D00414800A
»
MD-801R@#/
MD-801P@#
MD Recorder/Player
OWNER’S MANUAL
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS
Ü
INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert
the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric shock to persons..
ÿ
The exclamation point within an equilateral triangle is intended to alert the user to the pres-
ence of important operating and maintenance (servicing) instructions in the literature
accompanying the appliance.
Ÿ
This appliance has a serial number
located on the rear panel. Please record
the model number and serial number
and retain them for your records.
WARNING: TO PREVENT FIRE OR SHOCK
HAZARD, DO NOT EXPOSE THIS
Model number
APPLIANCE TO RAIN OR MOISTURE.
Serial number
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IMPORTANT SAFETY INSTRUCTIONS
CAUTION:
"Note to CATV system installer:
…Read all of these Instructions.
This reminder is provided to call the CATV system installer’s attention to
Section 820-40 of the NEC which provides guidelines for proper grounding
and, in particular, specifies that the cable ground shall be connected to the
grounding system of the building, as close to the point of cable entry as
practical.
…Save these Instructions for later use.
…Follow all Warnings and Instructions marked on the audio
equipment.
1) Read Instructions — All the safety and operating instructions should
be read before the product is operated.
2) Retain Instructions — The safety and operating instructions should
be retained for future reference.
Example of Antenna Grounding as per
National Electrical Code, ANSI/NFPA 70
3) Heed Warnings — All warnings on the product and in the operating
instructions should be adhered to.
4) Follow Instructions — All operating and use instructions should be
followed.
5) Cleaning — Unplug this product from the wall outlet before cleaning.
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for clean-
ing.
6) Attachments — Do not use attachments not recommended by the
product manufacturer as they may cause hazards.
ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
7) Water and Moisture — Do not use this product near water — for
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet
basement; or near a swimming pool; and the like.
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
8) Accessories — Do not place this product on an unstable cart, stand,
tripod, bracket, or table. The product may fall, causing serious injury to a
child or adult, and serious damage to the product. Use only with a cart,
stand, tripod, bracket, or table recommended by the manufacturer, or sold
with the product. Any mounting of the product should follow the manufac-
turer’s instructions, and should use a mounting accessory recommended by
the manufacturer.
9) A product and cart combination should be moved with care. Quick stops,
excessive force, and uneven surfaces may cause the product and cart com-
bination to overturn.
(NEC ART 250. PART H)
NEC - NATIONAL ELECTRICAL CODE
15) Lightning — For added protection for this product during a lightning
storm, or when it is left unattended and unused for long periods of time,
unplug it from the wall outlet and disconnect the antenna or cable system.
This will prevent damage to the product due to lightning and power-line
surges.
16) Power Lines — An outside antenna system should not be located in
the vicinity of overhead power lines or other electric light or power circuits,
or where it can fall into such power lines or circuits. When installing an
outside antenna system, extreme care should be taken to keep from touch-
ing such power lines or circuits as contact with them might be fatal.
17) Overloading — Do not overload wall outlets, extension cords, or
integral convenience receptacles as this can result in risk of fire or electric
shock.
18) Object and Liquid Entry — Never push objects of any kind into
this product through openings as they may touch dangerous voltage points
or short-out parts that could result in a fire or electric shock. Never spill
liquid of any kind on the product.
19) Servicing — Do not attempt to service this product yourself as open-
ing or removing covers may expose you to dangerous voltage or other
hazards. Refer all servicing to qualified service personnel.
20) Damage Requiring Service — Unplug this product from the wall
outlet and refer servicing to qualified service personnel under the following
conditions:
a) when the power-supply cord or plug is damaged.
b) if liquid has been spilled, or objects have fallen into the product.
c) if the product has been exposed to rain or water.
d) if the product does not operate normally by following the operating
instructions. Adjust only those controls that are covered by the operating
instructions as an improper adjustment of other controls may result in
damage and will often require extensive work by a qualified technician to
restore the product to its normal operation.
e) if the product has been dropped or damaged in any way.
f ) when the product exhibits a distinct change in performance – this
indicates a need for service.
21) Replacement Parts — When replacement parts are required, be
sure the service technician has used replacement parts specified by the
manufacturer or have the same characteristics as the original part.
Unauthorized substitutions may result in fire, electric shock, or other
hazards.
22) Safety Check — Upon completion of any service or repairs to this
product, ask the service technician to perform safety checks to determine
that the product is in proper operating condition.
10) Ventilation — Slots and openings in the cabinet are provided for ven-
tilation and to ensure reliable operation of the product and to protect it
from overheating, and these openings must not be blocked or covered. The
openings should never be blocked by placing the product on a bed, sofa,
rug, or other similar surface. This product should not be placed in a built-in
installation such as a bookcase or rack unless proper ventilation is provided
or the manufacturer’s instructions have been adhered to.
11) Power Sources — This product should be operated only from the
type of power source indicated on the marking label. If you are not sure of
the type of power supply to your home, consult your product dealer or local
power company. For products intended to operate from battery power, or
other sources, refer to the operating instructions.
12) Grounding or Polarization — This product may be equipped with a
polarized alternating-current line plug (a plug having one blade wider than
the other). This plug will fit into the power outlet only one way. This is a
safety feature. If you are unable to insert the plug fully into the outlet, try
reversing the plug. If the plug should still fail to fit, contact your electrician
to replace your obsolete outlet. Do not defeat the safety purpose of the
polarized plug.
13) Power-Cord Protection — Power-supply cords should be routed so
that they are not likely to be walked on or pinched by items placed upon or
against them, paying particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the product.
14) Outdoor Antenna Grounding — If an outside antenna or cable
system is connected to the product, be sure the antenna or cable system is
grounded so as to provide some protection against voltage surges and built-
up static charges. Article 810 of the National Electrical Code, ANSI/NFPA
70, provides information with regard to proper grounding of the mast and
supporting structure, grounding of the lead-in wire to an antenna discharge
unit, size of grounding conductors, location of antenna-discharge unit, con-
nection to grounding electrodes, and requirements for the grounding elec-
trode.
23) Wall or Ceiling Mounting — The product should be mounted to a
wall or ceiling only as recommended by the manufacturer.
24) Heat — The product should be situated away from heat sources such
as radiators, heat registers, stoves, or other products (including amplifiers)
that produce heat.
TASCAM MD-801R/P Mk II –– 3
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SAFETY INFORMATION
This product has been designed and manufactured according to FDA regulations "title 21, CFR, chapter 1, subchapter J, based on the Radiation
Control for Health and Safety Act of 1968", and is classified as class 1 laser product. There is not hazardous invisible laser radiation during oper-
ation because invisible laser radiation emitted inside of this product is completely confined in the protective housings.
The label required in this reguration is shown 1.
… CAUTION
- DO NOT REMOVE THE PROTECTIVE HOUSING USING SCREWDRIVER.
- USE OF CONTROLS OR ADJUSTMENTS OR PERFORMANCE OF PROCEDURES OTHER THAN THOSE SPECIFIED HEREIN MAY RESULT IN HAZ-
ARDOUS RADIATION EXPOSURE.
- IF THIS PRODUCT DEVELOPS TROUBLE, MAKE A CONTACT WITH OUR SERVICEMAN, AND DO NOT USE THE PRODUCT IN A
TROUBLED STATE.
For U.S.A.
1
CERTIFICATION
THIS PRODUCT COMPLES WITH DHHS
RULES 21 CFR SUBCHAPTER J APPLI-
CABLE AT DATE OF MANUFACTURE
TEAC CORPORATION
3-7-3 NAKA-CHO, MUSASHINO-SHI, TOKYO, JAPAN
MANUFACTURED
TIF
Optical pickup: Type : KMS-190A or KMS-190B
Manufacturer: SONY Corporation
Laser output: 0.25 mW Min. (Play),
5.0 mW Max. (Record)
Wavelength: 780 nm ±20 nm
… CAUTION … ACHTUNG … OBSERVERA … ADVARSEL
1THIS LABEL IS ATTACHED TO THE PLACE AS ILLUSTRATED TO
INFORM THAT THE APPARATUS CONTAINS A LASER COMPO-
NENT.
2
CAUTION
-
INVISIBLE LASER RADIATION WHEN OPEN AND
INTERLOCKS DEFEATED. AVOID EXPOSURE TO BEAM.
ADVARSEL - USYNLIG LASERSTRÅLING VED ÅBNING, NÅR
SIKKERHEDSAFBRYDERE ER UDE AF FUNKTION.
UNDGÅ UDSÆTTELSE FOR STRÅLING.
VORSICHT! UNSICHTBARE LASERSTRAHLUNGTRITT AUS.
WENN DECKEL GEÖFFNET UND WENN
1DIESE AUFKLEBEMARKE IST AN DEM IN DER ABBILDUNG
GEZEIGTEN ORT ANGEBRACHT UM DARAUF HINZUWEISEN,
DASS IM INNERN DES GER
VAROITUS! SUOJAKOTELOA EI SAA AVATA. LAITE SISÄLTÄÄ
LASERDIODIN, JOKA LÄHETTÄÄ (NÄKYMÄTÖNTÄ)
SILMILLE VAARALLISTA LASERSÄTEILYÄ.
SICHERHEITSVERRIEGELUNG ÜBERBRÜCKT IST.
NICHT DEM STRAHL AUSSETZEN !
VARNING
-
OSYNLIG LASERSTRÅLNING NÄR DENNA DEL
ÄR ÖPPNAD OCH SPÄRR ÄR URKOPPLAD.
STRÄLEN ÄR FARLIG.
ADVARSEL - USYNLIG LASERBESTRÅLING NÅR DENNE DELEN ER
ÅPEN OG SIKKERHETSSPERREN ER UTKOBLET.
UNNGÅ UTSETTELSE FOR STRÅLING.
1PÅSKRIFTEN SITTER PÅ APPARATEN SOM VISAS SOM UPPMAN-
ING OM ATT APPARATEN OMFATTAR EN INBYGGD LASERKO-
MPONENT.
1DETTE MÆRKAT ER ANBRAGT SOM VIST I ILLUSTRATIONEN
FOR AT ADVARE BRUGEREN OM AT APPARATET INDEHOLDER
EN LASERKOMPONENT.
2DETTE MÆRKAT ER SOM VIST PÅ ILLUSTRATIONEN ANBRAGT
PÅ INDERSIDEN AF TOPDÆKSLET FOR AT ADVARE BRUGEREN
OM AT YDERLIGERE FREMTRÆNGEN VIL VÆRE FORBUNDET
MED FARE FOR AT UDSÆTTE SIG FOR LASERSTRÅLING.
ADVARSEL — BETJENING AF ANDRE KONTROLLER OG REGULA-
TORER ELLER BENYTTELES AF ANDRE FREMGANGSMÅDER
END BESKREVET HERI ER FORBUNDET MED FARE FOR UDSÆT-
TELSE FOR LASERSTRÅLING.
1
VARING: APPARATEN INNEHÅLLER LASER KOMPONENT MED
STRÅLNING ÖVERSTIGANDE KLASS 1.
CLASS 1 LASER PRODUCT
LUOKAN 1 LASERLAITE
KLASS 1 LASERAPPARAT
"ADVARSEL: USYNLIG LASERSTRÅLING VED ÅBNING NAR
SIKKERHEDSAFBRYDERE ER UDE AF FUNKTION. UNDG
UDSAETTELSE FOR STRÅLING"
"VAROITUS! SUOJAKOTELOA EI SAA AVATA. LAITE SIS
LASERDIODIN. JOKA L
VAARALLISTA LASERS
ADVARSEL: USYNLIG LASERBESTRÅLING NÅR DENNE
DELEN ER ÅPEN OG SIKKERHETSSPERREN ER UTKOBLET
UNNGÅ UTSETTELSE FOR STRÅLING.
4
–– TASCAM MD-801R/P Mk II
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Table of Contents
(10) PGM NO................................................. 2-6
(11) Dot-matrix alphanumeric display ....... 2-6
(12) TOC EDIT indicator .............................. 2-6
(13) EOM....................................................... 2-6
(14) Peak level meters................................. 2-6
(15) REPEAT indicator ................................ 2-6
(16) SINGLE indicator.................................. 2-6
(17) A–B indicator........................................ 2-6
2.3 Rear panel .......................................... 2-6
[32] DIGITAL INPUT (AES/EBU)...................2-6
[33] DIGITAL OUTPUT (AES/EBU)...............2-6
[34] DIGITAL INPUT (COAXIAL) ..................2-7
[35] DIGITAL OUTPUT (COAXIAL) ..............2-7
[36] ANALOG INPUTS and trimmers
(BALANCED)..............................................2-7
[37] ANALOG INPUTS (UNBALANCED)......2-7
[38] ANALOG OUTPUTS (MONITOR)..........2-7
[39] Analog output function DIP switch
bank ............................................................2-7
[40] ANALOG OUTPUTS (LINE) and
trimmers .....................................................2-7
[41] WORD SYNC IN .....................................2-8
[42] WORD SYNC THRU...............................2-8
[43] MODE SET DIP switch bank.................2-8
[44] KEYBOARD connector .........................2-8
[45] REMOTE (SERIAL) connector..............2-8
[46] REMOTE CONTROL connector............2-8
[47] REMOTE (PARALLEL) connector........2-8
[48] ~ IN (power in connector).....................2-8
3 - Menu items
3.1 Basic principles of menu operations3-1
3.2 Pitch control....................................... 3-1
3.3 Auto cue ............................................. 3-1
3.4 Frame display .................................... 3-1
3.5 Jog loop length.................................. 3-1
3.6 Resume setting.................................. 3-2
3.7 EOM disc ............................................ 3-2
3.8 EOM track........................................... 3-2
3.9 Timer-controlled playback................ 3-2
3.10 Incremental play .............................. 3-3
3.11 Serial communications ................... 3-3
3.11.1 Baud rate............................................3-3
3.11.2 Word length........................................3-3
3.11.3 Parity...................................................3-3
3.11.4 Stop bits .............................................3-3
3.12 Check items ..................................... 3-3
3.12.1 Spindle motor time............................3-4
3.12.2 Laser pickup time..............................3-4
3.12.3 System software version ..................3-4
3.13 Auto track numbering level ............ 3-4
3.14 Copy ID............................................. 3-4
3.15 Post-script recording ...................... 3-4
1 - Introduction
1.1 About the MiniDisc format ................1-1
1.1.1 ATRAC compression.......................... 1-1
1.1.2 Buffer memory .................................... 1-1
1.1.3 Random access and U-TOC............... 1-1
1.1.4 Track titling, etc. ................................. 1-2
1.2 Care of MD media...............................1-2
1.3 About the MD-801R/P Mk II................1-2
1.3.1 Unpacking the unit.............................. 1-3
1.3.2 Rack-mounting the unit...................... 1-3
1.3.3 Care of the unit.................................... 1-3
1.3.4 Backup memory.................................. 1-4
1.4 About this manual..............................1-4
2 - Front and rear panel features
2.1 Front panel..........................................2-1
[1] POWER switch........................................ 2-1
[2] Disc drive ................................................ 2-1
[3] EJECT key............................................... 2-1
[4] TRACK keys............................................ 2-1
[5] STOP key................................................. 2-1
[6] PLAY key and indicator ......................... 2-1
[7] READY key and indicator ...................... 2-1
[8] RECORD key and indicator ................... 2-1
[9] PHONES jack and level control............. 2-2
[10] CALL key............................................... 2-2
[11] JOG key and indicator ......................... 2-2
[12] JOG/DATA dial...................................... 2-2
[13] SHUTTLE wheel.................................... 2-2
[14] Display................................................... 2-2
[15] MENU key.............................................. 2-2
[16] TITLE key............................................... 2-2
[17] TIME key................................................ 2-2
[18] EDIT key ................................................ 2-3
[19] TOC WRITE key and indicator............. 2-4
[20] AUTO READY key and indicator ......... 2-4
[21] AUTO CUE key and indicator .............. 2-4
[22] PLAY MODE key ................................... 2-4
[23] MEMO IN/CAPS key and indicator ...... 2-4
[24] LOC A/DEL & LOC B/INSERT keys
and indicators ........................................... 2-4
[25] PITCH CONT key and indicator........... 2-4
[26] REPEAT key and indicator .................. 2-4
[27] INPUT LEVEL controls......................... 2-5
[28] INPUT selection switch........................ 2-5
[29] DIGITAL INPUT switch ......................... 2-5
[30] REC MODE switch................................ 2-5
[31] ANALOG INPUT switch........................ 2-5
2.2 Display ................................................2-5
(1) RESUME indicator................................. 2-5
(2)
indicator.................................. 2-5
(3) CAPS indicator ...................................... 2-5
(4) EDIT indicator ........................................ 2-5
(5) DATE indicator....................................... 2-5
(6) TRACK TITLE indicator......................... 2-5
(7) DISC TITLE indicator............................. 2-6
(8) TRACK NO. display and indicator........ 2-6
(9) Time display and indicators ................. 2-6
4 - Basic operations
4.1 Inserting and ejecting discs ............. 4-1
4.2 Playback of discs .............................. 4-1
TASCAM MD-801R/P Mk II –i
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Table of Contents
4.2.1 Playing back a whole disc.................. 4-1
4.2.2 Playback outputs ................................ 4-1
4.2.3 Monaural playback.............................. 4-1
4.2.4 Playing back a single track................ 4-2
4.2.5 Entering the A and B location points 4-2
4.2.6 Playback between two location
5.6.1 Normal A-B erase.................................5-4
5.6.2 Erasing to the end of a track ..............5-4
5.6.3 Erasing from the start of a track ........5-4
5.6.4 Erasing more than one track at a
time .............................................................5-4
5.6.5 Retaining a track title for use by the
points ......................................................... 4-2
4.2.7 The CALL function.............................. 4-2
4.2.8 Relative time display .......................... 4-2
4.2.9 Repeat playback.................................. 4-3
4.2.10 Track search operations .................. 4-3
4.2.11 Cueing the next track automatically 4-3
4.2.12 Cueing to the first audio position in
a track ........................................................ 4-3
4.2.13 Varispeed mode ................................ 4-3
4.2.14 Jog mode........................................... 4-3
4.2.15 Shuttle mode ..................................... 4-4
4.2.16 Displaying track titles during
playback..................................................... 4-4
4.2.17 Displaying the recording date ......... 4-4
4.2.18 Setting the time and date ................. 4-4
4.3 Recording operations........................ 4-4
4.3.1 General notes on recording using the
MD format .................................................. 4-5
4.3.2 Rebuilding the TOC ............................ 4-5
4.3.3 Basic recording................................... 4-5
4.3.4 Track number incrementing............... 4-6
4.3.5 “Post-Script” recording...................... 4-6
4.3.6 Replace recording............................... 4-6
4.3.7 Sound synchro recording .................. 4-7
4.3.8 Digital recording ................................. 4-7
4.3.9 Analog recording ................................ 4-8
4.3.10 Track title copying together with
second track after a division....................5-5
5.7 Moving an A-B point ..........................5-5
5.8 Restoring erased material.................5-6
5.9 Changing track attributes..................5-6
5.10 Erasing a complete disc..................5-7
5.11 Track and disc title entry.................5-7
5.11.1 Deleting characters ...........................5-8
5.11.2 Inserting characters ..........................5-8
5.11.3 Changing characters.........................5-8
5.11.4 Editing existing titles.........................5-8
5.11.5 Viewing titles......................................5-8
5.11.6 Copying disc and track titles............5-9
6 - Use of a keyboard with the MD-801
6.1 General transport operations............6-1
6.2 Edit operations, etc............................6-1
6.2.1 Entering programmed playback.........6-1
6.2.2 Checking and editing a programmed
sequence....................................................6-2
6.2.3 Time-based location............................6-2
6.3 Flash start...........................................6-2
6.4 Direct track entry................................6-3
6.5 Track and disc title editing with the
keyboard ................................................6-3
7 - Remote control of the MD-801
7.1 REMOTE (PARALLEL) connector.....7-1
7.1.1 Tally indicators ....................................7-1
7.1.2 Fader start ............................................7-2
7.1.3 Sequential playback and recording ...7-2
8 - Specifications, etc.
