Roland Electronic Keyboard F 90 User Guide

O w n e r’s Ma n u a l

Congratulations on your choice of the Roland Digital Piano F-90.

201a

Before using this unit, carefully read the sections entitled: “USING THE UNIT

SAFELY” and “IMPORTANT NOTES” (p. 2; p. 4). These sections provide

important information concerning the proper operation of the unit. Additionally, in

order to feel assured that you have gained a good grasp of every feature provided by

your new unit, Owner’s manual should be read in its entirety. The manual should be

saved and kept on hand as a convenient reference.

Assembling the F-90

Before You Play

☞ p age 6

☞ p age 10

Listening to the Demo Songs ☞ p age 12

Playing the Keyboard

☞ p age 13

Contents

Index

☞ p age 9

☞ p age 31

202

written permission of ROLAND CORPORATION.

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011

101b

•

Do not allow any objects (e.g., flammable material,

coins, pins); or liquids of any kind (water, soft

drinks, etc.) to penetrate the unit.

•

The unit and the AC adaptor should be located so

their location or position does not interfere with

their proper ventilation.

..........................................................................................................

102c

•

Always grasp only the plug on the AC adaptor

cord when plugging into, or unplugging from, an

outlet or this unit.

..........................................................................................................

012b

•

Immediately turn the power off, remove the AC

adaptor from the outlet, and request servicing by

your retailer, the nearest Roland Service Center, or

an authorized Roland distributor, as listed on the

“Information” page when:

..........................................................................................................

103b

•

Whenever the unit is to remain unused for an

extended period of time, disconnect the AC

adaptor.

• The AC adaptor, the power-supply cord, or the

plug has been damaged; or

..........................................................................................................

104

•

Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

..........................................................................................................

106

•

Never climb on top of, nor place heavy objects on

the unit.

• The unit does not appear to operate normally or

exhibits a marked change in performance.

..........................................................................................................

013

107c

•

In households with small children, an adult

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

•

Never handle the AC adaptor or its plugs with

wet hands when plugging into, or unplugging

from, an outlet or this unit.

..........................................................................................................

108d: Selection

..........................................................................................................

014

•

If you need to move the instrument, take note of

the precautions listed below. At least two persons

are required to safely lift and move the unit. It

should be handled carefully, all the while keeping

it level. Make sure to have a firm grip, to protect

yourself from injury and the instrument from

damage.

•

Protect the unit from strong impact.

(Do not drop it!)

..........................................................................................................

015

•

Do not force the unit’s power-supply cord to share

an outlet with an unreasonable number of other

devices. Be especially careful when using

extension cords—the total power used by all

devices you have connected to the extension

cord’s outlet must never exceed the power rating

(watts/ amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat

up and eventually melt through.

• Check to make sure the screws securing the unit

to the stand have not become loose. Fasten them

again securely whenever you notice any

loosening.

• Disconnect the power cord.

..........................................................................................................

016

•

• Disconnect all cords coming from external devices.

• Remove the music stand.

..........................................................................................................

109b

Before using the unit in a foreign country, consult

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

•

Before cleaning the unit, turn off the power and

unplug the AC adaptor from the outlet (page 10).

..........................................................................................................

110b

•

Whenever you suspect the possibility of lightning

in your area, disconnect the AC adaptor from the

outlet.

..........................................................................................................

118

•

Should you remove the caps and screws, make

sure to put them in a safe place out of children’s

reach, so there is no chance of them being

swallowed accidentally.

..........................................................................................................

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IMPO RTAN T N O TES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and observe the following:

Po w e r Su p p ly

301

Ma in te n a n ce

401b

•

Do not use this unit on the same power circuit with any

device that will generate line noise (such as an electric

motor or variable lighting system).

•

To clean the unit, use a dry, soft cloth; or one that is

slightly dampened. Try to wipe the entire surface using an

equal amount of strength, moving the cloth along with the

grain of the wood. Rubbing too hard in the same area can

damage the finish.

302

•

When the AC adaptor is used for extended periods, both

the adaptor itself, and the area around the F-90’s DC In

connector will become somewhat warm; however, this

does not indicate a malfunction.

402

•

Never use benzine, thinners, alcohol or solvents of any

kind, to avoid the possibility of discoloration and/ or

deformation.

307

•

Before connecting this unit to other devices, turn off the

power to all units. This will help prevent malfunctions

and/ or damage to speakers or other devices.

Ad d itio n a l Pre ca u tio n s

553

•

Use a reasonable amount of care when using the unit’s

buttons, sliders, or other controls; and when using its jacks

and connectors. Rough handling can lead to malfunctions.

Pla ce m e n t

351

•

Using the unit near power amplifiers (or other equipment

containing large power transformers) may induce hum.

To alleviate the problem, change the orientation of this

unit; or move it farther away from the source of inter-

ference.

556

•

When connecting / disconnecting all cables, grasp the

connector itself—never pull on the cable. This way you

will avoid causing shorts, or damage to the cable’s

internal elements.

352

557

•

This device may interfere with radio and television

reception. Do not use this device in the vicinity of such

receivers.

A small amount of heat will radiate from the unit during

normal operation.

558a

•

354b

To avoid disturbing your neighbors, try to keep the unit’s

•

Do not expose the unit to direct sunlight, place it near

volume at reasonable levels. You may prefer to use

headphones, so you do not need to be concerned about

those around you (especially when it is late at night).

devices that radiate heat, leave it inside an enclosed

vehicle, or otherwise subject it to temperature extremes.

Also, do not allow lighting devices that normally are used

while their light source is very close to the unit (such as a

piano light), or powerful spotlights to shine upon the

same area of the unit for extended periods of time.

Excessive heat can deform or discolor the unit.

559a

•

When you need to transport the unit, package it in the box

(including padding) that it came in, if possible. Otherwise,

you will need to use equivalent packaging materials.

355

562

•

To avoid possible breakdown, do not use the unit in a wet

area, such as an area exposed to rain or other moisture.

Use a cable from Roland to make the connection. If using

some other make of connection cable, please note the

following precautions.

356

•

Do not allow rubber, vinyl, or similar materials to remain

on the piano for long periods of time. Such objects can

discolor or otherwise harmfully affect the finish.

• Some connection cables contain resistors. Do not use

cables that incorporate resistors for connecting to this

unit. The use of such cables can cause the sound level

to be extremely low, or impossible to hear. For infor-

mation on cable specifications, contact the manufac-

turer of the cable.

357

•

Do not put anything that contains water (e.g., flower

vases) on the piano. Also, avoid the use of insecticides,

perfumes, alcohol, nail polish, spray cans, etc., near the

unit. Swiftly wipe away any liquid that spills on the unit

using a dry, soft cloth.

358

•

Do not allow objects to remain on top of the keyboard.

This can be the cause of malfunction, such as keys ceasing

to produce sound.

359

•

Do not paste stickers, decals, or the like to this instrument.

Peeling these off, particularly when strong adhesives have

been used, can damage the instrument’s exterior finish

(the stickers provided with this instrument feature a weak

adhesive).

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In tro d u ctio n

Congratulations on your choice of the Roland Digital Piano F-90.

In order to enjoy reliable performance of your new keyboard for many years to come, please take the

time to read through this manual in its entirety.

Ma in Fe a tu re s

Re fin e d W o o d Gra in , Co m p a ct De sig n

In clu d e s Hig h -Q u a lity Re ve rb

The simple design and light wood grain finish is at home

both in the living room as well as in the children’s room.

The Reverb effect can duplicate the ambience of a concert

hall.

And at a compact about 300 millimeters deep, it fits in

perfectly with other furniture.

N u m e ro u s In te rn a l So n g s

The F-90 features sixty internal piano songs.

Au th e n tic Pia n o Pe rfo rm a n ce s

Me tro n o m e Fu n ctio n

High-quality concert grand piano tones, along with the

Progressive Hammer Action keyboard, which gives more

realistic piano touch by providing a heavier feel in the low

end and a lighter feel in the upper notes, let you enjoy truly

authentic piano performances.

The F-90 comes equipped with a metronome that is

convenient for practice. You can adjust tempo, beat, and

volume.

