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		 Owner’s Manual   
					AMC   
					730   
					770   
					830   
					870   
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				AMC830   
					70 Hz-20 kHz   
					50–250W   
					4 ohms   
					AMC870   
					62 Hz-20 kHz   
					50–250W   
					4 ohms   
					89dB SPL   
					90dB SPL   
					1” SEAS silk dome, ferrofluid   
					cooling   
					1” SEAS silk dome, ferrofluid   
					cooling   
					2 - 51/4-inch (132mm) treated   
					paper cone with butyl rubber   
					surround, 5mm excursion   
					2- 61/2-inch (165mm) copolymer   
					with butyl rubber surround,   
					5mm excursion   
					2kHz   
					2kHz   
					Specialty adhesive between two   
					1/4” layers of HD fiberboard   
					Specialty adhesive between two   
					1/4” layers of HD fiberboard   
					Perforated metal, 53% open   
					Perforated metal, 53% open   
					231/4 x 131/4 x 33/4 inches   
					(590 x 336 x 95mm)   
					301/2 x 101/2 x 33/4 inches   
					(775 x 267 x 95mm)   
					22 x 12 inches   
					(559 x 305mm)   
					293/8 x 93/8 inches   
					(746 x 238mm)   
					White trim, suitable for painting   
					19 lbs (8.6kg) / each   
					White trim, suitable for painting   
					19 lbs (8.6kg) / each   
					AMC830   
					AMC870   
					3 
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				INTRODUCTION: WHAT IS A HIGH END IN-WALL?   
					The new Snell AMC series units bring a novel approach to the design and construction of   
					in-wall loudspeakers, expanding the boundaries of in-wall performance.   
					Our primary goal was to develop loudspeakers that delivered performance that was as close as   
					possible to that of our highly regarded freestanding loudspeakers, like the K7 and LCR7. To do   
					this several issues had to be addressed.   
					The bass performance of conventional loudspeakers mounted in wall cavities is very unpredict-   
					able. Cavity volume can be large, which should be good for bass performance. However, with   
					one very short dimension (approximately 4”) and one very long dimension (up to 8’), the wall   
					cavity takes on the characteristics of a closed-end organ pipe. This creates a strong resonance   
					that tends to null out the bass. Lining this cavity with fiberglass will reduce the “Q” of the   
					notch but not restore the bass. What is needed is a defined volume of a more regular size. This   
					is best done with fully enclosed in-wall speakers.   
					The Snell AMC loudspeaker enclosure is a thin, but strong, aluminum tub. It is both damped   
					and braced. This largely contains the back radiated sound of the woofer within the enclosure.   
					An added benefit of containing the woofer output is a reduced chance that resonances will be   
					excited in the house walls. Furthermore, sound “bleed through” to adjacent rooms is reduced.   
					To minimize resonances in the Snell enclosure, the speaker baffle uses a technique first   
					pioneered on our .5 and XA series loudspeakers. The baffle is a three part composite with MDF   
					(fiberboard) outer layers around a thin, but highly effective, damping layer. This controls the   
					panel resonances of the baffle that can obscure midrange clarity. As we have found with our   
					freestanding loudspeakers, a better loudspeaker cabinet means a better sounding loudspeaker.   
					In addition to these unique solutions, all traditional Snell attributes are retained. Highly coher-   
					ent in-phase crossover networks ensure a seamless blend from driver to driver. Drivers are   
					designed for smooth, wide range response and low distortion. Long sessions of listening and   
					adjusting give each system that special, characteristic Snell sound. Finally, that Snell sound is   
					guaranteed in every production pair by Snell’s proprietary 0.5dB production tuning techniques.   
					4 
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				PLACEMENT OF THE FRONT CHANNEL SPEAKERS   
					A home theatre system includes three loudspeakers placed across the front of the listening   
					room. The distance between the left and right speakers determines the width of the stereo   
					image. If the speakers are placed too close together, the image will be too narrow; too far apart   
					and the blend will suffer, creating a hole in the middle. When properly placed, your speakers   
					will create a continuous “virtual image” from left to right, with an illusion of sound outside, in   
					front of, and behind the speaker systems.   
					We recommend an angular separation   
					between 45 degrees and 60 degrees   
					(when viewed from above). This is   
					equivalent to a separation between the   
					speaker systems that is about 85% of the   
					distance to either of the speakers.   
