Thank you, and congratulations on your choice of the BOSS RE-20 Space Echo.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”
and “IMPORTANT NOTES” (separate sheet).
These sections provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good understanding of every
feature provided by your new unit, this manual should be read in its entirety. The manual
should be saved and kept on hand as a convenient reference.
Main Features
● The RE-20 uses COSM technology to faithfully simulate the characteristics of the famed
Roland SPACE ECHO RE-201.
● Faithfully reproduces the characteristics of the RE-201, including the echo’s distinctive wow-
and flutter-induced wavering and the compressed sound obtained with magnetic saturation.
● The Mode Selector carries on the tradition of the RE-201, offering twelve different
reverberation effects through various combinations of the three playback heads and reverb.
● You can set delay times with the TAP input pedal and use an expression pedal (sold
separately) for controlling parameters.
● Equipped with a “Virtual Tape Display,” which produces a visual image of a running tape.
About COSM (Composite Object Sound Modeling)
Composite Object Sound Modeling—or “COSM” for short—is
BOSS/Roland’s innovative and powerful technology that’s used
to digitally recreate the sound of classic musical instruments and
effects. COSM analyzes the many factors that make up the original
sound—including its electrical and physical characteristics—and
creates a digital model that accurately reproduces the original.
Copyright © 2007 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of BOSS CORPORATION.
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Panel Descriptions
Front Panel
REVERB VOLUME Knob
Adjusts the volume of the reverb.
Turning the knob to the right increases the volume
of the reverb.
TREBLE Knob
Adjusts the echo’s high-frequency range.
The frequency response is flat when the
knob is at the center position; turning
the knob to the right (clockwise) boosts
the high frequencies, while turning it to
the left cuts the high frequencies.
MODE SELECTOR Knob
Turn to select one of the twelve
combinations of echo and reverb (p. 18).
BASS Knob
Adjusts the echo’s
low-frequency range.
The frequency response
is flat when the knob is
at the center position;
turning the knob to the
right (clockwise) boosts
the low frequencies,
while turning it to the
left cuts the low
PEAK LEVEL Indicator
This lights when signal
reaches the level at which the
input sound starts to distort.
*
This also lights when the
intensity is increasing and
when the echo sound
oscillates while the twist
effect is being applied.
frequencies.
INPUT VOLUME Knob
Adjusts the input levels for
Inputs A and B.
REPEAT RATE Knob
This adjusts the intervals between
echoes. The spacing between the
echoes is reduced as the knob is
turned further to the right.
*
You can adjust the input level
with the INPUT VOLUME
knob regardless of whether the
effect is switched on or off.
*
The ranges for the speed rate
setting differ in Normal mode and
Long mode (p. 15).
ECHO VOLUME Knob
Adjusts the volume of the echo.
The volume of the echo sounds increases
as the knob is turned further to the right.
INTENSITY Knob
This adjusts the volume of the echo repeat sound (the feedback
volume). The volume of the feedback increases as the knob is
turned further to the right. With certain sounds and knob settings,
you can also produce oscillation.
3
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Panel Descriptions
POWER Indicator
This indicator shows whether the power is on or off, and also functions as a battery-check indicator.
*
When the indicator starts to dim or fails to light, the batteries are exhausted. When this occurs, install
new batteries. For instructions on replacing the batteries, refer to “Installing Batteries” (p. 6).
TAP Indicator
This flashes in time with the delay
time set by the tap input.
EFFECT ON/OFF Indicator
This lights up when the effect is on.
*
The light is turned off when the twist
effect is applied.
TAP Pedal
EFFECT ON/OFF Pedal
You can set the delay time (tap
delay time) by briefly depressing
this pedal at the desired tempo (tap
input). Also, you can obtain the
“twist” effect by keeping the pedal
depressed (p. 14).
This alternately switches the effect on
or off each time the pedal is pressed.
Even when the effect is switched off,
the echo sounds still fade gradually.
*
Turning up the INTENSITY knob
causes the echo sounds to continue.
*
The maximum values that can be set
for the tap delay time in Normal/
Long mode and Variation mode
differ (p. 18).
