢀ‡, ÍÓÚÓꢀ˚È ÔꢀÂÓ·ꢀ‡ÁÛÂÚ
ËÌÙÓꢀχˆË˛, ıꢀ‡Ìfl˘Û˛Òfl ‚ هȷı MIDI ‚ Á‚ÛÍË. èꢀË ˝ÚÓÏ
ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·ꢀ˚, ıꢀ‡Ìfl˘ËÂÒfl ‚ Ô‡ÏflÚË ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡.
éÌ ÒÔÓÒÓ·ÂÌ ÚÓ˜ÌÓ ‚ÓÒÔꢀÓËÁ‚ÂÒÚË ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ꢀ‡ÁÌ˚ı
Á‚ÛÍÓ‚, ‚Íβ˜‡fl ÚÂÏ·ꢀ ÙÓꢀÚÂÔˇÌÓ. ÖÒÎË ‚Á„ÎflÌÛÚ¸ ̇ Ò‚flÁ¸
ÒÂÍ‚ÂÌÒÓꢀ‡ Ë ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ Ò ‰ꢀÛ„ÓÈ ÒÚÓꢀÓÌ˚, ÚÓ Ó͇ÊÂÚÒfl,
˜ÚÓ Ëı ꢀÓÎË Ì‡ÔÓÏË̇˛Ú ꢀÓÎË ÔˇÌËÒÚ‡ Ë ÙÓꢀÚÂÔˇÌÓ,
ËÒÔÓÎÌËÚÂÎfl Ë ËÌÒÚꢀÛÏÂÌÚ‡. èÓÒÍÓθÍÛ ˆËÙꢀÓ‚˚ ËÌÒÚꢀÛÏÂÌÚ˚
ÒÔÓÒÓ·Ì˚ Ó·ꢀ‡·‡Ú˚‚‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚Â Ë ‰‡ÌÌ˚ MIDI ÔÓ
ÓÚ‰ÂθÌÓÒÚË, Ï˚ ËÏÂÂÏ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔꢀÓÒÎÛ¯‡Ú¸ ‚˚ÒÚÛÔÎÂÌËÂ
ÔˇÌËÒÚ‡, ÍÓÚÓꢀÓ ·Û‰ÂÚ ‚ÓÒÔꢀÓËÁ‚‰ÂÌÓ ÚÂÏ·ꢀÓÏ ‰ꢀÛ„Ó„Ó
ËÌÒÚꢀÛÏÂÌÚ‡ (̇ÔꢀËÏÂꢀ „ËÚ‡ꢀ˚ ËÎË ÒÍꢀËÔÍË).
èêàåÖóÄçàÖ
èꢀË Òꢀ‡‚ÌÂÌËË ‡Û‰ËÓ ÔÓÚÓ͇ Ò ‰‡ÌÌ˚ÏË MIDI ÏÓÊÌÓ ÓÚÏÂÚËÚ¸ ÒÎÂ‰Û˛˘ËÂ
ÔꢀÂËÏÛ˘ÂÒÚ‚‡ ÔÓÒΉÌËı:
•
é·˙ÂÏ ËÌÙÓꢀχˆËË Á̇˜ËÚÂθÌÓ ÏÂ̸¯Â, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ıꢀ‡ÌËÚ¸ ÔÂÒÌË ‚
ÙÓꢀχÚ MIDI ̇ ‰ËÒÍÂÚÂ.
•
í‡ÍÓ„Ó ꢀÓ‰‡ ‰‡ÌÌ˚ ÏÓÊÌÓ Î„ÍÓ Ë ˝ÙÙÂÍÚË‚ÌÓ ÓÚꢀ‰‡ÍÚËꢀÓ‚‡Ú¸,
‚ÔÎÓÚ¸ ‰Ó ÒÏÂÌ˚ ÚÂÏ·ꢀÓ‚ Ë ÔÓÎÌÓ„Ó ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËfl هȷ.
èêàåÖóÄçàÖ
ïÓÚfl Clavinova Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓÚ‰ÂθÌ˚È ÏÛÁ˚͇θÌ˚È ËÌÒÚꢀÛÏÂÌÚ,
Â„Ó ÏÓÊÌÓ Ôꢀ‰ÒÚ‡‚ËÚ¸ ‚ ‚ˉ ÒÓ‚ÓÍÛÔÌÓÒÚË ˝ÎÂÍÚꢀÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚:
ÍÓÌÚꢀÓÎÎÂꢀ‡, ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ‡ Ë ÒÂÍ‚ÂÌÒÓꢀ‡.
MIDI-ÒÓÓ·˘ÂÌËfl ÏÓÊÌÓ ꢀ‡Á‰ÂÎËÚ¸ ̇ ‰‚ „ꢀÛÔÔ˚: ÒÓÓ·˘ÂÌËfl
͇̇ÎÓ‚ (Channel) Ë ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl (System).
■ ëÓÓ·˘ÂÌËfl ͇̇ÎÓ‚
à, ̇ÍÓ̈, ‰‡‚‡ÈÚ ‚˚flÒÌËÏ, ͇ÍÓ„Ó ꢀÓ‰‡ ‰‡ÌÌ˚Â
Á‡ÔËÒ˚‚‡˛ÚÒfl ‚ ‚ˉ MIDI-ÒÓÓ·˘ÂÌËÈ. ÑÓÔÛÒÚËÏ, ‚˚ ‚ÁflÎË
˜ÂÚ‚ÂꢀÚÌÛ˛ ÌÓÚÛ «‰Ó», ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÚÂÏ·ꢀÓÏ ꢀÓflÎfl,
ÍÓÚÓꢀ˚È ıꢀ‡ÌËÚÒfl ‚ Ô‡ÏflÚË CVP-210/208. Ç ÓÚ΢ˠÓÚ
‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡, „‰Â Á‚ÛÍ ÔꢀÓËÁ‚Ó‰ËÚÒfl ‚ÒΉÒÚ‚ËÂ
ꢀÂÁÓÌËꢀÓ‚‡ÌËfl, ˝ÎÂÍÚꢀÓÌÌ˚È ËÌÒÚꢀÛÏÂÌÚ ÔÓÎÛ˜‡ÂÚ
ËÌÙÓꢀχˆË˛ Ò Í·‚ˇÚÛꢀ˚ Ó ÚÓÏ, ͇͇fl Í·‚˯‡ Ë ÍÓ„‰‡
̇ʇڇ, Ò Í‡ÍËÏ ÚÂÏ·ꢀÓÏ, ̇ÒÍÓθÍÓ ÒËθÌÓ Ë ÍÓ„‰‡ ·˚·
ÓÚÔÛ˘Â̇. á‡ÚÂÏ Í‡Ê‰˚È ‚ˉ ËÌÙÓꢀχˆËË ÔꢀÂÓ·ꢀ‡ÁÛÂÚÒfl ‚
˜ËÒÎÓ‚Û˛ ‚Â΢ËÌÛ Ë ÔÓÒ˚·ÂÚÒfl ‚ ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ. ÅÂꢀfl Á‡
ÓÒÌÓ‚Û Ì‡·Óꢀ Ú‡ÍËı Á̇˜ÂÌËÈ, ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ
ıꢀ‡Ìfl˘ËÈÒfl ‚ Ô‡ÏflÚË Ò˝ÏÔÎ.
CVP-210/208 ÔÓ‰‰ÂꢀÊË‚‡ÂÚ 16 ͇̇ÎÓ‚ (32 ͇̇· ÔꢀË
ËÒÔÓθÁÓ‚‡ÌËË ÔÓꢀÚ‡ USB). ùÚÓ ÏÓÊÌÓ Òꢀ‡‚ÌËÚ¸ Ò
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓÈ Ë„ꢀÓÈ Ì‡ 16 ËÌÒÚꢀÛÏÂÌÚ‡ı. ä‡Ì‡Î¸Ì˚Â
ÒÓÓ·˘ÂÌËfl ÔÂꢀ‰‡˛Ú Ú‡ÍÛ˛ ËÌÙÓꢀχˆË˛, Í‡Í Note ON/OFF
(ÇÍÎ./Ç˚ÍÎ. Á‚Û͇) Ë Program Change (àÁÏÂÌÂÌË ÔꢀÓ„ꢀ‡ÏÏ˚)
‰Îfl Í‡Ê‰Ó„Ó ËÁ 16 ͇̇ÎÓ‚.
ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl
Note ON/OFF
CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡ꢀ‡ÏÂÚꢀ,
̇ÒÚꢀ‡Ë‚‡ÂÏ˚È Ì‡ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË
ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ꢀÂÏfl Ë„ꢀ˚ ̇
Í·‚ˇÚÛꢀÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂꢀÊËÚ ÌÓÏÂꢀ
ÍÓÌÍꢀÂÚÌÓÈ ÌÓÚ˚, ÍÓÚÓꢀ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ê‡ÚÓÈ
Í·‚˯Â, Ë Á̇˜ÂÌË ÒÍÓꢀÓÒÚË, Á‡‚ËÒfl˘Â ÓÚ ÒËÎ˚
Û‰‡ꢀ‡ ÔÓ Í·‚˯Â.
ëÓÓ·˘ÂÌË Program
Change
Ç˚·Óꢀ ÚÂÏ·ꢀ‡ (Ô‡ꢀ‡ÏÂÚꢀ˚ MSB/LSB)
ëÓÓ·˘ÂÌËfl Control
Change
ÉꢀÓÏÍÓÒÚ¸, Ô‡ÌÓꢀ‡Ï‡ (ÏËͯÂꢀÒÍËÈ ÔÛθÚ) Ë Ú.‰.
CVP-210/208
160
Download from Www.Somanuals.com. All Manuals Search And Download.
èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
LJÊÌÓ ÓÔꢀ‰ÂÎËÚ¸, ͇ÍË ÚËÔ˚ ‰‡ÌÌ˚ı ‰ÓÎÊÌ˚
ÔÂꢀ‰‡‚‡Ú¸Òfl ͇ʉÓÏÛ ËÁ ͇̇ÎÓ‚ MIDI (ÒÚꢀ. 149). Clavinova
ÔÓÁ‚ÓÎflÂÚ ÔÓÌflÚ¸, ͇ÍËÏ Ó·ꢀ‡ÁÓÏ ·Û‰ÛÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl
ÔÓÎÛ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. (ÒÚꢀ. 150).
èêàåÖóÄçàÖ
ÇÒ ÔÂÒÌË Ë ÒÚËÎË ËÒÔÓθÁÛ˛Ú ‰‡ÌÌ˚ MIDI ‰Îfl ıꢀ‡ÌÂÌËfl ËÌÙÓꢀχˆËË Ó·
Ë„ꢀ ̇ Í·‚ˇÚÛꢀÂ.
ä‡Ì‡Î˚ MIDI
■ ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl
àÌÙÓꢀχˆËfl Ó· Ë„ꢀ ̇ Í·‚ˇÚÛꢀ ‚ ÙÓꢀχÚ MIDI
ÔꢀËÒ‚‡Ë‚‡ÂÚÒfl Ó‰ÌÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ê‡ÒÔꢀ‰ÂÎÂÌËÂ
ÒÓÓ·˘ÂÌËÈ ÔÓ 16 Í‡Ì‡Î‡Ï ‰Â·ÂÚ ‚ÓÁÏÓÊÌ˚Ï ÔÂꢀ‰‡˜Û
‰‡ÌÌ˚ı Ó· Ë„ꢀ ¯ÂÒÚ̇‰ˆ‡Ú¸˛ ꢀ‡Á΢Ì˚ÏË ËÌÒÚꢀÛÏÂÌÚ‡ÏË
ÔÓ Ó‰ÌÓÏÛ MIDI-͇·Âβ.
ùÚË ‰‡ÌÌ˚ ËÒÔÓθÁÛ˛ÚÒfl ‚ÒÂÈ MIDI-ÒËÒÚÂÏÓÈ. ä ÒËÒÚÂÏÌ˚Ï
ÒÓÓ·˘ÂÌËflÏ ÓÚÌÓÒflÚÒfl ÒÓÓ·˘ÂÌËfl Exclusive, ‚ ÍÓÚÓꢀ˚ı
ÔÂꢀ‰‡˛ÚÒfl ‰‡ÌÌ˚ ‰Îfl ËÌÒÚꢀÛÏÂÌÚÓ‚ ÍÓÌÍꢀÂÚÌÓÈ ÙËꢀÏ˚, Ë
ÒÓÓ·˘ÂÌËfl Realtime (ꢀ‡θÌÓ„Ó ‚ꢀÂÏÂÌË), ÛÔꢀ‡‚Îfl˛˘ËÂ
ꢀ‡·ÓÚÓÈ MIDI-ÛÒÚꢀÓÈÒÚ‚‡.
èꢀ‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ MIDI-͇̇Î˚ – ˝ÚÓ ÚÂ΂ËÁËÓÌÌ˚ ͇̇Î˚.
ä‡Ê‰‡fl ÚÂÎÂÍÓÏÔ‡ÌËfl ‚˚ıÓ‰ËÚ ‚ ˝ÙËꢀ ÔÓ ÓÔꢀ‰ÂÎÂÌÌÓÏÛ
͇̇ÎÛ. LJ¯ ÚÂ΂ËÁÓꢀ Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ÔꢀËÌËχÂÚ ÏÌÓÊÂÒÚ‚Ó
Ò‡Ï˚ı ꢀ‡ÁÌ˚ı ÔꢀÓ„ꢀ‡ÏÏ, Ú‡Í ˜ÚÓ ‚‡Ï ÓÒÚ‡ÂÚÒfl ÚÓθÍÓ
‚˚·ꢀ‡Ú¸ ÌÛÊÌÛ˛.
ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl
CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡ꢀ‡ÏÂÚꢀ,
̇ÒÚꢀ‡Ë‚‡ÂÏ˚È Ì‡ ÔÂꢀ‰ÌÂÈ Ô‡ÌÂÎË
System Exclusive Message
ç‡ÒÚꢀÓÈÍË ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÏËͯÂꢀÒÍËÈ ÔÛθÚ)
Ë Ú.Ô.
ëÓÓ·˘ÂÌËfl ꢀ‡θÌÓ„Ó
‚ꢀÂÏÂÌË (Realtime)
ìÒÚ‡Ìӂ͇ ˜‡ÒÚÓÚ˚ ÒËÌıꢀÓÌËÁ‡ˆËË,
‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl
ëÔËÒÓÍ ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ı CVP-210/208 ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ
Ôꢀ˂‰ÂÌ ‚ ꢀ‡Á‰Â·ı «MIDI Data Format» Ë «MIDI Implementation
Chart» Ò·ÓꢀÌË͇ Ú‡·Îˈ.