8.1 Error messages and troubleshooting
guide.......................................................8-1
8.2 Specifications.....................................8-2
8.2.1 General MiniDisc .................................8-2
8.2.2 Analog I/O.............................................8-3
8.2.3 Digital I/O..............................................8-3
8.2.4 Other connections...............................8-3
8.2.5 General and electrical .........................8-3
8.3 Dimensional drawing.........................8-4
audio .......................................................... 4-8
5 - Editing operations
5.1 Basic editing operations................... 5-1
5.1.1 Cancelling an edit operation.............. 5-1
5.1.2 Editing without saving the edits to
disc............................................................. 5-1
5.2 Dividing tracks................................... 5-1
5.3 Erasing a track................................... 5-2
5.4 Combining tracks .............................. 5-2
5.5 Moving tracks..................................... 5-3
5.6 A and B point erase operations........ 5-3
–ii TASCAM MD-801R/P Mk II
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1 - Introduction
This manual covers the two models of the MD-801
Mk II product line: the MD-801R Mk II, which is
capable of recording and playing back on MiniDisc
media, and the MD-801P Mk II, which is for play-
back only of such media. Apart from the recording
and associated facilities provided on the MD-801R,
the functionality and specifications of the two units
are identical. For brevity, the unit will be referred to
as the “MD-801” in instances where there is no dif-
ference between the recording and playback models.
Full explanations of the principles of magneto-opti-
cal recording may be found in a number of excellent
reference works, but briefly, during the recording
process, the disc is exposed to a strong laser beam
which heats the disc’s magnetic medium so that a
magnetic field can be applied to change the orienta-
tion of the magnetic particles. On cooling, this orien-
tation is permanently fixed, unless the disc is
reheated and re-recorded.
The MD format therefore provides the convenience
and durability of an optical disc format with the reus-
abilty characteristics of tape.
When a section of this manual describes a function
which is included as part of the MD-801R only, the
section will be marked as below:
1.1.1ATRAC compression
3.12.2Laser pickup time
R
If a MiniDisc were to be recorded using exactly the
same techniques as a CD, the playback time would
be only 15 minutes of stereo playback.
This indicates how long…
There are no features which are unique to the MD-
801P model.
However, using a technique known as ATRAC
(Adaptive TRansform Acoustic Coding), 74 minutes
of stereo audio at 44.1 kHz sampling frequency with
a 16-bit word length can be recorded on an MD.
1.1 About the MiniDisc format
This section provides some basic information regard-
ing the MiniDisc format. If more detailed informa-
tion is required, the reader is referred to one of the
many books on the subject. John Wilkinson, The Art
of Digital Audio 2nd ed. Oxford: Focal Press, 1994 is
an excellent reference source, particularly Chapter
12, which deals with the use of optical discs in audio
applications.
ATRAC uses two important pyscho-acoustic princi-
ples to reduce the size of the recorded data: the
greater sensitivity of the human ear to mid-range sig-
nals, relative to bass and treble signals, and the
“masking” effect, whereby quieter signals are hidden
by louder ones.
The ATRAC used in the MD-801R/P Mk II is a very
recent version of this encoding scheme (4.5), result-
ing in an almost inaudible loss of signal quality.
The MiniDisc format (MD) is a convenient form of
digital audio media, using optical playback, similar
to CDs.
1.1.2Buffer memory
The ATRAC compression scheme has an additional
advantage, as a RAM buffer must be provided for the
compressed data, before it is decoded and sent to the
D/A converters.
The format of the MD is substantially smaller than
that of the CD, and the disc itself is housed in a car-
tridge with a shutter, similar to that of a 3.5” floppy
disc drive. The disc platter should never be removed
from this cartridge.
On the MD-801R/P Mk II, this buffer memory holds
about 10 seconds’ worth of data. The advantage is
that, unlike a CD player, the MD-801R/P Mk II is not
vulnerable to mechanical shocks and vibration, etc.,
which can cause a CD player playback pickup to
jump and cause audible skipping.
Pre-recorded MDs, which are manufactured in the
same way as commercial CDs, using a stamper pro-
cess, are read using a laser beam to read the pits
stamped onto the disc.
Recordable MDs are also available, and the technol-
ogy used for recording on a recordable MD is
magento-optical, allowing the disc to be re-used
many times. Shutters on both sides of the disc allow
access to the disc surface by the recorder’s laser and
magnetic head.
1.1.3Random access and U-TOC
The format of a recordable MD is much closer to that
of a computer disc than of conventional audio media.
The random access nature of the disc media allows a
logical “track” to be composed of sections of audio
data recorded at different points on the disc.
There is a third kind of MD, the hybrid, which con-
tains pre-recorded pits at the center of the MD,
together with an area reserved for user recording.
In the same way that a computer’s operating system
hides the details of the way that data is stored on the
TASCAM MD-801R/P Mk II 1–1
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1 - Care of MD media
disk from the user, and a file appears as one contigu-
ous block of data (even though it may be spread over
many tracks and sectors of the disk), the MD player
allows separated audio data to appear as a continuous
audio track.
1.3 About the MD-801R/P Mk II
The MD-801R/P Mk II, based on the TASCAM MD-
801 series of MD recorder/players, and designed to
meet the requirements of audio professionals,
includes the following features:
The MD-801 allows the creation and reading of a
User Table of Contents (U-TOC) on recordable
discs, which contain instructions to the player on the
logical arrangement of the tracks, where to find the
next audio segment to be played, etc. This is similar
to the directory tracks provided as part of a computer
disk operating system.
• Full editing functions to divide, erase and combine
tracks, etc.
• Auto cue function, allowing the playback point to
be automatically cued to the first frame of a track,
using a selectable sensitivity level
The random access facilities provided by the MD-
801 are significantly better than those to be found on
consumer MD decks. The effective start time can be
effectively zero, compared with hundreds of milli-
seconds on consumer units.
• Auto ready function, allowing the playback point
to be “parked” in the play ready mode at the start of
each track
• A resume function, which holds in backup memory
the point where playback stopped, or the power
was disconnected
1.1.4Track titling, etc.
• Incremental play mode, allowing cueing of the
playback point to the start of the next track, as
determined by a selectable audio threshold level,
when playback is stopped
In common with other forms of digital audio media,
the MD medium allows other data to be recorded
alongside the audio data. In the MD medium, this is
used to provide alphanumeric disc and track titles,
which are shown on the display of the player.
• “Soft mute” eliminates clicks, etc. when pausing
and restarting playback
In the case of the MD-801R/P Mk II, this information
may be conveniently entered through a standard
computer keyboard (PS/2 compatible), or through the
controls of the main unit.
• Dual time display
• Three playback modes: normal (whole disc), track
play, and A-B play (between two defined points)
• 3-point autolocation facility
• Repeat (disc, track, A-B)
In addition, a realtime clock allows date- and time-
stamping of tracks recorded on the unit or created or
edited through TOC editing functions.
• Either stereo or monaural playback may be
selected
These times will be displayed when the disc is
replayed on any one of the MD-801 series.
• Pitch change ±9.9% in 0.1% steps
• Shuttle operations up to 100 x normal speed, and
jog to single-frame accuracy
1.2 Care of MD media
• Digital outputs in COAXIAL (SPDIF) and AES/
EBU
The MD medium has been designed to be robust, and
the integration of the disc into a cartridge protects the
recorded surface from the worst effects of dust, fin-
gerprints, and scratches.
• Word clock synchronization for inclusion of the
MD-801 in an all-digital audio setup
• Two sets of analog outputs: –10 dBV unbalanced
MONITOR (RCA) and +4 dBu balanced LINE
(XLR-type). The LINE outputs may be trimmed
for precise signal matching with other equipment
Even so, there are some commonsense precautions
that you should take when storing and handling
MiniDiscs.
• Output selectable (using remote controllers) from
either MONITOR or LINE
• Do not open the shutter and touch the surface of the
disc.
• High-quality DA convertor for optimum analog
audio quality
• Do not keep MiniDiscs in excessively dusty loca-
tions, in direct sunlight, in areas subject to high
temperatures, or high levels of humidity.
• Level 4.5 ATRAC system
• If the cartridge becomes dirty, clean it with a dry,
soft cloth. Do not use any solvents or other liquids.
• PS/2-compatible computer keyboard connector
allows titling and other remote control operations
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1 - About the MD-801R/P Mk II
to be conveniently carried out using a standard key-
board
1.3.2Rack-mounting the unit
The MD-801 is equipped with integral rack-mount
ears, and may be installed in any standard vertical
19” rack.
• Remote control possible from dedicated TASCAM
remote control units (RC-801, RC-FS10/20, and
RC-8), or through industry-standard parallel or
serial interfaces
Remove the feet from the MD-801 using a Phillips
screwdriver before installing the unit.
• Tally signals sent to controlling device at the end of
each track played back
• Optional RAM buffer expansion module (BU-801)
allows flash start of track playback
In addition, the MD801R Mk II provides the follow-
ing features:
R
• 20-bit A/D converter for increased audio quality
when recording
• Selectable Copy ID modes, including the SCMS
standard
• Integral sampling frequency converter, allowing
digital recording from material recorded at fre-
quencies other than 44.1 kHz (48 kHz and 32 kHz)
In addition to the 3U of space required for the MD-
801 itself, we strongly suggest leaving at least 1U of
empty rack space above the MD-801 for ventilation
purposes.
• Digital inputs in both SPDIF and AES/EBU
formats
1.3.3Care of the unit
• The ability to record in monaural mode, doubling
the recording time available on a disc.
The commonsense precautions that you should take
with any piece of precision electronic equipment also
apply to the MD-801. In particular:
• Analog inputs in both +4 dBu balanced (XLR-
type) and –10 dBV unbalanced (RCA) formats.
The balanced inputs may be trimmed to match
input signal levels
• Do not subject the unit to severe shocks or vibra-
tion. Despite the buffer mechanism mentioned
above, there is a risk of data loss, particularly while
recording.
• Replace recording function, allowing recording to
be carried out in the middle of a track, while retain-
ing the track title
• Do not use the unit in very dusty or smoky environ-
ments. If the optical lens or the head becomes dirty
as the result of such use, use a commercially-avail-
able MD lens and head cleaner to clean the lens.
• Sound sync function to allow the unit to start
recording automatically when a selectable audio
threshold level is exceeded
• Title dubbing from another MD-801 unit (requires
optional connecting cable PW-1XMD)
• The exterior of the unit may be cleaned with a soft
dry cloth, or a cloth barely dampened with a mild
detergent solution. Do not use any solvent, thinner
or alcohol-based cleaning agents to clean the unit.
• Realtime clock for date- and timestamping
recorded material
The date and time clock (for timestamping of record-
ings and edits) is powered by a lithium battery. We
suggest that this battery is changed about every two
years.
1.3.1Unpacking the unit
When you unpack the unit, as well as the unit itself
and this manual, you should find:
• Power cord
NOTE
• Rack-mount kit
• Warranty card
Do not attempt to change this battery by your-
self. Get an authorized TASCAM service cen-
ter to perform this operation for you.
If any items are missing, contact your TASCAM
dealer.
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1 - About this manual
When characters are shown on the unit’s dot-matrix
display, the following typeface is used: Input
Mon. Alternatively, the alphanumeric display itself
may be shown:
1.3.4Backup memory
When the unit is powered down, the following set-
tings are memorized.
• AUTO READY status (see [20])
TITLE ?
• AUTO CUE settings and status (see [21])
• The last used PLAY mode (see [22])
• The two LOC points (A and B) (see [24])
• Pitch control settings and status (see [25])
• REPEAT status (see 4.2.9, "Repeat playback")
• Menu settings (see 3, "Menu items")
If a “preset” word or phrase is shown on the display,
this is shown as follows: TRACK TITLE.
Track times, program numbers, as shown in 7-digit
numbers, are shown as 034, etc.
If a front panel control or rear panel connection is
mentioned, the following typeface is used (a little
larger than that used for preset display words):TOC
WRITE. The number of the control or connection, as
given in 2, "Front and rear panel features", may also
be given, e.g. [5].
• If the resume function is turned on, the resume
point is memorized
1.4 About this manual
This manual has been organized so that you should
be able to find the section you need relatively
quickly. We suggest that you familiarize yourself
with at least the Table of Contents, so that you know
where to look if you need information on a particular
aspect of the unit’s operation.
If a front panel control or rear panel connection of
another unit is specifically named, the folloiwng
typeface is used: WORD IN.
When an optional PS/2-compatible keyboard is con-
nected to the MD-801, the keyboard keys are repre-
sented in the following typeface:
An index is also provided, which should assist you in
locating the desired section.
Press F1to go back by one track.
As mentioned earlier, when a section of this manual
describes a function which is included as part of the
MD-801R only, the section will be marked as below:
If two keys are to be pressed together (i.e. the first-
named key is to be pressed and held down while the
second is pressed), this is represented as:
3.12.2Laser pickup time
R
Press SHIFT+ F1to enter the erase track editing
function.
This indicates how long…
There are no features which are unique to the MD-
801P model only.
• d
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1 - Hookup Examplel
1.5 Hookup Examplel
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2 - Front and rear panel features
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2 - Front and rear panel features
This section, as well as giving a description of the
controls and features of the MD-801, also provides
many descriptions of basic operations.
[4] TRACK keys
These keys are used to move the playback position
backwards or forwards a track at a time. Their use is
detailed in 4.2, "Playback of discs".
The section on the rear panel also contains advice on
setting up and connecting the MD-801 as part of an
audio system.
[5] STOP key
This key stops playback or recording (MD-801R
only). It is also used to cancel other operations.
[6] PLAY key and indicator
2.1 Front panel
Used to start playback or recording (MD-801R only).
When the operation is taking place, the key’s indica-
tor lights.
The following provides details of the basic functions
associated with the front panel controls of the unit. If
further information on the use of a particular control
is provided elsewhere in the manual, this is indicated.
[7] READY key and indicator
Used to put the unit into play ready or record ready
(MD-801R only) mode. The indicator lights when
the unit is ready.
[1] POWER switch
Press once to turn on the unit, and again to turn the
unit off.
To start the operation, press the PLAY key [6].
If recording is taking place while the READY key is
R
NOTE
pressed, the unit goes into record ready mode. The
current track number is incremented by one, to show
that the next recording will start a new track, if Post-
script recording is turned on (see 3.15, "Post-script
recording").
TOC (1.1.3, "Random access and U-TOC") is
being written. If power is disconnected from
the unit the U-TOC is being written, the disc
data will be corrupted, and the disc may
become unreadable.
To cancel a ready operation, press the STOP key [5].
