O W N ER’S MAN UAL
Thank you, and congratulations on your choice of the Roland XV-5080.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUC-
TIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These
sections provide important information concerning the proper operation of the unit. Addi-
tionally, in order to feel assured that you have gained a good grasp of every feature provided
by your new unit, Owner’s Manual and Quick Start should be read in its entirety. The manual
should be saved and kept on hand as a convenient reference.
N o ta tio n Use d in Th is O w n e r’s Ma n u a l
To make operation procedures easy to understand, the following notation system is
adopted:
Characters and numbers in square brackets [ ] indicate buttons on the front panel. For
example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
An asterisk (*) at the beginning of a paragraph indicates a note or precaution.
(p. **) refers to pages within the manual.
* The display screens printed in this owner’s manual are based on the factory settings.
However, please be aware that in some cases they may differ from the actual factory settings.
* Microsoft and MS-DOS are registered trademarks of Microsoft Corporation.
* Microsoft, Windows, and Windows NT are registered trademarks of Microsoft Corporation.
* Windows® 3.1 is known officially as: “Microsoft® Windows® operating system Version 3.1.”
* Windows® 95 is known officially as: “Microsoft® Windows® 95 operating system.”
* Windows® 98 is known officially as: “Microsoft® Windows® 98 operating system.”
* MacOS is a trademark of Apple Computer, Inc.
* Zip is a trademark of Iomega Corporation.
* SmartMedia is a trademark of Toshiba Corporation.
* All product names mentioned in this document are trademarks or registered trademarks of their
respective owners.
Copyright © 2000 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
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The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
11. Only use attachments/accessories specified by the
manufacturer.
12. Never use with a cart, stand, tripod, bracket,
or table except as specified by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. When the provided
plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
2
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USIN G THE UN IT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
The unit should be connected to a power supply
only of the type described in the operating instruc-
tions, or as marked on the unit.
•
Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
..........................................................................................................
•
..........................................................................................................
Do not open or perform any internal modifica-
tions on the unit. (The only exception would be
where this manual provides specific instructions
which should be followed in order to put in place
user-installable options; see QuickStart (p. 3, p.
34), Reference Manual (p. 181).)
•
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
..........................................................................................................
•
Do not attempt to repair the unit, or replace parts
•
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the "Information" page.
..........................................................................................................
•
Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
..........................................................................................................
•
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
..........................................................................................................
•
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
..........................................................................................................
•
•
This unit should be used only with a rack or stand
that is recommended by Roland.
Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
..........................................................................................................
•
When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need
to make sure that any location you choose for
placing the unit provides a level surface that will
properly support the unit, and keep it from
wobbling.
..........................................................................................................
3
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•
Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/ amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
•
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the "Information" page.
..........................................................................................................
•
Always turn the unit off and unplug the power
cord (QuickStart p. 8) before attempting instal-
lation of the circuit board (SRX series, SR-JV80
series ; QuickStart p. 3).
•
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
..........................................................................................................
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
•
Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from,
an outlet or this unit.
..........................................................................................................
•
Before moving the unit, disconnect the power
plug from the outlet, and pull out all cords from
external devices.
..........................................................................................................
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (QuickStart
p. 12).
..........................................................................................................
•
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
•
Install only the specified circuit board(s) (SRX
series, SR-JV80 series). Remove only the specified
screws (Quick Start p. 4).
..........................................................................................................
•
Should you remove the optical connector caps,
make sure to put them in a safe place out of
children's reach, so there is no chance of them
being swallowed accidentally.
..........................................................................................................
4
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IMPO RTAN T N O TES
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2
and 3, please read and observe the following:
Po w e r Su p p ly
Ad d itio n a l Pre ca u tio n s
•
Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
•
Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory, a memory card.
Unfortunately, it may be impossible to restore the contents
of data that was stored in the unit’s memory, a memory
card, or another MIDI device (e.g., a sequencer) once it has
been lost. Roland Corporation assumes no liability
concerning such loss of data.
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
Never strike or apply strong pressure to the display.
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
•
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/ or damage to speakers or other devices.
•
•
Pla ce m e n t
•
This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
•
Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
•
•
•
•
•
A small amount of heat will radiate from the unit during
normal operation.
Ma in te n a n ce
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
The display screens printed in this owner’s manual are based
on the factory settings. However, please be aware that in
some cases they may differ from the actual factory settings.
•
For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
•
•
•
Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/ or
deformation.
Re p a irs a n d Da ta
Be fo re Usin g Ca rd s
•
Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up Memory
Card, or written down on paper (when possible). During
repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related
to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no
liability concerning such loss of data.
Usin g DATA Ca rd s
•
Carefully insert the DATA card all the way in—until it is
firmly in place.
Me m o ry Ba ck u p
•
This unit contains a battery which powers the unit’s
memory circuits while the main power is off. When this
battery becomes weak, the message shown below will
appear in the display. Once you see this message, have the
battery replaced with a fresh one as soon as possible to
avoid the loss of all data in memory. To have the battery
replaced, consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as
listed on the “Information” page.
•
•
Insert memory cards with the gold contacts facing
downwards.
Never touch the terminals of the DATA card. Also, avoid
getting the terminals dirty.
“Battery Low”
5
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USING THE UNIT SAFELY......................................................................3
Features.................................................................................................11
Panel Descriptions................................................................................12
Front Panel................................................................................................................................................. 12
Auditioning Sounds on the XV-5080 (Phrase Preview)...................................................................... 16
Setting the Way In Which Sounds Are Previewed................................................................... 16
Playing a Patch on the XV-5080 from External MIDI Devices (MIDI Keyboard) ........................... 17
Setting the XV-5080’s MIDI Reception Channels ..................................................................... 17
Selecting Sound Libraries........................................................................................................................ 18
Basic Procedure for Selecting a Patch......................................................................................... 19
Selecting Patches by Category (Patch Finder) .......................................................................... 19
Selecting Patches and Rhythm Sets from an External MIDI Device...................................... 21
Setting a Patch’s Pitch in Octave Steps (Octave Shift) ........................................................................ 23
Selecting How a Patch Will Play (Polyphonic/ Monophonic) ........................................................... 23
Turning Effects On/ Off........................................................................................................................... 24
Patch Mode Settings................................................................................................................................. 24
Making Multi-Effects Settings..................................................................................................... 26
Making Chorus Settings............................................................................................................... 26
Making Multi-Effects Settings..................................................................................................... 31
Making Chorus Settings............................................................................................................... 32
Rhythm Set Mode Settings...................................................................................................................... 36
Making Multi-Effects Settings..................................................................................................... 37
Making Chorus Settings............................................................................................................... 38
Making Reverb Settings ............................................................................................................... 39
Settings in General MIDI Mode.............................................................................................................. 41
Parameters for Each Multi-Effects ......................................................................................................... 41
Patch Mode Settings............................................................................................................................... 107
Rhythm Set Mode Settings.................................................................................................................... 114
Signal (RHYTHM TONE) Flow ................................................................................................ 114
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Digital Connections Using R-BUS........................................................................................................ 119
Settings for the Digital Interface ([SYSTEM/ UTILITY] - [F2 (Output)]) ............................ 119
Eight-Channel R-BUS Digital Connection ............................................................................... 120
Digital Output to an ADAT....................................................................................................... 121
Digital Output to an AES/ EBU Device.................................................................................... 123
Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN ........................... 124
How a Tone Is Organized .......................................................................................................... 125
How a Partial Is Organized ....................................................................................................... 126
Selecting the Tones That Will Sound (Tone On/ Off)........................................................................ 126
Settings Common to the Entire Patch.................................................................................................. 127
Common (Patch Common)........................................................................................................ 127
Control (Patch Control).............................................................................................................. 129
Creating Four-Tone Patches.................................................................................................................. 134
Tips for Creating a Patch............................................................................................................ 134
More Advanced Editing of Tones............................................................................................. 134
Tips for Selecting a Waveform .................................................................................................. 135
Modifying the Waveform and Pitch ([F2] (WG)) ................................................................... 136
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 140
Changing the Volume and Stereo Location ([F4 (TVA)])...................................................... 143
Editing Partials ............................................................................................................................ 149
Editing Samples........................................................................................................................... 150
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 152
Saving Patches You Create.................................................................................................................... 158
Copying the Settings of Another Patch (Patch Tone Copy)............................................................. 158
Basic Ways to Use Performances ......................................................................................................... 159
Establishing Settings for an Entire Performance (COMMON)........................................................ 160
Comparing the Settings of Each Part as You Make Settings................................................. 161
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony.......................... 162
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played ..
163
Establishing a Part’s MIDI Settings .......................................................................................... 164
Confirming MIDI Information for Each MIDI Channel........................................................ 166
Saving Performances You Create......................................................................................................... 166
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Editing a Patch or Rhythm Set in the Performance Mode................................................................ 167
How Percussion Instruments Are Organized .................................................................................... 168
Using a MIDI Keyboard to Select a Percussion Instrument for Editing......................................... 168
Settings Common to an Entire Rhythm Set ........................................................................................ 169
Tips for Selecting a Waveform .................................................................................................. 170
Modifying the Waveform, Pan and Pitch ([F2 (Key WG)])................................................... 171
Tune............................................................................................................................................... 172
Using the Filter to Modify the Brightness ([F3 (Key TVF)]).................................................. 175
Saving the Rhythm Set You Create...................................................................................................... 179
Copying Settings from Some Other Rhythm Tone............................................................................ 180
Installing the SIMM (Memory Module)................................................................................... 181
Cautions When Installing SIMM .............................................................................................. 181
Removing SIMMs........................................................................................................................ 182
With Sampler Libraries .............................................................................................................. 185
About Each Sampler Library Folder Type (Display)............................................................. 187
Sample Load ................................................................................................................................ 188
Auto Load..................................................................................................................................... 189
Playing Back Loaded Sampler Libraries ............................................................................................. 190
Loading Data Saved on a Zip Disk ...................................................................................................... 190
Individually Loading Patches, Performances, or Rhythm Sets............................................ 190
Loading Data Stored on Memory Cards............................................................................................. 191
Sample-Related Utilities ........................................................................................................................ 191
Sending and Receiving Samples (Sample Dump).................................................................. 191
Saving Edits to the XV-5080’s Internal Memory (Write) .................................................................. 194
a Part in a Performance .............................................................................................................. 195
Formatting a Zip Disk/ Hard Disk (Format)........................................................................... 200
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Transmitting to User Memory................................................................................................... 204
Registering Favorite Patches in the FAVORITE LIST....................................................................... 207
Selecting Patches from the FAVORITE LIST...................................................................................... 207
Settings Common to the Entire XV-5080 ([SYSTEM/ UTILITY] - [F1 (General)])......................... 208
Setting the Tuning and Volume Settings................................................................................. 209
Setting the System Tempo ......................................................................................................... 209
Making the Equalizer Settings ([SYSTEM/ UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)]) .................. 211
Making the System Exclusive Settings..................................................................................... 212
Specifying the Reception Status for Each Tone ...................................................................... 212
Connecting Two or More XV-5080s to Increase Polyphony ................................................. 214
Selecting Common Controllers ([SYSTEM/ UTILITY] - [F4 (Control)])......................................... 215
Confirming the Current Status ([SYSTEM/ UTILITY] - [F6 (Info)])................................................ 215
Controlling the XV-5080 in Real Time Using an External MIDI Device ........................................ 217
Modifying Tone Settings............................................................................................................ 218
Applications for Patches........................................................................................................................ 219
Syncing the LFO Cycle to System Tempo ............................................................................... 219
Modifying Multi-Effects to Match the System’s Tempo........................................................ 219
Making a Tone’s Delay Time Match the System Tempo....................................................... 220
Playing Phrase Loops at a System’s Tempo............................................................................ 220
Changing the Part Settings from an External MIDI Device ............................................................. 221
Using the XV-5080 as a General MIDI Sound Module ..................................................................... 224
Turning Effects On/ Off.............................................................................................................. 225
Modifying GM Mode Settings................................................................................................... 225
Troubleshooting..................................................................................232
Can’t select the Part for which to make settings................................................................................ 232
Effects do not apply................................................................................................................................ 233
Memory Card cannot be used .............................................................................................................. 233
Song data does not playback correctly................................................................................................ 233
The SCSI device is not being recognized. ........................................................................................... 233
Error Messages...................................................................................235
About SCSI ..........................................................................................239
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SCSI Devices That Can Be Used................................................................................................ 239
What you need to know before making connections........................................................................ 239
About SCSI Chains...................................................................................................................... 239
About Terminators...................................................................................................................... 239
About SCSI ID Numbers............................................................................................................ 240
Making Connections................................................................................................................... 240
Parameter List.....................................................................................241
Patch Parameters......................................................................................................................... 241
Rhythm Set Parameters .............................................................................................................. 252
GM Mode Parameters................................................................................................................. 255
System Parameters...................................................................................................................... 276
Waveform List .....................................................................................277
Specifications......................................................................................306
1 0
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Fe a tu re s
1 2 8 -Vo ice Po ly p h o n y a n d 3 2 -
Pa rt Mu ltitim b ra lity
Dig ita l O u t a n d R-BUS fo r
Co m p le te Co m p a tib ility w ith
Dig ita l Sy ste m s
The XV-5080 is a 32-part multitimbral sound generator that
produces up to 128 simultaneous polyphonic voices. It provides
ample polyphony, even with Patches containing multiple Tones.
The XV-5080’s output systems not only include eight parallel
analog outs that can also be used as four stereo pairs, but also S/
P DIF digital outputs (optical and coaxial) and R-BUS digital out
as well. Using R-BUS lets you simply output eight analog
outputs as eight-channel digital audio. And you can connect the
XV-5080 to Roland’s VM-3100Pro or VM-7000 Series with just
one cable.
Cre a te Am a zin g ly Ex p re ssive
To n e s
With Patches containing four stereo Tones, as well as four-Tone
instruments in Rhythm Sets—you can use up to a total of eight
wave types—the XV-5080 takes you the next step beyond
Roland’s previous generation of JV-Series modules, providing
even more precise control and allowing you to create lusher,
more expressive sounds.
Furthermore, the XV-5080 includes a Word Clock In as a
standard feature.
Su p p o rts Ge n e ra l MIDI sy ste m
Le ve l 2
The XV-5080 provides a mode compatible with General MIDI
System Level 2, the standard format for desktop music (DTM)
systems. The upwardly compatible General MIDI 2 standards
pick up where the original General MIDI standard left off,
offering enhanced expressive capabilities and even greater
compatibility. You can play back commercially available General
MIDI-compatible song data.
Po w e rfu l In te rn a l Effe cts,
In clu d in g CO SM Effe cts
The internal effects have been completely rethought and
improved. The reverb, the XV-5080’s most central effect,
incorporates the high-quality SRV-3030 DSP, allowing the
instrument itself to give great spatial definition with superior,
clear sound.
In addition, the XV-5080 features Multi-effects (MFX) with 90
kinds of effects, including RSS and 3D Delay, Slicer, and
Formant Filter. What’s more, the XV-5080 also features a variety
of combinations of different effects, such as the Guitar Amp
Simulator, made possible with COSM technology; Guitar Multi,
which lets you get just the right guitar, bass, and keyboard
sounds; Bass Multi, and Keyboard Multi, all of which let you
create even more powerful sounds. Furthermore, you can use
three different MFX systems when in Performance mode, and
use each MFX on any Part you select.
Gre a te r Ex p a n sio n Po ssib ilitie s
w ith th e N e w -Fo rm a t W a ve
Ex p a n sio n Bo a rd s
The XV-5080 accepts up to four of Roland’s new-format Wave
Expansion Boards (SRX Series). In addition, you can add four
previous-generation Wave Expansion Boards (SR-JV Series).
All of this provides you unprecedented power in creating
sounds from a massive amount of waveform data.
On top of all this, each output is supplied with two-band EQ.
Fe a tu rin g th e Pa tch Fin d e r a n d
Ph ra se Pre vie w Fu n ctio n s
Sa m p le Pla y b a ck Fu n ctio n Le ts
Yo u Ad d W a ve s
The XV-5080 provides a Patch Finder function that allows you to
quickly find Patches of a specified type or category.
By expanding with SIMM (72-pin, 64/ 32/ 16 MB) memory
modules, you can add the sample playback function to the XV-
5080. With a CD-ROM drive connected to the SCSI connector,
you can then load Roland’s S-700 Series and other CD-ROM
libraries. You of course can perform using existing sampled
tones just as they are, but you can also synthesize internal
Patches into a single Wave. Additionally, since you can also save
the wave data of loaded samples to SmartMedia cards, you can
easily take pre-existing samples for use in your live
performances, even with no CD-ROM drives or hard disks
connected.
Press the XV-5080’s [PHRASE PREVIEW] button to preview the
selected Patch with a musically appropriate Phrase.
Re g iste rin g a Pa tch in th e
FAVO RITE LIST
You can keep the Patches that you like to use all in one place by
registering them on the Favorite List. The FAVORITE LIST gives
you immediate access to your favorite Patches, whether they are
in the XV-5080 itself, on Wave Expansion Boards, or on memory
cards. You can register up to 64 Patches in this list.
1 1
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Pa n e l De scrip tio n s
Fro n t Pa n e l
fig.0-001
E
D
F
B
G
J
C
H
I
A
The function name is shown in the display.
When “ ” appears next to the function name in the lower row
A
of the screen, it means that there are one or more further pages.
Press the corresponding [F1]-[F6] buttons to switch to such
pages.
VO LUME Kn o b (PHRASE PREVIEW )
This adjusts the volume from the A (MIX) OUTPUT jacks and
PHONES jacks. The volume from the OUTPUT B, C and D jacks
cannot be adjusted.
[EXIT]
You can press the knob to listen to the XV-5080 without using
any external devices. (Phrase Preview function; p. 16)
to cancel an operation before executing it.
Hold [EXIT] and press [
Start; p. 14)
] to hear the demo songs. (Quick
PHO N ES Ja ck
Headphones are plugged in here. (Quick Start; p. 11)
D
B
VALUE Dia l (SO UN D LIST)
Disp la y
Use this to modify the values of a setting. If you hold down
[SHIFT] as you turn the VALUE dial, the parameter’s value will
change by larger increments.
The display presents a variety of information about the
operation being performed.
Press this dial in Patch/ Rhythm Set mode to display a list
showing the collection of your favorite sounds. (p. 207)
C
Pressing the VALUE dial while “
” appears in the upper right
of the screen displays the list for the screen.
[SYSTEM/ UTILITY]
The screen displayed switches each time the button is pressed,
rotating through the System mode, Utility mode, and original
screens.
[PATCH FIN DER]
You can select a Patch using the Patch Finder function. (p. 19)
System Mode (the indicator is lit)
This allows you to make settings that affect the entire XV-5080.
Utility Mode (the indicator is blinking)
[IN C]/ [DEC] (In cre m e n t/ De cre m e n t)
Use these to modify the values of a setting. If you keep on holding
down one button while pressing the other, the value change
accelerates. If you press one of these buttons while holding down
[SHIFT], the value will change in bigger increments.
This allows you to perform operations such as saving, copying,
initializing, transferring data, write-protecting data, and factory
reset operations.
[F1 ]–[F6 ]
[
] [
] [ ] [
]
The functions of these buttons change depending on the selected
page.
Use these buttons to move the cursor.
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Pa n e l De scrip tio n s
E (MO DE)
H
[PERFO RM] (Pe rfo rm a n ce )
[SHIFT]
Pressed to get into Performance mode. (p. 17)
this button changes the functions of other buttons.
Press this button while holding down [SHIFT] to switch to Part
Play mode, enabling you to make changes to the settings for the
Patch and Rhythm Set assigned to each Part. (p. 167)
Use this to restore a modified parameter value to its original
setting.
[PATCH]
Pressed to get into Patch mode. (p. 17)
[DISK]
[RHYTHM] (Rh y th m Se t)
Selects Disk mode.
Selects Rhythm Set mode. (p. 17)
[EFFECTS O N / O FF]
[GM]
Use this to turn the internal effects (Multi-effects, Chorus,
Press this to enter General MIDI mode. (p. 17)
I
F (SO UN D LIBRARY)
MEMO RY CARD Slo t
[USER]
Selects a sound from the USER library. (p. 18)
[CARD]
J
Selects a sound from an installed memory card, sold separately.
(p. 18)
[MIDI MESSAGE/ RX] (MIDI Me ssa g e
In d ica to r/ Re ce ive Sw itch )
[PRESET]
MIDI MESSAGE: This will light when a MIDI message is
Selects a sound from the PRESET library. (p. 18)
RX: This turns Parts on and off in Performance mode and GM
mode. (p. 159)
[EXP]
Selects a sound from a Wave Expansion Board (sold separately).
(p. 18, Quick Start; p. 22)
[1 -1 6 / 1 7 -3 2 ]
This specifies whether the PART SELECT [1/ 17]–[16/ 32] buttons
will select Parts 1–16 or Parts 17–32.
G
When this button is lit, Parts 17–32 can be selected.
PART SELECT [1 / 1 7 ]–[1 6 / 3 2 ]
PO W ER Sw itch
Selects a Part whose settings you wish to change. (p. 160)
Switches each Part on or off. (p. 159)
Turns the XV-5080’s power on and off. (Quick Start; p. 12)
TO N E SW ITCH [1 ]–[4 ]
Switches each Tone on or off. (p. 126)
TO N E SELECT [1 ]–[4 ]
Selects a Tone whose settings you wish to change. (p. 134)
[A]–[H]
Selects a sound from the Sound Library.
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Pa n e l De scrip tio n s
Re a r Pa n e l
fig.0-002
K
O (O UTPUT)
AC IN (AC In le t)
1 –8 IN DIVIDUAL O UTPUT Ja ck s
Connect the included power cable here. (Quick Start; p. 11)
These jacks output audio signals in mono to an amp or
mixer. (Quick Start; p. 11)
L (MIDI)
P (DIGITAL AUDIO O UT)
MIDI Co n n e cto rs (IN 1 / 2 , O UT, THRU)
R-BUS (RMDB 2 ) Co n n e cto r (O UTPUT A-
D/ 1 -8 )
These connectors connect the XV-5080 with other MIDI
devices, enabling the sending and receiving of MIDI
messages. (Quick Start; p. 11)
8-out 24 bit digital audio connector. Use this for connecting
to the device such as Roland VM-3100Pro and DIF-AT.
IN 1, 2: Receive messages from other MIDI devices.
OUT: Transmits messages to a MIDI device.
THRU: MIDI messages received at MIDI IN 1 are re-
Only the R-BUS devices listed in the Owner’s Manual may be
connected to the R-BUS (RMDB2) connector. Be careful not to
connect any other devices (such as SCSI-type devices, RS-
232C-type devices, parallel-type devices, etc.) even though
they have similar-looking connectors. Use only a specially
designed R-BUS (RMDB2) cable to make connections.
transmitted without change from this connector.
M (O UTPUT)
A (MIX) O UTPUT Ja ck s (L (MO N O ), R)
These jacks send audio signals in stereo (L/ R) from the XV-
5080 to an amp or mixer. For mono output, use the L jack.
(Quick Start; p. 11)
RMDB II, RMDB 2, and R-BUS refer to the same Roland
standard.
These jacks are used when the SYSTEM SETUP Mix/ Parallel
parameter is set to “MIX.” (p. 109, p. 112, p. 116, p. 118)
k Hz)
* The XV-5080, as shipped from the factory, routes the output of
all PRESET Patches to these jacks.
This is a connector for input of the word clock used for
synchronizing external digital devices (BNC type). (p. 124)
N (O UTPUT)
* The XV-5080’s digital out is not compatible with sampling
frequencies (word clock) other than 44.1 or 48 kHz.
B, C, D O UTPUT Ja ck s (L, R)
These jacks send audio signals in stereo (L/ R) from the XV-
5080 to an amp or mixer. (Quick Start; p. 11)
1 4
Pa n e l De scrip tio n s
S/ P DIF O UT Co n n e cto r
The XV-5080 features both optical and coaxial digital out
connectors (conforming to S/ P DIF).
S/P DIF: This is a digital interface format used for consumer
digital audio devices.
* About the Optical Connector Protecting Cap
•
•
•
If you remove the protecting cap, be sure to keep in a
safe place to prevent loss.
Always place the protecting cap on the optical connector
when the connector is not in use.
If you use the optical connector, be sure that the
connector cover you removed is placed out of the reach
of children.
Q
SCSI Co n n e cto r
This is a DB-25 type SCSI connector for connecting SCSI
devices such as a CD-ROM drive, a Zip disk drive or a hard
disk drive.
Rotate the ID switch to set the SCSI ID numbers so that none
of the devices have the same ID number. (p. 239)
* On the XV-5080, “8” and “9” of the ID switch are not used.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
4 . Either by rotating the VALUE dial or by pressing [INC]/
Au d itio n in g So u n d s o n th e
[DEC], set the value.
XV-5 0 8 0 (Ph ra se Pre vie w )
5 . Press [EXIT] to return to the previous page.
The Phrase Preview feature allows you to audition Patches
on the XV-5080 even when it’s not connected to a MIDI
Pre vie w Mo d e
keyboard or sequencer. You can preview a Patch using a
PHRASE: The Phrase associated with the Patch’s type/
Phrase that’s appropriate to the Patch’s type or category.
category is played.
1 . Press [PATCH], getting its indicator to light.
CHORD: The notes specified by PREVIEW KEY will play
together as a chord.
2 . Turn the VALUE dial, or press [INC]/ [DEC] to select the
SINGLE: The notes specified by PREVIEW KEY will sound
desired Patch.
one after another.
3 . Press and hold the VOLUME knob.
The phrase prepared for the Patch will play while the knob is
pushed.
Pre vie w 1 –4 N o te N u m b e r
Specifies the four notes (C -1–G9) that will be heard during a
preview when “SINGLE” or “CHORD” is selected for
Preview Mode.
* When you preview a Rhythm Set, the XV-5080 plays a
percussion Phrase. Phrase Preview also allows you to audition
a Performance — when you preview a Performance, you hear a
Phrase appropriate to the currently selected Part.
* If “PHRASE” is selected for Preview Mode, these settings will
have no effect.
* A USER Patch or a Patch from an optional Wave Expansion
Board (SRX/SR-JV80 series) may not preview in its normal
Pre vie w 1 –4 Ve lo city
pitch range. If this occurs, press [
] or [
] (Octave Shift
Specifies the volume (0–127) of the four notes that will sound
when “SINGLE” or “CHORD” is selected for Preview Mode.
* If the pitch range of a Phrase is wider than the range of the
Part within a Performance (p. 161), any notes in the Phrase
that fall outside that range will not be heard.
* If “PHRASE” is selected for Preview Mode, these settings will
have no effect.
Se ttin g th e W a y In W h ich So u n d s
Are Pre vie w e d
fig.01-000.e_70
You can preview a Patch in any of three ways: “PHRASE”
(the Patch plays a Phrase), “CHORD” (the Patch plays a
chord), or “SINGLE” (the Patch plays a series of notes).
1 . Press [SYSTEM/ UTILITY], getting the indicator to light.
The System page will appear.
* If the indicator is blinking, you are in UTILITY mode. In this
case, press [SYSTEM/UTILITY] once again to make its
indicator light.
2 . Press [F5 (Preview)].
3 . Press [
]/ [
]/ [
]/ [
] to move the cursor to
the parameter you want to set.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
6 . After making the setting, press [EXIT].
Pla y in g a Pa tch o n th e XV-
5 0 8 0 fro m Ex te rn a l MIDI
De vice s (MIDI Ke y b o a rd )
Se le ctin g a Mo d e (Pa tch ,
Pe rfo rm a n ce , o r Rh y th m Se t)
The XV-5080 produces sound in response to MIDI messages
that it receives from an external MIDI device such as a MIDI
keyboard or sequencer. In order for this to occur, the MIDI
transmission channels of the external device must match the
MIDI reception channels of the XV-5080.
In addition to Patch mode, the XV-5080 also features three
other modes: Performance mode, Rhythm Set mode, and
GM2 mode.
You can easily switch modes simply by pressing the MODE
For details on setting the MIDI transmission channels of your
button (PERFORM/ PATCH/ RHYTHM/ GM) for each mode.
fig.01-001.e
external MIDI device, refer to its owner’s manual.