Virtual Tape Display
The movement of the light provides a visual
image resembling a running tape.
The movement of the light is synchronized to
the virtual tape speed.
4
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Panel Descriptions
Rear Panel
INPUT Jacks
EXP Pedal Jack
(INPUT A/MONO, B)
Connect an optional expression pedal (such as the
Roland EV-5) to this jack.
These input jacks are used for
connecting electric guitars, keyboards,
other instruments, and effects
processors.
Connect mono instruments or effects to
the A/MONO jack.
Once connected, the pedal can be used to control
the repeat rate and intensity in real time.
“Control Using an Expression Pedal” (p. 16)
“Making the Connections” (p. 7)
*
The A/MONO jack also doubles as the
power switch. The power comes on when a
plug is inserted into the A/MONO jack,
and goes off when it is unplugged.
Unplug any connected cords when the
unit is not in use.
DIRECT Switch
This switches the direct sound on and off.
If you want to turn off output of the
direct sound, set the DIRECT switch
to OFF.
DC IN (AC Adaptor)
Jack
This jack is for connecting an
AC adaptor (BOSS PSA series,
sold separately).
Using an AC adaptor makes
possible long performances
without worrying about your
batteries going dead.
OUTPUT Jacks
(OUTPUT A/MONO, OUTPUT B)
Use these jacks to connect the RE-20 to a guitar
amp, a keyboard amp, or to an effects
processor, mixer, multitrack recorder, or other
such device.
*
When you are using an AC
adaptor, be sure to use only the
specified type (PSA series).
Using an adaptor other than
the specified type may cause
the unit to malfunction, or
cause damage to the unit.
When connected to both A/MONO and B, a ste-
reo effect can be obtained when reverb is applied.
If you are using the RE-20 in mono, connect to
the A/MONO jack only.
“Making the Connections” (p. 7)
5
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Installing Batteries
Insert the batteries as shown below, being careful to orient the batteries correctly.
fig.010
• When turning the unit upside-down, get a bunch of newspapers or magazines, and
place them under the four corners or at both ends to prevent damage to the buttons
and controls. Also, you should try to orient the unit so no buttons or controls get
damaged.
• When turning the unit upside-down, handle it with care to avoid dropping it, or
allowing it to fall or tip over.
• Make sure the “+” and “–” ends of the batteries are oriented correctly.
• Batteries are supplied with the unit. The life of these batteries may be limited,
however, since their primary purpose is to enable testing.
• When the batteries run down, the POWER indicator grows dim. If this happens, install
with new batteries.
• When replacing the batteries, use six AA type batteries.
• Avoid using new batteries together with used ones. In addition, avoid mixing different
types of batteries. Doing so can result in fluid leakage.
• Battery life can vary depending on battery type.
Continuous usage time under battery power is about 32 hours with alkaline batteries
and about 9 hours with carbon batteries. (This may vary according to usage
conditions.)
6
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Making the Connections
• When using an AC adaptor, be sure to use only the specified type (PSA series; sold
separately).
Using an adaptor other than the specified type may cause the unit to malfunction, or
cause damage to the unit.
• To prevent malfunction and/or damage to speakers or other devices, always turn
down the volume and turn off the power to all devices before making any connections.
• Noise may be produced if wireless communications devices, such as cell phones, are
operated in the vicinity of this unit. Such noise could occur when receiving or initiating
a call, or while conversing. Should you experience such problems, you should relocate
such wireless devices so they are at a greater distance from this unit, or switch them
off.
• Some connection cables contain resistors. When connection cables with resistors are
used, the sound level may be extremely low, or impossible to hear. For information on
cable specifications, contact the manufacturer of the cable.
• The INPUT A/MONO jack doubles as a power switch. Inserting a plug in the INPUT
A/MONO jack turns on the power; the power is switched off when the plug is
disconnected. Be sure to unplug the cable from this jack when the RE-20 is not in use.
• If there are batteries in the unit while an AC adaptor is being used, normal operation
will continue should the line voltage be interrupted (power blackout or power cord
disconnection).