[8] RECORD key and indicator
R
Always remember to press the TOC WRITE
order to save your edits to disc.
will enter “input monitor” mode (the RECORD
the display. This is valid whether or not a disc is
loaded in the drive.
[2] Disc drive
Insert MiniDiscs into this slot, label uppermost, and
with the arrow pointing into the drive.
In input monitor mode, the signals received at the
appropriate connectors, as selected with the input
switches ([28], [29] and [31]) are routed to the out-
[9], and the unit’s meters are used to display the sig-
nal levels. If the selected digital signal is not avail-
able, the D-IN UNLOCK!message is
displayed.
[3] EJECT key
Press this key to eject discs from the drive.
NOTE
If you press the EJECT key when the TOC
WRITE indicator [19] is lit, indicating that
there are edits that have been made, but not
yet saved to disc as part of the U-TOC, the
display will show TOC Edited!. If you
press the EJECT key again, you can eject the
disc, but all edits made since the last U-TOC
writing operation will be lost. If you want to
save the edits to disc, press the TOC WRITE
key.
The input level of the signals input at the analog
jacks may be adjusted using the INPUT LEVEL
controls [27].
If the RECORD key is pressed and held down, and
the READY key is pressed, the unit enters record
ready mode (a disc must be in the drive). Both the
RECORD and READY indicators will light.
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2 - Front panel
To start recording, press the PLAY key [6]. To stop
recording, press the STOP key [5]. After the STOP
key has been pressed, the words TOC EDIT will flash
on the display, which will also show UTOC
Writingas the U-TOC is written to disc.
continuous.
The further the shuttle wheel is turned from the cen-
ter position, the faster the shuttle playback speed.
the MD-801’s menu system. Turning it clockwise
generally confirms an action, and turning it counter-
clockwise acts as an “escape” action. It is also used
as a cursor control in titling operations.
To cancel record ready mode, press the STOP key
[5].
[9] PHONES jack and level control
1/4” jack. Adjust the level with the LEVEL control.
The maximum output power is 50 mW per channel,
and the impedance is 32 Ω.
[14]Display
See 2.2, "Display" below for details of the different
components that make up the display.
[15]MENU key
[10]CALL key
The MENU key is used to cycle through the different
menus that allow the setting of different parameters
affecting the operation of the MD-801. See 3, "Menu
items" for full details of the menus and the different
options available in them.
This key allows you to return to the point where the
READY key [7] was last pressed while the unit was
in play ready mode. The unit will return to this point,
and enter play ready mode (READY and PLAY indi-
[16]TITLE key
The MD-801R also automatically sets the call point
at the point where recording last started. This enables
easy return to the point where the recording started,
using the CALL key, in order to check a take, etc.
R
TheTITLE key is used to show both disc and track
when the MEMO IN/CAPS key indicator [23] is lit.
See 4.2.16, "Displaying track titles during playback"
and 4.2.17, "Displaying the recording date" for
details.
It may also be used to locate to the point which has
been located with the JOG dial [12].
[11]JOG key and indicator
[17]TIME key
Use this key for precise positioning of the playback
point, in combination with the JOG/DATA dial [12].
above this key is lit.
TheTIME key is used to cycle through the folloiwng
time display modes on the upper 7-segment numeric
indicators of the display during playback or in play
ready mode:
[12]JOG/DATA dial
• (no indication)—the time elapsed from the start of
the current track
When the JOG indicator [11] is lit, this dial func-
tions as a jog dial, allowing precise positioning of the
playback point (confirmed with the READY key
[7]). See 4.2.14, "Jog mode" for full details of this
process.
•
•
•
REMAIN—the playback time remaining in the cur-
rent track
TOTAL—the total elapsed time from the start of the
disc
When the JOG indicator is not lit, the dial is used as
a data entry dial for entering values, titling charac-
ters, etc. Typically, turning this dial clockwise
increases the data value, and turning it counterclock-
wise decreases the value.
TOTAL REMAIN—the total time remaining on the
disc
It is also possible to make a time display which is rel-
ative to a “zero point” (see the section on 4.2.8, "Rel-
ative time display").
[13]SHUTTLE wheel
When the unit is in record or record ready mode, the
meanings change slightly, as shown below:
R
This wheel can be used for shuttle playback (for-
wards or backwards) when the unit is in play or play
ready mode. Since the MD-801 is a digital audio
device, the sound output during shuttle play is not
• (no indication)—the time elapsed from the start of
the track currently being recorded
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2 - Front panel
•
further recording (the length of the blank portion of
the disc)
to display the following:
• aay bbm ccd—where aais the year,
bbis the month, and ccis the day of the date
according to the MD-801’s internal clock.
•
•
TOTAL—the total elapsed time from the start of the
disc
• eeh ffm ggs—where eeis the hour (in
24-hour format), ffthe minutes and ggthe sec-
onds of the time of day according to the MD-801’s
internal clock.
TOTAL REMAIN—the total time remaining on the
disc for further recording (the same as REMAIN)
If the MEMO IN/CAPS indicator [23] is lit, the unit
is in play or play ready mode, and theTIME key is
pressed, the lower (alphanumeric dot-matrix) part of
the display may be used to give timing information.
This is represented as follows:
If the internal clock needs to be adjusted, follow the
date".
[18]EDIT key
• elp—the time elapsed from the start of the cur-
The EDIT key is used to access various data and disc
editing modes, as detailed below.
rent track
• rem—the playback time remaining in the current
track
When the EDIT key is pressed, the JOG/DATA dial
[12] is used to cycle through the various editing
options as detailed below.
• tel—the total elapsed time from the start of the
disc
• tre—the total time remaining on the disc
When an editing mode is shown, followed by a ques-
tion mark, turning the SHUTTLE wheel [13] clock-
wise will enter that editing mode.
• rel—the time relative to a user-settable “zero
point” (see 4.2.8, "Relative time display")
When the unit is in record or record ready mode, and
the MEMO IN/CAP indicator [23] is lit, and the
TIME key is pressed, the lower (alphanumeric dot-
matrix) part of the display may be used to give tim-
ing information. This is representated as follows:
R
To exit the editing mode, the SHUTTLE wheel can
be turned counterclockwise, the EDIT key can be
pressed once again, or the STOP key [5] can be
pressed.
The following is a list and brief description of the
editing functions available. Full details are given in
5, "Editing operations":
• elp—the time elapsed from the start of the track
currently being recorded
• rem—the total time remaining on the disc for
further recording (the length of the blank portion of
the disc)
• DIVIDE?—Divides a track into two tracks
• ERASE TRK?—Erases a track
• COMBINE?—Joins two tracks into one
• MOVE?—Moves tracks in a sequence
• tel—the total elapsed time from the start of the
disc
• ERASE A-B?—Erases data between the A
and B points
• tre—the total time remaining on the disc for
further recording (the same as rem)
• INSERT A-B?—Commits an insertion to
disc
• rel—the time relative to a user-settable “zero
point” (see 4.2.8, "Relative time display")
• RESTORE?—Restore an erased track or sec-
tion (can be regarded as an “undo” function)
It is therefore possible to have two separate time indi-
cators shown simultaneously. Note that if both the
upper and lower parts of the display are set to the
same time indication, there may be occasions where
the two values shown do not always match exactly.
• TRK ATTR?—Sets track attributes
• ERASE DISC?—Erases the contents of the
disc
• TITLE?—Enters a track or disc title
To turn off the time display in the lower part of the
display, press theTIME key until the disc or track
title is shown, rather than the time display.
NOTE
It is possible to perform editing operations on
pre-recorded (read-only) discs. However,
In the play and play ready, as well as the record and
record ready modes, theTIME key can also be used
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2 - Front panel
these edits cannot be committed to disc using
•
SINGLE/SINGLE MODE—Single-track play-
the TOC WRITE function (see below).
back mode is selected
• (blank)/CONTINUE—Continuous play of a
disc, from the start to the end
[19]TOC WRITE key and indicator
•
A-B/A-B MODE—If the A and B points have
been set (see [24]), playback will loop between
these points
After an edit operation has been selected and per-
formed from the EDIT key [18], theTOC WRITE
indicator will light, and the TOC EDIT indicator in the
display will be lit. This is a reminder that the disc
should not be ejected before the U-TOC has been
written to disc.
Once a playback mode has been selected, the
REPEAT key [26] can be used to repeat the portion
portion).
Press the TOC WRITE key, and the editing data will
be written to disc, during which time the TOC EDIT
indicator in the display will flash.
[23]MEMO IN/CAPS key and indicator
This key is used for a variety of functions: entering
memory location points, acting as a “caps lock” key
when entering disc and track titles, and as a display
mode selector (see [17]), etc.
See the explanation of the EJECT key [3] for details
of how to eject a disc without writing the U-TOC, if
this is required.
Its uses are described more fully in the various sec-
tions dealing with the functions that it controls.
[20]AUTO READY key and indicator
Use this key to put the unit into auto ready mode (the
indicator will light). The auto ready mode provides
automatic “track at a time” playback.
[24]LOC A/DEL & LOC B/INSERT keys
and indicators
These keys are used to set memory location points,
which are used for location, repeat play, editing pur-
poses, etc. These points are retained until the disc is
ejected (including at power-off). See 4.2.5, "Entering
the A and B location points" for details of how to set
these positions.
When in auto ready mode, the unit will go into play
ready mode when the start of a track is reached in
playback. See 4.2.11, "Cueing the next track auto-
matically" for full details.
[21]AUTO CUE key and indicator
Use this key to put the unit into auto cue mode (the
indicator will light). The auto cue mode allows the
elimination of “dead time” at the start of tracks,
allowing easy pre-cuing of commercials, jingles,
Foley effects, etc.
These keys may also be used for locating to the
points which have been set.
In title editing mode, the A and B keys are used to
delete and insert characters, respectively. See 5.11,
"Track and disc title entry".
When the unit is in auto cue mode and stopped, and
the READY key [7] is pressed, the unit will search
forward for the first audio frame above a given
threshold level, and cue itself to that location. It will
then enter play ready mode.
[25]PITCH CONT key and indicator
Use this key to enter the pitch control mode (the indi-
cator lights when this mode is active). When pitch
control is active, the speed (and pitch) of playback
can be altered by ±9.9%.
A similar process occurs when a track search opera-
tion has occurred.
NOTE
See 4.2.12, "Cueing to the first audio position in a
track" for further details.
Pitch control is not possible when the MD-801
is receiving its word clock from an external
source (see [43]).
[22]PLAY MODE key
Use this key to cycle between the different playback
modes. This key is enabled in the stop and the play
ready modes.
The exact amount of pitch control is set through a
menu item (see 3.2, "Pitch control" for details).
Both the display preset indicators and the alphanu-
meric part of the display are used to show the current
playback mode status, as follows:
[26]REPEAT key and indicator
Use this key to start repeat play of the selected play-
back portion of the disc (see [22]). When in repeat
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2 - Display
of this mode.
will be received at the standard level of either +4 dBu
(balanced, [36]) or –10 dBV (unbalanced, [37]).
A signal at the nominal analog level (0 dB) will show
as a reading of –16 dB on the unit’s meters (put
another way, there is 16 dB of headroom available on
the MD-801 relative to the nominal 0dB point).
[27]INPUT LEVEL controls
R
These controls adjust the level of the signal at the
analog connectors selected using the INPUT selec-
tion switch [28] (either the balanced inputs [36] or
the unbalanced inputs [37]) when the ANALOG
INPUT switch [31] is set to UNCAL.
2.2 Display
When these controls are at about the “12 o’clock”
position, they represent a nominal level for the unbal-
anced inputs (and for the balanced inputs if the trim-
mer potentiometers of the balanced inputs are still at
the factory positions).
If the REC MODE switch [30] is set to the MONO
position, the L (MONO) INPUT control is used to
control the level of the monaural signal.
NOTE
The different indicators and parts of the display are
shown here. We refer to the parts of the display
which light and show preset messages as “preset
indicators” or simply “indicators”.
inputs [32] and [34] cannot be adjusted.
R
R
(1) RESUME indicator
analog inputs (UNBAL [37]), the balanced analog
inputs (BAL [36]) or digital input (DIGITAL).
(2)
indicator
[29]DIGITAL INPUT switch
Lights when the entry of Japanese katakana charac-
ters ( is the word “katakana” written in
Use this switch to choose between the AES/EBU
digital input [32] and the COAXIAL digital input
[34] when the INPUT selection switch [28] is set to
the DIGITAL position.
katakana characters) is enabled, and will light if the
TITLE key [16] is pressed when the MEMO IN/
CAPS indicator [23] is lit. Press theTITLE key once
more to turn this off, and return to the entry of alpha-
numeric characters.
[30]REC MODE switch
R
Use this switch to choose between monaural and ste-
reo recording.
(3) CAPS indicator
In monaural recording mode, the left and right sig-
nals are combined, and only the left INPUT level
signals.
Lights when capital (uppercase) letters are being
used for title entry and editing (see [23]).
(4) EDIT indicator
Lights when the unit is in EDIT mode. See 5, "Edit-
ing operations" for details of editing operations.
In monaural recording, twice the recording time is
available on a disc than when recording in stereo.
(5) DATE indicator
[31]ANALOG INPUT switch
R
Lights when the unit is displaying the date on which
a recording was made (the MD-801R records the
date automatically). See 4.2.18, "Setting the time and
date" for details of facility.
When an analog input has been selected using the
INPUT selection switch [28], you can use this
switch to bypass the INPUT level controls [27].
When this switch is in the CAL position, these con-
trols are bypassed, and have no effect. Signals are
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2 - Rear panel
(6) TRACK TITLE indicator
NOTE
R
Lights when track titles are being entered or dis-
played. See 5.11, "Track and disc title entry" for
details.
Digital clipping is a harsh-sounding form of
distortion, unlike, say, analog tape saturation,
and should be avoided.
(7) DISC TITLE indicator
Lights when the title of the disc is being entered or
displayed. See 5.11, "Track and disc title entry" for
details.
When connected to analog equipment, the nominal
analog level is referenced to a reading of –16 dB on
the meters (see [31]).
(8) TRACK NO. display and indicator
(15)REPEAT indicator
This 3-digit 7-segment display usually shows the cur-
rent track. It may also be used to show a track num-
ber other than the current one, depending on the
mode.
Lights when the unit is in repeat playback mode (see
[26]).
(16)SINGLE indicator
"Incremental play"), this indicator will flash.
Lights when a single track has been selected for play-
back (see [22]).
(9) Time display and indicators
(17)A–B indicator
Shows the elapsed or remaining time using a 7-digit
7-segment display (3 digits for minutes, 2 for sec-
tion of theTIME key [17] for details of the different
time display modes.
Lights when the A-B playback mode has been
selected (see [22]).
2.3 Rear panel
(10)PGM NO.
This section gives details of the connections which
should be made to and from the MD-801.
Lights in programmed play mode (see 6.2.1, "Enter-
ing programmed playback") and is used with the last
2 digits of the time display (9).
NOTES
(11)Dot-matrix alphanumeric display
When making or breaking connections
between the MD-801 and other units, make
sure the power is turned off to all units. This
will avoid possible damage to monitoring
equipment, etc. caused by transients.
These dot-matrix elements are used to display alpha-
numeric information: track and disc titles, time dis-
play, menu options, etc.
Note that the term “alphanumeric” is not strictly
accurate here, as these elements can also display
some punctuation as well as Japanese katakana (2).
The use of analog cables is not recom-
mended for digital audio use, and TASCAM
cannot guarantee reliable performance if such
cables are used for digital audio connections.
(12)TOC EDIT indicator
Lights in the U-TOC editing modes and after a disc
U-TOC has been edited (see [19]) until it is written
to disc.
[32]DIGITAL INPUT (AES/EBU)
R
This XLR-type connector accepts digital audio data
in AES3-1992 format.
(13)EOM
Lights briefly at the end of each track, or at the end of
the disc.
It also accepts balanced data in the IEC 60958 (con-
sumer) format (SPDIF).
(14)Peak level meters
The input sampling frequency can be 32 kHz,
44.1 kHz or 48 kHz. The MD-801’s internal sam-
pling frequency converter will convert them all to
44.1 kHz for recording.
Display the signal level on playback or when record-
ing (MD-801R only).
If switch 4 of the MODE SET DIP switch bank [43]
is set off, the signals input here are echoed at the dig-
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2 - Rear panel
ital outputs [33] and [35] without passing through
the frequency converter.
[38]ANALOG OUTPUTS (MONITOR)
These RCA unbalanced connectors provide output
[33]DIGITAL OUTPUT (AES/EBU)
This XLR-type connector outputs digital audio data
in AES3-1992 format.
The nominal impedance is 220 Ω.
[39]Analog output function DIP switch
bank
The output sampling frequency will always be
44.1 kHz, ±9.9%, as determined by the pitch control
(see both 4.2.13, "Varispeed mode" and 3.2, "Pitch
control").
This bank of four DIP switches is used to control the
outputs from the MONITOR and LINE analog out-
puts [38] and [40].
[34]DIGITAL INPUT (COAXIAL)
R
They have the following meanings:
This RCA connector accepts digital audio data in
IEC 60958 (consumer) format (SPDIF).
OFF
(up)
ON
(down)
The input sampling frequency can be 32 kHz,
44.1 kHz or 48 kHz. The MD-801’s internal sam-
pling frequency converter will convert them all to
44.1 kHz for recording.
Allows the output mode from both
the LINE and the MONITOR out-
puts to be set to MONO or
STEREO, as well as output from
the PHONES jack.