Se ttin g th e XV-5 0 8 0 ’s MIDI
Re ce p tio n Ch a n n e ls
PERFO RM (Pe rfo rm a n ce Mo d e )
In Pa tch m o d e
In this mode, the XV-5080 functions as a multi-timbral sound
generator, and Performance settings can be modified.
In order to play single Patches, set the XV-5080’s MIDI
reception channel as follows.
1 . Press [SYSTEM], getting the indicator to light.
PATCH (Pa tch Mo d e )
In this mode, you can play an individual Patch from the
keyboard or modify Patch settings.
* If the indicator is blinking, you are in UTILITY mode. In this
case, press [SYSTEM/UTILITY] once again to make its
indicator light.
RHYTHM (Rh y th m Se t Mo d e )
2 . Press [F3 (MIDI)].
This is how you can play a Rhythm Set from the keyboard
and modify the Rhythm Set settings. XV-5080 Rhythm Sets
can also be used for any Part in a Performance when in
Performance mode.
3 . Use the [
]/ [
] button to move the cursor to “Patch
Receive Channel.”
4 . Either by rotating the VALUE dial or by pressing [INC]/
[DEC], set the value.
GM (Ge n e ra l MIDI2 Mo d e )
5 . After making the setting, press [EXIT].
In this mode, the XV-5080 functions as a General MIDI 2-
compatible sound generator.
Pa rts o f a Pe rfo rm a n ce
General MIDI is a set of recommendations which seeks to
provide a way to go beyond the limitations of proprietary
designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files
that meet the General MIDI standard bear the General MIDI
In order to play any of the 16 Parts in a Performance, you
must set the MIDI reception channel for the Part.
1 . Select the Performance you wish to use.
2 . Press [F4 (MIDI)].
logo (
). Music files bearing the General MIDI logo can
3 . Press one of the [1/ 17]–[16/ 32] buttons to select the Part
you want to set. To select Parts 17–32, press [1-16/ 17-32],
getting its indicator to light, and then press the desired
PART SELECT [1/ 17]–[16/ 32] button.
be played back using any General MIDI sound generating
unit to produce essentially the same musical performance.
The upwardly compatible General MIDI 2 (
)
recommendations pick up where the original General MIDI
left off, offering enhanced expressive capabilities, and even
greater compatibility. Issues that were not covered by the
original General MIDI recommendations, such as how
sounds are to be edited, and how effects should be handled,
have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant
The indicator will light, and the Part number will appear in
the upper right of the screen.
4 . Press [
]/ [
] to move the cursor to “Channel.”
5 . Turn the VALUE dial or press [INC]/ [DEC] to select the
desired value.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
sound generators are capable of reliably playing back music
files that carry either the General MIDI or General MIDI 2
logo. In some cases, the conventional form of General MIDI,
which does not include the new enhancements, is referred to
as “General MIDI 1” as a way of distinguishing it from
General MIDI 2.
You can directly select Tones contained on the card — even
without loading the files into the USER memory — by
assigning banks (CD-A through CD-H) to the files on the
card.
PRESET
Patches, Rhythm Sets and Performances can be stored in the
following memory locations within each library group.
The PRESET library group contains the sounds that are
permanently stored in the XV-5080’s memory. Performances
are found only in PR-A and B. However, you can modify its
sounds and save them as new sounds in the USER group.
PATCH
RHYTHM
PERFORM
USER
CARD
PR-A
PR-B
PR-C
PR-D
PR-E
PR-F
PR-G
PR-H
XP-A
:
1–128
*
1, 2, 3, 4
1–64
*
EXP (Ex p a n sio n )
*
Select this group to use the tones stored on wave expansion
boards (SRX Series, SR-JV80 Series; sold separately) inserted
in the EXP-A through -H slots. You cannot alter the contents
of the EXP group, though you can modify its sounds and
save them as new sounds in the USER group. The number of
Patches and Rhythm Sets in the EXP group depends on the
specific wave expansion boards installed. The EXP group
contains no Performances. (Precautions When Installing
Wave Expansion Board (Quick Start; p. 3))
1–128
1–128
1–128
1–128
1–128
1–128
1–128
1–256
*
1, 2
1, 2
1, 2
1, 2
1, 2
1, 2
1, 2
1, 2, 3, 4
*
1–32
1–32
—
—
—
—
—
—
*
It is not possible to select an EXP Patch unless a wave
expansion board is inserted into the corresponding slot.
—
:
:
:
* CARD sounds can be selected only if a SmartMedia card is
inserted into the MEMORY CARD slot.
XP-H
*
*
—
–: None
*: Differs by type
Se le ctin g So u n d Lib ra rie s
On the XV-5080, tone data is stored in what are called
“SOUND LIBRARY.” The SOUND LIBRARY is divided into
four “groups”: USER, CARD, PRESET, and EXP.
You can easily select the desired group simply by pressing
the SOUND LIBRARY button (USER/ CARD/ PRESET/ EXP)
for each group.
fig.01-002.e
USER
You can store your own Patches, Rhythm Sets and
Performances in the SOUND LIBRARY’s USER group. Save
the tones that you create to this library.
CARD
This library uses sounds from a commercially available
memory card (SmartMedia) inserted into the MEMORY
CARD slot.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
If you want to get even more information, carry out the
following operation.
Se le ctin g a Pa tch
3 . Press the VALUE dial.
Ba sic Pro ce d u re fo r Se le ctin g a
Pa tch
The Group List window will appear.
4 . Rotate the VALUE dial to select a group.
Turn the VALUE dial or press [INC]/ [DEC] to select the
desired Patch.
5 . Press [F6 (Select)] to call up the Category List window.
6 . By rotating the VALUE dial, move the cursor to the
desired Patch, and then press [F6 (Select)].
VALUE Dia l
The Patches of the selected category will be displayed in
To move quickly through the available Patches:
sets of 10.
ig.01-003a.e_70
Turn the VALUE dial while pressing it or, if you prefer, turn
the VALUE dial while pressing [SHIFT].
[IN C]/ [DEC]
To move quickly upward through the available Patches:
Hold down [INC] and press [DEC]. Alternatively, hold down
[SHIFT] and press [INC].
7 . Pressing the [VOLUME] knob (PHRASE PREVIEW)
To move quickly downward through the available
Patches:
allows you to audition the selected Patch.
8 . Press the VALUE dial (SOUND LIST) to return to the
Hold down [DEC] and press [INC]. Alternatively, hold down
[SHIFT] and press [DEC].
PATCH PLAY page.
When you hold down [INC] or [DEC], you may eventually
arrive at the beginning (001) of the selected bank (A–H). To
continue selecting Patches, release and then press the desired
[INC] or [DEC] button again.
Se le ctin g Pa tch e s b y Ca te g o ry
(Pa tch Fin d e r)
The XV-5080’s “Patch Finder” allows you to quickly find any
Patch.
1 . Press the [PATCH] button, lighting the indicator.
2 . Press the [PATCH FINDER] button, lighting the
indicator.
The categories will appear in the PATCH PLAY page.
fig.01-003.e_70
You can press [
]/ [
] to select the desired category.
At this point, you can select patches within the currently
selected category, either by rotating the VALUE dial, or by
using the [INC]/ [DEC] button.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
Rhythm&SFX
The following categories can be selected.
Category
PRC
SFX
BTS
PERCUSSION
Percussion
SOUND FX
Sound FX
BEAT&GROOVE
Beat and Groove
Drum Set
Group
Category
Contents
DRM DRUMS
—
NO ASSIGN
No assign
CMB COMBINATION
Other Patches which use
Split and Layer
Piano
PNO AC.PIANO
Acoustic Piano
Electric Piano
EP
EL.PIANO
In te rn a l o rg a n iza tio n
Keys&Organ
When you select a sound, the sound data is loaded into a
temporary part of memory known as the Temporary
Area. The XV-5080 will produce sound according to the
data in this temporary area.
KEY KEYBOARDS
Other Keyboards
(Clav, Harpsichord etc.)
Bell, Bell Pad
BEL
BELL
MLT MALLET
Mallet
ORG ORGAN
Electric and Church Organ
Accordion
The data in the temporary area will
ACD ACCORDION
HRM HARMONICA
Harmonica, Blues Harp
•
•
change whenever you select a different sound.
be lost when the power is turned off.
Guitar
AGT AC.GUITAR
EGT EL.GUITAR
DGT DIST.GUITAR
Acoustic Guitar
Electric Guitar
Distortion Guitar
In te rn a l Me m o ry
Rewritable memory
USER
Non-rewritable memory
Bass
PR-A, B, C, E
PR-D (General MIDI)
BS
BASS
Acoustic & Electric Bass
Synth Bass
SBS
SYNTH BASS
Select
Write
Select
Orchestral
STR
STRINGS
Strings
Te m p o ra ry Are a
ORC ORCHESTRA
HIT HIT&STAB
WND WIND
Orchestra Ensemble
Orchestra Hit, Hit
Winds (Oboe, Clarinet etc.)
Flute, Piccolo
Patch
Rhythm Set
Performance
FLT
FLUTE
Brass
BRS
SBR
SAX
AC.BRASS
SYNTH BRASS
SAX
Acoustic Brass
Synth Brass
Sax
Select
Write
Select
XP-A, B, C, D, E, F, G, H
W a ve Ex p a n sio n Bo a rd
Synth
HLD HARD LEAD
DATA Ca rd
Hard Synth Lead
Soft Synth Lead
Techno Synth
SLD
TEK
PLS
FX
SOFT LEAD
TECHNO SYNTH
PULSATING
SYNTH FX
When you edit a Performance, Patch or Rhythm Set,
your modifications affect only the data that was loaded
into the temporary area. Since the data in the temporary
area is temporary, you will need to use the Write
operation if you wish to keep the modified data. (p. 194)
Pulsating Synth
Synth FX (Noise etc.)
Poly Synth
SYN
OTHER SYNTH
Pad
BPD
SPD
BRIGHT PAD
SOFT PAD
Bright Pad Synth
Soft Pad Synth
Vox, Choir
VOX VOX
Ethnic
PLK
PLUCKED
ETHNIC
Plucked (Harp etc.)
Other Ethnic
ETH
FRT
FRETTED
Fretted Inst (Mandolin etc.)
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
The Patches and Rhythm Sets in each library correspond to
Bank Select numbers as follows.
Se le ctin g Pa tch e s a n d Rh y th m
Se ts fro m a n Ex te rn a l MIDI
De vice
Pa tch e s
Patch
Patch
Bank Select Program
By receiving MIDI messages, the XV-5080 can switch Patches
(including the Patches for each Part of a Performance) or
Rhythm Sets.
Group
Number Number
MSB
Number
LSB
USER
PR-A
PR-B
PR-C
PR-D
PR-E
PR-F
PR-G
CD-A
001–128
001–128
001–128
001–128
001–128
001–128
001–128
001–128
001–128
:
87
87
87
87
87
87
87
87
87
:
00
64
65
66
67
68
69
70
32
:
001–128
In Pa tch o r Rh y th m Se t m o d e s
001–128
001–128
001–128
001–128
001–128
001–128
001–128
001–128
::
1 . Press [PATCH] — or [RHYTHM] if you wish to select a
Rhythm Set — to make the button’s indicator light.
2 . Set the transmission channel of your external MIDI
device to match Patch Receive Channel (p. 212), the XV-
5080’s MIDI reception channel.
To learn about the MIDI settings of your external MIDI
device, see its owner’s manual.
3 . Transmit the appropriate Bank Select MSB (Controller
#0) value to the XV-5080.
CD-H
XP-A
:
001–128
*1
87
*1
:
39
*1
:
001–128
*1
If the value is “87,” a Patch is selected. If the value is “86,” a
Rhythm Set is selected.
:
:
4 . Transmit the appropriate Bank Select LSB (Controller
XP-H
*1
*1
*1
*1
#32) value to the XV-5080.
* 1 Depends on the Wave Expansion Board installed.
5 . Transmit the Program Change value corresponding to
Fixed Bank Select numbers are assigned to the Wave
Expansion Board itself.
the Patch or Rhythm Set.
The desired Patch or Rhythm Set will be selected on the XV-
5080.
Patch
Patch
Bank Select
Number
Group
Number
* When the XV-5080 receives only Program Change messages
without receiving Bank Select messages, it will switch to the
corresponding Patch or Rhythm Set from the currently
selected group or bank.
MSB LSB
SR-JV80-01 001–128
SR-JV80-01 129–256
SR-JV80-02 001–128
SR-JV80-02 129–256
:
89
89
89
89
00
01
02
03
SR-JV80-65 001–128
SR-JV80-65 129–256
91
91
00
01
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
5 . Transmit the Program Change value.
Rh y th m Se ts
The desired Performance will be selected.
Rhythm Set Rhythm Set Bank Select Program
Group
Number
Number
Number
* When the XV-5080 receives a Program Change message
without Bank Select messages, the corresponding Performance
in the currently selected group or bank will be chosen.
MSB LSB
USER
PR-A
PR-B
PR-C
PR-D
PR-E
PR-F
PR-G
CD-A
1, 2, 3, 4
001, 002
001, 002
001, 002
001, 002
001, 002
001, 002
001, 002
1, 2, 3, 4
:
86
86
86
86
86
86
86
86
86
:
00
64
65
66
67
68
69
70
32
:
1, 2, 3 , 4
001, 002
001, 002
001, 002
001, 002
001, 002
001, 002
001, 002
1, 2, 3, 4
::
You can select any Performance Part’s Patch or Rhythm Set
via MIDI. To learn how, refer to “Assigning a different Patch
The Performances in each group correspond to the Bank
Select numbers as follows.
Pe rfo rm a n ce s
Performance Performance Bank Select Program
Group
Number
Number
Number
MSB LSB
CD-H
XP-A
1, 2, 3, 4
*1
86
*1
:
39
*1
:
1, 2, 3, 4
*1
USER
PR-A
PR-B
CD-A
001–064
001–032
001–032
001–064
:
85
85
85
85
:
00
64
65
32
:
001–064
001–032
001–032
001–064
::
:
::
XP-H
*1
*1
*1
*1
* 1 Depends on the Wave Expansion Board installed.
Fixed Bank Select numbers are assigned to the Wave
Expansion Board itself.
CD-H
001–064
85
39
001–064
When Patch/ Rhy Rx Ch and Perform Ctrl Ch are set to the
same channel, both Bank Select and Program Change are
sent, making it possible to switch among Patches, Rhythm
Sets, and Performances.
Rhythm Set Rhythm Set Bank Select
Group
Number
Number
MSB
LSB
SR-JV80-01 001–128
SR-JV80-01 129–256
SR-JV80-02 001–128
SR-JV80-02 129–256
:
88
88
88
88
00
01
02
03
Usin g MIDI to Sw itch b e tw e e n Pa tch ,
Pe rfo rm a n ce a n d Ge n e ra l MIDI 2
Mo d e s
You can switch between Patch, Performance, and General
MIDI 2 modes by transmitting the appropriate System
Exclusive (Sys Ex) message to the XV-5080, as listed below.
(Sys Ex messages are constructed using hexadecimal
notation.)
SR-JV80-65 001–128
SR-JV80-65 129–256
90
90
00
01
In Pe rfo rm a n ce m o d e
To switch to Patch/Rhythm Set (Sys Ex.)
F0 41 10 00 10 12 00 00 00 00 01 7F F7
To switch to Performance
1 . Press [PERFORM], getting its indicator to light.
2 . Set the transmission channel of your external MIDI
device to match the XV-5080’s Performance Control
Channel (p. 212).
F0 41 10 00 10 12 00 00 00 00 00 00 F7
To switch to GM2 mode
F0 41 10 00 10 12 00 00 00 00 03 7F F7
To learn about the MIDI settings of your external MIDI
device, see its owner’s manual.
The third byte of the MIDI message indicates the device ID
number, and the factory setting is “10.” (This is “10” in
hexadecimal notation; in decimal this would be 16.) (This
device ID number will appear as 17 in the display of the XV-
5080. The transmitted messages will use a value of one less
than this (16).) If you have modified the device ID number (p.
3 . Transmit the appropriate Bank Select MSB (Controller
#0) value to the XV-5080.
4 . Transmit the appropriate Bank Select LSB (Controller
#32) value to the XV-5080.
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Ch a p te r 1 Se le ctin g a n d Pla y in g a So u n d
transmitting the above exclusive message.
Se ttin g a Pa tch ’s Pitch in
O cta ve Ste p s (O cta ve Sh ift)
In Patch mode, you can easily change the pitch of an entire
Patch.
Each time you press [
]/ [
], the pitch will change in one-
octave steps. You can adjust a Patch’s pitch by as much as +/
- 3 octaves.
fig.01-004.e
Se le ctin g Ho w a Pa tch W ill
Pla y (Po ly p h o n ic/
Mo n o p h o n ic)
You can set whether a Patch will play multiple notes at the
same time (Polyphonic) — for example, when you play a
chord or legato line — or whether only the last-played note
will be heard (Monophonic).
1 . Select the Patch you wish to use. (p. 19)
2 . Press [F1 (Common)].
3 . Press [F2 (Control)].
fig.01-005.e
4 . Press [
]/ [
]/ [
]/ [
] to move the cursor to
“Mono/ Poly.”
5 . Turn the VALUE dial, or press [INC]/ [DEC] to select the
desired value.
6 . After making the setting, press [EXIT].
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
The XV-5080 contains four independent effects units.
Pa tch Mo d e Se ttin g s
Multi-effects
You can make separate Multi-effects, chorus, and reverb
The Multi-effects offers 90 different effects. In addition to
settings to each Four-Tone Patch and Multi-Partial Patch,
effects consisting of only one effect, such as distortion and
with the same effects applied to each Tone or Partial. You can
delay, the 90 types also include a number of compound
control the amount of effect to be applied to each Tone or
effects, which are formed by combining a number of effects.
Partial by adjusting its send level with respect to the Multi-
Furthermore, the multi-effects effect types also include
effects, Chorus and Reverb.
fig.02-002.e
chorus and reverb, although the chorus and reverb described
below can be applied as separate effects systems. The XV-
4 TONE Patch
5080 features three Multi-effects systems in Performance
mode, with each multi-effect independently controllable.
TONE
Multi-Effects
Chorus
Chorus
Chorus adds depth and spaciousness to the sound.
Reverb
Reverb adds ambience — such as the sound of a concert hall
or auditorium—to sounds.
Reverb
Equalizer
An equalizer lets you boost or cut specified frequency ranges
of a sound to adjust the tone.
* Equalizer is set in System mode (p. 211).
Multi-Partial Patch
A0
Tu rn in g Effe cts O n / O ff
Multi-Effects
Chorus
Partial
C8
You can turn any of the XV-5080’s effect units—Multi-effects,
Chorus, Reverb, and EQ—on or off using a single procedure.
1 . Press the [EFFECTS ON/ OFF] button.
The EFFECTS On/ Off window will appear.
Reverb
fig.02-001.e_70
88 Partials
Preliminarily, the settings for effects involves determining
Tone Output Assign for Four-Tone Patches, and Split Key
Output Assign for Multi-Partial Patches.
2 . ress the [F2]–[F5] button corresponding to the effect to
In keeping with the intended usage, choose from the
following setting values for Tone Output Assign.
switch that effect on or off.
The display of the setting will be turned on and off.
MFX: Selected when the Multi-effects, chorus, and reverb are
3 . Press the [EFFECTS ON/ OFF] button, getting its
used.
indicator light to go out.
A-D: Selected when outputting in stereo without use of the
Multi-effects. Chorus and reverb can be used.
You might, for example, want to turn effects off when
creating a new Patch so that you can hear what it sounds like
without effects. You may also want to turn off the XV-5080’s
effects when you wish to use external effect devices instead
of the built-in effects.
1-8: Selected when outputting in mono without Multi-
effects. Chorus and reverb can be used. When this setting is
used, chorus and reverb sounds are output in stereo
according to the Chorus Output Assign and Reverb Output
Assign settings.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
fig.02-008.e_70
The screen appears as shown below, according to the settings
values.
•
For MFX
fig.02-004.e_70
* If you turn off the power or select another Patch while the “*”
symbol is displayed, your new Patch settings will be lost. If
you wish to keep them, perform the Write operation. (p. 194)
•
For A–D
* With Multi-Partial Patches, pressing [F6 (MIDISel)] allows
you to select the Partial to be edited from the MIDI keyboard.
fig.02-005.e_70
* When [MFX], [CHO], or [REV] are turned off, effects
processors that are turned off will be indicated by a dashed
outline in the General page.
* When the General page is accessed, you can press [F6
(Palette)] to view the settings for all four Tones together in a
single screen. This allows you to compare the settings of each
Tone as you make settings. When you press [F6 (→Tone 1)],
the General page will reappear. [F6] will display the Tone
number to which you will return.
•
For 1–8
fig.02-006.e_70
The following shows the basic setting procedure.
Sp lit Ke y Ed it Mo d e
When editing Multi-Partial Patches, this sets the key ranges
to which settings are applied.
1 . Select the Patch you wish to work with.
2 . Press [F6 (Effects)].
Settings Values
The Patch Effect page appears.
1KEY: Settings are made for each key individually.
3 . Press [F1 (General)].
PTL: Settings are applied to all keys to which corresponding
The General page will appear.
fig.02-007.e_70
Partials are assigned.
ALL: Settings are applied to all keys to which all Partials are
assigned.
Ro u tin g To n e s to Effe cts
This sets the output destination and level for the currently
selected Tone and Partial, as well as its send level with
respect to the Chorus and Reverb.
4 . Press [
]/ [
]/ [
]/ [
] to move the cursor to
the parameter you want to set.
On the Effects General page, set the following parameters.
5 . Turn the VALUE dial, or press [INC]/ [DEC] to select the
desired value.
O u tp u t Assig n
* If you make a mistake when setting a parameter’s value, or you
don’t like the change you have made, just press [UNDO] to
restore the value the parameter originally had.
MFX: The Tone is sent into the Multi-effects. Its output
destination is determined by the Multi-effects output
settings.
A–D: The Tone is sent to one of the four output-jack stereo
6 . Repeat Steps 3 to 5 to set the Effect.
pairs, OUTPUTS A–D.
7 . Press [EXIT] to return to the PATCH Play page.
1–8: The Tone is sent to the INDIVIDUAL output jacks 1–8.
A “*” symbol will appear at the left of the Patch name,
indicating that its settings have been modified.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pressing [F3 (MFX Ctl)] in the Effects General page calls up
the MFX Control page, in which you can make the following
settings.
Dry Se n d Le ve l
Range: 0–127
This sets the level of the signal sent to the output destination
set with Output Assign.
MFX Co n tro l 1 –4 So u rce
Select the Control Source to be used for changing the Multi-
effects parameters, and set the Sens and parameters to be
changed by that Control Source.
Ch o ru s Se n d Le ve l 0 –1 2 7
Sets how much of the Tone is sent to the Chorus.
Re ve rb Se n d Le ve l 0 –1 2 7
OFF: No controller is used.
Sets how much of the Tone is sent to the Reverb.
CC01–95: Controller numbers 1–95 (except for 32)
PITCH BEND: Pitch Bend
AFTERTOUCH: Aftertouch
Ma k in g Mu lti-Effe cts Se ttin g s
SYS-CTRL 1–4: System control 1–4
This page allows you to establish various settings for the
Multi-effects processor, including its parameters and output-
jack assignment.
MFX Co n tro l De stin a tio n 1 –4
Selects the Multi-effects parameter to be controlled using the
MFX Control 1–4 source. The parameters that can be selected
depend on which type of Multi-effects is set to MFX Type.
On the Effects General page, set the following parameters.
MFX Ty p e (Mu lti-e ffe cts Ty p e )
Use this parameter to select from among the 90 available
Multi-effects. For a description of these effects, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
MFX Co n tro l 1 –4 Se n s -6 3 – +6 3
If you wish to modify the selected parameter in a positive (+)
etc.—from its current setting, select a positive (+) value. If
you wish to modify the selected parameter in a negative (-)
direction—i.e., a lower value, toward the left, or slower,
etc.—from its current setting, select a negative (-) value.
Higher numbers produce a greater amount of change.
MFX Dry Se n d Le ve l 0 –1 2 7
Determines the level of the Multi-effects processor’s output
to the OUTPUT jacks.
MFX Ch o ru s Se n d Le ve l 0 –1 2 7
Determines the level of the post-Multi-effects processor
signal sent to Chorus.
Ma k in g Ch o ru s Se ttin g s
The XV-5080’s Chorus effect unit can also be used as a stereo
MFX Re ve rb Se n d Le ve l 0 –1 2 7
delay unit.
Determines the level of the post-Multi-effects processor
signal sent to Reverb.
These settings allow you to select chorus or delay, the
characteristics of the selected effect type, and the Chorus
output routing.
MFX O u tp u t Assig n A–D
Specifies the OUTPUT jacks to which the signal, after it has
passed through the Multi-effects, is to be routed.
On the Effects General page, set the following parameters.
Ch o ru s Ty p e
0 (Off): Neither Chorus or Delay is used.
1 (Chrus): Chorus is used.
2 (Delay): Delay is used.
Pressing [F2 (MFX Prm)] in the Effects General page calls up
the MFX Param page, in which you can make the following
settings.
Ch o ru s O u tp u t Se le ct
MFX A–D Pa ra m e te r
This parameter allows you to send the Chorus output
directly to the currently selected OUTPUT jacks, to the
These parameters allow you to customize the selected Multi-
Effect. For a description of the parameters, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
MAIN: The Chorus output is sent only to the OUTPUT jacks.
fig.02-009.e
OUTPUT
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
REV: The Chorus output is sent only to the Reverb.
HPF: Frequencies lower than the selected cutoff frequency
fig.02-010.e
value are eliminated.
Chorus Input
Chorus
Reverb
Cu to ff fre q (Cu to ff Fre q u e n cy ) *1
OUTPUT
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
M+R: The Chorus output is sent to the OUTPUT jacks and to
the Reverb.
fig.02-011.e
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz
Chorus Input
Chorus
Reverb
OUTPUT
OUTPUT
• Fo r Ty p e : 2 (DELAY)
Ce n te r (De la y Ce n te r) 2 0 0 –1 0 0 0 m s, N o te
Reverb Input
Sets the delay time for the delay located at the center of the
stereo field.
Ch o ru s Le ve l 0 –1 2 7
Le ft (De la y Le ft) 2 0 0 –1 0 0 0 m s, N o te
Determines the Chorus output level.
Sets the delay time for the delay located at the left side of the
stereo field.
Ch o ru s O u tp u t Assig n A–D
Selects the pair of OUTPUT jacks to which the Chorus unit’s
stereo output is routed when Chorus Output Select is set to
“MAIN” or “M+R.”
Rig h t (De la y Rig h t) 2 0 0 –1 0 0 0 m s, N o te
Sets the delay time for the delay located at the right side of
the stereo field.
HF Da m p *1
Pressing [F4 (Chorus)] in the General page calls up the
This allows you to reduce, or “damp,” the high-frequency
content of the repeated feedback delays—frequencies above
the selected value will be damped. If you do not want to cut
the high frequencies of the feedback, set this parameter to
BYPASS.
Chorus page, in which you can make the following settings.
• Fo r Ty p e : 1 (CHO RUS)
Ra te (Ch o ru s Ra te ) 0 .0 5 –1 0 .0 0 Hz
Adjusts the modulation speed of the chorus effect.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
De p th (Ch o ru s De p th ) 0 –1 2 7
Adjusts the modulation depth of the chorus effect.
Fe e d b a ck -9 8 – +9 8 %
Adjusts the amount of delay feedback, controlling the
number of times the delay repeats. With negative (-) values,
the phase of the repeated delays is inverted.
Fe e d b a ck (Ch o ru s Fe e d b a ck ) 0 –1 2 7
Specifies the amount of the chorus effect’s output to be
returned - fed back - to its input. Higher settings will create a
more complex Chorus effect.
Ce n te r (De la y Ce n te r Le ve l) 0 –1 2 7
Sets the volume level of the delay located at the center of the
stereo field.
Ph a se 0 –1 8 0 d e g re e
Adjusts the spatial spread of the sound.
Le ft (De la y Le ft Le ve l) 0 –1 2 7
Pre De la y (Ch o ru s Pre De la y ) 0 .0 –1 0 0 m s
Sets the volume level of the delay located at the left side of
the stereo field.