Ke y b o a rd To u ch Ca n Be Se t to Ma tch

Fin g e r Stre n g th

Hig h -Pe rfo rm a n ce Tw o -Bo x Sp e a k e r

Co n stru ctio n

You can change the keyboard touch so it better suits the

finger strength of the person playing the keyboard.

The lateral speaker box features two independent left and

right speaker boxes, providing unexpectedly superior

volume and sonic quality.

Tw o He a d p h o n e Ja ck s Pro vid e d

The speakers can also be directed rearward if conditions

require.

The F-90 comes equipped with two headphone jacks,

allowing two people to use headphones simultaneously.

This is a convenient feature for use in lessons, or when

playing pieces for four hands.

Te n To n e s Fo r Use in a W id e Va rie ty o f

Mu sica l Ge n re s

In clu d e s In p u t/ O u tp u t Ja ck s

The F-90 offers 10 different onboard tones, including piano,

which can be used for almost every conceivable style of

music.

By connecting external audio equipment to the F-90’s Line

Output jacks you can play sounds from the F-90 through

your audio setup, and with a CD player or other such device

connected to the Input jacks, you can then play internal

sounds along with F-90 performances.

Ch e ck in g th e In clu d e d Ite m s

Check to see if you have all of the items that normally are supplied with the F-90.

If any items are missing, please contact the dealer where you purchased this unit.

☞ F-90 (For installing the F-90, refer to p. 6)

☞ AC Adaptor (DC 9V), AC Cord

☞ Cover

☞ Side Panel right

☞ Side Panel left

☞ Music Stand

☞ Speaker Box

☞ Pedal Switch

☞ Screw x 8

☞ Owner’s manual (this document)

☞ Tempo Setting Sheet

☞ Cap x 8 (and additional spare caps)

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In tro d u ctio n

Asse m b lin g th e F-9 0

Make sure that another person is on hand to help with the assembly and setup.

To move the piano, lift it carefully—all the while keeping it level. Be very careful, when you

assemble and move the piano, to make sure that you do not drop it on your hands or feet.

Always carry out this procedure with the F-90 lying horizontally, with the rear panel facing down.

☞ Ch e ck th e Pa rts

☞ Asse m b ly Pro ce d u re

Before you begin assembling the stand, check that all the

•

At first, assemble the entire stand in a temporary

fashion, without really tightening the screws.

Then, after checking the overall alignment of the boards

(and gently shifting certain parts where necessary), go

around and tightly fasten each of the screws.

Be careful when assembling the F-90, so as to avoid

scratching the side panels.

parts were supplied.

You will also need to have a Phillips screwdriver.

fig.st1

F-90

•

When securing the screws, lay the entire unit sideways

with the rear side of the F-90 at the bottom.

Speaker box

Speaker cable

1 . Tighten the screws on one of the side panels to

secure that side panel the F-90 and speaker box

(four screws).

Install so that the speaker cable at the rear of the speaker

box extends to the right side (the side where the F-90’s

Side panel right and left

Front

[Power] Switch is located).

fig.st02-2

(Left)

Cross section

(Right)

Rear

Front

F-90

Screws

Rear

Speaker box

Cap x 8

(and some spare caps)

Screws x 8

Side with

rounded

Side panel

(Left)

corners

facing out

2 . Tighten the screws on the other side panel to

secure it the F-90 and speaker box (four screws).

The speaker box can also be installed so that it faces toward

the rear instead of toward the front. Having the speaker box

face out the rear of the instrument allows the speakers to be

directed toward listeners when the back of the instrument

fig.st02-2

F-90

Screws

faces the audience.

fig.stsp

Normal direction

When facing to the rear

Side panel

(Right)

Speaker box

Side with

rounded

corners

Front

Rear

Front

Rear

facing out

Speaker

box

Speaker

box

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In tro d u ctio n

3 . Firmly tighten all of the screws and stand the

instrument back up.

W h e n Mo vin g th e In stru m e n t

Disconnect the AC cord, cables and the music stand from the

F-90.

When lifting the instrument back up, grasp near the

center of the speaker box and the F-90, and gently raise

Then lift the piano while keeping it level, and move it with

care, so that you do not drop it on your feet, or get your

hands caught.

the instrument.

fig.st03-2

W h e n Disa sse m b lin g

Disassemble the unit by carrying out assembly Steps 1-5 in

reverse order.

W h e n Ch a n g in g th e O rie n ta tio n o f th e

Sp e a k e r Bo x

Be sure to completely disassemble the unit, change the

speaker box orientation, then reassemble it.

If th e Sta n d is Un e ve n

If after lifting the F-90 back up you find that stand is

crooked, try loosening the screws and then securing

them again. When retightening, start with the top

screws, then work your way down. When doing this,

slightly loosen the screws before firmly tightening them.

4 . Place the caps over the heads of the screws (four

on each side).

fig.st03

Caps

5 . Connect the speaker cable extending from the

rear of the speaker box to the F-90’s speaker

connector.

Press the speaker cable completely into the connector so

that it is securely fastened.

fig.st04

F-90 Rear

Speaker Connecter

Speaker cable

Clip Portion

Hold and insert the cable so that the clip

portion extends into the stand and is

securely connected.

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In tro d u ctio n

Pa n e l De scrip tio n s

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Power

Dual Balance

Key Touch

Min

Max

5 6

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

Power

1 . [Vo lu m e ] Kn o b

4 . [Va ria tio n ] Bu tto n

Ad j u sts the volume (p. 11).

This is used in combination with the tone buttons to

select the instrument sounds to be played with the

keyboard (p. 13).

2 . [Re ve rb ] Bu tto n

Used to add reverberation to the sound (p. 15).

5 . [

(Me tro n o m e )] Bu tto n

3 . To n e Bu tto n s

Activates the built-in metronome (p. 15).

The following five buttons are collectively referred to as

the Tone buttons. These are used to select the tone to

played via the keyboard (p. 13).

[Piano] Button

6 . [De m o ] Bu tto n

This plays the internal piano songs (p. 12).

7 . [Po w e r] Sw itch

[E.Piano] Button

This switch turns the unit on/ off (p. 11).

[Harpsichord] Button

[Organ] Button

[Strings] Button

Ap p ly in g th e Te m p o Se ttin g Sh e e t

If desired, you can affix the included tempo setting sheet to the instrument.

Use the tempo setting sheet when setting the metronome tempo.

1 . Position and apply the tempo setting sheet as shown in the figure.

For more details, refer to “Changing the Metronome Tempo” (p . 1 6).

fig.00-09

Te m p o Se ttin g Sh e e t

–

Enter

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

–

Enter

Power

Position “1” at the fourth C

from the bottom (C4).

Low C (C1)

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Co n te n ts

USI N G T H E UNIT S AFELY...................................................................................................................... 2

IMPORTANT NOTES................................................................................................................................ 4

Introduction ................................................................................................................5

Main Features.............................................................................................................................................. 5

Checking the Included Items .................................................................................................................... 5

Assembling the F-90................................................................................................................................... 6

Panel Descriptions...................................................................................................................................... 8

Applying the Tempo S etting Sheet .......................................................................................................... 8

Before You Play .......................................................................................................1 0

Connecting the AC Adaptor ................................................................................................................... 10

Installing the Music Stand ....................................................................................................................... 10

Connecting Pedal s .................................................................................................................................... 10

T u rning On the Power ............................................................................................................................. 11

Ad j u sting the Volume.............................................................................................................................. 11

Connecting Headphones (Sold Separately).......................................................................................... 11

Listening to the Demo Songs .................................................................................1 2

Playing/ Stopping the Demo Songs ...................................................................................................... 12

Playing the Keyboard ..............................................................................................1 3

Selecting the Instrument Sound Y o u Wish to Play ............................................................................. 13

Layering Two Instrument Sounds (Dual Play) ................................................................................... 14

Adding Reverberation to Sounds (Reverb Effect) .............................................................................. 15

So u nding the Metronome ....................................................................................................................... 15

Some Handy Functions ...........................................................................................1 8

Changing the Keyboard ’s To u c h ............................................................................................................ 18

Disabling B u ttons (Panel Lock) .............................................................................................................. 18

Transposing without Changing Y o ur Keyboard Fingering (Key Transpose)................................. 19

Ad j u sting the Pitch of the Sound (Master Tuning) ............................................................................. 19

Changing the Volume B a lance in Dual Play ........................................................................................ 20

Changing the Depth of the Reverb ........................................................................................................ 20

Connecting to Audio Equipment ............................................................................2 1

About the J a cks ......................................................................................................................................... 21

Making the Connections.......................................................................................................................... 21

Connecting to MIDI Devices....................................................................................2 2

About the MIDI Connectors ................................................................................................................... 22

Making the Connections.......................................................................................................................... 22

Cautions when Connecting an External MIDI Devic e ........................................................................ 23

Troubleshooting.......................................................................................................2 5

Demo Song List........................................................................................................2 6

MIDI Implementatio n ................................................................................................2 8

Main Specifications..................................................................................................2 9

Functions Assigned to the Keyboard ....................................................................3 0

Index..........................................................................................................................3 1

Information ...............................................................................................................3 2

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Be fo re Yo u Pla y

Co n n e ctin g th e AC Ad a p to r

Co n n e ctin g Pe d a ls

1 . Connect the supplied pedals to one of the pedal

jacks.

fig.00-03

N O TE

To prevent malfunction and/ or damage to speakers or other

devices, always turn down the volume, and turn off the

power on all devices before making any connections.

