Runco Projector VX 4c User Guide

Owner’s Operating Manual

VX-4c and VX-6c

Digital Light Processing Projector

and VHD™ Ultra Controller

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TABLE OF CONTENTS

Section

1.1

1.2

1.3

1.4

Contents

Page

Introduction

The VX-4c/VX-6c Projector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-1

Anamorphic Lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-2

Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-3

Purchase Record and Servicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-3

Installation and Setup 2.1

Quick Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-1

Installing The Lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-2

Installation Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-6

Additional Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-6

Throw Distances - Placement Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-7

Vertical & Horizontal Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-9

Mounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-11

Folded Optics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-12

Source Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-12

RGB Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-13

Keypad Protocols and Conversions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-14

Converting a Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-17

ISF Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-18

2.2

2.3

2.4

2.5

2.6

2.7

2.8

2.9

2.10

2.11

2.12

2.13

Operation

3.1

3.2

3.3

3.4

3.5

3.6

3.7

3.8

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-1

Projector Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-1

Using the Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-3

Navigating the Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-9

Using Inputs and Memory Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-13

Adjusting the Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-18

Adjusting System Parameters and Advanced Controls . . . . . . . . . . . . . . . . . . . .3-24

Error Conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-35

Maintenance

Specifications

4.1

4.2

4.3

4.4

4.5

Warnings and Guidelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-1

Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-3

Replacing Keypad Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-4

Replacing the Lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-5

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4-8

VX-4c / VX-6c Projector Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-1

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VHD Ultra Controller Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1

Warnings and Safety Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-2

Safety Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4

General Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4

Features and Benefits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4

Front and Rear Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5

Front Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5

Rear Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-6

Remote Control Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8

Quick Set-up Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-9

Connection Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-9

Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-10

Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-10

Picture Quality Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-11

Installation Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-13

Screen Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-14

Image Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-14

Blanking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-15

System Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-15

Aspect Ratios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-16

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-18

RS-232 Communications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-19

RS-232 Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-20

VHD Ultra Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-22

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

Keypad Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B-1

Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-1

Throw Distance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-1

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INTRODUCTION

1.1

The VX-4c/VX-6c projector is a professional quality

DMD projector that uses Digital Light Processing

(DLP ) technology from Texas Instruments to achieve

high-brightness multimedia and video projection. The

VX-4c/VX-6c is compatible with standard international

video formats and can interface with IBM -compatible

PC, Macintosh computers and high-definition (DTV)

decoders. The VX-4c/VX-6c is ideal for use in both large

and small home theaters; performing exceptionally well

in venues with ambient light.

The features of the VX-4c/VX-6c include:

ꢀThe VHD Ultra Controller for optimum picture quality when using NTSC sources

ꢀ1280 x 1024 native resolution, with other resolutions fully scaleable

ꢀ3000 ANSI lumens light output (6000 ANSI VX-6c)

ꢀConstant height aspect ratio control up to 2.35:1 screens

ꢀInterchangeable lenses for screen widths up to 500 inches

ꢀMemory for up to 99 custom “Memory Banks” (source setups)

ꢀIntuitive on-screen menus or hidden direct control

ꢀModular design for easy servicing.

How The Projector Works?

The VX-4c/VX-6c can accept data/graphics and video input signals for projection on to front or

rear flat screens. High brightness is generated by an internal 700W (1200W VX-6c) Xenon arc

lamp, then modulated by three DMD (digital micromirror device) panels that provide digitized

red, green or blue color information. Light from the “on” pixels of each panel is reflected, con-

verged and then projected to the screen through a single front lens, where all pixels are perfectly

superimposed as a sharp full-color image.

1-1

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INTRODUCTION

1.2

ANAMORPHIC LENS

DLP™ projectors use a small device called a DMD™ (Digital Micromirror Device) to create the

video image. DMDs are designed in aspect ratios ranging from 4:3 (standard) and 16:9

(widescreen), to 5:4 (digital cinema). Understanding that more and more home theaters are

designed using 16:9 or cinemascope projection screens (similar to your local Cineplex's), Runco

has developed an anamorphic lens system to make the 5:4 DMD fully compatible with a home

theater that has 16:9 and 2.35 screen formats.

The Runco Anamorphic Optical System elevates the image quality of a 16:9 picture to a higher

level. This system consists of two components; one being the controller and the other the anamor-

phic lens. The first component is Runco's award-winning Vivix™ VHD™ Ultra Controller with

10-bit processing which is used to scale the video signal to mach the native resolution of the pro-

jector. The second part utilizes one of three anamorphic lenses that optically stretch the image to

a 16:9 or 2.35 aspect ratio.

The advantages of using the anamorphic lens system is that it takes advantage of the entire mir-

ror array on the DMD™ resulting in a higher resolution picture. The result is a high-resolution

picture in a big screen format for the home theater. Another benefit of employing all the mirrors

on a DMD™ is 25% greater light output for an increase in picture brightness. Runco's industry-

renowned controller helps to trigger the electronic corrections for the stretched image and pro-

vides four geometrically correct aspect ratios - 16:9 widescreen, letterbox, 4:3 and VirtualWide™.

HDTV is also geometrically correct and has higher resolution. The Anamorphic optical systems

include an Anamorphic lens, the lens mount assembly, and an Anamorphic Vivix™ Controller.

The Anamorphic Optical System is the ultimate way to maximize resolution and will significant-

ly shorten the throw distance of any Video XTreme™ series projector it is used with. Consult the

specification sheet of the projector for specific throw distance calculations.

1-2

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INTRODUCTION

1.3

Components

Included with the VX-4c/VX-6c is an infrared (IR) remote keypad, high-current 13 amp rated line

cord, a 9/64” hex socket ball driver, and a VX-4c/VX-6c owner’s manual. Make sure that you

have all these items, and note that if you have purchased this projector, a purchaser’s Warranty

Registration Card is also included. Complete this card and return it directly to Runco International

as soon as possible.

TWO YEAR LIMITED WARRANTY

For Projectors, Video Processors and Controllers

Owner's Operating Manual

Congratulations on your purchase of

Runco video product and welcome to the Runco family! We

believe Runco produces “The World’s Finest Home Theater Products”. With proper installation, setup

and care, you should enjoy many years of unparalleled video performance.

This is

carefully and retain it with your other important documents.

LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it

WHAT IS COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:

SERVICE LABOR: Runco will pay for service labor by

needed as result of manufacturing defect for period of two (2) years from the effective date of

delivery to the end user (excluding the lamp).

Runco Authorized Service Center when

PARTS: (Not including the lamp) Runco will provide new or rebuilt replacement parts for the parts

that fail due to defects in materials or workmanship for period of two (2) years from the effective

date of delivery to the end user. Such replacement parts are then subsequently warranted for the

remaining portion (if any) of the original warranty period.

PROJECTOR LAMP: Runco will pay for service labor by Runco Authorized Service Center when

needed as result of manufacturing defect for period of six (6) months or 1000 hours, which ever

comes first, from the effective date of delivery to the end user. In addition, Runco will provide new

or rebuilt replacement lamp for the lamp that fails due to defects in materials or workmanship for

period of six (6) months or 1000 hours, which ever comes first, from the effective date of delivery to

the end user. Such replacement lamps are then subsequently warranted for the remaining portion (if

any) of the original warranty period.

WHAT IS NOT COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:

Image burn-in on CRT projectors are specifically excluded from coverage under this Limited Warranty

Image burn-in is the result of misuse of the product and therefore cannot be repaired under the terms

of this Limited Warranty

TO AVOID IMAGE BURN-IN:

Please ensure that still images are left on your CRT projector for no more than

few minutes. Also

ensure that images displayed in the 4:3 aspect ratio mode (black or gray stripes, but no picture

information is present on the left and right edges of the screen) are used as infrequently as possible.

This will prevent permanent image burns on your CRT projector, which can be seen permanently

under certain conditions once burn-in has occurred.

The types of images to avoid include video games, still images and computer screens with stationary

to prevent still images

tool bars and icons. (This is why computers are equipped with screen savers

–

from burning into the monitor’s phosphors after being displayed continuously for an extended period

of time).

Normal viewing material such as television/satellite broadcasts, videotape or DVDs (not put into

pause for extended periods of time) will not cause damage to your display under normal conditions.

Many DVD players are also equipped with screen savers for this reason.

1.4

Purchase Record and Servicing

Whether the projector is under warranty or the warranty has expired, Runco’s extensive factory

and dealer service network is always available. Runco service technicians and dealers are fully

trained to quickly diagnose and correct projector malfunctions.

Should you encounter a problem with the projector and require assistance, contact your Runco

dealer or Runco International. In many cases, any necessary servicing can be performed on site.

If you have purchased the projector, fill out the information below and keep with your records.

Purchase Record

Dealer:

Dealer Phone Number:

Projector Serial Number*:

Purchase Date:

Installation Date, if

applicable:

* NOTE: The projector serial number is located on the projector's rear identification label

1-3

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INSTALLATION & SETUP

This section explains how to install and set up the projector. If you are familiar with the projector and want to

quickly set it up for temporary use, follow the Quick Setup instructions below. For a more complete setup, fol-

low the instructions and guides covered in the remaining subsections.

NOTE: 1) The lens is not mounted when the projector is shipped from the factory. For instructions on how to

install or replace a lens, refer to 4.4, Replacing the Lens.

2.1

Quick Setup

Follow these steps for quick setup of the projector in a standard floor mount position.

ꢀ

STEP 1

Position the Projector

Set the projector at the expected throw distance (projector-to-screen distance) and vertical posi-

tion. Make sure that the projector is level from side-to-side.

ꢀ

STEP 2

Connect a Source

Locate the main input panel at the rear of the projector. The lower left area, labeled INPUT 1,

accepts an RGB input via BNC connectors. The upper right area (assuming a video decoder is

installed) accepts a composite video at INPUT 3 or S-video input at INPUT 4. Connect your

source to the appropriate panel connectors.

ꢀ

STEP 3

Connect the Line Cord to AC Power

Connect the projector’s 13 amp high-current rated line cord to the AC receptacle at the lower right

corner of the projector and to AC. Input power required is 100 - 240 VAC, 50 to 60 Hz @ 11.5

amps (@ 100 V). Use only a high-current 13 amp rated cord. See Section 5.

WARNING

DO NOT ATTEMPT OPERATION IF THE AC SUPPLY AND CORD ARE

NOT WITHIN THE SPECIFIED VOLTAGE AND POWER RANGE.

ꢀ

STEP 4

Turn the Projector ON

Using either the built-in or remote keypad, press

Power*

and hold for approximately 1 second to

). Let the projector warm up for about five minutes.

Power*

turn the projector on (or press

The POWER LED, located in the lower right corner of the rear input panel, should glow a steady

green.

2-1

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INSTALLATION AND SETUP

2.2

Installing The Lens

A variety of lenses are available to accommodate different throw distances and specific types of

installations. See page 2-10 for details. To change/install a lens, follow the steps below.

NOTES: 1) You will need a 9/64”(3mm or 3.5mm) hex socket ball driver (supplied with projec-

tor) or allen wrench for this procedure. 2) “Top” or “bottom” references assume a non-inverted

projector, as illustrated. 3) If you are installing a lens, first make sure its Lens Adapter is present

on either the lens or projector. Such an adapter/flange secures to the projector in the same man-

ner as the flange described below, but accommodates a screw-mount lens.

STEP 1ꢀTurn off the projector, cool, and unplug.

Before removing or installing a lens, turn off the

projector and allow it to cool for five minutes before

unplugging. Make sure that the lens cap is on.

WARNING

Install Lens Cap

Unplug the projector.

Install the lens cap.

STEP 2ꢀLoosen the 3 lens mount screws

ꢀIF FIXED LENS: Use the hex socket ball driver

provided with the projector to loosen the 3 lens mount

screws that secure the lens flange to the mount-loosen

these screws only, do not remove.

Loosen 3 screws

- FIXED LENS -

2-2

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INSTALLATION AND SETUP

ꢀ IF ZOOM LENS: Access to the 3 lens mount

screws is likely blocked by the toothed zoom ring

in front of it. First rotate the zoom ring by hand

until its 3 access holes align with the screws, then

insert the hex socket ball driver through the holes

to loosen the screws-do not remove. See figure to

the right.

Align zoom gear ring to access 3 screws

-ZOOM LENS-

STEP 3ꢀRotate the lens barrel slightly

ꢀUsing both hands, rotate the lens barrel counter-

clockwise until the screw heads align with the larg-

er end of their slots on the lens.

Rotate Slightly

2-3

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INSTALLATION AND SETUP

STEP 4ꢀ Pull lens assembly out

ꢀCarefully pull the lens assembly straight out of the projector

and set aside.

Remove Lens Assembly

STEP 5ꢀInstall new lens assembly

ꢀIMPORTANT: Remove the rear (smallest) lens cap from the new

lens. Make sure the front lens cap remains on during installation.

ꢀAlign the large cut-out area on the lens flange to the bottom of the

lens mount (which has a matching cut-out). The 3 lens assembly slots

should align with the lens mount screws so that the screw heads will fit

through the large end of the slots (see Orientation figure).

NOTE: On most lenses, a small extra “keying” slot located at approxi-

mately 2 o’clock on the lens flange will align with a set screw in the same

location on the lens mount, preventing the lens from being installed in the

wrong orientation. If the lens flange does not seem to fit into place over all

screws, try rotating the lens assembly in one direction or another.

Orientation

ꢀ With the lens assembly aligned and the screws inserted through the flange, use both hands to

rotate the lens barrel clockwise until the lens mount screw heads lock into the small end of the

lens assembly slots.

ꢀ

Secure the 3 lens mount screws.

STEP 6ꢀReposition the projector for new lens

Remove the front lens cap and reposition the projector closer or further from the screen as nec-

essary for the screen and the new lens type (refer to Throw Distance section 2.6). In a permanent

installation, always use the appropriate throw distance formula to calculate the distance accurate-

ly Power up and test. Adjust offsets as necessary.

2-4

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INSTALLATION AND SETUP

STEP 6ꢀ

Adjust Image

ꢀZOOM: With the input image displayed, rotate the textured ring on the

lens barrel to increase or decrease the image size (this requires a zoom

lens). If you do not have a zoom lens or you can not adjust the image

enough, the projector may not be positioned at the proper throw distance

for your screen size. Power down, unplug the projector and move it

towards or away from the screen.

Zoom

ꢀFOCUS: At the lens opening, turn the focus tab to focus the image

clearly.

Focus

1.33

Anamorphic Lens

1.42

Anamorphic Lens

1.90

Anamorphic Lens

960P 16x9

1024P 16x9

1024P 2.35:1

ꢀOFFSETS: Turn either or both of the adjustment screws (with the pro-

vided hex driver) adjacent to the lens if you need to align the image with

your screen-turn the top screw to raise or lower the image. Turn the bot-

tom screw to shift the image left or right. Re-check focus.

ꢀOTHER: Press

to refine other display parameters as described in

Section 3.3 Using the Keypad.

Adjust Image (Motorized Models)

NOTE: Only for units equipped with motorized lens control.

Lens

With the input image displayed, press

on any keypad.

OFF

Scroll menu with

and

If you’ve just installed the lens, select “Calibrate Lens”

before making any adjustments (See section 3 for

details). Then, with the Lens Control menu displayed,

use the keypad as shown to the left, Motorized Lens

Adjustment, to focus the image clearly and, if a zoom

lens is present, to increase or decrease image size. If

desired, adjust horizontal and/or vertical offsets to shift

the lens and image location - ranges are shown in 2.7

Vertical and Horizontal Position.

Lens Control

Focus 3140

Zoom 5711

Adjust with

and

Lens Horizontal Offset 4881

Lens Vertical Offset 2664

Intelligent Lens System

Calibrate Lens

Center Lens

= No offsets (approx.)

Motorized Lens Adjustments

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INSTALLATION AND SETUP

Press

to refine other display parameters, if necessary. See 3.5 Using Inputs and Memory Banks if you want

to work with other source inputs or defined memory banks.

You may want to reduce initial setup time by starting with an “Auto Setup”. The projector will automatically

optimize a variety of display settings according to the incoming source detected. You can then re-adjust these

settings at any time, if desired.

2.3

Installation Considerations

Although this projector delivers a high brightness quality output, final display quality could be

compromised if the projector is not properly installed. This subsection discusses issues you

should consider before proceeding with a final installation. Even if you do not intend to use the

projectors in a fixed and permanent installation, this subsection will help you to better understand

what you can do to enhance display performance.

Lifting

For any new installation, you will likely have to safely lift the projector into place. Keep in mind

that the projector is quite heavy, and the aid of a CO²or other type of mechanical lift is highly

recommended.

2.4

Additional Considerations

Here are some other considerations and tips which can help you improve your installation:

Ventilation is an important factor when preparing a projection room. The ambient

temperature should be kept constant and below 35°C (95°F). Keep the projector

away from heating and/or air conditioning vents. Changes in temperature can

cause drifts in the projector circuitry that may affect performance.

ꢀKeep the projector away from devices that radiate electromagnetic energy such as motors and

transformers. Common sources of these are slide projectors, speakers, power amplifiers, ele-

vators, etc.

ꢀFor rear screen applications, less space is required if a mirror is used to fold the optical path.

ꢀChoose the right screen size for the application:

U As screen size increases, magnification increases and reduces brightness. Select a screen

size which is appropriate for the theater, but not larger than what is required.

U Installing a large screen in a small room is similar to watching television close up; too

large a screen can overpower a room. A good rule of thumb is to be no closer than 1.5

times the width of the screen.

U Larger screens require greater attention to lighting conditions.

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INSTALLATION AND SETUP

2.5

Throw Distances - Placement Section

Projector

Optical

Screen

VX-4c/VX-6c

Throw Distance

Resolution

Aspect Ratio

720p

Lens 1: 0.8

720p

1.78:1 or 1.33:1

Lens 2: 2.2 - 4.0

Lens 3: 4.0 - 7.0

960p

1024p

Lens 1: 1.65 - 3.0

Lens 2: 3.0 - 5.25

960p

1024p

1.78:1

2.35:1

Lens 1: 1.55 - 2.80

Lens 2: 2.80 - 4.90

Lens 1: 1.15 - 2.10

w/ 2.35 aspect ratio Lens 2: 2.10 - 3.65 w/ 2.35 aspect ratio

The VX-4c/VX-6c 720P system offers high definition resolution in a 16:9 format, while providing multiple

aspect ratio selection. Without the use of an anamorphic system.

The VX-4c/VX-6c 960P system provides a 26% increase in brightness and resolution over the base 720P con-

figuration. (Using a 1.33 x Anamorphic lens)

The VX-4c/VX-6c 1024P system yields digital cinema resolution by employing every available pixel for a max-

imum picture clarity and brightness. (Using a 1.42 x Anamorphic lens)

The VX-4c/VX-6c 1024P/2.35:1 system also makes the maximum resolution fully available, on a 2.35:1 aspect

ratio screen. All other common aspect ratios are selectable using the constant height approach. This system was

created for the true cinemaphile owning a theater with a cinemascope screen. (Using a 1.90 x Anamorphic lens)

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INSTALLATION AND SETUP

Always consult this section when planning a projector installation. See also section 2.7 and 2.8, Projector

Position and Mounting.

Calculating Throw Distance

Correct throw distance depends on the screen size and lens present-the larger the image needed,

the greater the distance you must allow between the lens and screen. Once you know the screen

size and lens type present, you can calculate the precise throw distance you require by using the

appropriate formula as found in this appendix.

Throw distance is the distance between the projector front feet and the screen. This measurement

is not necessarily parallel to the floor-i.e., the projector and screen may be inclined.

NOTE: If your projector is tilted

up or down in relation to the

screen, as is sometimes the case

for large venues or elevated

installations, throw distance still

represents the smallest measure-

ment between the screen and

front feet centers.

Pre-calculated throw distances for the complete range of lens types and screen sizes appear in the

charts and graphs on the following pages. Refer to these examples to quickly determine the prop-

er throw distance (±5%) for your installation and lens.

NOTE: Variable operating ranges for zoom lenses appear in graphs only.

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INSTALLATION AND SETUP

2.6

Vertical & Horizontal Position

THE VERTICAL POSITION of the projector in relation to the screen also depends on the size

of the screen and the lens type. Correct vertical position helps ensure that the image will be rec-

tangular in shape rather than keystoned (having non-parallel sides) and that image focus and

brightness both remain optimized.

In addition, vertical position of the image can be manually offset-that is, moved up or down-by

turning the top screw on the front of the projector (the bottom screw if the projector is ceiling

mounted). The range of adjustment is roughly 130%, depending on the specific lens you are using

and whether or not you are also offsetting horizontally. See Table 1 for the percentage of the

image that can be displayed above and below the center of each type of lens designed for this pro-

jector. These image offsets are also illustrated below (Fixed Lenses) and on the following page

(Zoom Lenses).

Table 1. Maximum % of Image Offset from Lens Center

Lens Type Max. Recommended Image Offset

0.8:1

1.5 - 2.2:1

2.2 - 4:1

4 - 7:1

105%

129%

137%

100%

117%

126%

ꢁ

ꢂ

Maximum Vertical Offsets (FIXED LENSES)

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INSTALLATION AND SETUP

Maximum Vertical Offsets (ZOOM LENSES)

NOTES: 1) If you cannot raise or lower the image enough using

mechanical vertical offsets, try adjusting V-Shift in the Scaling

Parameters menu (see 3.6, Adjusting the Image). 2) If the image

becomes keystoned or exhibits uneven brightness, the projector

may simply be too high or low in relation to the screen.

3) Recommended offset ranges can be exceeded, however this may

affect image quality. 4) Simultaneous horizontal and vertical

offset limits the adjustment range of each.

THE HORIZONTAL POSITION of the image can be offset-that is, shifted left or right of lens center-by

turning the bottom screw on the front of the projector (the top screw if the projector is ceiling mounted). The

maximum horizontal offsets for the lenses designed for this projector is shown on the following page. For this

projector, this value expresses the maximum percentage of the image that can be projected to one side of the lens

center (roughly 80%, depending on the lens).