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
Higher settings will make the sound more spacious.
Rig h t (De la y Rig h t Le ve l) 0 –1 2 7
Sets the volume level of the delay located at the right side of
the stereo field.
Ty p e (Filte r Ty p e )
Selects the type of filter.
OFF: No filter is used.
LPF: Frequencies higher than the selected cutoff frequency
value are eliminated.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
HF Da m p (Re ve rb / De la y HF Da m p ) *1
Ma k in g Re ve rb Se ttin g s
Specifies the frequency above which the high-frequency
These settings allow you to select the desired type of Reverb,
its characteristics, and the pair of OUTPUT jacks to which the
Reverb unit’s stereo output is routed.
content of the reverb sound will be cut, or “damped.”
Lower values cause a greater range of high frequencies to be
cut, producing a softer reverb sound. If you do not want to
cut the high frequencies of the feedback, set this parameter to
BYPASS.
On the Effects General page, set the following parameters.
Re ve rb Ty p e
Selects the type of Reverb.
0 (Off): Reverb is not used.
1 (Revrb): Normal Reverb
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Fe e d b a ck (De la y Fe e d b a ck )
2 (Room): This reverb simulates typical room acoustic
When the Type setting is DELAY or PAN-DELAY, this adjust
the amount of delay feedback, controlling the number of
delay repeats.
reflections.
3 (Hall): This reverb simulates typical concert hall acoustic
reflections.
Higher settings will produce more delay repeats.
4 (Plate): This reverb simulates a reverb plate, a popular
type of artificial reverb unit that derives its sound from the
vibration of a metallic plate. You can also achieve unusual
metallic-sounding reverbs using SRV PLATE.
• Fo r Ty p e : 2 (SRV RO O M)/ 3 (SRV
HALL)/ 4 (SRV PLATE)
Pre De la y (Pre De la y Tim e ) 0 .0 –1 0 0 m s
Re ve rb Le ve l 0 –1 2 7
Adjusts the time delay from when the direct sound begins
until the reverb sound is heard.
Specifies the output level of the Reverb.
Re ve rb O u tp u t Assig n A–D
Tim e (Re ve rb Tim e ) 0 –1 2 7
Selects the OUTPUT jacks to which the Reverb unit’s stereo
Adjusts the time length of reverberation.
output is routed.
Size 1 –8
Adjusts the size of the simulated room or hall. The size
becomes bigger as the value increases.
Pressing [F5 (Reverb)] in the General page calls up the
Reverb page, in which you can make the following settings.
Hig h Cu t (Hig h Cu t Fre q u e n cy ) *1
• Fo r Ty p e : 1 (REVERB)
Sets the frequency above which the high-frequency content
of the reverb will be reduced. If you do not want to damp the
high frequencies, set this parameter to BYPASS.
Ty p e (Re ve rb / De la y Ty p e )
Selects a type of reverb or delay.
ROOM1: This is a short reverb with high density.
ROOM2: This is a short reverb with low density.
STAGE1: This is a reverb with greater late reverberation.
STAGE2: This is a reverb with strong early reflections.
HALL1: This is a very clear-sounding reverb.
HALL2: This is a rich reverb.
De n sity (Re ve rb De n sity ) 0 –1 2 7
Adjusts the density of reverb. Higher values result in greater
density.
Diffu sio n (Re ve rb Diffu sio n ) 0 –1 2 7
Adjusts the change in the density of the reverb over time.
The higher the value, the more the density increases with
time. (The effect of this setting is most pronounced with long
reverb times.)
DELAY: This is a conventional delay effect.
PAN-DELAY: This is a delay effect with echoes that pan left
and right.
LF Da m p Fre q (LF Da m p Fre q u e n cy ) *2
Tim e (Re ve rb / De la y Tim e ) 0 –1 2 7
Specifies the frequency below which the low-frequency
When the Type setting is ROOM1–HALL2, this adjusts the
length of reverberation. When the Type setting is DELAY or
PAN-DELAY, this adjusts the delay time.
content of the reverb sound will be reduced, or “damped.”
Higher settings produce a more spacious ambience.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
LF Da m p Ga in -3 6 –0 d B
Adjusts the amount of damping applied to the frequency
range selected with LF Damp. With a setting of “0,” there
will be no reduction of the reverb’s low-frequency content.
HF Da m p Fre q (LF Da m p Fre q u e n cy ) *3
Specifies the frequency above which the high-frequency
content of the reverb sound will be reduced, or “damped.”
HF Da m p Ga in -3 6 –0 d B
Adjusts the amount of damping applied to the frequency
range selected with HF Damp. With a setting of “0,” there
will be no reduction of the reverb’s high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600,
2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500
Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800,
1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
used, chorus and reverb sounds are output in stereo
according to the Chorus Output Assign and Reverb Output
Assign settings.
Pe rfo rm a n ce Mo d e Se ttin g s
Three different Multi-effects can be used in a Performance.
PAT: The Part’s output destination is determined by the
Select which of these three Multi-effects to use with Part
Output MFX Select. With this parameter, the same Multi-
effects are applied to all selected Parts. You can adjust the
amount of effect to be applied to the Parts by adjusting their
Send Levels to each of the effect units. (Fig. 1)
settings of the Patch or Rhythm Set assigned to the Part.
The screen appears as shown below, according to the settings
values.
•
For MFX
fig.02-014.e_70
The Send Level setting for each Tone can also influence effect
intensity (Fig. 2).
Furthermore, you can take the Multi-effects you have applied
to a Patch in a Part and apply them to the entire
Performance, or just part of the Performance.
fig.02-012.e
•
For A–D
Fig.1 – When Output Assign is set to “MFX” in the Performance
mode (the output settings for Tone are ignored)
fig.02-015.e_70
Performance
Part 1
Patch
Part32
TONE
Multi-Effects
•
For 1–8
Chorus
Reverb
fig.02-016.e_70
fig.02-013.e
The following shows the basic setting procedure.
Fig.2 – When Output Assign is set to “PATCH” in the Performance
mode (the output settings for Tone are valid)
1 . Select the Performance you wish to use.
Performance
2 . Press [F5 (Effects)].
Part 1
The Perform Effect page will appear.
Patch
Part32
3 . Press [F1 (General)].
TONE
Multi-Effects
The General page will appear.
fig.02-017.e_70
Chorus
Reverb
The primary role of the effect settings is to determine the Part
Output Assign.
4 . Press [
]/ [
]/ [
]/ [
] to move the cursor to
the parameter you want to set.
You can select from the following Part Output Assign
settings values to suit your purposes.
5 . Turn the VALUE dial, or press [INC]/ [DEC] to select the
desired value.
MFX: Selected when Multi-effects, chorus, and reverb are
* If you make a mistake when setting a parameter’s value, or you
don’t like the change you have made, just press [UNDO] to
restore the value the parameter originally had.
used.
A-D: Selected when outputting in stereo without use of the
Multi-effects. Chorus and reverb can be used.
1-8: Selected when outputting in mono without Multi-
6 . Repeat Steps 3 to 5 to set the Effect.
effects. Chorus and reverb can be used. When this setting is
7 . Press [EXIT] to return to the PERFORM Play page.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
A “*” symbol will appear at the left of the Performance name,
Pa rt Re ve rb Se n d Le ve l 0 –1 2 7
indicating that its settings have been modified.
fig.02-018.e_70
Sets how much of the Part’s sound is sent to the Reverb.
Ma k in g Mu lti-Effe cts Se ttin g s
This page allows you to make various settings for the Multi-
effects, including the type, the parameters, and the output
assignments.
* If you turn off the power or select another Performance while
the “*” symbol is displayed, your new Performance settings
will be lost. If you wish to keep these settings, perform the Save
operation. (p. 194)
On the Effects General page, set the following parameters.
MFX Ty p e (Mu lti-e ffe cts Ty p e )
Use this parameter to select from among the 90 available
Multi-effects. For a description of these effects, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
* When [MFX], [CHO], or [REV] are turned off, effects
processors that are turned off will be indicated by a dashed
outline in the General page.
MFX Dry Se n d Le ve l 0 –1 2 7
* When the General page is accessed, you can press [F6
(Palette)] to view the values for eight Parts (Parts 1–8, Parts
9–16, Parts 17–24, or Parts 25–32) in a single screen. This
allows you to compare the settings of each Part as you make
settings. Each time you press [F1], the Part Palette page will
switch between Parts 1–8, Parts 9–16, Parts 17–24, and Parts
25–32. When you press [F6 (→Part 1)], the General page will
reappear. [F6] will display the Part number to which you will
return.
Determines the level of the signal that is to be sent to the
output jacks, after passing through the Multi-effects.
MFX Ch o ru s Se n d Le ve l 0 –1 2 7
Determines the level of the signal that is to be sent to Chorus,
after passing through the Multi-effects.
MFX Re ve rb Se n d Le ve l 0 –1 2 7
Determines the level of the signal that is to be sent to Reverb,
after passing through the Multi-effects.
Ro u tin g Pa rt O u tp u ts
MFX O u tp u t Assig n A–D
Sets the output destination and level for the selected Part, as
well as its send level with respect to the Chorus and Reverb.
Selects the OUTPUT jacks to which the Multi-effects stereo
output is routed.
On the Effects General page, set the following parameters.
MFX A–C So u rce
Pa rt O u tp u t Assig n
Assigns the MFX settings being used to Multi-effects A–C. If
you wish to use the MFX parameter settings of the
Performance, select PRF. If you wish to use the MFX
parameter settings of the Patch assigned to one of the Parts,
select the Part number (P1–32).
MFX: The Part’s sound is sent into the Multi-effects. Its
output destination is determined by the Multi-effects output
settings.
OUTPUT A–D: The Part is sent to the selected pair of
OUTPUT A–D jacks.
INDIVIDUAL 1–8: The Part is sent to the selected
Pressing [F2 (MFX)] in the Effects General page calls up the
MFX Param page, in which you can make the following
settings.
INDIVIDUAL 1–8 jack.
PATCH:
Conforms to the Patch settings.
* When you press [F2 (MFX)] once again on this page, the
MFX Control page appears. When you press [F2 (MFX)] once
again, the MFX Param page will reappear.
Pa rt O u tp u t MFX Se le ct A–C
Selects which of the three Multi-effects is to be used.
Pa rt Dry Se n d Le ve l
MFX A–C Pa ra m e te r
Range: 0–127
These parameters allow you to customize the selected Multi-
Effect. For a description of the parameters, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
This sets the level of the signal sent to the output destination
set with Part Output Assign.
Pressing [F2 (MFX)] in the MFX Param page calls up the MFX
Control page, in which you can make the following settings.
Pa rt Ch o ru s Se n d Le ve l 0 –1 2 7
Sets how much of the Part’s sound is sent to the Chorus.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
* When you press [F2 (MFX)] once again, the MFX Param page
will reappear.
Ma k in g Ch o ru s Se ttin g s
The XV-5080’s Chorus effect unit can also be used as a stereo
delay unit.
MFXA–C Co n tro l 1 –4 So u rce
These settings allow you to select chorus or delay, the
characteristics of the selected effect type, and the Chorus
output routing.
Select the Control Source to be used for changing the Multi-
effects parameters, and set the Sens and parameters to be
changed by that Control Source.
On the Effects General page, set the following parameters.
OFF: No controller is used.
CC01–95: Controller numbers 1–95 (except for 32)
PITCH BEND: Pitch Bend
Ch o ru s Ty p e
0 (Off): Neither Chorus or Delay is used.
1 (Chrus): Chorus is used.
2 (Delay): Delay is used.
AFTERTOUCH: Aftertouch
SYS-CTRL 1–4: System control 1–4
MFXA–C Co n tro l De stin a tio n 1 –4
Ch o ru s So u rce PRF/ P1 –3 2
Selects the Multi-effects parameter to be controlled using the
MFX Control 1–4 source. The parameters that can be selected
depend on which type of Multi-effects is set to MFX Type.
Set this when assigning chorus settings that are used by
another part. Select PRF when using the Performance's
chorus settings. When using the chorus settings assigned to
one of the parts, select the part number (P1–32).
MFXA–C Co n tro l 1 –4 Se n s -6 3 – +6 3
If you wish to modify the selected parameter in a positive (+)
direction—i.e., a higher value, toward the right, or faster,
etc.—from its current setting, select a positive (+) value. If
you wish to modify the selected parameter in a negative (-)
direction—i.e., a lower value, toward the left, or slower,
etc.—from its current setting, select a negative (-) value.
Higher numbers produce a greater amount of change.
Ch o ru s O u tp u t Se le ct
This parameter allows you to send the Chorus output
directly to the currently selected OUTPUT jacks, to the
Reverb, or to both.
MAIN: The Chorus output is sent only to the OUTPUT jacks.
fig.02-019.e
OUTPUT
REV: The Chorus output is sent only to the Reverb.
fig.02-020.e
Chorus Input
Chorus
OUTPUT
Reverb
M+R: The Chorus output is sent to the OUTPUT jacks and to
the Reverb.
fig.02-021.e
Chorus Input
Chorus
Reverb
OUTPUT
OUTPUT
Reverb Input
Ch o ru s Le ve l 0 –1 2 7
Determines the Chorus output level.
Ch o ru s O u tp u t Assig n A–D
Selects the pair of OUTPUT jacks to which the Chorus unit’s
stereo output is routed when Chorus Output Select is set to
“MAIN” or “M+R.”
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pressing [F4 (Chorus)] in the General page calls up the
• Fo r Ty p e : 2 (DELAY)
Chorus page, in which you can make the following settings.
Ce n te r (De la y Ce n te r) 2 0 0 –1 0 0 0 m s, N o te
Sets the delay time for the delay located at the center of the
stereo field.
• Fo r Ty p e : 1 (CHO RUS)
Ra te (Ch o ru s Ra te ) 0 .0 5 –1 0 .0 0 Hz
Le ft (De la y Le ft) 2 0 0 –1 0 0 0 m s, N o te
Adjusts the modulation speed of the chorus effect.
Sets the delay time for the delay located at the left side of the
stereo field.
De p th (Ch o ru s De p th ) 0 –1 2 7
Adjusts the modulation depth of the chorus effect.
Rig h t (De la y Rig h t) 2 0 0 –1 0 0 0 m s, N o te
Fe e d b a ck (Ch o ru s Fe e d b a ck ) 0 –1 2 7
Sets the delay time for the delay located at the right side of
the stereo field.
Specifies the amount of the chorus effect’s output to be
returned - fed back - to its input. Higher settings will create a
more complex Chorus effect.
HF Da m p *1
This allows you to reduce, or “damp,” the high-frequency
content of the repeated feedback delays—frequencies above
the selected value will be damped. If you do not want to cut
the high frequencies of the feedback, set this parameter to
BYPASS.
Ph a se 0 –1 8 0 d e g re e
Adjusts the spatial spread of the sound.
Pre De la y (Ch o ru s Pre De la y ) 0 .0 –1 0 0 m s
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Higher settings will make the sound more spacious.
Fe e d b a ck -9 8 – +9 8 %
Ty p e (Filte r Ty p e )
Selects the type of filter.
OFF: No filter is used.
Adjusts the amount of delay feedback, controlling the
number of times the delay repeats. With negative (-) values,
the phase of the repeated delays is inverted.
LPF: Frequencies higher than the selected cutoff frequency
Ce n te r (De la y Ce n te r Le ve l) 0 –1 2 7
value are eliminated.
Sets the volume level of the delay located at the center of the
stereo field.
HPF: Frequencies lower than the selected cutoff frequency
value are eliminated.
Le ft (De la y Le ft Le ve l) 0 –1 2 7
Cu to ff fre q (Cu to ff Fre q u e n cy ) *1
Sets the volume level of the delay located at the left side of
the stereo field.
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz
Rig h t (De la y Rig h t Le ve l) 0 –1 2 7
Sets the volume level of the delay located at the right side of
the stereo field.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pressing [F5 (Reverb)] in the General page calls up the
Ma k in g Re ve rb Se ttin g s
Reverb page, in which you can make the following settings.
These settings allow you to select the desired type of Reverb,
its characteristics, and the pair of OUTPUT jacks to which the
Reverb unit’s stereo output is routed.
• Fo r Ty p e : 1 (REVERB)
Ty p e (Re ve rb / De la y Ty p e )
On the Effects General page, set the following parameters.
Selects a type of reverb or delay.
Re ve rb Ty p e
ROOM1: This is a short reverb with high density.
ROOM2: This is a short reverb with low density.
STAGE1: This is a reverb with greater late reverberation.
STAGE2: This is a reverb with strong early reflections.
HALL1: This is a very clear-sounding reverb.
HALL2: This is a rich reverb.
Selects the type of Reverb.
0 (Off): Reverb is not used.
1 (Revrb): Normal Reverb
2 (Room): This reverb simulates typical room acoustic
reflections.
3 (Hall): This reverb simulates typical concert hall acoustic
DELAY: This is a conventional delay effect.
reflections.
PAN-DELAY: This is a delay effect with echoes that pan left
4 (Plate): This reverb simulates a reverb plate, a popular
type of artificial reverb unit that derives its sound from the
vibration of a metallic plate. You can also achieve unusual
metallic-sounding reverbs using SRV PLATE.
and right.
Tim e (Re ve rb / De la y Tim e ) 0 –1 2 7
When the Type setting is ROOM1–HALL2, this adjusts the
length of reverberation. When the Type setting is DELAY or
PAN-DELAY, this adjusts the delay time.
Re ve rb So u rce
Set this when assigning reverb settings that are used by
another part. Select PRF when using the Performance's
reverb settings. When using the reverb settings assigned to
one of the parts, select the part number (P1–32).
Higher settings produce a more spacious ambience.
HF Da m p (Re ve rb / De la y HF Da m p ) *1
Specifies the frequency above which the high-frequency
Re ve rb Le ve l 0 –1 2 7
content of the reverb sound will be cut, or “damped.”
Lower values cause a greater range of high frequencies to be
cut, producing a softer reverb sound. If you do not want to
cut the high frequencies of the feedback, set this parameter to
BYPASS.
Specifies the output level of the Reverb.
Re ve rb O u tp u t Assig n A–D
Selects the OUTPUT jacks to which the Reverb unit’s stereo
output is routed.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Fe e d b a ck (De la y Fe e d b a ck )
When the Type setting is DELAY or PAN-DELAY, this adjust
the amount of delay feedback, controlling the number of
delay repeats.
Higher settings will produce more delay repeats.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
• Fo r Ty p e : 2 (SRV RO O M)/ 3 (SRV
HALL)/ 4 (SRV PLATE)
Pre De la y (Pre De la y Tim e ) 0 .0 –1 0 0 m s
Adjusts the time delay from when the direct sound begins
until the reverb sound is heard.
Tim e (Re ve rb Tim e ) 0 –1 2 7
Adjusts the time length of reverberation.
Size 1 –8
Adjusts the size of the simulated room or hall. The size
becomes bigger as the value increases.
Hig h Cu t (Hig h Cu t Fre q u e n cy ) *1
Sets the frequency above which the high-frequency content
of the reverb will be reduced. If you do not want to damp the
high frequencies, set this parameter to BYPASS.
De n sity (Re ve rb De n sity ) 0 –1 2 7
Adjusts the density of reverb. Higher values result in greater
density.
Diffu sio n (Re ve rb Diffu sio n ) 0 –1 2 7
Adjusts the change in the density of the reverb over time. The
higher the value, the more the density increases with time.
(The effect of this setting is most pronounced with long
reverb times.)
LF Da m p Fre q (LF Da m p Fre q u e n cy ) *2
Specifies the frequency below which the low-frequency
content of the reverb sound will be reduced, or “damped.”
LF Da m p Ga in -3 6 –0 d B
Adjusts the amount of damping applied to the frequency
range selected with LF Damp. With a setting of “0,” there
will be no reduction of the reverb’s low-frequency content.
HF Da m p Fre q (LF Da m p Fre q u e n cy ) *3
Specifies the frequency above which the high-frequency
content of the reverb sound will be reduced, or “damped.”
HF Da m p Ga in -3 6 –0 d B
Adjusts the amount of damping applied to the frequency
range selected with HF Damp. With a setting of “0,” there
will be no reduction of the reverb’s high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600,
2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500
Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800,
1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
•
For 1–8
Rh y th m Se t Mo d e Se ttin g s
fig.02-025.e_70
You can apply Multi-effects, Chorus or Reverb to each of a
Rhythm Set’s Tones. You can control the amount of effect to
be applied to each Rhythm Tone by adjusting its send level to
the Multi-effects, Chorus and Reverb.
fig.02-022.e
The following shows the basic setting procedure.
Rhythm Set
B1
1 . Select the Rhythm Tone you wish to set.
RHYTHM
TONE
2 . Press [F6 (Effects)].
Multi-Effects
D7
The Patch Effect page appears.
Chorus
Reverb
3 . Press [F1 (General)].
The General page will appear.
fig.02-026.e_70
The primary role of the effect settings is to determine the
Rhythm Tone Output Assign.
4 . Press [
]/ [
]/ [
]/ [
] to move the cursor to
You can select from the following Rhythm Tone Output
Assign settings values to suit your purposes.
the parameter you want to set.
5 . Turn the VALUE dial or press [INC]/ [DEC] to select the
MFX: Selected when Multi-effects, chorus, and reverb are
desired value.
used.
* If you make a mistake when setting a parameter’s value, or you
don’t like the change you have made, just press [UNDO] to
restore the value the parameter originally had.
A-D: Selected when outputting in stereo without use of the
Multi-effects. Chorus and reverb can be used.
1-8: Selected when outputting in mono without Multi-
effects. Chorus and reverb can be used. When this setting is
used, chorus and reverb sounds are output in stereo
according to the Chorus Output Assign and Reverb Output
Assign settings.
6 . Repeat Steps 3 to 5 to set the Effect.
7 . Press [EXIT] to return to the RHYTHM Play page.
A “*” symbol will appear at the left of the Rhythm Set name,
indicating that its settings have been modified.
fig.02-027.e_70
The screen appears as shown below, according to the settings
values.
•
For MFX
fig.02-023.e_70
* If you turn off the power or select another Rhythm Set while
the “*” symbol is displayed, your new Rhythm Set settings
will be lost. If you wish to keep them, perform the Write
operation. (p. 194)
•
For A–D
fig.02-024.e_70
* When [MFX], [CHO], or [REV] are turned off, effects
processors that are turned off will be indicated by a dashed
outline in the General page.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
MFX O u tp u t Assig n A–D
Ro u tin g To n e s to Effe cts
Specifies the OUTPUT jacks to which the signal, after it has
passed through the Multi-effects, is to be routed.
This sets the output destination and level for the currently
selected Tone, as well as its send level with respect to the
Chorus and Reverb.
Pressing [F2 (MFX Prm)] in the Effects General page calls up
the MFX Param page, in which you can make the following
settings.
On the Effects General page, set the following parameters.
Rh y th m To n e O u tp u t Assig n
MFX: The Tone is sent into the Multi-effects. Its output
destination is determined by the Multi-effects output
settings.
MFX A–C Pa ra m e te rs
These parameters allow you to customize the selected Multi-
Effect. For a description of the parameters, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
A–D: The Tone is sent to one of the four output-jack stereo
pairs, OUTPUTS A–D.
1–8: The Tone is sent to the INDIVIDUAL output jacks 1–8.
Pressing [F3 (MFX Ctl)] in the Effects General page calls up
the MFX Control page, in which you can make the following
settings.
Rh y th m To n e Dry Se n d Le ve l
Range: 0–127
This sets the level of the signal sent to the output destination
set with Rhythm Output Assign.
MFX Co n tro l 1 –4 So u rce
Select the Control Source to be used for changing the Multi-
effects parameters, and set the Sens and parameters to be
changed by that Control Source.
Rh y th m To n e Ch o ru s Se n d Le ve l 0 –1 2 7
Sets how much of the Tone is sent to the Chorus.
OFF: No controller is used.
Rh y th m To n e Re ve rb Se n d Le ve l 0 –1 2 7
CC01–95: Controller numbers 1–95 (except for 32)
PITCH BEND: Pitch Bend
Sets how much of the Tone is sent to the Reverb.
AFTERTOUCH: Aftertouch
Ma k in g Mu lti-Effe cts Se ttin g s
SYS-CTRL 1–4: System control 1–4
This page allows you to make various settings for the Multi-
effects, including the type, the parameters, and the output
assignments
MFX Co n tro l De stin a tio n 1 –4
Selects the Multi-effects parameter to be controlled using the
MFX Control 1–4 source. The parameters that can be selected
depend on which type of Multi-effects is set to MFX Type.
On the Effects General page, set the following parameters.
MFX Ty p e (Mu lti-e ffe cts Ty p e )
MFX Co n tro l 1 –4 Se n s -6 3 – +6 3
Use this parameter to select from among the 90 available
Multi-effects. For a description of these effects, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
If you wish to modify the selected parameter in a positive (+)
direction—i.e., a higher value, toward the right, or faster,
you wish to modify the selected parameter in a negative (-)
direction—i.e., a lower value, toward the left, or slower,
etc.—from its current setting, select a negative (-) value.
Higher numbers produce a greater amount of change.
MFX Dry Se n d Le ve l 0 –1 2 7
Determines the level of the signal that is to be sent to the
output jacks, after passing through the Multi-effects.
MFX Ch o ru s Se n d Le ve l 0 –1 2 7
Determines the level of the signal that is to be sent to Chorus,
after passing through the Multi-effects.
MFX Re ve rb Se n d Le ve l 0 –1 2 7
Determines the level of the signal that is to be sent to Reverb,
after passing through the Multi-effects.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pressing [F4 (Chorus)] in the General page calls up the
Ma k in g Ch o ru s Se ttin g s
Chorus page, in which you can make the following settings.
The XV-5080’s Chorus effect unit can also be used as a stereo
delay unit.
• Fo r Ty p e : 1 (CHO RUS)
These settings allow you to select chorus or delay, the
characteristics of the selected effect type, and the Chorus
output routing.
Ra te (Ch o ru s Ra te ) 0 .0 5 –1 0 .0 0 Hz
Adjusts the modulation speed of the chorus effect.
On the Effects General page, set the following parameters.
De p th (Ch o ru s De p th ) 0 –1 2 7
Ch o ru s Ty p e
Adjusts the modulation depth of the chorus effect.
0 (Off): Neither Chorus or Delay is used.
1 (Chrus): Chorus is used.
2 (Delay): Delay is used.
Fe e d b a ck (Ch o ru s Fe e d b a ck ) 0 –1 2 7
Specifies the amount of the chorus effect’s output to be
returned - fed back - to its input. Higher settings will create a
more complex Chorus effect.
Ch o ru s O u tp u t Se le ct
This parameter allows you to send the Chorus output
directly to the currently selected OUTPUT jacks, to the
Reverb, or to both.
Ph a se 0 –1 8 0 d e g re e
Adjusts the spatial spread of the sound.
Pre De la y (Ch o ru s Pre De la y ) 0 .0 –1 0 0 m s
MAIN: The Chorus output is sent only to the OUTPUT jacks.
fig.02-028.e
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
OUTPUT
Higher settings will make the sound more spacious.
REV: The Chorus output is sent only to the Reverb.
fig.02-029.e
Ty p e (Filte r Ty p e )
Selects the type of filter.
OFF: No filter is used.
Chorus Input
Chorus
OUTPUT
Reverb
LPF: Frequencies higher than the selected cutoff frequency
M+R: The Chorus output is sent to the OUTPUT jacks and to
value are eliminated.
the Reverb.
fig.02-030.e
HPF: Frequencies lower than the selected cutoff frequency
value are eliminated.
Chorus Input
Chorus
Reverb
OUTPUT
OUTPUT
Cu to ff fre q (Cu to ff Fre q u e n cy ) *1
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Reverb Input
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz
Ch o ru s Le ve l 0 –1 2 7
Determines the Chorus output level.
Ch o ru s O u tp u t Assig n A–D
Selects the pair of OUTPUT jacks to which the Chorus unit’s
stereo output is routed when Chorus Output Select is set to
“MAIN” or “M+R.”
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
• Fo r Ty p e : 2 (DELAY)
Ma k in g Re ve rb Se ttin g s
These settings allow you to select the desired type of Reverb,
its characteristics, and the pair of OUTPUT jacks to which the
Reverb unit’s stereo output is routed.