1
If switch 4 of the MODE SET DIP switch bank [43]
is set off, the signals input here are echoed at the dig-
ital outputs [33] and [35] without passing through
the frequency converter.
When set to SYNCHRONIZE, the
LINE and MONITOR outputs are
paralleled. When set to
INDIVIDUAL, signals are output
from the MONITOR outputs only
when the PLAY key on the MD-801
itself, or the MONITOR key on the
optional RC-801 is pressed. To out-
put signals from the LINE outputs
when this switch is set to
INDIVIDUAL, use the ONLINE
key on the optional RC-801, or
send a “play” command from a
remote controller connected to the
serial or parallel interface.
[35]DIGITAL OUTPUT (COAXIAL)
This RCA connector outputs digital audio data in
IEC 60958 (consumer) format (SPDIF).
2
The output sampling frequency will always be
44.1 kHz, ±9.9%, as determined by the pitch control
(see both 4.2.13, "Varispeed mode" and 3.2, "Pitch
control").
[36]ANALOG INPUTS and trimmers
(BALANCED)
R
When OFF, whether the MONITOR
outputs output a signal depends on
the setting of switch 2 in this bank
(i.e. if switch 2 is on, the
MONITOR outputs are only active
when the MD-801’s PLAY key has
been pressed). When ON, monitor-
ing is always on, regardless of from
where the play command origi-
nated.
These XLR-type connectors accept balanced analog
signals at professional (+4 dBu) levels.
3
4
The wiring is, as marked on the rear panel:
1=ground, 2=hot (+), 3=cold (–).
The nominal impedance is 2.2 kΩ.
The trimmer potentiometers by each connector may
be turned counterclockwise or clockwise to cut or
boost respectively the level of the signal received at
the inputs. The maximum cut achievable (relative to
nominal) is –4 dB and the maximum boost is +7 dB.
Reserved—leave in the OFF position
NOTE
The PHONES output [9] is always active,
regardless of the settings made using these
switches.
As shipped, the trimmers are set to the standard
+4 dBu level.
[37]ANALOG INPUTS (UNBALANCED)
R
[40]ANALOG OUTPUTS (LINE) and
trimmers
These RCA connectors accept unbalanced signals at
the –10 dBV level.
These XLR-type connectors output balanced analog
signals at professional (+4 dBu) levels.
The nominal impedance is 8 kΩ.
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2 - Rear panel
The wiring is, as marked on the rear panel:
1=ground, 2=hot (+), 3=cold (–).
OFF
(up)
ON
(down)
When OFF, digital signals received
at either [32] or [34] are not
directly retransmitted.
The nominal impedance is 11 Ω.
The trimmer potentiometers by each connector may
be turned counterclockwise or clockwise to cut or
boost respectively the level of the signal sent from
these connectors. The maximum cut achievable (rela-
tive to nominal) is –7 dB and the maximum boost is
+4 dB.
When the switch is set to ON
,
received digital signals are retrans-
mitted directly from the digital out-
puts [33] and [35]. This allows
autonumbering, etc. to take place
using multiple MD-801 units
“daisy-chained” together.
4
As shipped, the trimmers are set to the standard
+4 dBu level.
[41]WORD SYNC IN
This connector is used to connect a PS/2-type com-
puter keyboard which can be used for the direct
alphanumeric entry of titles, etc. as well as for con-
trolling playback operations.
This BNC connector accepts a 44.1 kHz word clock
(impedance 75 Ω) at 44.1 kHz (±6%).
[42]WORD SYNC THRU
Depending on the setting of MODE SET bank DIP
switch 1 [43], either a US-type or a Japanese-type
keyboard can be used. See 6, "Use of a keyboard
with the MD-801" for details of keyboard-based
operations.
This self-terminating BNC connector echoes the
word clock signal received at [41].
[43]MODE SET DIP switch bank
This switch bank allows the setting of various local
parameters.
[45]REMOTE (SERIAL) connector
OFF
(up)
ON
(down)
This RS-232 interface allows control by a computer
or by other serial controllers.
Allows the selection of a Japanese
(106-key) keyboard (JAPAN
KYBD) or an American-style (101-
key) keyboard (US KBD) to be
connected to [44] for titling, etc.
Consult your TASCAM dealer for details of this port
if you wish to use it.
1
2
[46]REMOTE CONTROL connector
ational controls are enabled.
Use this connector to attach either an optional RC-
801 remote contoller or an optional RC-FS10/20
remote controller. Consult your TASCAM dealer for
details of availability.
When set ON, only the STOP key
on the front panel are enabled when
the MD-801 is playing as the result
of e command received from an
external controller (RC-801, etc.).
[47]REMOTE (PARALLEL) connector
Use this connector to attach an optional RC-8 remote
control unit or to control the deck from a controlling
device using parallel protocol.
When OFF, any word clock signals
received at [41] are not used, and
the unit uses its own internal
clocking.
3
[48]~ IN (power in connector)
When set to ON, the unit clocks to
the signal received at the WORD
SYNC IN [41].
Connect the supplied power cord to this inlet. Make
sure that your AC voltage matches the voltage
expected by the MD-801, as printed on the rear
panel.
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3 - Menu items
The selections that can be made using the MD-801’s
menu system affect the operation of many other
functions. We suggest that you take the time to look
through this section and familiarize yourself with the
basic contents, so that you have an idea of some of
the options available to you.
3.3 Auto cue
A CUE LVL ?
The auto cue facility allows you to cue the playback
position automatically to the first frame where the
audio level goes above a trigger threshold (see
4.2.12, "Cueing to the first audio position in a
track"). This menu allows you to set the threshold.
The default setting is –54 dB.
3.1 Basic principles of menu
operations
1
The menu system is entered using the MENU
key [15]. Pressing this key brings up a menu in
the display.
After the menu has been opened with the SHUTTLE
wheel, the display changes:
A CUE> -54dB
2
3
4
The JOG/DATA dial [12] is used to select a
menu.
There are nine sensitivity levels available for use
with this function: –24 dB, –30 dB, –36 dB, –42 dB,
–48 dB, –54 dB, –60 dB, –66 dB and –72 dB.
The SHUTTLE wheel [13] is used to open the
menu selected in step 2.
This setting is also used with the Sound Synchro
function as the threshold above which recording
starts (or below which the unit drops into record
ready mode).
R
The JOG/DATA dial is used to select parame-
ters and enter values for the menu. Turn the dial
clockwise to increase values, and counterclock-
wise to decrease them.
3.4 Frame display
5
6
7
“On” and “off” values are selected by turning
the SHUTTLE wheel clock wise and counter-
clockwise respectively (Y and N).
FR DSPL SEL?
The frames part of the time display can be turned on
or off. There are either 86 or 87 MD frames per sec-
ond. The default setting is on.
A few menus have “sub-menus” which are
selected using the JOG/DATA dial, and opened
with the SHUTTLE wheel.
After the menu has been opened with the SHUTTLE
wheel, the display changes:
When a menu item has been set in step 4, turn
the SHUTTLE wheel to the right (Y) to enter
the value and return to normal operation.
FR DSPL>ON
To “escape” from menu mode without making a set-
ting, turn the SHUTTLE wheel to the left (N) or
press the MENU key.
The only two options here are on and off.
3.5 Jog loop length
3.2 Pitch control
JOG LENGTH ?
As explained in 4.2.14, "Jog mode", when locating a
point using the JOG dial, playback is looped, start-
ing at the provisional jog point.
PITCH CONT ?
Pitch control can be set ±9.9%, in 0.1% steps. The
default setting is 0.0%.
This menu allows you to set the length of the jog
loop. The default value is 16 frames (about 0.2
second).
After the menu has been opened with the SHUTTLE
wheel, the display changes:
After the menu has been opened with the SHUTTLE
PITCH> 0.0%
wheel, the display changes:
See 4.2.13, "Varispeed mode" for details of pitch
control operations.
JOG LG> 16f
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3 - Resume setting
The minimum length for the jog loop is 12 frames,
and the maximum value is 32 frames. The value is set
in 1-frame steps.
NOTE
R
The EOM tally signal is always transmitted
when the U-TOC is updated as the result of a
recording operation having been completed,
unless this setting is set to off. It is also trans-
mitted when recording is halted temporarily.
3.6 Resume setting
RESUME SEL ?
When the resume setting is turned on, playback
restarts from the point at which it was stopped (or the
point at which playback was taking place when the
power was cut off). The default is off, which means
that when playback is stopped, it will start at the
beginning of the disc, unless a track number is
explicitly specified.
3.8 EOM track
EOM TRACK ?
The EOM track is similar to the EOM disc function,
as described above. The EOM tally signal is trans-
mitted before the end of a track playback, and this
menu allows the time before the end to be set, or the
disabling of this function (default off).
This function, when on, changes the function of the
STOP key [5]. When the resume function is on, and
the STOP key is pressed in play mode, the MD-801
enters play ready mode. If the STOP key is pressed
once again, the MD-801 enters stop mode.
When this message is transmitted, the EOM indicator
flashes in the display.
After the menu has been opened with the SHUTTLE
After the menu has been opened with the SHUTTLE
wheel, the display changes:
wheel, the display changes:
EOM TRK> OFF
RESUME> OFF
The time may be set from 1 to 99 seconds, in 1 sec-
ond steps, or set to off.
The options available are on and off.
3.7 EOM disc
3.9 Timer-controlled playback
EOM DISC ?
This menu item affects the output of the MD-801 to a
device attached to the parallel port (see 7.1,
"REMOTE (PARALLEL) connector". When set on,
an “EOM DISC” tally signal is transmitted from the
parallel port when the end of the disc is reached in
playback (or recording, in the case of the MD-801R).
When this function is enabled, if a disc is in the unit,
and the unit is powered up (e.g. from a timer-based
switching unit), the TOC is read, and playback starts.
The default setting is off.
If the resume function is switched on (3.6, "Resume
setting") playback will start from the point at which
playback was last stopped, or at the playback point at
which the power was last cut off.
When this message is transmitted, the EOM indicator
flashes in the display.
In this menu, it is possible to select how many sec-
onds before the end of the disc this message is to be
sent, or to turn the message off completely. The
default setting is off.
If the resume function is off, playback will start from
the beginning of the disc.
After the menu has been opened with the SHUTTLE
wheel, the display changes:
After the menu has been opened with the SHUTTLE
wheel, the display changes:
TMR PLY>OFF
EOM DISC>OFF
The options available are on and off.
The time may be set from 1 to 99 seconds, in 1 sec-
ond steps, or set to off.
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3 - Incremental play
When this sub-menu is opened, the baud rate can be
selected and set. The default value is 9600.
3.10Incremental play
BAUD>
9600
INCR PL SEL?
When a sub-menu value has been set with the
SHUTTLE wheel, the unit returns to the normal set-
ting.
This function allows auto-cueing of the playback
point to the start of the next track when the STOP
key [5] is pressed, or a fader stop command is
received (on pin 8 of the parallel remote control port
[47]).
3.11.2Word length
The next sub-menu allows the setting of the word
length in serial communications:
When this mode is enabled, pressing the PLAY key
[6] of the MD-801, or on an optional RC-801 or RC-
8 remote control unit (or the MONITOR key of
either of these units), or a PS/2-type keyboard con-
nected to the MD-801 will cue playback to the start
of the track following the current track, and start
playback from there.
LENGTH SEL ?
When this sub-menu has been opened, the word
length can be set to 7 or 8 bits. The default is 8 bits.
LENGTH>8bits
3.11.3Parity
NOTES
The next sub-menu allows the setting of the parity to
be used in serial communications:
While this function is enabled, the TRACK NO.
indicator flashes, as a reminder that the func-
tion is enabled.
PARITY SEL ?
When this sub-menu has been opened, the parity can
be selected from off, odd or even parity. The default
is for off (no parity).
The Auto Ready function (see 4.2.11, "Cueing
the next track automatically"), together with
the associated commands received at the
serial remote control port) is disabled when
this function is enabled.
PARITY> OFF
3.11.4Stop bits
The final sub-menu allows the setting of the number
of stop bits:
After the menu has been opened with the SHUTTLE
wheel, the display changes:
STOP BIT ?
INCR PL> OFF
When this sub-menu is opened, thje number of stop
bits can be set to 1 or 2. The default is 1.
Choose between on and off, with the default setting
being off.
STOP BIT> 1
3.11Serial communications
3.12Check items
SERIAL SET ?
These are not settable menu items, but allow the
checking of various aspects of the MD-801 system.
This menu allows the setting of parameters affecting
the serial (RS-232C) control port [45]. This menu
contains sub-menus, allowing the different parame-
ters to be accessed (DATA dial to show the sub-
menus, SHUTTLE wheel to open them).
When the following menu item appears, use the
SHUTTLE wheel to enter the menu, and the DATA
dial to choose the different options.
3.11.1Baud rate
CHECK ?
From the main menu, the first sub-menu allows the
setting of the communications speed (baud rate):
Exit the menu system by turning the SHUTTLE
wheel.
BAUD SEL ?
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3 - Auto track numbering level
3.12.1Spindle motor time
3.14Copy ID
R
S_TIME> 121
COPY ID SEL?
Use this to check how many hours the spindle motor
has been in operation.
When recording an MD on the MD-801, the copy ID
of the recorded MD can be set for different purposes.
3.12.2Laser pickup time
R
The three settings available are:
R_TIME>
43
• Copy Free—(Free) allows unlimited digital
copies to be made from the digital recording made
on the MD-801
This indicates how many hours the laser pickup has
been used for recording.
3.12.3System software version
• First-generation copy only—(1 gen) allows
only one digital copy to be made from the digital
recording produced on the MD-801
SYS>
01.00
This allows you to check the current system software
version.
• Copy prohibit—(Proh) means that no further
digital copies can be made from the digital record-
ing produced on the MD-801.
3.13Auto track numbering level
R
After the menu has been opened with the SHUTTLE
wheel, the display changes:
A_TRK LVL ?
COPY ID>Free
This allows the setting of the threshold above which
a signal received at the AES/EBU jack or either of
the analog connectors triggers the start of a new track
(see 4.3.4, "Track number incrementing"). This value
can be off, or one of nine values, as detailed below.
The default setting is for free copying. The restric-
tions apply only to digital copies produced through
the COAXIAL port. The copy bit is ignored if the
recording is made when the disc is played back
through the AES/EBU connector.
There should be a period of relative silence (i.e.
below the trigger level) of at least three seconds
between “tracks” in the source material for this func-
tion to operate.
3.15Post-script recording
R
PS REC ?
NOTE
As explained in 4.3.5, "“Post-Script” recording",
recording can start either from the beginning of the
disc (when this function is turned off), or from the
beginning of the free space available, i.e. after the
last recorded track (when this function is turned on).
Bear in mind that some classical material,
spoken word, etc. may include such periods
of silence, and this may cause spurious track
divisions. Also, some analog material may be
noisy, and the noise may go above the track
division threshold. Adjust the threshold level
taking these factors into consideration.
This function also controls the operation of the
replace recording function (see 4.3.6, "Replace
recording").
After the menu has been opened with the SHUTTLE
wheel, the display changes:
After the menu has been opened with the SHUTTLE
wheel, the display changes:
PS REC>ON
A_TRK> -54dB
The available options are on and off, with the default
being on.
The available settings are: –24 dB, –30 dB, –36 dB,
–42 dB, –48 dB, –54 dB, –60 dB, –66 dB, –72 dB
and off. The default value is –54 dB.
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4 - Basic operations
This section gives you informstion about the basic
operations using the MD-801.
Press the PLAY key [6]. Playback will start from the
beginning of the disc.
It assumes that you have connected the MD-801 to
all the other equipment that you will be using. If you
have not already made these connections, read 2.3,
"Rear panel" for details of the rear panel connections,
and connect the other equipment appropriately.
Stop playback with the STOP key [5].
Pause playback with the READY key [7] and restart
it with the PLAY key.
NOTE
If the tracks being played back are less than
three seconds in length, playback will be dis-
continuous (“jumpy”).
4.1 Inserting and ejecting discs
Discs are inserted label side uppermost, in the direc-
tion of the arrow marked on the disc. The display
shows:
4.2.2Playback outputs
There are two sets of outputs provided on the MD-
801: the LINE balanced XLR-type at +4 dBu [40],
and the MONITOR unbalanced RCA at –10 dBV
[38].
NO DISC
if the MD-801 is turned on without a disc in the
drive.
As the disc is loaded, the display shows:
OUTPUT MODE DIP switch 2 [39] on the rear
panel is used to synchronize these outputs so that
material is always played back through both sets of
outputs (off), or individually (on).
Disc Loading
When the disc has been loaded, the disc title, number
of tracks, total running time, etc. are displayed.
If the individual output option is chosen, the PLAY
key on the MD-801 itself or the MONITOR key on
the RC-801 will start playback through the
MONITOR outputs only. In this case, the LINE out-
puts are activated following a play or online com-
mand from a remote controller (keyboard, RC-801,
RC-8 or the serial or parallel controller).
Use the EJECT key [3] to eject discs.
Discs do not have to be ejected when the power to
the MD-801 is turned off. No damage will be caused
to discs if they are left in the unit at power-off or
power on.
If the the LINE outputs are used for playback, the
MONITOR outputs may also be used for simulta-
neous playback. OUTPUT MODE DIP switch 3
controls this. When set to off, the MONITOR out-
puts are muted when the LINE outputs are in use.