• Once the connections have been completed, turn on power to your various devices in
the order specified. By turning on devices in the wrong order, you risk causing
malfunction and/or damage to speakers and other devices.
When powering up:
Turn on the power to your guitar amp last.
When powering down: Turn off the power to your guitar amp first.
• Always make sure to have the volume level turned down before switching on power.
Even with the volume all the way down, you may still hear some sound when the
power is switched on, but this is normal, and does not indicate a malfunction.
• When operating on battery power only, the POWER indicator will become dim when
battery power gets too low. Replace the batteries as soon as possible.
• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power-
up is required before the unit will operate normally.
7
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Making the Connections
Mono Output Connection
fig.020
AC Adaptor
PSA series
(sold separately)
Electric Guitar
or
Guitar Amplifier
or
Keyboard
MTR
Mixer
fig.030
8
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Making the Connections
Stereo Output Connection
■ Mono Input
fig.060
AC Adaptor
PSA series
(sold separately)
Electric Guitar
Guitar Amplifier
or
or
Keyboard
MTR
Mixer
■ Stereo Input
fig.070
AC Adaptor
PSA series
(sold separately)
Guitar Amplifier
or
Effector + Electric Guitar
or
MTR
Mixer
Keyboard
9
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Making the Connections
Connecting to SEND/RETURN
With Guitar Amps
■ Mono Send/Mono Return
fig.060
AC Adaptor
PSA series
(sold separately)
SEND
RETURN
Guitar Amplifier
Electric Guitar
■ Mono Send/Stereo Return
fig.070
AC Adaptor
PSA series
(sold separately)
RETURN R
RETURN L
SEND
Guitar Amplifier
Electric Guitar
10
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Making the Connections
Connecting to an MTR or Mixer
If you want to turn off output of the direct sound—for example when connecting to a
mixer’s SEND/RETURN—set the DIRECT switch to OFF.
■ Mono Send/Mono Return
fig.060
Set DIRECT
switch to OFF
AC Adaptor
PSA series
(sold separately)
SEND
RETURN
MTR
Mixer
■ Stereo Send/Stereo Return
fig.070
Set DIRECT
switch to OFF
AC Adaptor
PSA series
(sold separately)
RETURN R
RETURN L
SEND R
SEND L
MTR
Mixer
11
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Operating the RE-20
Basic Operation
For this demonstration of using the pedals, first press the EFFECT ON/OFF pedal to
switch on the effect (ON/OFF indicator lit), and set the DIRECT switch to ON.
fig.080
1
2
3
9
4
5
6
7
8
1. Set the knobs as shown in the figure.
8
2. Using the INPUT VOLUME knob
device, adjust the input level so that the PEAK LEVEL indicator
momentarily when the instrument connected to the RE-20 is played forcefully.
and the volume control on the connected
9
lights
7
3. Set the MODE SELECTOR knob
to the 1 position.
to adjust the volume of the echo.
4
5. Turn the REPEAT RATE knob
to adjust the echo interval.
5
6. Turn the INTENSITY knob
to adjust the volume of the echo’s repeat.
1
7. Turn the BASS knob
to adjust the echo’s low-frequency range.
2
8. Turn the TREBLE knob
to adjust the echo’s high-frequency range.
7
9. Set the MODE SELECTOR knob
to the REVERB ONLY position.
3
10. Turn the REVERB VOLUME knob
to adjust the volume of the reverb.
to select the Variation mode.
7
11. Turn the MODE SELECTOR knob
*
For more detailed information on the Variation mode types, refer to the “About the Variation Mode”
(p. 18).
12
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Operating the RE-20
Adjusting the Input
Volume
Adjusting the Volume of
the Echo’s Repeat
The input level can be adjusted with the
8
INPUT VOLUME knob
.
5
INTENSITY knob
.
*
The input level can be adjusted with the
INPUT VOLUME knob regardless of
whether the effect is switched on or off.
Adjusting the Tone of the
Echo (BASS, TREBLE)
Switching the Echo and
Reverb Variations
1
2
You can use the BASS
and TREBLE
knobs to adjust the low- and high-frequency
ranges of the echo sound only.