Ce n te r (De la y Ce n te r) 2 0 0 –1 0 0 0 m s, N o te
Sets the delay time for the delay located at the center of the
stereo field.
On the Effects General page, set the following parameters.
Le ft (De la y Le ft) 2 0 0 –1 0 0 0 m s, N o te
Re ve rb Ty p e
Sets the delay time for the delay located at the left side of the
stereo field.
Selects the type of Reverb.
0 (Off): Reverb is not used.
1 (Revrb): Normal Reverb
Rig h t (De la y Rig h t) 2 0 0 –1 0 0 0 m s, N o te
Sets the delay time for the delay located at the right side of
the stereo field.
2 (Room): This reverb simulates typical room acoustic
reflections.
3 (Hall): This reverb simulates typical concert hall acoustic
HF Da m p *1
reflections.
This allows you to reduce, or “damp,” the high-frequency
content of the repeated feedback delays—frequencies above
the selected value will be damped. If you do not want to cut
the high frequencies of the feedback, set this parameter to
BYPASS.
4 (Plate): This reverb simulates a reverb plate, a popular
type of artificial reverb unit that derives its sound from the
vibration of a metallic plate. You can also achieve unusual
metallic-sounding reverbs using SRV PLATE.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Re ve rb Le ve l 0 –1 2 7
Specifies the output level of the Reverb.
Fe e d b a ck -9 8 – +9 8 %
Re ve rb O u tp u t Assig n A–D
Adjusts the amount of delay feedback, controlling the
number of times the delay repeats. With negative (-) values,
the phase of the repeated delays is inverted.
Selects the OUTPUT jacks to which the Reverb unit’s stereo
output is routed.
Ce n te r (De la y Ce n te r Le ve l) 0 –1 2 7
Pressing [F5 (Reverb)] in the General page calls up the
Reverb page, in which you can make the following settings.
Sets the volume level of the delay located at the center of the
stereo field.
Le ft (De la y Le ft Le ve l) 0 –1 2 7
Sets the volume level of the delay located at the left side of
the stereo field.
Rig h t (De la y Rig h t Le ve l) 0 –1 2 7
Sets the volume level of the delay located at the right side of
the stereo field.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
• Fo r Ty p e : 1 (REVERB)
• Fo r Ty p e : 2 (SRV RO O M)/ 3 (SRV
HALL)/ 4 (SRV PLATE)
Ty p e (Re ve rb / De la y Ty p e )
Pre De la y (Pre De la y Tim e ) 0 .0 –1 0 0 m s
Selects a type of reverb or delay.
Adjusts the time delay from when the direct sound begins
until the reverb sound is heard.
ROOM1: This is a short reverb with high density.
ROOM2: This is a short reverb with low density.
STAGE1: This is a reverb with greater late reverberation.
STAGE2: This is a reverb with strong early reflections.
HALL1: This is a very clear-sounding reverb.
HALL2: This is a rich reverb.
Tim e (Re ve rb Tim e ) 0 –1 2 7
Adjusts the time length of reverberation.
Size 1 –8
Adjusts the size of the simulated room or hall. The size
becomes bigger as the value increases.
DELAY: This is a conventional delay effect.
PAN-DELAY: This is a delay effect with echoes that pan left
and right.
Hig h Cu t (Hig h Cu t Fre q u e n cy ) *1
Sets the frequency above which the high-frequency content
of the reverb will be reduced. If you do not want to damp the
high frequencies, set this parameter to BYPASS.
Tim e (Re ve rb / De la y Tim e ) 0 –1 2 7
When the Type setting is ROOM1–HALL2, this adjusts the
length of reverberation. When the Type setting is DELAY or
PAN-DELAY, this adjusts the delay time.
De n sity (Re ve rb De n sity ) 0 –1 2 7
Higher settings produce a more spacious ambience.
Adjusts the density of reverb. Higher values result in greater
density.
HF Da m p (Re ve rb / De la y HF Da m p ) *1
Specifies the frequency above which the high-frequency
Diffu sio n (Re ve rb Diffu sio n ) 0 –1 2 7
content of the reverb sound will be cut, or “damped.”
Adjusts the change in the density of the reverb over time. The
higher the value, the more the density increases with time.
(The effect of this setting is most pronounced with long
reverb times.)
Lower values cause a greater range of high frequencies to be
cut, producing a softer reverb sound. If you do not want to
cut the high frequencies of the feedback, set this parameter to
BYPASS.
LF Da m p Fre q (LF Da m p Fre q u e n cy ) *2
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Specifies the frequency below which the low-frequency
content of the reverb sound will be reduced, or “damped.”
Fe e d b a ck (De la y Fe e d b a ck )
LF Da m p Ga in -3 6 –0 d B
When the Type setting is DELAY or PAN-DELAY, this adjust
the amount of delay feedback, controlling the number of
delay repeats.
Adjusts the amount of damping applied to the frequency
range selected with LF Damp. With a setting of “0,” there
will be no reduction of the reverb’s low-frequency content.
Higher settings will produce more delay repeats.
HF Da m p Fre q (LF Da m p Fre q u e n cy ) *3
Specifies the frequency above which the high-frequency
content of the reverb sound will be reduced, or “damped.”
HF Da m p Ga in -3 6 –0 d B
Adjusts the amount of damping applied to the frequency
range selected with HF Damp. With a setting of “0,” there
will be no reduction of the reverb’s high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600,
2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500
Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800,
1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
4 0
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Se ttin g s in Ge n e ra l MIDI
Mo d e
Pa ra m e te rs fo r Ea ch Mu lti-
Effe cts
the effects consist of two or more different effects connected
in series or in parallel.
227).
Parameters marked with a sharp “#” can be controlled using
a specified controller (Two setting items will change
simultaneously for “#1” and “#2”). (p. 26, p. 32, p. 37)
1:
STEREO EQ (p. 44)
OVERDRIVE (p. 44)
DISTORTION(p. 45)
2:
3:
4:
PHASER
(p. 45)
5:
SPECTRUM (p. 46)
ENHANCER (p. 46)
AUTO WAH (p. 47)
6:
7:
8:
ROTARY
COMPRESSOR(p. 48)
LIMITER (p. 48)
(p. 47)
9:
10:
11:
12:
13:
14:
15:
16:
17:
18:
19:
20:
21:
22:
23:
24:
25:
26:
27:
28:
29:
30:
31:
32:
33:
34:
35:
36:
HEXA-CHORUS(p. 49)
TREMOLO CHORUS(p. 49)
SPACE-D
(p. 50)
STEREO CHORUS(p. 50)
STEREO FLANGER(p. 51)
STEP FLANGER(p. 52)
STEREO DELAY(p. 52)
MODULATION DELAY(p. 53)
TRIPLE TAP DELAY(p. 54)
QUADRUPLE TAP DELAY(p. 55)
TIME CONTROL DELAY(p. 56)
2VOICE PITCH SHIFTER(p. 56)
FBK PITCH SHIFTER(p. 57)
REVERB
(p. 58)
GATED REVERB(p. 58)
OVERDRIVE -> CHORUS(p. 59)
OVERDRIVE -> FLANGER(p. 59)
OVERDRIVE -> DELAY(p. 60)
DISTORTION -> CHORUS(p. 60)
DISTORTION -> FLANGER(p. 60)
DISTORTION -> DELAY(p. 60)
ENHANCER -> CHORUS(p. 61)
ENHANCER -> FLANGER(p. 61)
ENHANCER -> DELAY(p. 62)
CHORUS -> DELAY(p. 62)
FLANGER -> DELAY(p. 63)
4 1
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
37:
CHORUS -> FLANGER(p. 63)
CHORUS/ DELAY(p. 64)
FLANGER/ DELAY(p. 64)
CHORUS/ FLANGER(p. 64)
STEREO PHASER(p. 65)
KEYSYNC FLANGER(p. 65)
FORMANT FILTER(p. 66)
RING MODULATOR(p. 67)
MULTI TAP DELAY(p. 68)
REVERSE DELAY(p. 69)
SHUFFLE DELAY(p. 70)
3D DELAY (p. 70)
GUITAR MULTI B(p. 96)
GUITAR MULTI C(p. 98)
CLEAN GUITAR MULTI A(p. 99)
CLEAN GUITAR MULTI B(p. 101)
BASS MULTI (p. 102)
38:
39:
40:
41:
42:
43:
44:
45:
46:
47:
48:
49:
50:
51:
52:
53:
54:
55:
56:
57:
58:
59:
60:
61:
62:
63:
64:
65:
66:
67:
68:
69:
70:
71:
72:
73:
74:
75:
76:
77:
78:
79:
80:
81:
ISOLATOR 2 (p. 104)
STEREO SPECTRUM(p. 104)
3D AUTO SPIN(p. 105)
3D MANUAL(p. 105)
To have the types displayed according to category (as shown
3VOICE PITCH SHIFTER(p. 71)
LOFI COMPRESS(p. 72)
LOFI NOISE (p. 72)
Modulation (Effects that modulate the sound)
4:
PHASER
SPEAKER SIMULATOR(p. 73)
OVERDRIVE 2(p. 74)
7:
AUTO WAH
41:
42:
64:
65:
66:
STEREO PHASER
KEYSYNC FLANGER
FORMANT FILTER
RING MODULATOR
STEREO PHASER 2
STEREO AUTO WAH
ST FORMANT FILTER
DISTORTION 2(p. 74)
STEREO COMPRESSOR(p. 75)
STEREO LIMITER(p. 75)
GATE
(p. 76)
(p. 76)
SLICER
ISOLATOR (p. 77)
3D CHORUS (p. 77)
Delay (Effects that delay the sound)
3D FLANGER(p. 78)
17:
18:
19:
46:
47:
48:
67:
68:
69:
STEREO DELAY
TREMOLO (p. 79)
MODULATION DELAY
TRIPLE TAP DELAY
QUADRUPLE TAP DELAY
TIME CONTROL DELAY
2VOICE PITCH SHIFTER
FBK PITCH SHIFTER
ENHANCER -> DELAY
MULTI TAP DELAY
REVERSE DELAY
AUTO PAN (p. 79)
STEREO PHASER 2(p. 80)
STEREO AUTO WAH(p. 81)
ST FORMANT FILTER(p. 81)
MULTI TAP DELAY 2(p. 82)
REVERSE DELAY 2(p. 83)
SHUFFLE DELAY 2(p. 83)
3D DELAY 2 (p. 84)
ROTARY 2 (p. 85)
SHUFFLE DELAY
ROTARY MULTI(p. 86)
KEYBOARD MULTI(p. 87)
RHODES MULTI(p. 89)
3D DELAY
3VOICE PITCH SHIFTER
MULTI TAP DELAY 2
REVERSE DELAY 2
SHUFFLE DELAY 2
3D DELAY 2
JD MULTI
(p. 90)
STEREO LOFI COMPRESS(p. 91)
STEREO LOFI NOISE(p. 92)
GUITAR AMP SIMULATOR(p. 93)
STEREO OVERDRIVE(p. 94)
STEREO DISTORTION(p. 94)
GUITAR MULTI A(p. 95)
ROTARY
ROTARY 2
ROTARY MULTI
4 2
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
73:
74:
75:
KEYBOARD MULTI
RHODES MULTI
JD MULTI
32:
ENHANCER -> CHORUS
ENHANCER -> FLANGER
CHORUS -> DELAY
FLANGER -> DELAY
CHORUS -> FLANGER
CHORUS/ DELAY
33:
35:
36:
37:
38:
39:
40:
60:
61:
LoFi (Effects that intentionally degrades the sound
quality)
50:
51:
76:
77:
LOFI COMPRESS
LOFI NOISE
FLANGER/ DELAY
CHORUS/ FLANGER
3D CHORUS
STEREO LOFI COMPRESS
STEREO LOFI NOISE
Guitar and Bass (Effects useful for the Guitar and Bass)
3D FLANGER
2:
OVERDRIVE
Dimension (Effects that control the location of the
sound)
3:
DISTORTION
26:
27:
28:
29:
30:
31:
52:
53:
54:
78:
79:
80:
81:
82:
83:
84:
85:
86:
OVERDRIVE -> CHORUS
OVERDRIVE -> FLANGER
OVERDRIVE -> DELAY
DISTORTION -> CHORUS
DISTORTION -> FLANGER
DISTORTION -> DELAY
SPEAKER SIMULATOR
OVERDRIVE 2
62:
63:
89:
90:
TREMOLO
AUTO PAN
3D AUTO SPIN
3D MANUAL
Filter (Effects that modify the sound character)
1:
STEREO EQ
5:
SPECTRUM
6:
ENHANCER
ISOLATOR
DISTORTION 2
59:
87:
88:
GUITAR AMP SIMULATOR
STEREO OVERDRIVE
STEREO DISTORTION
GUITAR MULTI A
ISOLATOR 2
STEREO SPECTRUM
Reverb (Effects that reverberate the sound)
24:
25:
REVERB
GUITAR MULTI B
GATED REVERB
GUITAR MULTI C
CLEAN GUITAR MULTI A
CLEAN GUITAR MULTI B
BASS MULTI
Compressor (Effects in which the loudness becomes
difficult to change)
9:
COMPRESSOR
LIMITER
10:
55:
56:
57:
58:
STEREO COMPRESSOR
STEREO LIMITER
GATE
SLICER
Chorus (Effects that broaden the sound)
11:
12:
13:
14:
15:
16:
HEXA-CHORUS
TREMOLO CHORUS
SPACE-D
STEREO CHORUS
STEREO FLANGER
STEP FLANGER
4 3
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
1 : STEREO EQ (Ste re o Eq u a lize r)
Output
This is a four-band stereo equalizer (low, mid x 2, high).
fig.2-04
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
L in
L out
R out
4-Band EQ
4-Band EQ
2 : O VERDRIVE
R in
This effect creates a soft distortion similar to that produced
by vacuum tube amplifiers.
fig.2-05
Freq/Gain
L in
L out
Pan L
Lo w Fre q (Lo w Fre q u e n cy )
Over
drive
Amp
Simulator
2-Band
EQ
Select the frequency of the low range (200 Hz/ 400 Hz).
Pan R
R in
R out
Lo w Ga in
Adjust the gain of the low frequency.
Overdrive
Mid 1 Fre q (Mid d le 1 Fre q u e n cy )
Drive #
Adjust the frequency of Middle 1 (mid range).
Adjust the degree of distortion. The volume will change
together with the degree of distortion.
Mid 1 Ga in (Mid d le 1 Ga in )
Adjust the gain for the area specified by the Middle 1
Frequency and Q settings.
Amp Simulator
Ty p e (Am p Sim u la to r Ty p e )
Select the type of guitar amp.
SMALL:small amp
Mid 2 Fre q (Mid d le 2 Fre q u e n cy )
Adjust the frequency of Middle 2 (mid range).
BUILT-IN:single-unit type amp
2-STACK:large double stack amp
3-STACK:large triple stack amp
Mid 2 Ga in (Mid d le 2 Ga in )
Adjust the gain for the area specified by the Middle 2
Frequency and Q settings.
Hig h Fre q (Hig h Fre q u e n cy )
EQ Gain
Select the frequency of the high range (4000 Hz/ 8000 Hz).
Lo w (Lo w Ga in )
Hig h Ga in
Adjust the gain of the low frequency range.
Adjust the gain of the high frequency.
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
Band Width
Mid 1 Q (Mid d le 1 Q )
Output
This parameter adjusts the width of the area around the
Middle 1 Frequency that will be affected by the Gain setting.
Higher values of Q will result in a narrower area being
affected.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Mid 2 Q (Mid d le 2 Q )
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
This parameter adjusts the width of the area around the
Middle 2 Frequency that will be affected by the Gain setting.
Higher values of Q will result in a narrower area being
affected.
4 4
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
3 : DISTO RTIO N
4 : PHASER
This effect produces a more intense distortion than
A phaser adds a phase-shifted sound to the original sound,
producing a twisting modulation that creates spaciousness
Overdrive.
fig.2-06
and depth.
L in
L out
fig.2-07
Pan L
Amp
Simulator
2-Band
EQ
L in
L out
Pan L
Distortion
Pan R
Phaser
R in
R out
Mix
Pan R
R in
Resonance
R out
Distortion
Phaser
Drive #
Ma n u a l #
Adjust the degree of distortion. The volume will change
together with the degree of distortion.
Adjust the basic frequency from which the sound will be
modulated.
Amp Simulator
Ra te #
Ty p e (Am p Sim u la to r Ty p e )
Select the type of guitar amp.
SMALL:small amp
Adjust the frequency (period) of modulation.
De p th
Adjust the depth of modulation.
BUILT-IN:single-unit type amp
2-STACK:large double stack amp
3-STACK:large triple stack amp
Re so n a n ce
Adjust the amount of feedback for the phaser.
Mix Le ve l
EQ Gain
Adjust the ratio with which the phase-shifted sound is
combined with the direct sound.
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
Output
Hig h (Hig h Ga in )
Le ve l (O u tp u t Le ve l)
Adjust the gain of the high frequency range.
Adjust the output level.
Output
Pa n (O u tp u t Pa n )
Le ve l (O u tp u t Le ve l)
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
4 5
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
5 : SPECTRUM
6 : EN HAN CER
Spectrum is a type of filter which modifies the timbre by
boosting or cutting the level at specific frequencies. It is
similar to an equalizer, but has 8 frequency points fixed at
The Enhancer controls the overtone structure of the high
frequencies, adding sparkle and tightness to the sound.
fig.2-09
locations most suitable for adding character to the sound.
fig.2-08
2-Band
EQ
L in
L out
R out
Enhancer
Enhancer
Mix
Mix
L in
L out
2-Band
EQ
Pan L
R in
Spectrum
Pan R
R in
R out
Enhancer
Gain
Se n s (Se n sitivity ) #
2 5 0 Hz (Ba n d 1 Ga in )
Adjust the sensitivity of the enhancer.
Adjust the 250 Hz level.
Mix Le ve l #
5 0 0 Hz (Ba n d 2 Ga in )
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Adjust the 500 Hz level.
1 0 0 0 Hz (Ba n d 3 Ga in )
EQ Gain
Adjust the 1000 Hz level.
Lo w (Lo w Ga in )
1 2 5 0 Hz (Ba n d 4 Ga in )
Adjust the gain of the low frequency range.
Adjust the 1250 Hz level.
Hig h (Hig h Ga in )
2 0 0 0 Hz (Ba n d 5 Ga in )
Adjust the gain of the high frequency range.
Adjust the 2000 Hz level.
Output
3 1 5 0 Hz (Ba n d 6 Ga in )
Le ve l (O u tp u t Le ve l)
Adjust the 3150 Hz level.
Adjust the output level.
4 0 0 0 Hz (Ba n d 7 Ga in )
Adjust the 4000 Hz level.
8 0 0 0 Hz (Ba n d 8 Ga in )
Adjust the 8000 Hz level.
Band Width
Q
Simultaneously adjust the width of the adjusted areas for all
the frequency bands.
Output
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
4 6
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
fig.2-11
7 : AUTO W AH
L in
L out
R out
The Auto Wah cyclically controls a filter to create cyclic
Rotary
change in timbre.
fig.2-10
R in
L in
L out
R out
Rotary
Auto Wah
R in
Sp e e d #
Simultaneously switch the rotational speed of the low
frequency rotor and high frequency rotor.
Auto Wah
SLOW:Slow down the rotation to the specified speed (the
Filte r (Filte r Ty p e )
Low Slow / Hi Slow values).
Select the type of filter.
FAST:Speed up the rotation to the specified speed (the Low
LPF:The wah effect will be applied over a wide frequency
Fast / Hi Fast values).
range.
BPF:The wah effect will be applied over a narrow frequency
range.
Se n s
Woofer
Adjust the sensitivity with which the filter is controlled.
Slo w Ra te (Lo w Fre q u e n cy Slo w Ra te )
Ma n u a l #
Adjust the slow speed (SLOW) of the low frequency rotor.
Adjust the center frequency from which the effect is applied.
Fa st Ra te (Lo w Fre q u e n cy Fa st Ra te )
Pe a k
Adjust the fast speed (FAST) of the low frequency rotor.
Adjust the amount of the wah effect that will occur in the
area of the center frequency. Lower settings will cause the
effect to be applied in a broad area around the center
frequency. Higher settings will cause the effect to be applied
in a more narrow range.
Acce le ra tio n (Lo w Fre q u e n cy Acce le ra tio n )
Adjust the time it takes the low frequency rotor to reach the
newly selected speed when switching from fast to slow (or
slow to fast) speed. Lower values will require longer times.
Le ve l (Lo w Fre q u e n cy Le ve l)
Ra te (LFO Ra te )#
Adjust the volume of the low frequency rotor.
Adjust the frequency of the modulation.
De p th (LFO De p th )
Separation
Adjust the depth of the modulation.
Se p a ra tio n
Adjust the spatial dispersion of the sound.
Output
Le ve l (O u tp u t Le ve l)
Tweeter
Adjust the output level.
Slo w Ra te (Hig h Fre q u e n cy Slo w Ra te )
Adjust the slow speed (SLOW) of the high frequency rotor.
8 : RO TARY
The Rotary effect simulates the sound of the rotary speakers
often used with the electric organs of the past. Since the
movement of the high range and low range rotors can be set
independently, the unique type of modulation characteristic
of these speakers can be simulated quite closely. This effect is
most suitable for electric organ Patches.
Fa st Ra te (Hig h Fre q u e n cy Fa st Ra te )
Adjust the fast speed (FAST) of the high frequency rotor.
Acce le ra tio n (Hig h Fre q u e n cy Acce le ra tio n )
Adjust the time it takes the high frequency rotor to reach the
newly selected speed when switching from fast to slow (or
slow to fast) speed. Lower values will require longer times.
4 7
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Le ve l (Hig h Fre q u e n cy Le ve l)
1 0 : LIMITER
Adjust the volume of the high frequency rotor.
The Limiter compresses signals that exceed a specified
volume level, preventing distortion from occurring.
fig.2-13
Output
L in
L out
Pan L
Le ve l (O u tp u t Le ve l) #
2-Band
EQ
Limiter
Pan R
Adjust the output level.
R in
R out
9 : CO MPRESSO R
Limiter
The Compressor flattens out high levels and boosts low
Th re sh o ld (Th re sh o ld Le ve l)
levels, smoothing out unevenness in volume.
fig.2-12
Adjust the volume at which compression will begin.
L in
L out
Pan L
Ra tio (Co m p re ssio n Ra tio )
2-Band
EQ
Compressor
Pan R
Adjust the compression ratio.
R in
R out
Re le a se (Re le a se Tim e )
Compressor
Adjust the time from when the volume falls below the
Threshold Level until compression is no longer applied.
Atta ck
Adjust the attack time of an input sound.
Po st Ga in
Adjust the output gain.
Su sta in
Adjust the time over which low level sounds are boosted
until they reach the specified volume.
EQ Gain
Lo w (Lo w Ga in )
Po st Ga in
Adjust the low frequency gain.
Adjust the output gain.
Hig h (Hig h Ga in )
EQ Gain
Adjust the high frequency gain.
Lo w (Lo w Ga in )
Output
Adjust the low frequency gain.
Le ve l (O u tp u t Le ve l) #
Hig h (Hig h Ga in )
Adjust the output level.
Adjust the high frequency gain.
Pa n (O u tp u t Pa n ) #
Output
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Adjust the stereo location of the output sound. L64 is far left,
0 is center, and 63R is far right.
4 8
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
1 1 : HEXA-CHO RUS
1 2 : TREMO LO CHO RUS
Hexa-chorus uses a six-phase chorus (six layers of chorused
Tremolo Chorus is a chorus effect with added Tremolo
sound) to give richness and spatial spread to the sound.
(cyclic modulation of volume).
fig.2-14
fig.2-15
L in
L out
L in
L out
Balance D
Balance D
Balance W
Balance W
Tremolo Chorus
Hexa Chorus
Balance W
Balance W
R in
R out
R in
R out
Balance D
Balance D
Hexa Chorus
Chorus
Ra te #
Ra te (Ch o ru s Ra te )
Adjust the rate of modulation.
Adjust the modulation speed of the chorus effect.
De p th
De p th (Ch o ru s De p th )
Adjust the depth of modulation.
Adjust the modulation depth of the chorus effect.
De p th De v (De p th De via tio n )
Pre De la y (Pre De la y Tim e )
Adjust the difference in modulation depth between each
chorus sound.
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
Pre De la y (Pre De la y Tim e )
Tremolo
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
Ra te (Tre m o lo Ra te ) #
Adjust the modulation speed of the tremolo effect.
Pre De la y De v (Pre De la y De via tio n )
Ph a se (Tre m o lo Ph a se )
Pre Delay determines the time from when the direct sound
begins until the processed sound is heard. Pre Delay
Deviation adjusts the differences in Pre Delay between each
chorus sound.
Adjust the spread of the tremolo effect.
Se p a ra tio n (Tre m o lo Se p a ra tio n )
Adjust the spread of the tremolo effect.
Pa n De v (Pa n De via tio n )
Adjust the difference in stereo location between each chorus
sound. With a setting of 0, all chorus sounds will be in the
center. With a setting of 20, each chorus sound will be spaced
at 60 degree intervals relative to the center.
Balance
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
tremolo chorus sound. With a setting of D100:0W only the
direct sound will be output, and with a setting of D0:100W
only the tremolo chorus sound will be output.
Balance
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
chorus sound will be output.
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
4 9
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
1 3 : SPACE-D
1 4 : STEREO CHO RUS
Space-D is a multiple chorus that applies two-phase
This is a stereo chorus. A filter is provided so that you can
modulation in stereo. It gives no impression of modulation,
adjust the timbre of the chorus sound.
fig.2-17
but produces a transparent chorus effect.
Balance D
2-Band
fig.2-16
L in
L out
R out
Balance D
2-Band
EQ
L in
L out
R out
Balance W
Chorus
Chorus
EQ
Balance W
Space D
Space D
Balance W
Balance W
2-Band
EQ
R in
Balance D
2-Band
EQ
R in
Balance D
Chorus
Chorus
Ra te #
Ra te #
Adjust the rate of modulation.
Adjust the rate of modulation.
De p th
De p th
Adjust the depth of modulation.
Adjust the depth of modulation.
Ph a se
Ph a se
Adjust the spatial spread of the sound.
Pre De la y (Pre De la y Tim e )
Adjust the spatial spread of the sound.
Pre De la y (Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the processed sound is heard.
Adjust the time delay from when the direct sound begins
until the processed sound is heard.
Filter
EQ Gain
Ty p e (Filte r Ty p e )
Lo w (Lo w Ga in )
Select the type of filter.
Adjust the gain of the low frequency range.
OFF:a filter will not be used
LPF:cut the frequency range above the cutoff frequency
HPF:cut the frequency range below the cutoff frequency
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
Cu to ff (Cu to ff Fre q u e n cy )
Balance
Adjust the basic frequency of the filter.
Ba la n ce (Effe ct Ba la n ce ) #
EQ Gain
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
chorus sound will be output.
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
Hig h (Hig h Ga in )
Output
Adjust the gain of the high frequency range.
Le ve l (O u tp u t Le ve l)
Balance
Adjust the output level.
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
chorus sound will be output.
5 0
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Output
EQ Gain
Le ve l (O u tp u t Le ve l)
Lo w (Lo w Ga in )
Adjust the output level.
Adjust the gain of the low frequency range.
Hig h (Hig h Ga in )
1 5 : STEREO FLAN GER
Adjust the gain of the high frequency range.
This is a stereo flanger. (The LFO has the same phase for left
and right.) It produces a metallic resonance that rises and
falls like a jet airplane taking off or landing. A filter is
provided so that you can adjust the timbre of the flanged
Balance
Ba la n ce (Effe ct Ba la n ce )
sound.
fig.2-18
Adjust the volume balance between the direct sound and the
flanger sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
flanger sound will be output.
Balance D
2-Band
L in
L out
EQ
Flanger
Balance W
Feedback
Feedback
Output
Le ve l (O u tp u t Le ve l)
Balance W
Flanger
2-Band
EQ
Adjust the output level.
R in
R out
Balance D
Flanger
Ra te (LFO Ra te ) #
Adjust the rate of modulation.
De p th (LFO De p th )
Adjust the depth of modulation.