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INSTALLATION AND SETUP

Maximum Horizontal Offset (ALL LENSES)

2.7

Mounting

For typical front or rear floor mounts, mount the projector on a secure table

or cart. Take care with a mobile cart-avoid sudden stops, excessive force and

uneven surfaces that may cause the projector and cart combination to over-

turn.

The table or cart should be reasonably level. Fine adjustments to the projec-

tor level can be made by adjusting the height of the projector legs.

Special Mounting

Note that projector can be rotated and mounted at any vertical angle-i.e., you can tilt the face of

the projector up or down as much as desired for your installation. The side-to-side tilt, however,

must not exceed 15° (see below). This limit ensures that the arc lamp in the projector operates

properly and safely. Always make sure that exhaust air from the projector does not vent towards

the lens, otherwise you may detect heat waves in your projected image.

Horizontal and Vertical Tilt Ranges

You must use the proper ceiling mount fixture or stacking kit for your projector. For more infor-

mation, contact your Runco Dealer.

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INSTALLATION AND SETUP

2.8

Folded Optics

In rear screen applications where space behind the pro-

jector is limited, a mirror may be used to fold the opti-

cal path. The position of the projector and mirror must

be accurately set-if considering this type of installation,

call your Runco dealer for assistance.

2.9

Source Connections

The rear panel of the projector provides standard input panels to which you may connect a vari-

ety of sources. See below - the lower left area (INPUT 1) typically accepts an RGB signal from

an external RGB source (such as the VHD Ultra Controller), or it can also be used for YPbPr sig-

nals from DTV sources. The upper right panel-the Video Decoder Module-accepts only compos-

ite video at INPUT 3 or S-video at INPUT 4 from devices such as VCRs, laser disc players or

DVD players. There are also several optional interfaces available for connecting other sources at

INPUT 2. Such an option installs in the upper left area, just below the audio connectors. For any

input, including the optional inputs, audio with loop through connects at the audio input panel

located between the license label area and INPUT 2.

Note: The decoder module is an option; it is not supplied with the Projector.

Vivix Controller

Connect Control Line

From Vivix Controller

Rear Connector Panel

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INSTALLATION AND SETUP

2.10 RGB Signals

INPUT 1 provides 5 BNCs (connectors) for linking to a variety of sources. The typical connec-

tion would be to an RGB source such as the VHD Ultra Controller, computers or DTV decoders

with an RGB output. This projector supports multiple sync types with RGB signals: sync-on-

green, composite sync, and separate H & V syncs.

NOTES: Depending on the source, you may need a custom adapter cable that has BNC connec-

tors at the projector end and a different type of connector at the other (such as a 15-pin “D” con-

nector for computer sources). Contact your Runco dealer.

Connect the SYNC BNC input(s) first. Then connect the red, green and blue source outputs to the

RED, GREEN, and BLUE BNCs on the INPUT 1 panel. If the source uses sync-on-green, only

the red, green, and blue connections are required. If the source provides a composite sync output,

connect it to the SYNC input labeled HOR/COMP. If the source provides separate horizontal

and vertical sync outputs, connect horizontal sync to the SYNC input labeled HOR/COMP and

connect vertical sync to SYNC input labeled VERT. See below.

NOTE: To connect YPbPr signals, such as from analog HDTV sources, to INPUT 1, use the red,

green and blue BNCs as described in YPbPr Signals later in this section.

Connecting RGB Input

AUDIO for INPUT 1: To control audio levels in an audio/visual system, connect pre-amplified (line level) audio

inputs to the “IN 1” left and right channel audio inputs located near the top left corner of the rear input panel.

Then connect external audio amplification equipment to audio “OUT” for sound output. Audio connection

cables require standard RCA type phono plugs.

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INSTALLATION AND SETUP

2.11 Keypad Protocols and Conversion

The keypad is assigned “A” as its default protocol, which is simply a collection of settings that

determine how the keypad operates. Once assigned, this protocol remains in effect until it is

changed-that is, the keypad will operate as it currently does until you change its protocol.

Protocols are most useful for multiple-projector applications. For example, you might want to

change a keypad protocol if you are working with two projectors and two remote keypads in the

same room and need to control each projector independently (see below). When Keypad A has a

different protocol than Keypad B, each keypad communicates only with the projector having a

matching protocol. Or, if you have a network of two or more projectors connected together via

RS-232 serial ports, you may want only certain projectors to respond to a wired keypad, thus you

can use different protocols to limit responses.

NOTE: Matching the protocol on the projector to that of a keypad is done through a setting in the

Serial Setup menu. See 3.7, Adjusting System Parameters and Advanced Controls for further

information on how to change the projector’s infrared sensor (rear and front) protocol.

A protocol for either type of remote keypad - IR or wired - can be changed through software com-

mands entered on the keypad. A new protocol set through software commands remains in effect

until the keypad batteries are removed and replaced (if an IR remote), or until the keypad is

unplugged (if a wired remote). A remote can also be changed manually -you can “hard-wire” new

jumper settings inside the keypad so that they remain in effect until you change the hard-wiring.

A hard-wired protocol can be temporarily overridden by the software protocol change, effective

until the keypad is unplugged and plugged in again (if a wired remote) or until a battery is

removed (if an IR remote).

Independent Keypads and Projectors

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INSTALLATION AND SETUP

Remote Keypadꢀ Protocol - IR OR WIRED KEYPAD -

The standard IR remote keypad or the optional wired remote can be set to one of two

different protocols - “A” or “B”. To hard-wire a protocol to “A” or “B” in either remote,

follow Steps 1 through 5:

Step 1ꢀ

Unplug the keypad from the projector (applies to wired remote only).

Step 2ꢀ

Unlatch and open the empty battery compartment on the back of the keypad as shown below.

NOTE: A wired keypad opens as shown, but a cable passes through the battery compartment

cover.

Opening the Keypad

Step 3ꢀ

Find the 4 jumpers located along the latching side of the battery compartment. These jumpers set

the keypad protocol and other settings so that the keypad functions in a certain manner.

Step 4:ꢀSet the Jumpers

Set the jumpers as shown on the following page. Take care to refer to the correct part of the draw-

ing - IR or wired (optional). Use tweezers or needle-nose pliers to remove and replace each

jumper as necessary.

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INSTALLATION AND SETUP

ꢀJ1 jumper: For either remote, set between pins 1 and 2 to set as Protocol “A”. Set between

pins 2 and 3 to set as Protocol “B”.

ꢀJ2 jumper: For either remote, set between pins 2 and 3 as shown; otherwise, the projector

will not respond correctly to keypad commands.

ꢀJ3 jumper: For the IR remote, make sure that the jumper is set between pins 2 and 3 as

shown. For the wired remote, make sure that the jumper is set between pins 1 and 2 as

shown.

ꢀJ4 jumper: For the IR remote, make sure that the jumper is set between pins 1 and 2 as

shown. For the wired remote, make sure that the jumper is set between pins 2 and 3 as

shown.

Step 5ꢀ

Replace battery compartment cover. Plug into projector (wired keypad only) and test.

Locating and Setting the Jumpers

NOTE: A wired keypad can be converted into an IR remote keypad, and vice versa. Follow the

settings shown above, adding or deleting the cable and batteries as required. The cable with 3-

pin XLR connector is available separately from your dealer.

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INSTALLATION AND SETUP

SHORTCUT METHOD:

You can also issue software protocol settings through the keypad. These software commands

will be lost when the keypad is either unplugged or when a battery is removed - the keypad will

revert back to the hard-wired jumper settings (see above) until you enter the software com-

mands again.

Input1

Color

Pixel

Position

Press

= Protocol “A”

= Protocol “B”

NOTE: If you change any keypad to a new protocol and the projector stops responding, the

projector may be set to a conflicting protocol. Use the projector’s built-in keypad to access the

Serial Setup menu. Under “Front IR” or “Back IR” or “Wired Keypad”, select the protocol that

matches the new protocol of the keypad at hand. The projector should now respond

properly.

2.12 Converting a Keypad

If desired, you can convert an IR remote keypad into a wired remote keypad and vice versa.

TO CHANGE FROM INFRARED TO WIRED:

ꢀRemove battery compartment cover from back of keypad.

ꢀRemove batteries.

ꢀWait 1-2 minutes.

ꢀPlug the keypad cable (available separately) into the empty battery com-

partment. Make sure that the battery cover is notched smoothly to accom-

modate the cable.

ꢀSet keypad protocol as desired, using “wired” jumper settings.

ꢀReplace battery compartment cover.

ꢀPlug into the 3-pin XLR port at the rear panel of the projector.

TO CHANGE FROM WIRED TO INFRARED:

ꢀUnplug the keypad from the projector.

ꢀOpen the keypad back and unplug the keypad cable.

ꢀWait 1-2 minutes.

ꢀInstall batteries (see Section 4.3).

ꢀSet keypad protocol as desired, using “IR” jumper settings.

ꢀReplace battery compartment cover.

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INSTALLATION AND SETUP

ISF 3C Calibration

The Splash Screen:

2.13

Custom built for:

J. Chan

This screen appears for 10 sec. upon startup everything

it shows customer name and calibrator’s name. It is the

seal of a properly calibrated projector.

Runco

The World's Finest

Home Theater Products

ISF Calibrated by:

Andy Siedschlag

From Runco Digital Home Cinema, select Installation use

passcode 3151 for access.

Then select Operational Parameters from the menu items.

Once in the Operational Parameters menu select ISF C3

Calibration. The menu will appear as shown to the right:

ISF C3 Calibration

Customer Name

Calibrator Name

Date of Calibration

Next Calibration

J. Chan

Andy S.

11/17/03

11/17/04

• Use

to select characters

to move cursor

to accept input data

Note: 3151 Passcode

Enter

How to select day / night color balance modes:

For Image Adjust menu see page 3-22

ISF Night

ISF Day

6500K

9300K

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Adjustable

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INSTALLATION AND SETUP

How to read and reset the calibration counter. From Runco Digital Home Cinema select

Information to read time elapsed since last calibration reset counter from Operational

Parameters Menu.

Information

Customer Name

Calibrator Name

Date of Calibration

Next Calibration

J. Chan

Andy S.

11/17/03

11/17/04

Name

Serial No.

Runco VX-4c / VX-6c

123456789

Calibration Counter 5

Xenon Lamp Adjust 20

Resolution

Digital Cinema

Projector Hours

152

Operational Parameters

Memory Bank Label

Memory Bank No.

Sync

Sample Rate

120Mhz

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OPERATION

3.1

Overview

This section explains how to use the projector once it has been installed. Please read through these

pages before using the projector for the first time. An understanding of projector features and how

to access them will help you to take full advantage of the capabilities of the projector within min-

utes.

NOTE: Installation involves locating the projector and adjusting it for use at that location. If you

have not yet installed the projector, refer to Section 2, Installation and Setup.

3.2

Projector Basics

Most projector functions and adjustments are entered through keypad commands that either con-

trol the projector directly or activate a system of intuitive menus. Variations in settings can be

defined and retained in the projector’s internal memory as a custom Memory Bank, with up to 99

different Memory Banks possible.

Lamp access

inside

Front IR Sensor

LCD status

window

Rear

IR sensor

Focus

ring

Adjustable

feet (4)

Vertical

offset

Filter side panel

Horizontal

offset

Input panel handle (2)

Input panel

Video input

RGB input

Hard reset

Serial ports

Audio input Wired kypd. port

Status LEDs

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OPERATION

AC LINE CORD INPUT - The projector requires AC power of 100 to 240 VAC, 50 to 60 Hz

(11.5 amps @ 100 VAC, 5.5 amps @ 220 VAC). Always use the line cord that is supplied with

the projector-the projector requires this high-current 13A rated cord. See complete power speci-

fications in Section 5.

WARNING

Do not attempt operation if the AC supply is not

within the specified voltage and power range.

STATUS/POWER LEDS - Two LEDs (light emitting diodes) located in the lower right corner of

the rear connector panel indicate projector “Status” (top) and “Power” (bottom). During normal

operation, the “Power” light is steady green and the “Status” light flashes green each time a key

is pressed or when the projector receives a serial command. Use the following as a guide:

l;kjd;flkj;lkasjd;lkjfa;sdff

;laskdjf;lieuiodmca:LKs

eopedjivncfhasp;rpprgm

oiawoedfpawreoifasjdfl

Reading the Status LEDs

NOTE: A steady red power light accompanied by a coded pattern of red and yellow flashes from

the status light indicates an internal system error. Consult the rear LCD display for an explana-

tion, and see 3.8, Error Conditions. Should the problem persist, contact your Runco dealer.

REMOTE WIRED KEYPAD CONNECTOR (3-pin XLR) - For optional tethered remote control

of the projector.

LCD STATUS DISPLAY - Visual feedback for monitoring projector activities and status.

INFRARED SENSORS - The infrared (IR) sensors on the front and rear of the projector receive

infrared signals from the IR keypad for remote control of projector functions. For proper opera-

tion make sure that these sensors are not blocked.

HARD RESET - Emergency access for powering down the projector in the event of a system

failure. Insert a pen point or small screwdriver.

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OPERATION

3.3

Using the Keypad The keypad appears in two locations:

ꢀ

Infrared (IR) Remote for wireless control up to 100 feet away

Wired Remote (optional) tethered to the rear of the projector

While each keypad is identical in layout and provides complete control of the projector, you may

find one keypad more convenient than another for your specific installation and application.

IR Remote

The IR Remote Keypad controls the projector by way of wireless communications from a battery-

powered infrared (IR) transmitter. Use the IR remote keypad the same way you would use a

remote keypad supplied with a TV or VCR. When making key presses, point the keypad either

toward the screen or toward the front or rear of the projector. One of two sensors on the projec-

tor will detect the signals and relay the commands for internal processing.

Wired Remote (OPTIONAL)

The wired remote keypad connects to the 3-pin XLR jack via a 50 ft. cable. It is recommended

when:

ꢀ

the lighting conditions are unsuitable for proper IR transmission

you want to use a separate keypad for each projector in a group

Guide to Keypads

Keep in mind the following guidelines:

1) Press keys one-at-a-time; there are no simultaneous key presses required.

Power*

2) For any key having an “*”(

for example), hold the key for approximately 1 second in

order to toggle the function with a single key press. For other keys (or to use a “*” key in con-

OFF

junction with

), a momentary press similar to a mouse click is sufficient.

3) Press the “lightbulb key” to temporarily illuminate the backlight for the keys without sending

any other command.

OFF

, and

repeat their “arrow” actions when held down. For other keys,

release and press again to repeat an action.

5) If you press a key while the projector is busy with another action, such as during a power-up,

the key press may not take effect.

Keypad Commands

Specific keypad commands are explained below:

Power*

Power ON/OFF

Press and hold for approximately 1 second to turn the projector on or off with a single key press.

OFF

Power*

Or press

followed immediately by

if you want to guarantee the correct toggle

(useful if you are unsure of the present status).

NOTES: 1) Whenever the projector is turned off, the lamp cooling fans remain on for about five

minutes to cool the lamp. 2) It is a good idea to avoid turning a projector back on until it has been

off for a few minutes. Hot re-strikes of the lamp may reduce lamp life.

Input1

Input 1

Press

Input1

to select the source connected to INPUT 1 on the projector (data input). This is the

same as entering.

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OPERATION

Input2

Input 2

Press

Input2

to select the source connected to INPUT 2 on the projector (an optional interface).

Input

This is the same as entering

Input3

Input 3

Press

Input3

to select the source connected to INPUT 3 on the projector (composite video). This is

Input

the same as entering

Input4

Input 4

Press

Input4

to select the source connected to INPUT 4 on the projector (S-Video). This is the same

Input

as entering

Input

Press

when you want to display from a specific source location, such as a switcher

connected serially to the projector's switcher port. The first digit represents the number you have

assigned to your switcher (usually 1-9, or "0" for one of the four inputs on the projector). The sec-

ond digit represents the switcher's slot number (1-9). For example:

Input

= display data from switcher 1, slot 2.

Input

NOTES: 1) Although you do not need to use the input key, you can also use

to access the four

input "slots" on the projector itself: use as the first digit (representing the projector as the

switcher), then

,or

as the second digit (the desired input slot number). in combi-

nation with higher numbers is an invalid entry. 2) See 3.5, Using Channels and Inputs for a

detailed explanation of inputs.

Input

NOTE:

key behavior during a presentation depends on whether or not the Memory Bank

List option is selected in the OSD Settings menu. You can choose to have on-screen feedback

Input

when you press

, or you may prefer to enter the desired source location "blind", i.e., without

on-screen feedback. See OSD Settings later in this section.

Chan

Memory Bank

Chan

Press

to select a specific source setup (Memory Bank) defined and stored in projector mem-

ory. Once you enter a 2-digit Memory Bank number (or, if there is a list displayed, highlight it

Enter

and press

), the display will automatically change and update according to the numerous

setup parameters defined for that Memory Bank.

Chan

NOTE:

key behavior during a presentation depends on whether or not the Bank List option

is selected in the OSD Settings menu. You can choose to use a scrollable list of Memory Banks

Chan

when you press

, or you may prefer to enter the desired Memory Bank number "blind", i.e.,

without on-screen feedback. See OSD Settings later in this section.

Stby*

Standby

Press

Stby*

and hold for approximately 1 second to blank all display and mute the audio output

Stby*

while keeping the projector in a warmed-up and ready state. Or quickly press and release

OFF

and follow immediately by

if you want to guarantee the correct toggle (useful if you

are unsure of the present status). Note that the lamp and electronics remain ON in standby mode,

even though the image turns to black and most functions are disabled. To leave standby, press and

Stby*

OFF

Stby*

Exit

hold

again (or use

). Or simply press

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OPERATION

Press

to display the Runco Digital Home Cinema menu. A list of several options appears for

access to specific functions, such as Memory Banks or Image Adjustments. Press

again to

remove all menus and return to the displayed source.

Enter

Press

to select a highlighted item, to toggle a checkbox (checked vs. unchecked), or to accept

a parameter adjustment and return to the previous menu or image.

Exit

Press

to return to the previous level, such as the previous menu.

Exit

NOTE:

does not save changes within text editing boxes (including number editing of a slide-

bars) or within pull-down lists. It acts as a "cancel" in these cases.

Arrow Keys

The arrow keys have a variety of functions depending on the situation. Some typical uses are

described below. See also Editing Text later in Section 3.

ꢀUse

to change a slidebar value-hold as desired for contin-

uous adjustment (note the adjustment increments and range depend on the

parameter being adjusted).

ꢀUse

without having to display the list first.

ꢀUse or to jump between "pages", such as in Help or lengthy

pull-down lists.

to change to a different option within a pull-down list

OFF

decrease the value in the second (bottom) slidebar of a double slidebar.

Use the

keys to navigate within a menu, pull-down list or text box, or to increase

OFF

You can also use

in conjunction with certain toggle keys-i.e., those including an

asterisk symbol-to ensure a toggle only in the desired direction. When turning the projector on,

for instance, you may be too far from the projector to know whether it is really off or if the shut-

Power*

ter is merely closed. If you press

and hold it for approximately 1 second in hopes of turning

the projector on, the projector will actually turn off if the projector was already on. Instead, to

avoid the risk of toggling in the wrong direction, quickly press and release normally the function

Power*

key you wish to toggle (in this case

). Then immediately (within 2 seconds) press either

OFF

as desired. The specific toggle will occur.

Toggle keys are labeled with an asterisk on the keypad. They are listed below:

Shutter*

ꢀ

= close the shutter (OPTIONAL)

= open the shutter (OPTIONAL)

= put the projector in standby mode

= leave standby

= turn the projector on

= turn the projector off

OFF

Shutter*

Stby*

OFF

Power*

OFF

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OPERATION

Mute*

ꢀ

= turn the audio and menu display on

= turn the audio and menu display off

= turn the menu system on

OFF

Mute*

OSD*

= turn the menu system off

OFF

Color

Press

to adjust the color saturation level, i.e. the amount of color in a video image. Lower

settings produce less saturated colors - a setting of "0" produces a black and white image, for

example. If the color level is too high, colors will be overpowering and unrealistic. Use and

desired color saturation level is displayed. This is not used when an RGB source is

until the

input.

Tint

Press

to adjust the red/green color hue for true color reproduction of NTSC video signals.

For best results, adjust tint while displaying a proper test pattern - otherwise, it is recommended

that tint remain at its default setting. Use

is not used when an RGB source is input.

and

until the desired tint is displayed. This

Detail

Press

to adjust the sharpness of a video image (it is of limited use for non-video). Use

until you reach the desired level of detail, keeping in mind that any level of detail

and

above 3 will also introduce a certain degree of noise in the image. Set below 3 to filter the signal

and remove noise from a noisy source. This is not used when an RGB source is input.

Cont

Contrast

Press

Use

Cont

to increase or decrease the difference between light and dark areas of your image.

and until you reach the desired level of contrast, making sure that the whites

remain bright but not distorted or tinted (i.e., "crushed").

Bright

Brightness

Press

Bright

to increase or decrease the amount of perceived light in the image so that black just

and until you reach the desired level. See 3.6, Adjusting

changes to very dark gray. Use

the Image (Scaling Parameters subsection). Avoid "crushing", or distorted blacks and/or whites.

Vol

Volume

Vol

Press

to control the audio level. Use

and

until you reach the desired volume.

Pixel

Press

use

Pixel

to access the pixel tracking and pixel phase double slidebar. Adjust pixel tracking first:

and to increase or decrease the frequency of the pixel sampling clock to correct

OFF

consistency of the image. For proper phase, use

and

to increase or decrease pixel phase

so that any shimmer disappears and the image is stable throughout. See 3.6, Adjusting the Image

(H & V Scaling subsections) for a complete explanation of tracking and phase.

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OPERATION

Position

Press

Position

to move the image using the double slidebar. At the slidebar, use

and

OFF

move the image left or right, use

and

to move the image up or down.