7
YoucanusetheMODESELECTORknob
to switch among the twelve Variation modes,
which offer different combinations of echo
and reverb.
Adjusting the Volume of
the Reverb Sound
*
For more detailed information on the
Variation mode types, refer to the “About
the Variation Mode” (p. 18).
You can adjust the volume of the reverb
3
sound with the REVERB VOLUME knob
.
*
Enabled only when the MODE SELECTOR
knob is set to any position from 5 through 11
or to REVERB ONLY.
Adjusting the Volume of
the Echo Sound
You can adjust the volume of the echo sound
6
with the ECHO VOLUME knob
.
Adjusting the Echo
Interval
You can adjust the amount of time between
4
echoes with the REPEAT RATE knob
.
13
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Operating the RE-20
Setting the Delay Time with the TAP Pedal
(Tap Delay Time)
1. Using the MODE SELECTOR knob, select the Variation mode for which the tap
delay time is to be set.
*
For more on the playback heads for which the tap delay time is set, and the maximum values of the
settings, refer to “About the Variation Mode” (p. 18).
2. Press the TAP pedal two or more times at the tempo you want to set.
This sets the tap delay time. The TAP indicator flashes in sync with the tap delay time.
Blink
Press two or more times
*
*
Enabled only when the MODE SELECTOR knob is set to any position from 1 through 11.
When any of the following are carried out, the tap delay time setting changes
REPEAT RATE knob turned ➔
changes to the value set with the REPEAT RATE knob
changes to the value set with the REPEAT RATE knob
MODE SELECTOR knob turned ➔
Repeat rate or twist changed with ➔ changes to the value set with the expression pedal
an expression pedal
*
*
You cannot save the tap delay time setting.
When the twist effect is applied using the TAP pedal (from when the TAP indicator is off to when it
goes on or starts flashing), you cannot set the tap delay time.
Applying the Twist Effect with the TAP Pedal
The twist effect simultaneously increases the repeat rate and the intensity, causing the
echo sound to oscillate. In addition, the echo volume level is controlled.
*
Enabled only when the MODE SELECTOR knob is set to any position from 1 through 11.
1. Press and hold down the TAP pedal.
The TAP indicator goes out, and application of the twist effect begins.
The echo sound begins to oscillate, then the oscillation increases as the pitch rises as well.
Off
Press and hold down
*
You cannot set the repeat rate and intensity while the TAP pedal is held down.
14
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Operating the RE-20
2. Release the TAP pedal.
The pitch of the oscillating sound starts to fall, and the original echo sound returns.
The TAP indicator lights when the twist effect is finished.
*
Once the TAP pedal is released, changing the repeat rate or intensity cancels the twist effect. The
setting is then changed to the value set with the knob or expression pedal.
*
*
Adjusting the MODE SELECTOR knob while the twist effect is being applied cancels the twist effect.
You can apply the twist effect with an external expression pedal. For more detailed information, refer to
“Control Using an Expression Pedal” (p. 16).
Switching the Repeat Rate and Delay Time Mode
The RE-20 features two modes to select from.
Normal mode:
The REPEAT RATE knob functions over the same range as the
RE-201. Additionally, the maximum value that can be set for
the tap delay time is three seconds (when the MODE
SELECTOR knob is set to the 3 or 7 position).
Long mode:
The range for the REPEAT RATE knob setting is expanded to
twice the normal setting. Additionally, the maximum value
that can be set for the tap delay time is six seconds (when the
MODE SELECTOR knob is set to the 3 or 7 position).
1. Turn off the RE-20.
*
Disconnecting the plug from the INPUT A/MONO jack switches off the power.
2. While holding down the TAP pedal, turn on the power to the RE-20.
The virtual tape display flashes, and then remains lit.
*
Connecting the plug to the INPUT A/MONO jack switches on the power.
3. Confirm that the virtual tape display is lit, then release the TAP pedal.
4. Turn the MODE SELECTOR knob to select the mode.
MODE
Mode
SELECTOR
1
2
Normal mode
Long mode
5. Press the TAP pedal.
The TAP indicator flashes rapidly, and the setting is saved to the RE-20’s memory.