Fe e d b a ck (Fe e d b a ck Le ve l) #
Adjust the amount (%) of the processed sound that is
returned (fed back) into the input. Positive (+) settings will
return the sound in phase, and negative (-) settings will
return the sound in reverse phase.
Ph a se
Adjust the spatial spread of the sound.
Pre De la y (Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
Filter
Ty p e
Select the type of filter.
OFF:a filter will not be used
LPF:cut the frequency range above the cutoff frequency
HPF:cut the frequency range below the cutoff frequency
Cu to ff (Cu to ff Fre q u e n cy )
Adjust the basic frequency of the filter.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
1 6 : STEP FLAN GER
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
The Step Flanger effect is a flanger in which the flanger pitch
changes in steps. The speed at which the pitch changes can
also be specified in terms of a note-value of a specified
Balance
tempo.
fig.2-19
Ba la n ce (Effe ct Ba la n ce )
Balance D
2-Band
Adjust the volume balance between the direct sound and the
flanger sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
chorus sound will be output.
L in
L out
EQ
Step Flanger
Balance W
Feedback
Feedback
Output
Balance W
Step Flanger
2-Band
EQ
R in
R out
Le ve l (O u tp u t Le ve l)
Balance D
Adjust the output level.
Flanger
1 7 : STEREO DELAY
Ra te (LFO Ra te )
This is a stereo delay.
Adjust the rate of modulation.
When Feedback Mode is NORMAL:
fig.2-20
De p th (LFO Ra te )
Balance D
2-Band
Adjust the depth of modulation.
Fbk (Feedback Level) #
L in
L out
EQ
Balance W
Delay
Adjust the amount (%) of the flanger sound that is returned
(fed back) into the input. Negative (-) settings will invert the
phase.
Feedback
Feedback
Balance W
Delay
2-Band
EQ
Fe e d b a ck #
R in
R out
L out
Balance D
Adjust the amount (%) of the processed sound that is
returned (fed back) into the input. Positive (+) settings will
return the sound in phase, and negative (-) settings will
return the sound in reverse phase.
When Feedback Mode is CROSS:
fig.2-21
Balance D
2-Band
EQ
L in
Balance W
Delay
Ph a se
Feedback
Feedback
Adjust the spatial spread of the sound.
Balance W
Delay
Pre De la y (Pre De la y Tim e )
2-Band
EQ
R in
R out
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
Balance D
Delay
Step Rate
Le ft (De la y Tim e Le ft)
Ste p Ra te #
Adjust the time from the original sound until when the left
delay sound is heard.
Adjust the rate (period) of pitch change. This parameter can
be set as a note-value of a specified tempo. In this case,
specify the value of the desired note.
Rig h t (De la y Tim e Rig h t)
Adjust the time from the original sound until when the right
delay sound is heard.
EQ Gain
Lo w (Lo w Ga in )
HF Da m p
Adjust the gain of the low frequency range.
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
5 2
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
1 8 : MO DULATIO N DELAY
frequencies of the feedback, set this parameter to BYPASS.
This effect adds modulation to the delayed sound, producing
an effect similar to a flanger.
Fe e d b a ck #
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
When Feedback Mode is NORMAL:
fig.2-22
Balance D
2-Band
FBK Mo d e (Fe e d b a ck Mo d e )
L in
L out
EQ
Select the way in which delay sound is fed back into the
effect.
Balance W
Delay
Modulation
Feedback
Feedback
NORMAL:The left delay sound will be fed back into the left
delay, and the right delay sound into the right delay.
Balance W
Delay
Modulation
Balance D
CROSS:The left delay sound will be fed back into the right
2-Band
EQ
R in
R out
L out
delay, and the right delay sound into the left delay.
When Feedback Mode is CROSS:
fig.2-23
Phase
Balance D
2-Band
EQ
Ph a se Le ft
L in
Select the phase of the left delay sound.
NORMAL:Phase is not changed.
INVERT:Phase is inverted.
Delay
Modulation
Balance W
Feedback
Feedback
Delay
Modulation
Balance D
Balance W
Ph a se Rig h t
2-Band
EQ
R in
R out
Select the phase of the right delay sound.
NORMAL:Phase is not changed.
INVERT:Phase is inverted.
Delay
Le ft (De la y Tim e Le ft)
EQ Gain
Adjust the time from the original sound until when the left
delay sound is heard.
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
Rig h t (De la y Tim e Rig h t)
Hig h (Hig h Ga in )
Adjust the time from the original sound until when the right
delay sound is heard.
Adjust the gain of the high frequency range.
HF Da m p
Balance
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
delay sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
delay sound will be output.
Fe e d b a ck (Fe e d b a ck Le ve l)
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Output
FBK Mo d e (Fe e d b a ck Mo d e )
Select the way in which delay sound is fed back into the
effect.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
NORMAL:The left delay sound will be fed back into the left
delay, and the right delay sound into the right delay.
CROSS:The left delay sound will be fed back into the right
delay, and the right delay sound into the left delay.
5 3
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Modulation
1 9 : TRIPLE TAP DELAY
The Triple Tap Delay produces three delay sounds; center,
left and right. The center delay time can be specified as a note
Ra te #
Adjust the speed of the modulation.
value of a specified tempo.
fig.2-24
De p th
Balance D
2-Band
Adjust the depth of the modulation.
L in
L out
EQ
Balance W
Left Tap
Ph a se
Triple Tap Delay
Feedback
Center Tap
Adjust the spatial spread of the sound.
Balance W
Right Tap
EQ Gain
2-Band
EQ
R in
R out
Balance D
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
Delay
Hig h (Hig h Ga in )
Ce n te r (De la y Tim e Ce n te r)
Le ft (De la y Tim e Le ft)
Adjust the gain of the high frequency range.
Balance
Rig h t (De la y Tim e Rig h t)
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the time delay from the direct sound until when the
delay sound is heard. This parameter can be set as a note-
value of a specified tempo. In this case, specify the value of
the desired note.
Adjust the volume balance between the direct sound and the
modulation delay sound. With a setting of D100:0W only the
direct sound will be output, and with a setting of D0:100W
only the modulation delay sound will be output.
HF Da m p
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Fe e d b a ck #
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Delay Level
Ce n te r (Ce n te r Le ve l)
Le ft (Le ft Le ve l)
Rig h t (Rig h t Le ve l)
Adjust the volume of each delay sound.
EQ Gain
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Fe e d b a ck (Fe e d b a ck Le ve l) #
Balance
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
delay sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
delay sound will be output.
Delay Level
Le ve l 1
Le ve l 2
Output
Le ve l 3
Le ve l (O u tp u t Le ve l)
Le ve l 4
Adjust the output level.
Adjust the volume of each delay sound.
2 0 : Q UADRUPLE TAP DELAY
Balance
The Quadruple Tap Delay has four delays. Each of the Delay
Time parameters can be specified as a note length of the
Ba la n ce (Effe ct Ba la n ce ) #
selected tempo.
fig.2-25
Adjust the volume balance between the direct sound and the
delay sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
delay sound will be output.
Balance D
L in
L out
Delay 1
Delay 2
Balance W
Feedback
Quadruple Tap Delay
Delay 3
Output
Le ve l (O u tp u t Le ve l)
Balance W
R out
Delay 4
Adjust the output level.
R in
Balance D
The stereo location of each delay sound is as follows.
fig.2-26
2
3
4
1
R
L
Delay
De la y 1 (De la y Tim e 1 )
De la y 2 (De la y Tim e 2 )
De la y 3 (De la y Tim e 3 )
De la y 4 (De la y Tim e 4 )
Adjust the time delay from the direct sound until when each
delay sound is heard. These parameters can be set as a note-
value of a specified tempo. In this case, specify the value of
the desired note.
HF Da m p
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
5 5
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
2 1 : TIME CO N TRO L DELAY
Output
This effect allows you to use a specified controller (the
controller selected in EFX Control Source) to control the
delay time and pitch in realtime. Lengthening the delay will
lower the pitch, and shortening it will raise the pitch.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Pa n (O u tp u t Pa n )
fig.2-27
2-Band
EQ
Balance W
2 2 : 2 VO ICE PITCH SHIFTER
L in
L out
R out
Balance D
A Pitch Shifter shifts the pitch of the original sound. This 2-
voice pitch shifter has two pitch shifters, and can add two
Time Control Delay
Balance W
Feedback
Balance D
pitch shifted sounds to the original sound.
fig.2-28
2-Band
EQ
R in
Balance D
L in
L out
Level Balance A
Delay
PanA L
PanA R
Balance W
Tim e (De la y tim e ) #
2Voice Pitch Shifter
Level Balance B
PanB L
Adjust the time delay from the direct sound until when each
delay sound is heard.
Balance W
R out
PanB R
R in
Acce le ra tio n
Balance D
This parameter adjusts the time over which the Delay Time
will change from the current setting to a newly specified
setting. The rate of change for the Delay Time directly affects
the rate of pitch change.
Pitch A
Co a rse (Co a rse Pitch A) # 1
Adjust the pitch of Pitch Shift A in semitone steps (-2-+1
octaves).
HF Da m p
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Fin e (Fin e Pitch A) # 1
Make fine adjustments to the pitch of Pitch Shift A in 2-cent
steps (-100-+100 cents).
Fe e d b a ck #
One cent is 1/ 100th of a semitone.
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Pa n (O u tp u t Pa n A)
Adjust the stereo location of the Pitch Shift A sound. L64 is
far left, 0 is center, and 63R is far right.
EQ Gain
Lo w (Lo w Ga in )
Pre De la y (Pre De la y Tim e A)
Adjust the gain of the low frequency range.
Adjust the time delay from when the direct sound begins
until the Pitch Shift A sound is heard.
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
Pitch shift
Mo d e (Pitch Sh ifte r Mo d e )
Balance
Higher settings of this parameter will result in slower
response, but steadier pitch.
Ba la n ce (Effe ct Ba la n ce )
Adjust the volume balance between the direct sound and the
delay sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
delay sound will be output.
5 6
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pitch B
Pitch
Co a rse (Co a rse Pitch B) # 2
Co a rse (Co a rse Pitch ) # 1
Adjust the pitch of Pitch Shift B in semitone steps (-2-+1
octaves).
Adjust the pitch of the pitch shifted sound in semitone steps
(-2-+1 octaves).
Fin e (Fin e Pitch B) # 2
Fin e (Fin e Pitch ) # 1
Make fine adjustments to the pitch of Pitch Shift B in 2-cent
steps (-100-+100 cents).
Make fine adjustments to the pitch of the pitch shifted sound
in 2-cent steps (-100-+100 cents).
One cent is 1/ 100th of a semitone.
One cent is 1/ 100th of a semitone.
Pa n (O u tp u t Pa n B)
Pre De la y (Pre De la y Tim e )
Adjust the stereo location of the Pitch Shift B sound. L64 is
far left, 0 is center, and 63R is far right.
Adjust the time delay from when the direct sound begins
until the pitch shifted sound is heard.
Pre De la y (Pre De la y Tim e B)
Mo d e (Pitch Sh ifte r Mo d e )
Adjust the time delay from when the direct sound begins
until the Pitch Shift A sound is heard.
Higher settings of this parameter will result in slower
response, but steadier pitch.
Fe e d b a ck (Fe e d b a ck Le ve l) #
Level Balance
Adjust the proportion (%) of the pitch shift sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Le ve l Ba la n ce
Adjust the volume balance between the Pitch Shift A and
Pitch Shift B sounds.
EQ Gain
Balance
Lo w (Lo w Ga in )
Ba la n ce (Effe ct Ba la n ce )
Adjust the gain of the low frequency range.
Adjust the volume balance between the direct sound and the
pitch shift sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
pitch shift sound will be output.
Hig h (Hig h Ga in )
Adjust the gain of the high frequency range.
Balance
Output
Ba la n ce (Effe ct Ba la n ce )
Le ve l (O u tp u t Le ve l)
Adjust the volume balance between the direct sound and the
pitch shift sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
pitch shift sound will be output.
Adjust the output level.
2 3 : FBK PITCH SHIFTER
(Feedback Pitch Shifter)
Output
This pitch shifter allows the pitch shifted sound to be fed
Le ve l (O u tp u t Le ve l)
back into the effect.
fig.2-29
Adjust the output level.
2-Band
EQ
Balance W
L in
L out
R out
Pa n (O u tp u t Pa n )
Balance D
Adjust the stereo location of the pitch shifted sound. L64 is
far left, 0 is center, and 63R is far right.
Pitch Shifter
Balance W
Feedback
Balance D
2-Band
EQ
R in
5 7
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
2 4 : REVERB
Output
The Reverb effect adds reverberation to the sound,
Le ve l (O u tp u t Le ve l)
simulating an acoustic space.
fig.2-30
Adjust the output level.
2-Band
EQ
Balance W
L in
L out
R out
2 5 : GATED REVERB
Balance D
Reverb
Gate Reverb is a special type of reverb in which the
reverberant sound is cut off before its natural length.
fig.2-31
Balance W
2-Band
EQ
R in
Balance D
2-Band
EQ
L in
L out
R out
Balance D
Balance W
Reverb
Gate Reverb
Balance W
Ty p e (Re ve rb Ty p e )
2-Band
EQ
R in
Balance D
Select the type of Reverb effect.
ROOM1: dense reverb with short decay
ROOM2: sparse reverb with short decay
STAGE1: reverb with greater late reverberation
STAGE2: reverb with strong early reflections
HALL1: reverb with clear reverberance
HALL2: reverb with rich reverberance
Reverb
Ty p e (Ga te Re ve rb Ty p e )
Select the type of reverb.
NORMAL:
conventional gate reverb
REVERSE: backwards reverb
SWEEP1:
SWEEP2:
the reverberant sound moves from right to left
the reverberant sound moves from left to right
Pre De la y (Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the reverb sound is heard.
Pre De la y (Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the reverb sound is heard.
Tim e (Re ve rb Tim e ) #
Adjust the time length of reverberation.
Ga te Tim e
HF Da m p
Adjust the time from when the reverb is heard until when it
disappears.
Adjust the frequency above which the reverberant sound will
be cut. As the frequency is set lower, more of the high
frequencies will be cut, resulting in a softer and more muted
reverberance. If you do not want the high frequencies to be
cut, set this parameter to BYPASS.
EQ Gain
Lo w (Lo w Ga in )
Adjust the gain of the low frequency range.
EQ Gain
Hig h (Hig h Ga in )
Lo w (Lo w Ga in )
Adjust the gain of the high frequency range.
Adjust the gain of the low frequency range.
Hig h (Hig h Ga in )
Balance
Adjust the gain of the high frequency range.
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
reverb sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
reverb sound will be output.
Balance
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the volume balance between the direct sound and the
reverb sound. With a setting of D100:0W only the direct
sound will be output, and with a setting of D0:100W only the
reverb sound will be output.
5 8
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Output
2 7 : O VERDRIVE→FLAN GER
This effect connects an overdrive and a flanger in series.
fig.2-33
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
Balance D
L out
L in
Feedback
Flanger
2 6 : O VERDRIVE→CHO RUS
This effect connects an overdrive and a chorus in series.
Balance W
Overdrive
Balance W
R out
fig.2-32
R in
L out
L in
Balance D
Balance D
Chorus
Balance W
Overdrive
Overdrive
Balance W
R out
R in
Drive
Balance D
Adjust the degree of overdrive distortion. The volume will
change together with the degree of distortion.
Overdrive
Pa n (O ve rd rive Pa n ) #
Drive
Adjust the stereo location of the overdrive sound. L64 is far
left, 0 is center, and 63R is far right.
Adjust the degree of overdrive distortion. The volume will
change together with the degree of distortion.
Pa n (O ve rd rive Pa n ) #
Flanger
Adjust the stereo location of the overdrive sound. L64 is far
left, 0 is center, and 63R is far right.
Pre De la y (Fla n g e r Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
Chorus
Ra te (Fla n g e r Ra te )
Pre De la y (Ch o ru s Pre De la y Tim e )
Adjust the modulation speed of the flanger effect.
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
De p th (Fla n g e r De p th )
Ra te (Ch o ru s Ra te )
Adjust the modulation depth of the flanger effect.
Adjust the modulation speed of the chorus effect.
Fe e d b a ck (Fla n g e r Fe e d b a ck )
De p th (De p th Ra te )
Adjust the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Adjust the modulation depth of the chorus effect.
Ba la n ce (Ch o ru s Ba la n ce ) #
Ba la n ce (Fla n g e r Ba la n ce ) #
Adjust the volume balance between the overdrive sound that
is sent through the chorus and the overdrive sound that is
not sent through the chorus. With a setting of “D100: 0W,”
only the overdrive sound will be output. With a setting of
“D0: 100W,” only the overdrive sound that is sent through
the chorus will be output.
Adjust the volume balance between the overdrive sound that
is sent through the flanger and the overdrive sound that is
not sent through the flanger. With a setting of “D100: 0W,”
only the overdrive sound will be output. With a setting of
“D0: 100W,” only the overdrive sound that is sent through
the flanger will be output.
Output
Output
Le ve l (O u tp u t Le ve l)
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Adjust the output level.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
2 8 : O VERDRIVE→DELAY
2 9 : DISTO RTIO N →CHO RUS
This effect connects an overdrive and a delay in series.
fig.2-34
This effect connects distortion and chorus in series. The
parameters are essentially the same as “26:
OVERDRIVE?CHORUS,” with the exception of the following
two.
L out
L in
Balance D
Balance W
Overdrive
Delay
Drive → Specify the amount of distortion.
Balance W
R out
Pan → Specify the stereo location of the distortion sound.
fig.2-35
Feedback
R in
Balance D
L out
L in
Balance D
Chorus
Balance W
Overdrive
Distortion
Balance W
R out
Drive
R in
Balance D
Adjust the degree of overdrive distortion. The volume will
change together with the degree of distortion.
3 0 : DISTO RTIO N →FLAN GER
Pa n (O ve rd rive Pa n ) #
This effect connects distortion and flanger in series. The
parameters are essentially the same as in “27:
OVERDRIVE?FLANGER,” with the exception of the
following two.
Adjust the stereo location of the overdrive sound. L64 is far
left, 0 is center, and 63R is far right.
Delay
Drive → Specify the amount of distortion.
Pan → Specify the stereo location of the distortion sound.
fig.2-36
Tim e (De la y Tim e )
Adjust the time delay from when the direct sound begins
until the delay sound is heard.
Balance D
L out
L in
Feedback
Flanger
Balance W
Fe e d b a ck (De la y Fe e d b a ck )
Distortion
Balance W
R out
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
R in
Balance D
HF Da m p (De la y HF Da m p )
3 1 : DISTO RTIO N →DELAY
Adjust the frequency above which delayed sound fed back to
the effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
This effect connects distortion and delay in series. The
parameters are essentially the same as in “28:
OVERDRIVE?DELAY,” with the exception of the following
two.
Ba la n ce (De la y Ba la n ce ) #
Adjust the volume balance between the overdrive sound that
is sent through the delay and the overdrive sound that is not
sent through the delay. With a setting of “D100: 0W,” only
the overdrive sound will be output. With a setting of “D0:
100W,” only the overdrive sound that is sent through the
delay will be output.
Drive → Specify the amount of distortion.
Pan → Specify the stereo location of the distortion sound.
fig.2-37
L out
L in
Balance D
Delay
Balance W
Distortion
Balance W
R out
Feedback
Balance D
Output
R in
Le ve l (O u tp u t Le ve l)
Adjust the output level.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
3 2 : EN HAN CER→CHO RUS
3 3 : EN HAN CER→FLAN GER
This effect connects an enhancer and a chorus in series.
This effect connects an enhancer and a flanger in series.
fig.2-38
fig.2-39
Balance D
L in
L out
Enhancer
Balance D
Chorus
L in
L out
Enhancer
Mix
Mix
Mix
Mix
Feedback
Flanger
Balance W
Balance W
Balance W
R out
Balance W
R out
R in
Enhancer
Balance D
R in
Enhancer
Balance D
Enhancer
Enhancer
Se n s (En h a n ce r Se n s) #
Se n s #
Adjust the sensitivity of the enhancer.
Adjust the sensitivity of the enhancer.
Mix Le ve l (En h a n ce r Mix Le ve l)
Mix Le ve l (En h a n ce r Mix Le ve l)
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Chorus
Flanger
Pre De la y (Ch o ru s Pre De la y Tim e )
Pre De la y (Fla n g e r Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
Ra te (Ch o ru s Ra te )
Ra te (Fla n g e r Ra te )
Adjust the modulation speed of the chorus effect.
Adjust the modulation speed of the flanger effect.
De p th (Ch o ru s De p th )
De p th (Fla n g e r De p th )
Adjust the modulation depth of the chorus effect.
Adjust the modulation depth of the flanger effect.
Ba la n ce (Ch o ru s Ba la n ce ) #
Fe e d b a ck (Fla n g e r Fe e d b a ck Le ve l)
Adjust the volume balance between the enhancer sound that
is sent through the chorus and the enhancer sound that is not
sent through the chorus. With a setting of “D100: 0W,” only
the enhancer sound will be output. With a setting of “D0:
100W,” only the enhancer sound that is sent through the
chorus will be output.
Adjust the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Ba la n ce (Fla n g e r Ba la n ce ) #
Adjust the volume balance between the enhancer sound that
is sent through the flanger and the enhancer sound that is not
sent through the flanger. With a setting of “D100: 0W,” only
the enhancer sound will be output. With a setting of “D0:
100W,” only the enhancer sound that is sent through the
flanger will be output.
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
3 4 : EN HAN CER→DELAY
3 5 : CHO RUS→DELAY
This effect connects an enhancer and a delay in series.
This effect connects a chorus and a delay unit in series.
fig.2-40
fig.2-41
Balance D
L in
L out
Enhancer
L in
L out
Balance D
Mix
Mix
Balance D
Balance W
Balance W
Balance W
Delay
Feedback
Balance D
Chorus
Balance W
Delay
Feedback
Balance D
Balance W
R out
Balance W
R out
R in
Enhancer
R in
Balance D
Enhancer
Chorus
Se n s #
Pre De la y (Ch o ru s Pre De la y Tim e )
Adjust the sensitivity of the enhancer.
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
Mix Le ve l (En h a n ce r Mix Le ve l)
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Ra te (Ch o ru s Ra te )
Adjust the modulation speed of the chorus effect.
De p th (Ch o ru s De p th )
Delay
Adjust the modulation depth of the chorus effect.
Tim e (De la y Tim e )
Adjust the time delay from when the direct sound begins
until the delay sound is heard.
Ba la n ce (Ch o ru s Ba la n ce ) #
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of “D100: 0W,” only the direct
sound will be output. With a setting of “D0: 100W,” only the
chorus sound will be output.
Fe e d b a ck (De la y Fe e d b a ck )
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the
phase.
Delay
HF Da m p (De la y HF Da m p )
Tim e (De la y Tim e )
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the delay feedback, set this parameter to
BYPASS.
Adjust the time delay from when the direct sound begins
until the delay sound is heard.
Fe e d b a ck (De la y Fe e d b a ck )
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the
phase.
Ba la n ce (De la y Ba la n ce ) #
Adjust the volume balance between the enhancer sound that
is sent through the delay and the enhancer sound that is not
sent through the delay. With a setting of “D100: 0W,” only
the enhancer sound will be output. With a setting of “D0:
100W,” only the enhancer sound that is sent through the
delay will be output.
HF Da m p (De la y HF Da m p )
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Ba la n ce (De la y Ba la n ce ) #
Output
Adjust the volume balance between the chorus sound that is
sent through the delay and the chorus sound that is not sent
through the delay. With a setting of “D100: 0W,” only the
chorus sound will be output. With a setting of “D0: 100W,”
only the chorus sound that is sent through the delay will be
output.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
BYPASS.
Output
Ba la n ce #
Le ve l (O u tp u t Le ve l)
Adjust the volume balance between the flanger sound that is
sent through the delay and the flanger sound that is not sent
through the delay. With a setting of “D100: 0W,” only the
flanger sound will be output. With a setting of “D0: 100W,”
only the flanger sound that is sent through the delay will be
output.
Adjust the output level.
3 6 : FLAN GER→DELAY
This effect connects a flanger and a delay in series.
fig.2-42
Balance D
L in
L out
Balance D
Feedback
Balance W
Output
Balance W
Balance W
Flanger
Delay
Feedback
Balance D
Balance W
R out
Le ve l (O u tp u t Le ve l)
R in
Adjust the output level.
Balance D
3 7 : CHO RUS→FLAN GER
Flanger
This effect connects a chorus and a flanger in series.
fig.2-43
Pre De la y (Fla n g e r Pre De la y Tim e )
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
Balance D
L in
L out
Feedback
Flanger
Balance W
Ra te (Fla n g e r Ra te )
Chorus
Balance W
R out
Adjust the modulation speed of the flanger effect.
R in
Balance D
De p th (Fla n g e r De p th )
Adjust the modulation depth of the flanger effect.
Chorus
Fe e d b a ck (Fla n g e r Fe e d b a ck )
Pre De la y (Ch o ru s Pre De la y Tim e )
Adjust the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Adjust the time delay from when the direct sound begins
until the chorus sound is heard.
Ra te (Ch o ru s Ra te )
Ba la n ce (Fla n g e r Ba la n ce ) #
Adjust the modulation speed of the chorus effect.
Adjust the volume balance between the direct sound and the
flanger sound. With a setting of “D100: 0W,” only the direct
sound will be output. With a setting of “D0: 100W,” only the
flanger sound will be output.
De p th (Ch o ru s De p th )
Adjust the modulation depth of the chorus effect.
Ba la n ce (Ch o ru s Ba la n ce ) #
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of “D100: 0W,” only the direct
sound will be output. With a setting of “D0: 100W,” only the
chorus sound will be output.
Delay
Tim e (De la y Tim e )
Adjust the time delay from when the direct sound begins
until the delay sound is heard.
Flanger
Fe e d b a ck (De la y Fe e d b a ck )
Pre De la y (Fla n g e r Pre De la y Tim e )
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the
phase.
Adjust the time delay from when the direct sound begins
until the flanger sound is heard.
HF Da m p (De la y HF Da m p )
Ra te (Fla n g e r Ra te )
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the delay feedback, set this parameter to
Adjust the modulation speed of the flanger effect.
6 3
Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
De p th (Fla n g e r De p th )
4 0 : CHO RUS/ FLAN GER
Adjust the modulation depth of the flanger effect.
This effect connects a chorus and a flanger in parallel. The
parameters are the same as for “37: CHORUS→FLANGER.”
However, the Flanger Balance parameter adjusts the volume
Fe e d b a ck (Fla n g e r Fe e d b a ck Le ve l)
Adjust the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
balance between the direct sound and the flanger sound.
fig.2-46
Balance D
L in
L out
Ba la n ce (Fla n g e r Ba la n ce ) #
Balance W
Chorus
Feedback
Adjust the volume balance between the chorus sound and
the chorus sound that is passed through the flanger. With a
setting of “D100: 0W,” only the chorus sound will be output.
With a setting of “D0: 100W,” only the chorus sound that
passes through the flanger will be output.
Balance W
Flanger
R in
R out
Balance D
Output
Le ve l (O u tp u t Le ve l)
Adjust the output level.
3 8 : CHO RUS/ DELAY
This effect connects a chorus and a delay in parallel. The
parameters are the same as for “35: CHORUS→DELAY.”
However, the Delay Balance parameter adjusts the volume
balance between the direct sound and the delay sound.
fig.2-44
Balance D
L in
L out
Balance W
Chorus
Feedback
Balance W
Delay
R in
R out
Balance D
3 9 : FLAN GER/ DELAY
This effect connects a flanger and a delay in parallel. The
parameters are the same as for “36: FLANGER→DELAY.”
However, the Delay Balance parameter adjusts the volume
balance between the direct sound and the delay sound.
fig.2-45
Balance D
L in
L out
Balance W
Flanger
Feedback
Feedback
Balance W
Delay
R in
R out
Balance D
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
direct sound.
4 1 :STEREO PHASER
This is a stereo phaser. With the Step effects, you can also
make stepped changes in the pitch of sounds to which the
Step Rate
Phaser effect is applied.
fig.2-51
Sw itch
This setting determines whether the pitch is changed in a
stepped fashion (ON) or not (OFF).