èꢀÓ„ÌÓÁ ÔÓ„Ó‰˚
çÓ‚ÓÒÚË
2
1
çÓ‚ÓÒÚË
2
óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI?
ë ÔÓÏÓ˘¸˛ Clavinova ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ ÒÎÂ‰Û˛˘ËÂ
ÓÔÂꢀ‡ˆËË Ò ‰‡ÌÌ˚ÏË MIDI:
èꢀË̈ËÔ ‰ÂÈÒÚ‚Ëfl MIDI ÚÓÚ ÊÂ. èÂꢀ‰‡˛˘Â ÛÒÚꢀÓÈÒÚ‚Ó
ÔÓÒ˚·ÂÚ ÓÔꢀ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (MIDI Transmit Channel)
ÔꢀËÌËχ˛˘Â„Ó ÛÒÚꢀÓÈÒÚ‚‡ ÒÓÓ·˘ÂÌËfl ÔÓ MIDI-͇·Âβ. ÖÒÎË
MIDI-͇̇ΠÔꢀËÌËχ˛˘Â„Ó ÛÒÚꢀÓÈÒÚ‚‡ (MIDI Receive
Channel) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡ÎÛ ÔÂꢀ‰‡˛˘Â„Ó ÛÒÚꢀÓÈÒÚ‚‡
(Transmit Channel), ÔꢀËÌËχ˛˘Â ÛÒÚꢀÓÈÒÚ‚Ó ·Û‰ÂÚ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÎÛ˜ÂÌÌ˚ÏË
ÒÓÓ·˘ÂÌËflÏË.
•
MIDI, ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ ÏÌÓ„ËÏË ÏÛÁ˚͇θÌ˚ÏË
ÔꢀËÎÓÊÂÌËflÏË) (ÒÚꢀ. 148)
ÔÂꢀ‰‡‚‡Ú¸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚꢀ. 149)
ÔꢀËÌËχڸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚꢀ. 150)
ËÒÔÓθÁÓ‚‡Ú¸ ‚ÒÚꢀÓÂÌÌ˚ ÚÂÏ·ꢀ˚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
(ÒÚꢀ. 148)
•
•
•
•
ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÒËÌıꢀÓÌËÁ‡ˆË˛ Ò ‚̯ÌËÏË ÛÒÚꢀÓÈÒÚ‚‡ÏË
(ÒÚꢀ. 149)
MIDI
-͇·Âθ
ÇÚÓꢀÓÈ Í‡Ì‡Î ‰Îfl
ÔÂꢀ‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ
ÇÚÓꢀÓÈ Í‡Ì‡Î ‰Îfl
ÔꢀËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ
■ ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ò‚ÓÂ
‚˚ÒÚÛÔÎÂÌË (͇̇Î˚ 1 - 16) ‚ ÒÓÔꢀÓ‚ÓʉÂÌËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓꢀ (ÍÓÚÓꢀ˚Ï
ÏÓÊÂÚ ÒÎÛÊËÚ¸, ̇ÔꢀËÏÂꢀ, ÍÓÏÔ¸˛ÚÂꢀ). èÓ ÓÍÓ̘‡ÌËË
Á‡ÔËÒË ÓÚꢀ‰‡ÍÚËꢀÛÈÚ χÚÂꢀË‡Î Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓꢀ‡, ‡
Á‡ÚÂÏ ÔꢀÓË„ꢀ‡ÈÚÂ Â„Ó Ì‡ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208
(‚ÓÒÔꢀÓËÁ‚‰ÂÌËÂ).
èêàåÖóÄçàÖ
ä·‚ˇÚÛꢀ‡ Ë ÚÓÌ-„ÂÌÂꢀ‡ÚÓꢀ Clavinova ÒÓ‰ËÌfl˛ÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI
(ÒÚꢀ. 148).
ç‡ÔꢀËÏÂꢀ, ‰‡ÌÌ˚Â Ò ÌÂÒÍÓθÍËı ‰ÓꢀÓÊÂÍ (͇̇ÎÓ‚), ‚Íβ˜‡fl
‰‡ÌÌ˚Â Ó ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÓÊÌÓ ÔÂꢀ‰‡‚‡Ú¸
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ (ÒÏ. ꢀËÒÛÌÓÍ ÌËÊÂ).
èꢀËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ
MIDI IN
MIDI OUT
Clavinova
NEC MultiSync
èꢀËÏÂꢀ: á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Clavinova ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓꢀ
MIDI OUT
MIDI IN
PC-9821 AS
NEC
èÂꢀ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ äÓÏÔ¸˛ÚÂꢀ, ÛÒÚꢀÓÈÒÚ‚Ó
ÒÂꢀËË QY Ë Ú. Ô.
MIDI-͇·Âθ ËÎË
͇·Âθ ‰Îfl
ÖÒÎË Úꢀ·ÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ Clavinova ‚ ͇˜ÂÒÚ‚Â ÚÓÌ-
„ÂÌÂꢀ‡ÚÓꢀ‡, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÙÓꢀχÚÓÏ XG, ̇ ÒÚꢀ‡ÌˈÂ
Receive ˝Íꢀ‡Ì‡ MIDI (͇̇Î˚ 1 - 16) ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌËÂ
«SONG« ‰Îfl ͇̇ÎÓ‚ MIDI, ̇ÒÚꢀÓÂÌÌ˚ı ̇ ÔꢀËÂÏ (ÒÚꢀ. 150).
ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ÔÓꢀÚ‡
ÑÓꢀÓÊ͇ Clavinova (͇̇Î)
MAIN
Ç̯ÌËÈ ÒÂÍ‚ÂÌÒÓꢀ
ÑÓꢀÓÊ͇ 1
ÑÓꢀÓÊ͇ 2
ÑÓꢀÓÊ͇ 3
ÑÓꢀÓÊ͇ 4
ÑÓꢀÓÊ͇ 5
ÑÓꢀÓÊ͇ 6
ÑÓꢀÓÊ͇ 7
ÑÓꢀÓÊ͇ 8
ÑÓꢀÓÊ͇ 9
ÑÓꢀÓÊ͇ 10
ÑÓꢀÓÊ͇ 11
ä‡Ì‡Î 1
ä‡Ì‡Î 2
ä‡Ì‡Î 3
ä‡Ì‡Î 4
ä‡Ì‡Î 5
ä‡Ì‡Î 6
ä‡Ì‡Î 7
ä‡Ì‡Î 8
ä‡Ì‡Î 9
ä‡Ì‡Î 10
ä‡Ì‡Î 11
LAYER
LEFT
■ äꢀÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ ˄ꢀ‡Ú¸ Á‚Û͇ÏË Clavinova, ÛÔꢀ‡‚Îflfl
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
Òꢀ‰ÒÚ‚Ó STYLE
ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ Ò ÔÓÏÓ˘¸˛ ‰ꢀÛ„ÓÈ Í·‚ˇÚÛꢀ˚.
èꢀËÂÏ
MIDI-ÒÓÓ·˘ÂÌËÈ
Clavinova
MIDI IN
MIDI OUT
CVP-210/208
161
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı
îÓꢀÏ‡Ú ÒÂÍ‚Â̈ËË
ëËÒÚÂχ, Á‡ÔËÒ˚‚‡˛˘‡fl ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ, ̇Á˚‚‡ÂÚÒfl
«ÙÓꢀχÚÓÏ ÒÂÍ‚Â̈ËË».
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ, ÚÓθÍÓ ÂÒÎË MIDI-ÛÒÚꢀÓÈÒÚ‚Ó
ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÙÓꢀÏ‡Ú ÒÂÍ‚Â̈ËË, ËÒÔÓθÁÓ‚‡ÌÌ˚È Ì‡ ‰ËÒÍÂÚÂ.
CVP-210/208 ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓꢀχÚ˚ Ù‡ÈÎÓ‚.
Ç ˝ÚÓÏ ꢀ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔꢀÓÒ˚
ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰ꢀÛ„Ë MIDI-ÛÒÚꢀÓÈÒÚ‚‡
ÔꢀÓË„ꢀ˚‚‡Ú¸ Ù‡ÈÎ˚, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-210/208, Ë ÏÓÊÂÚ ÎË
CVP-210/208 ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ÍÓÏÏÂꢀ˜ÂÒÍË Á‡ÔËÒË Ë MIDI-
Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰ꢀÛ„Ëı ËÌÒÚꢀÛÏÂÌÚÓ‚ ËÎË Ì‡
ÍÓÏÔ¸˛ÚÂꢀÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚꢀÓÈÒÚ‚‡ Ë
ı‡ꢀ‡ÍÚÂꢀËÒÚËÍ ‰‡ÌÌ˚ı ÏÓÊÌÓ ÎË·Ó Òꢀ‡ÁÛ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ¸ ˝ÚË
‰‡ÌÌ˚Â, ÎË·Ó Ò̇˜‡Î‡ ̇‰Ó ‚˚ÔÓÎÌËÚ¸ ꢀfl‰ ‰ÂÈÒÚ‚ËÈ. ÖÒÎË ÔꢀË
‚ÓÒÔꢀÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌË͇˛Ú ÔꢀÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘ËÂ
ꢀ‡Á‰ÂÎ˚.
■ SMF (Òڇ̉‡ꢀÚÌ˚È Ù‡ÈÎ MIDI)
ùÚÓ Ò‡Ï˚È ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌÌ˚È ÙÓꢀχÚ.
ÖÒÚ¸ ‰‚‡ ÚËÔ‡ SMF ÙÓꢀχڇ: Format 0 Ë Format 1. åÌÓ„Ë MIDI-
ÛÒÚꢀÓÈÒÚ‚‡ ÔÓ‰‰ÂꢀÊË‚‡˛Ú Format 0. äꢀÓÏ ÚÓ„Ó, ÏÌÓ„ËÂ
Ëϲ˘ËÂÒfl ‚ ÔꢀÓ‰‡Ê ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓꢀχÚÂ.
•
•
CVP-210/208 ÔÓ‰‰ÂꢀÊË‚‡ÂÚ Ó·‡ ÚËÔ‡ Òڇ̉‡ꢀÚÌ˚ı Ù‡ÈÎÓ‚.
îÓꢀÏ‡Ú ‰ËÒÍÂÚ
èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ CVP-210/208, ‡‚ÚÓχÚ˘ÂÒÍË
ÒÓıꢀ‡ÌflÂÚÒfl ‚ ÙÓꢀχÚ SMF Format 0.
ÑËÒÍÂÚ˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ÌÓÒËÚÂÎÂÈ ‰‡ÌÌ˚ı,
ËÒÔÓθÁÛÂÏ˚ı ꢀ‡Á΢Ì˚ÏË ÛÒÚꢀÓÈÒÚ‚‡ÏË, ‚Íβ˜‡fl
ÍÓÏÔ¸˛ÚÂꢀ˚. ëËÒÚÂÏ˚ ıꢀ‡ÌÂÌËfl ‰‡ÌÌ˚ı ꢀ‡Á΢Ì˚ Û ꢀ‡ÁÌ˚ı
ÛÒÚꢀÓÈÒÚ‚. èÓ˝ÚÓÏÛ ÔꢀÂʉ ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰„ÓÚÓ‚ËÚ¸
‰ËÒÍÂÚÛ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ
Ëϲ˘Â„ÓÒfl ÛÒÚꢀÓÈÒÚ‚‡. ùÚ‡ ÓÔÂꢀ‡ˆËfl ̇Á˚‚‡ÂÚÒfl
ÙÓꢀχÚËꢀÓ‚‡ÌËÂÏ.
•
èÂÒÌfl, Á‡„ꢀÛÊÂÌ̇fl ‚ CVP-210/208, ‡‚ÚÓχÚ˘ÂÒÍË
ÒÓıꢀ‡ÌflÂÚÒfl ‚ ÙÓꢀχÚ SMF Format 0 ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ
ËÒıÓ‰ÌÓ„Ó ÙÓꢀχڇ.
■ ESEQ
ùÚÓÚ ÙÓꢀÏ‡Ú ÔÓ‰‰ÂꢀÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚꢀÓÈÒÚ‚‡ χꢀÍË
Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ˆËÙꢀÓ‚˚ ÔˇÌËÌÓ ÒÂꢀËË Clavinova.
ùÚÓÚ ÙÓꢀÏ‡Ú Ú‡ÍÊ ¯ËꢀÓÍÓ ÔÓ‰‰ÂꢀÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË
ÔꢀËÎÓÊÂÌËflÏË, ꢀ‡Áꢀ‡·ÓÚ‡ÌÌ˚ÏË ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha.
•
ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓꢀÓÌÌËÂ,
‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓꢀÓÌÌËÂ, ‚˚ÒÓÍÓÈ
ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ꢀ‡ÁÌÓÂ
ÙÓꢀχÚËꢀÓ‚‡ÌËÂ.
■ XF
•
•
ñËÙꢀÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ÒÓ‚ÏÂÒÚËÏÓ Ò Ó·ÓËÏË
ÚËÔ‡ÏË.
îÓꢀÏ‡Ú XF, ꢀ‡Áꢀ‡·ÓÚ‡ÌÌ˚È ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha,
Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÛÒÓ‚Âꢀ¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡ꢀˇÌÚ Òڇ̉‡ꢀÚ‡
SMF (Standard MIDI File), ̇‰ÂÎÂÌÌ˚È ·Óθ¯ÂÈ
ÙÛÌ͈ËÓ̇θÌÓÒÚ¸˛ Ë ‚ÓÁÏÓÊÌÓÒÚflÏË ‰‡Î¸ÌÂȯ„Ó
ꢀ‡Ò¯ËꢀÂÌËfl.
ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ
ÔÎÓÚÌÓÒÚË) Ë 2HD (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ÔÓÒÎÂ
ÙÓꢀχÚËꢀÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÒÓÒÚ‡‚ÎflÂÚ
720 ä· Ë 1,44 å·. (ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ì‡ Ú‡ÍËı ‰ËÒÍÂÚ‡ı ÏÓÊÌÓ
ÒÓıꢀ‡ÌflÚ¸ 720 ä· Ë 1,44 å· ËÌÙÓꢀχˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
éÌË Ú‡ÍÊ ËÒÔÓθÁÛ˛ÚÒfl Ë ‰Îfl Ó·ÓÁ̇˜ÂÌËfl ÙÓꢀχڇ
‰ËÒÍÂÚ˚.)