Shutter*

Shutter (OPTIONAL)

Shutter*

If your projector has a mechanical lens shutter (a.k.a. dowser) installed, press and hold

for

approximately 1 second to toggle the shutter closed or open with a single key press (this also

Shutter*

blanks the image electronically). Or quickly press and release

and follow immediately with

OFF

if you want to guarantee the correct toggle (useful if you are unsure of the present

status). Close the shutter whenever you want to mute all display yet maintain access to projector

Shutter*

functions. Open the shutter to regain the display. With no shutter installed,

image electronically, but the blanking is not quite as black.

still blanks the

NOTES: 1) The status of the shutter is shown in the LCD window on the rear panel of the pro-

jector. 2) Upon power-up, the shutter is open. 3) The lamp remains on.

Mute*

Mute

Mute*

Use

to mute audio and/or hide the current menu. Press

and hold for approximately 1

Mute*

second to toggle the audio on or off with a single key press. Or quickly press and release

OFF

and follow immediately with

if you want to guarantee the correct toggle (useful if

you are unsure of the present status). In either case, a small message appears on screen to signi-

fy mute status.

Func

Function Key

Func

When no menus are on-screen or active, press

cific color or colors in the display. For example,

followed by a 2-digit number to enable a spe-

Func

will display only red and green data,

Func

will display all colors data. The list of available color combinations is shown below

and also appears on the back of the IR remote keypad. DMD enabling can also be accessed

through the menu system rather than these shortcuts.

Func

= Red

= Green

= Blue

Func

= Red and Green

= Green and Blue

= Red and Blue

= All colors

Func

NOTE: Once

is pressed (with no OSD present), the projector will not respond to non-

numeric entry until 2 digits have been entered or until 5 seconds of inactivity have elapsed.

Func

Use of the

key within the menu system is noted with the appropriate topic elsewhere in

Func

Section 3. For example, press

a Memory Bank.

in the Memory Banks menu to enable deletion or copying of

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OPERATION

OSD*

OSD (On-screen display)

OSD*

Press and hold

ible). Or press

for approximately 1 second to toggle menus on or off (i.e., visible or invis-

OFF

followed immediately by

to guarantee the correct toggle direc-

OSD*

tion (useful if you are unsure of the present status). Note that invisible menus are fully function-

al.

NOTES: 1) With OSD on, you can still mute menus, error messages, slidebars, etc. with the

OSD*

appropriate setting in the OSD Settings menu. 2) The status of the

LCD window on the rear panel of the projector.

key is displayed in the

Help

Press

for detailed information about any current menu and highlight. Press

again to

Help

exit. Press

to access the General Help menu consisting of Using Help, Setup, Keys, Source

Exit

(Input) Selection and Stat/Pwr LEDs. Press

to leave General Help.

Test

Press

to display one of the available test patterns. Press

again to display the next avail-

Test

Exit

able pattern in the sequence.

will exit after the last pattern, or press

at any time to remove

the current test pattern from the screen and return to the current external source.

NOTE: For a complete list of all test patterns, see the Advanced menu description later in Section

Keypad operating settings (protocols)

The remote keypad and the optional wired keypad both store keypad operating settings (called

protocols) in memory. In some advanced applications, such as when you want to use two sepa-

rate keypads to control two projectors independently, you may want to override the original pro-

tocol set at manufacture (which is "A or B") for one of the keypads. See section 2.12, Keypad

Protocols and Conversion for complete instructions.

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OPERATION

3.4 Navigating the Menus

Runco Digital Home Cinema

Most of the controls for the projector are accessed from with-

Scaling Parameters

Image Adjustments

Memory Banks

Installation

in the projector's menu system. There are several groups of

related functions, with each group selectable from the Runco

Digital Home Cinema menu as shown at right. Press

any time to display the Runco Digital Home Cinema menu.

Lamp Adjust

Information

Load Default

On the keypad, either enter the number corresponding to the

function menu you wish to access, such as

for the Image

Runco Digital Home

Cinema Menu

Adjustments menu, or use the

keys to highlight the desired

Enter

option and press

. The function menu you selected will then

appear. If you select "Load Default", this will not activate a separate function menu but rather

begin an automated process of optimizing critical display parameters such as size, position,

pixel tracking, etc.

Once you have a function menu displayed, navigate in a similar manner-enter a menu option num-

Enter

ber for any numbered option, or use

to move the highlight and press

at the desired

option. Extra long menus have a scroll bar on the right-use the arrow keys to see the remainder

of the menu. Items that are locked out or do not pertain to the current action appear dimmed and

cannot be selected.

NOTES: 1) If there is no signal present, all source-dependent adjustments are disabled. 2) After

15 minutes of inactivity, the projector leaves the menu system and returns to the presentation.

3) The Information menu is read-only.

When finished with a function menu, do one of the following:

Exit

ꢀ

Press

to return to the previous screen

to leave the menu system and return to the active source.

On-line Help

If at any time you are uncertain what to do next, press

Help

to display detailed information about

the current menu or highlighted option. A scroll bar appears on the right-hand side of a help win-

Help

dow if there is additional text-use the arrow keys to scroll. Press

again to exit.

Scaling Parameters

H & V Scaling 1000

V Scaling 1000

Total H Dots 1688

Fine V Dots 15

H - Shift 378

V - Shift 264

Help

With no menus active, press

to access general Help Topics. Scroll as necessary within a

Exit

topic. Press

appears.

to return to the source. At the bottom of some menus, a line of 'hint' text also

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OPERATION

Using Help

Setup

Keys

Source (Input) Selection

Stat/Pwr LEDs

Accessing General Help Topics

Time-outs

Whenever there are on-screen menus such as when there is a slidebar, menu, message or test pat-

tern displayed, you have limited time in which to make a keypad entry before the graphic disap-

pears. These time-outs vary depending on the current display, as shown in the following chart:

Using Slidebars and Other Controls

TIME OUTS

ISF 3C Screen

Slidebar (from pres.)

Slidebar (from menu)

Lamp Timer Msg.

Channel entry

10 seconds

5 seconds

15 minutes

30 seconds

5 seconds

15 minutes

Other

Most of the function menus allow you to change settings by using slidebars, checkboxes, and

pull-down lists. To select a slidebar, toggle a checkbox status, or view a pull-down list, do one of

the following within the function menu:

ꢀ Enter the menu option number corresponding to the setting you wish to change (for

example, press to select Vertical Scaling in the Scaling Parameters menu).

Enter

ꢀ Or move the highlight to the desired parameter and press

ꢀ Or move the highlight to the option desired and press

ꢀ Or bypass the menus entirely and use a single key to immediately access an adjustment

during your presentation (note: applies only to options having their own key, such as

Color, Tint, Contrast, Brightness, and Volume).

Enter

Once selected, change the setting as desired (see below) and press

current function menu.

to save and return to the

Slidebars in menus - The current value for a given parameter, such as size

V Scaling 1000

or vertical scaling, appears to the left of its slidebar icon (window). This

number often expresses a percentage, or it may have units associated with it (such as pixels,

degrees Kelvin, etc.), depending on the specific option. Press or to gradually adjust

the setting up or down-both the number and the length of the bar change accordingly (for contin-

Enter

uous adjustment, hold down the desired arrow key). Or press

to activate a slidebar text box

Exit

Enter

for specific number entry via the keypad, then press

cancel).

to save (or press

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OPERATION

Double slidebars - In double slidebars, such as the

pixel tracking/pixel phase double slidebar, adjust the

top slidebar with or as desired. When you

have finished with the top slidebar (whether changed

OFF

or not), adjust the bottom slidebar with

When you are done, press

Exit

to return to your pres-

entation. For fast continuous adjustments, hold down

the desired arrow key.

"Direct" slidebars - For quick access, you can often use a slidebar (or double slidebar) without

Cont

traveling the menu system. For example, simply press

to immediately display the same con-

trast slidebar accessed with the Contrast option in the Image Adjustments menu. Direct slidebars

are listed below.

LIST OF DIRECT SLIDEBARS

Position

H-Shift or V-Shift

Pixel

Pixel Tracking or Phase

Vol

Volume

Cont

Contrast

Bright

Brightness

Color

Tint

Detail

Enter

Use the arrow keys to adjust a direct slidebar, or press

and enter a specific number from the

Enter

Exit

Enter

keypad , then

to save ( or

to cancel). When you are done, press

save and return to your presentation.

NOTES: 1) You can still adjust a direct slidebar as usual if the menu display is turned off (see

OSD*

or OSD Settings menu) - the slidebar just won't be visible. 2) A direct slidebar disappears

if it is not used within 5 seconds.

Checkboxes - Conditions are present if its adjacent checkbox contains a checkmark. To toggle

Enter

the checkbox, simply highlight and press

, or highlight and use

to check and

uncheck. For a checkbox that is numbered, simply enter the number of the option to toggle the

checkbox.

Pull-down lists - To see a pull-down list of options available for a given parameter labeled with

a T, you can:

Enter

ꢀ

Highlight it and press

Or enter the menu option number.

OFF

Use

keys to navigate up and down within the list (the current choice is noted

Enter

with a small X). Press

to choose an option from the list, if desired.

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OPERATION

OSD Settings

OSD Postion

Variable

H Position

V Position

Show M. Bank List

Show Adjust Bar

Show Messages

Example of Pull-Down List

Or, if you prefer to quickly scroll through a list without first pulling it down, highlight the option

Enter

and use

. Press

when the desired choice appears.

NOTES: 1) Press

to jump between "pages" in an extra long pull-down list. 2) Press

Enter

while in a pull-down list to cancel any change.

Editing Text

ACTIVATE THE EDIT WINDOW: To enter or edit text, highlight the desired parameter (such

Enter

as a Memory Bank name) and press

to activate its adjacent edit window. Any previously

entered text is displayed with its first character highlighted in a square cursor, signifying that this

character is ready for editing.

NAVIGATE WITHIN THE EDIT WINDOW: Press

to move the cursor forward or

to move the cursor backwards as desired.

EDITA CHARACTER: To edit a highlighted char-

acter, use and to scroll through the alphabet,

numbers, spaces and punctuation available. When

the character you need appears, press

to select it-the cursor will move to the next

character of current text, if present. Note that you

can also enter a number directly from the keypad-it

will be accepted and the cursor will move on.

Entering Text

ADD OR DELETE A CHARACTER OR SPACE: To insert a space at the cursor location, press

Func

. To delete a highlighted character (or space), press

Enter

PRESS

WHEN FINISHED: To accept the edits and move out of the edit window, press

Exit

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OPERATION

Exit

NOTE: Press

at any time to cancel changes and return to the previously-defined text.

Editing Numerical Values ꢀ

Enter numbers directly from the keypad in order to specify numbers representing projectors,

Memory Banks (source setups), switchers, or slots. As each digit is entered, it is displayed and the

cursor moves on. Note that Memory Bank numbers are defined with 2 digits-for example, if you

enter only a single digit (like "7") for a Memory Bank number, the Memory Bank will automati-

cally be defined as "07". Use "07" to utilize this Memory Bank.

NOTE: 1) Once you enter the first digit, this digit replaces all old digits. 2) If you press any non-

numbered key, the number entered up to that point is accepted and updated as the new value.

Exit

3) Press

to cancel editing of numerical values.

3.5

Using Inputs and Memory Banks

NOTE: See Section 2, Installation and Setup, for a full explanation of how to connect a variety

of sources to the projector.

The projector stores and automatically recalls up to 99 different Memory Banks (source setups)

for a variety of inputs. This memory feature allows you to define and conveniently use a wide

variety of customized setups rather than having to repeatedly re-configure the projector for dif-

ferent presentations. Each physical source (i.e., input) can have several different Memory Banks

associated with it.

Selecting an Input ꢀ

INPUT - An input simply describes a physical location for an incoming signal connection.

These connections are always either on the projector itself (one of the four inputs at the rear of

the projector).

EXAMPLE:

Input

Input1

= use source connected to the projector, slot #1 (i.e.,

)

Input1

Pressing the appropriate direct key -

, or

- is a quick and seamless way to

display from one of the four inputs connected at the rear of the projector.

If it is the first time you have used the source/input (or if you used the input but did not define

a Memory Bank by adjusting anything ), the projector will recognize the new input signal based

on its frequencies and polarities, and will automatically display an image according to default set-

tings for such a signal. Note that a graphic source will resize into a full-screen image, whereas

video or HDTV sources will resize only as much as possible while maintaining their aspect ratio.

If you used the source once before and changed a display parameter such as contrast, V-Shift

etc., then a Memory Bank was automatically created and still exists in projector memory (see

Input

below). Using an

key will automatically recall this Memory Bank - and all its setup param-

eters - and update the display accordingly.

If more than one Memory Bank exists for the input, the image will be displayed according to

the setup parameters for the first Memory Bank with matching characteristics.

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OPERATION

MEMORY BANK - A Memory Bank is a collection of measurements, locations and settings that

tailor a display to your specific needs. Since source types and applications can vary greatly, you

will likely want to adjust and define a wide variety of parameters, such as brightness, contrast,

tint, size, etc., in order to customize and optimize the display coming from a particular source.

For example, the display settings you choose for a VCR source may be very different from those

you choose for a high resolution computer source, or one signal may simply vary from another

signal used earlier through the same input location. Once you have adjusted a display parameter,

such as pixel tracking or contrast, all current settings are collectively stored in the projector's

memory as a unique 2-digit Memory Bank, such as

. You can have numerous distinct

Memory Banks available for the same input, any of which can be selected by using the key on the

keypad followed by the 2-digit Memory Bank number.

Chan

NOTE: The

key may display a Memory Bank list or not, depending on what you have

defined within the OSD Settings menu (see OSD Settings later in this section). Shown at right

Chan

is a sample Memory Bank list available from

Chan

In order to use Memory Banks (

on the keypad), you must first create them. See below.

Creating a New Memory Bank ꢀ - AUTOMATIC -

To use a new source with the projector, a new Memory Bank must be added to projector memo-

ry so that the projector will respond properly to an input signal from that source in the future. A

new Memory Bank can be created automatically, as described here, or it can be copied from an

existing Memory Bank and then edited as necessary (see Copying or Deleting Memory Banks

later in this section).

Input

Input1

When you select a direct input (press

, or

), the existing Memory

Banks in the projector are searched for matching input and signal parameters. If no match to the

incoming input signal is found in the currently defined Memory Banks, a new Memory Bank is

temporarily created based on factory-defined defaults for this signal. The Memory Bank Number

assigned to this Memory Bank is the lowest available number from 01-99.

NOTES: 1) An automatic Memory Bank will be discarded unless one or more of its parameters

are changed, and will not appear in the Bank List (see below). 2) If two Memory Banks have

the same distinguishing source characteristics except for the reversal of sync connectors (i.e.,

H-sync and V-sync, are switched), they are still defined as distinct Memory Banks. 3) You can-

not define a new Memory Bank without a signal present.

If the incoming signal does match an existing Memory Bank, the image will be set up and dis-

played as usual according to the parameters currently defined for that Memory Bank.

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OPERATION

USING A MEMORY BANK: You can normally

current bank #

select a Memory Bank at any time by pressing

Bank : 02

Chan

(see right). If you want to prevent a Memory

Bank from appearing in this list, you must edit the

Memory Bank as described in Memory Banks later

in this section. Such a Memory Bank can still be

selected by entering its number as shown at right.

bank name or

frequency

bank#

NOTE: 1) The current Memory Bank is highlighted upon entering the Bank List, or, if this

Memory Bank is not displayed in the list, the first Memory Bank in the list is highlighted.

2) Memory Banks created automatically do not appear in the Bank List unless a parameter has

been changed.

What Memory Banks Are Defined So Far?

All available Memory Banks are listed in the Memory Banks menu, which describes how each

Memory Bank can be accessed and that serves as the gateway for editing, copying and deleting

Memory Banks.

Press

to display the Runco Digital Home

Memory Banks

Cinema menu. To display the Memory Banks

1,5 h70.72k - 17.00 -

menu, press

, or move the highlight to the

0,1 h70.75k - 17.00 -

0,1

h63.90k + 59.94 +

Enter

Memory Banks option and press . The Memory

Banks menu will appear (see sample at right),

with the active Memory Bank highlighted.

This menu lists all Memory Banks defined so far

and indicates how they are connected to the pro-

jector. The far left column contains current

All Banks Appear in the

Memory Banks Menu

Memory Bank numbers defined. The values in the far right columns indicate horizontal and ver-

tical frequencies-if a name has been defined for this Memory Bank, it appears here instead. Other

columns contain details pertaining to each Memory Bank setup, such as its switcher number, slot

location and a variety of icons indicating access to the Memory Bank. See Editing a Memory

Banks for details.

If you have more than a handful of Memory Banks, use

Memory Banks not visible in this initial display.

and

to see the remaining

To copy, delete or edit any of the Memory Banks listed in the Memory Banks menu, highlight the

desired Memory Bank and do one of two things:

Func

ꢀ

Press

if you want to copy the selected Memory Bank or delete

this or other Memory Banks. See Copying or Deleting a Memory Bank, on

the following page.

Enter

ꢀ

Press

if you want to edit Memory Banks setups (i.e., non-image

related parameters) for the selected Memory Bank. See Editing a Memory

Bank, on the following page.

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OPERATION

Copying or Deleting Memory Banks ꢀ

TO COPY A MEMORY BANK, highlight the desired Memory Bank in the Memory Banks

Func

menu, then press

and press

to go to the Memory Bank Copy/Delete submenu. Select "Copy Current"

Enter

- a new Memory Bank will be created. It is identical to original, which still

remains, but it is identified with the next available number from 01-99. If you change your mind

Exit

and do not want to copy the current Memory Bank, press

to cancel and return to the previ-

ous menu. Copying Memory Banks is a quick method for creating numerous Memory Banks,

each of which can then be edited and adjusted for a variety of presentations in the future.

Memory Banks

1,5 70.72k - 17.00 -

1,0 70.75k - 17.00 -

1,0 63.90k - 59.94 -

Memory Banks Copy/Delete

Copy Current

Memory Banks

Delete Current Bank

1,5 70.72k - 17.00 -

1,0 70.75k - 17.00 -

1,0 63.90k - 59.94 -

1,0 15.73k - 59.94 -

Delete Non-protected Banks

Delete All Memory Banks

Copying A Memory Bank

TO DELETE A MEMORY BANK, highlight the desired Memory Bank in the Memory Banks

Func

menu, then press

to activate the Memory Bank Copy/Delete submenu. Select "Delete

Enter

Current Bank" and press

-a confirmation window will appear to make sure that you really

want to delete this Memory Bank.

Memory Banks

1,5

1,0

70.72k - 17.00 -

70.75k - 17.00 -

63.90k - 59.94 -

Memory Banks Copy/Delete

Copy Current

CAUTION: Memory bank WILL be deleted

Delete Current Bank

Delete memory bank

Cancel - Return

Delete Non-protected Banks

Delete All Memory Banks

Deleting a Memory Bank

TO DELETE MULTIPLE MEMORY BANKS, highlight any Memory Bank in the Memory

Func

Banks menu and press

to go to the Memory Bank Copy/Delete submenu. Select "Delete non-

Enter

protected Banks" and press

to delete all unlocked Memory Banks. Or select "Delete All

Memory Banks" to delete all Memory Banks, even those that are locked. In either case, the cur-

rent Memory Bank will remain but will be redefined from projector defaults.

NOTE: For any deletion, a confirmation box appears to make sure that you really want to delete.

Select "Cancel" (default) if you don't want to delete after all.

Editing a Memory Banks

The basic setups that describe how and where a Memory Bank can be accessed are listed in the

Memory Banks menu. These Memory Bank setups can be edited at any time in the Memory Banks

submenu.

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OPERATION

MEMORY BANK EDIT - STEP 1

Press

to display the main menu. To display the Memory Bank Setup menu, press

, or

Enter

move the highlight to the Memory Bank Setup option and press

. The Memory Bank Setup

menu will appear.

MEMORY BANK EDIT - STEP 2

To edit parameters shown in the Memory Bank Setup menu, select the relevant channel and press

Enter

. The Memory Banks menu will appear similar to the sample shown below.

Memory Banks

Memory Label

Bank

Sync Type Seperate H,V

H Freq -15.73kHz

V Freq -59.94Hz

Switcher

Slot

Interlaced Yes

List

Auto Sync

Protect

Last Bank

Next Bank

Memory Banks Menu (SAMPLE)

MEMORY BANK - STEP 3

If desired, edit the following channel setups in the Memory Bank menu:

ꢀ

MEMORY LABEL: An alpha-numeric label can be defined and/or changed here. Memory Bank

names can be up to 12 characters in length.

BANK: A bank number from 01 to 99 can be changed here. NOTE: If you enter a bank number that

already exists, a dialog message appears indicating that this number is already in use-assign a dif

ferent bank number.

ꢀ

SWITCHER: “0” represents the projector itself. This will likely always be the case for the

VX-4c/VX-6c.

Input2

Input3

Input1

Input4

ꢀ

SLOT: 1 (

), 2 (

), 3 (

), or 4 (

) for projector inputs.

LIST: If checked (default, except for automatically defined banks with unchanged parameters), this

defined bank will then appear in the list available when

bank must be accessed via

Chan

key is pressed. If unchecked, the

Chan

on the keypad or via the Auto Source function. NOTE: On-screen

display of the bank list is an option that must be set in the OSD Settings Menu.

ꢀ

AUTO SYNC: If checked, (default), the projector can automatically locate this bank when an

incoming input signal matches. If not checked, the projector can locate the selected bank only

when it is directly selected via on the keypad-and a change in input signal will not result in a bank

change.

PROTECT: If checked, all of the image settings for this bank will be disabled. If unchecked

(default), all available settings can be adjusted as desired.

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OPERATION

ꢀ

NEXT BANK: Select this option to see or change Memory Banks settings for the next bank

in the Memory Bank list.

LAST BANK: Select this option to see or change Memory Banks settings for the last bank in the

Memory Bank list.

3.6

Adjusting the Image

Most options for image adjustments can be accessed through two menus: Scaling Parameters

(

) and Image Adjustments (

), both of which are listed in the Runco Digital

Home Cinema menu. While in either of these two menus, you can change settings affecting the

image from the current channel by working with the appropriate slidebars, checkboxes and pull-

Exit

down lists.

will always return to the previous menu (or to the presentation, if from the Runco

Digital Home Cinema menu) and accept any changes you may have made.