When the setting is saved, the TAP indicator remains lit, and the RE-20 returns to its
normal operating status.
*
*
*
Be sure not to turn off the power while the TAP indicator is flashing rapidly.
This setting is saved even after the power is turned off.
When the RE-20 is set to Long mode, the EFFECT ON/OFF indicator and TAP indicator flash rapidly
immediately after the power is turned on.
*
The default factory setting is Normal mode.
15
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Operating the RE-20
Control Using an Expression Pedal
You can control the following functions with an expression pedal (Roland EV-5; sold
separately) connected to the EXP PEDAL jack on the rear panel.
REPEAT RATE: The echo interval becomes shorter as the toe of the expression
pedal is pressed further.
In Long mode, the range for the Repeat Rate setting is twice that of
Normal mode.
INTENSITY:
The Intensity increases as the toe of the expression pedal is pressed
further, increasing the volume of the echo repeat sound (the
feedback volume).
ECHO LEVEL:
This controls the level input to the echo. The volume of the echo
sounds increases as the toe of the expression pedal is pressed further.
* This function can be controlled only with an expression pedal.
* The input level to the reverb is not changed.
TWIST:
Repeat Rate and Intensity are controlled simultaneously.
In addition, this controls the ECHO VOLUME according to the
echo level.
As you further press down on the toe of the expression pedal, the
echo sound starts to oscillate, then the oscillation rate increases
and the pitch of the oscillation sound rises.
The Repeat Rate and Intensity are set to the minimum value when the heel of the pedal
is pressed down; when you press firmly on the toe of the pedal, the value changes to
the value that’s been set with the knob.
With the twist effect, the value that’s been set with the knob is obtained when the heel
of the pedal is pressed down; when you press firmly on the toe of the pedal, the value
changes to the maximum value.
Expression pedal
(Roland EV -5, etc.)
*
Use only the specified expression pedal (Roland EV-5; sold separately). By connecting any other
expression pedals, you risk causing the unit to malfunction and/or damage to the unit.
16
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Operating the RE-20
Setting the Function of the Expression Pedal
1. Turn off the RE-20.
*
Disconnecting the plug from the INPUT A/MONO jack switches off the power.
2. While holding down the TAP pedal, turn on the power to the RE-20.
The virtual tape display flashes, and then remains lit.
*
Connecting the plug to the INPUT A/MONO jack switches on the power.
3. Turn the MODE SELECTOR knob to select a function for the expression pedal.
MODE
Function
SELECTOR
3
4
5
6
REPEAT RATE
INTENSITY
ECHO LEVEL *1
TWIST
*1 This function can be controlled only with an expression pedal.
4. Press the TAP pedal to set that function.
The TAP indicator flashes rapidly, and the setting is saved to the RE-20’s memory.
When setting is saved, the TAP indicator remains lit, and the RE-20 returns to its
normal operating status.
*
*
*
Be absolutely sure to avoid turning off the power while settings are being saved.
This setting is retained even while the power is turned off.
The factory default setting is REPEAT RATE.
17
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About the Variation Mode
You can use the MODE SELECTOR knob to switch among the twelve Variation modes,
which offer different combinations of echo and reverb.
REPEAT
REVERB ECHO
MODE
SELECTOR
REVERB
ONLY
1
2
3
4
5
6
7
8
9
10 11
1
●
●
●
●
●
●
●
●
●
Play-
back
Heads
2
3
●
●
●
●
●
●
●
●
●
●
●
●
●
REVERB
●
●
●
●
:
:
On
The playback heads set with the tap delay times
REPEAT (MODE SELECTOR knob “1”–“4”)
:
Echo only
REVERB ECHO (MODE SELECTOR knob “5”–“11”) : Combined echo and reverb
REVERB ONLY (MODE SELECTOR knob “REVERB ONLY”) : Reverb only
About the Playback Heads
Relative to whatever the tap delay time is at playback head 1, the tap delay time at
playback head 2 is twice that, and the tap delay time at playback head 3 is three times
that.