•
ë ÔÓÏÓ˘¸˛ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ÏÓÊÌÓ
‚˚‚Ó‰ËÚ¸ ̇ ˝Íꢀ‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔꢀË ‚ÓÒÔꢀÓËÁ‚‰ÂÌËË
هȷ ‚ ÙÓꢀχÚ XF, ÒÓ‰Âꢀʇ˘Â„Ó ÚÂÍÒÚ.
•
ÇÓÒÔꢀÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â,
ÍÓ„‰‡ MIDI-ÛÒÚꢀÓÈÒÚ‚Ó ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÙÓꢀÏ‡Ú ‰ËÒÍÂÚ˚.
■ î‡ÈÎ ÒÚËÎfl
îÓꢀÏ‡Ú Style File Format (SFF) Ôꢀ‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ
ÓꢀË„Ë̇θÌ˚È ÙÓꢀÏ‡Ú Ù‡È· ÒÚËÎfl, ꢀ‡Áꢀ‡·ÓÚ‡ÌÌ˚È
ÍÓꢀÔÓꢀ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓꢀÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl
ÒËÒÚÂχ ÔꢀÂÓ·ꢀ‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË
ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â
·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓꢀ‰Ó‚.
CVP-210/208
162
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èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚꢀÓÈÒÚ‚ Í ˆËÙꢀÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova
îÓꢀÏ‡Ú ꢀ‡ÒÔꢀ‰ÂÎÂÌËfl ÚÂÏ·ꢀÓ‚
Ç MIDI ÚÂÏ·ꢀ˚ ÔꢀËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂꢀ‡Ï
ÔꢀÓ„ꢀ‡ÏÏ». ëڇ̉‡ꢀÚ ÔꢀËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂꢀÓ‚ (ÔÓꢀfl‰ÓÍ
ꢀ‡ÁÏ¢ÂÌËfl ÚÂÏ·ꢀÓ‚) Ë Ì‡Á˚‚‡ÂÚÒfl «ÙÓꢀχÚÓÏ ꢀ‡ÒÔꢀ‰ÂÎÂÌËfl
ÚÂÏ·ꢀÓ‚».
èꢀ‡‚ËθÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË
˝ÚÓÚ ÙÓꢀÏ‡Ú ‰Îfl ‰‡ÌÌ˚ı ÔÂÒÌË ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓꢀχÚÓÏ
‚ÓÒÔꢀÓËÁ‚Ó‰fl˘Â„Ó MIDI-ÛÒÚꢀÓÈÒÚ‚‡.
CVP-210/208 ÔÓ‰‰ÂꢀÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓꢀχÚ˚ Ù‡ÈÎÓ‚.
èêàåÖóÄçàÖ
чÊ ÂÒÎË MIDI-ÛÒÚꢀÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Óꢀfl˛Ú ‚ÒÂÏ
‚˚¯ÂÔÂꢀ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ꢀ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl
ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚꢀÓÈÒÚ‚ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.
■ GM System Level 1
ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ꢀ‡ÒÔꢀÓÒÚꢀ‡ÌÂÌÌ˚ı ÙÓꢀχÚÓ‚.
•
åÌÓ„Ë MIDI-ÛÒÚꢀÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓꢀχÚÓÏ GM
System Level 1. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ·Óθ¯ËÌÒÚ‚Û ÔÂÒÂÌ,
Ëϲ˘ËıÒfl ‚ ÔꢀÓ‰‡ÊÂ.
■ XG
îÓꢀÏ‡Ú XG fl‚ÎflÂÚÒfl ꢀ‡Ò¯ËꢀÂÌËÂÏ Òڇ̉‡ꢀÚ‡ General MIDI (GM
System level 1 format). îËꢀχ Yamaha ꢀ‡Áꢀ‡·Óڇ· ˝ÚÛ
ÒÔˆËÙË͇ˆË˛ ‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·ꢀÓ‚ Ë
ÎÛ˜¯Â„Ó ÛÔꢀ‡‚ÎÂÌËfl ÚÂÏ·ꢀ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ‰Îfl
ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.
•
èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-210/208 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
ÚÂÏ·ꢀÓ‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚꢀÓÈÒÚ‚‡ÏË,
ÔÓ‰‰ÂꢀÊË‚‡˛˘ËÏË ÙÓꢀÏ‡Ú XG.
■ DOC
ùÚÓÚ ÙÓꢀÏ‡Ú ꢀ‡ÒÔꢀ‰ÂÎÂÌËfl ÚÂÏ·ꢀÓ‚ ÔÓ‰‰ÂꢀÊË‚‡˛Ú ÏÌÓ„ËÂ
MIDI-ÛÒÚꢀÓÈÒÚ‚‡ ÍÓꢀÔÓꢀ‡ˆËË Yamaha, ‚Íβ˜‡fl ˆËÙꢀÓ‚˚Â
ÔˇÌËÌÓ ÒÂꢀËË Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓꢀχÚ, ÍÓÚÓꢀ˚È
ËÒÔÓθÁÛÂÚÒfl ‚ ꢀ‡ÁÌÓÏ ÔꢀÓ„ꢀ‡ÏÏÌÓÏ Ó·ÂÒÔ˜ÂÌËË Yamaha.
CVP-210/208
163
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CVP-210/208: ë·Óꢀ͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛꢀ˚
ëÌËÏËÚ Íꢀ˚¯ÍÛ Ò ÍÓꢀÔÛÒ‡ ‰Ë̇ÏË͇.
ÇçàåÄçàÖ!
3
■ ç ÔÂꢀÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ôꢀ‡‚ËθÌÓÏ
̇Ôꢀ‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓꢀÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ
ËÌÒÚꢀÛ͈ËË.
äꢀ˚¯Í‡ ‰Ë̇ÏË͇ ÔꢀËÍꢀÂÔÎÂ̇ Í
ÛÒÚꢀÓÈÒÚ‚Û ‚ ÌÂÒÍÓθÍËı ÏÂÒÚ‡ı Ò
ÔÓÏÓ˘¸˛ ‰‚Ûı ÔÂÚÂθ Ë Velcro-ÎÂÌÚ˚.
èÓÚflÌËÚ Ëı ‚ÌËÁ, ˜ÚÓ·˚ ÒÌflÚ¸ Íꢀ˚¯ÍÛ
‰Ë̇ÏË͇.
ç ÔꢀË͇҇ÈÚÂÒ¸ Í ‰Ë̇ÏËÍÛ ÔꢀË
ÔÂꢀÂϯ˘ÂÌËË ÍÓꢀÔÛÒ‡. ùÚÓ ÏÓÊÂÚ
ÔꢀË‚ÂÒÚË Í ÔÓ‚ꢀÂʉÂÌ˲.
■
ÑÎfl Ò·ÓꢀÍË Úꢀ·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
■ çÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸
‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ꢀ‡ÁÏÂꢀ‡.
àÒÔÓθÁÓ‚‡ÌËÂ
èꢀË„ÓÚÓ‚¸Ú ÍꢀÂÒÚÓ‚Û˛ ÓÚ‚ÂꢀÚÍÛ.
ÌÂÔꢀ‡‚ËθÌ˚ı ‚ËÌÚÓ‚
ÏÓÊÂÚ ÔÓ‚ꢀ‰ËÚ¸
ËÌÒÚꢀÛÏÂÌÚ.
ÇçàåÄçàÖ!
èÓÎÓÊËÚ ꢀÛÍË, Í‡Í Û͇Á‡ÌÓ Ì‡ ꢀËÒÛÌÍÂ, Ë ÔÓÚflÌËÚÂ. ÑË̇ÏËÍË
ꢀ‡ÒÔÓÎÓÊÂÌ˚ ÔÓ ·ÓÍ‡Ï – Ì ÔꢀËÚꢀ‡„Ë‚‡ÈÚÂÒ¸ Í ÌËÏ ‚Ó ËÁ·ÂʇÌËÂ
ÔÓ‚ꢀÂʉÂÌËÈ.
■ èÓÒΠÁ‡‚Âꢀ¯ÂÌËfl Ò·ÓꢀÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚.
■ ÑÎfl ꢀ‡Á·ÓꢀÍË ËÌÒÚꢀÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚꢀÛÍˆË˛ ‚ Ó·ꢀ‡ÚÌÓÏ
ÔÓꢀfl‰ÍÂ.
èꢀËÍꢀÂÔËÚ ÔÂꢀ‰ÌË ÌÓÊÍË.
Ç˚̸Ú ‚Ò ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÁ ÍÓꢀÓ·ÍË. ì·Â‰ËÚÂÒ¸,
˜ÚÓ·˚ ‚Ò Û͇Á‡ÌÌ˚ ̇ ꢀËÒÛÌÍ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ
ËÏÂÎËÒ¸ ‚ ̇΢ËË.
4
1
èÂꢀ‰Ìflfl ÌÓÊ͇
(Ôꢀ‡‚‡fl)
èÂꢀ‰Ìflfl
ÌÓÊ͇ (΂‡fl)
É·‚̇fl
˜‡ÒÚ¸
1 èꢀËÍꢀÂÔËÚ ÔÂꢀÂ‰Ì˛˛ Ôꢀ‡‚Û˛
ÌÓÊÍÛ Í ÌËÊÌÂÈ ÔÓ‚ÂꢀıÌÓÒÚË
ÛÒÚꢀÓÈÒÚ‚‡ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚.
2 èꢀËÍꢀÂÔËÚ ÔÂꢀÂ‰Ì˛˛ Ôꢀ‡‚Û˛
ÌÓÊÍÛ Í ÍÓꢀÔÛÒÛ ‰Ë̇ÏË͇ Ò
ÔÓÏÓ˘¸˛ ÚꢀÂı ‚ËÌÚÓ‚.
èÂꢀ‰Ìflfl
èÂꢀ‰Ìflfl
ÌÓÊ͇ (΂‡fl)
ᇉÌflfl ÌÓÊ͇
ÌÓÊ͇ (Ôꢀ‡‚‡fl)
3 í‡ÍËÏ Ê ӷꢀ‡ÁÓÏ ÔꢀËÍꢀÂÔËÚ ÔÂꢀÂ‰Ì˛˛ ÎÂ‚Û˛ ÌÓÊÍÛ.
ÖÒÎË ÓÚ‚ÂꢀÒÚËfl ‰Îfl ‚ËÌÚÓ‚ Ì ÒÓ‚Ô‡‰‡˛Ú, ÓÒ··¸Ú ÓÒڇθÌ˚ ‚ËÌÚ˚ Ë
ÔÓ‰„ÓÌËÚ ÔÓÎÓÊÂÌË ÔÂꢀ‰ÌÂÈ ÌÓÊÍË.
䇷Âθ Ô‰‡ÎÂÈ,
ÔꢀËÍꢀÂÔÎÂÌÌ˚È
‚ÌÛÚꢀË
ÅÎÓÍ Ô‰‡ÎÂÈ
䇷Âθ ÔËÚ‡ÌËfl
5x18 ÏÏ ÍꢀÂÔÂÊÌ˚Â ‚ËÌÚ˚ x16
èꢀËÍꢀÂÔËÚ Á‡‰Ì˛˛ ÌÓÊÍÛ.
5
2 èꢀËÍꢀÂÔËÚ Á‡‰ÌË ÌÓÊÍË Í ÍÓꢀÔÛÒÛ ‰Ë̇ÏË͇ Ò
ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚.
èꢀËÒÎÓÌËÚ ÛÒÚꢀÓÈÒÚ‚Ó Í ÒÚÂÌÂ Ò Á‡Íꢀ˚ÚÓÈ
Íꢀ˚¯ÍÓÈ Ë ÓÔÛ˘ÂÌÌÓÈ Í·‚ˇÚÛꢀÓÈ.
2
1 èꢀËÍꢀÂÔËÚ Á‡‰ÌËÂ
ÌÓÊÍË Í ÌËÊÌÂÈ
ÔÓ‚ÂꢀıÌÓÒÚË
ÇçàåÄçàÖ!
ÛÒÚꢀÓÈÒÚ‚‡ Ò
•
•
ç ÔꢀˢÂÏËÚ ԇθˆ˚.
ÇÂꢀıÌflfl ˜‡ÒÚ¸ Ô˛ÔËÚꢀ‡ Ì Á‡ÙËÍÒËꢀÓ‚‡Ì‡. èꢀËÒÎÓÌflfl ÛÒÚꢀÓÈÒÚ‚Ó Í
ÒÚÂÌÂ, ÔÓ‰‰ÂꢀÊË‚‡ÈÚ ԲÔËÚꢀ ꢀÛÍÓÈ, ˜ÚÓ·˚ ÓÌ Ì ÛÔ‡Î.
ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚.
ÖÒÎË ÓÚ‚ÂꢀÒÚËfl ‰Îfl ‚ËÌÚÓ‚ Ì ÒÓ‚Ô‡‰‡˛Ú, ÓÒ··¸Ú ÓÒڇθÌ˚ ‚ËÌÚ˚ Ë
ÔÓ‰„ÓÌËÚ ÔÓÎÓÊÂÌË Á‡‰ÌËı ÌÓÊÂÍ.
ê‡ÒÒÚÂÎËÚ ̇ ÔÓÎÛ Ïfl„ÍÛ˛ Ú̸͇ ·Óθ¯Ó„Ó
ꢀ‡ÁÏÂꢀ‡, ̇ÔꢀËÏÂꢀ Ó‰ÂflÎÓ. ê‡ÒÔÓÎÓÊËÚÂ
ÛÒÚꢀÓÈÒÚ‚Ó Ì‡ Ú͇ÌË Í·‚ˇÚÛꢀÓÈ ‚ÌËÁ, Ë
ÔꢀËÒÎÓÌËÚ ÛÒÚꢀÓÈÒÚ‚Ó Í ÒÚÂÌ ڇÍ, ˜ÚÓ·˚
ÓÌÓ Ì ÛÔ‡ÎÓ Ë Ì ÒÔÓÎÁÎÓ. èÓ‚ÂÒ¸Ú ̇ ÒÚÂÌÛ
Ïfl„ÍÛ˛ Ú̸͇, ˜ÚÓ·˚ Á‡˘ËÚËÚ¸ ËÌÒÚꢀÛÏÂÌÚ Ë
ÒÚÂÌÛ ÓÚ ˆ‡ꢀ‡ÔËÌ.
èÓÒÚ‡‚¸Ú ÛÒÚꢀÓÈÒÚ‚Ó Ì‡ ÌÓÊÍË.
6
èÓ‰ÌËχfl ÛÒÚꢀÓÈÒÚ‚Ó, ËÒÔÓθÁÛÈÚ ‚ ͇˜ÂÒÚ‚Â ÓÔÓꢀ˚
ÔÂꢀ‰ÌË ÌÓÊÍË.