Damper

Pedal

Soft

1 . Connect the supplied AC adaptor and AC cord.

fig.00-02

Pedal switch

(DP Series)

AC cord

When connected to the Damper jack, the pedal can be

used as a damper pedal.

When connected to Soft, the pedal can be used as a soft

pedal.

AC adaptor

2 . Connect the AC adaptor to the DC In connector

on the rear panel.

N O TE

3 . As shown in the diagram, loop the AC adaptor

Unplugging a pedal cord from the unit while the power is on

may cause the pedal’s effect to be applied without stopping.

The power of the F-90 must be turned off before inserting or

removing a pedal cord.

cord around the cord stay to fasten it in place.

fig.00-01

Rear

DC In 9V

Da m p e r Pe d a l

Use this pedal to sustain the sound.

While the pedal is depressed, long lingering reverberations

continue to be added to the sound after you release from the

keys. This is the same function as the right pedal of an

acoustic piano.

4 . Plug the AC cord into a power outlet.

N O TE

To prevent the inadvertent disruption of power to your unit

(should the plug be pulled out accidentally), to avoid

applying undue stress to the DC In connector, anchor the

power cord using the cord hook, as shown in the diagram.

So ft Pe d a l

This pedal is used to make the sound softer.

Playing with the soft pedal depressed produces a sound that

is not as strong as when otherwise played with the

equivalent strength. This is the same function as the left

pedal of an acoustic piano.

Even if the cord is fastened, strong tension applied to the

cord may cause it to be damaged or broken. Be careful not to

pull the cord accidentally, or to apply strong pressure to it.

Some tones are affected less than others.

In sta llin g th e Mu sic Sta n d

N O TE

By obtaining a second pedal, you can then use two pedals

simultaneously. If you wish to purchase the optional pedal

(DP Series), please contact the dealer where you purchased

the F-90.

1 . Assemble the music stand as shown in the

diagram.

fig.00-10

N O TE

When moving the piano, be sure to remove the music stand

as a safety precaution.

1 0

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Be fo re Yo u Pla y

Tu rn in g O n th e Po w e r

Ad ju stin g th e Vo lu m e

1 . Use the [Volume] knob to adjust the overall

volume level.

fig.00-07

N O TE

Once the connections have been completed, turn on power to

your various devices in the order specified. By turning on

devices in the wrong order, you risk causing malfunction

and/ or damage to speakers and other devices.

Volume

1 . Turn the [Volume] knob completely to the left to

lower the volume to the minimum level.

fig.00-04

Min

Max

Volume

Co n n e ctin g He a d p h o n e s

(So ld Se p a ra te ly )

Min

Max

2 . Push the [Power] switch to turn on the F-90.

The F-90 features two headphone jacks. This allows two

people to listen through headphones simultaneously, making

it very useful for lessons and when performing piano pieces

for four hands. Additionally, this allows you to play without

having to worry about bothering others around you, even at

After a few seconds, the unit becomes operable and

playing the keyboard produces sound.

Adjust the volume to obtain the proper volume level.

fig.00-05

night.

Power

fig.00-08

Lower position

N O TE

This unit is equipped with a protection circuit. A brief

interval (a few seconds) after power up is required before the

unit will operate normally.

1 . Turn the [Volume] knob to lower the volume to

the minimum level.

2 . Connect the headphones to either of the

☞ Tu rn in g O ff th e Po w e r

headphone jacks.

1 . Turn the [Volume] knob completely to the left to

lower the volume to the minimum level.

3 . Use the [Volume] knob to adjust the overall

fig.00-04

volume level.

Volume

The sound from the built-in speakers stops. Sound will

be heard only through the headphones.

Min

Max

2 . Push the [Power] switch to turn off the F-90.

fig.00-06

Use Stereo headphones (stereo miniature phone type).

Power

Upper position

OFF

1 1

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Liste n in g to th e De m o So n g s

The F-90 comes with sixty demo songs.

Pla y in g / Sto p p in g th e De m o So n g s

fig.01-01

Harpsi-

Piano E.Piano chord Organ Strings

Reverb

Variation

Demo

For more on song list,

please refer to “Demo

Song List” (p . 2 6).

Dual Balance

Key Touch

1, 2

N O TE

1 . Press the [Demo] button, getting its indicator to light.

It is not possible to change

the tempo of a demo song.

The demo songs will play back in succession, starting with the first song.

When the last song has been played, playback will return to the first song

and begin again.

N O TE

2 . To stop the demo song playback, press the [Demo] button to

make the indicator go out.

If you press the [Demo]

button while the

metronome is sounding (p.

15), the metronome will

stop sounding. It is not

possible to sound the

metronome while a demo

song is playing.

The demo song playback will stop.

☞ Se le ctin g a So n g fo r Pla y b a ck

Here’s how you can select and play a desired demo song.

1 . While holding down the [Demo] button, and press the key

that corresponds to the demo song you wish to hear.

The demo songs are assigned to the white keys in sequential order, starting

with the leftmost key.

fig.01-05

When you start playback of

the demo songs by pressing

the [Demo] button,

Variation

Demo

playback always starts with

the first demo song.

Dual Balance

Key Touch

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

Power

10 12 14 17 19 22 24 26

53 55 58 60

•••

1 3 4 6 8 9 11 13 15 16 18 20 21 23 25 27

54 56 57 59

. . .

A0 B0 C1 D1 E1 F1 G1 A1 B1 C2

The indicator of the [Demo] button will light. When the last song has been

played, playback will return to the first song and resume.

2 . To stop the demo song playback, press the [Demo] button to

make the indicator go out.

The demo song playback will stop.

1 2

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Pla y in g th e Ke y b o a rd

Se le ctin g th e In stru m e n t So u n d Yo u

W ish to Pla y

The F-90 allows you to play using ten different sound including piano.

You can select the tones using the five tone buttons; two tones are assigned

to each button. You can switch the two tones assigned to each button by

pressing the [Variation] button to switch this on and off.

Tone button

[Variation] button

OFF (dark)

[Variation] button

ON (lit)

Piano

Grand Piano

Stage Rhodes

Harpsichord

Pipe Organ

Strings

Bright Piano

Electric Piano

Organ Flute

Rotary Organ

Choir

E.Piano

Harpsichord

Organ

Strings

When the F-90 is turned on, the tone is reset to Grand Piano.

fig.02-01

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

1 . Press any Tone button.

The indicator on the selected button lights up.

2 . You can select tones by switching the [Variation] button on

(indicator lit) and off (indicator off).

The Tone you’ve selected is heard when you finger the keyboard.

The next time you choose this Tone button, the tone you’ve selected here is

played.

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Pla y in g th e Ke y b o a rd

La y e rin g Tw o In stru m e n t So u n d s

(Du a l Pla y )

You can hold down one Tone button and press another Tone button to layer

two sounds for playing together.

This function is called “Dual Play.”

Example: Combining Piano and Strings

fig.02-02

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

1 . While pressing the [Piano] button, also press the [Strings]

You can adjust the volume

balance between the two

selected tones in Dual Play.

For details, refer to

button.

The indicators for both buttons light.