2-Band
EQ
L in
L out
R out
Phaser
Phaser
Mix
Mix
Ra te (Ste p Ra te ) #
Adjust the frequency of pitch change.
2-Band
EQ
R in
EQ Gain
Lo w (Lo w Ga in )
Phaser
Adjust the low frequency gain (amount of boost or cut).
Ty p e (Ph a se r Ty p e )
Positive (+) settings will emphasize (boost) the low
frequency range.
Selects the type of Phaser.
Type 2 adds more of the Phaser effect to the high frequencies
than Type 1.
Hig h (Hig h Ga in )
Adjust the high frequency gain (amount of boost or cut).
Mo d e
Positive (+) settings will emphasize (boost) the high
frequency range.
Selects the number of stages in the phaser (4/ 8-STAGE).
Po la rity
Output
Selects whether the left and right phase of the modulation
will be the same or the opposite.
Le ve l (O u tp u t Le ve l)
INVERSE:The left and right phase will be opposite. When
Adjust the output level.
using a mono source, this spreads the sound.
SYNCHRO:The left and right phase will be the same. Select
4 2 :KEYSYN C FLAN GER
this when inputting a stereo source.
Keysync FLanger controls the Flanger by resetting the effect
at the volume of the sound input to the effects device,
restarting from the same pitch each time the Flanger is reset.
Ma n u a l #
Adjusts the center frequency to which the phase effect is
applied.
This parameter lets your playing dynamics on the keyboard
control the flanger effect.
fig.2-52
Ra te (Ph a se r Ra te ) #
2-Band
EQ
L in
Adjust the frequency of modulation.
L out
Flanger
De p th (Ph a se r De p th )
Feedback
Feedback
Adjust the depth of modulation.
Re so n a n ce (Ph a se r Re so n a n ce )
Flanger
2-Band
EQ
Adjust the amount of feedback for the phaser. Higher
settings will give the sound a stronger character.
R in
R out
Flanger
X-Fe e d b a ck (Cro ss Fe e d b a ck Le ve l)
Adjust the proportion (%) of the phaser sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
PrDly (Pre De la y Tim e )
Adjust the time delay from the original sound until the
flanger sound is heard.
Ra te (LFO Ra te ) #
Mix Le ve l
Adjust the modulation frequency of the flanger sound.
Adjust the volume of the phase-shifted sound, relative to the
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
De p th (LFO De p th )
EQ Gain
Adjust the modulation depth of the flanger sound.
Lo w (Lo w Ga in )
Adjust the low frequency range gain (amount of boost or
cut).
Fb k #
Adjust the proportion (%) of the flanger sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase. Higher settings will
produce a more distinctive sound.
Positive (+) settings will emphasize (boost) the low
frequency range.
Hig h (Hig h Ga in )
Adjust the high frequency gain (amount of boost or cut).
Ph a se
Positive (+) settings will emphasize (boost) the high
frequency range.
Adjust the spaciousness of the flanger sound.
Filter
Balance
Ty p e
Ba la n ce #
OFF:A filter will not be used.
Adjusts the volume balance between the direct sound and
the flanger sound.
LPF:he frequency region above the Cutoff Freq setting will
be cut.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the flanger sound
will be output.
HPF:The frequency region below the Cutoff Freq setting will
be cut.
Cu to ff (Cu to ff Fre q u e n cy )
Output
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Le ve l (O u tp u t Le ve l) 0 –1 2 7
Adjust the output level.
Step Rate
4 3 :FO RMAN T FILTER
Sw itch
This adds a vowel character to the sound, making it similar
to a human voice.
This setting determines whether the pitch is changed in a
stepped fashion (ON) or not (OFF).
L in
L out
Pan L
Ra te (Ste p Ra te ) #
2-Band
EQ
Overdrive
Formant
Adjust the frequency of pitch change.
Pan R
R out
R in
Keysync
Sw itch (Ke y sy n c Sw itch )
Overdrive
Determines whether the Flanger LFO is reset according to the
input sound (ON) or not (OFF).
Sw itch
Determines whether the Overdrive is reset according to the
input sound (ON) or not (OFF).
Thre (Keysync Threshold)
Adjust the volume level for which reset will be applied.
Drive
Th re s (Ke y sy n c Th re s)
Turns Drive on/ off.
Sets the LFO phase when the LFO is reset.
Specifies the depth of distortion. The volume will change
together with the degree of distortion.
Ph a se (Ke y sy n c Ph a se )
Sets the LFO phase when the LFO is reset.
Filter
Vo w e l 1 , 2
Selects the vowel. The left setting is the vowel 1. The right
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
fig.2-54
setting is the vowel 2.
L in
L out
R out
Ring Mod
Ring Mod
2-Band EQ
2-Band EQ
Ra te
Sets the frequency at which the two vowels will be switched.
R in
De p th
Ring Modulator
Sets the effect depth.
Fre q (Fre q u e n cy ) #
Ma n u a l
Sets the frequency at which modulation will be applied.
Sets the point at which the two vowels will be switched.
When set to 50, Vowels 1 and 2 switched in the same amount
of time. Setting this higher than 50 increases the time for
Vowel 1; setting this lower than 50 decreases the time for
Vowel 1.
Mo d u la to r (Mo d u la to r So u rce )
Selects the input of the source sound for the envelope
controlling the modulation.
When set to SOURCE, the frequency is modulated according
to the envelope of the sound input to the multi-effects.
Keysync
Mo d u la to r Mo n ito r
Sw itch (Ke y sy n c Sw itch )
Determines whether the input sound used as the modulator
is output (ON) or not (OFF).
Determines whether the LFO for switching the vowels is
reset according to the input sound (ON) or not (OFF).
Se n s #
Th re s (Ke y sy n c Th re sh o ld )
Sets the amount of frequency modulation applied.
Specifies the volume level for which reset will be applied.
Po la rity
EQ Gain
Determines whether the frequency modulation moves
towards higher frequencies (UP) or lower frequencies
(DOWN).
Lo w (Lo w Ga in )
Specifies the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
EQ Gain
Lo w (Lo w Ga in )
Hig h (Hig h Ga in )
Specifies the low frequency gain (amount of boost or cut).
Specifies the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
Positive (+) settings will emphasize (boost) the high
frequency range.
Hig h (Hig h Ga in )
Output
Specifies the high frequency gain (amount of boost or cut).
Le ve l (O u tp u t Le ve l)
Positive (+) settings will emphasize (boost) the high
frequency range.
Specifies the output volume.
Pa n (O u tp u t Pa n )
Balance
Specifies the stereo location of the output sound. L64 is far
left, 0 is center, and 63R is far right.
Ba la n ce (Effe ct Ba la n ce ) #
Sets the volume balance between the source sound and the
effect sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W the effect sound will
be output.
4 4 :RIN G MO DULATO R
Ring Modulator is an effect which applies amplitude
modulation (AM) to the input signal, producing bell-like
sounds.
You can also change the modulation frequency according to
the volume of the sound input to the effects device.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Output
Level
Le ve l (O u tp u t Le ve l)
1 (Le ve l 1 )
Adjust the output level.
Adjust the output level of delay 1.
2 (Le ve l 2 )
4 5 :MULTI TAP DELAY
Adjust the output level of delay 2.
The Multi Tap Delay has four delays. Each of the Delay Time
parameters can be specified as a note length of the selected
tempo. You can also set the panning and level of each delay
3 (Le ve l 3 )
Adjust the output level of delay 3.
sound.
fig.2-55
4 (Le ve l 4 )
Balance D
2-Band
Adjust the output level of delay 4.
L in
L out
EQ
Feed
back
Delay 1
Delay 3
Balance W
Pan
Multi Tap Delay
Delay 4
1 (O u tp u t Pa n 1 )
Balance W
Sets the stereo position of the delay sound (Delay 1). A
setting of L64 is far left, 0 is center, and 63R is far right.
Delay 2
2-Band
EQ
R in
R out
Balance D
2 (O u tp u t Pa n 2 )
Delay
Sets the stereo position of the delay sound (Delay 2). A
setting of L64 is far left, 0 is center, and 63R is far right.
1 (De la y Tim e 1 )
Adjust the delay time from the original sound until the delay
1 sound is heard.
3 (O u tp u t Pa n 3 )
Sets the stereo position of the delay sound (Delay 3). A
setting of L64 is far left, 0 is center, and 63R is far right.
2 (De la y Tim e 2 )
Adjust the delay time from the original sound until the delay
2 sound is heard.
4 (O u tp u t Pa n 4 )
Sets the stereo position of the delay sound (Delay 4). A
setting of L64 is far left, 0 is center, and 63R is far right.
3 (De la y Tim e 3 )
Adjust the delay time from the original sound until the delay
3 sound is heard.
EQ Gain
Lo w (Lo w Ga in )
4 (De la y Tim e 4 )
Adjust the low frequency gain (amount of boost or cut).
Adjust the delay time from the original sound until the delay
4 sound is heard.
Positive (+) settings will emphasize (boost) the low
frequency range.
Fe e d b a ck #
Hig h (Hig h Ga in )
Adjust the proportion (%) of the delay sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
HF Da m p
Balance
Adjust the frequency at which the high frequency range of
the delayed sound returned to the input will be cut.
Ba la n ce (Effe ct Ba la n ce ) #
Sets the volume balance between the source sound and the
effect sound.
If you do not want to cut the high frequencies of the
feedback, set this parameter to BYPASS.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Pa n 1 :2 :3 (O u tp u t Pa n 1 :2 :3 )
Output
Adjust the pan of delay sound (Delay 1, 2, 3). A setting of L64
is far left, 0 is center, and 63R is far right.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Threshold
4 6 :REVERSE DELAY
Th re sh (Th re sh o ld Le ve l)
Reverse Delay is a delay effect that adds the reverse of the
Specify the volume level at which the reverse delay will
begin to apply.
input sound as the delay sound.
fig.2-56
2-Band
EQ
L out
L in
Feedback
D1
1
EQ Gain
D2
Rev. Delay
Delay
2
3
Lo w (Lo w Ga in )
D3
D4
Adjust the low frequency gain (amount of boost or cut).
2-Band
EQ
R in
R out
Positive (+) settings will emphasize (boost) the low
frequency range.
Delay
Hig h (Hig h Ga in )
1 (De la y Tim e 1 )
Adjust the high frequency gain (amount of boost or cut).
Adjust the delay time from the original sound until the delay
1 sound is heard.
Positive (+) settings will emphasize (boost) the high
frequency range.
2 (De la y Tim e 2 )
Balance
Adjust the delay time from the original sound until the delay
2 sound is heard.
Ba la n ce (Effe ct Ba la n ce ) #
3 (De la y Tim e 3 )
Sets the volume balance between the source sound and the
effect sound.
Adjust the delay time from the original sound until the delay
3 sound is heard.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
4 (De la y Tim e 4 )
Adjust the delay time from the original sound until the delay
4 sound is heard.
Output
Le ve l (O u tp u t Le ve l)
Feedback
Adjust the output level.
Fe e d b a ck 1 :4 #
Adjust the proportion (%) of the delay 1 and 4 sound that is
fed back into the effect. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
HF Damp
HF Da m p 1 :4
Adjust the frequency above which delayed sound (Delay 1,
4) fed back to the delay input will be cut.
If you do not want to cut the high frequencies of the
feedback, set this parameter to BYPASS.
Le ve l 1 :2 :3
Adjust the output level of delay 1, 2 and 3.
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4 7 :SHUFFLE DELAY
EQ Gain
Shuffle Delay adds a shuffle to the delay sound, giving the
Lo w (Lo w Ga in )
sound a bouncy delay effect with a swing feel.
fig.2-57
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
L out
R out
L in
Feedback
Delay
Hig h (Hig h Ga in )
Adjust the high frequency gain (amount of boost or cut).
R in
Positive (+) settings will emphasize (boost) the high
frequency range.
Delay
Balance
Tim e (De la y Tim e ) #
Adjust the delay time from the original sound until the delay
sound is heard.
Ba la n ce (Effe ct Ba la n ce ) #
Sets the volume balance between the source sound and the
effect sound.
Sh u ffle Ra te #
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
Sets the ratio (as a percentage) of the time that elapses before
the sound plays in Delay B relative to the time that elapses
before the sound plays in Delay A. When set to 100%, the
delay times are the same.
Output
Acce le ra tio n
Le ve l (O u tp u t Le ve l)
Adjust the time over which the Delay Time will change from
the current setting to a newly specified setting. The rate of
change for the Delay Time directly affects the rate of pitch
change.
Adjust the output level.
4 8 :3 D DELAY
This applies a 3D effect to the delay sound. The delay sound
Fe e d b a ck #
will be positioned 90 degrees left and 90 degrees right.
fig.2-58
Adjust the proportion (%) of the delay sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
HF Da m p
Adjust the frequency above which delayed sound fed back to
the delay input will be cut.
If you do not want to cut the high frequencies of the
feedback, set this parameter to BYPASS.
Delay
Ce n te r (De la y Tim e Ce n te r)
Pan
Adjust the delay time from the original sound until the
center delay sound is heard.
A (Pa n A)
Adjust the pan of the delay A sound.
Le ft (De la y Tim e Le ft)
B (Pa n B)
Adjust the delay time from the original sound until the left
delay sound is heard.
Adjust the pan of the delay B sound.
Rig h t (De la y Tim e Rig h t)
Balance
Adjust the delay time from the original sound until the right
delay sound is heard.
Ba la n ce (Le ve l Ba la n ce )
Sets the balance for the levels of the delay A and the delay B.
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HF Da m p
Le ve l (O u tp u t Le ve l)
Adjust the frequency above which delayed sound fed back to
the delay input will be cut.
Adjust the output level.
4 9 :3 VO ICE PITCH SHIFTER
If you do not want to cut the high frequencies of the
feedback, set this parameter to BYPASS.
A Pitch Shifter shifts the pitch of the original sound. This 3-
voice pitch shifter has three pitch shifters, and can add three
Fe e d b a ck #
pitch shifted sounds to the original sound.
Adjust the proportion (%) of the delay sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
fig.2-58
L out
L
Pitch 1
Pitch 2
1
2
Delay Level
Pitch 3
3
Ce n te r (Le ve l Ce n te r)
R
R out
Adjust the volume of the left delay sound.
Pch Coarse
Le ft (Le ve l Le ft)
Adjust the volume of the center delay sound.
1 :2 :3 (Co a rse Pitch 1 :2 :3 ) # 1
Specify the pitch in semitones for pitch shift 1–3.
Rig h t (Le ve l Rig h t)
Adjust the volume of the right delay sound.
Pch Fine
1 :2 :3 (Fin e Pitch 1 :2 :3 ) # 1
EQ Gain
Make fine adjustments to the pitch of the pitch shift 1–3 in 2-
Lo w (Lo w Ga in )
cent steps.
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
Pitch Shift
Mo d e (Pitch Sh ifte r Mo d e )
Hig h (Hig h Ga in )
Higher settings of this parameter will result in slower
response, but steadier pitch.
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
Fb k 1 :2 :3 (Fe e d b a ck Le ve l 1 :2 :3 )
Adjust the proportion (%) of the pitch shift 1–3 sound that is
fed back into the effect.
Balance
Pre De la y 1 :2 :3 (Pre De la y Tim e 1 :2 :3 )
Ba la n ce (Effe ct Ba la n ce ) #
Specify the time delay from the original sound until the pitch
Sets the volume balance between the source sound and the
effect sound.
shift 1–3 sound is heard.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
Balance
Ba la n ce (Effe ct Ba la n ce )
Sets the volume balance between the source sound and the
effect sound.
Output
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W the effect sound will
be output.
O u t (O u tp u t Mo d e )
Adjust the method that will be used to hear the sound that is
output to the OUTPUT jacks. The optimal 3D effect will be
achieved if you select SPEAKER when using speakers, or
PHONES when using headphones.
Le ve l (O u tp u t Le ve l)
Specifies the output volume.
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Pa n 1 :2 :3 (O u tp u t Pa n 1 :2 :3 )
EQ Gain
Specify the stereo location of the pitch shift 1–3 sound. L64 is
Lo w (Lo w Ga in )
far left, 0 is center, and 63R is far right.
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
Output
Le ve l (O u tp u t Le ve l)
Hig h (Hig h Ga in )
Adjust the output level.
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
5 0 :LO FI CO MPRESS
This is an effect that intentionally degrades the sound
Balance
quality.
fig.2-60
Ba la n ce (Effe ct Ba la n ce ) #
L in
L out
Pan L
Sets the volume balance between the source sound and the
effect sound.
2-Band
EQ
Lo-Fi
Pan R
R in
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
R out
Lo-Fi
Ty p e (Lo Fi Ty p e )
Output
Lowers the audio quality. The audio quality will worsen as
this setting is increased.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Pre Filter
Pa n (O u tp u t Pa n )
Ty p e (Pre Filte r Ty p e )
Adjust the stereo location of the output sound. A setting of
L64 is far left, 0 is center, and 63R is far right.
Adjust the type of filter that will be applied before the sound
passes through the Lo-Fi effect.
5 1 :LO FI N O ISE
Post Filter 1
In addition to a Lo-Fi effect, this effect also generates various
types of noise, such as radio noise and disc noise.
fig.2-61
Ty p e (Po st Filte r 1 Ty p e )
Adjust the type of filter that will be applied after the sound
passes through the Lo-Fi effect.
L in
L out
Pan L
2-Band
EQ
Lo-Fi
Pan R
Post Filter 2
R in
R out
Radio
Noise Gen.
Ty p e (Po st Filte r 2 Ty p e )
OFF: A post filter 2 will not be used.
Lo-Fi
LPF: The frequency region above the Cutoff Freq setting will
Ty p e (Lo Fi Ty p e )
be cut.
Lowers the audio quality. The audio quality will worsen as
this setting is increased.
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Post Filter
Cu to ff (Cu to ff Fre q u e n cy )
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Ty p e (Po st Filte r Ty p e )
OFF:A filter will not be used.
LPF:The frequency region above the Cutoff Freq setting will
be cut.
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HPF:The frequency region below the Cutoff Freq setting will
Pa n (O u tp u t Pa n )
be cut.
Adjust the stereo position of the delay sound. A setting of
L64 is far left, 0 is center, and 63R is far right.
Cu to ff (Cu to ff Fre q u e n cy )
Adjust the frequency at which the filter will begin cutting.
5 2 :SPEAKER SIMULATO R
Speaker Simulator is an effect that simulates the speaker type
Radio Noise
and mic settings used to record the speaker sound.
fig.2-62
De tu n e #
Simulates the tuning noise of a radio. As this value is raised,
the tuning will drift further.
L in
L out
R out
Speaker
Speaker
Le ve l
R in
Adjust the volume of the radio noise.
Speaker
Disc Noise
Ty p e (Sp e a k e r Ty p e )
Ty p e (Disc N o ise Ty p e )
Select the type of speaker. The specifications of each type are
as follows. The speaker column indicates the diameter of
each speaker unit (in inches) and the number of units.
Selects the type of record noise. The frequency at which the
noise is heard will depend on the selected type.
LPF
Type
Cabinet
Speaker Microphone
Adjust the cutoff frequency of the low pass filter that is
applied to the record noise.
SMALL 1
small open-back enclosure 10
small open-back enclosure 10
dynamic mic
dynamic mic
SMALL 2
MIDDLE
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
sealed enclosure
12 x 1 dynamic mic
12 x 2 dynamic mic
12 x 2 dynamic mic
12 x 2 condenser mic
12 x 2 condenser mic
12 x 2 condenser mic
12 x 2 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
12 x 4 condenser mic
Le ve l (Disc N o ise Le ve l)
JC-120
Adjust the volume of the record noise.
BUILT IN 1
BUILT IN 2
BUILT IN 3
BUILT IN 4
BUILT IN 5
BG STACK 1
BG STACK 2
MS STACK 1
MS STACK 2
EQ Gain
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
large sealed enclosure
large sealed enclosure
large sealed enclosure
Hig h (Hig h Ga in )
METAL STACK large double stack
Adjust the high frequency gain (amount of boost or cut).
2-STACK
3-STACK
large double stack
large triple stack
Positive (+) settings will emphasize (boost) the high
frequency range.
Mic
Balance
Se ttin g (Mic Se ttin g )
Ba la n ce (Effe ct Ba la n ce ) #
Adjust the location of the mic that is recording the sound of
the speaker. This can be adjusted in three steps, with the mic
becoming more distant in the order of 1, 2, and 3.
Sets the volume balance between the source sound and the
effect sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
Le ve l #
Adjust the volume of the microphone.
Dire ct Le ve l #
Output
Adjust the volume of the direct sound.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
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Output
5 4 :DISTO RTIO N 2
This is a distortion effect that provides heavy distortion.
fig.2-64
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
L in
L out
Pan L
Amp
Simulator
2-Band
EQ
Distortion
5 3 :O VERDRIVE 2
Pan R
R in
R out
This is an overdrive that provides heavy distortion.
fig.2-63
Distortion
L in
L out
Pan L
Amp
Simulator
2-Band
EQ
Drive #
Overdrive
Pan R
Adjust the amount of distortion. The volume will change
together with the degree of distortion.
R in
R out
Overdrive
To n e
Drive #
Adjust the sound quality of the Overdrive effect.
Adjust the amount of distortion. The volume will change
together with the degree of distortion.
Amp Simulator
Sw itch
To n e
Turns the Amp Simulator on/ off.
Adjust the sound quality of the Overdrive effect.
Ty p e (Am p Sim u la to r Ty p e )
Ajust the type of guitar amp.
SMALL : small amp
Amp Simulator
Sw itch
Turns the Amp Simulator on/ off.
BUILT-IN : single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Ty p e (Am p Sim u la to r Ty p e )
Ajust the type of guitar amp.
SMALL : small amp
EQ Gain
BUILT-IN : single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
EQ Gain
Lo w (Lo w Ga in )
Hig h (Hig h Ga in )
Adjust the low frequency gain (amount of boost or cut).
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
Positive (+) settings will emphasize (boost) the high
frequency range.
Hig h (Hig h Ga in )
Output
Adjust the high frequency gain (amount of boost or cut).
Le ve l (O u tp u t Le ve l)
Positive (+) settings will emphasize (boost) the high
frequency range.
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Output
Adjust the stereo location of the output sound. A setting of
L64 is far left, 0 is center, and 63R is far right.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
Pa n (O u tp u t Pa n ) #
Adjust the stereo location of the output sound. A setting of
L64 is far left, 0 is center, and 63R is far right.
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5 5 :STEREO CO MPRESSO R
5 6 :STEREO LIMITER
fig.2-65
fig.2-66
L in
L out
R out
L in
L out
R out
Compressor
Compressor
2-Band EQ
2-Band EQ
Limiter
Limiter
2-Band EQ
2-Band EQ
R in
R in
Compressor
Limiter
Atta ck
Th re sh o ld (Th re sh o ld Le ve l)
Adjust the attack time of an input sound.
Adjust the volume at which compression will begin.
Su sta in
Ra tio (Co m p re ssio n Ra tio )
Adjust the time over which low level sounds are boosted
until they reach the specified volume.
Adjust the compression ratio.
Re le a se (Re le a se Tim e )
Po st Ga in
Adjust the time from when the volume falls below the
Threshold Level until compression is no longer applied.
Adjust the output gain.
Po st Ga in
EQ Gain
Adjust the output gain.
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
EQ Gain
Positive (+) settings will emphasize (boost) the low
frequency range.
Lo w (Lo w Ga in )
Adjust the low frequency gain.
Hig h (Hig h Ga in )
Hig h (Hig h Ga in )
Adjust the high frequency gain (amount of boost or cut).
Adjust the high frequency gain.
Positive (+) settings will emphasize (boost) the high
frequency range.
Output
Output
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
Le ve l (O u tp u t Le ve l) #
Adjust the output level.
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5 7 :GATE
Balance
The Gate effect cuts the reverb’s delay according to the
volume of the sound input to the effects device. Use this in
situations such as when you want to force a decrease in the
Ba la n ce (Effe ct Ba la n ce ) #
Sets the volume balance between the source sound and the
effect sound.
decay sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
fig.2-67
L in
L out
R out
Gate
Gate
R in
Output
Le ve l (O u tp u t Le ve l)
Gate
Adjust the output level.
Mo d e
GATE (Gate Reverb):
5 8 :SLICER
When the source volume falls below a certain level, the gate
closes, giving the effect of the reverb sound being cut with a
gate reverb.
By applying successive cuts to the sound, this effect turns a
conventional sound into a sound that appears to be played as
a backing phrase. This is especially effective when applied to
DUCK (Ducking Reverb):
sustain-type sounds.
fig.2-68
When the source volume gets high enough, the gate closes,
which gives a ducking reverb-type effect. Stop the reverb
sound only when input loud sound so that prevent the play
sound become unclear.
L in
L out
R out
Slicer
Slicer
R in
Atta ck Tim e
Level 1–4
Sets the time it takes the gate fully opens after being
triggered.
Be a t 1 –4
For a single measure containing four quarter notes, this sets
the level of each sixteenth-note when the measure is divided
into sixteenth notes. When set to 0, no sound is output.
Ho ld Tim e
Sets the time it takes the gate starts closing after the instant
the source sound goes under the threshold level.
Rate
Re le a se Tim e
Ra te #
Sets the time it takes the gate fully closes after passes by the
hold time.
Determines the cycle for one measure.
Gate Key
Attack
Ke y
Atta ck
Selects the input of the sound that acts as the trigger closing
the gate.
Sets the speed at which the volume changes between beats.
The higher the value, the faster the volume changes.
When set to SOURCE, the gate is closed by the sound input
to the Multi-effects.
Reset
Trig g e r #
Th re sh o ld (Ke y Th re sh o ld )
Selects the input of the sound that acts as the trigger resetting
the one-measure pattern.
Sets the volume level at which the gate begins to close.
Mo n ite r (Ke y Mo n ito r)
When set to OFF, the pattern is not reset, even if the input is
present. When set to Source, the pattern is reset by the sound
input to the multi-effects. When RESET is selected as the
MFX Control parameter, you can then use an external MIDI
device to reset the pattern.
Determines whether the sound used as the gate trigger is
output (ON) or not (OFF).
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Th re sh o ld (Re se t Th re sh o ld )
Anti Phase Low
Sets the volume level at which the reset begins.
Sw itch (An ti Ph a se Lo w Sw itch )
This turns the Anti-Phase function on and off and sets the
level settings for the Low frequency ranges. When turned on,
the counter-channel of stereo sound is inverted and added to
the signal.
Mo n ito r (Re se t Mo n ito r)
Determines whether the sound used as the reset trigger is
output (ON) or not (OFF). This parameter is disabled when
Reset is set to OFF or Source.
Le ve l (An ti Ph a se Lo w Le ve l)
Beat Change
Adjusting these levels for certain frequencies allows you to
lend emphasis to specific parts. (This is effective only for
stereo source.)
Mo d e
Sets the manner in which the volume changes as one beat
progresses to the next.
Anti Phase Mid
LEGATO:The change in volume from one beat’s level to the
next remains unaltered. If the level of a following beat is the
same as the one preceding it, then there is no change in
volume.
Sw itch (An ti Ph a se Mid d le Sw itch )
This turns the Anti-Phase function on and off and sets the
level settings for the Middle frequency ranges. When turned
on, the counter-channel of stereo sound is inverted and
added to the signal.
SLASH:The level is momentarily set to 0 before progressing
to the level for the next beat. This change in volume occurs
even if the level of a following beat is the same as the one
preceding it.
Le ve l (An ti Ph a se Mid d le Le ve l)
Adjusting these levels for certain frequencies allows you to
lend emphasis to specific parts. (This is effective only for
stereo source.)
Sh u ffle #
Sets the timing of volume changes in levels for even-
numbered Beats (Beat 1-2/ Beat 1-4/ Beat 2-2/ ...). The higher
the value selected, the later the timing with which the beat
progresses.
Low Boost
Sw itch (Lo w Bo o ste r Sw itch )
Output
Adjust whether Low Booster will be used (ON) or not (OFF).
This emphasizes the bottom to create a heavy bass sound.
Le ve l (O u tp u t Le ve l)
Increasing this value gives you a heavier low end.
(Depending on the Isolator and filter settings this effect may
be hard to distinguish.)
Adjust the output level.