èꢀÓ‚Âꢀ¸ÚÂ,
˜ÚÓ·˚
Í·‚ˇÚÛꢀ‡ ·˚·
‚ÌËÁÛ.
ÇçàåÄçàÖ!
ç ÔꢀË͇҇ÈÚÂÒ¸ Í Á‡˘ËÚÌÓÈ ÒÂÚÍ ‰Ë̇ÏË͇. ùÚÓ
ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓ‚ꢀÂʉÂÌ˲ ‚ÌÛÚꢀÂÌÌÂÈ ˜‡ÒÚË
‰Ë̇ÏË͇.
ÇçàåÄçàÖ!
ç ÔꢀˢÂÏËÚ ԇθˆ˚.
èÓ‰ÌËχfl ÛÒÚꢀÓÈÒÚ‚Ó, Ì ·ÂꢀËÚÂÒ¸ Á‡ Íꢀ˚¯ÍÛ Í·‚ˇÚÛꢀ˚.
•
•
ÇçàåÄçàÖ!
ç ÒÚ‡‚¸Ú ÍÓꢀÔÛÒ Á‡‰ÌÂÈ ˜‡ÒÚ¸˛ ‚ÌËÁ.
ÇçàåÄçàÖ!
ç ÒÚ‡‚¸Ú ÍÓꢀÔÛÒ Ì‡ ÔÓÎ ‚
ÔÂꢀ‚ÂꢀÌÛÚÓÏ ÒÓÒÚÓflÌËË.
CVP-210/208
164
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CVP-210/208: ë·Óꢀ͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛꢀ˚
ìÒÚ‡Ìӂ͇ ·ÎÓ͇ Ô‰‡ÎÂÈ.
ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓꢀ ̇ÔꢀflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ
7
10͇·Âθ ÔËÚ‡ÌËfl.
1 ëÌËÏËÚ Ô·ÒÚËÍÓ‚˚È ˜ÂıÓÎ
2 éÚ‚flÊËÚÂ Ë ꢀ‡ÒÔꢀflÏËÚÂ
ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·Âθ,
Ò Á‡‰ÌËı ÌÓÊÂÍ.
ÔꢀËÍꢀÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË
·ÎÓ͇ Ô‰‡ÎÂÈ.
2 4 0
(ÌËÊÌflfl ˜‡ÒÚ¸ Ôꢀ‡‚ÓÈ ÒÚÓꢀÓÌ˚:
‚ˉ ÒÔÂꢀ‰Ë)
127
èÂꢀÂÍβ˜‡ÚÂθ ̇ÔꢀflÊÂÌËfl
Ç ÌÂÍÓÚÓꢀ˚ı ꢀ„ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂꢀÂÍβ˜‡ÚÂθ ̇ÔꢀflÊÂÌËfl. èꢀÂʉ ˜ÂÏ
ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, ÔꢀÓ‚Âꢀ¸ÚÂ, Ôꢀ‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl
ÛÒÚ‡ÌÓ‚ÍË ÔÂꢀÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 ‚ÓθÚ, Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂꢀÚÍË
ÔÓ‚ÂꢀÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ôꢀ‡‚ËθÌÓ ̇ÔꢀflÊÂÌË ‰Îfl ‚‡¯Â„Ó ꢀ„ËÓ̇
̇ıÓ‰ËÎÓÒ¸ ̇ÔꢀÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èꢀË ÔÓÒÚ‡‚Í ÔÂꢀÂÍβ˜‡ÚÂθ
̇ÔꢀflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔꢀflÊÂÌË ‚ 240 Ç.
Ç˚·ꢀ‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔꢀflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ꢀ‡Á˙ÂÏÛ
AC INLET Ë Í ˝ÎÂÍÚꢀÓÒÂÚË. Ç ÌÂÍÓÚÓꢀ˚ı ꢀ„ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚꢀÓÒÂÚË
ÚꢀÂ·Û˛ÚÒfl ÔÂꢀÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ꢀ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
3 èꢀÓÔÛÒÚËÚ ͇·Âθ
Ô‰‡ÎÂÈ ÏÂÊ‰Û ·ÎÓÍÓÏ
Ô‰‡ÎÂÈ Ë Á‡‰ÌÂÈ ÌÓÊÍÓÈ.
éëíéêéÜçé!
çÂÔꢀ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔꢀflÊÂÌËfl ÏÓÊÂÚ ÒÂꢀ¸ÂÁÌÓ ÔÓ‚ꢀ‰ËÚ¸
ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸ ÌÂÔꢀ‡‚ËθÌÛ˛ ꢀ‡·ÓÚÛ.
4 èꢀÓ‚Âꢀ¸ÚÂ, ˜ÚÓ·˚ ·ÎÓÍ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ ÔꢀË΄‡Î Í ÔÓÎÛ (·ÂÁ
ÔꢀÓÒ‚ÂÚÓ‚), Ë ÔꢀËÍꢀÂÔËÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚.
■ èÓÒΠҷÓꢀÍË ÔꢀÓ‚Âꢀ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
•
•
ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
èꢀÓ‚Âꢀ¸Ú ҷÓꢀÍÛ Ë ËÒÔꢀ‡‚¸Ú ӯ˷ÍË.
ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍꢀ˚‚‡Ú¸ ‰‚ÂꢀË Ë
ÔÂꢀÂÏ¢‡Ú¸ Ôꢀ‰ÏÂÚ˚?
èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.
8
■
1 ÇÒÚ‡‚¸Ú ¯ÚÂÍÂꢀ
͇·ÂÎfl Ô‰‡ÎË ‚
ꢀ‡Á˙ÂÏ ‰Îfl
Ô‰‡ÎË.
ÇÒÚ‡‚¸Ú ¯ÚÂÍÂꢀ
ÒÚꢀÂÎÍÓÈ ‚ÔÂꢀ‰ (‚
ÒÚÓꢀÓÌÛ
■
èÓÒÚ‡‚¸Ú ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ.
•
ç «·ÓÎÚ‡ÂÚÒfl» ÎË ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova,
ÍÓ„‰‡ ‚˚ Â„Ó ÚꢀflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ
„ꢀÓıÓÚÛ)?
Í·‚ˇÚÛꢀ˚).
■
á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
ÖÒÎË ¯ÚÂÍÂꢀ Ì ‚ÒÚ‡‚ÎflÂÚÒfl, ÌÂ
‰‡‚ËÚ ̇ Ì„Ó. èꢀÓ‚Âꢀ¸Ú ¢ ꢀ‡Á
̇Ôꢀ‡‚ÎÂÌË ¯ÚÂÍÂꢀ‡ Ë ÔÓÔꢀÓ·ÛÈÚÂ
ÒÌÓ‚‡.
•
•
䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
ꢀ‡Á˙ÂÏ˚?
■
èꢀÓ‚Âꢀ¸Ú ÒÓ‰ËÌÂÌËfl.
ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚꢀÛÏÂÌÚ‡ ÒÍꢀËÔËÚ ËÎË
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„ꢀ‡ÂÚ ̇ Í·‚˯‡ı,
ÔÓÒÏÓÚꢀËÚ ÒıÂÏÛ Ò·ÓꢀÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
2 ÇÒÚ‡‚¸Ú ͇·Âθ Ô‰‡ÎË ‚
͇̇‚ÍÛ Á‡‰ÌÂÈ ÌÓÊÍË Ë
ÛÒÚ‡ÌÓ‚ËÚ Ô·ÒÚËÍÓ‚˚È ˜ÂıÓÎ
̇ ͇̇‚ÍÂ. ç ÔꢀÓÔÛÒ͇ÈÚÂ
ÒÓ‰ËÌËÚÂθÌÛ˛ ÎÂÌÚÛ ÏÂʉÛ
ÒÚÂÌÍÓÈ Í‡Ì‡‚ÍË Ë ÌÓÊÍÓÈ.
èꢀË ÔÂꢀÂÏ¢ÂÌËË ÒÓ·ꢀ‡ÌÌÓ„Ó ËÌÒÚꢀÛÏÂÌÚ‡ ‚Ò„‰‡
·ÂꢀËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.
ÇçàåÄçàÖ!
ç ·ÂꢀËÚÂÒ¸ Á‡ Íꢀ˚¯ÍÛ Í·‚ˇÚÛꢀ˚ ËÎË Â ‚ÂꢀıÌ˛˛ ˜‡ÒÚ¸.
çÂÔꢀ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ‚˚ıÓ‰Û
ËÌÒÚꢀÛÏÂÌÚ‡ ËÁ ÒÚꢀÓfl ËÎË Í Úꢀ‡‚ÏÂ.
ìÒÚ‡Ìӂ͇ Íꢀ˚¯ÍË ‰Ë̇ÏË͇ ̇ ÍÓꢀÔÛÒ ‰Ë̇ÏË͇.
9
äꢀ˚¯Í‡
ìÒÚ‡ÌÓ‚ËÚ Íꢀ˚¯ÍÛ Ì‡ ÍÓꢀÔÛÒÂ
‰Ë̇ÏË͇ ÁÛ·˜‡ÚÓÈ ÒÚÓꢀÓÌÓÈ Í
‚ÂꢀıÌÂÏÛ Ôꢀ‡‚ÓÏÛ Û„ÎÛ.
ëÓ‚ÏÂÒÚËÚ ‰‚‡ ¯ÚÂÍÂꢀ‡ ̇
Íꢀ˚¯Í ‰Ë̇ÏË͇ Ò ÓÚ‚ÂꢀÒÚËflÏË
‚ ÍÓꢀÔÛÒ ‰Ë̇ÏË͇ Ë
ÔꢀÓÚÓÎÍÌËÚ Ëı ÚÛ‰‡, „‰Â
ÔꢀËÍꢀÂÔÎÂ̇ Velcro-ÎÂÌÚ‡.
äꢀ˚¯Í‡
Í·‚ˇÚÛꢀ˚
ÇçàåÄçàÖ!
äꢀ˚¯Í‡ ‰Ë̇ÏË͇ ҉·̇ ËÁ Ó˜Â̸ Ïfl„ÍÓ„Ó Ï‡ÚÂꢀˇ·. ÖÒÎË ‚˚
ÔꢀÓÚÓÎÍÌÂÚ ¯ÚÂÍÂꢀ˚ ‚ β·Ó ‰ꢀÛ„Ó ÏÂÒÚÓ, ÍꢀÓÏ ÚÓ„Ó „‰Â
ꢀ‡ÒÔÓÎÓÊÂÌ˚ Û¯ÍÓ Ë Velcro-ÎÂÌÚ‡, ˝ÚÓ ÏÓÊÂÚ ÔꢀË‚ÂÒÚË Í ÔÓ‚ꢀÂʉÂÌ˲
‰Ë̇ÏËÍÓ‚.
ÖÒÎË ‚˚ ÔÂꢀ‰‚Ë„‡ÂÚ ËÌÒÚꢀÛÏÂÌÚ ÔÓÒΠҷÓꢀÍË, ÒÌÓ‚‡ Á‡ÍꢀÂÔËÚ ‚ËÌÚ˚
̇ ·ÎÓÍ Ô‰‡ÎÂÈ Ú‡Í, ˜ÚÓ·˚ ·ÎÓÍ ÔÎÓÚÌÓ ÔꢀË΄‡Î Í ÔÓÎÛ (·ÂÁ
ÔꢀÓÒ‚ÂÚÓ‚). (ëÏ. ¯‡„ 7-4.)
CVP-210/208
165
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ìÒÚꢀ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
èꢀÓ·ÎÂχ
ÇÓÁÏÓÊÌ˚ Ôꢀ˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚꢀ‡ÌÂÌËfl
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ñËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl;
ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ.
èꢀÓ‚Âꢀ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ꢀ‡Á˙ÂÏÛ ÔÂꢀÂÏÂÌÌÓ„Ó ÚÓ͇ ̇ ˆËÙꢀÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ë Í
ꢀÓÁÂÚÍÂ (ÒÚꢀ. 17).
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èꢀË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚ ˘ÂΘÍË
Ë ıÎÓÔÍË.
í‡Í ‚Ò„‰‡ ÔꢀÓËÒıÓ‰ËÚ ÔꢀË ÔÓ‰‡˜Â Ë ˝ÎÂÍÚꢀÓÔËÚ‡ÌËfl.
àÁ ‰Ë̇ÏËÍÓ‚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÎ˚¯ÂÌ
¯ÛÏ.
ÖÒÎË ꢀfl‰ÓÏ Ò ˆËÙꢀÓ‚˚Ï ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÂÚÒfl ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ, ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ
ÔÓÏÂıË. ÇÓ ËÁ·ÂʇÌË ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÔÓÏÂı ÓÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ
Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ꢀ‡ÒÒÚÓflÌËË ÓÚ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
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ùÍꢀ‡Ì ÒÎ˯ÍÓÏ flꢀÍËÈ ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È, ÚꢀÛ‰ÌÓ
˜ÚÓ-ÎË·Ó ÔꢀÓ˜ÂÒÚ¸.
üꢀÍÓÒÚ¸ ˝Íꢀ‡Ì‡ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚÂÏÔÂꢀ‡ÚÛꢀ˚ ÓÍꢀÛʇ˛˘Â„Ó ‚ÓÁ‰Ûı‡; ÔÓÔꢀÓ·ÛÈÚÂ
ÓÚꢀ„ÛÎËꢀÓ‚‡Ú¸ ÍÓÌÚꢀ‡ÒÚÌÓÒÚ¸ (ÒÚꢀ. 152).
ä·‚ˇÚÛꢀ‡ Á‚Û˜ËÚ ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Òꢀ‡‚ÌÂÌ˲ Ò
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ÔÂÒÌÂÈ.
鷢 Á‚Û˜‡ÌË Í·‚ˇÚÛꢀ˚ ËÎË ÓÚ‰ÂθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛꢀ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡
LEFT ËÎË ·ÓΠÌËÁÍËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‰Îfl Ô‡ꢀ‡ÏÂÚꢀ‡ STYLE/SONG (èÂÒÌfl/ÒÚËθ) ̇ ˝Íꢀ‡ÌÂ
BALANCE (ê„ÛÎËꢀӂ͇ „ꢀÓÏÍÓÒÚË) (ÒÚꢀ. 65).
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Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÔÂÒÌfl Á‚Û˜‡Ú ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ
Òꢀ‡‚ÌÂÌ˲ Ò Í·‚ˇÚÛꢀÓÈ.
ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‰Îfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ˜‡ÒÚÂÈ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Ì‡ÎÓ‚ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‰Îfl
‰‡ÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î‡ ÔÂÒÌË Ì‡ ˝Íꢀ‡Ì MIXER (åËͯÂꢀ) (ÒÚꢀ. 124).
é·˘ËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ ËÎË Á‚ÛÍ
ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
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é·˘‡fl „ꢀÓÏÍÓÒÚ¸ ÒÎ˯ÍÓÏ ÌËÁ͇; ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇
ÛÔꢀ‡‚ÎÂÌËfl [MASTER VOLUME].
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ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ‰Îfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ. ì‚Â΢¸ÚÂ
„ꢀÓÏÍÓÒÚ¸ ˜‡ÒÚÂÈ MAIN, LAYER, LEFT, STYLE Ë SONG ̇ ˝Íꢀ‡Ì BALANCE (ê„ÛÎËꢀӂ͇
„ꢀÓÏÍÓÒÚË) (ÒÚꢀ. 65).
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ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ, ˜ÚÓ ÔÂꢀÂÍβ˜‡ÚÂθ Úꢀ·ÛÂÏÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.)
(ÒÚꢀ. 65, 80).
èꢀË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı ‚˚ıÓ‰ÌÓÈ Ò˄̇Π̇ ‰Ë̇ÏËÍË ÓÚÍβ˜‡ÂÚÒfl. (ùÚÓ ÔꢀÓËÒıÓ‰ËÚ,
ÂÒÎË ‚ ͇˜ÂÒÚ‚Â Ô‡ꢀ‡ÏÂÚꢀ‡ «speaker» Á‡‰‡Ì «HEADPHONE SW»; ÒÚꢀ. 152.) éÚÍβ˜ËÚÂ
̇ۯÌËÍË.
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ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ô‡ꢀ‡ÏÂÚꢀ speaker ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚꢀ. 152).
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Local Control (ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚꢀÓÂÌÌ˚ı ÚÂÏ·ꢀÓ‚) ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚
ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.) (ÒÚꢀ. 148).
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îÛÌ͈ËË damper, sostenuto Ë soft Ì ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‰‡ÎÂÈ.
ä‡Ê‰ÓÈ Ô‰‡ÎË ÔꢀËÒ‚ÓÂ̇ ÓÚ‰Âθ̇fl ÙÛÌ͈Ëfl. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡Ê‰ÓÈ Ô‰‡ÎË ÔꢀËÒ‚ÓÂ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÙÛÌ͈Ëfl SUSTAIN, SOSTENUTO Ë SOFT (ÒÚꢀ. 142).
èꢀ‡‚‡fl Ô‰‡Î¸ Ì ꢀ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ ÔꢀӉ΂‡ÂÚÒfl,
‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ.
ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎÂÈ ÌÂÔꢀ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ
‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ꢀ‡Á˙ÂÏ (ÒÚꢀ. 164 - 165).
á‚Û˜‡Ú Ì ‚Ò ӉÌÓ‚ꢀÂÏÂÌÌÓ Ë„ꢀ‡ÂÏ˚ ÌÓÚ˚.
ÇÓÁÏÓÊÌÓ, ·˚ÎÓ Ôꢀ‚˚¯ÂÌÓ Ï‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó ÚÂÏ·ꢀÓ‚ ÔÓÎËÙÓÌËË ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova. Ç Ú‡ÍËı ÒÎÛ˜‡flı ÌÓÚ˚, ÍÓÚÓꢀ˚ ·˚ÎË Ò˚„ꢀ‡Ì˚ ÔÂꢀ‚˚ÏË, ÔÂꢀÂÒÚ‡˛Ú Á‚Û˜‡Ú¸, ˜ÚÓ·˚
‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔꢀÓÁ‚Û˜‡Ú¸ ÔÓÒΉÌËÏ ËÁ Ò˚„ꢀ‡ÌÌ˚ı ÌÓÚ. ÅÓΠÔÓ‰ꢀÓ·Ì˚ ҂‰ÂÌËfl Ó
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çÂÍÓÚÓꢀ˚ ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Regular (ÒÚꢀ. 92)
ÔÓfl‚Îfl˛ÚÒfl ‚ÏÂÒÚÓ ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural, ÍÓ„‰‡ ‚˚
Á‡‰‡ÂÚ ̇ÒÚꢀÓÈÍË Sound Creator, Mixing Console Ë
Pedal control (in Function).
„ÂÌÂꢀ‡ÚÓꢀ‡ ÚÂÏ·ꢀÓ‚ „ꢀÛÔÔ˚ Natural (ÒÚꢀ. 92):
Live! French Horn (CVP-210), Sweet! Oboe, Live! Sax Section (CVP-210), Sweet! Violin
ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË
ÔÂÒÌ˛.
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ÑÎfl Ò˄̇· ÒËÌıꢀÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL» (Ç̯ÌËÈ).
ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚꢀÂÌÌËÈ) (ÒÚꢀ. 149).
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ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚· ̇ʇڇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔ͇ [START/STOP] (ÇÍÎ./‚˚ÍÎ.). ÑÎfl
‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE (ëÚËθ) [START/STOP]
(ÒÚꢀ. 65); ‰Îfl ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG (èÂÒÌfl) [START/STOP] (ÒÚꢀ. 78).
åÓ„ ·˚Ú¸ ‚˚·ꢀ‡Ì Ô‡ꢀ‡ÏÂÚꢀ «çÓ‚‡fl ÔÂÒÌfl» (ÒÓÁ‰‡ÌË ÔÂÒÌË Ò «ÌÛÎfl»). Ç˚·ÂꢀËÚ ̇ ˝Íꢀ‡ÌÂ
SONG (èÂÒÌfl) (ÒÚꢀ. 78) ÌÛÊÌÛ˛ ÔÂÒÌ˛.
ÇÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÍÓ̘ËÎÓÒ¸. ÇÂꢀÌËÚÂÒ¸ ‚ ̇˜‡ÎÓ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [TOP]
(ÒÚꢀ. 80).
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ÇÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ ꢀËÚÏ˘ÂÒÍË ͇̇Î˚.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP].
ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰‡ÊÂ
ÍÓ„‰‡ ÙÛÌ͈Ëfl ÒËÌıꢀÓÌÌÓ„Ó Á‡ÔÛÒ͇ ̇ıÓ‰ËÚÒfl ‚
ꢀÂÊËÏ ÓÊˉ‡ÌËfl Ë Ì‡Ê‡Ú‡ Í·‚˯‡ ̇ Í·‚ˇÚÛꢀÂ.
ÇÓÁÏÓÊÌÓ, ·˚· ҉·̇ ÔÓÔ˚Ú͇ Á‡ÔÛÒÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ Í·‚Ë¯Ë ‚ Ôꢀ‡‚ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛꢀ˚. ç‡ÊÏËÚ Í·‚Ë¯Û ‚ ꢀ‡Á‰ÂΠÍ·‚ˇÚÛꢀ˚ ‰Îfl ΂ÓÈ ꢀÛÍË (ꢀ‡Á‰ÂÎÂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).
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çÛÊÌ˚È ‡ÍÍÓꢀ‰ Ì ꢀ‡ÒÔÓÁ̇ÂÚÒfl ËÎË ÌÂ
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
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ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Ì‚ÂꢀÌ˚ Í·‚Ë¯Ë ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓꢀ‰‡. ëÏ. „·‚Û «íËÔ˚
‡ÍÍÓꢀ‰Ó‚, ꢀ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ꢀÂÊËÏ Fingered» ̇ (ÒÚꢀ. 67).
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ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ꢀÂÊËÏÛ, ÓÚ΢ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó.
èꢀÓ‚Âꢀ¸ÚÂ, ͇ÍÓÈ ꢀÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·ꢀ‡Ì, Ë Ì‡ÊÏËÚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
˝ÚÓÏÛ ꢀÂÊËÏÛ (ÒÚꢀ. 66).
CVP-210/208
166
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ìÒÚꢀ$$$ÌÂÌËÂ ÌÂÔÓÎ$$$‰ÓÍ
èꢀÓ·ÎÂχ
ÇÓÁÏÓÊÌ˚ Ôꢀ˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚꢀ‡ÌÂÌËfl
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ÄÍÍÓꢀ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ꢀ‡ÒÔÓÁ̇˛ÚÒfl ‚ÌÂ
Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛꢀ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛꢀÂ, „‰Â ÓÌË
·˚ÎË ‚ÁflÚ˚.
ùÚÓ Ó·˚˜ÌÓ ÔꢀÓËÒıÓ‰ËÚ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚ ͇˜ÂÒÚ‚Â ꢀÂÊËχ ‡ÔÔÎË͇ÚÛꢀ˚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ
Á̇˜ÂÌË «Full Keyboard» (ÇÒfl Í·‚ˇÚÛꢀ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛꢀ‡ AI). ÖÒÎË
‚˚·ꢀ‡Ì Ó‰ËÌ ËÁ ˝ÚËı ꢀÂÊËÏÓ‚, ‡ÍÍÓꢀ‰˚ ꢀ‡ÒÔÓÁ̇˛ÚÒfl ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ Í·‚ˇÚÛꢀ˚ ‚ÌÂ
Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ꢀ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛꢀ˚. èꢀË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÛÒÚ‡ÌÓ‚ËÚÂ
‰ꢀÛ„ÓÈ ꢀÂÊËÏ ‡ÔÔÎË͇ÚÛꢀ˚ (ÒÚꢀ. 66).
éÚ‰ÂθÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ.
ÑÎfl Ô‡ꢀ‡ÏÂÚꢀ‡ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «Equal» (ꇂÌÓÏÂꢀ̇fl
ÚÂÏÔÂꢀ‡ˆËfl), ˜ÚÓ Ë ÔꢀË‚Ó‰ËÚ Í ËÁÏÂÌÂÌ˲ ÒËÒÚÂÏ˚ ̇ÒÚꢀÓÈÍË (ÚÂÏÔÂꢀ‡ˆËË) Í·‚ˇÚÛꢀ˚.
ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ‰‡ÌÌÓ„Ó ÒÚꢀÓfl Á̇˜ÂÌË «Equal» (ꇂÌÓÏÂꢀ̇fl ÚÂÏÔÂꢀ‡ˆËfl) ̇ ÒÚꢀ‡Ìˈ Scale
Tune (ÒÚꢀ. 138).
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çÂÍÓÚÓꢀ˚ ͇̇Î˚ ‚ÓÒÔꢀÓËÁ‚Ó‰flÚÒfl ÌÂÔꢀ‡‚ËθÌÓ ÔꢀË
ÔꢀÓË„ꢀ˚‚‡ÌËË ÔÂÒÌË.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜ÂÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ͇̇ÎÓ‚ (ÒÚꢀ. 80).
ÖÒÎË ÔꢀË „‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚ÛÍ ËÒ͇ʇÂÚÒfl ËÎË
‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ, ‚ÓÁÏÓÊÌÓ, ‚
ÏËÍꢀÓÙÓÌ ÔꢀË ÔÂÌËË ÔÓÔ‡‰‡˛Ú ÔÓÒÚÓꢀÓÌÌË Á‚ÛÍË,
̇ÔꢀËÏÂꢀ Á‚Û˜‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ˆËÙꢀÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova. Ç ˜‡ÒÚÌÓÒÚË, ËÒ͇ÊÂÌËfl ÔꢀË
„‡ꢀÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓ„ÛÚ ·˚Ú¸ ‚˚Á‚‡Ì˚
ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌËÁÍËı Á‚ÛÍÓ‚.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‚ ÏËÍꢀÓÙÓÌ ÔÓÔ‡‰‡ÎÓ Í‡Í ÏÓÊÌÓ ÏÂ̸¯Â
ÔÓÒÚÓꢀÓÌÌËı Á‚ÛÍÓ‚:
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•
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èꢀË ÔÂÌËË ‰ÂꢀÊËÚ ÏËÍꢀÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.
àÒÔÓθÁÛÈÚ ̇Ôꢀ‡‚ÎÂÌÌ˚È ÏËÍꢀÓÙÓÌ.
ìÏÂ̸¯ËÚ ӷ˘Û˛ „ꢀÓÏÍÓÒÚ¸ ËÎË „ꢀÓÏÍÓÒÚ¸ ͇ʉÓÈ ˜‡ÒÚË.
ì·ÂꢀËÚ ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚꢀÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁÂꢀ‡ ̇ ˝Íꢀ‡Ì MICROPHONE
SETTING (ç‡ÒÚꢀÓÈ͇ ÏËÍꢀÓÙÓ̇) (ÒÚꢀ. 133).
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ì‚Â΢¸Ú ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË ÏËÍꢀÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ («TH.») Ò ÔÓÏÓ˘¸˛ ÍÓÏÔꢀÂÒÒÓꢀ‡ ̇
˝Íꢀ‡Ì MICROPHONE SETTING (ç‡ÒÚꢀÓÈ͇ ÏËÍꢀÓÙÓ̇) (ÒÚꢀ. 133).
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îÛÌ͈Ëfl Vocal Harmony Ì ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ꢀÏÓÌËË.
ì·Â‰ËÚÂÒ¸ Ò ÚÓÏ, ˜ÚÓ ËÒÔÓθÁÛÂÚ Ôꢀ‡‚ËθÌ˚È ÒÔÓÒÓ· ÓÔꢀ‰ÂÎÂÌËfl ÌÓÚ „‡ꢀÏÓÌËË ‰Îfl ÚÂÍÛ˘Â„Ó
ꢀÂÊËχ ÙÛÌ͈ËË Vocal Harmony. ëÏ. ÒÚꢀ. 134.
ç ꢀ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl „‡ꢀÏÓÌËÁ‡ˆËË.
ɇꢀÏÓÌËÁ‡ˆËfl Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔꢀË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ꢀÂÊËÏ ‡ÔÔÎË͇ÚÛꢀ «Full Keyboard»
(ÇÒfl Í·‚ˇÚÛꢀ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛꢀ‡ AI). Ç˚·ÂꢀËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ꢀÂÊËÏ
‡ÔÔÎË͇ÚÛꢀ˚ (ÒÚꢀ. 66).
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ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍꢀÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ë
˝ÙÙÂÍÚ Vocal Harmony.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ — Á‡ÔËÒ¸ Ò ÏËÍꢀÓÙÓÌÌÓ„Ó ‡Û‰ËÓ‚ıÓ‰‡ Ì‚ÓÁÏÓÊ̇.