“Changing the Volume

Balance in Dual Play” (p .

20).

When you then play the keyboard, the layered sounds of the piano and

strings will play.

The [Variation] button indicator now indicates the selected tone button’s

right tone.

When the power is turned

on, the sound of the left

tone button is set to be

louder.

Switching the [Variation] button on and off switches the right tone button

tone.

2 . To exit Dual Play, press either Tone button.

When you play the keyboard, only the sound of the button you pressed will

be heard.

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Pla y in g th e Ke y b o a rd

Ad d in g Re ve rb e ra tio n to So u n d s

(Re ve rb Effe ct)

You can apply a reverb effect to the notes you play on the keyboard.

Applying reverb adds pleasing reverberation to what you play, so it sounds

almost as if you were playing in a concert hall.

When the power is turned on, the reverb effect will be cancelled.

fig.02-03

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

1, 2

1 . Press the [Reverb] button, and confirm that its indicator has

lighted.

The reverb effect is applied to the sound.

You can select the depth of

reverb effect. For details,

refer to “Changing the

Depth of the Reverb” (p .

20).

2 . Pressing the [Reverb] button once more turns off the

button’s indicator and cancels the reverb effect.

So u n d in g th e Me tro n o m e

Here’s how you can make use of the metronome.

fig.02-04

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

1, 2

1 . Pressing the [ (Metronome)] button starts the metronome’s

sound.

The [

(Metronome)] button’s indicator flashes in time with the tempo

selected at that time.

2 . To stop the metronome, press the [

(Metronome)] button,

extinguishing its indicator.

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Pla y in g th e Ke y b o a rd

☞ Ch a n g in g th e Me tro n o m e Te m p o

To change the tempo, specify the numerical values by pressing the keys to

Using the “tempo setting

sheet” included with the F-

90 makes it easier to grasp

the values assigned to each

key. For details, refer to

“Applying the Tempo

Setting Sheet” (p . 8 ).

which the numbers 0–9 or +/ - are assigned.

You can set a tempo in the range of 20–250.

Example: Specifying a Tempo of 96

fig.02-05

Variation

Demo

Dual Balance

Key Touch

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

The fourth C key from the left (C4)

Dual Balance

Key Touch

1 2 3 4 5 6 7 8 9 0

En te r

1 . Hold down the [

(Metronome)] button and press the “9”

and “6” keys in that order, then press the “Enter” key.

The metronome tempo switches to 96.

You can use this method of holding down the [

(Metronome)] button

and pressing the keys to which the numerical values are assigned (C4–E5)

and “Enter” key (F5) to use numerals to specify the tempo.

The tempo can be set to any

value from 20 through 250.

If a value less than 20 is

specified, the tempo is set

to 20.

Increasing and Decreasing the Tempo One Count at a Time

fig.02-06

Increase

the tempo

Decrease

the tempo

If a value greater than 250

is specified, the tempo is set

to 250.

Variation

Demo

Dual Balance

Key Touch

While holding down the [ (Metronome)] button

Press

1 . While holding down the [

(Metronome)] button, press C

to decrease the tempo by one count, or press D to increase

the tempo by one count.

While holding down the [

(Metronome)] button, also hold down C or

to change the tempo continuously.

You can change the tempo by pressing any C or D key.

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Pla y in g th e Ke y b o a rd

☞ Ch a n g in g th e Be a t o f th e Me tro n o m e

To change the beat, specify the beat by pressing the key (A0–E1) to which

the beat is assigned.

You can select from the following five types: 0 (only upbeat sounds), 2 (2-

beat), 3 (3-beat), 4 (4-beat), 6 (6-beat).

fig.02-07

Variation

Demo

Dual Balance

Key Touch

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

0 2 3 4 6

1 . Hold down the [

(Metronome)] button and press the key

to which the beat is assigned.

☞ Ad ju stin g th e Vo lu m e

You can adjust the volume of the metronome to any of five possible levels.

The setting is at “3” when the power is turned on.

fig.02-08

Increase the metronome

volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

While holding down...

Press

1 . Hold down the [ (Metronome)] button and press one of

the Tone buttons.

The Tone button indicator will blink to indicate the current volume, when

press and hold the [

(Metronome)] button.

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So m e Ha n d y Fu n ctio n s

Ch a n g in g th e Ke y b o a rd ’s

To u ch

Disa b lin g Bu tto n s

(Pa n e l Lo ck )

You can change the touch sensitivity, or response of the keys.

Making the setting for the panel lock enables a state where

only piano play is possible, and all buttons are disabled.

As the settings are not changed, this is convenient for piano

The setting is at “Medium” when the F-90 is powered up.

fig.03-01

Harpsi-

Piano E.Piano chord Organ Strings

Reverb

Variation

Demo

performances.

fig.03-02

Dual Balance

Key Touch

Power

Piano

While holding down... Press

1 . Hold down the [

(Metronome)] button and

press the [Demo] button.

While holding down...

Turn the power ON

The [

(Metronome)] button, [Demo] button and the

1 . Before you switch on the power, turn the volume

tone button for the currently selected value flash.

down all the way by rotating the [Volume] knob.

2 . Press any Tone button.

2 . While holding down the [Piano] button, press

The pressed button’s indicator blinks.

the [Power] switch to turn on the power.

3 . Adjust the volume.

Tone

Touch

Descriptions

button

Sensitivity

Fingering the keyboard now produces a grand piano

sound. It will be not possible to switch to another sound.

Piano

Fixed

Notes are sounded at an

unchanging volume level,

regardless of how lightly

or forcefully you finger

the keyboard.

4 . By turning the power off and then on once again,

the keyboard returns to its normal status with

Panel Lock cancelled.

E.Piano

Light

Fortissimo (ff) can be ob-

tained with weaker touch

than usual, so, you will

feel that the keyboard is

lighter. This setting makes

it easy to play, even for

children.

Harpsi-

chord

Medium

Heavy

This is the most natural

touch for the keyboard.

This is the closest to the

touch of an acoustic piano.

Organ

Fortissimo (ff) can be ob-

tained only with forceful

playing, so you will feel

that the keyboard is heavi-

er. Dynamic fingering

adds even more feeling to

what you play.

* The [Strings] button cannot be used in this operation.

3 . Press the [

(Metronome)] button or the [Demo]

button.

The button’s indicator returns to its previous state.

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So m e Ha n d y Fu n ctio n s

Tra n sp o sin g w ith o u t

Ad ju stin g th e Pitch o f th e

Ch a n g in g Yo u r Ke y b o a rd

Fin g e rin g (Ke y Tra n sp o se )

So u n d (Ma ste r Tu n in g )

In situations such as when playing ensemble with other

instruments, you can tune the F-90’s reference pitch to the

pitch of another instrument. The reference pitch generally

refers to the pitch of the note that’s played when you finger

the middle A key.

You can transpose the key of a performance without having

to shift the position of your fingers on the keyboard.

This feature is called “Key Transpose.”

In situations such as when providing accompaniment to a

song, using the Key Transpose function to match the singer’s

vocal register lets you easily transpose the sounds without

changing the score.

For a cleaner ensemble sound while performing with one or

more other instruments, ensure that each instrument’s

reference pitch is in tune with that of the other instruments.

This tuning of all the instruments to a reference pitch is

called “master tuning.” You can set the reference pitch

anywhere in a range of 415.3 Hz to 466.2 Hz.

These settings remains in effect until you turn off the power.

fig.03-03

Variation

Demo

When the instrument is turned on, the reference pitch is set

to “440.0 Hz.”

Dual Balance

Key Touch

fig.7-06

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

Variation

Demo

Dual Balance

Key Touch

Variation

Demo

Dual Balance

Key Touch

C2~B2

1 . While holding down the [Variation] button and

[Demo] button, press the tonic (root) of the key to

which you want to transpose.

C4~D#4

Use the C2-B2 notes to select the tonic.

☞ Lo w e rin g / ra isin g th e

2 . To return to the normal pitch, while holding

down the [Variation] button and [Demo] button,

press the C2 key.