When set on, the MONITOR outputs are always
used.
NOTE
Never turn the power off when the U-TOC is
being written to disc (UTOC Writing).
If you do, the disc may become unreadable.
When the MD-801 is turned on with a disc already
loaded in the drive, the display will show:
The PHONES jack [9] is always used.
TOC Reading
The above applies to the analog outputs only, and
does not refer at all to the digital outputs, which are
always in use, regardless of the origin of the play-
back command.
before showing the disc title, running time, number
of tracks, etc.
4.2 Playback of discs
4.2.3Monaural playback
OUTPUT MODE DIP switch 1 [39] is used to com-
bine the left and right tracks and output them from
both the left and right outputs equally.
The following instructions apply to both pre-
recorded and recordable MD media.
4.2.1Playing back a whole disc
The outputs affected are the LINE [40], MONITOR
[38] and PHONES outputs. The digital outputs are
not affected by the position of this switch.
When the disc has been loaded, and the TOC has
been read, use the PLAY MODE key so that the
playback mode is not set to SINGLE or A-B (see [22]).
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4 - Playback of discs
2
3
Press the PLAY MODE key [22] so that the
display shows A-B.
4.2.4Playing back a single track
When the disc has been loaded and the TOC has been
read, use the PLAY MODE key to select the SINGLE
play mode (see [22]).
Press LOC A/DEL [24]. The unit will locate to
the first point, and start playing until it reaches
the second point, and then stop.
Use theTRACK keys [4] to move the playback posi-
tion to the start of the desired track.
If the location points are in the wrong order (i.e. B
precedes A), the display will show A-B Error
when playback is attempted.
Press the PLAY key [6]. Playback will start from the
beginning of the track.
4.2.7The CALL function
Stop playback with the STOP key [5]. Playback will
restart at the start of the disc, unless you move the
playback position to the start of the next track to be
played back.
The CALL key [10] is used for easy location to a
marked point
1
Put the MD-801 into play ready mode at the
point you want to mark (the READY indicator
[7] should be lit).
NOTE
The above function can be overridden with
the resume function, which turns the STOP
key into a “PAUSE” key and allows playback
to continue from where it was paused using
the STOP key. See 3.6, "Resume setting" for
details.
2
3
4
Press the READY key. The current point is now
marked.
You can now play back, or perform the next
operation.
To return to the marked point, press the CALL
key [10].
Pause playback with the READY key [7] and restart
it with the PLAY key.
at the point where recording last started. This enables
easy return to the point where the recording started,
using the CALL key, in order to check a take, etc.
R
4.2.5Entering the A and B location points
1
Press the MEMO IN/CAPS key [23] so that the
indicator lights.
4.2.8Relative time display
The call point set in the way described above (4.2.7,
"The CALL function") can also be used as a zero
point for relative time display (all times are displayed
relative to this point, with times before the point
being displayed as negative values), To enter the rel-
ative time mode:
2
Locate the playback point to the first location,
and press LOC A/DEL [24]. The indicator will
light, showing that a value has been entered into
the location, and the MEMO IN/CAPS indica-
tor will go out.
3
4
Locate the playback point to the second loca-
tion, and press the MEMO IN/CAPS key [23]
again so that the indicator lights.
1
Make sure that the MEMO IN/CAPS indicator
[23] is lit.
2
Press the TIME key [17] to show the different
display modes. The relative display mode
appears as follows:
Press LOC B/INSERT [24]. The indicator will
light, showing that a value has been entered into
the location, and the MEMO IN/CAPS indica-
tor will go out.
rel xxxm yys
Clear the location points by stopping playback,
pressing the MEMO IN/CAPS key, and pressing the
appropriate location key (LOC A/DEL or LOC B/
INSERT) so that the indicator goes out.
where xxxrepresents the “minutes” portion of the
elapsed time since the call point, and yyrepresents
the “seconds” portion of the elapsed time. Times
before the call point are prefixed with a minus sign.
4.2.6Playback between two location
points
NOTE
If no call point has been set, the “relative time”
will be from the start of the disc.
1
Enter the location points as described above.
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4 - Playback of discs
4.2.9Repeat playback
4.2.12Cueing to the first audio position in
a track
Use the REPEAT key [26] to enable the repeat mode
as shown in the display (REPEAT).
To cue the playback position to the first point where
the audio level exceeds a preset threshold, make sure
that playback is stopped, press the AUTO CUE key
so that the indicator is lit, and then press the READY
key.
The three different repeat modes available corre-
spond to the three playback modes set with the
PLAY MODE key [22] (whole disc, SINGLE track or
A-B points, as set above).
The playback point will then locate to the start of the
audio portion of the track (the PLAY indicator will
flash while it is locating).
NOTE
For A-B repeat to be effective, location point A
must be before location point B, otherwise A-
B repeat cannot take place.
If the AUTO CUE indicator is lit, the playback point
will automatically locate to the first audio point of
the destination track when searching and locating.
4.2.10Track search operations
There are nine “trigger” levels which may be
selected through the menu system (see 3.3, "Auto
cue") for the AUTO CUE operation. Select the
appropriate level depending on the source material.
While playing back, it is possible to press the
TRACK keys [4] in order to move forward or back-
ward a number of tracks, corresponding to the num-
ber of times the key is pressed.
4.2.13Varispeed mode
After locating to the start of the track (the start of the
track start cue point if AUTO CUE is off (4.2.12,
"Cueing to the first audio position in a track") or the
first audio frame if it is on), the deck will park in play
ready mode.
The MD-801 is capable of playing back material in
varispeed mode.
The speed can be altered to ±9.9% relative to normal
speed, and can be changed using the menu system
(see 3.2, "Pitch control").
Pressing the “previous”TRACK key at the first track
will move to the last track on the disc, and pressing
the “next”TRACK key at the last track will move to
the first track on the disc.
NOTE
While the MD-801 is in varispeed mode, care
must be taken that it is not set to use an exter-
nal word clock ([43]).
4.2.11Cueing the next track
automatically
cue the next track ready for playback.
To use the JOG dial to locate a playback point pre-
Use the AUTO READY key [20] to enable the unit
to enter play ready mode automatically when the
start of a track is reached. This is the start of the track
as determined by the digital subcode, not the start of
the audio signal, unless AUTO CUE is on (see
4.2.12, "Cueing to the first audio position in a
track").
cisely (to frame accuracy):
1
2
Press the JOG key [11] to light the indicator.
Turn the JOG dial [12] (clockwise to move the
jog point forwards, counterclockwise to move it
backwards). Monitoring is at normal speed.
When you stop turning the JOG dial, the sec-
tion that has been “highlighted” by the jog
action will be repeatedly looped.
Depending on the play mode (when no repeat is
active), the unit will enter stop mode in SINGLE or A-
You can set the length of the jog loop from a menu
item (see 3.5, "Jog loop length").
B
play mode, and play ready in the “continue” mode,
after the location has taken place.
3
Press the READY [7] key to set the call point,
at the end of the jog loop.
If repeat is active, the unit will enter play ready mode
at the start of the next track (REPEAT “continue”), the
start of the track which is being repeated (REPEAT
SINGLE) or the A repeat point (REPEAT A-B).
4
Locate to the call point by pressing CALL [10].
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4 - Recording operations
by the time (e.g. 10h 34m 12s) in 24-
hour format.
NOTE
The point at which the JOG key was pressed
will not be included in the jog loop. To include
this point in the loop, you must turn the JOG
dial counterclockwise.
If the track has not been time-stamped, the display
briefly shows:
No Date
4.2.15Shuttle mode
NOTE
If the MD-801 is in stop mode, this operation
shows the disc’s time and date, rather than
those of the current track.
The SHUTTLE wheel [13] allows you to perform
fast cue or review operations, moving forwards or
backwards through the program material at high
speed.
4.2.18Setting the time and date
The further the wheel is moved from the central posi-
tion, the faster the cue or review speed.
Since the MD-801 leaves TASCAM with the date
and time pre-set, there should be little need for you to
set the time and date of the internal clock.
Since the MD-801 is a digital recorder, playback in
cue and review is not continuous.
However, if you move the MD-801 across time-
zones, etc., you may need to reset the date and time
following the procedure below:
4.2.16Displaying track titles during
playback
When the MD-801 is in play or play ready (or in
record or record ready) mode, pressing theTITLE
key [16] shows the current track title.
1
Eject any disc and power off the MD-801 (this
step is not strictly necessary, but simplifies the
procedure).
If the track does not have a title entered, the display
briefly shows:
2
Press and hold down theTIME key [17] while
turning on the power. The display shows:
No Title
CLOCK SET ?
If the display is too long to fit on the display, it can
be scrolled by pressing theTITLE key once more.
3
4
Turn the SHUTTLE wheel clockwise to start
setting the time and date.
__y __m __d
NOTE
If the MD-801 is in stop mode, pressing the
TITLE key displays the disc, rather than the
current track, title. Remember also that the
MEMO IN/CAPS key can also be used to
affect the display (see [16]).
Use the DATA dial as a data entry wheel, and
the SHUTTLE wheel as a cursor to move
between the year (y), month (m) and day (d)
fields, as described in 3.1, "Basic principles of
menu operations".
5
After entering the value for the day, turn the
SHUTTLE wheel:
The entry and editing of titles is described in 5.11,
"Track and disc title entry"
__h __m --s
4.2.17Displaying the recording date
6
7
You can set the hours (h) and minutes (m)
here.
If the current track has been “date- and time-
stamped”, the date and time can be displayed:
When these have been entered, press theTIME
key to set the time (the seconds value is set to
zero as you press the key) and return to normal
operation.
1
While the MD-801 is in play or play ready (or
record or record ready) mode, press the MEMO
IN/CAPS key [23] so that the indicator is lit.
2
Press the TITLE key [16]. The word DATE will
light in the display, and the date will be shown
(for example 98y 12m 25d), followed
4.3 Recording operations
R
Naturally, these recording operations refer to the
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4 - Recording operations
MD-801R model only.
NOTE
4.3.1General notes on recording using
the MD format
Depending on the condition of the disc (how
many edits have been performed, etc.), it may
take a considerable amount of time for the
TOC to be rebuilt. In rare cases, the recording
capacity of the disc may not be increased,
even after the TOC has been rebuilt in this
way.
Because the MD method of recording is somewhat
different to a linear recording method, such as tape,
you should note the following points.
• The message Disc Fullmay appear on the
display before the available recording time on the
disc has all be used.
• The number of tracks that have been intentionally
recorded, and the number of tracks displayed may
not match.
This may be because more than 255 tracks have been
recorded on the disc.
• The sum of the total recorded time, and the dis-
played remaining available time may not equal the
theoretical total capacity of the disc.
When the transport encounters dirt or scratches, etc.,
the current track is ended, and a new track is started.
This automatically-created track is marked by the let-
ters “Cont !!” being added to the end of the
track title. This “track” cannot be combined using the
editing methods available. To avoid the occurence of
such “tracks”, it is important to keep the MD media
clean and dust-free.
This is because of the nature of the MiniDisc track
structure. At least two seconds are used for every
MiniDisc track, regardless of the audio structure. In
addition, “bad sectors”, caused by dirt, scratches, etc.
are automatically skipped and ignored, which means
that they are unavailable for recording. We always
suggest that you leave some “safety net”, and do not
attempt to record a program of exactly 74 minutes on
an MD marked as 74 minutes.
NOTE
Every time recording is halted, the TOC is
updated. As always, avoid turning off the
power while the TOC is being written. In addi-
tion, you should be aware that if you have
performed editing operations that you do not
want to commit to disc, and then do some
recording, the edit operations will be saved to
disc when recording stops.You may want to
eject the disc without writing the edits (see
[3]) before recording, to avoid this situation.
• Erasing a track will not make the time the exact
length of the erased track available for recording.
This is on account of the nature of the MD recording
format, and has to do with block size, etc. If you are
familiar with computer systems, you may be aware
of a simiular limitation with regard to file size on
some operating systems.
4.3.2Rebuilding the TOC
It is possible to rebuild the TOC, which will free up
recording space if a heavily-edited disc is being used.
Like most other forms of recordable media, MDs
incorporate a write-protect tab, which can prevent
you from accidentally overwriting precious record-
ings. If you try recording with a disc that has had the
tab set to the “protect” position (open), the display
will show:
1
With the MD-801 stopped, press the EDIT key
[18].
2
Turn the DATA dial [12] until the display
shows:
W_Protected!
TOC REBUILD?
If you want to record on this disc, you must eject the
disc, close the write-protect tab and record again.
3
4
Turn the SHUTTLE wheel [13] clockwise to
rebuild the TOC (counterclockwise to cancel
the operation).
4.3.3Basic recording
When the display shows Complete, and
theTOCWRITE indicator [19] lights, press the
TOC WRITE key to write the new TOC to disc.
This gives the basic instructions on how to record.
There are a number of different recording-related
options which may be selected, as described else-
where in this section.
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4 - Recording operations
1
Select the recording method (digital or analog)
and the appropriate input source.
4.3.5“Post-Script” recording
There are two ways of cueing the disc when record-
ing. One is “post-script” recording, where recording
starts immediately following the last recorded mate-
rial. Unlike a linear recorder (tape, etc.) there is no
need to cue the medium to the last track.
2
3
Make sure the unit is stopped.
Press and hold down the RECORD key [8] and
press the READY key [7].
4
Adjust the recording level (analog, UNCAL
only) so that the meters do not read OVER, even
in the loudest passages.
The other is non post-script, which starts recording
from the start of the disc, overwriting the whole disc,
except for the title.
5
6
Start recording by pressing the PLAY key [6].
Post-script recording is set using the menu system,
described in 3.15, "Post-script recording".
When recording is finished, press the STOP
key [5].
4.3.6Replace recording
After recording is finished, the TOC is updated.
This function allows recordings to be made on an
existing track, if the MD-801 is in ready mode in the
middle or at the start of an existing track.
The date is automatically recorded (as taken from the
internal clock).
Recording in replace mode allows recording on that
track. Since the MD format is non-linear, the length
of the track does not matter.
The STOP key may also be used to cancel the record
ready mode entered in step 3.
4.3.4Track number incrementing
Recording from the start of the track will replace the
existing track, keeping the same track number and
title (if any). The whole of the existing track will be
erased, even if the replacement material is shorter
than the existing track.
When recording, the track numbers are incremented
automatically in the following cases:
• When making digital recordings from another unit
through the COAXIAL input [34], the PQ code is
used when making a recording from a CD player or
an MD player, and START IDs are used when
recording from a DAT.
Recording from part of the way through the track
will add a new track with the number of the current
track plus one. If you start recording part of the way
through the track, the part of the original track from
the point at which recording started, to the end of the
original track, will be erased, even if the new track is
shorter than this portion.
• When making digital recordings through the AES/
EBU input [32] or analog recordings, the Auto
track numbering level may be used. The first time
that a signal exceeding the selected threshold is
encountered after recording is started, the start of a
track is marked, and the track number is incre-
mented. While recording is taking place, if the
level drops below the selected threshold for three
consecutive seconds or more, and then rises above
the threshold, the start of a new track is marked,
and the track number is incremented. See 3.13,
"Auto track numbering level" for details.
NOTE
If you want to keep the start of a track on
which you are making a replace recording
from the middle, use the Track Divide editing
function, and start replace recording from the
newly-created second track.You can, of
course, keep the second part by replace
recording the newly-created first track.
When recording from AES/EBU or analog sources,
the auto track numbering function may be turned off
completely. There are then two options:
1
Make sure that the post-script recording mode is
on (3.15, "Post-script recording").
• Record the whole of the material in one take, and
use the editing functions at a later time to divide
the material into tracks.
NOTE
• While recording is taking place, press the “next”
TRACK key [4]. Recording will continue, but the
track number is incremented by one, and the track
division is written at the point where the “next”
TRACK key was pressed.
If post-script recording is turned off, you will
erase the whole disc (except for the disc title).
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4 - Recording operations
2
3
Cue the playback point to the place that you
want to start recording.
record ready mode as soon as a period of relative
silence of more than five seconds in length is
detected. Recording will start again as soon as a sig-
nal which is over the threshold is detected again, and
the Sound Synchro mode is still on.
Press the READY key [7] to put the MD-801
into play ready mode. This step is the primary
difference between replace recording and ordi-
nary post-script recording.
NOTE
4
5
Press and hold down the RECORD key [8] and
press the READY key. The display will show:
If the Sound Synchro mode is on, and a man-
ual change is made from record ready to
record (or the other way round), the Sound
Synchro mode is automatically turned off.
Replace REC
To start recording, press PLAY [6]. When you
have finished recording, press STOP [5].
4.3.8Digital recording
If you want to cancel the recording operation after
Since the MD-801 incorporates a frequency conver-
tor, digital recordings can be made from a wide vari-
ety of sources, including sources played back at non-
standard frequencies (varispeed and pitch shifting are
therefore possible).
step 4, press the STOP key [5].
NOTES
You cannot use the input monitor function
before entering the replace record mode.You
must stop the transport first if you want to use
the record monitor function.
1
Set the INPUT selection switch [28] to
DIGITAL.
2
Set the DIGITAL INPUT selection switch [29]
to either AES/EBU or COAXIAL, depending
on the source.
Many replace recording functions carried out
on the same track may result in sections
which it is later impossible to combine using
the edit functions.