MIDI-ÒÓÓ·˘ÂÌËfl Ì ÔÂꢀ‰‡˛ÚÒfl Ë Ì ÔꢀËÌËχ˛ÚÒfl
˜ÂꢀÂÁ ÔÓꢀÚ˚ MIDI ‰‡Ê ÔꢀË Ôꢀ‡‚ËθÌÓÏ ÔÓ‰Íβ˜ÂÌËË
͇·ÂÎÂÈ MIDI.
éÚÒÓ‰ËÌËÚ ͇·Âθ USB ÓÚ USB-ÔÓꢀÚ‡ ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
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èꢀË ÒÏÂÌ ÚÂÏ·ꢀ‡ ÏÂÌflÂÚÒfl ꢀ‡Ì ‚˚·ꢀ‡ÌÌ˚È
˝ÙÙÂÍÚ.
ì Í‡Ê‰Ó„Ó ÚÂÏ·ꢀ‡ ËϲÚÒfl Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‚ÒÚꢀÓÂÌÌ˚ Á̇˜ÂÌËfl, ÍÓÚÓꢀ˚ ‡‚ÚÓχÚ˘ÂÒÍË
‡ÍÚË‚ËꢀÛ˛ÚÒfl ÔꢀË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ꢀ‡ÏÂÚꢀÓ‚ ÙÛÌ͈ËË Voice Set (ÒÚꢀ. 146).
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èꢀË Ë„ꢀ ̇ Í·‚ˇÚÛꢀ ͇˜ÂÒÚ‚Ó Á‚Û͇ Û ꢀ‡ÁÌ˚ı ÌÓÚ
ÌÂÏÌÓ„Ó ꢀ‡ÁÌÓÂ.
çÂÍÓÚÓꢀ˚ ÚÂÏ·ꢀ˚ ÔÓÒÚꢀÓÂÌ˚ ̇ ÓÒÌÓ‚Â Á‡ˆËÍÎÂÌÌ˚ı
Á‚ÛÍÓ‚˚ı Ùꢀ‡„ÏÂÌÚÓ‚ («ÔÂÚÂθ»).
èꢀË ËÒÔÓθÁÓ‚‡ÌËË ÌÂÍÓÚÓꢀ˚ı ÚÂÏ·ꢀÓ‚ Ò Û‚Â΢ÂÌËÂÏ
‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ ‚Ë·ꢀ‡ÚÓ.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËꢀÓ‚‡ÌËfl ˆËÙꢀÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova.
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çÂÍÓÚÓꢀ˚ ÚÂÏ·ꢀ˚ ÔꢀË Ë„ꢀ ‚ ·ÓΠ‚˚ÒÓÍËı ËÎË
ÌËÁÍËı ꢀ„ËÒÚꢀ‡ı ËÁÏÂÌfl˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ̇ ˆÂÎÛ˛
ÓÍÚ‡‚Û.
ÇÒ ‚ ÔÓꢀfl‰ÍÂ. çÂÍÓÚÓꢀ˚ ÚÂÏ·ꢀ˚ ËÏÂ˛Ú Ó„ꢀ‡Ì˘ÂÌËfl ÔÓ ‚˚ÒÓÚÂ. ÖÒÎË Ôꢀ‰ÂÎ ‰ÓÒÚË„ÌÛÚ,
ÔꢀÓËÒıÓ‰ËÚ Ú‡ÍÓÈ Ò‰‚Ë„.
ç‡ ˝Íꢀ‡Ì Open/Save ÓÚÓ·ꢀ‡Ê‡ÂÚÒfl ‚ÒÚꢀÓÂÌÌ˚È
ÚÂÏ·ꢀ, ‰‡Ê ÂÒÎË ‚ ÛÒÚ‡Ìӂ͇ı ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ
Ô‡ÏflÚË Á‡ÔËÒ‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·ꢀ.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ÇÓÒÔꢀÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·ꢀ.
èꢀË ꢀ„ËÒÚꢀ‡ˆËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·ꢀ‡ ‚ ꢀ‡Á‰ÂÎ Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÛ
Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Sound Creator. èꢀË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÒÓ‰Âꢀʇ˘Ëı
ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·ꢀ, ˆËÙꢀÓ‚Ó ÔˇÌËÌÓ Clavinova ‚˚·Ëꢀ‡ÂÚ ‚ÒÚꢀÓÂÌÌ˚È ÚÂÏ·ꢀ (̇ ÍÓÚÓꢀÓÏ
ÓÒÌÓ‚‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·ꢀ) Ë ÔꢀËÏÂÌflÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚꢀÓÈÍË Ô‡ꢀ‡ÏÂÚꢀÓ‚.
Ç ꢀÂÁÛθڇÚ ‚ÓÒÔꢀÓËÁ‚Ó‰ËÚÒfl ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·ꢀ.
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ëÓıꢀ‡ÌÂÌË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ÓÚÌËχÂÚ ÏÌÓ„Ó
‚ꢀÂÏÂÌË.
ÔꢀË·ÎËÁËÚÂθÌÓ 1 ÏËÌÛÚ‡.
íÂÏ·ꢀ ÒÎ˯ÍÓÏ Á‡¯ÛÏÎÂÌ.
éÚ‰ÂθÌ˚ ÚÂÏ·ꢀ˚ ÏÓ„ÛÚ ËÏÂÚ¸ ¯ÛÏÓ‚˚ ÔꢀËÁ‚ÛÍË, ˝ÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡ꢀ‡ÏÂÚꢀÓ‚ Harmonic Content
(ÑÓ·‡‚ÎÂÌË „‡ꢀÏÓÌËÍ) Ë/ËÎË Brightness (üꢀÍÓÒÚ¸), ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ ÒÚꢀ‡Ìˈ FILTER ˝Íꢀ‡Ì‡
Mixing Console (ÒÚꢀ. 125).
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á‚ÛÍ ËÒ͇ÊÂÌ ËÎË Á‡¯ÛÏÎÂÌ.
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ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ ÛꢀÓ‚Â̸ „ꢀÓÏÍÓÒÚË. èꢀÓ‚Âꢀ¸ÚÂ, Ôꢀ‡‚ËθÌÓ ÎË
àÒ͇ÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂθÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔꢀÓ·ÛÈÚ ۷ꢀ‡Ú¸ ‚Ò Î˯ÌËÂ
˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓꢀ˚ ‚˚Á˚‚‡˛Ú ËÒ͇ÊÂÌË Á‚Û͇ (ÒÚꢀ. 126).
çÂÍÓÚÓꢀ˚ ԇꢀ‡ÏÂÚꢀ˚ ÙËθÚꢀ‡ ꢀÂÁÓ̇ÌÒ‡, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ̇ ˝Íꢀ‡Ì Custom Voice Creator
(ÒÚꢀ. 94), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒ͇ÊÂÌË Á‚Û͇. èꢀË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ˝ÚË
Ô‡ꢀ‡ÏÂÚꢀ˚.
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ÇÓÁÏÓÊÌÓ, ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ÒÎ˯ÍÓÏ ÛÒËÎÂ̇ ̇ ˝Íꢀ‡Ì Master Equalizer (Mixing Console
— ÒÚꢀ. 128).
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ëÎ˚¯ÂÌ «‰‚ÓÈÌÓÈ Á‚ÛÍ» ËÎË Á‚ÛÍ, ̇ÔÓÏË̇˛˘ËÈ
Á‚Û˜‡ÌË ÙνÌÊÂꢀ‡. äꢀÓÏ ÚÓ„Ó, ͇ʉ˚È ꢀ‡Á ÔꢀË
̇ʇÚËË Í·‚˯ Á‚ÛÍ ÌÂÒÍÓθÍÓ ‰ꢀÛ„ÓÈ.
ÑÎfl ˜‡ÒÚÂÈ Main Ë Layer ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON» (ÇÍÎ.), Ë Ó·Â ÓÌË Ì‡ÒÚꢀÓÂÌ˚ ̇
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ӉÌÓ„Ó Ë ÚÓ„Ó Ê ÚÂÏ·ꢀ‡. ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ˜‡ÒÚË Layer Á̇˜ÂÌË «OFF» (Ç˚ÍÎ.)
(ÒÚꢀ. 60) ËÎË Ì‡Á̇˜¸Ú ҂ÓÈ ÚÂÏ·ꢀ ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ (ÒÚꢀ. 58).
CVP-210/208
167
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íÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË
: ‰ÓÒÚÛÔÌ˚Â
ç‡Á‚‡ÌË ÏÓ‰ÂÎË
àÒÚÓ˜ÌËÍ Á‚Û͇
ùÍꢀ‡Ì
CVP-210
CVP-208
ÑË̇Ï˘ÂÒÍÓ ÒÚÂꢀÂÓÒ˝ÏÔÎËꢀÓ‚‡ÌË ÚÂÏ·ꢀÓ‚ AWM
640 ■ Éꢀ‡Ù˘ÂÒÍËÈ ÊˉÍÓÍꢀËÒÚ‡Î΢ÂÒÍËÈ ‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (480 ÚÓ˜ÂÍ)
ä·‚ˇÚÛꢀ‡
íÂÏ·ꢀ
88 Í·‚˯ (A-1 - C7)
èÓÎËÙÓÌËfl (χÍÒËχθ̇fl)
Ç˚·Óꢀ ÚÂÏ·ꢀÓ‚
256
192
397 ÚÂÏ·ꢀÓ‚ + 480 ÚÓÂÏ·ꢀÓ‚ ‚
378 ÚÂÏ·ꢀÓ‚ + 480 ÚÂÏ·ꢀÓ‚ ‚ ÙÓꢀχÚÂ
XG + 26 Û‰‡ꢀÌ˚ı ÛÒÚ‡ÌÓ‚ÓÍ
ÙÓꢀχÚ XG + 26 Û‰‡ꢀÌ˚ı ÛÒÚ‡ÌÓ‚ÓÍ
íÂÏ·ꢀ „ꢀÛÔÔ˚ Regular
311
14
310
13
íÂÏ·ꢀ «Sweet»
íÂÏ·ꢀ «Cool»
6
íÂÏ·ꢀ «Live»
19
17
íÂÏ·ꢀ „ꢀÛÔÔ˚ Natural
éꢀ„‡ÌÌ˚ ÚÂÏ·ꢀ˚
37
22
10 (9 ÒÓ˜ÂÚ‡ÌËÈ ÚꢀÛ·)
10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚꢀÛ·)
îÛÌ͈Ëfl Sound creator
ÅÎÓÍË ˝ÙÙÂÍÚÓ‚
ùÙÙÂÍÚ˚
ê‚Âꢀ·Âꢀ‡ˆËfl
ùÙÙÂÍÚ Chorus
DSP
2
2
7
5
flꢀÍÓÒÚË
1
1
MIC;ÏËÍꢀÓÙÓÌ
REVERB1
REVERB2
CHORUS1
CHORUS2
DSP1
29 ‚ÒÚꢀÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
5
25 ‚ÒÚꢀÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
3
164 ‚ÒÚꢀÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
12
DSP2
DSP3,4,5,6
(DSP6; ÚÓθÍÓ CVP-210)
íËÔ˚ ˝ÙÙÂÍÚÓ‚
164 ‚ÒÚꢀÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
88 ‚ÒÚꢀÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
88 ‚ÒÚꢀÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
—
DSP7 (ÚÓθÍÓ CVP-210)
Brilliance (flꢀÍÓÒÚË)
5
Master EQ (Ó·˘‡fl
̇ÒÚꢀÓÈ͇ ˝Í‚‡Î‡ÈÁÂꢀ‡)
5 ‚ÒÚꢀÓÂÌÌ˚ı + 2 ÔÓθÁÓ‚‡ÚÂθÒÍËı
27 ˜‡ÒÚÂÈ
Part EQ (̇ÒÚꢀÓÈ͇
˝Í‚‡Î‡ÈÁÂꢀ‡ ‰Îfl Ô‡ꢀÚËË)
ɇꢀÏÓÌËÁ‡ˆËfl ‚Ó͇·
59 ‚ÒÚꢀÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
261
49 ‚ÒÚꢀÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
247
ëÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ
äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÔˇÌËÒÚ‡
äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ äÓÏ·Ó
AÔÔÎË͇ÚÛꢀ‡
31
36
17
Single Finger (‰Îfl Ë„ꢀ˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Úꢀ‡‰ËˆËÓÌ̇fl), Fingered On Bass
(Úꢀ‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„ꢀ˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered
(Úꢀ‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛꢀ‡), AI Full Keyboard (‚Òfl Í·‚ˇÚÛꢀ‡ AI)
îÛÌ͈Ëfl Style Creator
OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË»)
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂꢀÚÂÈ
ÔꢀË·ÎËÁËÚÂθÌÓ 2500 Á‡ÔËÒÂÈ
îÛÌ͈Ëfl OTS link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚꢀÓÂÍ
«‚ Ó‰ÌÓ Í‡Ò‡ÌË»)
îÛÌ͈Ëfl Music
Finder
àÁÏÂÌÂÌËÂ
CVP-210/208
168
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íÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË
ç‡Á‚‡ÌË ÏÓ‰ÂÎË
CVP-210
CVP-208
èÂÒÌfl
îÓꢀχÚ
SMF (ÙÓꢀÏ‡Ú 0,1), ESEQ
ÇÒÚꢀÓÂÌÌ˚Â ÔÂÒÌË
Guide
Follow Lights, Any Key, Karao-Key, Vocal CueTIME
88 Íꢀ‡ÒÌ˚È
Ë̉Ë͇ÚÓꢀ
íÂÍÒÚ˚ ÔÂÒÂÌ
è‡ꢀÚËÚÛꢀ‡
á‡ÔËÒ¸
êÂÊËÏ ·˚ÒÚꢀÓÈ Á‡ÔËÒË, ꢀÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı ÚÂÏ·ꢀÓ‚, ꢀÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ
Á‡ÔËÒË, ꢀ‰‡ÍÚËꢀÓ‚‡ÌË ÔÂÒÌË
ä‡Ì‡Î˚ Á‡ÔËÒË
16
è‡ÏflÚ¸
‰ËÒÍÂÚ‡ (2HD, 2DD)
ìÒÚꢀÓÈÒÚ‚Ó
îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚꢀÂÌÌflfl)
3302 äÅ
íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ Ùν¯-Ô‡ÏflÚ¸˛
î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓꢀÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓꢀÏ‡Ú SFF), ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,
ÚÂÏ·ꢀÓ‚ Ë Ú. Ô.