Re fe re n ce Pitch

1 . While holding down the [Variation] button and

[Demo] button, press the “C4” note to lower the

<Ex .>

reference pitch, or the “D4” note to raise it.

fig.7-07.e

For example if you want the E pitch to sound when you play

the C key, you would hold down the [Variation] button and

Lower

Raise

the pitch the pitch

[Demo] button and press the E2 key.

fig.03-04

Variation

Demo

Variation

Demo

Dual Balance

Key Touch

While holding down two buttons...

Dual Balance

Key Touch

Press

While holding down two buttons...

Press

Each time you press the “C4” key, the pitch will fall by

0.1 Hz. If you continue holding the key, the pitch will

continue falling.

N O TE

The transposition setting is effective only on sounds

performed on the F-90’s keyboard. This setting is not

Each time you press the “D4” key, the pitch will rise by

0.1 Hz. If you continue holding the key, the pitch will

continue rising.

effective on tones from external MIDI messages played on

the F-90.

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So m e Ha n d y Fu n ctio n s

1 . \While holding down the [Variation] button, press

the [ (Metronome)] button.

☞ Se ttin g th e Re fe re n ce Pitch to

4 4 0 .0 Hz

1 . While holding down the [Variation] button and

The [Variation] button, [

(Metronome)] button and

[Demo] button, press the “C 4” key on the

keyboard.

the tone button for the currently selected value flash.

2 . Press any Tone button.

fig.7-08.e

C#4

The pressed button’s indicator blinks.

Variation

Demo

Tone

Description

button

Dual Balance

Key Touch

Piano

Of the two selected tones, the tone assigned to

the left Tone button sounds louder.

While holding down two buttons...

Press

E. Piano

Of the two selected tones, the tone assigned to

the left Tone button sounds somewhat louder.

The reference pitch will be set to 440.0 Hz. This is the

most commonly used setting. The A4 (Middle A) key

will sound at 440.0 Hz.

Harpsi-

chord

The two selected tones are played at the same

volume.

Organ

Of the two selected tones, the tone assigned to

the left Tone button sounds somewhat quiet-

er.

☞ Se ttin g th e Re fe re n ce Pitch to

4 4 2 .0 Hz

1 . While holding down the [Variation] button and

Strings

Of the two selected tones, the tone assigned to

the left Tone button sounds quieter.

[Demo] button, press the “D 4” key on the

keyboard.

3 . Press the [

(Metronome)] button or the

fig.7-09.e

D#4

[Variation] button.

The button’s indicator returns to its previous state.

Variation

Demo

You can also return to the previous state by pressing the

[Demo] button.

Dual Balance

Key Touch

While holding down two buttons

Ch a n g in g th e De p th o f th e

Re ve rb

Press

The reference pitch will be set to 442.0 Hz. This setting is

often used for concert pianos. The A4 (Middle A) key

will sound at 442.0 Hz.

The depth of the reverb effect (p. 15) can be adjusted.

There are five levels of depth from which to choose.

This is set to “3” when the power is turned on.

fig.7-15.e

Ch a n g in g th e Vo lu m e

Ba la n ce in Du a l Pla y

More strongly

reverb

Variation

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Demo

You can change the volume balance between the two layered

sounds in Dual Play (p. 14).

Dual Balance

Key Touch

When the keyboard is turned on, the volume balance is set to

that the tone assigned to the left Tone button sounds louder

of the two selected tones.

While holding

down...

Press

This setting remains in effect until the keyboard’s power is

1 . Holding down the [Reverb] button, press any

turned off.

fig.5-04.e

Tone button.

The tone assigned

to the left Tone button

sounds louder

The tone assigned

to the left Tone button

sounds quieter

☞ Ch e ck in g th e d e p th o f th e

Harpsi-

Re ve rb Effe ct

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

1 . Press and hold the [Reverb] button.

Dual Balance

Key Touch

The Tone button indicators will blink to indicate the

selected depth.

While

holding down...

Press

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Co n n e ctin g to Au d io Eq u ip m e n t

Read this chapter if you wish to connect the F-90 to an audio

N O TE

device.

Once the connections have been completed, turn on power to

By connecting the F-90 with an audio device, you can listen

to the sound of the F-90 through the speakers of the audio

device, or record your performance onto a cassette tape or

other recording media.

your various devices in the order specified. By turning on

devices in the wrong order, you risk causing malfunction

and/ or damage to speakers and other devices.

☞ Liste n in g to th e F-9 0 th ro u g h th e

sp e a k e rs o f a n a u d io d e vice , o r

re co rd in g a p e rfo rm a n ce o n to a

Ab o u t th e Ja ck s

fig.8-01

ca sse tte ta p e o r o th e r m e d ia

fig.8-02

(

)

(

)

Mono

Input R/L

Input

Output

Out

MIDI

(Line In, Aux In)

O u tp u t Ja ck s

Use audio cables (sold separately) to connect the F-90 to an

audio device so that the sound of the F-90 can be hear from

the speakers of the audio device, or so that your performance

can be recorded on a cassette tape or other recording media.

F-90

(

)

(

)

Mono

Input

Output

Out

MIDI

1 . Turn on the power to the F-90.

In p u t Ja ck s

2 . Turn on the power to the connected equipment.

You can use audio cables (sold separately) to connect another

audio producing device to the F-90, and hear its sound

through the speakers of the F-90.

3 . Adjust the volume.

Re co rd in g p ro ce d u re

Ma k in g th e Co n n e ctio n s

1 . Connect the F-90 and the audio device.

2 . Start recording on the connected audio device.

3 . Begin playing on the F-90.

N O TE

To prevent malfunction and/ or damage to speakers or other

devices, always turn down the volume, and turn off the

power on all devices before making any connections.

4 . When you finish playing, stop recording.

☞ Liste n in g to th e so u n d o f a n a u d io

1 . Turn the volume down completely on all

d e vice th ro u g h th e sp e a k e rs o f th e

equipment.

F-9 0

2 . Turn off the F-90 and any other devices to be

fig.8-03

Output R/L

(Line Out)

connected.

3 . Use audio cables (sold separately) to connect the

other device to the F-90.

F-90

N O TE

(

)

(

)

Mono

If the device you are connecting is monaural, connect it to the

Input

Output

Out

MIDI

L (Mono) jack. In this case, do not connect the R jack of the F-

90.

1 . Turn on the power to the connected equipment.

2 . Turn on the power to the F-90.

3 . Adjust the volume.

N O TE

Use a cable from Roland to make the connection. If using

some other make of connection cable, please note the

following precautions.

N O TE

Some connection cables contain resistors. Do not use cables

that incorporate resistors for connecting to this unit. The use

of such cables can cause the sound level to be extremely low,

or impossible to hear. For information on cable specifications,

contact the manufacturer of the cable.

If the volume of any device connected to the Input jacks is

raised too high, you not only risk causing damage to your

hearing, you could also damage the unit’s speakers. It’s best

to always keep the sound within reasonable levels of volume.

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Co n n e ctin g to MIDI De vice s

Read this chapter if you wish to connect the F-90 to an

Ma k in g th e Co n n e ctio n s

external MIDI device.

If the F-90 is connected to a MIDI sequencer, such as one

from the MT series, you can record your performance on the

MIDI sequencer. The rich variety of sounds built into the MT

series sequencer can be played from the keyboard of the F-90.

N O TE

To prevent malfunction and/ or damage to speakers or other

devices, always turn down the volume, and turn off the

power on all devices before making any connections.

1 . Turn the volume down completely on all

Ab o u t MIDI

equipment.

MIDI, short for “Musical Instrument Digital Interface,”

was developed as a standard for the exchange of

performance data between electronic instruments and

computers.

2 . Turn off the F-90 and any other devices to be

connected.

3 . Use the optional MIDI cable to connect the MIDI

connector on the external MIDI device to the

MIDI connector on the F-90.

The F-90 is equipped with MIDI connectors to allow

such exchange of performance data with external

equipment and devices. Connecting the keyboard to

other devices with these connectors provides you with

an even greater variety of ways to use your keyboard.

Take a look at the connection examples.

4 . Turn on the power to all equipment.

5 . Adjust the volume.

6 . You should also make the following settings as

Ab o u t th e MIDI Co n n e cto rs

needed.