Example: With the MODE SELECTOR knob set to the “11” position and the tap
delay time set to 0. 5 seconds
The setting is 0.5 seconds at playback head 1, 1 second at playback head 2, and 1.5
seconds at playback head 3.
*
The maximum values that can be set for the tap delay time in Normal/Long mode and Variation mode
differ.
Maximum Values for Tap Delay Time (Seconds)
MODE
SELECTOR
Normal Mode
Long Mode
1, 5, 8, 10, 11
2, 4, 6, 9
3, 7
1
2
3
2
4
6
18
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About the Roland SPACE ECHO RE-201
The Roland SPACE ECHO RE-201 is a reverb-equipped tape echo that debuted in 1974.
About the Configuration of the Tape Echo/Reverb
The tape echo section features an erase head, record head, and three playback heads
arranged sequentially at equal intervals, such that a sound is played back three times
at equal intervals.
The three playback heads are switched with the MODE SELECTOR knob, making it
possible to create different variations (patterns) of echo intervals.
The reverb section is equipped with a spring reverb. The reverb signal path is
connected in parallel to the tape echo section.
Changing of the Echo Sound’s Pitch When
REPEAT RATE is Changed
Turning the REPEAT RATE knob to the right (clockwise) gradually increases the tape
speed. As this happens, sounds are played back more closely together, and the pitch
begins to rise.
Simultaneously, the density of the sounds during recording gradually decreases, so
when those sounds reach the playback heads, the pitches that were raised then begin
to fall.
Oscillation in the Tape Speed
Even without any change in the REPEAT RATE knob setting, the tape speed is always
changing slightly due to the resistance from mechanical friction, tape slippage, and
other factors.
This creates oscillations in the pitch of each of the three echo sounds, automatically
producing the RE-201’s characteristic chorus effect.
About the Change in Sound Quality with Magnetic Saturation
Due to magnetic saturation, recording to and playing back from tape produces a sense
of compression in the sound, giving it a characteristic warmth that is unique to tape.
In addition, the sonic quality of playback and recording also changes with the change
in tape speed.
About the Reverb
The RE-201’s reverb section includes three springs arranged in a “Z” formation. The
vibration of each spring influences the motion of the others to produce the reverb’s
characteristic sound.
19
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Troubleshooting
Power doesn’t come on
❍
Is the guitar or keyboard connected correctly
to the INPUT A/MONO jack?
❍
Are the INTENSITY knob and INPUT
VOLUME knob positioned correctly?
→
Check the connections again (p. 7–p. 11).
→
Sounds may become distorted with the knob at
certain settings. Turn down the INTENSITY
knob and INPUT VOLUME knob to an
appropriate level. If in spite of these measures
the sound is still distorted, lower the output
level of the device connected to the INPUT jacks.
*
The power will not turn on without a plug
connected to the INPUT A/MONO jack.
❍
Have the batteries run down?
Replace them with new batteries (p. 6).
→
*
The batteries included with the RE-20 are meant only
to confirm that the unit is functional at the factory.
Echo sounds not cancelled even
when effect is switched off
*
To reduce battery consumption, be sure to
disconnect the plug connected to the INPUT A/
MONO jack whenever the unit is not in use.
❍
Do you have a long delay time set?
→
Try turning the ECHO VOLUME knob
completely to the left (counterclockwise); this
allows you to cancel the continuing sounds.
❍
Is the specified AC adaptor (PSA series; sold
separately) connected correctly?
Never use any AC adaptor other than the
adaptor specified.
❍
Is the Intensity turned up?
→
Try turning the INTENSITY knob or ECHO
VOLUME knob completely to the left
(counterclockwise); this allows you to cancel
the continuing sounds.
→
No sound/Volume is low
Sounds output even with no
sound input
❍
Is the other equipment connected correctly?
→
Check the connections again (p. 7–p. 11).
❍
Is the Intensity setting turned up?
With higher Intensity settings, even when no
sounds are being input, the repeat sound
in the sound may occur.
→
❍
Could the INPUT VOLUME knob, REVERB
VOLUME knob or ECHO VOLUME knob be
turned down?