5 9 :ISO LATO R
Le ve l (Lo w Bo o ste r Le ve l)
An equalizer which cuts the volume greatly, allowing you to
add a special effect to the sound by cutting the volume in
Adjust the level.
varying ranges.
Output
fig.2-69
L in
L out
R out
Isolater
Isolater
Low Boost
Low Boost
Le ve l (O u tp u t Le ve l)
Adjust the output level.
R in
6 0 :3 D CHO RUS
Bo o st/ Cu t
This applies a 3D effect to the chorus sound. The chorus
Low (Level Low) #
Mid (Level Middle) #
High (Level High) #
sound will be positioned 90 degrees left and 90 degrees right.
fig.2-70
2-Band
EQ
L
L out
R out
These boost and cut each of the High, Middle, and Low
frequency ranges. At -60 dB, the sound becomes inaudible. 0
dB is equivalent to the input level of the sound.
3D Chorus
2-Band
EQ
R
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output to the OUTPUT jacks. The optimal 3D effect will be
achieved if you select SPEAKER when using speakers, or
PHONES when using headphones.
Chorus
Ra te (LFO Ra te ) #
Adjust the modulation frequency of the chorus sound.
Le ve l (O u tp u t Le ve l)
De p th (LFO De p th )
Adjust the output level.
Adjust the modulation depth of the chorus sound.
6 1 :3 D FLAN GER
Ph a se
This applies a 3D effect to the flanger sound. The flanger
Adjust the spaciousness of the chorus sound.
sound will be positioned 90 degrees left and 90 degrees right.
fig.2-71
Pre De la y (Pre De la y Tim e )
2-Band
EQ
L
L out
R out
Adjust the delay time from the original sound until when the
chorus sound is heard.
3D Flanger
2-Band
EQ
R
Filter
Ty p e
Flanger
OFF:A filter will not be used.
Ra te (LFO Ra te ) #
LPF:The frequency region above the Cutoff Freq setting will
Adjust the modulation speed of the flanger sound.
be cut.
HPF:The frequency region below the Cutoff Freq setting will
De p th (LFO De p th )
be cut.
Adjust the modulation depth of the flanger sound.
Cu to ff (Cu to ff Fre q u e n cy )
Fe e d b a ck #
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Adjust the proportion (%) of the flanger sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase. Higher settings will
produce a more distinctive sound.
EQ Gain
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
Ph a se
Positive (+) settings will emphasize (boost) the low
frequency range.
Adjust the spaciousness of the flanger sound.
PrDly (Pre De la y Tim e )
Hig h (Hig h Ga in )
Adjust the time delay from the direct sound until the flanger
sound is heard.
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
Filter
Ty p e
Balance
OFF:No filter is used.
Ba la n ce #
LPF:The frequency region above the Cutoff Freq setting will
Adjust the volume balance between the original sound and
the flanger sound.
be cut.
HPF:The frequency region below the Cutoff Freq setting will
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the flanger sound
will be output.
be cut.
Cu to ff (Cu to ff Fre q u e n cy )
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Output
O u t (O u tp u t Mo d e )
Adjust the method that will be used to hear the sound that is
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Step Rate
Tremolo
Sw itch (Ste p Ra te Sw itct)
Mo d W a ve (Mo d u la tio n W a ve )
Determines whether the pitch is changed in a stepped
fashion (ON) or not (OFF).
TRI: The sound will be modulated like a triangle wave.
SQR: The sound will be modulated like a square wave.
SIN: The sound will be modulated like a sine wave.
SAW1/2: The sound will be modulated like a sawtooth wave.
Ste p Ra te (Ste p Ra te ) #
And adjust the rate at which the pitch will change.
The teeth in SAW1 and SAW2 point at opposite directions.
fig.2-72a
EQ Gain
Saw1
Saw2
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the low
frequency range.
Ra te #
Adjust the frequency (speed) of the change.
Hig h (Hig h Ga in )
De p th #
Adjust the high frequency gain (amount of boost or cut).
Sets the depth to which the effect is applied.
Positive (+) settings will emphasize (boost) the high
frequency range.
EQ Gain
Balance
Lo w (Lo w Ga in )
Adjust the low frequency gain (amount of boost or cut).
Ba la n ce #
Positive (+) settings will emphasize (boost) the low
frequency range.
Adjust the volume balance between the original sound and
the flanger sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the flanger sound
will be output.
Hig h (Hig h Ga in )
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
Output
Output
O u tp u t (O u tp u t Mo d e )
Adjust the method that will be used to hear the sound that is
output to the OUTPUT jacks. The optimal 3D effect will be
achieved if you select SPEAKER when using speakers, or
PHONES when using headphones.
Le ve l (O u tp u t Le ve l)
Adjust the output level.
6 3 :AUTO PAN
Le ve l (O u tp u t Le ve l)
The Auto Pan effect cyclically modulates the stereo location
Adjust the output level.
of the sound.
fig.2-73
L in
L out
R out
Auto Pan
Auto Pan
2-Band EQ
2-Band EQ
6 2 :TREMO LO
Tremolo cyclically modulates the volume to add tremolo
effect to the sound.
R in
fig.2-72
L in
L out
R out
Tremolo
Tremolo
2-Band EQ
2-Band EQ
Auto Pan
Mo d W a ve (Mo d u la tio n W a ve )
R in
TRI: The sound will be modulated like a triangle wave.
SQR: The sound will be modulated like a square wave.
SIN: The sound will be modulated like a sine wave.
SAW1/2: The sound will be modulated like a sawtooth wave.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
The teeth in SAW1 and SAW2 point at opposite directions.
fig.2-73a
INVERSE: The left and right phase will be opposite. When
using a mono source, this spreads the sound.
Saw1
Saw2
SYNCHRO: The left and right phase will be the same. Select
this when inputting a stereo source.
Ma n u a l #
Adjusts the center frequency to which the phase effect is
applied.
Ra te #
Adjust the frequency (speed) of the change.
Ra te (Ph a se r Ra te ) #
De p th #
Specifies the frequency of modulation.
Sets the depth to which the effect is applied.
De p th (Ph a se r De p th )
EQ Gain
Adjusts the depth of modulation.
Lo w (Lo w Ga in )
Re so n a n ce (Ph a se r Re so n a n ce )
Adjust the low frequency gain (amount of boost or cut).
Adjusts the amount of feedback for the phaser. Higher
settings will give the sound a stronger character.
Positive (+) settings will emphasize (boost) the low
frequency range.
X-Fe e d b a ck (Cro ss Fe e d b a ck Le ve l)
Hig h (Hig h Ga in )
Adjusts the proportion (%) of the phaser sound that is to be
returned to the input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
Adjust the high frequency gain (amount of boost or cut).
Positive (+) settings will emphasize (boost) the high
frequency range.
Output
Mix Le ve l (Mix Le ve l)
Le ve l (O u tp u t Le ve l)
Specifies the volume of the phase-shifted sound, relative to
the direct sound.
Adjust the output level.
Step Rate
6 4 : STEREO PHASER 2
This is a stereo phaser.
fig.02-064m.e
Sw itch (Ste p Sw itch )
Determines whether the pitch is changed in a stepped
fashion (ON) or not (OFF).
2-Band
EQ
L in
L out
R out
Phaser
Phaser
Mix
Mix
Ra te (Ste p Ra te ) #
Adjusts the rate (period) of pitch change.
2-Band
EQ
R in
EQ Gain
Lo w (Lo w Ga in )
Phaser
Adjusts the gain of the low frequency range.
Ty p e (Ph a se r Ty p e )
Positive (+) settings will emphasize (boost) the low-
frequency range.
Selects the type of Phaser.
Type 2 adds more of the Phaser effect to the high frequencies
than Type 1.
Hig h (Hig h Ga in )
Adjusts the gain of the high frequency range.
Mo d e
Positive (+) settings will emphasize (boost) the high-
frequency range.
Selects the number of stages in the phaser (4/ 8/ 12/ 16).
Po la rity
Selects whether the left and right phase of the modulation
will be the same or the opposite.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Output
EQ Gain
Le ve l (O u tp u t Le ve l)
Lo w
Adjusts the output level.
Adjusts the gain of the low frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
6 5 : STEREO AUTO W AH
This is a stereo auto wah.
fig.02-065m.e
Hig h
Adjusts the gain of the high frequency range.
L in
L out
R out
Auto Wah
Auto Wah
2-Band EQ
2-Band EQ
Positive (+) settings will emphasize (boost) the high-
frequency range.
R in
Output
Auto Wah
Le ve l (O u tp u t Le ve l)
Filte r Ty p e
Adjusts the output level.
Selects the type of filter.
LPF: The wah effect will be applied over a wide frequency
range.
6 6 : ST FO RMAN T FILTER (Ste re o
Fo rm a n t Filte r)
BPF: The wah effect will be applied over a narrow frequency
range.
This is a stereo formant filter.
fig.02-066m.e
L in
L out
R out
Overdrive
Overdrive
Formant
Formant
2-Band EQ
2-Band EQ
Se n s #
Adjusts the sensitivity with which the filter is controlled.
R in
Ma n u a l #
Adjusts the center frequency from which the wah effect is
applied.
Overdrive
Sw itch (Drive Sw itch )
Pe a k
Turns Drive on/ off.
Adjusts the amount of the wah effect that will occur in the
area of the center frequency.
Drive #
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
Lower settings will cause the effect to be applied in a broad
area around the center frequency. Higher settings will cause
the effect to be applied in a more narrow range.
Filter
Ra te (LFO Ra te ) #
Vo w e l1
Adjusts the frequency of the modulation.
Selects vowel 1.
De p th (LFO De p th ) #
Vo w e l2
Adjusts the depth of the modulation.
Selects vowel 2.
Po la rity (Au to W a h Po la rity )
Ra te #
Sets the direction in which the frequency will change when
the auto-wah filter is modulated. With a setting of Up, the
filter will change toward a higher frequency. With a setting
of Down, it will change toward a lower frequency.
Sets the frequency at which the two vowels will be switched.
De p th #
Sets the effect depth.
Ph a se #
Ma n u a l #
Sets the degree of phase shift of the left and right sounds
when the wah effect is applied.
Sets the point at which the two vowels will be switched.
When set to 50, Vowels 1 and 2 are switched after the same
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amount of time. Setting this higher than 50 increases the time
for Vowel 1; setting this lower than 50 decreases the time for
Vowel 1.
Fe e d b a ck #
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
Ph a se #
Sets the phase shift of the left and right sounds when the two
vowels are switched.
HF Da m p
Adjusts the frequency above which delayed sound fed back
to the delay input will be cut.
Keysync
If you do not want to damp the high frequencies, set this
parameter to BYPASS.
Sw itch (Ke y sy n c Sw itch )
Determines whether the LFO for switching the vowels is
reset according to the input sound (ON) or not (OFF).
Level
Th re s
1 –4 (De la y Le ve l 1 –4 )
Adjusts the volume level at which reset will be applied.
Adjusts the output level of delay 1 – 4.
EQ Gain
Pan
Lo w
1 –4 (O u tp u t Pa n 1 –4 )
Adjusts the gain of the low frequency range.
Sets the stereo position of the delay sound (Delay 1 – 4). L64
Positive (+) settings will emphasize (boost) the low-
frequency range.
is far left, 0 is center, and 63R is far right.
EQ Gain
Hig h
Adjusts the gain of the high frequency range.
Lo w (Lo w Ga in )
Positive (+) settings will emphasize (boost) the high-
frequency range.
Adjusts the gain of the low frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
Output
Hig h (Hig h Ga in )
Le ve l (O u tp u t Le ve l)
Adjusts the gain of the high frequency range.
Adjusts the output level.
Positive (+) settings will emphasize (boost) the high-
frequency range.
6 7 : MULTI TAP DELAY 2
This allows you to set even longer delay times (max. 3000
Balance
ms) for the Multi-Tap Delay function.
fig.02-067m.e
Ba la n ce (Effe ct Ba la n ce ) #
Balance D
2-Band
Sets the volume balance between the direct sound and the
effect sound.
L in
L out
EQ
Feed
back
Delay 1
Delay 3
Balance W
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
Multi Tap Delay
Delay 4
Balance W
Delay 2
2-Band
EQ
R in
R out
Output
Balance D
Le ve l (O u tp u t Le ve l)
Delay
Adjusts the output level.
1 –4 (De la y Tim e 1 –4 )
Adjusts the delay time from the direct sound until the delay 1
– 4sound is heard.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
6 8 : REVERSE DELAY 2
EQ Gain
This allows you to set even longer delay times (max. 1500
Lo w (Lo w Ga in )
ms) for the Multi-Tap Delay function.
fig.02-068m.e
Adjusts the gain of the low frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
2-Band
EQ
L out
R out
L in
Feedback
D1
1
D2
Rev. Delay
Delay
2
3
Hig h (Hig h Ga in )
D3
D4
Adjusts the gain of the high frequency range.
2-Band
EQ
R in
Positive (+) settings will emphasize (boost) the high-
frequency range.
Delay
Balance
1 –4 (De la y Tim e 1 –4 )
Adjusts the delay time from the direct sound until the delay
Ba la n ce (Effe ct Ba la n ce ) #
1 – 4 sound is heard.
Sets the volume balance between the direct sound and the
effect sound.
Feedback
With a setting of D100:0W only the direct sound will be output,
and with a setting of D0:100W the effect sound will be output.
1 , 4 (Fe e d b a ck 1 , 4 ) #
Adjusts the proportion (%) of the delay 1 sound that is fed
back into the effect. Positive (+) settings will return the signal
to the input with the original phase, while negative (-)
settings produce an inverted phase.
Output
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
HF Damp
6 9 : SHUFFLE DELAY 2
1 , 4 (HF Da m p 1 , 4 )
This allows you to set even longer delay times (max. 3000
ms) for the Shuffle Delay function.
fig.02-069m.e
Adjusts the frequency above which delayed sound (delay 1,
4) fed back to the delay input will be cut.
2-Band
EQ
L out
R out
L in
If you do not want to damp the high frequencies, set this
parameter to BYPASS.
Feedback
Delay
Delay 1
Delay 2
1
2
Level
2-Band
EQ
R in
1 –3 (De la y Le ve l 1 –3 )
Sets the volume level of the delay sound (Delay 1 – 3).
Delay
Pan
Tim e (De la y Tim e ) #
Adjusts the delay time from the direct sound until the delay
sound is heard.
1 –3 (O u tp u t Pa n 1 –3 )
Sets the stereo position of the delay sound (Delay 1). L64 is
far left, 0 is center, and 63R is far right.
Sh u ffle Ra te #
Sets the ratio (as a percentage) of the time that elapses before
the sound plays in Delay B relative to the time that elapses
before the sound plays in Delay A. When set to 100%, the
delay times are the same.
Threshold
Va lu e
Specifies the volume level at which the reverse delay will
begin to apply.
Acce le ra tio n
Adjusts the time over which the Delay Time will change
from the current setting to a newly specified setting.
8 3
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fig.02-070m.e
Fe e d b a ck #
2-Band
EQ
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
L
L out
Level
3D Delay L
3D Delay C
3D Delay R
HF Da m p
2-Band
EQ
R
R out
Adjusts the frequency above which delayed sound fed back
to the delay input will be cut.
Delay
If you do not want to damp the high frequencies, set this
parameter to BYPASS.
Ce n te r (De la y Tim e Ce n te r)
Adjusts the delay time from the direct sound until the center
delay sound is heard.
Pan
A, B (Pa n A, B)
Le ft (De la y Tim e Le ft)
Adjusts the pan of the delay A, B sound.
Balance
Adjust the delay time from the original sound until the left
delay sound is heard.
Ba la n ce (Le ve l Ba la n ce )
Rig h t (De la y Tim e Rig h t)
Sets the balance for the levels of the delay A and the delay B.
Adjust the delay time from the direct sound until the right
delay sound is heard.
EQ Gain
HF Da m p
Lo w (Lo w Ga in )
Adjusts the frequency above which delayed sound fed back
to the delay input will be cut.
Adjusts the gain of the low frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
If you do not want to damp the high frequencies, set this
parameter to BYPASS.
Hig h (Hig h Ga in )
Fe e d b a ck #
Adjusts the gain of the high frequency range.
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input. Positive (+) settings will return the
signal to the input with the original phase, while negative (-)
settings produce an inverted phase.
Positive (+) settings will emphasize (boost) the high-
frequency range.
Balance
Delay Level
Ba la n ce (Effe ct Ba la n ce )
Ce n te r (De la y Le ve l Ce n te r)
Sets the volume balance between the direct sound and the
effect sound.
Adjusts the volume of the center delay sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
Le ft (De la y Le ve l Le ft)
Adjusts the volume of the left delay sound.
Rig h t (De la y Le ve l Rig h t)
Output
Adjusts the volume of the right delay sound.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
EQ Gain
Lo w (Lo w Ga in )
7 0 : 3 D DELAY 2
Adjusts the gain of the low frequency range.
This allows you to set even longer delay times (max. 3000
ms) for the 3D Delay function.
Positive (+) settings will emphasize (boost) the low-
frequency range.
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Hig h (Hig h Ga in )
Spread
Adjusts the gain of the high frequency range.
Va lu e
Positive (+) settings will emphasize (boost) the high-
frequency range.
Sets the rotary speaker stereo image. The higher the value
set, the wider the sound is spread out.
Balance
Woofer
Ba la n ce (Effe ct Ba la n ce ) #
Slo w (W o o fe r Slo w Ra te )
Sets the volume balance between the direct sound and the
effect sound.
Specifies the low-speed rotation speed of the woofer.
Fa st (W o o fe r Fa st Ra te )
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W the effect sound will
be output.
Specifies the high-speed rotation speed of the woofer.
Le ve l (W o o fe r Le ve l)
Sets the volume of the woofer.
Output
O u t (O u tp u t Mo d e )
Tra n s Up (W o o fe r Tra n sitio n Up )
Specifies the method that will be used to reproduce the
sound that is output to the OUTPUT jacks. The optimal 3D
effect will be achieved if you select SPEAKER when using
speakers, or PHONES when using headphones.
Sets the rate at which the woofer rotation speeds up when
the rotation is switched from Slow to Fast. The higher the
value, the faster the transition occurs.
Tra n s Do w n (W o o fe r Tra n sitio n Do w n )
Le ve l (O u tp u t Le ve l)
Sets the rate at which the woofer rotation speeds up when
the rotation is switched from Fast to Slow. The higher the
value, the faster the transition occurs.
Adjusts the output level.
7 1 : RO TARY 2
Tweeter
This type provides modified response for the rotary speaker,
with the low end boosted further.
Slo w (Tw e e te r Slo w Ra te )
This effect features the same specifications as the VK-7’s
Specifies the low-speed rotation speed of the tweeter.
built-in rotary speaker.
fig.02-071m.e
Fa st (Tw e e te r Fa st Ra te )
L in
2-Band EQ
2-Band EQ
L out
R out
Specifies the high-speed rotation speed of the tweeter.
Rotary
Tw e e te r (Tw e e te r Le ve l)
R in
Specifies the volume of the tweeter.
Tra n s Up (Tw e e te r Tra n sitio n Up )
Rotary
Sets the rate at which the tweeter rotation speeds up when
the rotation is switched from Slow to Fast. The higher the
value, the faster the transition occurs.
Sp e e d #
Switches the rotational speed of the rotating speaker.
SLOW: The woofer rotates at the speed determined by the
Woofer Speed Slow setting, and the tweeter rotates at the
speed determined by the Tweeter Speed Slow setting.
Tra n s Do w n (Tw e e te r Tra n sitio n Do w n )
Sets the rate at which the tweeter rotation speeds up when
the rotation is switched from Fast to Slow. The higher the
value, the faster the transition occurs.
FAST: The woofer rotates at the speed determined by the
Woofer Speed Fast setting, and the tweeter rotates at the
speed determined by the Tweeter Speed Fast setting.
Bra k e #
Switches the rotation of the rotary speaker.
When this is turned off, the rotation will gradually stop.
When it is turned on, the rotation will gradually resume.
8 5
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To n e
EQ Gain
Adjusts the sound quality of the Overdrive/ Distortion effect.
Lo w (Lo w Ga in )
Adjusts the gain of the low frequency range.
Le ve l
Positive (+) settings will emphasize (boost) the low-
frequency range.
Adjusts the Overdrive/ Distortion output level.
Amp Simulator
Hig h (Hig h Ga in )
Ty p e (Am p Ty p e )
Adjusts the gain of the high frequency range.
Selects the type of guitar amp.
Positive (+) settings will emphasize (boost) the high-
frequency range.
EQ Gain
Output
Lo w (EQ Lo w Ga in )
Le ve l (O u tp u t Le ve l) #
Adjusts the low-range gain of the equalizer.
Adjusts the output level.
Mid (EQ Mid Ga in )
Adjusts the gain of the area specified by the EQ M Fq
parameter and the EQ M Q parameter.
7 2 : RO TARY MULTI
This connects Overdrive/ Distortion (ODDS), 3-band
equalizer (EQ), and Rotary (RT) effects in series.
fig.02-072m.e
Hig h (EQ Hig h Ga in )
Adjusts the high-range gain of the equalizer.
L in
Overdrive/
Distortion
Amp
Simulator
3-Band EQ
Mid
R in
Mid Fre q (EQ Mid Fre q u e n cy )
Sets the center frequency for the equalizer mid-range.
L out
R out
Mid Q (EQ Mid Q )
Rotary
Pan
Adjusts the width of the area centered at the EQ M Fq setting
in which the gain will be affected. Higher values of Q will
result in a narrower area being affected.
Sequence
O D/ Dist (O ve rd rive / Disto rtio n Sw itch )
Rotary
Turns the Overdrive or Distortion on/ off.
Sp e e d #
Simultaneously switch the rotational speed of both the low-
range and the high-range rotors.
Am p Sim (Am p Sim u la to r Sw itch )
Turns the Amp Simulator on/ off.
Slow: Slow down the rotation to the specified speeds (RT L
Slow parameter/ RT H Slow parameter values).
3 Ba n d EQ (3 Ba n d EQ Sw itch )
Turns the 3 Band EQ on/ off.
Fast: Speed up the rotation to the specified speeds (RT L Fast
parameter/ RT H Fast parameter values).
Ro ta ry (Ro ta ry Sw itch )
Se p a ra tio n
Turns the Rotary on/ off.
Adjusts the spatial spread of the rotary sound.
Overdrive/Distortion
Woofer
Ty p e
Slo w (Lo w Fre q u e n cy Slo w Ra te )
Selects whether to use Overdrive or Distortion.
Adjusts the speed of the low-range rotor for the slow-speed
setting.
Drive #
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
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7 3 : KEYBO ARD MULTI
Fa st (Lo w Fre q u e n cy Fa st Ra te )
Adjusts the speed of the low-range rotor for the fast-speed
setting.
Keyboard Multi provides Ring Modulator (RM), Equalizer
(EQ), Pitch Shifter (PS), Phaser (PH) and Delay (Dly) effects
connected in series.
Acce l (Lo w Fre q u e n cy Acce le ra tio n )
Ring Modulator is an effect that applies amplitude
Adjusts the time over which the rotation speed of the low-
range rotor will change from slow-speed to fast-speed (or
fast-speed to slow-speed) rotation. Lower values will require
longer times.
modulation (AM) to the input signal, producing bell-like
sounds.
fig.02-073m.e
L in
Ring Mod
Ring Mod
3-Band EQ
3-Band EQ
Le ve l (Lo w Fre q u e n cy Le ve l)
Pitch
Shifter
Adjusts the volume of the low-range rotor.
Feedback
R in
Tweeter
Slo w (Hig h Fre q u e n cy Slo w Ra te )
L out
R out
Feedback
Delay
Adjusts the speed of the high-range rotor for the slow-speed
setting.
Phaser
Resonance
Mix
Fa st (Hig h Fre q u e n cy Fa st Ra te )
Adjusts the speed of the high-range rotor for the fast-speed
setting.
Sequence
Acce l (Hig h Fre q u e n cy Acce le ra tio n )
Rin g Mo d (Rin g Mo d u ra to r Sw itch )
Adjusts the time over which the rotation speed of the high-
range rotor will change from slow-speed to fast-speed (or
fast-speed to slow-speed) rotation. Lower values will require
longer times.
Turns the Ring Modulator on/ off.
3 Ba n d EQ Sw (3 Ba n d EQ Sw itch )
Turns the equalizer on/ off.
Le ve l (RT Hig h Fre q u e n cy Le ve l)
Pch Sh ift (Pitch Sh ifte r Sw itch )
Adjusts the volume of the high-range rotor.
Turns the Pitch Shifter on/ off.
Ph a se r (Ph a se r Sw itch )
Output
Turns the Phaser on/ off.
Le ve l (O u tp u t Le ve l)
De la y (De la y Sw itch )
Adjusts the output level.
Turns the delay on/ off.
Pa n (O u tp u t Pa n ) #
* After turning the VALUE dial to select the effect, you can
press [F1] or [F2] to rearrange the order in which effects are
connected.
Adjusts the stereo location of the output sound.
Ring Modulator
Fre q (RM Fre q u e n cy ) #
Sets the frequency at which modulation will be applied.
Ba la n ce (RM Ba la n ce ) #
Adjusts the balance between the direct and the ring
modulated sound.
8 7
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
modulated.
EQ Gain
Ra te (Ph a se r Ra te ) #
Lo w (EQ Lo w Ga in )
Adjusts the frequency of modulation.
Adjusts the low-range gain of the equalizer.
De p th (Ph a se r De p th )
Mid (EQ Mid Ga in )
Specifies the depth of modulation.
Adjusts the gain of the area specified by the EQ M Fq
parameter and the EQ M Q parameter.
Re so n a n ce (Ph a se r Re so n a n ce )
Hig h (EQ Hig h Ga in )
Adjusts the emphasis for the region around the center
frequency specified by the PH Man parameter.
Adjusts the high-range gain of the equalizer.
Mix Le ve l(Ph a se r Mix )
Mid (EQ Mid Fre q u e n cy )
Adjusts the proportion by which the phase-shifted sound is
combined with the direct sound.
Sets the center frequency for the equalizer mid-range.
Mid Q (EQ Mid Q )
Adjusts the width of the area centered at the EQ M Fq setting
in which the gain will be affected. Higher values of Q will
result in a narrower area being affected.
Delay
Le ft Tim e (De la y Tim e Le ft)
Adjusts the delay time from the original sound until the left
delay sound is heard.
Pitch Shifter
Rig h t Tim e (De la y Tim e Rig h t)
Mo d e (PS Sh ifte r Mo d e )
Adjusts the delay time from the direct sound until the right
delay sound is heard.
Higher settings of this parameter will result in slower
response, but steadier pitch.
Fe e d b a ck (De la y Fe e d b a ck Le ve l)
Co a rse Tu n e (PS Co a rse Pitch ) # *1
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input.
Adjusts the pitch of the pitch-shifted sound in semitone steps
(-2– +1 octaves).
HF Da m p
Fin e Tu n e (PS Fin e Pitch ) # *1
Adjusts the frequency above which sound fed back to the
effect will be cut. If you do not want to damp the high
frequencies, set this parameter to BYPASS.
Makes fine adjustments to the pitch of the pitch shifted
sound in 2-cent steps (-100– +100 cents).
De la y (PS Pre De la y )
Ba la n ce (De la y Ba la n ce ) #
Adjusts the time delay from when the direct sound begins
until the pitch-shifted sound is heard.
Adjusts the volume balance between the direct sound and
the delay sound.
Fe e d b a ck (PS Fe e d b a ck )
Adjusts the proportion (%) of the processed sound that is fed
back into the effect.
Output
Le ve l (O u tp u t Le ve l)
Ba la n ce (PS Ba la n ce )
Adjusts the output level.
Adjusts the volume balance between the direct sound and
the pitch shifted sound.
* 1 In Realtime Control, the selected pitch is controlled with
these parameters.
Phaser
Mo d e (Ph a se r Mo d e )
Selects the number of stages in the phaser.
Ma n u a l (Ph a se r Ma n u a l) #
Sets the center frequency at which the phaser sound will be
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Mix Le ve l (Ph a se r Mix )
7 4 : RHO DES MULTI
Adjusts the proportion by which the phase-shifted sound is
combined with the direct sound.