For details on making MIDI-related settings for the

F-90, refer to p. 23 through p. 24.

fig.8-01.e

Connection Examples:

Out

MIDI

Connecting to a sequencer (The Roland MT Series)

MIDI connectors on the rear panel

fig.8-02.e

Sequencer

MIDI In Co n n e cto r

Use a MIDI cable (sold separately) to connect from here to

the MIDI Out connector on the external MIDI device.

Out

MIDI

F-90

MIDI messages sent from connected external equipment will

be received here. As a result, the F-90 will produce sound,

change tones, or perform other operations.

(

)

(

)

Mono

Input

Output

Out

MIDI

MIDI O u t Co n n e cto r

* The MT-80s/ 90s has no MIDI Out connector.

Use a MIDI cable (sold separately) to connect from here to

the MIDI In connector on the external MIDI device.

Connection Examples: Connecting to a MIDI sound module

fig.8-03.e

Sound Module

Performance data detailing what has been played on the

keyboard, and other data, such as that generated when a

pedal is depressed, is sent out from here to external MIDI

devices.

MIDI

THRU

OUT

F-90

(

)

(

)

Mono

Input

Output

Out

MIDI

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Co n n e ctin g to MIDI De vice s

☞ Sw itch in g Lo ca l O n / O ff

Local On is set when the power is switched on.

Ca u tio n s w h e n Co n n e ctin g

a n Ex te rn a l MIDI De vice

1 . While holding down the [Variation] button and

Here we will explain the “Local On/ Off” and “Omni On/

Off” settings that you need to be aware of when connecting

the F-90 to an external MIDI device.

[Demo] button, the “C8” note to turn the setting

On, or press the “B7” note to turn the setting Off.

fig.8-07.e

☞ Disco n n e ctin g th e F-9 0 ’s

k e y b o a rd a n d in te rn a l so u n d

g e n e ra to r (Lo ca l O n / O ff)

Variation

Demo

Dual Balance

Key Touch

When the F-90 is connected to a MIDI sequencer or the like,

Power

set it to Local Off.

As shown in the diagram, the data that is produced when

you play the keyboard will reach the sound generator by two

routes, (1) and (2), causing each note to be played in

Local Off

Local On

duplicate. To prevent this, select the Local Off setting to cut

route (1).

fig.8-04.e

If the F-90 is connected to a Roland MT series (except MT-

80s/ 90s), it is not necessary to make the Local Off setting.

When the power is turned on, the MT series will transmit a

Local Off message. If you turn the power on in the order of

first the F-90 and then the MT series, the F-90 will

automatically be set to Local Off.

(1)

Local On

Sequencer

Memory

MIDI

OUT

MIDI

Sound

Generator

MIDI

OUT

MIDI

(2)

☞ Re ce ivin g o n a ll MIDI ch a n n e ls

Thru function On

Each note played

is sounded twice

(O m n i O n / O ff)

When set to Omni On, the F-90 will sound as a result of

received MIDI messages, no matter which channel the

messages arrive on.

This sets it to Local On:

fig.8-05.e

Sound is emitted

Sound Generator

When set to Omni Off, the F-90 will recognize only the

messages that arrive on the MIDI channel that has been

selected, as explained under “Set the MIDI Channel.”

Local On

☞ Sw itch in g O m n i O n / O ff

Omni On is automatically set when the power is switched on.

1 . Hold down the [Variation] button and [Demo]

This sets it to Local Off:

fig.8-06.e

button, and press the “A7” note to turn the setting

On, or the “G7” note to turn the setting Off.

fig.8-08.e

No sound produced

Sound Generator

Variation

Demo

Dual Balance

Key Touch

Local Off

Power

N O TE

Be aware that if you set your instrument to Local Off when

no external MIDI device is connected, there will be no sound.

Omni Off

Omni On

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Co n n e ctin g to MIDI De vice s

☞ Se t th e MIDI Ch a n n e l

MIDI features sixteen MIDI channels, numbered 1–16.

The connected devices must be set to use the same MIDI

channels, otherwise no sound will be produced.

In a setup where you wish to play the F-90 and also have

another MIDI-equipped instrument or sound module play

the same notes, you should first set the channel used for

reception on your external device to the same channel that

you have the F-90 set to use for transmission.

Upon power-up, the F-90 is set to Omni On (p. 23). This

means that if you are using a MIDI keyboard or MIDI

sequencer to play the F-90’s tones, messages will be received

on all channels, regardless of any MIDI channel settings. If

you want to receive only on a specific channel that a

connected MIDI device will be using, switch the F-90 to

Omni Off, then set the MIDI channel.

When the F-90 is turned on, Channel “1” is selected.

1 . While holding down the [Variation], and [Demo]

buttons, press the appropriate key (C5–D#6) on

the keyboard.

The MIDI transmit channel and receive channel will

switch to the number that corresponds to the note you

pressed.

fig.8-09.e

Variation

Demo

Dual Balance

Key Touch

Power

14 16

10 12 13

MIDI Channel

2 4

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Tro u b le sh o o tin g

If you are encountering problems with the unit, please read

the section below before assuming that there is a

malfunction.

Case

Cause/What to do

If you can’t hear the prob-

lem in the headphones:

When playing at high vol-

umes, resonance may oc-

cur in the piano itself or in

objects near the piano. At

times, other objects in the

room, such as fluorescent

lights or glass doors, could

start vibrating. Such phe-

nomenon becomes more

prevalent when sounding

the lower frequencies at

high volume. To minimize

such unwanted resonance,

please observe the follow-

ing:

Case

Cause/What to do

The piano cannot be

switched on

Is the AC adaptor properly

connected? (p. 10)

Is the [Volume] knob set to

the minimum position? (p. 11)

Are the headphones connect-

ed? (p. 11)

No sound is produced

Is Local On/ Off set to “Off”?

(p . 2 3)

Bass notes sound wrong/

buzzing or vibration oc-

curs

Is the speaker cable properly

connected? (p. 6)

- Locate the instrument so

it is 10-15 cm away from

walls.

- Reduce the volume.

- Increase the distance

from the object that is

resonating.

Depending on the setting for

volume balance, and the par-

ticular selection of tones you

make, certain tones may be

difficult to hear when layered.

Try adjusting volume balance

(p . 2 0).

Only One Tone Plays in

Dual Play

If you can hear the problem

in the headphones:

Demo songs do not play

Metronome does not

sound

The problem may be for a

different reason. Please

contact your dealer.

Is Panel Lock on? (p. 18)

Buttons do not function

W h e n th e F-9 0 is co n n e cte d to a n e x te rn a l

d e vice

Keyboard sound does not

change

Is the power to all equipment

turned on?

Two sounds are pro-

ducedwhenthekeyboard

is played

Is the keyboard in Dual Play

mode? (p. 14)

Are the connections between

F-90 and the MIDI sequencer

or the other external devices

Is the Master Tuning setting

correct? (p. 19)

The pitch of the keyboard

sounds incorrect

No sound is produced

correct? (p. 21, p. 22)

Is the Key Transpose setting

correct? (p. 19)

Is the MIDI channel setting

correct? (p. 24)

The pedals are not func-

tioning, or function inter-

mittently

Are the pedals connected

properly? (p. 10)

Is the Omni On/ Off setting

correct? (p. 23)

With the sequencer’s “Thru”

Strange sounds (or two

Raising the volume too high

may distort the sound. Adjust

the volume level with the

[Volume] knob. (p. 11)

function on, the same notes

sounds) are produced

Sound is distorted

may be sounded twice. Set the

when the F-90 is played

F-90 to Local off (p. 23).

Could you be using a connec-

tion cable that contains a re-

sistor?

Use a connection cable that

does not contain a resistor.

On an acoustic piano, notes in

the upper one and a half oc-

taves of the keyboard contin-

ue to sound until they decay

naturally, regardless of the

damper pedal. There is a dif-

ference in the timbre as well.

Roland pianos faithfully sim-

ulate such characteristics of

the acoustic piano. On the F-

90, the range that is unaffect-

ed by the damper pedal will

change depending on the Key

Transpose setting.

The volume level of the

instrument connected to

the Input jack is too low.

In the upper range, the

sound changes abruptly

beyond a certain key

2 5

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De m o So n g List

☞ “Listening to the Demo Songs” (p. 12)

Variation

Demo

• Hold down the [Demo] button and

press the key that corresponding

to the song you wish to hear.