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					Creation of sounds between the speakers   
					requires some precise placement. The   
					distance from the left speaker, right   
					speaker, and center channel to the   
					listener location should all be as equal as   
					possible. We advise using a tape measure   
					to equalize these two distances to the   
					primary listening location.   
					Ideally the front channel speakers should   
					be installed at the same height as the   
					ears of a seated listener. Try to keep the   
					front channel tweeters within two vertical feet of that height.   
					5 
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				PLACEMENT OF THE SURROUND SPEAKERS   
					There are many opinions about where surround or “rear” speakers should be mounted. The   
					following is based on the findings of the best academics, and on our experience with many   
					installations. These placement recommendations apply to all the AMC models.   
					If two surrounds are used in a standard   
					5.1 configuration (not 7.1 or EX), they   
					are best mounted to the sides of the lis-   
					tening area. This means straight to the   
					sides of the listener or in line with the   
					primary row of seating, plus or minus   
					15 degrees. This is preferred over back   
					wall mounting for several reasons: It   
					places the surrounds at locations where   
					the difference between left ear and   
					right ear discrimination is at a maxi-   
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					mum. This gives the maximum sense of   
					“envelopment” or being surrounded by   
					sound. Rear mounted speakers force a   
					huge angular gulf between the front primary speakers and the rear speakers. The sound image   
					is inherently discontinuous. Also, front to rear aural discrimination is not very strong. Differen-   
					tiation between front and rear speakers will not be as strong as the effect of adding speakers   
					to the side. 7.1 or EX systems that use side and rear speakers together overcome all of these   
					obstacles and give both maximum envelopment and a more continuous surround effect.   
					A second factor to consider is the evenness of sound coverage over the seating area. Most   
					surround processors have features for setting the balance of all channels. A circulating noise   
					signal is adjusted in each channel until the apparent or measured sound level is even. Of course,   
					moving to another seat will shift this balance somewhat. Well-placed surround speakers will   
					minimize the level variation from seat to seat. The best way to achieve evenness is to increase   
					the distance of the surround speakers from the listening area. Mount them high on the side   
					walls or even on the ceiling. As a good rule of thumb, surrounds should be on the side walls at   
					least one foot above the height of a standing listener. If the speakers are ceiling-mounted, they   
					should be close to the side walls, well away from an overhead position.   
					If a large theater room with three or more rows of seats is planned,then more than one pair of   
					surround speakers should be used to give more even coverage and a more diffuse sound field.   
					We recommend that a pair of surrounds be used for every other seating row (the first, the third,   
					the fifth, etc.). This follows standard cinema practice.   
					6 
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				INSTALLATION INSTRUCTIONS   
					IMPORTANT: This manual assumes that the installer possesses skill in the proper use of   
					hand and power tools, knowledge of local building and fire codes, and a familiarity   
					with the environment behind the wall or ceiling in which the speakers will be installed.   
					Optional preconstruction brackets are available for each model.   
					PAINTING THE SPEAKERS   
					If you intend to paint the speakers, it is best to do so before installation.   
					1) Remove the speaker grille.   
					2) Mask the baffle.   
					3) After painting, carefully remove the paint mask.   
					Note: Custom paint and grilles are available for an extra charge.   
					PREPARING FOR INSTALLATION   
					Map out the wiring paths from the speakers to the amplifier. We recommend 16-gauge wire for   
					runs up to 25 feet, and 14-gauge wire for longer runs. Be sure the speaker wire does not rest or   
					rub against any sharp or pointed objects.   
					The speakers should be mounted on a flat surface to form a good seal between the speaker   
					flange and the mounting surface.   
					When connecting more than two speakers per amplifier channel, you should use series/parallel   
					wiring. In all cases, make certain that the total impedance does not fall below the amplifier’s   
					rating. If you are not sure, contact your Snell Acoustics dealer.   
					You will Need:   
					1) A utility knife, an electric jigsaw, or other means of cutting a hole in the mounting surface.   
					2) A #2 Phillips screwdriver.   
					3) A wire cutter or stripper for preparing the speaker wires.   
					With the supplied hardware, the speaker can be installed in existing walls or ceilings from 1/2”   
					1 
					(12mm) to 1 /2” (38mm). For thinner walls, you will need to use spacers for the mounting legs   
					(contact your Snell dealer for this optional rubber part).   