ÚÂÏÔ;Tempo
ÑˇԇÁÓÌ ÚÂÏÔ‡
ëÓ·ÒÚ‚ÂÌÌ˚È ꢀËÚÏ
ÏÂÚꢀÓÌÓÏ
5 - 500
òËꢀÓÚ‡
Á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., ˜ÂÎӂ˜ÂÒÍË ÚÂÏ·ꢀ˚ (5 flÁ˚ÍÓ‚)
8
ê„ËÒÚꢀ‡ˆËÓÌ̇fl
Ô‡ÏflÚ¸
äÌÓÔÍË
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ꢀÛÁÍË Ì‡·ÓꢀÓ‚
Ô‡ꢀ‡ÏÂÚꢀÓ‚ ËÁ ꢀ„ËÒÚꢀ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË
ÙÛÌ͈Ëfl Freeze
ÑꢀÛ„ËÂ
ÑÂÏÓÌÒÚꢀ‡ˆËfl
îÛÌ͈Ëfl, ÚÂÏ·ꢀ, ÒÚËθ
flÁ˚Í
6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, Ùꢀ‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ)
ëÔꢀ‡‚͇
Direct Access (ÔꢀflÏÓÈ ‰ÓÒÚÛÔ)
ÍÌÓÔ͇ ̇ÒÚꢀÓÈÍË ÔˇÌËÌÓ (‚Íβ˜‡fl ·ÎÓÍËꢀÓ‚ÍÛ)
é·˘‡fl „ꢀÓÏÍÓÒÚ¸
ÙÛÌ͈Ëfl Fade In/Out
Úꢀ‡ÌÒÔÓÌËꢀÓ‚‡ÌËÂ
̇ÒÚꢀÓÈ͇ Á‚Û͇
ä·‚ˇÚÛꢀ‡/ÔÂÒÌfl/Ó·˘‡fl
ÏÂÎӉ˘ÂÒ͇fl ÍꢀË‚‡fl
ëÚꢀÓÈ
Flat/Stretch (ÚÓθÍÓ Ì‡ÚÛꢀ‡Î¸Ì˚È ÚÂÏ·ꢀ ÙÓꢀÚÂÔˇÌÓ)
ꇂÌÓÏÂꢀÌÓ ÚÂÏÔÂꢀËꢀÓ‚‡ÌÌ˚È ÒÚꢀÓÈ, ˜ËÒÚ˚È Ï‡ÊÓꢀ/˜ËÒÚ˚È ÏËÌÓꢀ,
ÔËÙ‡„ÓꢀÂÈÒÍËÈ ÒÚꢀÓÈ, ÒÚꢀÓÈ Ò «ÛÒꢀ‰ÌÂÌËÂÏ», ÒÚꢀÓÈ ÇÂꢀÍχÈÒÚÂꢀ‡/äËꢀÌ·Âꢀ„Âꢀ‡,
‡ꢀ‡·ÒÍËÈ ÒÚꢀÓÈ 1/2
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl
5 ÛꢀÓ‚ÌÂÈ
ÉÌÂÁ‰‡/ꢀ‡Á˙ÂÏ˚
艇ÎË
PHONES ■ 2, MIDI (THRU, OUT, IN), USB, AUX PEDAL,
AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED) (L/R),
AUX OUT (L/L+R, R)
MIC (INPUT VOLUME, MIC./ LINE IN),VIDEO OUT
ÍÓ΢ÂÒÚ‚Ó Ô‰‡ÎÂÈ
îÛÌ͈ËË Ô‰‡ÎË
3
VOLUME („ꢀÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE
(ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), PORTAMENTO (ÔÓꢀÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌËÂ
‚˚ÒÓÚ˚ Á‚Û͇), MODULATION (ÏÓ‰ÛÎflˆËfl), DSP VARIATION (‚‡ꢀˇˆËË,
Á‡‰‡‚‡ÂÏ˚ ˆËÙꢀÓ‚˚Ï Ò˄̇θÌ˚Ï ÔꢀÓˆÂÒÒÓꢀÓÏ), VIBROTOR ON/OFF
(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·ꢀ‡ÚÓ), SONG START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌËÂ
ꢀÂÊËχ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÔÂÒÌË), STYLE START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌËÂ
ꢀÂÊËχ ‚ÓÒÔꢀÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú. Ô.
ìÒËÎËÚÂÎË/‰Ë̇ÏËÍË
ìÒËÎËÚÂÎË
ÑË̇ÏËÍË
60 ÇÚ ■ 2
(16 ÒÏ + 5 ÒÏ + 3 ÒÏ) ■ 2
ê‡ÁÏÂꢀ˚ [òËꢀË̇ ■ ÑÎË̇ ■ Ç˚ÒÓÚ‡]
(Ò̇·ÊÂÌÓ Ô˛ÔËÚꢀÓÏ)
1426,0 ■ 633,5 ■ 932 ÏÏ
[56-1/8" ■ 24-15/16" ■ 36-11/16"]
(1426,0 ■ 633,5 ■ 1097,4 ÏÏ)
[56-1/8" ■ 24-15/16" ■ 43-3/16"]
1429,9 ■ 634,3 ■ 927,4 ÏÏ
[56-5/16" ■ 24-15/16" ■ 36-1/2"]
(1429,9 ■ 634,3 ■ 1092,6 ÏÏ)
[56-5/16" ■ 24-15/16" ■ 43-1/8"]
ÇÂÒ
83,5 Í„ (184 ÙÛÌÚÓ‚, 13 Û̈ËÈ)
78,5 Í„ (173 ÙÛÌÚÓ‚, 10 Û̈ËÈ)
* íÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ꢀÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓꢀχˆËË. äÓꢀÔÓꢀ‡ˆËfl Yamaha ÒÓıꢀ‡ÌflÂÚ Á‡
ÒÓ·ÓÈ Ôꢀ‡‚Ó ÏÓ‰ËÙˈËꢀÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË ·ÂÁ Ôꢀ‰‚‡ꢀËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ
ÚÂıÌ˘ÂÒÍË ı‡ꢀ‡ÍÚÂꢀËÒÚËÍË, Ó·ÓꢀÛ‰Ó‚‡ÌËÂ Ë Ì‡·Óꢀ ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ ꢀ„ËÓ̇, Ó·ꢀ‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓꢀχˆËÂÈ Í ÏÂÒÚÌÓÏÛ
Ôꢀ‰ÒÚ‡‚ËÚÂβ ÍÓꢀÔÓꢀ‡ˆËË Yamaha.
CVP-210/208
169
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èꢀ‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
0-9
ICON SELECT .........................................................................50
A
K
AI FULL KEYBOARD ................................................................66
Any Key..................................................................................82
KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó) ..............................................74, 75
L
B
C
MIDI [THRU] ..........................................................................157
CHD ....................................................................................111
Chord (aÍÍÓꢀ‰) ........................................................................99
Clock ...................................................................................149
CUT (‚˚ꢀÂÁaÚ¸) ......................................................................46
D
Natural!...................................................................................59
NEW (FOLDER) .......................................................................48
NTR (Ôꢀa‚ËÎÓ ÚꢀaÌÒÔÓÁˈËË)...................................................121
E
ECHO..................................................................................146
é
F
FINGERED ON BASS (Úꢀa‰ËˆËÓÌÌ˚È Ò ·aÒÓÏ).............................66
Follow Lights ...........................................................................82
FULL KEYBOARD (‚Òfl ÍÎa‚ËaÚÛꢀa)............................................66
P
Pad («ÔÓ‰ÍÎa‰˚»)....................................................................99
PASTE (‚ÒÚa‚Ía) ...............................................................46, 47
Phrase (ÙꢀaÁ˚) .......................................................................99
PITCH BEND RANGE (‰ËaÔaÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)...................125
PORTAMENTO TIME (‚ꢀÂÏfl ÔÓꢀÚaÏÂÌÚÓ)..................................125
Pure Major (˜ËÒÚ˚È ÏaÊÓꢀ) .....................................................139
G
GENRE (ÊaÌꢀ)..................................................................74, 76
GENRE NAME (ÌaÁ‚aÌË ÊaÌꢀa) ...............................................76
H
HARMONY ...............................................................62, 95, 146
CVP-210/208
170
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èꢀ‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
Q
Quick Start (·˚ÒÚꢀ˚È ÁaÔÛÒÍ)...................................................140
Ç
R
‚ÂꢀıÌflfl ÌÓÚa ........................................................................122
‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÂÌ............................................................21
‚ÓÒÒÚaÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı ÔaꢀaÏÂÚꢀÓ‚ CVP-210/208 ..................154
S
SINGLE FINGER (Ó‰ÌËÏ ÔaθˆÂÏ)..............................................66
SMF (ÒÚảaꢀÚÌ˚È ÙaÈÎ MIDI)................................................162
SONG AUTO REVOICE...........................................................124
‚ꢀÂÏfl ÌÛ΂ÓÈ „ꢀÓÏÍÓÒÚË....................................................151
‚˚·Óꢀ Ó·˙ÂÍÚÓ‚ ......................................................................50
‚˚·Óꢀ ÔaꢀaÏÂÚꢀÓ‚ ÁaÔËÒË: Ìa˜aÎÓ, ÍÓ̈, a‚ÚÓÏaÚ˘ÂÒÍÓÂ
‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÁaÔËÒË .........................................106
‚˚·Óꢀ ÚÂÏÔÂꢀaˆËË.................................................................138
‚˚·Óꢀ ÚËÔÓ‚ ËÌÚꢀÓ‰Û͈ËÈ Ë ÙËÌaÎÓ‚ .........................................70
‚˚·Óꢀ ÙaÈÎÓ‚ Ë ÔaÔÓÍ .............................................................44
‚˚Íβ˜ÂÌË ÍaÌaÎÓ‚ ...............................................................65
‚˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚a˛˘Â„Ó ÓÍÌa ...................................................44
T
Tune....................................................................................125
TUNING (ÌaÒÚꢀÓÈÍa ‚˚ÒÓÚ˚)...................................................125
U
USER EFFECT ......................................................................127
Utility ...................................................................................151
V
Vocal CueTIME........................................................................82
VOCAL HARMONY CONTROL .................................................134
VOL/ATTACK ..........................................................................96
É
X
‰ËÒÍ [MASTER VOLUME]...........................................................17
‰ËÒÍ ÛÔꢀa‚ÎÂÌËfl „ꢀÓÏÍÓÒÚ¸˛ [MASTER VOLUME] ........................18
‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ..................................................................6, 19
‰Ó·a‚ÎÂÌËÂ ............................................................................75
‰Ó·a‚ÎÂÌËÂ „aꢀÏÓÌËÍ...............................................................94
‰ÓÔÓÎÌËÚÂθÌ˚ ÔꢀËÌa‰ÎÂÊÌÓÒÚË ...............................................6
‰ꢀÛ„ËÂ ÌaÒÚꢀÓÈÍË ..................................................................151
Ä
a‚ÚÓÏaÚ˘ÂÒÍafl ÒÏÂÌa ÌaÒÚꢀÓÂÍ ÔꢀË ÔÂꢀÂıӉ ÓÚ Ó‰ÌÓÈ
ÓÒÌÓ‚ÌÓÈ ˜aÒÚË Í ‰ꢀÛ„ÓÈ.......................................................72
a‚ÚÓÏaÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÁaÔËÒË .......................106
a‚ÚÓÏaÚ˘ÂÒÍÓ ÔꢀÓË„ꢀ˚‚aÌË ‚ÒÚa‚ÓÍ ÔꢀË ÔÂꢀÂıӉ ÓÚ
Ó‰ÌÓÈ ˜aÒÚË Í ‰ꢀÛ„ÓÈ............................................................70
aÍÍÓꢀ‰Ó‚˚Â ÒÓ·˚ÚËfl .............................................................111
aꢀa·ÒÍËÈ ÒÚꢀÓÈ .....................................................................139
aꢀaÌÊËꢀÓ‚Ía Ë a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚ ..........................................68
aÚaÍa.....................................................................................94
Ü
Üä-‰ËÒÔÎÂÈ ...........................................................................15
CVP-210/208
171
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ÍÌÓÔÍa [PIANO]............................................................15, 19, 59
ÍÌÓÔÍa [VARIATION] ...........................................................18, 61
ÍÌÓÔÍa METRONOME [START \/ STOP]..................................18, 54
ÍÌÓÔÍa SONG [START / STOP] .............................................18, 78
ÍÌÓÔÍË VOICE („ꢀÛÔÔ˚ ÚÂÏ·ꢀÓ‚) ................................................58
ÍÓ̈‚Ó ÁaÚÛıaÌË .................................................................94
ÍÓÔËꢀÓ‚aÌËÂ Ë ÙÓꢀÏaÚËꢀÓ‚aÌË ‰ËÒÍÂÚ ...................................153
ÍÓÔËꢀÓ‚aÌËÂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ ....................................................47
Íꢀ˚¯Ía ÍÎa‚ËaÚÛꢀ˚.................................................................16
á
Áa„ꢀÛÁÍa Áaꢀ„ËÒÚꢀËꢀÓ‚aÌÌ˚ı ÔaꢀaÏÂÚꢀÓ‚ .................................90
Áa„ꢀÛÁÍa Ìa·Óꢀa ÔaꢀaÏÂÚꢀÓ‚ ....................................................90
ÁaÏÂÌa ËÒıÓ‰Ì˚ı ÁÌa˜ÂÌËÈ ÔaꢀaÏÂÚꢀÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË............109
ÁaÏÂ̇ ..................................................................................75
ÁaÔËÒ¸ .............................................................................37, 73
ÁaÔËÒ¸ ‚ ꢀÂaθÌÓÏ ‚ꢀÂÏÂÌË....................................................115
ÁaÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰aÌË ÔÂÒÂÌ .......................................97
ÁaÔËÒ¸ ÁaÏÂÌ˚ aÍÍÓꢀ‰Ó‚ a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚa..........................104
ÁÌa˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl ÍaÊ‰Ó„Ó ÒÚꢀÓfl .........................................139
à
Ë„ꢀa Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·ꢀaÏË..........................................26
ËÁÏÂÌÂÌËÂ ꢀËÚÏa ..................................................................118
ËÁÏÂÌÂÌËÂ ÒÍÓꢀÓÒÚË ÌaÊaÚËfl .................................................120
ËÁÏÂÌÂÌËÂ ıaꢀaÍÚÂꢀa ÚÂÏ·ꢀa..................................................125
ä
ÍÌÓÔÍa [FREEZE].......................................................19, 90, 145
ÍÌÓÔÍa [FUNCTION] .........................................................18, 136
ÍÌÓÔ͇ [GUIDE] ...........................................................14, 18, 82
ÍÌÓÔÍa [HARMONY / ECHO] ................................................18, 62
ÍÌÓÔÍa [HELP]...................................................................18, 53
ÍÌÓÔÍa [INTRO] ...........................................................18, 31, 68
ÍÌÓÔÍa [LEFT HOLD] ..........................................................18, 62
ÍÌÓÔÍa [MEMORY] .............................................................19, 88
ÍÌÓÔÍa [MIC. SETTING].....................................................18, 131
ÌaÁÌa˜ÂÌË ÍaÌaÎÓ‚ ‰Îfl aÍÍÓꢀ‰Ó‚ ...........................................150
ÌaÁÌa˜ÂÌË ÍaÌaÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚..................................150
ÌaÒÚꢀÓÈÍa Registration Sequence, Freeze Ë Voice Set ...................145
ÌaÒÚꢀÓÈÍa ‚ Ó‰ÌÓ ÍaÒaÌËÂ.........................................................32
ÌaÒÚꢀÓÈÍa ‚˚·ꢀaÌÌÓ„Ó ÒÚËÎfl.....................................................71
ÌaÒÚꢀÓÈÍa ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·ꢀÓ‚..............................................138
ÌaÒÚꢀÓÈÍa „aꢀÏÓÌËÁaˆËË ‚ÓÍaÎa Ë ÏËÍꢀÓÙÓÌa...........................133
ÌaÒÚꢀÓÈÍa „ꢀÓÏÍÓÒÚË................................................................17
ÌaÒÚꢀÓÈÍa „ꢀÓÏÍÓÒÚË ÏËÍꢀÓÙÓÌa Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚.....135
̇ÒÚꢀÓÈ͇ „ꢀÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔꢀË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚.....80
CVP-210/208
172
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ÌaÒÚꢀÓÈÍa ÔaꢀaÏÂÚꢀÓ‚ ÙÂȉËÌ„a, ÏÂÚꢀÓÌÓÏa, a ÚaÍÊ ÙÛÌ͈ËÈ
ÌaÒÚꢀÓÈÍa ÔaꢀaÏÂÚꢀÓ‚, Ò‚flÁaÌÌ˚ı Ò ÔÂÒÌÂÈ..............................140
ÌaÒÚꢀÓÈÍa Ô‰aÎÂÈ................................................................142