Dual Balance

Key Touch

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

Power

10 12 14 17 19 22 24 26

53 55 58 60

•••

1 3 4 6 8 9 11 13 15 16 18 20 21 23 25 27

54 56 57 59

. . .

A0 B0 C1 D1 E1 F1 G1 A1 B1 C2

No. Key

Song Name

1ére Arabesque

Composer

Bb0

C. Debussy

Sonate für Klavier No. 15

1ère Gymnopédie

Golliwog’s Cake walk

Liebesträume III

W. A. Mozart

E. Satie

C. Debussy

F. Liszt

Db1

Je te veux

E. Satie

Eb1

Étude, op.10-3

F. Chopin

C. Debussy

F. Chopin

J. Strauss

Clair de Lune

Valse, op.64-1

F#1

Fantaisie-Impromptu

An der schönen, blauen Donau

Auf Flügeln des Gesanges

Mazurka No.5

Ab1

F. Mendelsshon

F. Chopin

C. Debussy

F. Chopin

T. Badarzewska

P. Tchaikovsky

E. Grieg

Bb1

Étude, op.25-1

Étude, op.10-5

Doctor Gradus ad Parnassum

Grande Valse Brillante

La prière d’une Vierge

Course en Troïka

Db2

Eb2

To The Spring

Valse, op.64-2

F. Chopin

J. Strauss

F#2

Radetzky Marsch

Träumerei

R. Schumann

F. Schubert

F. Chopin

G. Handel

Ab2

Moments Musicaux III

Prélude, op.28-15

Bb2

The harmonious blacksmith

2 6

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De m o So n g List

No. Key

Song Name

Composer

Ungarische Tänze V

Türkischer Marsch

Nocturne No.2

Frühlingslied

Präludium

J. Brahms

L. v. Beethoven

F. Chopin

Db3

F. Mendelsshon

J. S. Bach

Eb3

Jägerlied

F. Mendelsshon

M. Ravel

Menuet Antique

Für Elise

F#3

L. v. Beethoven

W. A. Mozart

F. Schubert

A. Dvorjak

G. Lange

Türkischer Marsch

Ständchen

Ab3

Humoreske

Bb3

Blumenlied

Alpenglöckchen

Menuett G dur

Venezianisches Gondellied

Alpenabendröte

Farewell to the Piano

Brautchor

T. Oesten

L. v. Beethoven

F. Mendelsshon

T. Oesten

Db4

Eb4

L. v. Beethoven

W. Wagner

W. Anderson

C. Czerny

Battle of Waterloo

Wiener Marsch

Le Coucou

F#4

L. C. Daquin

J. S. Bach

Ab4

Menuett G dur

Spinnerlied

A. Ellmenreich

F. Gossec

Bb4

Gavotte

Heidenröslein

Zigeuner Tanz

La Cinquantaine

Csikos Post

G. Lange

H. Lichner

Db5

G. Marie

H. Necke

Eb5

Dolly’s Dreaming Awakening

La Violette

T. Oesten

L. Streabbog

R. Schumann

M. Clementi

F. Kuhlau

Fröhlicher Landmann

Sonatine op.36-1

Sonatine op.20-1

Sonatine No.5

F#5

Ab5

L. v. Beethoven

a violation of applicable laws.

* No data for the internal songs that is played will be output from MIDI OUT connector.

2 7

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MIDI

Im p le m e n ta ti

o n

DIGITAL PIANO

Date : May. 1, 2001

Version : 1.00

Model F-90

MIDI Implementation Chart

Transmitted

Recognized

Remarks

Function...

Basic

Default

Channel

Changed

1–16

Default

Messages

Altered

Mode 1

OMNI ON/OFF

Mode

**************

15–113

Note

0–127

Number :

15–113

True Voice

**************

Note ON

Note OFF

Velocity

8n v=64

After

Touch

Key's

Ch's

Pitch Bend

6, 38

Data entry

O *1

Volume

Expression

Hold 1

Control

Change

Sostenuto

Soft

Effect1 depth (Reverb)

RPN LSB, MSB

100, 101

Prog

Change

O (0...53)

**************

O (0–127)

0...53

: True Number

System Exclusive

: Song Pos

: Song Sel

: Tune

System

Common

System

Real Time

: Clock

: Commands

: All sound off

Reset all controllers

Aux

Message

: Local ON/OFF

: All Notes OFF

: Active Sense

: System Reset

O (123–127)

Notes

*1 This message can affect only MIDI notes.

Mode 1 : OMNI ON, POLY

Mode 2 : OMNI ON, MONO

O : Yes

X : No

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

984

* A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way MIDI

has been implemented on this unit. If you should require this publication (such as when you intend to carry out byte-level

programming), please contact the nearest Roland Service Center or authorized Roland distributor.

2 8

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Ma in Sp e cifica tio n s

F-9 0 : Ro la n d Dig ita l Pia n o

Ke y b o a rd

De m o So n g s

88 keys (Progressive Hammer Action Keyboard)

To u ch Se n sitivity

Co n n e cto rs

Light, Medium, Heavy, Fixed

Headphones Jack (Stereo miniature phone type) x 2

MIDI Connectors (In, Out)

Output Jacks (L/ Mono, R)

Input Jacks (L/ Mono, R)

Pedal Jacks (Damper, Soft)

Ke y b o a rd Mo d e

Whole

Dual (adjustable volume balance)

Po w e r Su p p ly

DC 9 V (AC Adaptor)

Ma x im u m Po ly p h o n y

64 voices

Po w e r Co n su m p tio n

2,000 mA

To n e s

10 (Grand Piano, Bright Piano, Stage Rhodes, Electric

Piano, Harpsichord, Pipe Organ, Rotary Organ, Organ

Flute, Strings, Choir)

Dim e n sio n s (w ith o u t th e m u sic sta n d )

1,337 (W) x 295 (D) x 772 (H) mm

52-11/ 16 (W) x 11-5/ 8 (D) x 30-7/ 16 (H) inches

Effe cts

W e ig h t

Reverb (5 levels)

36 kg / 79 lbs 6 oz

Chorus (fixed for E. Piano only)

Sympathetic Resonance (fixed for Piano only)

Acce sso rie s

Owner’s Manual

AC Adaptor

AC Cord

Ke y Tra n sp o sitio n

-6 to +5 (semitone steps)

Music Stand

Pedal

Ma ste r Tu n in g

415.3 Hz to 466.2 Hz (0.1 Hz steps)

Cover

Be a t

0, 2, 3, 4, 6

* In the interest of product improvement, the specifications and/

or appearance of this unit are subject to change without prior

notice.

Vo lu m e

5 levels

Te m p o

Quarter note = 20 to 250

12 cm x 2

5 W x 2

2 9

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Fu n ctio n s Assig n e d to th e Ke y b o a rd

Fu n ctio n s fo r Me tro n o m e

Variation

Demo

• While holding down the [ (Metronome)] button,

press the corresponding key.

Dual Balance

Key Touch

Decrease

the tempo

(-)

Increase

the tempo

(+)

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key ouch

Min

Max

Power

0 2 3 4 6

1 2 3 4 5 6 7 8 9 0

Enter

Changing the Beat (p. 17)

Specifying the Tempo (p. 16)

O th e r Fu n ctio n s

Variation

Demo

• While holding down the [Variation] button and

[Demo] button, press the corresponding key.