From your presentation, you can access any of the individual options in these menus by pressing

followed by the appropriate two-digit number representing their location in the menu sys-

tem. For example, press

to quickly access the "color temp" option in the Image

Adjustments menu.

Note that for certain options, you may prefer to use a "direct key" from presentation level to go

directly to a particular option rather than traveling through the menu system at all (note: this is

Cont

not available for all display parameters). For example, press

to access the "contrast" slide-

Exit

bar immediately. Press

to return to your presentation.

NOTE: 1) To hide the "direct" slidebars only, make sure the Display Slidebars option in the OSD

Settings menu is unchecked. 2) To hide the entire menu system from view, toggle the on-screen

OSD*

display OFF: press and hold the

key.

Load Default

If you want the projector to set up the image for you, select "Load Default" from the Runco

Digital Home Cinema menu. A confirmation box will ask if you really want to continue, in which

case display parameters are listed. A "Load Default" can save time in setting up an image, and

you can also make further adjustments as desired.

Scaling Parameters

The Scaling Parameters menu allows you to increase or

decrease the size of your image, change its proportion

(aspect ratio), move the image to a specific area of the

screen, and refine other related parameters. Use Scaling

Parameters controls to match the image precisely to the

screen size and aspect ratio needed for your application.

Scaling Parameters

H & V Scaling 1000

V Scaling 1000

Total H Dots 1688

Fine V Dots 15

H - Shift 378

V - Shift 264

Refer to "Using Slidebars and Other Controls" (earlier in

this section) if you need help using any of the following

slidebars or pull-down lists to alter your image.

Scaling Parameters Menu

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OPERATION

Changes made to the Scaling Parameters menu are applied immediately and are saved when you

Exit

exit the menu (press

ꢀ

H & V Scaling: Controls the image width and height in tandem, maintaining the orginal

aspect ratio (proportion) of data from the incoming signal.

Vertical Scaling:

Vertical scaling adjusts the height the image while keeping the width constant. Use Vertical

Scaling to display data from the incoming signal in a different aspect ratio.

ꢀ

Total H Dots:

Pixel

(SHORT CUT: Press

and adjust the top slidebar.)

Total H Dots adjusts the frequency of the pixel sampling clock, indicated by the number of pix-

els per line, so that all pixels generated by a particular source are sampled. Proper pixel tracking

ensures that the image quality-whether good or poor- is consistent across the screen, and that V

Dots can be optimized (below).

NOTE: By default, the projector will sample at the correct frequency for most sources.

Total H Dots is adjusted most effectively using a good test pattern, such as a smooth gray con-

sisting of a clear pattern of tiny black and white dots, or a similar “half on, half off” graphic

image, such as the Windows shutdown screen. Steady flickering or several soft vertical stripes or

bands across the entire image indicates poor horizontal dots. Adjust the slidebar until the stripes

broaden to the point where one large stripe fills the image. Again, the image may still exhibit

some noise. See Fine V Dots.

ꢀ

Fine V Dots

Pixel

(SHORT CUT: Press

and adjust the bottom slidebar.)

Fine V Dots adjusts the phase of the vertical dots sampling clock relative to the incoming sig-

nal. It is used primarily for adjusting RGB inputs.

NOTE: Adjust Fine V dots after Totat H dots is properly set.

Adjust Fine V Dots when the image (usually from an RGB source) shows shimmer or “noise”.

Fine V Dots adjustment is done most effectively from within a proper test pattern, such as a

smooth gray consisting of a clear pattern of tiny black and white dots, or a similar graphic image.

Adjust until the image is stable and each dot is clearly defined. Using the numbers on the slide-

bar as a guide, you will notice that you can actually stabilize the image at more than one point-

i.e., you may find that the image appearance at “11” is identical to the image appearance at “38”,

thus you can select either setting.

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OPERATION

H-Shift

(SHORT CUT: Press

Position

and adjust the top slidebar.)

This option moves picture right and left.

NOTE: The value shown represents where the approximate center of the image lies in relation to

the total number of pixels available horizontally. This varies widely according to the signal-watch

the image while adjusting.

V-Shift

(SHORT CUT: Press

Position

and adjust the bottom slidebar)

This option moves the picture up and down.

NOTE: The value shown represents where the approximate center of the image lies in relation to

the total number of pixels available vertically. This varies widely according to the signal-watch

the image while adjusting.

Blanking: Top, Bottom, Left or Right

This submenu blanks (turns to black) the top, bottom, left, or

Scaling Parameters (2)

right edge of the image so that any unwanted information is

cropped from view. For example, when displaying native size

video you may want to blank out a few of the top lines.

Top Blanking

Bottom Blanking

Left Blanking

Right Blanking

ꢀ

Image Adjustments

Use any of the following slidebars, pull-down lists or the checkbox to alter your image. Refer to

"Using Slidebars and Other Controls" (earlier in this section) if you need help in selecting options

and adjustments. Changes made to the Image Adjustments menu are applied immediately and are

Exit

saved when you exit the menu (press

Image Adjustments

Contrast

Brightness

Sharpness

Signal Type

RGB

Color Balance

Signal Settings

Input Adjust

Image Adjustments Menu

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OPERATION

Contrast

(SHORT CUT: Press

Enter

and adjust the slidebar.)

"Contrast" increases or decreases the perceived difference between light and dark areas of your

image (0-100). If contrast is set too high, the light parts of the image lose detail and clarity. If set

too low, the light areas will not be as bright as they could be and it may be difficult to distinguish

between foreground and background information. Adjust so that whites remain bright but not dis-

torted or tinted. For best results, keep close to 50.

NOTE: If environment lighting changes, it may be necessary to re-adjust both options.

Brightness

(SHORT CUT: Press

Bright

and adjust the slidebar.)

"Brightness" increases or decreases the amount of perceived light in the dark part of the image

(0-100). If video or data is displayed with a black background, adjust until the background just

changes from black to very dark gray. For best results, keep close to 50.

Sharpness

(SHORT CUT: Press

Detail

and adjust the slidebar.)

“Detail” adjusts the sharpness of the video image. Use

until the display is as sharp

as possible, keeping in mind that any level of detail above 3 (default) will increase the level of

detail as well as introduce some level of noise in the image. Set below 3 to filter the signal and

remove noise from a noisy source. Keep at 3 to apply no detail. NOTE: DETAIL is not available

in the RGB mode.

Signal Type

This option determines how the color components of an input signal

are decoded for accurate color in the display. Selecting a color balance

option is useful only for analog signals connected to INPUT 1 or

RGB

Component (Video)

Component (HDTV)

INPUT 2. Although the color space for such a signal is automatically

determined by the projector, in some circumstances you may wish to

override this and manually set a different color space.

NOTE: For digital signals or for signals connected to INPUT 3 or INPUT 4, the color space

function is entirely automatic and the pull-down list disabled.

Enter

The current color space appears in the Image Adjustments menu. Press

option:

to select a different

ꢀSelect RGB unless you are using component video at INPUT 1 or 2.

ꢀSelect Component Video (video) if you are using a standard definition televised sig-

nal (SDTV)

ꢀSelect Component HDTV (HDTV) if you are using a high definition decoder

(HDTV).

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OPERATION

Color Balance

Select this submenu to work with aspects of color - adjust for saturation and overall hue in video

signals, or adjust gamma or temperature in any signal.

Color

(SHORT CUT: Press

Color

and adjust the slidebar.)

“Color” adjusts color saturation level, or the amount of color in a video image. For

example, setting Color to “0” produces a black and white image. If Color is set too high,

the color levels in the picture will be over-powering and unrealistic. Use

until the desired color saturation level is displayed. NOTE: COLOR is not available in

the RGB mode.

Tint

(SHORT CUT: Press

and adjust the slidebar.)

“Tint” adjusts color hue to obtain true color reproduction of NTSC video signals. Use

or until you reach optimum balance of red-to-green in your image. It is

best to adjust tint while displaying a proper SMPTE color bar test pattern-otherwise, it is

recommended that tint remain at its default setting. NOTE: TINT is not available in the

RGB mode.

Set Color Balance

“Color Balance” applies either a preset color temperature

ISF Night

(3200K, 5400K, 6500K, or 9300K) or any previously defined

ISF Day

Infinite Adjustable or “Custom” color temperature. All temper

6500K

atures aremeasured in degrees Kelvin and represent the “col

oration” (reddish or bluish) of the whites displayed by the pro

jector-thelower the temperature, the more reddish the whites,

the higher the temperature, the more bluish the whites. NOTE:

Custom temperatures (“Custom” or “Infinite Adjustable”) can

be defined in theAdvanced Color Temperature menu-until then,

these choices all default to 6500K. See Section 3.7, Adjusting

System Parameters and Advanced Controls.

9300K

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Adjustable

Gamma Curve

NOTE: Gamma does not normally require adjustment and is intended for experienced

users only.

The “Gamma Curve” option affects the shape of the gamma curve representing the levels

and types of grays available between minimum input (black) and maximum (white).

Generally the best gamma curve is one that produces maximum contrast, brightness and

color performance. See Selected Gamma Curves on the following page.

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OPERATION

Gamma Curve

1.8

2.2

Enhanced

2.5

Selected Gamma Curves

THE DEFAULT SETTING OF 2.2 is a normal and smooth gamma curve rec-

ommended for virtually all sources, producing good contrast and smooth gray

transitions without distorting colors.

2.2

Enhanced

1.8

2.5

1.0

THE ENHANCED SETTING elevates middle gray levels compared to

“Default”, and provides a more gradual rolled-off transition to maximum white.

Together, these differences can improve the apprearance of many kinds of

images.

THE 1.8 SETTING elevates low gray levels compared to the “Default” and “3.2” settings. In

high amibient light conditions, details can be seen in the dark parts of the image that would oth-

erwise be difficult to perceive.

THE 2.5 SETTING results in a darker image with higher contrast. The gamma curve more

closely matches the official standard for PAL and SECAM video signals.

THE 1.0 SETTING is a straight, linear transition from black to white. For normal source sig-

nals, it results in a picture of low contrast with highly elevated low-and mid-level grays. It should

be used only with sources that have their own pre-applied gamma control.

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OPERATION

3.7 Adjusting System Parameters and Advanced Controls

Use the Installation, OSD Settings and Information menus to display and/or alter overall system

parameters rather than those that affect a specific source or channel.

Use the Advanced menu whenever you need to work with or replace the lamp, select a test pat-

tern, define a new color temperature, or access lesser-used image control settings intended for

experienced users.

Projector Configuration

Choose from Floor Front, Floor Rear, Ceiling Front, Ceiling Rear according to your installation.

If the setting is incorrect, the image will be reversed and/or upside down.

OSD Language

Choose from English, French, Spanish, German and Italian language. The menus will change

immediately upon selection.

OSD SETTINGS

Use OSD Settings checkboxes and pull-down lists

OSD Settings

OSD Position

H Position

to alter how the projector responds to commands

and displays its parameters. Refer to the “Using

Slidebars and Other Controls” subsection if you

need help. Changes made to the OSD Settings

menu will be saved when you exit the menu.

Variable

V Position

Display M. Bank List

Show Adjust Bar

Show Messages

OSD Settings Menu

OSD Position

Use the pull down list to choose the pre-defined or customized default location for the display

of on-screen menus. To create a custom menu location, choose a preset that is closest to the

desired area. Then adjust the sidebars of H Postion and V Position to move the menu to the

desired location. To prevent cropping of larger menus, avoid locations too close to a corner or

edge.

H Position / V Position

Shift your menus as desired, creating a customized menu location.

Variable

4:3 Upper/Left

4:3 In 1

4:3 In 2

16:9 Upper/Left

16:9 In 1

16:9 In 2

Variable

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OPERATION

Display M. Bank List

Enter a checkmark if you want to see a scrollable channel list whenever you press

Chan

from your presentation (note that each channel to be included in the list must also be

tagged in the “In Menu” checkbox in the Memory Banks menu). This option also enables

Input

on-screen feedback when using the

key. If you prefer to hide the channel list and

input dialog box while switching channels and sources during a presentation, do not enter

a checkmark.

NOTE: The Bank List and input dialog box cannot be hidden when a menu is dis

played.

Show Adjust Bar

Enter a checkmark to superimpose a small sidebar over the current image whenever an

adjustable parameter is selected directly with the keypad. If “Show Adjust Bar” is

unchecked, these slidebars can still be accessed, but will be hidden during adjustment.

Show Message

Choose in what way you want to be notified of errors detected in either the incoming

signal or projector. Select “Screen” or “All” to see a brief on-screen message or select

“RS232” to be see messages via RS232 and RS422 serial communication only. To dis-

able error message display, select “Off.”

IR and SERIAL SETUP MENU

IR and Serial Setup

Use the checkboxes and pull-down lists in the IR and

Serial Setup menu to alter the meth ods or types of

communication to and from the projector. Changes

made to the IR and Serial Setup menu will be saved

when you exit the menu.

Installation Menu

Baud Rate

The baud rate setting determines the speed of communications to and

from the projector. By default, the projector baud rate is set to 9600.

Setting the correct speed is important when you are controlling the

projector with an external device or another projector via an RS-232 or

RS-422 port. You must set the projector baud rate at these ports to

match the baud rate of the controlling device. If you are unsure about

what baud rate to choose, refer to the documentation for the control-

ling device.

1200

2400

9600

19200

38400

57600

115200

NOTE: 1) The baud rate setting does not affect the switcher port, which is always 9600 baud.

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OPERATION

Front IR Receiver / Back IR Receiver

As described in Section 2, the standard IR remote keypad is capable of sending

data to the projector in either one of two protocols called A or B. Likewise, the

front and rear IR sensors on the projector can be set to accept IR data accord-

ingly, responding to A, B or both. The projector’s A or B default is adequate

for most single-projector installations. Select a specific protocol to prevent

interference when you are controlling two protectors in the same area and want

to work with one projector at a time.

A or B

Off

Note that the front and rear IR sensors cannot respond to different protocols-if you change a pro-

tocol for either sensor to anything other than OFF, the protocol for the other sensor also changes.

For example, setting Front IR Receiver to B also changes the Back IR Receiver to B. If you want

only one sensor to respond to a particular protocol- A, B, or A or B-disable the other sensor by

setting its protocol to OFF.

If you want to disable both IR sensors, you cannot use the IR remote keypad to select the second

OFF setting. This safeguard prevents accidentally disabling a keypad while you are using it.

Instead, use either the built-in keypad or the wired remote to set the remaining active sensor to

OFF. The projector will no longer respond to an IR remote keypad.

IMPORTANT

Keep at “A OR B” unless you are sure of

the current IR keypad protocol.

NOTES: 1) The IR remote keypad for this projector is set at Runco to “Protocol A”. See 2.12 in

Chapter 2, Keypad Protocols and Conversion for information about changing the keypad proto-

col. 2) A key press from a conflicting protocol will cause a single yellow flash on the Status LED

located in the lower right corner of the rear projector panel.

Wired Keypad

Like the IR remote keypad, the optional wired keypad is either a “Protocol A” keypad (default)

or a “Protocol B” keypad. Likewise, the projector can be set to accept wired keypad data accord-

ingly, responding to A or B. If desired, you can prohibit the projector from responding to a par-

ticular wired keypad protocol, or you can ensure that the projector responds to either protocol

(default). You can also prevent the projector from responding to the keypad entirely. In the pull-

down list, select the desired protocol.

NOTE: The wired keypad for this projector is set at manufacture to “Protocol A”. See 2.12,

Keypad Protocols and Conversion for information about changing the keypad protocol.

Adding a Protocol: To add a protocol, select the A or B option.

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OPERATION

Changing a Protocol: As a safeguard, you cannot accidentally select an option in the “Wired

Keypad” list that would disable the wired keypad during use, since such options are automatical-

ly disabled in the list. In other words, you cannot switch to the opposite protocol or select OFF

using the wired keypad. Instead, if you want to quickly change to the other protocol, you may find

it more convenient to use one of the other keypads (the built-in keypad or the IR remote) to exe-

cute the protocol change for the wired keypad. The projector will now recognize only the oppos-

ing change for the wired keypad protocol. Or, if you prefer, use the wired keypad to safely change

its own protocol:

1. Select the A or B option. This will ensure that once your keypad is manually changed

(see Step 2), it will still be recognized by the projector.

2. Unplug the keypad and change the protocol in the keypad as desired. Do this either by

entering the short-cut software command or by hard-wiring the keypad as described in

2.12, Keypad Protocols and Conversion.

3. Plug the keypad back into the projector. Return to the IR and Serial Setup menu and

select the new protocol you have just set up in the wired keypad.

Turning off the wired keypad: If you want to disable the wired keypad entirely, you cannot use

it to select the OFF option. This safeguard prevents you from accidentally disabling the wired

keypad during use. Instead, use either the built-in keypad or the IR remote keypad to select OFF.

The projector will no longer respond to the wired keypad.

Test Patterns

TEST PATTERNS

Use to select various test patterns.

Test Pattern

None

Test Pattern Menu

OSD LANGUAGE

This projector displays menu and help text in English only.

DISPLAY MEMORY BANK LIST

Enter a checkmark is you want to see a scrollable channel list whenever you press

Chan

from

your presentation (note that each channel to be included in the list must also be tagged in the “In

Menu”checkbox in the Memory Banks menu). This option also enables on-screen feedback when

Input

using the

key. If you prefer to hide the channel list and input dialog box while switching

channels and sources during a presentation, do not enter a checkmark.

NOTE: The Bank List and input dialog box cannot be hidden when a menu is displayed.

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OPERATION

Video Termination

* For all single free-standing projectors

* For last projector in a network

Enter a checkmark to terminate the video inputs 3 and 4

(75W). The input should be terminated unless the signal

loops through (continues) to another projector or display

device, in which case only the last projector in the chain

should be terminated.

* For all networked projectors except

the last one

Menu Options

In this submenu, choose the default location desired for on-screen menus. You can use the shift

options to move a location up or down, creating a Custom location. Note that menus for this pro-

jector often expand and can be quite large - avoid placing them too low or too far to the right

where they may be cropped.

Variable

4:3 Upper/Left

4:3 In 1

4:3 In 2

16:9 Upper/Left

16:9 In 1

16:9 In 2

Variable

Submenu for Menu Options

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OPERATION

INSTALLATION MENU

Installation

Projector Configuration

Floor Front

English

ODS Language

OSD Settings

Runco

Standard

IR and Serial Setup

Geometry

Installer Options

Lens Control

3151

Input Password

Operational Parameters

Projector Configuration allows the mounting configuration of the projector to be changed

between ceiling/floor and front/rear configurations.

English is the only OSD language used in the VX-4c and VX-6c chassis.

OSD settings allows for changing the placement of the OSD. See page 3-24 for further informa

tion on how to use this function.

IR and Serial setup allows the installer to change the IR configuration of the projector and also

the baud rate of the projector. To use the control link from the VIVIX processor to control the

projector, please set the RS-232 baud rate to 9600 for proper operation.

Test Patterns allows for direct access to the internal test patterns. Please see page 3-29 for a

full list of internal patterns.

Installer Options requires the installer to enter a password. The default password is 3151 and

can be changed in the Operational Parameters menu to a custom password.

Lens Control is only available when the VX-4c / VX-6c is equipped with optional motorized

lens movement. There are options for setting the H/V shift and zoom/focus of the lens assem

bly.

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OPERATION

INSTALLER OPTIONS

Use the "Installer Options" submenu to select a test pattern or to

freeze the current image, both helpful for closely examining per-

formance. You can also turn specific colors on or off to further pin-

point where a suspected problem may be occurring.

Test Pattern

Freeze Image

DMD Enable

Test Patterns

Use the pull-down list to select and display an internal test pattern. Select

OFF to turn off the display of a test pattern.

None

ANSI

16 Scale

All White

All 50%

All Black

Pixel Align

ANSI 13 Pt

Setup and Focus

Test

NOTE: For quicker access from your presentation, use the

cycle through the patterns. At the last pattern, press

key to

Test

to return to your

Exit

presentation-or press

at any time.

Freeze Image - Use the “Freeze Image” checkbox to freeze (stop) the image at a single frame.

This diagnostic tool is useful if you need to examine in detail a still version of the incoming image

that may not be “freezable” at the source. For example, in moving images it is difficult to observe

artifacts such as external deinterlacing/resizing and signal noise.

DMD Enable

Select which color or colors you want to see, set to G DMD for focusing the projector.

NOTES: 1) Input levels apply for the current source only, but for any color temperature used.

2) Assuming that color temperature has been set up based on the internal test patterns, you can

then set up input levels for a given source so that it matches the color temperature of the internal

test patterns.

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OPERATION

DMD Odd Pixel

NOTE: For sources with Color Balance set to RGB only.

When using certain RGB sources with static

DMD Odd Pixel

images, you may need to adjust the normal

gain or offset of odd pixels in relation to even

in order to smooth out very narrow (1-pixel

wide) checks or vertical stripes. These pat-

terns signify adjacent “on” and “off” pixels,

and can be removed as follows:

R DMD Odd Pixel Offset

G DMD Odd Pixel Offset

B DMD Odd Pixel Offset

R DMD Odd Pixel Gain

G DMD Odd Pixel Gain

B DMD Odd Pixel Gain

DMD Enable

R + G + B DMD

DMD Odd Pixel Menu

1. Use an external grayscale test pattern of some kind (make sure it has both dark grays

Func

and light grays).

2. Make sure the image is displayed in its native resolution, i.e. with No Resizing.

3. Display a single color - choose through the “DMD Enable” menu option or use the key

shortcuts shown on the back of the remote keypad.

4. Examine an area of darkest gray (but not black). If there is a 1-pixel wide pattern pres-

ent, adjust “DMD Odd Pixel” offset for the current color. Stop when the pattern disap-

pears and the area is smooth.

5. Examine an area of lightest gray (but not white). If there is a 1-pixel wide pattern pres-

ent, adjust “DMD Odd Pixel” gain for the current color. Stop when the pattern disappears

and the area is smooth.

6. Repeat for each color, adjusting offset then gain for each.

NOTES: 1) Always adjust offset before gain, since offset affects gain. 2) A value of 128 repre-

sents no change in normal odd pixel offset or gain. 3) DMD Odd Buffer eliminates “1 pixel on, 1

pixel off” patterns only, not any type of larger patterns.