Rhodes Multi provides Enhancer (EH), Phaser (PH), Chorus
or Flanger (CF), and Tremolo or Pan (TP) effects connected in
series.
fig.02-074m.e
Ra te (Ph a se r Ra te ) #
Specifies the frequency of modulation.
L in
Enhancer
Enhancer
Mix
Mix
Resonance
Phaser
De p th (Ph a se r De p th )
Mix
Adjusts the depth of modulation.
R in
Re so n a n ce (Ph a se r Re so n a n ce )
Adjusts the emphasis for the region around the center
frequency specified by the PH Man parameter.
Tremolo/
Pan
L out
Chorus/
Flanger
Chorus/Flanger
Ty p e
Feedback
Selects either Chorus or Flanger.
Chorus/
Flanger
Tremolo/
Pan
R out
Ra te
Specifies the rate of modulation.
Sequence
De p th
En h a n ce r (En h a n ce r Sw itch )
Specifies the depth of modulation.
Turns the Enhancer on/ off.
Fe e d b a ck (Fe e d b a ck Le ve l)
Ph a se r (Ph a se r Sw itch )
Adjusts the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Turns the Phaser on/ off.
CF Sw (CF Sw itch )
Pre Dly (Pre De la y )
Turns the chorus/ flanger on/ off.
Adjusts the time from the direct sound until when the chorus
or flanger sound is heard.
TP Sw (TP Sw itch )
Turns tremolo or pan on/ off.
Ba la n ce #
Adjusts the volume balance between the direct sound and
the chorus/ flanger sound.
Enhancer
Se n s (En h a n ce r Se n s) #
Ty p e (Filte r Ty p e )
Selects the type of filter.
OFF: No filter is used.
Adjusts the sensitivity of the enhancer.
Mix Le ve l (En h a n ce r Mix Le ve l)
Adjusts the proportion by which the overtones generated by
the enhancer are combined with the direct sound.
LPF: The frequency region above the Cutoff Freq setting will
be cut.
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Phaser
Mo d e (Ph a se r Mo d e )
Cu to ff (Cu to ff Fre q u e n cy )
Selects the number of stages in the phaser.
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Ma n u a l (Ph a se r Ma n u a l) #
Sets the center frequency at which the phaser sound will be
modulated.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
En h a n ce r Sw (En h a n ce r Sw itch )
Tremolo/Pan
Turns the Enhancer on/ off.
Ty p e
* After turning the VALUE dial to select the effect, you can hold
down [SHIFT] and press [F1] or [F2] to rearrange the order in
which effects are connected.
Selects either Tremolo or Pan.
Mo d W a ve (Mo d u la tio n W a ve )
Selects the way in which tremolo or pan will be modulated.
Distortion
Tri:
The sound will be modulated like a triangle
wave.
Ty p e (Disto rtio n Ty p e )
Sqr:
The sound will be modulated like a square
Specifies the type of the distortion.
wave.
MELLOW DRIVE: A soft, mellow distortion; somewhat dark
sounding.
Sin:
The sound will be modulated like a sine wave.
The sound will be modulated like a sawtooth
Saw1,2:
wave.
OVERDRIVE: The classic sound of an overdriven tube amp.
CRY DRIVE: Distortion with a high-frequency boost.
The teeth in SAW1 and SAW2 point at opposite directions.
MELLOW DIST: Sounds like the distortion you’d get from a
really big amp.
Ra te (Mo d u la tio n Ra te ) #
LIGHT DIST: A distortion with an intense, brilliant feel.
Specifies the rate of modulation.
FAT DIST: Boosted lows and highs gives this one a thick, fat
sound.
De p th (Mo d u la tio n De p th ) #
Specifies the depth of modulation.
FUZZ DIST: Like FAT DIST, but with even more distortion.
Drive (Disto rtio n Drive ) #
Output
Adjusts the degree of distortion.
Le ve l (O u tp u t Le ve l)
Le ve l (Disto rtio n Le ve l)
Adjusts the output level.
Sets the distortion output level.
7 5 : JD MULTI
Phaser
This allows the Distortion (DS), Phaser (PH), Spectrum (SP),
and Enhancer (EH) effects to be connected in series in any
Ma n u a l (Ph a se r Ma n u a l) #
desired order.
fig.02-075m.e
Specifies the center frequency at which the sound is
modulated.
L in
Distortion
Spectrum
Phaser
Mix Le ve l #
R in
Specifies the volume of the phase-shifted sound, relative to
the direct sound.
L out
R out
Ra te (Ph a se r Ra te ) #
Enhancer
Specifies the frequency of modulation.
De p th (Ph a se r De p th ) #
SEQUENCE
Adjusts the depth of modulation.
Dist (Disto rtio n Sw itch )
Re so n a n ce (Ph a se r Re so n a n ce ) #
Turns the Distortion on/ off.
Adjusts the amount of feedback for the phaser. Higher
settings will give the sound a stronger character.
Ph a se r (Ph a se r Sw itch )
Turns the phaser on/ off.
Spectrum
Sp e ctru m (Sp e ctru m Sw itch )
Ba n d W id th
Turns the Spectrum on/ off.
Specifies the range of all bands in which the level will be
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
modified.
Pre Filter
2 5 0 Hz (2 5 0 Hz Ga in )
Ty p e
Specifies the gain (amount of boost or cut) at 250 Hz.
Specifies the type of filter that will be applied before the
sound passes through the Lo-Fi effect.
5 0 0 Hz (5 0 0 Hz Ga in )
Specifies the gain (amount of boost or cut) at 500 Hz.
Post Filter 1
1 0 0 0 Hz (1 0 0 0 Hz Ga in )
Ty p e
Specifies the gain (amount of boost or cut) at 1000 Hz.
Specifies the type of filter that will be applied after the sound
passes through the Lo-Fi effect.
2 0 0 0 Hz (2 0 0 0 Hz Ga in )
Specifies the gain (amount of boost or cut) at 2000 Hz.
Post Filter 2
4 0 0 0 Hz (4 0 0 0 Hz Ga in )
Ty p e
Specifies the gain (amount of boost or cut) at 4000 Hz.
OFF: A post filter 2 will not be used.
8 0 0 0 Hz (8 0 0 0 Hz Ga in )
LPF: The frequency region above the Cutoff Freq setting will
be cut.
Specifies the gain (amount of boost or cut) at 8000 Hz.
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Enhancer
Se n s (En h a n ce r Se n s)
Cu to ff (Cu to ff Fre q u e n cy )
Adjusts the sensitivity of the enhancer.
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Mix Le ve l #
Determines the proportion at which the overtones generated
by the enhancer will be mixed with the original sound.
EQ Gain
Lo w (Lo w Ga in )
Adjusts the gain of the low frequency range.
Output
Positive (+) settings will emphasize (boost) the low-
frequency range.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
Hig h (Hig h Ga in )
Pa n (O u tp u t Pa n )
Adjusts the gain of the high frequency range.
Adjusts the stereo location of the output sound.
Positive (+) settings will emphasize (boost) the high-
frequency range.
7 6 : STEREO LO FI CO MPRESS
This is a stereo Lo-Fi compress. This is an effect that
Balance
intentionally degrades the sound quality.
Ba la n ce #
fig.02-076m.e
L in
L out
R out
Lo-Fi
Lo-Fi
2-Band EQ
2-Band EQ
Sets the volume balance between the direct sound and the
effect sound.
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W only the effect sound
will be output.
R in
Lo-Fi
Ty p e (Lo Fi Ty p e )
Output
Degrades the sound quality. The sound quality will become
poorer as this value is increased.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
7 7 : STEREO LO -FI N O ISE
Disc N o ise LPF
Specifies the cutoff frequency of the low pass filter that is
applied to the record noise.
This is a stereo Lo-Fi noise. In addition to a Lo-Fi effect, this
effect also generates various types of noise such as radio
noise and disc noise.
fig.02-077m.e
Disc N o ise Le ve l
Specifies the volume of the record noise.
2-Band
EQ
L in
L out
Lo-Fi
Noise Gen.
Lo-Fi
Radio Noise
Radio
De tu n e (Ra d io De tu n e ) #
Simulates the tuning noise of a radio. As this value is raised,
the tuning will drift further.
2-Band
EQ
R in
R out
Le ve l (Ra d io N o ise Le ve l)
Lo-Fi
Specifies the volume of the radio noise.
Ty p e
Noise
Degrades the sound quality. The sound quality will become
poorer as this value is increased.
N o ise Ty p e
Selects either white noise or pink noise.
Hum
LPF (W h ite / Pin k N o ise LPF)
Ty p e (Hu m N o ise Ty p e )
Specifies the cutoff frequency of the low pass filter that is
applied to the white noise or pink noise.
Selects the type of hum noise.
LPF (Hu m N o ise LPF)
Le ve l (W h ite / Pin k N o ise Le ve l)
Specifies the cutoff frequency of the low pass filter that is
applied to the hum noise.
Specifies the volume of the white noise or pink noise.
EQ Gain
Le ve l (Hu m N o ise Le ve l)
Lo w (Lo w Ga in )
Specifies the volume of the hum noise.
Adjusts the gain of the low frequency range.
Post Filter
Positive (+) settings will emphasize (boost) the low-
frequency range.
Ty p e (Po st Filte r Ty p e )
OFF: No filter is used.
Hig h (Hig h Ga in )
LPF: Frequencies higher than the selected cutoff frequency
value are eliminated.
Adjusts the gain of the high frequency range.
Positive (+) settings will emphasize (boost) the high-
frequency range.
HPF: Frequencies lower than the selected cutoff frequency
value are eliminated.
Balance
Cu to ff (Po st Filte r Cu to ff Fre q u e n cy )
Ba la n ce #
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Sets the volume balance between the direct sound and the
effect sound.
Disc Noise
With a setting of D100:0W only the direct sound will be
output, and with a setting of D0:100W the effect sound will
be output.
Disc N o ise Ty p e
Selects the type of record noise. The frequency at which the
noise is heard will depend on the selected type.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Tre b le (Pre Am p Tre b le )
Output
Sets the treble sound quality.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
Speaker
Sw itch (Sp e a k e r Sw itch )
7 8 : GUITAR AMP SIMULATO R
Determines whether the signal passes through the speaker
(ON), or not (OFF).
This is an effect that simulates an amp.
fig.02-078m.e
L in
L out
Pan L
Sp e a k e r Ty p e
Pre Amp
Speaker
Selects the type of speaker. The specifications of each type
are as follows. The “Speaker” column lists the diameter of
the speakers (in inches) along with the number of speakers
there are.
Pan R
R in
R out
Amp Simulator
Type
Cabinet
Speaker Microphone
Sw itch (Pre Am p Sw itch )
Small 1
Small open-back enclosure 10
Small open-back enclosure 10
dynamic
Turns the amp switch on/ off.
Small 2
dynamic
Middle
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
open back enclosure
sealed enclosure
12 x 1
dynamic
Ty p e (Pre Am p Ty p e )
JC-120
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 4
12 x 4
12 x 4
12 x 4
12 x 4
dynamic
Selects the type of guitar amp.
Built In 1
Built In 2
Built In 3
Built In 4
Built In 5
BG Stack 1
BG Stack 2
MS Stack 1
MS Stack 2
dynamic
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
Amp Level
Vo lu m e (Pre Am p Vo lu m e ) #
Adjusts the volume and the amount of distortion of the amp.
large sealed enclosure
large sealed enclosure
large sealed enclosure
Ma ste r (Pre Am p Ma ste r Vo lu m e ) #
Adjusts the volume of the entire pre-amp.
Metal Stack large double stack
Ga in (Pre Am p Ga in )
2 Stack
3 Stack
large double stack
large triple stack
Selects the degree of pre-amp distortion between three levels
of Low, Middle and High.
Mic
Amp Tone
Se ttin g
Pre se n ce (Pre Am p Pre se n ce )
Specifies the location of the mic that is recording the sound of
the speaker. This can be adjusted in three steps, with the mic
becoming more distant in the order of 1, 2, and 3.
Adjusts the tone for the ultra high frequency range.
Normally the range will be 0–127, but when “Match Drive” is
selected for the Pre-amp Type parameter, the range will be -
127–0.
Le ve l (Mic Le ve l)
Adjusts the volume of the microphone.
Brig h t (Pre Am p Brig h tn e ss)
Turning this “On” will produce a sharper and brighter
sound. This parameter can be set if the Pre-amp Type is set to
“JC-120,” “Clean Twin,” or “BG Lead.”
Dire ct (Dire ct Le ve l)
Specifies the volume of the direct sound.
Output
Ba ss (Pre Am p Ba ss)
Sets the bass sound quality.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
Mid d le (Pre Am p Mid d le )
Adjusts the tone of the mid range. If “MAtch Drive” is
selected for the Pre-amp type parameter, this parameter
cannot be set.
Pa n (O u tp u t Pa n ) #
Specifies the stereo location of the output sound. L64 is far
left, 0 is center, and 63R is far right.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
7 9 : STEREO O VERDRIVE
8 0 : STEREO DISTO RTIO N
This is a stereo overdrive.
This is a stereo distortion.
fig.02-079m.e
fig.02-080m.e
Amp
Simulator
2-Band
EQ
Amp
Simulator
2-Band
EQ
Overdrive
Overdrive
Distortion
Distortion
L in
L out
R out
L in
L out
R out
Amp
Simulator
2-Band
EQ
Amp
Simulator
2-Band
EQ
R in
R in
Overdrive
Distortion
Drive #
Drive #
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
To n e
To n e
Specifies the sound quality of the Overdrive effect.
Amp Simulator
Adjusts the sound quality of the Distortion effect.
Amp Simulator
Sw itch (Am p Sim u la to r Sw itch )
Sw itch (Am p Sim u la to r Sw itch )
Turns the Amp Simulator switch on/ off.
Turns the Amp Simulator switch on/ off.
Ty p e (Am p Sim u la to r Ty p e )
Selects the type of guitar amp.
SMALL: small amp
Ty p e (Am p Sim u la to r Ty p e )
Selects the type of guitar amp.
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
EQ Gain
EQ Gain
Lo w (Lo w Ga in )
Lo w (Lo w Ga in )
Adjusts the gain of the low frequency range.
Adjusts the gain of the low frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
Positive (+) settings will emphasize (boost) the low-
frequency range.
Hig h (Hig h Ga in )
Hig h (Hig h Ga in )
Adjusts the gain of the high frequency range.
Adjusts the gain of the high frequency range.
Positive (+) settings will emphasize (boost) the high-
frequency range.
Positive (+) settings will emphasize (boost) the high-
frequency range.
Output
Output
Le ve l (O u tp u t Le ve l)
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
Adjusts the output level.
fig.02-080ms.e
You can use the Output Level setting to even out the volume
difference between the sound with and without Overdrive.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
8 1 : GUITAR MULTI A
Sequence
Guitar Multi 1 connects Compressor (Cmp), Overdrive or
Distortion (ODDS), Amp Simulator (Amp), Delay (Dly), and
Chorus or Flanger (CF) effects in series.
Co m p (Co m p re sso r Sw itch )
Turns the Compressor on/ off.
O D/ Dist (O ve rd rive / Disto rtio n Sw itch )
Turns the Overdrive/ Distortion on/ off.
L in
Overdrive/
Distortion
Amp
Simulator
Compressor
Am p Sim (Am p sim u la to r Sw itch )
R in
Turns the Compressor on/ off.
De la y (De la y Sw itch )
L out
Turns the Delay on/ off.
Ch o / Flg (Ch o ru s/ Fla n g e r Sw itch )
Chorus/
Flanger
Pan
Delay
Turns the Chorus/ Flanger on/ off.
R out
Compressor
Atta ck (Co m p re sso r Atta ck )
Specifies the duration of the attack when sound is input.
Su sta in (Co m p re sso r Su sta in )
Feedback
Delay
Specifies the time over which low-level sounds will be
boosted to reach the specified volume. Increasing the value
will shorten the time. When the value is modified, the level
will also change.
Le ve l (Co m p re sso r Le ve l) #
Sets the volume of the compressor sound.
Delay
Overdrive/Distortion
Ty p e
Selects either Overdrive or Distortion.
Drive #
Chorus/
Flanger
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
L out
R out
Feedback
Chorus/
Flanger
To n e (O ve rd rive / Disto rtio n To n e )
Adjusts the sound quality of the Overdrive/ Distortion effect.
Le ve l
Adjusts the Overdrive/ Distortion output level.
Chorus/
Flanger
* In this section, the Delay and Chorus/Flanger are depicted in
diagrams. When these same effects are discussed later, these
diagrams are used.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Ba la n ce #
Amp Simulator
Adjusts the volume balance between the direct sound and
the chorus/ flanger sound.
Am p Ty p e (Am p Sim u la to r Ty p e )
Selects the type of guitar amp.
Small:
BltIn:
2-Stk:
3-Stk:
small amp
Filter
built-in type amp
large double stack amp
large triple stack amp
Ty p e
Selects the type of filter.
OFF: No filter is used.
LPF: The frequency region above the Cutoff Freq setting will
be cut.
Delay
Le ft Tim e (De la y Tim e Le ft)
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Adjust the delay time from the original sound until the left
delay sound is heard.
Cu to ff (Cu to ff Fre q u e n cy )
Rig h t Tim e (De la y Tim e Rig h t)
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Adjust the delay time from the direct sound until the right
delay sound is heard.
Output
Fe e d b a ck (De la y Fe e d b a ck Le ve l)
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
HF Da m p
Pa n (O u tp u t Pa n ) #
Adjusts the frequency above which sound fed back to the
effect will be cut. If you do not want to damp the high
frequencies, set this parameter to BYPASS.
Adjusts the stereo location of the output sound.
8 2 : GUITAR MULTI B
Guitar Multi 2 provides Compressor (Cmp), Overdrive or
Distortion (ODDS), Amp Simulator (Amp), Equalizer (EQ),
Ba la n ce (De la y Ba la n ce ) #
Adjusts the volume balance between the direct sound and
the delay sound.
and Chorus or Flanger (CF) effects connected in series.
fig.02-082m.e
L in
Chorus/Flanger
Overdrive/
Distortion
Amp
Simulator
Compressor
Ty p e
R in
Selects either Chorus or Flanger.
Ra te
Specifies the rate of modulation.
L out
R out
Chorus/
Flanger
De p th
3-Band EQ
Specifies the depth of modulation.
Fe e d b a ck (CF Fe e d b a ck )
Sequence
Adjusts the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Co m p (Co m p re sso r Sw itch )
Turns the Compressor on/ off.
Pre De la y (Ch o ru s/ Fla n g e r Pre De la y Tim e )
O D/ Dist (O D/ Dist Sw itch )
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
Turns Overdrive or Distortion on/ off.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Am p Sim (Am p Sim u la to r Sw itch )
Mid (EQ Mid Ga in )
Turns the Amp Simulator on/ off.
Adjusts the gain of the area specified by the EQ M Fq
parameter and the EQ M Q parameter.
3 Ba n d EQ (3 Ba n d EQ Sw itch )
Hig h (EQ Hig h Ga in )
Turns the equalizer on/ off.
Adjusts the high-range gain of the equalizer.
Ch o / Flg (Ch o ru s/ Fla n g e r Sw itch )
Turns the chorus/ flanger on/ off.
Mid
Mid (EQ Mid Fre q u e n cy )
Compressor
Sets the center frequency for the equalizer mid-range.
Atta ck (Co m p re sso r Atta ck )
Mid Q (EQ Mid Q )
Specifies the duration of the attack when sound is input.
Adjusts the width of the area centered at the EQ M Fq setting
in which the gain will be affected. Higher values of Q will
result in a narrower area being affected.
Su sta in (Co m p re sso r Su sta in )
Specifies the time over which low-level sounds will be
boosted to reach the specified volume. Increasing the value
will shorten the time. When the value is modified, the level
will also change.
Chorus/Flanger
Ty p e
Le ve l (Co m p re sso r Le ve l) #
Selects either Chorus or Flanger.
Sets the volume of the compressor sound.
Ra te
Sets the modulation speed for the chorus or flanger.
Overdrive/Distortion
Ty p e
De p th
Selects either Overdrive or Distortion.
Sets the modulation depth for the chorus or flanger.
Drive #
Fe e d b a ck
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
Adjusts the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
To n e (O ve rd rive / Disto rtio n To n e )
Pre De la y (Ch o ru s/ Fla n g e r Pre De la y Tim e )
Adjusts the sound quality of the Overdrive/ Distortion effect.
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
Le ve l
Sets the volume of the overdrive sound.
Ba la n ce #
Adjusts the volume balance between the direct sound and
the chorus/ flanger sound.
Amp Simulator
Ty p e (Am p Sim u la to r Ty p e )
Selects the type of guitar amp.
Filter
Small:
BltIn:
2-Stk:
3-Stk:
small amp
Ty p e (Filte r Ty p e )
Selects the type of filter.
OFF: No filter is used.
built-in type amp
large double stack amp
large triple stack amp
LPF: The frequency region above the Cutoff Freq setting will
be cut.
EQ Gain
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Lo w (EQ Lo w Ga in )
Adjusts the low-range gain of the equalizer.
9 7
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Cu to ff (Cu to ff Fre q u e n cy )
To n e
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Adjusts the sound quality of the Overdrive/ Distortion effect.
Le ve l
Adjusts the Overdrive (or Distortion) output level.
Output
Le ve l (O u tp u t Le ve l)
Wah
Adjusts the output level.
Filte r Ty p e (W a h FIlte r Ty p e )
Pa n (O u tp u t Pa n )
Selects the filter type.
Adjusts the stereo location of the output sound.
LPF: The wah effect will be applied over a wide frequency
range.
8 3 : GUITAR MULTI C
BPF: The wah effect will be applied over a narrow frequency
range.
Guitar Multi C connects Overdrive or Distortion (ODDS),
Wah (Wah), Amp Simulator (Amp), Delay (Dly), and Chorus
Ra te
or Flanger (CF) effects in series.
Adjusts the frequency of the modulation.
fig.02-083m.e
L in
De p th
Overdrive/
Distortion
Amp
Simulator
Wah
Adjusts the depth of the modulation.
R in
Se n s
L out
R out
Specifies the sensitivity with which the filter will be affected.
Chorus/
Flanger
Delay
Pan
Ma n u a l #
Sets the center frequency from which the effect is applied.
Sequence
Pe a k
Adjusts the amount of the wah effect that will occur in the
area of the center frequency. Lower settings will produce a
wah effect in a broad area around the center frequency, and
higher settings will produce a wah effect in a narrower area
around the center frequency.
W a h Sw (W a h Sw itch )
Turns the wah on/ off.
Am p Sim (Am p Sim u la to r Sw itch )
Turns the Amp Simulator on/ off.
W a h (W a h Sw itch )
Amp Simulator
Turns the wah on/ off.
Ty p e (Am p Sim u la to r Ty p e )
De la y (De la y Sw itch )
Selects the type of guitar amp.
Turns the Delay on/ off.
Small:
BltIn:
2-Stk:
3-Stk:
small amp
built-in type amp
large double stack amp
large triple stack amp
Ch o / Flg (Ch o ru s/ Fla n g e r Sw itch )
Turns the wah on/ off.
Overdrive/Distortion
Delay
Ty p e
Le ft Tim e (De la y Tim e Le ft)
Selects either Overdrive or Distortion.
Adjust the delay time from the original sound until the left
delay sound is heard.
Drive #
Adjusts the degree of distortion. The volume will change
together with the degree of distortion.
Rig h t Tim e (De la y Tim e Rig h t)
Adjust the delay time from the direct sound until the right
delay sound is heard.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
Fe e d b a ck (De la y Fe e d b a ck Le ve l)
Output
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input.
Le ve l (O u tp u t Le ve l)
Adjusts the output level.
HF Da m p
Pa n (O u tp u t Pa n ) #
Adjusts the frequency above which sound fed back to the
effect will be cut. If you do not want to damp the high
frequencies, set this parameter to BYPASS.
Adjusts the stereo location of the output sound.
8 4 : CLEAN GUITAR MULTI A
Ba la n ce (De la y Ba la n ce ) #
Clean Guitar Multi 1 connects Compressor (Cmp), Equalizer
(EQ), Delay (Dly), and Chorus or Flanger (CF) effects in
Adjusts the volume balance between the direct sound and
the delay sound.
series.
fig.02-084m.e
L in
Chorus/Flanger
Compressor
3-Band EQ
Ty p e
R in
Selects either Chorus or Flanger.
L out
R out
Ra te
Chorus/
Flanger
Delay
Pan
Sets the modulation speed for the chorus or flanger.
De p th
Sets the modulation depth for the chorus or flanger.
Sequence
Fe e d b a ck (CF Fe e d b a ck )
Co m p (Co m p re sso r Sw itch )
Adjusts the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
Turns the Compressor on/ off.
3 Ba n d EQ (3 Ba n d EQ Sw itch )
Turns the equalizer on/ off.
Pre De la y (Ch o ru s/ Fla n g e r Pre De la y Tim e )
De la y (De la y Sw itch )
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
Turns the Delay on/ off.
Ba la n ce #
Ch o / Flg (Ch o ru s/ Fla n g e r Sw itch )
Adjusts the volume balance between the direct sound and
the chorus/ flanger sound.
Turns the wah on/ off.
Compressor
Filter
Atta ck (Co m p re sso r Atta ck )
Ty p e
Specifies the duration of the attack when sound is input.
Selects the type of filter.
OFF: No filter is used.
Su sta in (Co m p re sso r Su sta in )
Specifies the time over which low-level sounds will be
boosted to reach the specified volume. Increasing the value
will shorten the time.
LPF: The frequency region above the Cutoff Freq setting will
be cut.
HPF: The frequency region below the Cutoff Freq setting will
be cut.
* When the value is modified, the level will also change.
Le ve l (Co m p re sso r Le ve l) #
Cu to ff (Cu to ff Fre q u e n cy )
Sets the volume of the compressor sound.
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
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Ch a p te r 2 Usin g th e XV-5 0 8 0 Effe cts
De p th
EQ Gain
Sets the modulation depth for the chorus or flanger.
Lo w (EQ Lo w Ga in )
Adjusts the low-range gain of the equalizer.
Fe e d b a ck (CF Fe e d b a ck )
Adjusts the proportion (%) of the flanger sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
EQ M Ga in (EQ Mid Ga in )
Adjusts the gain of the area specified by the EQ M Fq
parameter and the EQ M Q parameter.
Pre Dly (Ch o ru s/ Fla n g e r Pre De la y Tim e )
Hig h (EQ Hig h Ga in )
Adjusts the delay time from the direct sound until when the
chorus sound is heard.
Adjusts the high-range gain of the equalizer.
Ba la n ce #
Mid
Adjusts the volume balance between the direct sound and
the chorus/ flanger sound.
Mid Fre q (EQ Mid Fre q u e n cy )
Sets the center frequency for the equalizer mid-range.
Filter
Mid Q (EQ Mid Q )
Adjusts the width of the area centered at the EQ M Fq setting
in which the gain will be affected. Higher values of Q will
result in a narrower area being affected.
Ty p e
Selects the type of filter.
OFF: No filter is used.
LPF: The frequency region above the Cutoff Freq setting will
be cut.
Delay
Le ft Tim e (De la y Tim e Le ft)
HPF: The frequency region below the Cutoff Freq setting will
be cut.
Adjust the delay time from the original sound until the left
delay sound is heard.
Cu to ff (Cu to ff Fre q u e n cy )
Rig h t Tim e (De la y Tim e Rig h t)
Sets the cutoff frequency when a specific frequency band is
cut off by a filter.
Adjust the delay time from the direct sound until the right
delay sound is heard.
Output
Fe e d b a ck (De la y Fe e d b a ck Le ve l)
Le ve l (O u tp u t Le ve l)
Adjusts the proportion (%) of the delay sound that is fed
back into the delay input.
Adjusts the output level.
Pa n (O u tp u t Pa n )
HF Du m p (De la y HF Da m p )
Adjusts the stereo location of the output sound.
Adjusts the frequency above which delayed sound fed back
to the delay input will be cut. If you do not want the sound to
be cut, select BYPASS.
Ba la n ce (De la y Ba la n ce ) #
Adjusts the volume balance between the direct sound and
the delay sound.
Chorus/Flanger
Ty p e
Selects either Chorus or Flanger.
Ra te
Sets the modulation speed for the chorus or flanger.
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