Dual Balance

Key Touch

Volume

Harpsi-

Reverb

Piano E.Piano chord Organ Strings

Variation

Demo

Dual Balance

Key Touch

Min

Max

Power

Key Transpose

(p. 19)

Master Tuning

(p. 19)

Setting the MIDI Channel

(p. 24)

3 0

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In d e x

440.0 H z ...................................................................................... 20

442.0 H z ...................................................................................... 20

MIDI Channel ........................................................................... 24

MIDI Devices ............................................................................. 22

MIDI In Connector ................................................................... 22

MIDI Out Connector ................................................................ 22

Music Stand ............................................................................... 10

AC Adaptor ............................................................................... 10

Assembly ..................................................................................... 6

Audio Equipment ..................................................................... 21

Omni On/ Off ............................................................................ 23

Output J a cks .............................................................................. 21

B e at ............................................................................................. 17

Panel Lock ................................................................................. 18

Pedal ........................................................................................... 10

Playback ..................................................................................... 12

Power ......................................................................................... 11

[Power] Switch .......................................................................... 11

Connecting

Audio Equipment ............................................................... 21

MIDI Devices ...................................................................... 22

Damper Pedal ........................................................................... 10

Demo S ong .......................................................................... 12, 26

Dual Play ............................................................................. 14, 20

Reference Pitch .......................................................................... 19

[Reverb] B u tton ......................................................................... 15

Reverb Effect ............................................................................. 15

Changing the Depth of the Reverb .................................. 20

Headphones .............................................................................. 11

Input J a cks ................................................................................. 21

Soft Pe d al ................................................................................... 10

S p eaker Cable .............................................................................. 7

Key Transpose ........................................................................... 19

Keyboard ’s To u c h .................................................................... 18

Tempo ........................................................................................ 16

Tempo S etting Sheet ................................................................... 8

Tone ............................................................................................ 13

Tone B u tton ............................................................................... 13

Touch Sensitivity ...................................................................... 18

Transpose ................................................................................... 19

T u ning ........................................................................................ 19

Local On/ Off ............................................................................. 23

Master Tuning ........................................................................... 19

Metronome ................................................................................ 15

B e at ....................................................................................... 17

Tempo .................................................................................. 16

Volume ................................................................................ 17

[Variation] B u tton ..................................................................... 13

Volume ....................................................................................... 11

Volume B a lance ........................................................................ 20

[Volume] Knob .......................................................................... 11

[

(Metronome)] B u tton ....................................................... 15

MIDI ........................................................................................... 22

For EU Countries

This product complies with the requirements of European Directive 89/336/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

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In fo rm a tio n

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as

shown below.

PAN AMA

ITALY

ISRAEL

SIN GAPO RE

AFRICA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

Halilit P. Greenspoon &

Swee Lee Company

150 Sims Drive,

Sons Ltd.

SINGAPORE 387381

TEL: 6846-3676

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

CRISTOFORI MUSIC PTE

LTD

Blk 3014, Bedok Industrial Park E,

#02-2148, SINGAPORE 489980

TEL: 6243-9555

N O RW AY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (021) 492-124

JO RDAN

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

TEL: 20-2-417-1828

REUN IO N

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

TAIW AN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan

N.Road Sec.2, Taipei, TAIWAN,

R.O.C.

TEL: 2273 0074

KUW AIT

Easa Husain Al Yousifi Est.

Abdullah Salem Street,

Safat, KUWAIT

PO LAN D

P. P. H. Brzostowicz

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

REUNION ISLAND

TEL: (0262) 218-429

TEL: 243-6399

TEL: (02) 2561 3339

SO UTH AFRICA

That Other Music Shop

(PTY) Ltd.

11 Melle St., Braamfontein,

Johannesbourg, SOUTH AFRICA

LEBAN O N

Chahine S.A.L.

Gerge Zeidan St., Chahine Bldg.,

Achrafieh, P.O.Box: 16-5857

Beirut, LEBANON

PO RTUGAL

THAILAN D

VEN EZUELA

Tecnologias Musica e Audio,

Roland Portugal, S.A.

Cais Das Pedras, 8/ 9-1 Dto

4050-465 PORTO

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

Musicland Digital C.A.

Av. Francisco de Miranda,

Centro Parque de Cristal, Nivel

C2 Local 20 Caracas

TEL: (01) 20-1441

P.O.Box 32918, Braamfontein 2017

Johannesbourg, SOUTH AFRICA

TEL: (011) 403 4105

PORTUGAL

TEL: (022) 608 00 60

Q ATAR

Al Emadi Co. (Badie Studio

& Stores)

P.O. Box 62,

Doha, QATAR

TEL: 4423-554

VENEZUELA

TEL: (212) 285-8586

VIETN AM

Saigon Music

138 Tran Quang Khai St.,

District 1

Ho Chi Minh City

VIETNAM

TEL: (08) 844-4068

Paul Bothner (PTY) Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

RO MAN IA

FBS LINES

Piata Libertatii 1,

RO-4200 Gheorghehi

TEL: (095) 169-5043

EURO PE

P.O.BOX 23032, Claremont 7735,

SOUTH AFRICA

TEL: (021) 674 4030

AUSTRIA

Roland Austria GES.M.B.H.

Siemensstrasse 4, P.O. Box 74,

A-6063 RUM, AUSTRIA

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary Bldg.,

1st Floor, Alkhobar,

SAUDI ARABIA

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

TEL: (095) 169 5043

AUSTRALIA/

N EW ZEALAN D

TEL: (0512) 26 44 260

ASIA

AUSTRALIA

BELGIUM/ HOLLAND/

LUXEMBO URG

Roland Benelux N. V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

CHIN A

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai, CHINA

TEL: (021) 5580-0800

SPAIN

Roland Electronics

de España, S. A.

Calle Bolivia 239, 08020

Barcelona, SPAIN

Roland Corporation

Australia Pty., Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

TEL: (93) 308 1000

TEL: (02) 9982 8266

Center

DEN MARK

SW EDEN

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 Anhuaxili

Chaoyang District, Beijing,

CHINA

Khaled Ebn Al Walid St.

Bldg. No. 47, P.O.BOX 13520,

Damascus, SYRIA

TEL: (011) 223-5384

N EW ZEALAN D

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

Roland Corporation Ltd.

32 Shaddock Street, Mount Eden,

Auckland, NEW ZEALAND

TEL: (09) 3098 715

TEL: 3916 6200

TURKEY

Barkat muzik aletleri ithalat

ve ihracat Ltd Sti

Siraselviler Caddesi Siraselviler

Pasaji No:74/ 20

TEL: (010) 6426-5050

FRAN CE

Roland France SA

4, Rue Paul Henri SPAAK,

Parc de l'Esplanade, F 77 462 St.

Thibault, Lagny Cedex FRANCE

TEL: 01 600 73 500

CEN TRAL/ LATIN

AMERICA

SW ITZERLAN D

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

HO N G KO N G

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

Taksim - Istanbul, TURKEY

TEL: (0212) 2499324

ARGEN TIN A

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai, U.A.E.

TEL: (04) 3360715

FIN LAN D

Roland Scandinavia As,

Filial Finland

Lauttasaarentie 54 B

Fin-00201 Helsinki, FINLAND

TEL: (0)9 68 24 020

UKRAIN E

TEL: 2415 0911

TIC-TAC

Mira Str. 19/ 108

IN DIA

P.O. Box 180

295400 Munkachevo, UKRAINE

TEL: (03131) 414-40

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi

Flats Compound Off. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

BRAZIL

Roland Brasil Ltda

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

GERMAN Y

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

UN ITED KIN GDO M

N O RTH AMERICA

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

TEL: (022) 2493 9051

IN DO N ESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

CAN ADA

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way Richmond

B. C., V6V 2M4 CANADA

TEL: (604) 270 6626

CO STA RICA

JUAN Bansbach

Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

TEL: (040) 52 60090

UNITED KINGDOM

TEL: (01792) 700139

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

MIDDLE EAST

KO REA

Roland Canada Music Ltd.

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

CHILE

Comercial Fancy S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

HUN GARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint, HUNGARY

TEL: (23) 511011

TEL: (905) 362 9707

MALAYSIA

BENTLEY MUSIC SDN BHD

140 & 142, Jalan Bukit Bintang

55100 Kuala Lumpur,MALAYSIA

TEL: (03) 2144-3333

TEL: 211 005

U. S. A.

EL SALVADO R

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

OMNI MUSIC

IRELAN D

Roland Ireland

Audio House, Belmont Court,

Donnybrook, Dublin 4.

Republic of IRELAND

TEL: (01) 2603501

75 Avenida Norte y Final

Alameda Juan Pablo

PHILIPPIN ES

Edificio No.4010 San Salvador,

EL SALVADOR

TEL: 262-0788

TEL: (323) 890 3700

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (022) 66-9426

IRAN

MOCO, INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

MEXICO

TEL: (02) 899 9801

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico D.F.

MEXICO

TEL: (021) 285-4169

As of December 1, 2002 (Roland)

TEL: (55) 5668-6699

This owner’s manual is printed on recycled paper.

02674912

’03-1-A3-61N

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