Advanced Color Temperature

Select the Advanced “Color Temp” option if you want to apply, alter, add, or copy a color tem-

perature, or if you want to use an unaltered factory default color temperature.

By default, the projector can utilize any of four calibrated factory-set color temperatures: 3200,

5400, 6500 or 9300 (expressed in degrees Kelvin). For most applications, these temperatures will

display accurate and realistic colors from a variety of sources. They can be selected at any time

in either the Image Adjustments menu or in the Advanced Color Temperature menu.

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OPERATION

OPERATIONAL PARAMETERS

Operational Parameters

Password Protect

New Password

Lock Adjustments

Color Balance Setup

ISF C3 Calibration

Reset Lamp Strike

Shutdown if Fan Fails

Chroma Flare Adjust

Reset All Parameters

Operational Parameters Menu

Password Protect

In Operational Parameters the installer can decide to use password protection by putting check

in the box to the right of the Password Protect item.

New Password

A New Password can be established byselecting the new password item from the menu.

Lock Adjustments

The Lock Adjustments item brings up another sub menu of each type of adjustment that can be

locked globally, such as color, tint, contrast, etc.

Color Balance Setup

In Color Balance Setup, the preset color balance for the ISF DAY and ISF NIGHT presets can

be customized and stored.

ISF C3 Calibration

The ISF 3C splash screen can be configured in the ISF 3C Calibration sub menu. This allows

the installer to enter the customer's name, installer's name, and date of calibration.

Reset Lamp Strike

Reset Calibration Counter allows the installer to zero out the calibration counter that appears in

the information screen. This should be done each time the projector is calibrated. This counter

is separate from the lamp hours and projector hours, it is used to record the time between subse

quent calibrations to the projector.

Shutdown If Fan Fails

The Shutdown if Fan Fails should always be checked to in order to not void the warranty.

Chroma Flare Adjust

The Chroma Flare Adjust is used as a convergence function to correct for large chromatic errors

may occur on screen sizes above 20' wide.

Reset All Parameters

Reset All Parameters puts the projector back to the factory default state. All calibration data is

lost and the projector must be setup from the beginning.

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OPERATION

Color Balance Setup

Set Color Balance

Infinite Adjustable

"Infinite Adjustable"

"Custom"

ISF Night

ISF Day

6500K

9300K

DMD Enable

Load Values

R + G + B DMD

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Adjustable

"Custom"

Color Balance Setup Menu

However, if you require extra color temperatures, you can also add up to five custom color

temperatures - four "Custom" and one "Infinite Adjustable"-by defining them within the Color

Balance Setup menu (each defaults to 6500K until then). Any "Custom" or "Infinite Adjustable"

temperature created here is immediately applied, or it can be selected at any time from the Image

Adjustments menu as usual, regardless of your source or channel. The Color Balance Setup menu

options are described below.

NOTE: For best results, use an internal grayscale test pattern when working with color balance.

SET COLOR BALANCE - See Color Balance Setup Menu above. Upon opening the Color

Balance Setup menu, the current temperature appears as the top option. You can change to a dif-

ferent color temperature here as desired, just as in the Image Adjustments menu. Note that if you

select a "Custom" color temperature, the "White Level" options further down in the Color

Balance Setup menu are no longer disabled-you can adjust them as desired to define or change a

"Custom" color temperature (see "White Levels", below). Likewise, selecting "Infinite

Adjustable" here activates the "Infinite Adjustable" slidebar for defining or changing color tem-

perature.

INFINITE ADJUSTABLE - Select this option if you need a specific color temperature that lies

somewhere between one preset color temperature and another. Adjust the slidebar to define a new

temperature that will be adjusted from the neighboring presets (for example, 7841 is interpolated

from 6500 and 9300). It can be used any time and appears as a 4-digit temperature when present.

WHITE LEVELS -These 3 controls are adjustable only if a "Custom" choice is selected (in

which case "Custom 1, 2, 3 or 4" appears at the top of the Color Balance Setup menu). Their cur-

rent values are shown for the active color temperature. Changing a white level here changes the

drive (contrast) for that color, essentially creating a new color temperature that is "warmer" or

"cooler" etc. When you are satisfied with the new "Custom" temperature, it can be used immedi-

ately upon exit or it can be selected from either the Image Adjustments menu or the Color Balance

Setup menu as usual. You can re-define a "Custom" color temperature at any time using the Color

Balance Setup menu.

DMD ENABLE - Select which color or colors you want to see, useful while working with color

temperature white levels.

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OPERATION

LOAD VALUES FROM - Use this option to replace the currently selected "Custom" color tem-

perature setup with that of another. This function can be particularly useful for creating a starting

point for a new "Custom" color or for accessing an unaltered factory default. It is disabled for all

color temperatures except "Custom". See “Load Values From” below.

Color Balance Setup

Set Color Balance

Infinite Adjustable

ISF Night

ISF Day

6500K

9300K

Custom 1

Custom 2

DMD Enable

Load Values

R + G + B DMD

6500

Custom 3

Custom 4

Infinite Adjustable

Factory 3400K

Factory 5400K

"Load Values From"

To create a starting point: To set a starting point for a new custom user color temperature, select

a user temperature, then highlight "Load Values From" and select a temperature that is similar to

what you want. Adjust white levels from there as desired.

To use a factory default: The preset color temperature

setups (3200K, 5400K, 6500K and 9300K) can be

altered from within the password-protected Service

menu only-note that although such an alteration changes

ISF Night

ISF Day

6500K

9300K

the setup and appearance for a preset, it does not

change its name. If you suspect that you are using a pre-

set temperature that has been altered and you want

instead to use the original calibrated factory color tem-

perature without clearing the entire projector memory,

you can use the "Load Values From" option in the Color

Balance Setup menu to set up a "Custom" temperature

with settings from a permanent factory preset:

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Adjustable

Factory 3400K

Factory 5400K

Presets and “Factory”Presets

1. Enter the "Custom" color temperature you wish to update at the top of the Color Balance

Setup menu, such as "Custom 2".

2. From the "Load Values From" list, select the matching temperature labeled "Factory" (such

as "Factory 5400K").

The setups for the "Custom" color temperature you entered at the top of the Color Balance

Setup menu will now be updated/replaced by those for the permanent factory calibrated tem-

perature you selected in the "Load Values From" list. Again, a "Custom" temperature can be

altered at any time, if desired.

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OPERATION

LAMP ADJUST

Lamp Adjust

Xenon Lamp Hours

New Xenon Lamp Serial No.

Whenever you install a new lamp in the projector

you need to access the Lamp Adjust submenu and

record the lamp serial number in the projector's

memory. You can also set different Lamp submenu

options such as intensity (output) or power required.

These setups can be changed at any time.

015

2LJa869

Lamp Message

Xenon Lamp Limit

Xenon Lamp Mode

Constant Power

1000

Max Output

1000

4114

Constant Intensity

Xenon Lamp History

Replace Xenon Lamp

NOTE: See 2.2, Installing The Lens for complete

instructions on installing a new lamp in the projec-

tor.

Lamp Adjust submenu

From the Advanced menu, select the "Lamp Adjust" option for access to the Lamp Adjust sub-

menu, where all lamp functions and data appear. Read-only information includes the number of

hours logged on the lamp so far and the serial number

recorded for the installed lamp.

XENON LAMP HOURS shows the number of hours logged on the current lamp. Whenever you

record a new lamp serial number, this value automatically resets to "0", where it begins to log time

for the new lamp. Note: Read-only. This information also appears in the Information menu.

New XENON Lamp Serial No. is the serial number recorded for the current lamp. When you

install a new lamp and enter its serial number, the number will appear here in the Xenon Adjust

menu. Note: Read-only.

Enter a checkmark for LAMP MESSAGE if you want to enable a warning message upon power-

up that the lamp has reached the specified lamp limit and should be replaced. Delete the check-

mark if you do not want to see this warning-instead, when your lamp expires, only the status

information on the back of the projector will provide the warning to replace the lamp.

NOTES: 1) It is recommended that the Lamp Message checkbox remain enabled. 2) When a lamp

warning message appears, press to temporarily cancel the message. The message will continue

to appear upon power-up until you install a new lamp.

Set XENON LAMP LIMIT to the number of hours you expect to log on the current lamp before

replacing it. The recommended limit is 1000 hours. At lower power settings, 2000 hours is pos-

sible.

NOTE: 1) If you change modes over the life of a lamp, the lamp limit you originally expected

may no longer be possible. 2) Turning the lamp on and off reduces lamp life significantly, as do

other factors.

Set which XENON LAMP MODE you want to use in order to control

the light output. Although there are exceptions, in most lamps, the high-

er the light output or power setting, the shorter the life span of the lamp.

Max Output

Constant Intensity

Constant Power

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OPERATION

Use the lamp mode that best suits your brightness needs. For example, in a tiled application you

may want to precisely match brightness levels between adjacent images-choose Intensity for each

projector, then judge by eye and set each individual intensity setting as necessary (see "Constant

Intensity", below). Or you may simply always need as much brightness as possible-choose Max

Output.

Lamp modes are described below:

ꢀ

Max Output: The lamp will always burn as brightly as possible, driven by maximum

power of 700W (VX-4c) and 1200W (VX-6c). Keep in mind that the "maximum bright-

ness" for any lamp gradually diminishes with age - the image will become dimmer over

time. Its current output level appears in the "Constant Intensity" option (not in lumens).

Constant Intensity: Brightness will remain at a specified level for as long as possible.

Once you select this option, enter a number representing the intensity level (brightness) you

wish to maintain. Note this value is a correlation only (0-9999), not actual lumen levels pos-

sible (0-3000, e.g.). See "Constant Intensity” below.

Constant Power: The power supplied to the lamp will remain at a desired watt level

throughout the life of the lamp. Once you select this option, enter the number of watts rep-

resenting the power level you wish to maintain. See "Constant Power" below.

CONSTANT POWER: The number shown here indicates how many watts are applied to the

lamp. Set from 450-700W (VX-4c) and 800-1200W (VX-6c) as desired, keeping in mind that

lower power levels produce dimmer images. When in "Constant Power" or Max Output modes,

the power level remains constant. When in "Constant Intensity" mode, the power level will

change as necessary. Specifying a power level of 700 is the same as operating in Max Output

mode.

NOTES: 1) Power level can be set only if the lamp is in "constant power" mode. 2) If you are in

"Intensity" mode, the power level value will automatically increase over time as necessary to

maintain the desired brightness, until power reaches 700W.

CONSTANT INTENSITY: This number is a representation of the current brightness of your

lamp, decreasing over time when you are operating at Max Output or at a specific Power level.

However, when you are operating in "Constant Intensity" mode, this value remains at the orig-

inal "IN" setting chosen.

NOTE: The number shown for "constnat intensity" is not the actual lumen output, but rather a

correlated value only-9999 may represent 3000 lumens, for example.

To use "Constant Intensity" mode, judge by eye and set the level as desired for your application,

remembering that higher settings can significantly shorten lamp life. Over time, the projector will

automatically increase the power supplied to the lamp as needed to maintain the chosen intensi-

ty to within 5% of the setting. This is called "brightness tracking".

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OPERATION

Keep in mind that once the lamp power has reached its maximum of 700 watts (see "Constant

Power", above), this tracking is no longer possible. At this point, the lamp will gradually begin

to dim as usual, even though your original "Intensity" value will still appear in the menu. To

resume accurate tracking, reduce the intensity setting so that the resulting "Power" value is under

700 watts (VX-4c) and 1200W (VX-6c) - the lower the intensity, the longer it can be maintained.

Do not lower the "Intensity" so much that the corresponding "Power" value reaches its minimum

of 450 watts (VX-4c) and 800W (VX-6c) - the intensity setting will be inaccurate and cannot be

maintained.

NOTES: 1) Lamps become more stable over time, thus a specific intensity is more easily main-

tained as the lamp ages 2) Intensity can be set only if the lamp is in "Intensity" mode 3) Intensity

cannot exceed the output of Max Brightness mode.

XENON LAMP HISTORY - This read-only option lists the most

Xenon Lamp History

lamps most recently installed and recorded in the projector. Lamp

History automatically updates whenever you record a new lamp

serial number-the new lamp is added to the bottom of the list.

Serial No.

1 2LJa869

Hours

015

Use CHANGE LAMP to record theserial number for a newly installed lamp.

Lamp Adjust

Xenon Lamp Hours

015

New Xenon Lamp Serial No.

2LJa869

Lamp Message

Xenon Lamp Limit

Xenon Lamp Mode

Constant Power

Constant Intensity

Xenon Lamp History

Replace Xenon Lamp

1000

Max Output

1000

4114

Xenon Lamp History

Serial No.

1 2LJa869

Hours

015

New Xenon Lamp Serial No. 1 2LJa869

Recording the New Lamp Serial Number

In the New Xenon Lamp S/N window, use the number text entry keys to record the new lamp seri-

Enter

al number, and press

again to accept the change. See Using Slidebars and Other Controls if

you need help entering the number. Once entered, the new lamp serial number will be added to

the Xenon Lamp History menu and the Lamp Hours timer will reset to "0". Xenon Lamp Mode

and Lamp Limit remain as they were for the previous lamp, and can be changed at any time.

NOTE: Enter a serial number only if you have just installed a new lamp. This will help ensure

that lamp timer is not reset on an old lamp and that the number of hours logged on the lamp will

be accurate.

IMPORTANT

Always record the serial number of a NEW lamp.

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OPERATION

Information

Customer Name

Calibrator Name

Date of Calibration

Next Calibration

J. Chan

Andy S.

11/17/03

11/17/04

Name

Serial No.

Runco VX-4c / VX-6c

123456789

Calibration Counter 5

Xenon Lamp Adjust 20

Resolution

Digital Cinema

Projector Hours

152

Operational Parameters

Memory Bank Label

Memory Bank No.

Sync

Sample Rate

120Mhz

Information Menu (SAMPLE)

3.8 Error Conditions

Occasionally the projector may encounter an error condition that interrupts normal operation.

Such a condition can be caused by an invalid user entry, an input signal error (most common) or

other system error.

If you would like to be notified on-screen of such errors, select the "Screen" option from the

"Display Error Messages" pull-down list (in OSD Settings menu). If you would like to be notified

via a serial communication only, select the "RS-232" option instead. To receive both notifications,

select "All". To disable error messages (except for invalid user entries), select "Off".

NOTE: Error messages also always appear at the rear LCD next to the keypad.

Invalid User Entry

Any keypad entry not recognized by the projector will trigger an on-screen error message describ-

ing the problem. For example, if you specify a channel number that has not been defined, the mes-

sage "Invalid Channel” will appear. Or if you try to enter the wrong password, you'll see "Invalid

Exit

Enter

Password". Press

to confirm the message and eliminate the message box.

NOTE: Displaying of "Invalid User Entry" messages cannot be disabled, even if Display Error

Messages has been set to "Off".

Input Signal Error

Input signal errors messages appear when there are no menus present, and have selected an input

on which the projector detects a problem. While menus remain operational and pressing any key

will temporarily remove the message from the screen, you must resolve the signal problem in

order to permanently eliminate the message.

NOTE: Input signal messages appear on-screen only if Display Error Messages has been set to

"Screen" or "All".

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OPERATION

No Signal

The message "No signal" appears when there is no signal detected at the selected input. Both

HSYNC and VSYNC are inactive and the screen background is black. Connect or correct the sig-

nal, or select another input.

On the IR remote or wired keypad, press to display the projector box. Press again without enter-

ing a number - the keypad commands will now affect all projectors.

Make certain that only one projector has its "Broadcast Keys" option selected (checked) - the

remaining projectors should have the option unchecked and their keypads disabled (do this in

Preferences menu). The "Broadcast Keys" projector will then relay keypad commands to the oth-

ers. If using a wired remote, make sure to select the "Broadcast Keys" option for the projector to

which the wired remote is connected.

NOTE: If you are using a computer or controller to issue commands, use the correct RS-232 soft-

ware command to broadcast.

Bad Sync

The message "Bad Sync" is displayed when HSYNC or VSYNC are active but the signal cannot

be displayed. Such a condition occurs when only one of the two signals is present, or when either

signal is unstable or of the wrong frequency. Correct the signal or select another input.

Other Signal Error Messages

In addition to the common "Bad Sync" and "No Signal" errors, you may encounter a signal error

message indicating that Hsync and/or Vsync are either too fast or too slow. When such a message

appears, check the frequencies shown in the Information menu. If they are correct, then the sig-

nal may be out of the projector's operating range. On some PCs you may be able to change the

settings to generate a compatible signal. If the frequencies shown in the Information menu are

incorrect, check the cabling to see where the problem is.

System Warnings / Errors

When the projector encounters a system malfunction, either a System Warning message or a

System Error message may appear. Both types of messages are accompanied by a steady red

"Power" LED and a flashing red-and-yellow error code on the "Status" LED. This condition indi-

cates the need for service by a qualified Runco service technician.

NOTE: System messages appear on-screen only if Display Error Messages has been set to

"Screen" or "All".

System Warnings

A system warning message indicates that a system malfunction has been detected (see Status LED

Codes, below). A system warning message replaces any input signal message and disappears

when the input signal status changes. While the projector will remain operational, the message

indicates the presence of a serious problem that should be reported to the manufacturer. You can

Exit

press

to remove the message, but for best results you should reset the projector-power the

Power

projector down and up again with the

key.

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OPERATION

System Errors

A system error message indicates that a serious malfunction has been detected and must be

reported to the manufacturer (see Status LED Codes, below). The projector will no longer oper-

Power

ate and must be reset-power the projector down and up again with the

key.

The Status LED Codes

If the "Status" LED on the back of the projector repeatedly flashes a pattern of yellow and red

light while the "Power" LED glows a continuous red, you have encountered a likely system error

requiring the attention of a qualified service technician (see System Warnings and System Errors,

above). Try resetting the projector by powering it off and on again, cooling when necessary.

Consult Table 1 and contact your Runco Dealer if the problem persists.

The specific pattern of flashing indicates the 2-digit code identifying the type of problem encoun-

tered-the number of yellow flashes represents the first digit and the number of red flashes indi-

cates the second digit. For example, a pattern of "yellow-yellow-red-red-red" is "Code 23", mean-

ing the lamp ballast (power supply) is overheated. These codes include (see next page):

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OPERATION

Table 1. System Error Codes

Code Description

GENERAL

Software bug

CRC error in flash ROM

Programming complete

Attempting to download code without being in boot mode

Invalid interrupt

LAMP / BALLAST

Unable to turn the lamp on

Lamp is overheated

Lamp ballast (power supply) is overheated

One or more of the lamp interlocks are open

Lamp may be on before being turned on

Invalid lamp ballast ID

Unexpected lamp shut-off

IMAGE PROCESSOR MODULE

Boot code CRC failed

Unable to program the Sync Xilinx part

Unable to program a device on Altera programming bus

Unable to program a device on JTAG programming bus

Unrecognized ROM type

Write to flash ROM failed

General IPM failure

Code being downloaded will not fit in ROMs

PANEL DRIVER MODULE / LIGHT ENGINE ELECTRONICS

Unrecognized Panel Driver Module (PDM)

Unable to program a device on Panel Driver programming bus

Panel Driver/light engine communication problem

Red Formatter/flex cable problem

Green Formatter/flex cable problem

Blue Formatter/flex cable problem

POWER & COOLING

Fan #1 failed (part of Cooling Module)

Fan #2 failed (part of Cooling Module)

Fan #3 failed (side fan, rear—connects to J38 on ICM)

Fan #4 failed (side fan, front—connects to J39 on ICM)

Low voltage power supply failed to turn on

MOTOR CONTROL MODULE not in the VX-3b)

(

Problem communicating with MCM

INTERCONNECT OR CHASSIS I.D.

Unable to access EEPROM on the ICM

EEPROM memory has re-initialized

VIDEO DECODER MODULE (INPUT 3 OR 4)

81 Unable to program the video decoder (VDM)

OPTIONAL INTERFACE MODULE

Unable to program the option card

If you encounter a system error, try resetting the projector by powering it off and on again

(cooling if necessary).

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Maintenance

4.1

Warnings and Guidelines

This projector is CSA approved and is designed for safe and reliable operation. However, safe

operation cannot be assured by design alone; installers, maintainers, and users must maintain a

safe operating environment for the system. Please read through and understand the following

warnings and guidelines promoting safe usage of the projector.

! WARNING

Never look directly into the projector lens.

The extremely high brightness of this projector

can cause permanent eye damage.

! WARNING

For protection from ultraviolet radiation,

keep all projector shielding intact during operation.

Labels and Markings

Observe and follow all warnings and instructions marked on the projector.

The exclamation point within the equilateral triangle alerts the user to important

operating and maintenance (servicing) instructions in the literature accompanying

the projector.

The lightning flash and arrowhead symbol within the equilateral triangle alerts the

user to non-insulated "dangerous voltage" within the projector's enclosure that

may be of sufficient magnitude to constitute a risk of electric shock.

Projector Location

Operate the projector in an environment that meets the operating range specifications in Section

5, Specifications. Do not operate the projector close to water, such as near a swimming pool.

Do not place the projector on an unstable cart, stand or table. If the projector is to be ceiling

mounted, only use a Runco-approved ceiling mount fixture.

A projector and cart combination should be used with care. Sudden stops, excessive

force, and uneven surfaces may cause the projector and cart combination to overturn.

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MAINTENANCE

Lamp and Filter Replacement

LAMP: Do not operate the Xenon lamp for more than 1000 hours; risk of the lamp shattering

increases as a result of changes in the quartz glass. Also, operation beyond 1000 hours signifi-

cantly reduces brightness output.

WARNING

Never attempt to remove the lamp housing directly after use.

The lamp is under great pressure when hot and may explode,

causing personal injury and/or property damage.

Allow to cool completely.

The arc lamp operates at a very high temperature and pressure. Failure to

allow the lamp to sufficiently cool prior to handling could result in an

explosion causing personal injury and/or property damage. After turning

the projector off it is important that you wait at least five minutes before

unplugging it. This provides enough time for the internal lamp cooling

fans to cool the lamp and to automatically shut off. Cool completely

before handling.