					7 
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				INSTALLATION   
					For convenient installation, these Snell AMC series speaker systems use a dog-leg mounting sys-   
					tem (see illustrations below). This provides a quick and clean install. Furthermore, the dog-legs   
					can be removed if a particular situation requires the speaker to be directly attached to a stud.   
					1) Make an appropriate size speaker mounting cutout in the wall material.   
					2) Run the wire from the amplifier to the cutout. Allow an extra foot of wire at the cutout.   
					Strip 1/2” (12mm) off the wire, and tightly twist the wire strands together.   
					3) Remove the speaker grille.   
					4) Insert the speaker wires into the spring   
					terminal binding posts.   
					Important: Typically, one side of the wire is   
					smooth. Connect this side to the – (black)   
					speaker terminal. The other side has a rib or   
					stripe. Connect this to the + (red) speaker   
					terminal. Connect wire at the amplifier in   
					the same way. Failure to do so will result in   
					degraded sound.   
					Warning! To prevent electrical shock, always   
					switch off the amplifier or receiver when   
					making connections to the speaker system.   
					5) Place the speaker into the rough opening.   
					6) Level the speaker and tighten the screws, being careful not to over tighten them. See dia-   
					gram below for details.   
					7) Replace the speaker grille.   
					Turn the mounting clamps against the enclosure, then place the   
					speaker in the mounting hole. Use a phillips head screwdriver to deploy   
					the mounting clamps and pull them against the back of the drywall.   
					8 
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				LISTENING LEVELS AND POWER HANDLING   
					The power recommendation for the system assumes you will operate the amplifier in a way   
					that will not produce distortion. All speakers can be damaged by even a modest amplifier if it is   
					producing distortion. If you hear a gritty noise or other signs of strain, turn down the volume.   
					Prolonged or repeated operation of your speakers with a distorted signal can cause damage   
					that is not covered by the warranty. It is especially important that you do not overdrive the   
					bass capability of smaller speakers. Watch for noises, such as pops, caused by the music’s bass   
					line. Use of the loudness control and/or full bass boost at louder volumes is likely to overdrive   
					the woofer. Use such controls sparingly.   
					HOW TO CARE FOR YOUR SPEAKERS   
					Use a soft terry cloth towel slightly dampened with water, glass cleaner, or a diluted mild   
					detergent. The towel should be just damp enough to wipe the surface clean without leaving   
					a trail of moisture.   
					/ 
					Do not use abrasive cleaners or any cleaner containing chemicals harsher than those found   
					in glass cleaner.   
					/ 
					9 
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				LIMITED WARRANTY   
					For five years from the date of purchase, Snell Acoustics will repair for the original owner any   
					defect in materials or workmanship that occurs in normal use of the speaker system, without   
					charge for parts and labor.   
					Your responsibilities are to use the product according to the instructions supplied, to provide   
					safe and secure transportation to an authorized Snell Acoustics service representative, and to   
					present proof of purchase from an authorized Snell dealer in the form of your sales slip when   
					requesting service.   
					Excluded from this warranty is damage that results from abuse, misuse, accidents, shipping,   
					repairs, or modifications by anyone other than an authorized Snell Acoustics service representa-   
					tive. This warranty is void if the serial number has been removed or defaced.   
					This warranty gives you specific legal rights, and you may also have other rights that vary from   
					state to state.   
					If Service Seems Necessary   
					Contact the dealer from whom you purchased the speaker system. If that is not possible, call us   
					at 978-538-6262, or write to:   
					Snell Acoustics   
					300 Jubilee Drive, P.O. Box 3717   
					Peabody, MA 01961-3717   
					We will promptly advise you of what action to take. If it is necessary to return your speaker   
					system to the factory, please ship it prepaid in the original factory packaging. Please note that   
					Snell Acoustics will not be held liable for shipping damage due to improper packaging. After it   
					has been repaired, we will return it freight prepaid in the U.S. or Canada.   
					10   
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				300 Jubilee Drive, P.O. Box 3717   
					Peabody, MA 01961-3717   
					phone: 978-538-6262   
					fax: 978-538-6266   
					email: [email protected]   
					
					©2007 Snell Acoustics. All Rights Reserved.   
					Specifications are subject to change without notice.   
					Covered by patents issued and/or pending.   
					Part #542-1039   
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