NOTE
When recording from a digital source, remem-
ber that the input level controls [27] have no
effect.
4.3.7Sound synchro recording
With this facility, the MD-801 goes from record
ready to record mode when a signal threshold is
exceeded. The threshold is the same as for the Auto
Cue function (4.2.12, "Cueing to the first audio posi-
tion in a track") and is set in the Auto Cue menu (3.3,
"Auto cue").
3
If you require mono recording (uses the left
channel only, and doubles the available record-
ing time), set the REC MODE switch [30] to
MONO, otherwise, make sure it is set to
STEREO.
The facility also allows the unit to go automatically
from recording to record ready mode, if the input sig-
nal drops below the threshold and stays at this lower
level for five successive seconds.
4
5
Press and hold down the RECORD key [8] and
press the READY key.
Start recording by pressing the PLAY key [6],
and finish by pressing the STOP key [5].
1
Make sure the MD-801 is recording or in record
ready mode.
2
Use the “previous”TRACK key [4] to toggle
between turning the Sound Synchro function on
and off (the screen below shows it turned on).
NOTES
If the selected digital input is not correctly
connected, or is not present, the D-IN
UNLOCK! message will appear on the
display to inform you of this.
S_SYNC ON
If the MD-801 is in record ready mode, start playing
the source. As soon as the signal level goes above the
threshold, the MD-801 will go from record ready to
record mode.
If the digital input signal is interrupted and
resumes within 30 seconds of the interruption,
a new track will be started on the MD-801,
with a number that is one higher than the pre-
If the MD-801 is in record mode, it will drop back to
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vious one. If the digital signal is not resumed
within 30 seconds of interruption, recording
will stop.
4.3.10Track title copying together with
audio
This is a special case when making copies between
two MD-801 units. Titles may be copied in either the
analog or the digital copying modes.
As mentioned earlier, 4.3.4, "Track number
incrementing", when digital recordings are
made through the COAXIAL inputs, track
numbers are incremented automatically as
PQ code is read from CD or MD, or START
IDs are read from DAT. However, if a source
track is less than three seconds in length, a
new track will probably not be started on the
MD-801.
A special optional cable (PW-1XMD) is required, to
link the two serial ports of the two units [45]. Set up
the serial communication parameters to the default
values, as described in 3.11, "Serial communica-
tions", with the baud rate set to 9600.
Apart from ensuring that this connection is made,
there are no special settings to be made on the master
(source) unit.
4.3.9Analog recording
To copy titles along with the audio data:
1
Set the INPUT selection switch [28] to
ANALOG.
1
2
Put the slave unit into record ready mode.
Press the RECORD key (again on the slave
unit). The display shows:
2
Set the ANALOG INPUT switch [31] to
UNCAL or CAL.
UNCAL enables the input level controls, while CAL
disables them, and inputs the analog signal “as
given”. In this case, a signal input received at nomi-
3
4
Use the RECORD key to toggle this mode
between on and off.
1
nal level (+ 4dB in the case of the balanced inputs ,
and –10 dB in the case of the unbalanced inputs) will
register –16 dB. You should take care that analog
signals never go more than 16 dB above the nominal
level, or clipping will occur.
The title will now be copied automatically when
the mode is set to on, and the track number on
the slave is incremented (see 4.3.4, "Track num-
ber incrementing" for details of when tracks are
If your program material includes such passages, re
suggest that you use the UNCAL setting, and attenu-
ate the signal a little using the input level controls.
In addition, you can copy the title of the current
track of the master unit by pressing RECORD
on the slave unit when it is in record mode, and
the track title copy mode is on.
3
If you require mono recording (combines the
left and right channels, and doubles the avail-
able recording time), set the REC MODE
switch [30] to MONO, otherwise, make sure it
The Sound Synchro function (see 4.3.7, "Sound
synchro recording") can be used for automati-
cally putting the slave unit from record ready to
record when the master unit’s audio level
exceeds a threshold.
4
5
Press and hold down the RECORD key [8] and
press the READY key.
Start recording by pressing the PLAY key [6],
and finish by pressing the STOP key [5].
NOTE
Tracks of less than seven seconds in length
cannot have their titles copied automatically in
this way.You will have to copy the titles man-
ually in these cases.
Track numbering is incremented as described in
4.3.4, "Track number incrementing".
1. Provided that the trimmer potentiometers at
the balanced inputs have been left in the posi-
tion as shipped from the factory. If these set-
tings have been changed, the reference level
will be altered accordingly.
For information regarding the copying of disc titles
between MD-801 units using the serial link, see
5.11.6, "Copying disc and track titles".
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5 - Editing operations
Unlike tape or other linear media, the MD-801 pro-
vides you with a wide range of editing tools, allow-
ing you to make arbitary cuts, “splices” and
rearrangements of running order without having to
re-record any parts of the material.
After most editing operations, the MD-801 enters the
play ready mode.
5.1.1Cancelling an edit operation
If you wish to cancel an edit operation at any time
before step 3 above, do any of the following:
Although the editing operations you perform will
take effect instantly, unless they are written to disc as
part of the User Table of Contents (U-TOC), they
will not take any effect when the disc is next used (or
inserted in another machine), as “splices”, etc. are
virtual, and do not actually represent cuts in the
material.
• turn the SHUTTLE wheel counterclockwise
• press the STOP key [5]
• press the EDIT key
5.1.2Editing without saving the edits to
disc
If you want to make edits, but do not want to commit
them to disc, you can do either of the following:
The U-TOC contains all the information that is read
by the MD-801 in order to know what parts of the
disc should be played, and in what order.
• turn off the power to the MD-801
• press the EJECT key once, and press it again, after
the TOC Edited!message appears on the
display
For that reason, it is important that you never turn off
the MD-801 while it is writing the U-TOC to disc. If
you do this, you will probably be unable to use the
disc in the future.
5.2 Dividing tracks
5.1 Basic editing operations
Use this editing function to split one track into two.
This operation can be carried out while the MD-801
is in play ready mode.
1
To start an editing operation, press the EDIT
key [18] and the EDIT indicator will light in the
display.
Before the operation to split track 2, the tracks and
numbers look like:
Track number
2
3
Select the editing operation using the DATA
dial [12].
1
2
3
4
When the editing operation is complete (the
exact steps are described in the individual sec-
tions below), turn the SHUTTLE wheel [13] to
complete the operation and return to normal
mode.
This track is to be divided here
After the operation, the tracks will look like:
Track number
1
2
3
4
5
After an editing operation, theTOC WRITE indica-
tor [19] will light, and the display TOC EDIT will
light, showing that there are editing changes made
which have not been saved to disc.
Note that the tracks are renumbered
1
Locate the playback position so that it is at the
point where you want to divide the track. Press
the READY key [7] to put the MD-801 into
play ready mode.
4
Commit the editing operation to disc by press-
ing the TOC WRITE key [19].
NOTE
2
After pressing the EDIT key, turn the DATA
dial until the display shows:
A disc must not be write-protected when sav-
ing edits to disc. The display shows
DIVIDE ?
Turn the SHUTTLE wheel clockwise.
Point OK?
W_Protected!if you attempt to write
a U-TOC to a protected disc. By ejecting the
disc you lose the edits you have made, so you
should make sure that a disc on which you
want to save edits is write enabled before you
start the editing process.
3
4
A jog loop will start playing. Adjust the jog
loop using the JOG/DATA dial, so that the start
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5 - Erasing a track
of the loop is the point at which you want to
divide the track.
2
3
After pressing the EDIT key, turn the DATA
dial until the display shows:
ERASE TRK ?
NOTE
Turn the SHUTTLE wheel clockwise to change
the display:
You can set the length of the jog loop in the
menu system (see 3.5, "Jog loop length").
Track OK ?
5
When the start of the jog loop is correctly posi-
tioned, turn the SHUTTLE wheel clockwise.
The display shows Now Editing, and
Completewhen the editing operation has
finished.
4
5
If you want to change the track to be erased at
this stage, you can use the TRACK keys to
change the current track.
Turn the SHUTTLE wheel clockwise to erase
the track. The display shows Now
Editing, and Completewhen the
erase operation is finished.
The track title of the first track created by the divi-
sion process will have the same title as the original
track (before the division took place). The second
track will be untitled.
5.4 Combining tracks
NOTE
This editing function allows you to combine a track
with the previous track. It is not possible to combine
two non-adjacent tracks (but you can move such
tracks and then combine them—see 5.5, "Moving
tracks").
If the divide point is set to a track boundary
(the start of a track), the display will show an
error message (Not Execute!) when
the SHUTTLE wheel is turned in step 4
above.
Before the combine operation, the tracks and num-
bers look like:
The playback position is here
Track number
5.3 Erasing a track
1
2
3
4
This operation erases a track and frees the space for
further recording.
These tracks are to be combined
Before this edit operation, the tracks and numbers
look like:
Track number
After the combine operation, they look like:
Track number
1
2
3
4
1
2
3
This track is to be erased
Note that the following tracks are renumbered to pro-
vide a contiguous sequence.
After the operation, the tracks and numbers look like:
Track number
1
Use theTRACK keys, or any other convenient
method, to select the second track of the pair to
be combined (the selected track will be com-
bined with the one before it).
1
2
3
Note that the tracks following the erased tracks are
automatically renumbered, so that the numbering
sequence is contiguous.
2
3
After pressing the EDIT key, turn the DATA
dial until the display shows:
Tracks can be erased while the MD-801 is stopped,
or in play, or in play ready mode.
COMBINE ?
Turn the SHUTTLE wheel clockwise to enter
the rehearsal mode:
1
Set the playback position at the track to be
erased (use theTRACK keys or any other con-
venient way of locating to the track).
Rehearsal
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5 - Moving tracks
The PLAY indicator above the PLAY key will
flash, as will the EDIT indication in the display,
to show that rehearsal mode has been entered.
look like:
Track number
1
2
3
4
In this rehearsal mode, the last 4 seconds
(approximately) of the previous track and the
first four seconds (approximately) of the current
track are continuously repeated, so that you can
audition the “join” between the tracks.
This track is to be moved
Following the move operation, the tracks look like:
New track numbers
4
5
At this point, it is still possible to use the
TRACK keys to select another track to be com-
bined. This newly-selected track will be com-
bined with the track immediately before the
new selection.
1
3
2
3
4
4
1
2
(track numbers before the move)
The “gap” is closed up, and all tracks are re-num-
bered in the new sequence. A move operation can be
carried out in the stop, play ready or play modes.
Turn the SHUTTLE wheel clockwise to com-
bine the tracks. The display will show Now
Editing, followed by Complete.
1
Use theTRACK keys, or any convenient
method, to select the track to be moved.
The track number of the first combined track (i.e. the
track immediately before the track selected prior to
the combine operation) is used for the combined
track.
2
After pressing the EDIT key, turn the DATA
dial until the display shows:
MOVE ?
The title of the second track is appended to that of the
first track.
3
Turn the SHUTTLE wheel clockwise to open
the move menu. The display will show:
NOTES
Move to 001?
Selecting the first track and attempting a com-
bine operation will result in the message
TRK Illegal!being shown on the
display—it is not possible to combine the first
and last tracks.
The three numeric digits indicate the track num-
ber that the current track will occupy after the
move operation.
4
5
Use the DATA dial to change the destination
track number.
Mono and stereo tracks cannot be combined.
Turn the SHUTTLE wheel clockwise. The dis-
play will show Now Editing, followed
by Complete.
In some cases where an MD has had many
edit operations performed, the Cannot
EDIT!message may appear on the dis-
play. This does not indicate a fault with the
disc or the machine, but is a property of the
MD recording system.
All tracks will be automatically renumbered.
NOTE
You cannot move a track to itself, e.g. if you
have selected track 1, the destination number
cannot be 001. The display will show a
Not Executemessage if you attempt
this.
5.5 Moving tracks
This function allows you to edit the running order of
the tracks, and re-place a track in a different position.
This can also be used with the combine function (5.4,
"Combining tracks") in order to combine non-contig-
uous tracks.
5.6 A and B point erase operations
Before a move operation, the tracks and numbers
The two location points (see 4.2.6, "Playback
between two location points") can be used for a vari-
ety of erasure purposes. Although the basic principle
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5 - A and B point erase operations
of operation is the same, the function is so flexible
that it can be used for many different purposes.
All data between these points is erased.
Track number
1
2
3
4
In order to be used for editing in this way, the follow-
ing conditions must be met:
• Point A must not be at the same location as point B
• At least one of the two points must be marked
• Point B must come after point A
5.6.2Erasing to the end of a track
If only point A is marked, the end of the track con-
taining point A is regarded as point B.
If any of these conditions are not met, the display
will show A-B Error!.
Track number
1
2
3
4
The A and B points do not have to be in the same
track.
A
“B”
All A-B operations are carried out in the same way:
This provides a convenient way to delete from a
marked point to the end of the track.
1
Set the A and B points (4.2.5, "Entering the A
and B location points").
Track number
2
In stop, play or play ready mode, after pressing
the EDIT key, turn the DATA dial until the dis-
play reads:
1
2
3
4
5.6.3Erasing from the start of a track
ERASE A-B ?
If only point B is marked, the start of the track con-
taining point B is regarded as point A.
3
Turn the SHUTTLE wheel to enter rehearsal
mode.
Track number
Rehearsal
1
2
3
4
The above message alternates with Erase
OK ?, and the EDIT indicator in the display flashes.
“A”
B
The rehearsal mode continuously plays from a posi-
tion about four seconds before the A point, and about
4 seconds after the B point. This allows you to pre-
view the “splice”.
This provides a convenient way in which data can be
erased from the start of a track only.
In addition, the AUTO CUE function (4.2.12, "Cue-
ing to the first audio position in a track") can be used
to cue precisely to the start of the audio in a track. If
this location is then marked as point B, all “dead
time” at the start of the track up to the audio start can
be eliminated.
4
Turn the SHUTTLE wheel to confirm the erase
process.
After the operation is complete, if the A point has
been set, it is erased (the indicator goes out).
The B point will be at the position where the erase
took place.
Track number
3
4
1
2
5.6.1Normal A-B erase
In this editing operation, both the A and B points are
set within the same track.
5.6.4Erasing more than one track at a
time
Track number
If the A and B marks are set in different tracks, all
material between the A and B points will be erased.
1
2
3
4
Track number
A
B
1
2
3
4
5
A
B
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5 - Moving an A-B point
If the A point is set at the start of a track, and the B
point at the end of another track, the whole of the
tracks containing and between these points will be
erased (in the example above, tracks 2 and 3 will be
erased.
them:
• Point A must not be at the same location as point B
• At least one of the two points must be marked
• Point B must come after point A
If any of these conditions are not met, the display
Track number
will show A-B Error!.
1
2
3
1
Mark the A and B points.
Formerly tracks 4 and 5
until the display shows
bered to form a continuous sequence.
INSERT A-B ?
3
4
Turn the SHUTTLE wheel clockwise. The dis-
play will change:
NOTE
It is not possible to erase the last track on the
track erase function (see 5.3, "Erasing a
track") for this purpose.
INSR PT OK ?
The MD-801 will keep looping the point at
which the insertion is to take place (the inser-
tion point is at the end of the loop). Use the
JOG dial (it is not a data dial at this point) to
alter the position of the insertion point.
5.6.5Retaining a track title for use by the
second track after a division
As explained earlier (5.2, "Dividing tracks"), when a
track is divided, the earlier of the newly-created pair
of tracks contains the song title. If you are using the
track division to eliminate lead-in times, this would
mean that the unwanted lead-in kept the title and the
program material was untitled. To avoid this, use the
A-B erase function (without setting the A point) to
retain the title for the remaining part of the track.
Turn the SHUTTLE wheel clockwise once
more, and the display will change (alternating
with the word Rehearsal, while the
EDIT indicator lights in the display:
IN PT OK ?
The playback will now loop from a point about
four seconds before the insertion point to a
point about four seconds after the A point. This
allows you to preview the effect of the “punch-
in” join between the original material and the
A-B portion being moved.
5.7 Moving an A-B point
This is the electronic equivalent of a razor-blade and
splicing tape. A section of material can be marked,
and moved to almost any part of the disc.
5
6
Press the LOC B key [24] while this rehearsal
process is taking place. The display will change:
Track number
1
2
3
4
OUT PT OK ?
The playback loop now changes so that the loop
starts about four seconds before the B point, and
ends about four seconds after the insert point.
This allows you to preview the effect of the
“punch-out” between the A-B portion being
moved and the original material.
A-B portion
to be inserted here
A
B
After the operation, the layout will be:
Track number
1
2
3
4
5
6
Turn the SHUTTLE wheel clockwise to make
the edit. The display will show Now
Editing, followed by Complete.
The A-B section becomes a new track. The
point from which the A-B section was moved
also becomes a track break, and all track num-
New track from A-B portion
Track 2 split into two
at cut point
This operation can be performed in stop. play ready,
or play modes.
The same conditions apply with regard to the A and
B points as apply when erasing material betwen
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5 - Restoring erased material
bers are renumbered accordingly. See the dia-
gram above for an example.
When restoring a track or tracks, the last
restored track will have the unused portion of
the disc automatically appended to it.This will
result in a Disc Fullerror message if
you try to record on the disc.
If you need to make the new track (formerly the
A-B portion) into part of the preceding and/or
following track, use the track combine facility
(see 5.4, "Combining tracks") to turn these
tracks into one track.