WARNING

Use only lamps supplied by Runco.

FILTER: Replace the side filter every 1000 hours or sooner. If this filter is not replaced, air flow

may become restricted and cause the projector to overheat.

See 2.2, Replacing the Lamp and Filter for the complete replacement procedure.

WARNING

Use only filters supplied by Runco.

Power Cord and Attachments

Only use attachments or accessories recommended by Runco, such as the 13 amp high-current

rated power cord supplied. Use of other attachments or accessories with this projector may result

in the risk of fire, shock or personal injury.

! WARNING

Use only the AC power cord supplied.

Do not attempt operation if the AC supply and

cord are not within the specified voltage and power range.

Do not allow anything to rest on the power cord. Locate the projector where the cord cannot be

damaged by persons walking on it or objects rolling over it.

Operate the projector at the specified voltage only. Do not overload power outlets and extension

cords as this can result in fire or shock hazards. Runco recommends a dedicated AC circuit for

the projector itself.

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MAINTENANCE

The projector is equipped with a three wire plug having a third (grounding) prong. This is a safe-

ty feature. If you are unable to insert the plug into the outlet, contact an electrician to have the

outlet replaced. Do not defeat the safety purpose of the grounding-type plug.

Ventilation

Before unplugging the power cord, make sure the internal lamp cooling fans have shut off. The

fans automatically shut off when the projector has adequately cooled down.

Slots and openings in the projector provide ventilation. To ensure reliable operation of the pro-

jector and to prevent overheating, these openings must never be blocked or covered. The projec-

tor should never be placed near or over a radiator or heat register. The projector should not be

placed in an enclosure unless proper ventilation is provided.

Do not push objects of any kind into the projector through the ventilation openings. They may

touch dangerous voltages or short-out components resulting in a fire or shock hazard. Do not spill

liquids of any kind into the projector. Should an accidental spill occur, immediately unplug the

projector and have it serviced by a qualified Runco service technician.

Servicing

If any of the following conditions exist, unplug the projector from the power outlet and refer serv-

ice to qualified Runco service personnel.

ꢀ

The power cord has been damaged.

The internal cooling fans do not come on when the projector is first turned on.

Liquid has been spilled into the projector.

The projector has been exposed to excessive moisture.

The projector does not operate normally.

The projector has been dropped or the case has been damaged.

Do not attempt to service the projector yourself. All servicing must be performed by a qualified

Runco service technician. If replacement parts are required, it is important that only Runco-

approved parts are used. Other parts may result in fire, electric shock or risk of personal injury.

4.2

Cleaning

Clean the projector when required. Before cleaning, always unplug the projector from the power

outlet.

Lens

To avoid the risk of scratching the lens, clean the lens only if absolutely required. A small amount

of dust on the lens will have very little effect on picture quality. If the lens must be cleaned, use

a DRY soft cotton cloth. Clean gently in a circular motion.

Lamp

It is important to never touch the glass surface of the lamp, as the oil imprint will seriously

degrade lamp performance. Should you accidentally touch the surface of the lamp, clean careful-

ly with a lint-free cloth moistened with isopropyl alcohol.

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MAINTENANCE

Case

Clean the case with a soft dampened cloth. Use a mild commercial cleaner. Do not use liquid or

aerosol cleaners.

4.3

Replacing Keypad Batteries

The optional IR Remote Keypad uses four AA size, 1.5V batteries (preferably alkaline). To install

new batteries, open the battery compartment at the back side of the keypad by pulling on the

raised portion of the cover as shown below.

Replacing Keypad Batteries

Remove the old batteries and properly discard. Wait a minute or two and place the new batteries

in the compartment, orienting the positive/negative of each battery according to the labels in the

compartment. When batteries are in place, replace the cover by inserting its bottom edge first and

snapping the top into place. Do not force.

NOTE: Always wait a minute or two when replacing batteries so that the internal electronics dis-

charge and can recognize the change.

NOTE: For this procedure you will need a VX-4c/VX-6c Lamp and Filter Replacement Kit from

Runco.

The high brightness of your projector is provided by a 700 watt Xenon lamp permanently mount-

ed inside its own protective housing. When the bulb approaches 1000 hours of usage, this lamp

assembly should be replaced.

How Old is The Lamp?

The number of hours logged on the current lamp appears both in the Lamp Adjust submenu

(accessed through the Advanced menu) and the Information menu. In the Information menu, do

not confuse “Xenon Lamp Hours” with “Projector Hours”, which indicates the number of hours

logged during the ‘rental period’, in a situation where the VX-4c/VX-6c is to be rented for vari-

ous functions. In a permanent install, this would be of no consequence.

NOTE: As the lamp nears its limit (as set in Lamp Limit), a message can appear on screen to

warn that the lamp needs to be replaced. To make sure that this warning appears, enter a check-

mark in the Lamp Message checkbox located in the Lamp Adjust submenu.

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MAINTENANCE

4.5 Troubleshooting

If the projector appears not to be operating properly, note the symptoms present and use the fol-

lowing guide to assist you. If you cannot resolve the problems yourself, contact your Runco deal-

er for assistance.

NOTE: Always check the LCD status window at the rear of the projector for initial information

about a problem.

Power*

Symptomꢀ The projector will not turn on when

CAUSE / REMEDY:

1. Make sure to hold

is pressed...

Power*

for approximately one second. Or press quickly and release, and fol-

low with

2. Do both LEDs come on at the rear of the projector? Check that the power cord is properly con-

nected at the wall outlet (100-240 VAC, 50-60 Hz nominal) and that you are using the original

high-current 13A cable provided.

3. Does the green “Status” LED flash with each key press? If not, the projector is not receiving

the keypad’s IR signals. Ensure the keypad is directed at either the front or rear of the projector,

or at the screen. Also make sure that these paths are not blocked. Try the built-in keypad.

4. The batteries in the IR remote keypad may be weak. Refer to page 2-17, Replacing Keypad

Batteries for instructions.

5. The IR keypad may have been disabled by a change in protocol. See 2.12, Keypad Protocols

and Conversion and 3.7, Adjusting System Parameters and Advanced Controls .

Power*

6. Use the

key on the built-in keypad to turn the projector on.

Symptomꢀ The projector is on but I can’t see display of source input...

CAUSE / REMEDY:

1. Was the lens cover accidentally left on? Remove lens cover.

Exit

2. Is the shutter closed? Is the projector in standby? Press

to clear.

3. Is an active source connected properly? Check the cable connections. And is the correct source

Input1

Input2

Input4

Input3

selected? Press

, or

to select. See 2.10, Source Connections and 3.13, Using

Inputs and Channels for details.

4. Are there test patterns or menus present? If so, check your source connections again.

5. The room lighting may be too bright. Lower the intensity of the room lighting. Reduce light

reflections as much as possible.

6. Increase contrast and/or brightness of image.

7. The projector may be too far from the screen. Move the projector closer.

8. Is the “Status” LED flashing a pattern of yellow and red lights while the “Power” LED is steady

red? This indicates an internal system error that may prevent the projector from operating. If the

problem persists contact a qualified Runco service technician.

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MAINTENANCE

Symptomꢀ The projector does not respond to the infrared remote keypad...

CAUSE / REMEDY:

1. Does the built-in keypad work? If so, check that the keypads are enabled.

2. Does the green “Status” LED flash each time a key is pressed? If not, the projector is not

receiving the keypad’s IR signals. Ensure the keypad is directed to either the front or rear of the

projector, or towards the screen.

3. The viewing path between the IR keypad and the projector (or screen) may be blocked. Ensure

there is a clear line-of-sight between the keypad and the projector (or screen).

4. The batteries in the IR remote keypad may be weak. Refer to page 2-17, Replacing Keypad

Batteries for instructions on how to replace the batteries.

5. There may be unusual lighting conditions in the room affecting IR keypad operation.

Determine if such conditions exist and correct.

6. The IR keypad may have been disabled for use with this projector(s). Press to enable broad-

casting to all projectors. See 2.12, Keypad Protocols and Conversion and 3.7, Adjusting and

Checking System Parameters for additional information.

Symptomꢀ The power is on but the lamp is not...

CAUSE / REMEDY:

1. Does the LCD status window say “warming up”?

2. The projector probably became overheated (there is likely an error code flashing and a mes-

sage in the LCD status window). Allow to cool and make sure that nothing blocks projector vents.

Do not operate in environments warmer than 35°C (95°F).

3. The lamp may have reached the end of its life. Check the “Lamp Hours” via RS-232 request

‘lph?’.

Symptomꢀ The display is jittery or unstable...

CAUSE / REMEDY:

1. If the display is jittery or if it disappears and reappears erratically, check that the source is prop-

erly connected and that its signal is of adequate quality for detection. For example, it the projec-

tor scans the default input for a signal to display, and a poor quality or improperly connected

source is connected, the projector will briefly and repeatedly attempt to display an image. If no

source is connected, the “No signal present” error message appears over a blank display. Correct

the source connection.

2. The horizontal or vertical scan frequency of the input signal may be out of range of the pro-

jector. Refer to page 5-1, Specifications for scan frequency ranges.

3. The sync signal may be inadequate. Correct the source problem.

4. The input signal type may conflict with the input module. Install/use the correct module for the

source.

5. Pixel tracking, phase, filter, etc. may need more adjustment.

Symptomꢀ The display is faint...

CAUSE / REMEDY:

1. Check Input Levels option-turn auto to “off”, then “on” again.

2. Brightness and/or contrast may be set too low. Adjust as necessary.

3. Gamma may be set too low. Recommended setting for most signals is 2.2.

4. The projection room may be too bright. Lower the intensity of projection room lighting and

reduce light reflections as much as possible.

5. The projector may be too far from the screen. Move the projector closer.

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MAINTENANCE

6. The location of the audience with respect to the screen may not be ideal. Make sure the audi-

ence is within the viewing angle set by the projector and screen position, and the screen type.

7. The source may be double terminated. Ensure the source is terminated only once.

8. The source (if non-video) may need sync tip clamping. Enter a check in the "Clamp Tip" box

found in the Input Levels submenu.

SymptomꢀThe display is reversed and/or upside-down…

CAUSE / REMEDY:

1. The projector's image orientation is not set correctly for the current installation. Refer to 2.6,

Operating Orientation to set the projector's image orientation to match your installation.

SymptomꢀThe upper portion of the display is waving, tearing or jittering…

CAUSE / REMEDY:

1. This can sometimes occur with video or VCR sources. If you are using a VCR, make sure that

the "VCR" option is checked (in Advanced menu).

SymptomꢀPortions of the display are cut off or wrap to the opposite edge…

CAUSE / REMEDY:

1. Reduce top, bottom, left or right blanking from within the Scaling Parameters menu. Check

size and position adjustments.

2. Resizing may need adjustment. Adjust until entire image is visible and centered.

SymptomꢀThe display appears compressed or stretched…

CAUSE / REMEDY:

1. The frequency of the pixel sampling clock is incorrect for the current source.

2. The Scaling Parameters options may be adjusted poorly for the incoming source signal.

See 3.6, Adjusting the Image.

SymptomꢀDisplay quality appears to drift from good to bad, bad to good…

CAUSE / REMEDY:

1. The operating temperature of the projector may be fluctuating. Watch that the projector is not

located too close to heating/air conditioning vents.

2. The source input signal may be of low quality.

3. The horizontal or vertical frequency of the input may have changed at the source end.

SymptomꢀThe display has suddenly frozen, or an unknown menu has appeared…

CAUSE / REMEDY:

Func

1. You may have accidentally entered a special engineering code using the

key in combi-

Exit

nation with certain numbers, or you may have selected the "Freeze Image" option. Press

necessary to cancel the function and return to presentation level.

2. If the screen blacks out inexplicably, it is possible that excessive voltage noise on the AC or

ground input has interrupted the projector's ability to lock on to a signal. Turn the projector off,

wait for the lamp fans to stop, and unplug. Plug in again and power up as usual.

SymptomꢀThe display is not sharp or "clean"…

CAUSE / REMEDY:

1. More display adjustment may be required-focus, brightness, contrast, pixel tracking, pixel

phase, and detail.

2. If you are using a BNC T-connector, try using a distribution amplifier to boost signal levels.

3. Is the video input signal properly terminated? Set in OSD Settings menu.

4. The screen size may be too large. As screen size increases, magnification increases, reducing

brightness and clarity. See lens specifications in Section 5.

5. The source input signal may be of low quality. Try another source.

4-7

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MAINTENANCE

SymptomꢀColors in the display are inaccurate…

CAUSE / REMEDY:

1. The color, tint, gamma, color space and/or color temperature settings may require adjustment.

Review all settings, and refer to 3.6, Adjusting the Image and 3.7, Adjusting System Parameters

and Advanced Controls.

Symptomꢀ The display is not rectangular…

CAUSE / REMEDY:

1. Check leveling of the projector. If necessary, try relocating the projector or screen so that the

lens surface and screen are approximately parallel

2. Is the vertical offset set correctly? Adjust as necessary using the vertical offset knob on the

front of the projector.

3. The "Vertical Stretch" option may need adjustment. Also check pixel tracking.

SymptomꢀThe display is "noisy"…

CAUSE / REMEDY:

1. Display adjustment may be required. Adjust pixel tracking, phase and filter.

2. The video input may not be terminated. Make sure the video input is terminated (75 Ω). If it

is the last connection in a loop-through chain, the video input should be terminated at the last

projector only.

3. The signal cables carrying the input signal may be of poor quality. Use only good quality sig-

nal cables.

4. The distance between the input source device and the projector may be too great. If the dis-

tance between the input source device and the projector is greater than 25 feet, signal amplifica-

tion/conditioning may be required.

5. The input signal may be of poor quality.

6. If the source is a VCR or off-air broadcast, detail may be set too high. Keep near 4 for most

sources.

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Specifications

Specifications:

VX-4c

VX-6c

Projector Type:

Digital Light Processing™ (DLP™), 3-chip,

0.9”DMD™ - Dark Metal Process

Digital Light Processing™ (DLP™), 3-chip,

0.9” DMD™ — Dark Metal Process

Native Resolution:

Aspect Ratios:

1280 x 1024

Determined by supplied processor

NTSC, PAL

Determined by supplied processor

NTSC, PAL

Video Standards:

DTV Compatibility:

Scan Frequency:

480p, 720p, 1080i, 1080p

Horizontal: 15-120 KHz

Vertical: 24-120 Hz

Horizontal: 15–120 KHz

Vertical: 24–120 Hz

Picture Size

(16:9 Screen):

Recommended Width: 84-288 in. ^{(16x9 screens)}

Maximum Width: 375 in.

Recommended Width: 84–360 in.(16:9

Screen): Maximum Width: 500 in.

Throw Distance:

Lens Option 1: Zoom 1.5 - 2.2 x Width

Lens Option 2: Zoom 2.2 - 4 x Width

Lens Option 3: Zoom 4 - 7 x Width

Lens Option 4: Zoom 0.8 x Width

(For rear screen applications)

Anamorphic Cinema Lens Attachments:

VX-4c @ 720p: None

Lens Option 1: Zoom 1.5 - 2.2 x Width

Lens Option 2: Zoom 2.2 - 4 x Width

Lens Option 3: Zoom 4 - 7 x Width

Lens Option 4: 0.8 x Width

(For rear-screen applications)

Anamorphic Cinema Lens Attachments:

VX-6c @ 720p: None

VX-4c @ 960p: 1.33

VX-6c @ 960p: 1.33

VX-4c @ 1024p: 1.42

VX-6c @ 1024p: 1.42

VX-4c @ 1024p: 1.9, 2.35:1

w/2.35 Aspect Ratio: 1.9

VX-6c @ 1024p: 1.9, 2.35:1

w/2.35 Aspect Ratio: 1.9

Horizontal and Vertical Offset:

Light Output:

Horizontal offset varies per lens, up to 80%

Vertical Offset: Varies per lens, up to 130%

Horizontal offset varies per lens, up to 80%

Vertical offset: varies per lens, up to 130%

CSMS* Specifications: Home Theater

Calibration: 1706-2938 ANSI Lumens;

31.5-56.2 Foot-Lamberts (fL); Up to 3000

ANSI Lumens (All light output values are

variable depending on lamp wattage output

adjustment setting).

CSMS* Specifications: Home Theater

Calibration: 3488-5385 ANSI Lumens;

65.4-101.3 Foot-Lamberts (fL); Up to 6000

ANSI lumens (All light output values are

variable depending on lamp wattage output

adjustment setting).

Contrast Ratio:

Lamp:

CSMS* Contrast Ratio: 131.1 - 142:1;

1000:1 ANSI

CSMS* Contrast Ratio: 134:1–140:1;

1000:1 ANSI

700W Xenon lamp, adjustable from 450W

to 700W

1.2kW Xenon lamp, adjustable from 800W

to 1.2kW

Lamp Life:

Inputs:

1000 hours @ 6500° Kelvin

1000 hours @ 6500º Kelvin

(1) RGB/Component, (1) DB 15-pin

5-1

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Specifications

Specifications:

VX-4c

VX-6c

Memories:

100 Discrete memories

100 discrete memories

12V Output:

See Controller for Specifications

100-240V AC, 50/60 Hz, 1150W

See Controller for Specifications

220-240V AC, 50/60 Hz, 1700W

Power Requirements:

Operating Environment:

41°–95° F, (5°–35° C), 20%–85%

Humidity (non-condensing)

41°–95° F, (5°–35° C), 20%–85%

Humidity (non-condensing)

Dimensions (w/out feet):

Width: 28 9/10 in. (734.00 mm)

Depth: 31 3/5 in. (802.60 mm)

Height: 13.0 in. (330.20 mm)

Width: 28 9/10 in. (734.00 mm)

Depth: 31 3/5 in. (802.60 mm)

Height: 13.0 in. (330.20 mm)

Weight: 175 lbs. (79.4 kg) (without lens)

Weight: 181 lbs. (82.3 kg) (without lens)

Regulatory Approvals:

Limited Warranty:

Complies with FCC, CE, C-Tick

Projector: (2) Two years parts and labor

from the date of delivery to the end user.

Lamp Warranty: 1000 hours or (6) six

months, which ever comes first.

Projector: (2) Two years parts and labor

from the date of delivery to the end user.

Lamp Warranty: 1000 hours or (6) six

months, which ever comes first.

* ANSI Lumen Specification:

This is the typical projector luminosity (brightness) specification found in most sales literature. This measurement is

included in RUNCO literature to allow for direct comparison with other manufacturer’s projectors. These measurements

can be taken at 9,000° to 13,000° Kelvin to get expected performance data when the projector is used in professional,

commercial, and industrial displays.

CSMS Home Theater Calibration ANSI Lumen Specification:

These measurements are taken from the projector as set up in a home theater environment. The projector is calibrated

to ISF specifications including setting the color temperature to 6500° K, the standard for reproducing video.

CSMS Home Theater Calibration foot-Lambert (fL) Specification:

This is the unit of measurement used in commercial movie theaters to express image brightness. The Society of Motion

Picture and Television Engineers (SMPTE) specifies 16 fL as the target image brightness for film-based projectors using

an open gate (without film in the projector). More importantly, today SMPTE specifies 12 fL as the target image bright-

ness in Digital Cinema theaters using DLP™ technology. The foot-Lambert is dependant on screen size, screen gain,

and projector light output.

All measurements are made at RUNCO to ANSI/NAPM IT7.228-1997 specifications using the Photo Research PR-650

Spectra Colorimeter and Minolta LS-100 Luminance Meter, Video Essentials test DVD, and a Da-Lite 1.5 gain, 100-inch

wide screen. The projector is calibrated to a color temperature of 6500° Kelvin and has a minimum of 150 hours of

usage.

5-2

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VHD Ultra Controller Manual

The software installed in the VHD Ultra Controller is protected by copyright laws and International

IMPORTANT - READ CAREFULLY: This Runco License Agreement is a legal agreement between you

(either an individual or a single entity) and Runco International for the Runco software product installed

within the VHD Ultra Controller. By using the VHD Ultra Controller, you agree to be bound by the terms

of this License Agreement. If you do not agree to the terms of this License Agreement, do not use the

VHD Ultra Controller; you may, however, return it to your place of purchase.

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Warnings and Safety Precautions

CAUTION:

To turn off main power, be sure to remove the plug from power outlet. The power outlet socket should be

installed as near to the equipment as possible, and should be easily accessible.

REMARQUE:

Pour mettre l’appareil hors circut, s’assurer de retirer la fiche de la prise d’alimentation. La prise d’ali-

mentation doit être installé aussi proche que possible de l’appareil et doit être facile d’ accès.

WARNING

TO PREVENT FIRE OR SHOCK HAZARDS, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

ALSO DO NOT USE THIS UNIT’S POLARIZED PLUG WITH AN EXTENSION CORD RECEPTACLE OR

OTHER OUTLETS, UNLESS THE PRONGS CAN BE FULLY INSERTED. REFRAIN FROM OPENING THE

CABINET AS THERE ARE HIGH-VOLTAGE COMPONENTS INSIDE. REFER SERVICING TO QUALIFIED

SERVICE PERSONNEL.

AVERTISSEMENT

POUR EVITER UN FEU OU UN RISQUE D’ELECTROCUTION NE PAS EXPOSER CET ENSEMBLE A

LA PLUIE OU A L’HUMIDITE; DE MEME, NE PAS BRANCHER LA PRISE POLAIRE AVEC UNE RAL-

LONGE A MOINS QUE LES DENTS DE LA PREMIERE NE S’Y INSERENT PLEINEMENT.

EVITER D’OUVRIR LE COFFRET CAR IL Y A, A L’INTERIEUR, DES COMPOSANTS SOUMIS A UNE

HAUTE-TENSION; POUR LES REPARATIONS, S’ADRESSER A UN PERSONNEL QUALIFIE.

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WARNING

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant

to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful

interference when the equipment is operated in a commercial environment. This equipment generates,

uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instal-

lation manual, may cause harmful interference to radio communications. Operation of this equipment in a

residential area is likely to cause harmful interference, in which case, the user will be required to correct

the interference at his own expense.