ÌaÒÚꢀÓÈÍa ÒÔËÒÍa ÒÓ·˚ÚËÈ – ÙËθÚꢀ........................................112
ÌaÛ¯ÌËÍË.......................................................................17, 155
ÔÓꢀÚ˚ MIDI [THRU] [OUT] [IN].............................................19, 157
ÔꢀË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ.................................................81
ÔꢀËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ...........................................................150
ÔꢀËÏÂÌÂÌË ÚÂÏ·ꢀaθÌ˚ı ˝ÙÙÂÍÚÓ‚..........................................61
é
ê
Ó·Ó„a˘ÂÌË ÏÛÁ˚ÍË ˝ÙÙÂÍÚ‡ÏË Harmony Ë Echo.........................30
Ó·ÒÎÛÊË‚aÌËÂ ..........................................................................8
Ó·˘afl ÌaÒÚꢀÓÈÍa ÒËÒÚÂÏ˚......................................................148
Ó‰ÌÓ‚ꢀÂÏÂÌÌÓ ‚ÓÒÔꢀÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡Í-Ú‡ ...........79
ÓÔÂꢀaÚË‚Ìafl ÔaÏflÚ¸................................................................41
ÓÔÂꢀaˆËË Ò ÙaÈÎaÏË Ë ÔaÔÍaÏË ................................................45
ÓÒÌÓ‚Ì˚ ÓÔÂꢀaˆËË: Óꢀ„aÌËÁaˆËfl ‰aÌÌ˚ı...................................39
ÓÚÓ·ꢀ‡ÊÂÌË ÌÓÚ ....................................................................84
ꢀa‚ÌÓÏÂꢀÌÓ ÚÂÏÔÂꢀËꢀÓ‚aÌÌ˚È ÒÚꢀÓÈ .......................................139
ꢀaÁ‰ÂÎ FLOPPY DISK...................................................41, 42, 43
ꢀaÁ‰ÂÎ PRESET.................................................................41, 42
ꢀaÁ‰ÂÎ USER ..............................................................41, 42, 43
ꢀaÁ‰ÂÎ˚.................................................................................30
ꢀaÁÌ˚ ÚÂÏ·ꢀ˚ ‰Îfl Ôꢀa‚ÓÈ Ë Î‚ÓÈ ꢀÛÍ......................................27
ꢀaÁꢀ¯ÂÌË ‚˚ꢀa‚ÌË‚aÌËfl.....................................................107
ꢀ‡Áۘ˂‡ÌË ÔꢀÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ .............83
ꢀaÁ˙ÂÏ [AUX PEDAL]........................................................19, 157
ꢀaÁ˙ÂÏ [VIDEO OUT] ................................................19, 147, 156
ꢀ‡Á˙ÂÏ [USB] ..........................................................................15
ꢀaÁ˙ÂÏ˚ [PHONES]..........................................................19, 155
ꢀaÁ˙ÂÏ˚ AUX IN [L / L+R] [R] .....................................................19
ꢀaÁ˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ............................19, 156
ꢀ‚Âꢀ·ÂꢀaˆËfl .......................................................................129
ꢀ‰aÍÚËꢀÓ‚aÌË aÍÍÓꢀ‰Ó‚˚ı ÒÓ·˚ÚËÈ ......................................111
ꢀ‰aÍÚËꢀÓ‚aÌË ÁaÔËÒÂÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ...........75
ꢀ‰aÍÚËꢀÓ‚aÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ.............................................110
ꢀ‰aÍÚËꢀÓ‚aÌË ÔaꢀaÏÂÚꢀÓ‚ ÍaÌaÎa ........................................120
ꢀ‰aÍÚËꢀÓ‚aÌË ÔaꢀaÏÂÚꢀÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÍaÌaÎaÏ ................107
ꢀ‰aÍÚËꢀÓ‚aÌË ÒÚËÎfl aÍÍÓÏÔaÌÂÏÂÌÚa ...................................118
ꢀ‰aÍÚËꢀÓ‚aÌË ÚÂÏ·ꢀÓ‚..........................................................91
ꢀ„ÛÎËꢀÓ‚Ía „ꢀÓÏÍÓÒÚË ............................................................65
ꢀ„ÛÎËꢀÓ‚Ía „ꢀÓÏÍÓÒÚË Ë ÁaÏÂÌa ÚÂÏ·ꢀÓ‚.................................123
è
ÔÂꢀ‰a˜a .............................................................................149
ÔÓ‰‰ÂꢀÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ...................................................77
ÔÓ‰Íβ˜ÂÌË aÛ‰ËÓ Ë ‚ˉÂÓ ÛÒÚꢀÓÈÒÚ‚.....................................156
ÔÓ‰Íβ˜ÂÌË Ía·ÂÎfl ÔËÚaÌËfl ...................................................17
ÔÓ‰˚„ꢀ˚‚aÂÏ ÔÂÒÌÂ Ë ÔꢀaÍÚËÍÛÂÏÒfl..........................................36
ÔÓ‰˚„ꢀ˚‚aÂÏ ˆËÙꢀÓ‚ÓÏÛ ÔËaÌËÌÓ Clavinova...............................36
ÔÓÁˈËfl ÎÓÍaÚÓꢀa............................................................80, 140
ÔÓËÒÍ ÌaË·ÓΠۉa˜ÌÓ„Ó aÍÍÓÏÔaÌÂÏÂÌÚa .................................74
ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder......................................74
ÔÓËÒÍ ÒꢀÂ‰Ë ÁaÔËÒÂÈ Music Finder ..............................................34
ÔÓÍaÁaÌËfl ÍÌÓÔÓÍ – [BREAK], [INTRO], [MAIN], [ENDING]...............68
c·ÓꢀÍa CVP-210.....................................................................164
ÒÂÍ‚ÂÌÒÓꢀ.............................................................................160
ÒËÒÚÂÏa................................................................................148
ÒËÒÚÂÏÌ˚Â ÒÓ·˚ÚËfl ...............................................................111
ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl............................................................161
ÒÍÓꢀÓÒÚ¸ ÌaÊaÚËfl (Velocity).............................................102, 119
Òϯ˂aÌË ‰‚Ûı ꢀaÁÌ˚ı ÚÂÏ·ꢀÓ‚ .............................................60
ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰aÌÌ˚ı ...................................................162
ÒÓÁ‰aÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ ÌaÒÚꢀÓÈÍË «‚ Ó‰ÌÓ ÍaÒaÌË» .....................72
ÒÓÁ‰aÌË ÒÚËÎÂÈ aÍÍÓÏÔaÌÂÏÂÌÚa............................................113
CVP-210/208
173
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ÒÚꢀaÌˈa Receive ..................................................................150
ÒÚꢀaÌˈa Song Settings...........................................................140
ÒÚꢀaÌˈa Style Setting ............................................................141
ÙÛÌ͈Ëfl Auto Revoice.............................................................124
ÙÓꢀÏaÚËꢀÓ‚aÌË ‰ËÒÍÂÚ.........................................................153
ÙÛÌ͈ËË Ó·Û˜ÂÌËfl ...................................................................82
ÙÛÌ͈ËË, ÍÓÚÓꢀ˚ÏË ÏÓÊÌÓ ÛÔꢀa‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰aÎÂÈ .........143
ÙÛÌ͈Ëfl Chord Tutor ..............................................................142
ÙÛÌ͈Ëfl Dynamics .................................................................119
ÙÛÌ͈Ëfl Local Control.............................................................148
ÙÛÌ͈Ëfl Piano Lock..................................................................59
ÙÛÌ͈Ëfl Song Creator...............................................................97
ˆËÍ΢ÂÒÍafl ÁaÔËÒ¸ ...............................................................113
˜aÒÚË ‰Îfl ÔꢀËÂÏa MIDI-ÒÓÓ·˘ÂÌËÈ...........................................150
˜aÒÚË ÒÚËÎfl aÍÍÓÏÔaÌÂÏÂÌÚa ....................................................99
˜ËÒÚ˚È ÏËÌÓꢀ........................................................................139
í
Úa·Îˈa ÙÛÌ͈ËË Direct Access .................................................52
ÚaÍÚ / ‰ÓÎfl / ÒËÌıꢀÓÌËÁaˆËfl ....................................................102
ÚÂÍÒÚ˚ ÔÂÒÂÌ..................................................................87, 112
ÚÂÏ·ꢀaθÌ˚ ˝ÙÙÂÍÚ˚............................................................61
ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Natural.............................................................92
ÚÂÏ·ꢀ˚ „ꢀÛÔÔ˚ Regular ............................................................92
ÚËÔ ˝ÙÙÂÍÚa Vocal Harmony ...................................................131
ÚËÔ˚ aÍÍÓꢀ‰Ó‚, ꢀaÒÔÓÁÌa‚aÂÏ˚Â ‚ ꢀÂÊËÏÂ Fingered....................67
ÚÓÌËÍa.................................................................................150
ÚÓÌ͇fl ̇ÒÚꢀÓÈ͇ Ô‡ꢀÚËÚÛꢀ˚ ....................................................85
˝ÍꢀaÌ˚ Open/Save ...................................................................40
˝ÙÙÂÍÚ Chorus .....................................................................129
˝ÙÙÂÍÚ˚ ÔÓθÁÓ‚‡ÚÂÎfl..........................................................154
ì
Û‰aÎÂÌËÂ ÒÓ·˚ÚËfl.................................................................120
Û‰aÎÂÌËÂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ.........................................................47
î
ÙaÈÎ .....................................................................................41
ÙaÈÎ ÒÚËÎfl ..........................................................................162
ÙaÈÎ˚ Ë ÔaÔÍË Ìa ‰ËÒÍÂÚÂ........................................................46
ÙËÍÒaÚÓꢀ ‰Îfl ÌÓÚ....................................................................16
ÙËθÚꢀ ..................................................................94, 112, 125
ÙÓꢀÏaÚ ‰ËÒÍÂÚ .....................................................................162
ÙÓꢀÏaÚ ꢀaÒÔꢀ‰ÂÎÂÌËfl ÚÂÏ·ꢀÓ‚.............................................163
ÙÓꢀÏaÚ ÒÂÍ‚Â̈ËË ................................................................162
CVP-210/208
174
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MEMO
MEMO
CVP-210/208
175
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MEMO
MEMO
CVP-210/208
176
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IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
8. This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
1. Read all Safety Instructions, Installation Instructions, Spe-
cial Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, includ-
ing connection to the main supply.
9. This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc-
tions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
3. This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
4. Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
e. The product has been dropped, or the enclosure of the
product has been damaged.
5. WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
ducing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
15. SomeYamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
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FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
other electronic devices. Compliance with FCC regula-
tions does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
This product, when installed as indicated in the instruc-
tions contained in this manual, meets FCC require-
ments. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
Relocate either this product or the device that is being
affected by the interference.
2. IMPORTANT: When connecting this product to acces-
sories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Fail-
ure to follow instructions could void your FCC authori-
zation to use this product in the USA.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
3. NOTE: This product has been tested and found to com-
ply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corpo-
ration of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this appa-
ratus may not correspond with the coloured makings iden-
tifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth ter-
minal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-
TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
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For details of products, please contact your nearest Yamaha or the
authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para detalles sobre productos, contacte su tiendaYamaha más cercana
o el distribuidor autorizado que se lista debajo.
FRANCE
Yamaha Musique France, S.A.
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
NORTH AMERICA
ASIA
CANADA
HONG KONG
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
Tel: 416-298-1311
U.S.A.
INDONESIA
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
SPAIN/PORTUGAL
Tel: 714-522-9011
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-201-0700
KOREA
CENTRAL & SOUTH AMERICA
Yamaha Music Korea Ltd.
MEXICO
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0661
GREECE
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
SWEDEN
BRAZIL
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
ARGENTINA
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
Yamaha de Panamá S.A. Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
SINGAPORE
Tel: 1-4371-7021
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Tel: 65-747-4374
Yamaha de Panamá S.A.
TAIWAN
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
Tel: +507-269-5311
N-1345 Østerås, Norway
Tel: 67 16 77 70
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Tel: 01908-366700
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
IRELAND
Danfay Ltd.
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
AFRICA
Yamaha Corporation,
OCEANIA
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
AUSTRALIA
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
NEW ZEALAND
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
OTHER COUNTRIES
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
THE NETHERLANDS
Yamaha Music Central Europe GmbH,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2445
[CL] 26
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