To overcome this problem, split the new long
track at the end of the recorded section, and
delete the new track which consists of the
unused part of the disc.
The A and B points are lost after this edit opera-
tion, and will have to be re-entered if they are to
be used again.
When restoring recordings that have been
interrupted, the time shown on the display
may disappear from the display at the point at
which the power was cut. This is a normal
function, and you should not be concerned if
this happens.You may want to use this as the
position to divide the new "long" track into two
before deleting the unwanted part, as
described above.
You can cancel the operation at any time in the
usual way (SHUTTLE wheel counterclock-
wise, EDIT key or STOP key).
NOTE
You cannot move the A-B portion inside itself
(i.e. the insert point cannot be between the A
point and the B point).
If a track or section occupies a part of the disc
which has been overwritten by a new record-
ing, the older section cannot be restored—the
data is no longer available.
5.8 Restoring erased material
A track or section erased can be unerased. This is an
“all or nothing”-type process—all tracks and sections
deleted are restored, and it is not possible to restore
only one of these tracks or sections.
This operation can take place in stop, play ready or
play mode.
1
Press the EDIT key, and turn the DATA dial
until the display shows:
In addition, if tracks or sections are restored, the
audio data only is restored—the titles and recording
dates are not restored, but a title such as
RST.001will be automatically given, showing
that this is a restored track. The tracks restored in a
single operation start numbering at 001, regardless of
any other track titles with the same number that were
on the disc before the operation.
RESTORE ?
2
Turn the SHUTTLE wheel clockwise to restore
deleted data.
The display may show Not Execute!.
Here, this means that the disc has no material
recorded on it which has been erased (there may even
be no material at all recorded on it).
This function can also be used in an emergency, if
recording was taking place, and power to the unit
was cut off part of the way through the recording
process. In this event, data on the disc will be
present, but will not be organized with the TOC and
will hence be inaccessible. This function may allow
the data to be accessed after the restore operation has
been performed.
5.9 Changing track attributes
After a track has been restored in the way described
above, it may have the wrong attribute assigned to it
(it may be restored as mono when it was originally
stereo, or vice versa). This function allows you to
restore the correct attribute.
However, there are occasions on which this function
does not restore such data, and the Not
Execute!message will appear..
1
Use theTRACK keys or any other convenient
method to select the track whose attributes you
wish to change.
NOTES
2
After pressing the EDIT key, turn the DATA
dial until the display shows:
Tracks and sections of less than 12 seconds
in length may not be restored.
TRK ATTR ?
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5 - Erasing a complete disc
3
4
Turn the SHUTTLE wheel clockwise. The dis-
play changes:
5.11Track and disc title entry
Track OK ?
The disc and tracks can be titled. The titles can con-
sist of upper- and lowercase letters, numbers, and
punctuation symbols (as well as Japanese katakana ).
Turn the SHUTTLE wheel clockwise once
again to change the current track from mono to
stereo or vice versa.
Each title can be up to 99 characters long, and titles
too long to fit on the display are scrolled.
The display will show Now Editing,
followed by Complete.
The total number of characters which can be
included as titles on a disc (disc and track titles) is
1,792 characters.
This function may also be used to “un-protect” a
track if the following message appears at any time in
the edit mode:
A computer keyboard (PS/2 compatible) can be
attached to the MD-801, and used to input titles, or
titles can be entered, using the procedure described
below (for keyboard operations, see 6, "Use of a key-
board with the MD-801").
T_Protected!
This signifies that the track cannot be edited. This is
software protection, which has been set by an MD
unit other than an MD-801, and it can be disabled
using this function in the way described above.
Titles can be entered in stop (disc titles), play or play
ready (track titles) mode as well as in the record and
record ready modes.
NOTE
until the display shows:
be protected again.
TITLE ?
2
Turn the SHUTTLE wheel clockwise.
5.10Erasing a complete disc
If the MD-801 is in stop mode, the words DISC
TITLE will light in the display, and you can enter
the title for the whole disc.
As well as erasing individual tracks (see 5.3, "Eras-
ing a track"), it is also possible to erase the entire
contents of a disc.
If the MD-801 is in play or play ready mode, or
record or record ready mode, the words
TRACK TITLE will light in the display, and
you can enter the title for the current track.
1
2
3
After pressing the EDIT key, turn the DATA
dial until the display shows:
ERASE DISC ?
3
The display will change:
Turn the SHUTTLE wheel clockwise to enter
this edit menu:
_
The underline cursor shows where the character
will be entered.
Sure ?
If you are sure that you want to erase the con-
tents of the disc, turn the SHUTTLE wheel
clockwise once more.
4
5
6
Use the DATA dial to scroll through the symbol
set. The character set selected initially is the
lowercase alphabet set, together with numbers
and punctuation symbols.
The display will show Now Editing,
followed by Complete, followed by
Blank Disc.
Use the MEMO IN/CAPS key [23] to change
between lowercase and uppercase characters. If
uppercase characters are selected, the CAPS
indicator will light in the display.
If you want to abort the erase process, use the
usual methods (SHUTTLE wheel counter-
clockwise, EDIT key or STOP key).
Turn the SHUTTLE wheel clockwise to move
the cursor to the right, and counterclockwise to
move it to the left. Continuing to hold the
SHUTTLE wheel away from the center posi-
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5 - Track and disc title entry
tion will move the cursor more than one
position.
1
2
Move the cursor to the character following the
position where a character is to be inserted:
K_
Koto Sonta
7
8
Continue using the DATA dial and SHUTTLE
wheel to enter characters, until the title is
complete.
Press the LOC B/INS key [24]. A space will
appear into which you can enter a character:
Koto Son_ta
Koto Sonata_
5.11.3Changing characters
To store the title, press the EDIT key. The title
will scroll across the display if it is too long to
fit on one line, allowing you to check it.
If a character has been wrongly entered, you can
change it by moving the cursor to the character, and
turning the DATA dial.
Thus:
NOTES
Koto Sonbta
If the display shows Name Full, it
means that the character limit for a title (99
characters) or for a disc (1,792 characters)
has been exceeded.
can be corrected by moving the cursor to the b:
Koto Sonbta
If a disc has been titled on another MD
recorder, which permits longer titles than
those permitted by the MD-801, the titles,
when edited on the MD-801, are subject to
the same limitations as those imposed on
“native” titles.
and then turning the DATA dial counterclockwise:
Koto Sonata
5.11.4Editing existing titles
If a title has already been entered, for a disc or for a
track, pressing the EDIT key and turning the DATA
dial until TITLE ?is displayed allows you to
edit it, to change characters, and insert or delete char-
acters as described above.
5.11.1Deleting characters
If a character is entered in error, delete it as follows:
In stop mode, the disc title can be edited.
1
Move the cursor under the character to be
deleted:
In play mode or play ready mode, the title of the cur-
rent track can be edited.
Koto Sonatta
5.11.5Viewing titles
2
Press the LOC A/DEL key [24]. The character
at the cursor position will be deleted.
As explained earlier (4.2.16, "Displaying track titles
during playback"), pressing theTITLE key during
playback will display the disc title (in stop mode) and
the current track title (in play or play ready mode).
Koto Sonata
5.11.2Inserting characters
If you have missed out a character, insert a space for
a new character in the following way:
If the title is too long to fit in the display, pressing the
TITLE key once more will scroll it across the
display.
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5 - Track and disc title entry
3
4
The display will change:
5.11.6Copying disc and track titles
When two MD-801 units are connected together
using the optional PW-1XMD serial cable, disc and
track titles can be copied from one unit (master) to
the other (slave), as described in 4.3.10, "Track title
copying together with audio", with the following pro-
cedure.
_
With both units in stop mode, press the CALL
key [10] on the slave unit.
The title currently displayed on the master unit
(in this case, the disc title) is copied to the slave
unit.
1
After pressing the EDIT key on the slave unit,
turn the DATA dial until the display shows:
NOTE
TITLE ?
Track titles can also be copied in this way, as
well as using the method described in 4.3.10,
"Track title copying together with audio", as
long as the master unit is in play or play ready
mode.
2
Turn the SHUTTLE wheel clockwise.
If the master MD-801 is in stop mode, the DISC
TITLE indicator will light in the display, and you
can copy the title for the whole disc.
If the master MD-801 is in play or play mode,
the TRACK TITLE indicator will light in the dis-
play, and you can copy the title for the current
track.
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7 - Remote control of the MD-801
The MD-801 can be controlled by a number of dif-
ferent sources, including the PS/2 keyboard
described in 6, "Use of a keyboard with the MD-
801". In addition, the REMOTE (SERIAL) [45] and
REMOTE (PARALLEL) connectors [47] can be
used to connect compatible equipment, and the
REMOTE CONTROL terminal [46] allows connec-
tion of an optional TASCAM RC-801 or RC-FS10/
20 remote control unit.
Pin
number
Assignment
Function
23
KEY_0
KEY_1
KEY_2
KEY_3
KEY_4
KEY_5
KEY_6
KEY_7
KEY_8
KEY_9
CLEAR
ENTER
DISC IN
GND
Numeric key (0) Command
Numeric key (1) Command
Numeric key (2) Command
Numeric key (3) Command
Numeric key (4) Command
Numeric key (5) Command
Numeric key (6) Command
Numeric key (7) Command
Numeric key (8) Command
Numeric key (9) Command
CLEAR Command
24
25
26
27
28
29
30
31
32
33
34
35
36
37
NOTE
CONTROL terminal other than a TASCAM
remote control unit specifically designed for
use with the MD-801.
ENTER Command
DISC IN Tally
GND
In addition, the MD-801 may be “fader started” using
a pin on the REMOTE (PARALLEL) connector
(see 7.1.2, "Fader start").
+5V
+5V
All of the Command inputs are active when low. In
order to activate them, they must be brought to
ground level for 50 ms or longer.
7.1 REMOTE (PARALLEL)
connector
The ONLINE Tally pin (17) becomes active when a
play command is received from any of the following:
The following gives the pinouts of the REMOTE
(PARALLEL) connector [47]:
• the ONLINE function of the RC-801 remote con-
trol unit
• the RC-8 remote control unit,
Pin
number
• play command issued to either the REMOTE
(PARALLEL) or REMOTE (SERIAL) connector
• a PS/2 keyboard
Assignment
Function
PLAY Command
1
PLAY
2
3
4
5
6
TRACK NEXT
TRACK PREV
READY
Track Next Command
Track Previous Command
READY Command
The RECORD Command (pin 6). If this command is
received, the MD-801enters Input Monitor mode. To
start recording, the RECORD and PLAY Commands
must be transmitted simultaneously (pins 6 and 11).
R
STOP
STOP Command
RECORD Command
RECORD
AUTO CUE
FADER START
AUTO READY
CALL
R
R
7.1.1Tally indicators
7
AUTO CUE Command
FADER START Command
AUTO READY Command
CALL Command
PLAY Tally
8
The Tally pins of the REMOTE (PARALLEL) con-
nector may be used to connect LEDs, etc. for visual
remote indication of the status of the functions which
are associated with these pins.
9
10
11
12
13
14
PLAY
READY
READY Tally
AUTO READY
STOP
AUTO READY Tally
STOP Tally
NOTE
The tally outputs are open collectors, with the
maximum load current being 20 mA and the
maximum voltage being 30 V. Take care not
to overload these pins: the maximum supply
current is 100 mA.
RECORD
RECORD Tally
15
16
17
18
19
20
21
22
AUTO CUE
ONLINE
AUTO CUE Tally
ONLINE Tally
TIME SEARCH
—
TIME SEARCH Tally
Reserved
EOM
End of Message Tally
PROGRAM Tally
PROGRAM Command
While the MD-801 is in input monitor mode, the
RECORD Tally signal (pin 15) will provide a flash-
ing tally light (see below).
R
PROGRAM
PROGRAM
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7 - REMOTE (PARALLEL) connector
For details of the timing of the EOM tally signal (pin
20), see 3.7, "EOM disc" and 3.8, "EOM track".
To connect two units for sequential playback, con-
nect the End of Message Tally (pin 20) of the first
unit to the PLAY Command pin (pin 1) of the second
unit. You should also link together the two ground
pins (pin 36).
7.1.2Fader start
Pin 8 is a special case. If this input is brought low
(for more than 50 ms), playback starts. If it is brought
back to the high state, playback stops.
This ensures that when the End of Message tally sig-
nal is output from the first unit, it will trigger a play
action in the second, allowing continuous playback
of very long programs.
This makes it suitable for connection to any switch-
ing mechanism such as the fader start outputs on a
mixing console, or an edit controller, which connect
this pin to ground when active.
To enable continuous sequential recording, connect
together the REMOTE (PARALLEL) connectors of
two MD-801R units in the following way:
R
Note that the Incremental Play function (see 3.10,
"Incremental play") can be used to cue the start of the
next track automatically when the fader play pin goes
high (i.e. playback is stopped).
The End of Message Tally (pin 20) of the first unit
should be connected to both the PLAY Command
(pin 1) and the RECORD Command (pin 6) pins of
the second unit’s REMOTE (PARALLEL) connec-
tor. The two ground pins (pin 36) should also be con-
nected.
7.1.3Sequential playback and recording
Using the REMOTE (PARALLEL) connectors to
“daisy-chain” a number of MD-801 units, it is possi-
ble to use the EOM message (as described in 3.7,
"EOM disc") to start playback or recording on one
unit automatically when the end of the disc is
reached on the first unit.
It is also possible to connect the End of Message
Tally pin of the second unit to the appropriate pin(s)
of a third unit, and so on.
Note that if a disc is scratched or damaged, it may not
be possible to perform the sequential playback or
recording operation.
• Before doing this, you should make sure that the
value in the EOM track menu is set to off (see 3.8,
"EOM track"), and that the EOM disc value is set
to over 60 seconds (see 3.7, "EOM disc").
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8 - Specifications, etc.
This section provides reference material concerning
the error and informational messages that may
appear on the display of the MD-801 under certain
circumstances, as well as the specifications of the
unit.
Meaning and possible
Message
remedy
The disc inserted is of the
wrong type (it may be an MD
data disc) or the U-TOC has
become damaged or is other-
wise unreadable. Try again
with another disc.
Disc Error!
8.1 Error messages and
troubleshooting guide
You are trying to record or
split a track on a disc where
there is no space. Note that if
the U-TOC is complicated,
even though the total length
of the recorded tracks may
be less than the nominal
length of the disc, this mes-
sage may appear.
Disc Full!
Any troubleshooting remedies suggested here are
ones you can perform yourself. If you cannot cure a
problem by following the suggestions here, contact
your TASCAM dealer.
The MD-801 is a precision piece of engineering, and
there are no user-servicable parts inside. Do not
attempt to make any repairs to the MD-801.
The disc cannot be ejected
properly. Switch off the unit,
wait a few seconds, turn on
the unit again and retry eject-
ing the disc. If this fails, con-
tact your TASCAM dealer.
Eject Error!
The messages here are arranged in alphabetical order
for easy reference.
Meaning and possible
Message
remedy
An error has occurred with
regard to the setting of the A
and B location points (they
are at the same position, A
follows B, etc. Consult the
relevant part of this manual
to see what restrictions are
placed on the A-B loop for
the operation you are
A-B Error!
No external word clock could
be found, when one was
expected. Check the connec-
tions to the word clock.
EXT_CLK Err!
You are attempting to insert
at an illegal point (see 5.7,
"Moving an A-B point")
InsPT Error!
Load Error!
The MD-801 was unable to
read the disc when it was
loaded. Eject the disc and try
again. If the problem persists,
try cleaning the drive lens
using a commercial MD lens-
cleaning kit.
attempting.
The edit operation you just
attempted cannot be carried
out. Try again with another
disc.
Cannot EDIT!
Cannot REC!
For various reasons, the MD-
801 is unable to record. Turn
off the power to all units,
recheck connections, etc.
wait a few seconds, turn on
the units and try again. If this
problem persists, contact
your TASCAM dealer.
R
R
The title you have tried to
enter exceeds the limit for an
individual title, or for the total
number of characters that
may be stored on a disc (see
5.11, "Track and disc title
entry")
Name Full!!
You have attempted to use
the flash start function, with-
out the optional RAM buffer
(BU-801) being installed (see
6.3, "Flash start")
NO BU-801!!
NO CALL PT!!
The digital audio source
selected for recording was
not available. Re-check the
connections, etc. to the MD-
801.
D-IN UNLOCK!
You have attempted to per-
form a call point operation,
without having set the call
point first (see 4.2.7, "The
CALL function")
TASCAM MD-801R/P Mk II 8–1
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8 - Specifications
Meaning and possible
Meaning and possible
remedy
Message
Message
remedy
No digital audio is available
when recording. Check the
source disc.
You have specified an illegal
track number for an opera-
tion. Make sure that the track
number matches the number
of tracks on the disc, and that
the track is a valid track for
the operation you are
attempting (i.e. it is not the
first or the last track for some
operations).
Not Audio!!
TRK Illegal!
R
You attempted to perform an
invalid editing operation.
Read this manual to see
what you might have done to
cause this error message to
appear.
Not Execute!
You are attempting pro-
grammed playback with no
program steps specified.
PGM Empty!!
PGM Full!!
The U-TOC was found to be
defective, but the MD-801
successfully attempted a
repair. This restored U-TOC
was not saved to disc before
a recording operation was
attempted, causing this error
to be displayed.
UTOC Fixed!