DOC compliance Notice

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment

Regulations.

DOC avis de conformation

Cet appareil numérique de la classe B respecte toutes les exigences du Réglement sur le Matériel D’interférence

du Canada.

Safety Tips

Please read and follow the safety precautions listed below to ensure the equipment is free from damage,

and to ensure that no injury will occur as a result of improper use.

• Do not insert any object, especially metal or liquids, into the VHD Ultra Controller.

• Do not place any objects containing water or any other liquid on top of the VHD Ultra Controller.

• Do not place the unit in direct sunlight, near heaters or in extremely dusty or humid locations

• Do not install this unit outdoors or otherwise exposed to the elements

• Do not place heavy objects on top of the unit

• If the power cord is damaged or frayed in any way, electrical shock and/or fire may result. Please do not

place objects on the power cord, and keep the cord away from heat-emitting devices. Should the power

cord become damaged in any way, please contact your Runco dealer for a replacement cord.

• Do not remove the cover of the unit for any reason. If any problems arise with the unit, please contact a

Runco dealer or Runco International for service. Removing the cover will void the warranty.

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INTRODUCTION

General Description

Congratulations on your purchase of the VHD Ultra Controller video processor with Vivix™ technology! This

processor is designed to maximize the image quality of your fixed-pixel display or rear-screen television while

adding an extra level of flexibility to your system. The VHD Ultra Controller's Vivix™ processing techniques

enable this processor to be used most efficiently with fixed-pixel displays, and will provide the most stunning

image that your display can possibly deliver.

Vivix™ is a proprietary technique developed by Runco engineers to match the output resolution of the proces-

sor precisely to the display it will be used with. This precision processing technique resolves all the problems

that conventional video processors have with fixed-pixel displays, which include pixel-tracking

artifacts (jagged lines, moiré, jerky motion, etc.), too much overscan (significant loss of image) and even

improper and disproportionate aspect ratios. The results of Vivix™ technology is an image that nearly rivals

that of a CRT, while providing three geometrically-correct aspect ratios on a 16:9 or a 4:3 screen.

Features and Benefits

The VHD Ultra Controller have many great features and benefits that make it a flexible, high-quality

processor. Its many benefits include:

• Vivix^TMTechnology, which maximizes image quality and flexibility of fixed-pixel displays.

• An adaptive 2-dimensional comb filter that greatly reduces artifacts when using a composite video signal as

an input.

• A Luma edge enhancement circuit makes the edges of objects appear sharper without the ringing and

noise increase associated with traditional sharpness circuits

• A Chroma edge enhancement circuit is included to compensate for lower chroma resolution found in com-

posite and S-video.

• Inverse Telecine (3:2 pulldown) detection and processing allows the scaler to almost completely eliminate

interlace artifacts associated with other scalers

• The controller can correctly scale anamorphic, letterbox and 4:3 formats to fit on a wide aspect-ratio screen,

and scale anamorphic formats on a 4:3 screen

• A pass-through connector is supplied for routing HDTV or computer graphics directly to the display.

• An RS-232 input is provided for easy integration into the automated home theater environment

• A TBC (Time Base Corrector) circuit is provided for unstable sources such as VCR’s.

• 12V outputs are provided for drop screens and screen masking.

• A simple 7-button remote controls all aspects of operation. One button source selection and aspect ratio

control is also provided via the remote control.

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FRONT AND REAR PANEL DESCRIPTIONS

Front Panel

M U LT I F I L M

8 9

1. IR RECEIVER

Receives the IR commands from the remote control.

2. POWER BUTTON

Toggles the power on and off. For a discreet on or off command, you can use the direct access buttons on the

remote control. NOTE: When the main AC power switch is first turned ON, the processor will go through an

initiation cycle for approximately 15 seconds. The processor cannot be turned on or operated until the

initialization is complete

3. LED DISPLAY

Indicates the model number, current source, resolution and aspect ratio.

4. UP BUTTON

When no menus are present on-screen, the UP button will toggle you through aspect ratios in the following order:

Letterbox

Standard (4:3)

Anamorphic

When the menu is on-screen, the UP button will move the cursor up within the menu.

When an adjustment item has been selected (i.e. brightness), the UP button will increase the value of that

function.

5. LEFT BUTTON

When no menu is present on-screen, the LEFT button will toggle you through the four different sources,

in the order of:

Pass-through

Component

S-Video

Composite

6. ENTER BUTTON

When an item is highlighted on the On-Screen Display, the ENTER button will select the item.

7. DOWN BUTTON

When no menu is present on-screen, this button will toggle you through the different aspect ratios.

When the menu is on-screen, the down button will move the cursor down within a menu. When an adjustment

function has been selected (i.e. brightness), the DOWN button will decrease the value of that function.

8. RIGHT BUTTON

When no menus are present on-screen, the RIGHT button will toggle you through the four different sources, in

the order of:

Composite

S-Video

Component

Pass-through

9. MENU BUTTON

Pressing the MENU button will bring up the main menu. If no action is taken within approximately 10 seconds,

the menu will time-out (disappear). Also, if you are in an adjustment mode or function, pressing MENU will bring

the menu back one level.

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Rear Panel

RUNCO INTERNATIONAL

UNION CITY, CA

12V FUSE

AC 120V 60Hz, 15W

RGB VIDEO OUTPUT

VIDEO INPUTS

RS-232 IN

PASS THROUGH

S-VIDEO COMPOSITE

MASK

SCREEN

MADE IN USA

12V TRIGGER

11 12

1. 12v Fuse

This fuse protects the 12v outputs from the MASK and SCREEN jacks.

(Screen Fuse: 5mm x 25mm, AGC, 0.5A 250V Fast Acting, 250V, Fast Blow)

2. Mask

This is a 12V output that is used to trigger masking on screens that have that capability.

(For use on motorized screens only).

3. Screen

This is a 12V output that is used to trigger the screen to drop.

(For use on motorized screens only).

4. RS-232 In

This is for systems using serial (RS-232) to control the VHD Ultra Controller.

5. Reserved for future use.

6. RGB OUTPUT

This is the main output of the VHD Ultra Controller. The RGB Signal goes directly to the VX-4c/VX-6c

Projector. If component is used through the pass-through, then only the R (Pr), G(Y) and B(Pb) jacks will be

active. Individually, the jacks are: V=vertical sync, H=horizontal sync, B=Blue, G=Green, R=Red.

7. Pass-through

Anything input to this port will by-pass the processing of the VHD Ultra Controller and be sent straight to the

VX-4c/VX-6c Projector. This is useful for computer graphics and HDTV signals which do not require process-

ing.

8. Component Input

This is the input for component video from sources such as DVD players.

Note: The component output from a DTV decoder or a progressive-scan DVD cannot be used with this port;

it must be input to the Pass-through port.

9. S-Video Input

This is the input for S-video from sources such as Satellite receivers, S-VHS VCR’s and DVD players.

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10. Composite Video Input

This is the input for Composite video from sources such as Laser disc players, VCRs and other

miscellaneous video sources.

11. Power Input

Plug in main power here.

12. 115 VAC Fuse

This is the main AC input fuse.(Main Fuse: 5mm x 20 mm, 500mA, 250v, Slow Blow)

13. Main Power Switch

Disconnects or applies main power to the processor.

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REMOTE CONTROL DESCRIPTION

A. IR OUTPUT INDICATOR

Illuminates when a button is pressed, indicating that an IR signal is being

transmitted.

B. POWER BUTTON

Toggles the power on and off. For a discreet on or off command, you can

use the direct access buttons (see 'J'). Note: When the main AC power

PWR

switch is first turned ON, the processor will go through an initiation cycle

for approximately 15 seconds. The processor cannot be turned on or

operated until the initialization is complete.

C. UP BUTTON

When no menus are present on-screen, the UP button will toggle you

through aspect ratios in the following order:

Letterbox Standard (4:3) Anamorphic

When the menu is on-screen, the UP button will move the cursor up

within the menu. When an adjustment item has been selected (i.e.

brightness), the UP button will increase the value of that function.

D. LEFT BUTTON

When no menus are present on-screen, the LEFT button will toggle you

through the four different sources in the following order:

Pass-through

Component

S-Video

Composite

OFF

E. DOWN BUTTON

When no menus are present on-screen, the DOWN button will toggle you

through aspect ratios in the following order:

UNCO

Anamorphic

Standard (4:3)

Letterbox

When the menu is on-screen, the DOWN button will move the cursor

down within the menu. When an adjustment item has been selected (i.e.

brightness), the DOWN button will decrease the value of that function.

F. RIGHT BUTTON

When no menus are present on-screen, the RIGHT button will toggle you

through the four different sources in the following order:

J. DIRECT ACCESS BUTTONS

These buttons will allow you to directly

Composite

S-Video

Component

Pass-through

access an aspect ratio, source, or turn the

unit on or off without having to go through

any menus. These buttons are:

G. MENU BUTTON

Pressing the MENU button will bring up the main menu. If no action is

taken within approximately 10 seconds, the menu will time-out (disap-

pear). Also, if you are in an adjustment mode or function, pressing MENU

will bring the menu back one level.

1: Selects COMPOSITE video

2: Selects S-video

3: Selects COMPONENT video

4: Not used

5: Selects PASS-THROUGH

6: Enables or Disables the Installation

Menu (see page 6-13)

H. ENTER BUTTON

When an item is highlighted on a menu, pressing ENTER will select that

item.

7: Selects the ANAMORPHIC aspect ratio

8: Selects the STANDARD (4:3) aspect

ratio

9: Selects the LETTERBOX aspect ratio

0: Turns the processor ON.

OFF: Also known as the button left of '0',

this turns the processor OFF.

I. PROGRAM BUTTON

If the remote control loses its 'memory' as a result of weak or dead bat-

teries, it must be re-programmed for the VHD Ultra Controller's code

set. To reprogram the remote, press the PROGRAM button followed by

0,1,3. Note: Pressing Enter after typing in the code is not necessary.

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QUICK SET-UP GUIDE

Connection Examples

RUNCO INTERNATIONAL

UNION CITY, CA

12V FUSE

AC 120V 60Hz, 15W

RGB VIDEO OUTPUT

VIDEO INPUTS

Pr Pb S-VIDEO COMPOSITE

RS-232 IN

PASS THROUGH

MASK

SCREEN

MADE IN USA

12V TRIGGER

Reserved for

future use

DVD Player

Automation

System

VCR, Laser

disc player,

camcorders

Computer or

DTV decoder

Sattelite

receiver or

SVHS player

VX-4c/VX-6c

Projector

While there are many different ways to connect your source equipment to your VHD Ultra Controller,

the examples shown above are the most common.

• COMPOSITE VIDEO INPUT:

Composite video is the most common type of signal used, but is also the lowest in picture quality. Many

sources have outputs that are limited to composite video, such as some VCR’s and camcorders; others

such as Laser Disc players actually produce slightly better results when using composite video.

• S-VIDEO INPUT

S-video is the second-best type of signal that can be used, but is MUCH better than composite video.

Using such sources as Satellite receivers, high-quality VCRs and DVD players (with no component

output) will produce a MUCH cleaner and sharper signal.

COMPONENT INPUT

Component video is the best type of signal that can be used. The most common sources that use com-

ponent outputs are DVD players, and it is highly recommended that component be used when possible.

Component video goes one step beyond S-video in picture quality; chroma (color) information is more

resolved and the overall picture appears more well-defined.

• PASS-THROUGH

This input is used to ‘pass-through’ any high-definition or computer signals that do not require process-

ing. The signal by-passes the VHD Ultra Controller’s processing and is sent directly to the display. The

pass-through may be used for COMPONENT outputs from a DTV decoder, a progressive-scan DVD play-

er or RGB outputs from a computer or other high-resolution sources.

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MENU DESCRIPTION AND NAVIGATION

Main Menu

MAIN MENU

> COMPOSITE

S-VIDEO

Source selection and

picture quality adjustments

COMPONENT

PASS THROUGH

ASPECT RATIO

INSTALLATION

Aspect ratio selection

See "installation" section

When the MENU button is pressed on either the remote control or the front panel, the main menu will

appear on-screen. An example of the main menu is shown above.

The active source is indicated by an arrow to the left of the source; note that in the example above,

Composite is the current source.

To select a source via the main menu, press either the up or down buttons on the remote or front panel

and highlight the desired source, and press ENTER. Otherwise, you may select a source by pressing

either the left or right arrow buttons (on the remote or front panel) when no menus are

on-screen, or by pressing one of the direct access buttons on the remote control (recommended; see page

6-8).

If pass-through is selected, note that no on-screen menus will be displayed since the signal is simply

being 'looped' directly to the output. When pass-through is the selected source, pressing MENU will auto-

matically select the last selected input before Pass-through was selected. If you wish to choose another

source, Runco recommends using the direct access buttons to select the desired source as opposed to

pressing MENU.

Aspect Ratio provides selection of one of three aspect ratios: Anamorphic, Letterbox or standard 4:3. To

select an aspect ratio via the main menu, press either the up and down buttons on the remote or front

panel, highlight ASPECT RATIO and press ENTER. The aspect ratio menu will then appear with the three

choices; highlight the desired aspect ratio with the up or down buttons and press ENTER. Otherwise, you

may select an aspect ratio by pressing either the up or down arrow buttons (on the remote or front panel)

when no menus are on-screen, or by pressing one of the direct access buttons on the remote control (rec-

ommended; see page 6-8).

Installation is where the image shift and blanking controls are located. A full description of this menu is

on page 6-13.

NOTE: If INSTALLATION does not appear on the main menu, see page 6-13 for an explanation on how

to access the Installation menu.

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Picture Quality Adjustments

MAIN MENU

TINT

> COMPOSITE

S-VIDEO

COLOR

BRIGHTNESS

CONTRAST

SHARPNESS

LUMA ENHANCE

CHROMA ENHANCE

COMPONENT

PASS THROUGH

ASPECT RATIO

INSTALLATION

Picture quality adjustments (also known as "Front Panel Controls") are the controls that change different

parameters of the image such as the amount of color, black level, etc. While these adjustments can be set to suit

the needs of the user, there is a way to set these properly. This section will describe what each function does and

how to adjust them properly.

To access the picture quality adjustments, press MENU, highlight the active source (indicated by the arrow) and

press ENTER. The picture quality sub-menu will then appear (see above).

To make an adjustment to a particular function, highlight the function with the up or down arrow buttons and press

ENTER. Once the function is on-screen (i.e. brightness), pressing the UP arrow button on the remote or front panel

will increase the value of that function; pressing the DOWN arrow on the remote or front panel will decrease the

value of that function.

While each of the picture quality adjustments can be set to suit the needs of the user, there is a 'proper' way to set

the adjustments. For setting TINT and COLOR, please refer to the color bar test pattern below.

NOTE: Runco recommends that a BLUE FILTER be used so only the blue color bars can be seen. Blue filters are

Tall color bars

Short color bars

Tint

Color

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provided with the Video Essentials or AVIA test DVDs, or can be purchased from the Imaging Science Foundation

(www.imagingscience.com).

TINT (also known as 'hue') is essentially the ratio of red to green in the color portion of the image.

If TINT is decreased, the image will appear redder, and increasing it will cause the image to appear green-

er. To set TINT properly, look at the color bar pattern through a blue filter (or mute the red and green out-

puts). Adjust TINT until the middle two tall color bars match the middle short color bars

(see color bar drawing).

COLOR (also known as 'saturation') increases or decreases the amount of color in the image. To set

COLOR properly, look at the color bar pattern through a blue filter (or mute the red and green outputs).

Adjust COLOR until the outer two tall color bars match the outer short color bars

(see color bar drawing).

For setting CONTRAST and BRIGHTNESS, please refer to the PLUGE pattern below:

Set contrast

untill there is

no 'blooming'

in this bar.

Below black

Above black

CONTRAST adjusts the white level of the image. To adjust this properly for CRT projectors, adjust CON-

TRAST until there is no blooming (or distortion) in the brightest bar in the PLUGE pattern (see above).

For Fixed-pixel displays, adjust contrast until there is a distinct definition between the two brightest bars.

NOTE: For best results, Runco recommends that CONTRAST be set to '0' or very close to it.

BRIGHTNESS adjusts the black level of the image. To adjust this properly, adjust BRIGHTNESS until the

'below black' bar JUST disappears, but the 'above black' bar is still barely visible.

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NOTE: Some DVD players cannot pass the 'blacker than black' bar (they won't pass PLUGE), and that

bar will never be visible. In a case like this, adjust the 'above black' bar until it is slightly brighter than the

background that surrounds it.

SHARPNESS adjusts the amount of high-frequency detail in the image. This can be adjusted to the pref-

erence of the user. Keep in mind that when SHARPNESS is decreased, fine details in the image will

become 'soft'; when it is increased, fine details will become sharper but will also make the picture appear

'noisy' if adjusted too high.

LUMA ENHANCE acts as an edge enhancement, especially around black to white transitions in the

image. Essentially, this has the same characteristics as sharpness but affects the edges of objects far

more that the rest of the image.

FREQUENCIES HIGH/LOW affect the overall range of the LUMA ENHANCE feature. For example, if

using a lower-quality video source such as a VCR, the FREQUENCIES should be set to LOW. For a good

quality source such as a DVD player, set FREQUENCIES to HIGH. To set FREQUENCIES, press ENTER

while LUMA ENHANCE is on-screen.

CHROMA ENHANCE acts as an edge enhancement, especially around color transitions in the image.

Essentially, this has the same characteristics as sharpness but affects the edges of objects far more that

the rest of the image.

Installation Menu

The Installation menu is where you can adjust the type of screen (4:3 or 16:9), shift the image or set blank-

ing.

When the VHD Ultra Controller is turned on for the first time, the INSTALLATION item will not appear in

the main menu. To enable the INSTALLATION menu, there are two options:

· With the processor ON and no menus on-screen, simultaneously press the ENTER, UP and LEFT

buttons (you don't need to hold them down). Release the three buttons and press MENU, ensure INSTAL-

LATION is now on the bottom of the main menu.

· With the remote control, press button 6 (with no menus on-screen). After pressing '6', press MENU and

ensure INSTALLATION is now on the bottom of the main menu.

After INSTALLATION has been accessed, press MENU, highlight INSTALLATION and press ENTER.

This will bring up the INSTALLATION MENU, shown below:

INSTALLATION

4:3 SCREEN

> 16:9 SCREEN

IMAGE SHIFT

BLANKING

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Screen Type

When you are installing the system for the first time, the first order of business is to define what type of screen

will be used with this system. If a 1.78:1 (16:9) or 1.85:1 screen is used, highlight 16:9 SCREEN and press

ENTER. If a standard 4:3 screen is installed, highlight 4:3 SCREEN and press enter.

The purpose of defining the screen type is to tell the processor how to create aspect ratios (see page 6-16 for

a definition of aspect ratios). For example, on a 16:9 screen, the letterbox and anamorphic aspect ratios will

use the entire 16:9 screen, and the 4:3 aspect ratio will be displayed in the center of the 16:9 screen (you'd

have 'black bars' on the left and right sides of the image).

On the other hand, on a 4:3 screen, the 4:3 aspect ratio would fill the screen, but the letterbox and

anamorphic aspect ratios would be displayed in the center of the screen vertically (there would be 'black bars'

on the top on bottom of the image).

Image Shift

IMAGE SHIFT moves the entire image up, down, left or right. If the image is slightly off-center on-screen

after installation, using IMAGE SHIFT can center the image on your screen or display.

While using IMAGE SHIFT will not cause any problems with your display, it is possible to use too much

image shift, which could cause the image to shake or disappear. Therefore, Runco recommends that

image shift be done with the display device itself whenever possible.

Image Shift

Hstart: 268

Vstart: 131

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Blanking

The BLANKING function allows you to 'cut off' part of the image to fit the screen properly, or to eliminate

anomalies on the extreme outsides (usually the top) of the image. This can be done to the top, bottom,

left or right sides individually.

Blanking

Top

Bottom

Left

131

707

241

1292

Right

To adjust BLANKING, highlight the desired area you wish to blank (top, bottom, left or right), and use the

left and right arrows to make the adjustment.

Most CRT projectors themselves have blanking controls, and it is recommended that you use the

controls on the projector as opposed to the processor, if possible. In the event that your display device

does not have blanking controls, however, use the blanking controls provided in the processor.

System Reset

In the event that your VHD Ultra Controller appears to have a software problem, or adjustments have

been made so far out of range that the image is no longer on-screen or discernable, you can reset the

processor back to factory values. This sets ALL settings back to factory values, so any adjustments made

previously will be lost.

To reset your VHD Ultra Controller, follow this procedure:

Turn off the MAIN POWER switch on the back of the processor

Hold down the DOWN ARROW button, and turn the MAIN POWER SWITCH back on.

Continue holding the down arrow button until the LED on the front panel blinks, then release

the down arrow button.

Once this is done, your processor has been completely reset to factory values.

After resetting the unit, Composite video will be the active source.

SYSTEM RESET is not on any of the menus; it must be performed using the instructions above.

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ASPECT RATIOS

FREQUENCIES HIGH/LOW affect the overall range of the CHROMA ENHANCE feature. For example, if

using a lower-quality video source such as a VCR, the FREQUENCIES should be set to LOW. For a good

3 units tall

4 units wide

quality source such as a DVD player, set FREQUENCIES to HIGH. To set FREQUENCIES, press ENTER

while CHROMA ENHANCE is on-screen.

An ‘aspect ratio’ is simply the ratio of the width vs. the height of the screen. For example, the current aspect

ratio standard is 4:3 (or 1.33:1), where the image is 4 units wide and 3 units tall.

All of our ‘regular’ televisions are this aspect ratio. You have probably noticed that occasionally you’ll watch

a movie that does not fill the screen vertically. This is because the movie was filmed in WIDESCREEN

(letterbox), and the result is ‘black bars’ above and below the image:

Obviously, watching a movie like this does not lend itself to a truly cinematic experience! This is why

Runco invented the first-ever multiple aspect-ratio projection system back in 1991, so true movie-lovers

can watch actual widescreen (letterbox) movies on a WIDESCREEN!