→
Use the INPUT VOLUME knob, REVERB knob
or ECHO VOLUME knob to raise the input level.
Set the INTENSITY knob at some point to the
left of the center position.
❍
Is the volume turned down on the connected
guitar/keyboard, effects processor, or other device?
Check the settings on the connected equipment
(p. 7–p. 11).
Can’t set tap delay time
❍
Are you sure the tap input you supplied was within
the range that can be set for the tap delay time?
The maximum values that can be set for the tap
delay time in Normal/Long mode and
Variation mode differ (p. 18).
→
→
❍
Is the DIRECT switch off?
→
Only the effect sound is output when the
DIRECT switch is set to OFF. To output the
direct sound, set the switch to ON.
The volume level of the
instrument connected to the
INPUT jack is too low
❍
Could the connected expression pedal be in
the raised position?
❍
Could you be using a connection cable that
→
When ECHO LEVEL is assigned as the function
of the expression pedal, no echo sound is
output unless you step on the pedal (p. 16).
contains a resistor?
Use a connection cable that does not contain a
resistor.
→
20
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Sample Settings
■ AMBIENCE
This sound adds a sense of
space using a short delay and
reverb.
■ RICH ECHO
This is a sumptuous sound
with a rich reverb added to
the delay. This produces an
even greater effect when
played back in stereo.
■ MULTI SLAP
Effective with muting
techniques for giving the
sound a prominent contour.
This is even more effective
with phrases timed to the
repeat sound.
■ SPACE
Connecting an expression
pedal and using the pedal to
control the intensity in real
time allows you to produce
even more fantastic sounds.
To make this setup effective,
set the INTENSITY knob at a
position between three
o’clock and maximum.
21
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Main Specifications
RE-20: Space Echo
Power Supply
DC 9 V: Dry battery LR6/R6 (AA) type x 6,
AC Adaptor (PSA series)
Nominal Input Level
-20 dBu (INPUT VOLUME knob: center),
max +4 dBu
Current Draw
75 mA (9 V max.)
Input Impedance
* Expected battery life under continuous use:
Carbon: 9 hours
Alkaline: 32 hours
These figures will vary depending on the
actual conditions of use.
1 MΩ
Nominal Output Level
-20 dBu
Output Impedance
1 kΩ
Dimensions
Recommended Load Impedance
173 (W) x 158 (D) x 57 (H) mm
6-13/16 (W) x 6-1/4 (D) x 2-1/4 (H) inches
10 kΩ or greater
Weight
Display
1.2 kg / 2 lbs 11 oz (including batteries)
Virtual Tape Display
Accessories
Controls
Owner’s Manual
EFFECT ON/OFF pedal
TAP pedal
BASS knob
Leaflet (“USING THE UNIT SAFELY,”
“IMPORTANT NOTES,” and “Information”)
Dry battery R6 (AA) type (carbon) x 6
TREBLE knob
REVERB VOLUME knob
REPEAT RATE knob
INTENSITY knob
ECHO VOLUME knob
MODE SELECTOR knob
INPUT VOLUME knob
DIRECT switch
Options
AC Adaptor (PSA series)
Expression pedal (Roland EV-5)
* 0 dBu = 0.775 Vrms
*
In the interest of product improvement, the
specifications and/or appearance of this unit are
subject to change without prior notice.
Indicators
POWER indicator
(serves also as battery check indicator)
PEAK LEVEL indicator
EFFECT ON/OFF indicator
TAP indicator
Connectors
INPUT jacks A/MONO, B (1/4 inch phone type)
OUTPUT jacks A/MONO, B (1/4 inch phone type)
EXP PEDAL jack (1/4 inch TRS phone type)
DC IN jack (DC 9 V)
22
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For EU Countries
UK
DE
FR
IT
ES
PT
NL
DK
NO
SE
FI
HU
PL
CZ
SK
EE
LT
LV
SI
GR
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For EU Countries
For the USA
This product complies with the requirements of European Directive 89/336/EEC.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a
residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in
a
particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
G6027121R1
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