R
You have attempted pro-
grammed playback with more
than the maximum permissi-
ble number of tracks (see
6.2.1, "Entering programmed
playback").
The U-TOC is too full (com-
plex) for you to save the edits
that you have just made.You
may want to clean up the U-
TOC (see 4.3.2, "Rebuilding
the TOC").
UTOC Full!
This indicates a system error.
Try again with another disc. If
the error persists, contact
your TASCAM dealer.
PLL UNLOCK!
Ready Error!
R
An error occurred while load-
ing the flash start buffer from
disc (see 6.3, "Flash start").
Try loading the buffer again.
If this error persists, try with
another disc and check the
installation of the optional
BU-801 RAM buffer.
You have attempted a record
or edit operation on a write-
protected disc.
W_Protected!
Write Fail!
The U-TOC could not be writ-
ten. Try loading another disc
to see if the error is in the
disk or in the MD-801
Some error occurred while
recording. This resulted in
the recording process being
stopped. Try again, using
another disc.
Rec Error!
R
8.2 Specifications
Changes in specifications and features may be made
without notice or obligation.
A disc error has occurred.
Eject the disc and try again,
or try with a different disc. If
this error persists, contact
your TASCAM dealer.
Servo Error!
T_Protected!
TOC Edited!
In the following specifications, 0 dBV is referenced
to 1 volt, and 0 dBu is referenced to 0.775 Vrms.
8.2.1General MiniDisc
The track has been pro-
tected, and cannot be written.
Unprotect the track using the
procedure described in 5.9,
"Changing track attributes".
Format
MiniDisc (MD) format, 2-channel stereo
or mono using audio MiniDisc
Magnetic field modulation overwriting
Recording method
R
R
74 minutes (stereo), 148 minutes
(monaural)
Maximum recording
time
Not an error message—this
message is shown when you
try to eject a disc with
Sampling frequency
44.1 kHz
changes made to the TOC
Compression system ATRAC (Adaptive Transform Acoustic
Coding)
(see the EJECT key expla-
nation—[3]).
Modulation system
EFM (Eight-to-Fourteen Modulation)
8–2 TASCAM MD-801R/P Mk II
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8 - Specifications
Error correction
ACIRC (Advanced Cross Interleave
Reed-Solomon Code)
RCA pin jack, IEC60958 (consumer)
format (SPDIF)
COAXIAL output
Frequency response 20 Hz – 20 kHz ±0.5 dB
XLR-3-31 type, AES3-1992 format.
Valid sampling frequencies from
<32 kHz to 48 kHz
R AES/EBU
input
Signal-to-noise ratio
(playback)
>101 dB (1 kHz/weighted A)
RCA pin jack, IEC60958 (consumer)
format (SPDIF). Valid sampling frequen-
cies from <32 kHz to 48 kHz
R COAXIAL
input
Signal-to-noise ratio
(recording)
> 94 dB (1 kHz/weighted A)
R
THD
< 0.006%
8.2.4Other connections
Wow and flutter
Pitch control
Unmeasurable
±9.9% (in 0.1% steps)
< 0.1s
WORD SYNC
IN
BNC connector, impedance 75 Ω, sam-
pling frequency 44.1 kHz, ±6%
Playback rise time
(from play ready
mode)
BNC connector, auto-terminating, dupli-
cates signal received at WORD
SYNC IN
WORD SYNC
THRU
8.2.2Analog I/O
’D’-sub 25-pin, connects to TASCAM
optional RC-801 remote control unit or
to optional RC-FS10/20 remote
controller
REMOTE
CONTROL
Balanced outputs
XLR-3-32 type, nominal +4 dBu, full-
scale –16 dB
(
LINE)
Maximum output level: +24 dBu
Nominal impedance: 11
Trimmer potentiometer allows 11 dB
adjustment (–7 dB cut to +4 dB boost)
Ω
’D’-sub 37-pin, TTL level, connects to
TASCAM RC-8 remote control unit
REMOTE
(PARALLEL)
’D’-sub 9-pin, RS-232C
REMOTE
(SERIAL)
Unbalanced outputs
RCA pin jacks, nominal –10 dBV ±1 dB,
full-scale –16 dB
Maximum output level: +6 dBV
(
MONITOR)
PS/2-compatible, mini-DIN 6-pin
KEYBOARD
Nominal impedance: 220
Ω
Headphones
1/4” stereo jack
Maximum output level: 50 mW + 50 mW
Impedance: 32
8.2.5General and electrical
(
PHONES)
Voltage
USA/Canada 120 VAC @ 60 Hz
Ω
U.K./Europe 230 VAC @ 50 Hz
Australia 240 VAC @ 50 Hz
Balanced inputs
XLR-3-31 type, nominal +4 dBu, full-
scale –16 dB
Maximum input level: +24 dBu
Nominal impedance: 2.2 kΩ
Trimmer potentiometer allows 11 dB
adjustment (–4 dB cut to +7 dB boost)
R
R
Power consumption
33 W (MD-801R Mk II)
29 W (MD-801P Mk II)
Dimensions
(w x h x d)
482 x 132 x 353 (mm)
19 x 5.2 x 13.9 (in)
Weight
8 kg (17.6 lbs)
Unbalanced inputs
RCA pin jacks, nominal –10 dBV, full-
scale –16 dB
Maximum input level: +6 dBV
Nominal impedance: 8 kΩ
Optional accessories RC-801 full function remote control unit
RC-8 simple remote control unit
PW-1XMD cable for title copying
BU-801 RAM buffer for flash start
RC-FS10/20 flash start control unit
8.2.3Digital I/O
XLR-3-32 type, AES3-1992 format
AES/EBU output
TASCAM MD-801R/P Mk II 8–3
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8 - Dimensional drawing
8.3 Dimensional drawing
Option
RC-801 Remote Control Unit
216mm
22mm
201mm
RC-8 Remote Control Unit
8–4 TASCAM MD-801R/P Mk II
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Index A - E
Copy ID 3-4
Copying
A
disc and track titles 5-9
title together with audio 4-8
Cueing
next track automatically 4-3
A and B point erase operations 5-3
A-B erase 5-4
A-B indicator 2-7
A-B point, moving 5-5
to first audio position in a track 4-3
About the MD-801R/P Mk II 1-2
About the MiniDisc forma1-1
AES/EBU
D
DIGITAL INPUT 2-7
Date
DIGITAL OUTPUT 2-7
displaying recording 4-4
Alphanumeric display (dot-matrix) 2-7
Analog I/O 8-3
setting the time and 4-4
DATE indicator 2-6
ANALOG INPUT switch 2-6
ANALOG INPUTS (UNBALANCED) 2-8
ANALOG INPUTS and trimmers (BALANCED) 2-8
Analog output function DIP switch bank 2-8
ANALOG OUTPUTS (LINE) and trimmers 2-8
ANALOG OUTPUTS (MONITOR) 2-8
Analog recording 4-8
Deleting characters 5-8
Digital I/O 8-3
DIGITAL INPUT (AES/EBU) 2-7
DIGITAL INPUT (COAXIAL) 2-8
DIGITAL INPUT switch 2-6
DIGITAL OUTPUT (AES/EBU) 2-7
DIGITAL OUTPUT (COAXIAL) 2-8
Digital recording 4-7
ATRAC compression 1-1
Audio position in a track, cueing to first 4-3
Auto cue 3-1
AUTO CUE key and indicator 2-5
AUTO READY key and indicator 2-5
Auto track numbering leve3-4
Dimensional drawing 8-4
Direct track entry 6-3
Disc
editing without saving the edits to 5-1
EOM 3-2
erasing complete 5-7
inserting and ejecting 4-1
playback of 4-1
B
Backup memory 1-4
playing back all 4-1
BALANCED, ANALOG INPUTS and trimmers 2-8
Basic recording operations 4-5
Baud rate 3-3
Disc and track titles, copying 5-9
Disc drive 2-2
Disc title
editing with keyboard 6-3
entry 5-7
DISC TITLE indicator 2-7
Display 2-3 2-6
Buffer memory 1-1
C
CALL function 4-2
and indicators (time) 2-7
dot-matrix alphanumeric 2-7
frame 3-1
CALL key 2-3
Cancelling an edit operation 5-1
CAPS indicator 2-6
Care of MD media 1-2
Care of the unit 1-3
Changing characters 5-8
Changing track attributes 5-6
Characters
relative time 4-2
Displaying the recording date 4-4
Displaying track titles during playback 4-4
Dividing tracks 5-1
Dot-matrix alphanumeric display 2-7
changing 5-8
deleting 5-8
E
inserting 5-8
Check items 3-3
Checking and editing a programmed sequence 6-2
COAXIAL
DIGITAL INPUT 2-8
DIGITAL OUTPUT 2-8
Combining tracks 5-2
Communications, serial 3-3
Complete disc, erasing 5-7
Compression, ATRAC 1-1
EDIT indicator 2-6
EDIT key 2-4
Edit operation 6-1
cancelling 5-1
Editing
basic operations 5-1
existing titles 5-8
operations 5-1
titles using the keyboard 6-3
unprotecting tracks 5-7
MD-801R/P Mk II I
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Index F - P
without saving the edits to disc 5-1
Editing a programmed sequence 6-2
Editing operations 5-1
EJECT key 2-2
K
Katakana indicator 2-6
Keyboard (PS/2)
track and disc title editing 6-3
using with the MD-801 6-1
KEYBOARD connector 2-9
Ejecting discs 4-1
End of track, erasing to 5-4
Entering the A and B location points 4-2
EOM
disc 3-2
track 3-2
L
Erased material
restoring 5-6
Erasing
Laser pickup time 3-4
Level control
PHONES jack 2-3
complete disc 5-7
LEVEL controls, INPUT 2-6
Level for auto track numbering 3-4
Level meters 2-7
LINE ANALOG OUTPUTS 2-8
LOC A/DEL & LOC B/INSERT keys and indicators 2-5
Location points
from the start of a track 5-4
more than one track at a time 5-4
normal A-B 5-4
to the end of a track 5-4
track 5-2
Error messages and troubleshooting guide 8-1
entry 4-2
playback between 4-2
Location, time-based 6-2
F
Fader star7-2
First audio position in track, cueing to 4-3
Flash star6-2
M
MD media, care of 1-2
MEMO IN/CAPS key and indicator 2-5
Memory
Frame display 3-1
Front panel 2-2
backup 1-4
buffer 1-1
G
Menu items 3-1
MENU key 2-3
Menu operations
General notes on recording using MD 4-5
General transport operations 6-1
basic principles 3-1
Meters, peak 2-8
I
I/O
MiniDisc format, abou1-1
MODE SET DIP switch bank 2-9
Monaural playback 4-1
MONITOR ANALOG OUTPUTS 2-8
Mono-to-stereo 5-6
Moving an A-B poin5-5
Moving tracks 5-3
analog 8-3
digita8-3
ID, copy 3-4
Incremental play 3-3
Incrementing track number 4-6
indicators, tally 7-1
INPUT LEVEL controls 2-6
Input levels 2-8
N
INPUT selection switch 2-6
Inserting and ejecting discs 4-1
Inserting characters 5-8
Introduction 1-1
Normal A-B erase 5-4
Notes on recording using MD format 4-5
Number incrementing (track) 4-6
Numbering level (auto-numbering) 3-4
J
O
JOG key and indicator 2-3
Jog loop length 3-1
Jog mode 4-3
JOG/DATA dia2-3
Joop length (jog) 3-1
Output levels 2-8
P
Peak level meters 2-7
PGM NO. indicator 2-7
PHONES jack and level control 2-3
II MD-801R/P Mk II
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Index R - T
Pickup time 3-4
PITCH CONT key and indicator 2-5
Pitch contro3-1
PLAY key and indicator 2-1
PLAY MODE key 2-5
Playback 4-1
Replace recording 4-6
Restoring erased materia5-6
RESUME indicator 2-6
Resume setting 3-2
Retaining a track titleafter editing 5-5
S
between two location points 4-2
displaying track titles during 4-4
entering programmed 6-1
incrementa3-3
monaural 4-1
outputs 4-1
SCMS 3-4
Search operations, track 4-3
Sequential playback and recording 7-2
Serial communications 3-3
Setting time and date 4-4
Shuttle mode 4-4
repea4-3
timer-controlled 3-2
SHUTTLE wheel 2-3
Playback and recording (sequential) 7-2
Playing back a single track 4-2
Playing back a whole disc 4-1
Point erase operations 5-3
“Post-Script” recording 4-6
“Post-script” recording 3-4
~ IN (power in connector) 2-9
Power in connector (~ IN) 2-9
POWER switch 2-2
Principles of menu operations 3-1
Programmed sequence
checking and editing 6-2
entering 6-1
SINGLE indicator 2-6
Single track, playing back 4-2
Software version 3-4
Sound synchro recording 4-7
Specifications 8-2
Spindle motor time 3-4
Start of track, erasing from 5-4
Stereo-to-mono 5-6
STOP key 2-2
SYNC IN, WORD 2-9
SYNC THRU, WORD 2-9
Synchro recording 4-7
System software version 3-4
Protected tracks 5-7
PS/2 keyboard 6-1
T
R
Tally indicators 7-1
Time and date setting 4-4
Time display (relative) 4-2
Time display and indicators 2-7
TIME key 2-3
Rack-mounting the unit 1-3
Random access and U-TOC 1-1
READY key and indicator 2-2
Rear panel 2-7
Time-based location 6-2
Timer-controlled playback 3-2
Title copying together with audio 4-8
Title editing with keyboard 6-3
Title entry (track and disc) 5-7
TITLE key 2-3
Rebuilding the TOC 4-5
REC MODE switch 2-6
RECORD key and indicator 2-2
Recording
analog 4-8
basic 4-5
digital 4-7
“Post-Script” 3-4 4-6
replace 4-6
Titles
copying disc and track 5-9
displaying during playback 4-4
editing existing 5-8
sequential 7-2
sound synchro 4-7
viewing 5-8
TOC EDIT indicator 2-7
TOC WRITE key and indicator 2-5
TOC, rebuilding 4-5
Recording date, displaying 4-4
Recording operations 4-4
Recording using MDs 4-5
Relative time display 4-2
REMOTE (PARALLEL) connector 2-9 7-1
REMOTE (SERIAL) connector 2-9
REMOTE CONTROL connector 2-9
Remote control of the MD-801 7-1
REPEAT indicator 2-7
REPEAT key and indicator 2-5
Repeat playback 4-3
Track
attributes, changing 5-6
combining tracks 5-2
cueing the next automatically 4-3
cueing to the first audio position 4-3
displaying title during playback 4-4
dividing 5-1
EOM 3-2
erasing 5-2
MD-801R/P Mk II III
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Index U - W
erasing from the star5-4
erasing to the end 5-4
moving 5-3
Trimmers, balanced outputs 2-8
U
playing back single 4-2
protect 5-7
splitting 5-1
titles 1-2
UNBALANCED ANALOG INPUTS 2-8
Unpacking the unit 1-3
Unprotecting tracks 5-7
Using a PS/2 keyboard with the MD-801 6-1
U-TOC, random access and 1-1
Track and disc title editing with the keyboard 6-3
Track and disc title entry 5-7
Track auto-numbering leve3-4
Track entry, direct 6-3
V
TRACK keys 2-2
Varispeed mode 4-3
TRACK NO. display and indicator 2-7
Track number incrementing 4-6
Track search operations 4-3
Track title copying together with audio 4-8
TRACK TITLE indicator 2-6
Track titles, copying 5-9
Transport operations, genera6-1
Trimmers, balanced inputs 2-8
Viewing titles 5-8
W
Whole disc, playing back 4-1
WORD SYNC IN 2-9
WORD SYNC THRU 2-9
IV MD-801R/P Mk II
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»
MD-801R@#/
MD-801P@#
TEAC CORPORATION
Phone: (0422) 52-5082
3-7-3, Nakacho, Musashino-shi, Tokyo 180-8550, Japan
7733 Telegraph Road, Montebello, California 90640
TEAC AMERICA, INC.
Phone: (213) 726-0303
TEAC CANADA LTD.
Phone: 905-890-8008 Facsimile: 905-890-9888
5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada
TEAC MEXICO, S.A. De C.V
Phone: 5-658-1943
Privada De Corina, No.18, Colonia Del Carmen Coyoacon, Mexico DF 04100
5 Marlin House, Marlins Meadow, The Croxley Centre, Watford, Herts. WD1 8YA, U.K.
Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany
TEAC UK LIMITED
Phone: 01923-819699
TEAC DEUTSCHLAND GmbH
Phone: 0611-71580
TEAC FRANCE S. A.
Phone: 01.42.37.01.02
17 Rue Alexis-de-Tocqueville, CE 005 92182 Antony Cedex, France
P.A. TEAC Nederland BV, Perkinsbaan 11a, 3439 ND Nieuwegein, Netherlands
Perkinsbaan 11a, 3439 ND Nieuwegein, Netherlands
TEAC BELGIUM NV/SA
Phone: 0031-30-6048115
TEAC NEDERLAND BV
Phone: 030-6030229
TEAC AUSTRALIA PTY.,LTD. A.C.N. 005 408 462
Phone: (03) 9644-2442
106 Bay Street, Port Melbourne, Victoria 3207, Australia
Via C. Cantù 11, 20092 Cinisello Balsamo, Milano, Italy
PRINTED IN JAPAN 1098U0.6 M-1423A
TEAC ITALIANA S.p.A.
Phone: 02-66010500
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