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Active image area

(Actual screen area)

Blanked (cut off)

areas

A WIDESCREEN can be a number of aspect ratios; many movies are either 1.85:1 or 2.35:1, and HDTV

is always 1.78:1 (16:9). The way we create a widescreen (or LETTERBOX) aspect ratio is to take a full

4:3 image, then ‘blank’ (or cut off) the top and bottom so the displayed image is in a widescreen format.

For movies recorded in ‘letterbox’, there would be no information above and below the screen anyways,

so we’re not losing any of the picture. However, if you were to watch standard television broadcast this

way, you would lose some information (see next drawing).

As you can see, our screen in this example is a 1.85:1 ratio. The dashed lines show the area that we

‘blanked’. If you recall, watching a letterbox movie on a 4:3 screen gave us black bars; therefore with let-

terbox movies, we’re not losing any information!

The ‘other’ type of widescreen is called ‘ANAMORPHIC’. The image is still a widescreen format, but

instead of ‘blanking’ the top and bottom, we simply reduce the overall height of the image:

As a result, all objects will be ‘short and fat’ (like the circle above), right? Well, not if you’re using

software that is anamorphic. Most (but not all) DVD movies have an anamorphic option.

Anamorphic material will always produce a better image when using a high quality scaler such as the VHD

Ultra Controller. The reason is that you will actually get more lines of resolution (and ultimately more

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DIMENSIONS

Front Panel

17.45"

3.5"

UNC

M U LT I F I L M

Rear Panel

17"

RS-232 OUT

RS-232 IN

3.025"

12v Fuse

S-VIDEO

Pass-through

COMPOSITE

Mask Screen

Top

17"

16"

17.45"

Side

3.5"

16"

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RS-232 COMMUNICATIONS

General Information

Baud rate: 9600 (fixed)

Bits: 8

No Parity

All protocol in ASCII format

RS-232 input connector pin numbers:

TxD= Pin# 2

RxD= Pin# 3

GnD= Pin# 5

Command format (single command): command value (i.e. brightness 30).

NOTE: A space (not an underscore) must be used between the command and its value.

All Commands must be followed by a carriage return.

Command string format: command,command value, command etc.

(i.e. COMPOSITE,BRIGHTNESS 30,ANAMORPHIC)

NOTE: In between commands, a comma or space can be used; a space must be used in

between a command and its value. All commands must be followed by a carriage return.

Other notes:

· All Commands must be followed by a carriage return.

· For command strings, a maximum of 255 characters can be used in a single string.

· If it is necessary to input multiple commands, they should all be together in a single string.

Inputting commands one at a time requires an arbitrary delay between commands while the

commands are being executed. Therefore, programming requires delays and is more difficult.

· For values not automatically stored (see next paragraph), the command "!STORE" must be

sent in order for the VHD Ultra Controller to keep the settings. Otherwise, the values will be

considered temporary and will revert to their stored settings upon source change or power-up.

· The "Value stored" column refers to a command that is either automatically stored or if it must

be manually stored with the "!STORE" command.

· PARAMETER min/max refers to a function's minimum and maximum value range. Inputting

values above or below their range may cause unpredictable (but not fatal) results.

· After each command is entered, the Controller returns the “>” symbol as a prompt

(ASCII code Ox). Use this symbol as an acknowledgement if your control system requires it.

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RS-232 COMMANDS

COMMAND

PARAMETER (min/max)

Value stored?

DESCRIPTION

OFF

DISPLAY

0/4

YES

Turns VHD Ultra Controller on

Turns VHD Ultra Controller off

Adjusts the brightness of the

front panel display

COMPOSITE

YES

Selects the Composite

Video input

SVIDEO

COMPONENT

YES

Selects the S-Video Input

Selects the Component

Video input

PASSTHRU

ANAMORPHIC

YES

Selects the Pass-through input

Selects the anamorphic

aspect ratio

STANDARD

YES

Selects the standard (4:3)

aspect ratio

LETTERBOX

TINT

COLOR

YES

Selects the letterbox aspect ratio

Sets a value for tint

Sets a value for color

-127/127

0/1

AGCCOLOR

0=Disable Color AGC

1=Enable Color AGC

BRIGHTNESS

CONTRAST

AGCCONTRAST

-127/127

0/1

Sets a value for brightness

Sets a value for contrast

0=Disable Contrast AGC

1=Enable Contrast AGC

Sets a value for sharpness

Sets a value for high-frequency

chroma edge enhancement

Sets a value for low-frequency

chroma edge enhancement

Sets a value for high-frequency

luminance edge enhancement

Sets a value for low-frequency

luminance edge enhancement

SHARPNESS

CHROMAHIGH

0/255

0/127

CHROMALOW

LUMAHIGH

LUMALOW

0/127

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COMMAND

PARAMETER (min/max)

Value stored?

DESCRIPTION

!STORE

YES

Stores the current set of values

(all values) into non-volatile

memory

!RESTORE

!FACTORY

YES

Restores the stored values

Restores all values to factory

default levels

!STATUS

Asks the VHD Ultra Controller to

provide the hardware informa

tion, current values and system

status to the automation system

Restarts the VHD Ultra

!RESTART

!ECHO

Controller

Enables the VHD Ultra Controller

to echo back commands and

values to the automation system

Disables the VHD Ultra

Controller's character echoing

Disables the Installation menu

(removes it from the main menu)

Enables the Installation menu

(enables it on the main menu)

!NOECHO

!INSTALLMODEOFF

!INSTALLMODEON

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VHD ULTRA S

PECIFICATIONS

Aspect Ratios:

Input Standards:

Outputs:

Anamorphic, Letterbox, 4:3 (on either 16:9 or 4:3 screens)

NTSC, PAL

Native Resolution: 720P, 960P, 1024P and 1024P Anamorphic

HD Pass-Through: Up to 1080P

Inputs:

(1) Composite, (1) S-Video, (1) Component, (1) Pass-through

Control Options:

Infrared (with discrete on/off, aspect ratio and source selection), RS-232 and

Front Panel

Screen Trigger/

Masking Outputs:

(2) 12V DC, 1/8A

Bandwidth:

Video Inputs: 5.5 Mhz, PAss-Through: 100 Mhz

100-240V AC (auto sensing), 50/60 Hz, 15W

41°-95°F (5°-35° C), 0-90% Humidity, (non-condensing)

Power Requirements:

Operating Environment:

Dimensions:

(w/out feet)

Width: 17 1/2 in. (444.50 mm)

Depth: 16 in. (406.40 mm)

Height: 3 1/2 in. (88.90 mm)

Weight: 16 lbs. (7.3 kg)

Included Accessories:

Regulatory Approvals:

Limited Warranty:

Rack mounting brackets

Complies with FCC Class 'B', CE, C-tick

(2) Two years parts and labor from the date of delivery to the end user.

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Appendix A

Glossary

This appendix defines the specific terms used in this manual as they apply to this projector. Also included are

other general terms commonly used in the projection industry.

Active Line Timeꢀ

The time, inside one horizontal scan line, during which video is generated.

Ambient Light Rejectionꢀ The ability of a screen to reflect ambient light in a direction away from the "line

of best viewing". Curved screens usually have good ambient light rejection. Flat

screens usually have less ambient light rejection.

Analog Videoꢀ

The video output of most computers and video tape machines. Analog video can

generate a large number of colors.

Aspect Ratioꢀ

The ratio of the width of an image to its height, such as the 4:3 aspect ratio com-

mon in video output.

Auto Sourceꢀ

The ability of the projector to automatically recognize and synchronize to the hor-

izontal and vertical scan frequencies of an input signal for proper display.

Bandwidthꢀ

The frequency range of the projector's video amplifier.

Baud Rateꢀ

The speed at which serial communications travel from their origin. In this projec-

tor, the RS-232 or RS-422 default baud rate of 38400 can be changed to match a

controlling device.

Blanking Timeꢀ

The time inside one scan line during which video is not generated. The blanking

time of the input signal must be equal to or greater than the retrace time of the pro-

jector.

Brightnessꢀ

In projection, brightness usually describes the amount of light emitted from a sur-

face such as a screen. It is measured in foot-lamberts or candelas per square meter.

Candela or Candleꢀ

Unit of measure for measuring intensity of light.

Channelꢀ

A collection of measurements stored by the projector for a given input source,

including frequencies, pulse width, polarity, syncs, channel number and location,

user-adjustable display settings, etc. Use channels to switch between a variety of

setups quickly, automatically recalling previously defined display parameters.

Channel Listꢀ

A list/menu of previously-defined channels available in projector memory.

Channel Numberꢀ

A number that uniquely identifies a specific channel retained in projector memo-

ry. The projector can retain up to 99 channels.

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GLOSSARY

Checkboxꢀ

A menu item that indicates whether an option is currently in effect (checked) or

not (unchecked).

Color Shiftꢀ

A change in the color of a white field across an image (white field uniformity).

Color Temperatureꢀ

The coloration (reddish, white, bluish, greenish, etc.) of white in an image, meas-

ured using the Kelvin (degrees K) temperature scale. Higher temperatures appear

bluer, while lower color temperatures appear redder.

Component Videoꢀ

See YCbCr or YPbPr.

Composite Videoꢀ

The output of video tape players and some computers, characterized by synchro-

nization, luminance and color signals combined on one output cable.

Contrast (ratio)ꢀ

Convergenceꢀ

The degree of difference between the lightest and darkest areas of the image.

The alignment of the red, green, and blue elements of a projected image.

Curved Screenꢀ

A projection screen which is slightly concave for improved screen gain. Curved

screens usually have screen gains which are greater than 1 but viewing angles

much less than 180°. Curved screens are not recommended for use with this pro-

jector.

DDIꢀ

A Direct Digital Interface signal can be supplied to the projector via an optional

digital input module installed in INPUT 2. For example, you can input an SMPTE-

259M signal using a Serial Digital Input Module or input an SMPTE-272M signal

from a HDTV Serial Input Module.



DMD ꢀ

Digital Micromirror Devices used in this projector for processing red, green, and

blue color data.

Decoderꢀ

Located at INPUT 3 and INPUT 4, this device converts NTSC 3.58, NTSC 4.4,

PAL, PAL-N, PAL-M, or SECAM to RGB video.

Detailꢀ

The sharpness of a display from a video source.

Diffused Screenꢀ

A type of rear-projection screen which spreads the light striking it. Screen gain is

less than 1 but audience viewing angles are increased.

Display Settingꢀ

Flickerꢀ

An adjustment that affects the display of an image. Such display settings include

contrast, brightness, tint, blanking, size, offsets, and others.

A very rapid variation in image brightness caused by a frame rate that is too slow.

(See Interlace.)

Frame Rateꢀ

The frequency at which complete images are generated. For non-interlaced sig-

nals, the frame rate is identical to the vertical frequency. For interlaced signals, the

frame rate (also known as field rate) is one half of vertical frequency.

Foot-candleꢀ

The intensity of visible light per square foot.

Foot-lambertꢀ

The luminance (brightness) which results from one foot-candle of illumination

falling on a perfectly diffuse surface.

Gain or Screen Gainꢀ

The ability of a screen to direct incident light to an audience. A flat matte white

wall has a gain of approximately 1. Screens with gain less than 1 attenuate inci-

dent light; screens with gain more than 1 direct more incident light to the audience

but have a narrow viewing angle. For example: An image reflecting off a 10 gain

screen appears 10 times brighter than it would if reflected off a matte white wall.

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GLOSSARY

Curved screens usually have larger gain than flat screens.

Help Screenꢀ

A display of help information regarding the current task or presentation.

Horizontal Frequencyꢀ

The frequency at which scan lines are generated, which varies amongst sources.

Also called horizontal scan rate or line rate.

Horizontal Offsetꢀ

The difference between the center of the projected image and the center of the pro-

jector lens. For this projector, this value is expressed as the maximum percentage

of the image that can be projected to one side of the lens center without degrading

the image quality. Horizontal offset ranges can be affected by the type of lens in

use, and whether or not the image is offset vertically at the same time.

Hot Spotꢀ

A circular area of a screen where the image appears brighter than elsewhere on the

screen. A hot spot appears along the line of sight and "moves" with the line of

sight. High gain screens and rear screens designed for slide or movie projection

usually have a hot spot.

Inputꢀ

A physical connection route for a source signal, described by a 2-digit number rep-

resenting 1) its switcher/projector location and 2) its slot in the switcher/projector.

Input Signalꢀ

Signal sent from a source device to the projector.

Interfaceꢀ

A device, such as the Serial Digital Input Module, that accepts an input signal for

display by the projector.

Interlaceꢀ

A method used by video tape players and some computers to double the vertical

resolution without increasing the horizontal line rate. If the resulting frame/field

rate is too low, the image may flicker depending on the image content.

Keypadꢀ

A small push-button device for controlling most projector settings and operation.

For more information, refer to 3.3, Using the Keypad.

Keystoneꢀ

A distortion of the image which occurs when the top and bottom borders of the

image are unequal in length. Side borders both slant in or out, producing a key-

stone shaped image. It is caused when the screen and lens surface are not parallel.

Linearityꢀ

The reproduction of the horizontal and vertical size of characters and/or shapes

over the entire screen.

Line of Best Viewingꢀ

When light from a projector is incident on a screen, the light reflects from the

screen such that the angle of reflection equals the angle of incidence. The Line of

Best Viewing is along the line of reflection.

Loop throughꢀ

The method of feeding a series of high impedance inputs from a single video

source with a coaxial transmission line in such a manner that the line is terminat-

ed with its characteristic impedance at the last input on the line.

Lumenꢀ

The unit of measure for the amount of visible light emitted by a light source.

Luxꢀ

The amount of visible light per square meter incident on a surface.

1 lux = 1 lumen/square meter = 0.093 foot-candles

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GLOSSARY

Menuꢀ

A list of selectable options displayed on the screen.

NTSC Videoꢀ

A video output format of some video tape and disk players. There are two types of

NTSC (National Television Standards Committee) video: NTSC 3.58 and NTSC

4.43. NTSC 3.58 is used primarily in North America and Japan. NTSC 4.43 is less

commonly used.

Optical Screenꢀ

PAL Videoꢀ

A type of rear-projection screen which re-directs light through the screen to

increase image brightness in front of the screen. Screen gain is usually greater than

1 but audience viewing angles are reduced.

PAL (Phase Alternating Line) video is a 50 Hz standard with 768 x 576 resolution.

It is found on some video tape and disk players (used primarily in Europe, China

and some South American and African countries).

Pincushionꢀ

A distortion of the image shape characterized by concave or convex borders.

Pixel (picture element)ꢀ The smallest discernible element of data from a computer-generated image.

Pixel Phaseꢀ

The phase of the pixel sampling clock relative to incoming data.

Pixel Trackingꢀ

The frequency of the pixel sampling clock, indicated by the number of pixels per

line.

Projector-to-Screen Distanceꢀ

The distance between the projector's front feet centers and the screen. Also called

"Throw Distance".

Protocolꢀ

The type of code format called "A" or "B" utilized by the remote keypad(s). The

default protocol set at manufacture is Protocol "A". By using two different keypad

protocols, adjacent projectors can be controlled independently with their remote

IR keypads.

Pull-down Listꢀ

A selectable menu item that unfolds into a list of options pertaining to it.

Rear Screenꢀ

A translucent panel for screen projection. Incident light travels through the inci-

dent surface of a rear screen and forms an image on the other surface.

Resizingꢀ

The ability to manipulate through software commands the physical size, placement

and/or aspect ratio of an image.

Resolution (lens)ꢀ

The maximum number of alternate white and black horizontal lines that can be dis-

tinguished on a screen when a photographic target is placed between the lens and

a light source and illuminated by that source.

Resolution (projector)ꢀ

Retrace Timeꢀ

The maximum number of pixels that the projector can display horizontally and

vertically across an image, such as 1280 x 1024.

(Horizontal) The minimum time required for a CRT projector to move the position

of the scanning spot from the right edge to the left edge.

Rise Timeꢀ

The time required by the video amplifier of the projector to increase its output

from 10% to 90% of the maximum value.

A-4

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GLOSSARY

RGB Videoꢀ

The video output (analog or digital) of most computers. Analog RGB video can have 3, 4,

or 5 wires - one each for red, green, and blue, and either none, one or two for sync. For

three-wire RGB, the green wire usually provides sync. (See TTL Video).

RS-232ꢀ

RS-422ꢀ

S-Videoꢀ

A common asynchronous data transmission standard recommended by the Electronics

Industries Association (EIA). Also called serial communication.

A less common asynchronous data transmission standard in which balanced differential

voltage is specified. RS-422 is especially suited to long distances.

The output from certain video tape players and video equipment. S-Video separates sync

and luminance from color information, typically producing a higher quality display than

composite video.

Scan Frequencyꢀ The horizontal or vertical frequency at which images are generated.

Scan Lineꢀ

One horizontal line on the display.

SECAMꢀ

A video output format of some video tape and disc players (used primarily in France).

SECAM (Sequential Couleur á Mémoire) signals are similar in resolution and frequency

to PAL signals. The primary difference between the two standards is in the way color

information is encoded.

Slidebarꢀ

A slidebar is a graphical display of an adjustable setting. The numerical setting often rep-

resents a percentage but can be a specific unit such as degrees Kelvin.

Sourceꢀ

The device, such as a computer or VCR, connected to the projector for display. A source

Input2

Input3

Input4

Input1

is identified at the projector as

, or

, or as other user-defined num-

bers. A source may have numerous corresponding channels defined and recognized by the

projector. See Input.

Source Setupꢀ

See Channel.

Spot Sizeꢀ

The diameter of the smallest dot that can be generated by a CRT projector. This projector

has a fixed spot (pixel) size.

Syncꢀ

This term refers to the part of the video signal that is used to stabilize the picture. Sync

can occur in three forms:

1) "Composite sync": the horizontal and vertical components are together on

one cable.

2) "Sync-on-green": the sync is part of the green video.

3) "Separate sync" or "H.SYNC and V.SYNC": the horizontal and vertical

components of the sync are on two separate cables.

Sync Widthꢀ

The duration of each sync pulse generated by a computer. The sync width is part of the

blanking time.

TTL Videoꢀ

A type of RGB video with digital characteristics.

Terminatedꢀ

A wire connecting a single video source to a display device, such as a projector, must be

terminated by a resistance (usually 75Ω for video).

A-5

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GLOSSARY

Throw Distanceꢀ The distance between the front feet of the projector and the screen. Also called "Projector-

to-Screen Distance". Always use the correct throw distance formula to calculate the prop-

er throw distance (±5%) required for your lens.

Tintꢀ

Balance of red-to-green necessary for realistic representation of NTSC signals.

Variable Scanꢀ

The ability of a projector to synchronize to inputs with frequencies within a specified

range.

Vertical FrequencyꢀThe frequency at which images are generated. Vertical frequencies vary amongst sources.

Also called vertical scan rate.

Vertical Offsetꢀ

The difference between the center of the projected image and the center of the projector

lens. For this projector, this value is expressed as the maximum percentage of the image

that can be projected above or below the lens center without degrading the image quality.

Vertical offset ranges depend on the type of lens in use, and whether or not the image is

offset horizontally at the same time.

Videoꢀ

The signal that is used by display devices (such as projectors) to generate an image. This

term also refers to the output of video tape/disk players and computers.

Video Decoderꢀ

An optional device that converts NTSC 3.58, NTSC 4.4, PAL, PAL-N, PAL-M or SECAM

to RGB video.

Video Standardꢀ A specific type of video signal, such as NTSC, PAL, SECAM. This projector can auto-

matically recognize and interpret the incoming standard and display accordingly.

Viewing Angleꢀ

Screens do not reflect equally in all directions. Most light is reflected in a conical volume

centered around the "line of best viewing". Maximum brightness is perceived if you are

within the viewing cone defined by the horizontal and vertical viewing angles.

White Balanceꢀ

The color temperature of white used by the projector.

White Fieldꢀ

The area of an image that is white only. For example, a full white field is an image that is

white everywhere. A 10% white field is a white area (usually rectangular) that occupies

10% of the image; the remaining 90% is black.

YCbCrꢀ

A high-end digital component video signal.

YPbPrꢀ

A high-end analog component video signal. Sometimes called YUV, Component, or Y, R-

Y, B-Y, the YPbPr signal by-passes the video decoder in this projector.

YUVꢀ

See YPbPr.

Zoomꢀ

The adjustment of image size by means of a zoom lens.

A-6

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Appendix B

KEYPAD REFERENCE

Figure B-1. Keypad

B-1

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Appendix C

Menu Tree

Scaling Parameters

Size

Vertical Stretch

Pixel Track

Pixel Phase

Filter

H-Position

V-Position

Blanking

Image Adjustments

ISF Night

ISF Day

6500K

Contrast

Brightness

Sharpness

Signal Type

Color Balance

Signal Settings

Formatter Adjust

Next Page...

1.0

2.2

2.2S

2.2SN

2.8

9300K

RGB

YPbPr (Video)

YPbPr (HDTV)

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Adjustable

2.8S

Bank:02

Memory Banks

Memory Banks Copy/Delete

Copy Current

1200

2400

9600

19200

38400

57600

115200

Delete Current Bank

Delete Non-protected Banks

Delete All Memory Banks

Baud Rate

Front IR Receiver

Back IR Receiver

Floor Front

Installation

Floor Rear

Ceiling front

Ceiling Rear

Projector Configuration

OSD Language

OSD Settings

IR and Serial Setup

Geometry

Installer Options

Operational Perameters

4:3 Upper/Left

4:3 In 1

4:3 In 2

16:9 Upper/Left

16:9 In 1

16:9 In 2

Variable

C-1

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Appendix C

Continued...

3200K

5400K

6500K

9300K

Custom 1

Custom 2

Custom 3

Custom 4

Factory 3200K

Factory 5400K

ISF Night

ISF Day

6500K

9300K

Custom 1

Custom 2

Custom 3

Custom 4

Infinite Variable

C-2

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RUMA-010450 12-03

Runco International 2900 Faber Street Union City, CA 94587 Ph (510) 324-7777 Fax (510) 324-9300 www.runco.com

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